It's "Crying Because Eddie Diaz Is The Bestest Of Fathers" hours

Alex's hips in this scene. That's all.

something in your magnetism (2x01 / 6x18)

Nick is not at all like Henry — in any way. He didn’t need to be. What I needed to find in Henry was an actor who would take this fragile character and hold him in his hand, and protect him. I didn’t need to find an actor to play Henry. I needed to find a caretaker for Henry. Once I found Nick, I knew I had that. With Taylor, it was much more difficult because the Alexs of the world exist in so many different ways. There are so many different kinds of Alex Claremont-Diaz in the world, and threading the needle on the specificity of what Casey wrote that I wanted to honor — which is that wicked language-forward intelligence; that easy charm — that took a lot of time to find. Then, Taylor showed up. He isn’t at all like Alex, either. I watched Taylor in his auditions turn into this human cannonball. Nick holds the character, and Taylor had to turn himself into the character.

~ Matthew López

CINEMATIC PARALLELS ▸ 9-1-1 “Buck, Bothered and Bewildered” - 7.04 || Top Gun (1986)

BONUS ▸ Top Gun: Maverick (2022)

Oh, gee, kid, I'm sorry to interrupt your process of becoming but you're the one who decided to put your dick into the heir to the British throne.

national treasure Christopher Diaz

Gorgeous (Alex's Version)

my favorite madney scenes: [39/?] ⇢ Blindsided, 4.09

Silly boys <3

Please reblog, don’t repost :)

I am for real almost crying inside the bus thinking about Chris' first appearance and how he's so grown up right now I'm so emotional thinking about my Diaz boys

So Eddie sees Buck and Tommy on their date. And doesn’t even realize it’s a date, it’s just two friends eating dinner. Which is totally normal, him and Buck do it all the time.

Ok ok ok imagine:

Mirage secretly reading on emergency care for humans in case things get bad for Noah, so he can patch his boy up just like Noah is always patching him up because their love language is clearly reciprocation!

asjhfk that so asjhfs :U i love that so much anony

.... i imagine maybe .. he keeps little firstaid in his glove box but also for when kris is around too.

BTS of #RWRBMovie: Storming Kensington

From HELLO:

For Matthew, this scene was an important one, but one that he felt needed a different energy than what is on the page. "It is very similar and it's also simultaneously very different to the book which I think is just one way of describing this entire movie," he says. "Casey said to me after watching it for the second or third time, 'It's like there's my book, and then there's your movie and the two are very, very similar and also very different,' which is good because if the movie was so faithful to the book, it, I don't even think it would please the fans of the book.  "I know that's probably a controversial thing to say but it wouldn't have served the story very well." He continues: "I needed to observe the logic of a film and trust that I had internalized the emotional truths of the book and the Storming of Kensington in the book is a lot more chaotic and Alex is highly charged.  "When we were in rehearsals, and Taylor and Nick and I began to really delve into that scene, we realized quickly that if Alex came on that strong then Henry, given where he is mentally, would simply say, 'well, get out,' and kick Alex out. So we knew implicitly that we needed to do a different version of that scene, one in which Alex isn't at all certain of success.  "In the book, Alex is willing to burn down the castle in order to get what he wants, and although the scene actually uses a lot of dialogue from the book, our Alex in the film knows that if this doesn't work, their relationship is over. So he's a little more careful with Henry, more fearful, and Henry is more heartbroken, and those decisions really determined everything else that followed in the scene." 

From Glamour:

Galitzine, meanwhile, says his most rewarding time on set came during the film's emotional climax, when Alex and Henry must decide if—and how—they're going to move forward in their relationship. “It's the emotional height of the movie in a lot of ways, and sometimes as an actor, you can very much get in your head about that,” he says. “But Taylor really was just so emotionally present that it helped me. We got to a vulnerable, beautiful space. Those kinds of moments are where you drift into a level of truth and sincerity that feels very real. That's what we're always aiming for.”

From I’ve Never Said this Before With Tommy DiDario:

ML: We had to break for lunch, and we haven't finished the scene and I was really, really worried that we were gonna come back from lunch and I would've lost them and never re-captured what was happening on set before lunch. And it was the pivotal part of the scene, the end where Alex makes an ultimatum to Henry. We got back on set and we started filming again and instantly in the first take, after lunch, Taylor started crying and Nick was facing away from him and he heard Taylor, and Nick started crying. The back half of that scene is so beautiful because they're doing such great work and I really had a difficult time cutting it because there was such beautiful, nuanced work from both of them. What's so remarkable about it is they had just had lunch, and they came right back into it and they were more dialled in, more in touch with each other than before. It was pretty remarkable. I have to say that was the moment I knew that whatever happened with this movie, those two actors would be fine in their careers.

detours | 2.7k, teen

“Maybe next time we actually talk like two adults instead of waiting till one of us gets a sprained ankle.”  Buck laughs, full and hearty and loud, and something inside Eddie’s chest lets go. Buck’s a sight when he’s enjoying himself, all big and beefy and brawny but so gentle, so soft and tender, and Eddie missed Buck’s lack of inhibition and genuineness. He missed it so much he didn’t realize it was hurting until it stopped.  “Deal,” Buck agrees, scrubbing his hand down his face. He’s less red now—more pink, maybe, like those peonies Eddie planted in the backyard. Pretty. “How’s your ankle?”  Eddie blinks a few times to get Buck’s pink face out of his mind. “It’s fine,” he lies. His painkillers wore off a few minutes ago and he’s had worse, yeah, but that doesn’t mean it’s not aching. “I mean, it hurts, but it’s fine. It was partially my fault, anyway.”  “How?”  “I wore sneakers with a tall sole hoping I could get some inches on Tommy and the other guys,” he explains, shaking his head. He knows better—there’s a reason he never wears shoes when he’s doing legs at the gym. “I’m having a hard time accepting I’m five-eleven and a half.”  (Fuck what his doctor says, the half inch is important.)  Buck makes a goofy face. “I mean, it could be worse,” he says, holding both hands up in surrender. “You could be as short as Chim.”  Eddie reaches around on the couch for a balled up napkin and throws it right at Buck’s face. “You’re horrible!” he says, but he’s vindicated in being validated. He ought to now Buck isn’t ever going to leave him to flounder.  “Yeah, yeah. I know.” He picks up the napkin and tosses it back toward Eddie. “I brought your other shoe, by the way. It’s on the table.”  Eddie stretches high like a prairie dog and sees his missing shoe is, in fact, on his dining room table. He snorts and shakes his head. “Just call me Cinderella.”  Buck grins. “Does that make me your prince charming?”  Eddie grins, too, because how can he not? Buck’s here and it’s okay. They’re okay. “Something like that,” he says because he doesn’t think he’d mind Buck being his prince charming. He’s pretty good at being a damsel, at least. 

read the rest on ao3

eddie when buck tells him he's bi versus the immediate moment after when he tells him he's dating tommy