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humbug-demartino · 1 month
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"Lucky Strike" [S5 Ep06]
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insanityclause · 25 days
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Deadline’s Contenders Television, the event where stars and showrunners talk up their shows ahead of Emmy voting, has unveiled its lineup.
The event kicks off on Saturday April 13 and runs through Sunday April 14 at the Directors Guild of America in LA. There will also be a virtual livestream of the event. Full details of the event and an RSVP link can be found here.
It will give you a sense of the hits of the last twelve months, as well as some shows that you’re about to be talking about, as the networks, studios and streamers vie for some awards love.
Stars attending include Tom Hiddleston, Nicole Kidman, Brie Larson, Kristen Wiig, Rebecca Ferguson, Lily Gladstone, David Oyelowo, Common, Jimmy Fallon, Giancarlo Esposito, Joey King, Andrea Riseborough, Sebastian Maniscalco, Bill Pullman, Kiefer Sutherland, Logan Lerman, Kelsey Grammer, Matt Bomer, Jonathan Bailey, Allison Williams, Maya Erskine, Nathan Fielder, Skeet Ulrich, Jeff Probst, Omar J. Dorsey, Harriet Dyer, Patrick Brammall, Sophia Di Martino, Sarayu Blue, Ji-young Yoo and Taylor Zakhar Perez.
Shows that will be featured across the two days include Parish, Masters of the Air, Lessons in Chemistry, The Morning Show, Silo, Palm Royale, The New Look, Survivor, Colin From Accounts, A Murder at the End of the World, True Detective: Night Country, We Were the Lucky Ones, Under the Bridge, Murdaugh Murders: The Movie, Loki, Alice & Jack, Genius: MLK/X, The Tonight Show Starring Jimmy Fallon, 3 Body Problem, Mr. Monk’s Last Case: A Monk Movie, Lawmen: Bass Reeves, Frasier, Mr. & Mrs. Smith, Fallout, Expats, Red, White & Royal Blue, Fellow Travelers, The Curse, The Caine Mutiny Court-Martial, Platonic and Bookie.
There will also be numerous top showrunners and exec producers including Chuck Lorre, David Benioff, D.B. Weiss, Alexander Woo, Benny Safdie, Graham Yost, Gary Goetzman, Lee Eisenberg, Abe Sylvia, Brit Marling, Zal Batmanglij, Gina Prince-Bythewood, Francesca Sloane, Lulu Wang, Sarah Schechter and Nicholas Stoller.
The studios, networks and streamers participating include AMC, Apple TV+, CBS, CBS Studios, FX, HBO and Max, Hulu, Lifetime, Marvel Studios and Disney+, Masterpiece on PBS, National Geographic, NBCUniversal, Netflix, Peacock, Paramount+, Prime Video, Showtime, Sony Pictures Television and Warner Bros. Television.
The event is sponsored by Apple TV+, Eyepetizer Eyewear and Final Draft + ScreenCraft in partnership with Four Seasons Resort Maui and 11 Ravens.
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Both Tom and Sophia will be there.
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missmaywemeetagain · 2 years
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Okay, this is making me jealous of a wooden puppet lol!
https://at.tumblr.com/shockyhorror/176857278287/08rxbtcnothu
Okay, listen baby, this scene is SO WEIRD, like I am not a fan of puppets at all, BUT let's talk about it because OMG.
Mr. Elvis-Fucking-Presley manages to make this whole scene both ADORABLE and SEXY AS HELL. Like I honestly have no idea how he manages it. He's acting against a puppet, for god's sake. The man is so charming and charismatic he can literally seduce a PUPPET. So, yes, it it entirely reasonable to be jealous of said puppet because holy hell and Elvis' powers of seduction are so strong they cross the space-time continuum.
1960 post-Army Elvis is a favorite era of mine (after the '68-'70 era EP, of course), so this is right up my alley. That "come hither" motion and that LOOK he does at the beginning DOES ME IN. Like are you kidding, Mr. Guitar-Fingers??! His finger is moving so. damn. fast. ughhhhhhh and I cannot help where my mind goes with that. Then every little coy smile and look and something about the way he pulls back on the "Then I know that I would cry" line makes me just melt. I don't know what it is about this scene, y'all. Like I don't even like the song!
On a more serious note, I think the scene really highlights his natural abilities as a performer, specifically his comic timing, his overall believability, and having a deep control over that charm and sexuality of his that wasn't necessarily as present or controlled pre-army. Somehow, he's able to take this ridiculous little scene, make it believable and enjoyable, yet still a bit tongue-in-cheek, all whilst being completely self aware and deliberate (without it feeling overt). It's masterful in the strangest of ways, and I love him even more for it!
Also, stuff like this really makes my musical-loving heart wish he had done some actual stage musicals. I feel like he would have really channeled these gifts and gotten so much more satisfaction from a live audience every night. I know Jerry Leiber and Mike Stoller, who wrote the King Creole songs pitched and wanted to write a (good) musical for Elvis, but the Colonel killed it flat. Fucking Colonel Parker.
(I've included the full scene below because of quality, but the song starts around 5:00)
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sylviawalter · 2 years
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For those saying Elvis stole "Hound Dog" from a black woman(she sung the song, written by two white men)
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It was also during a time of segregation. Gotta think of history and the time and place. Although she did sell almost 2 million copies and hit number one in 1953 for R&B.
Mr. Presley just ended up bringing in more royalties from the song for Mr. Leiber and Mr. Stoller as compared to Ms. Thornton.
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Nancy Drew as Whose Line Is It Anyway Characters - Part Ten
Renate Stoller
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Mrs. Drake
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Henrik van der Hune
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Nancy Drew
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Jane Willoughby/Marion Aborn
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Harper Thornton
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Mei Parry
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Brenda Carlton
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Elinor Penvellyn
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spaceaceathena · 3 years
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nancy drew name meanings
so this is the work i’ve been doing over the past couple days, I want to give you guys a heads up that list will contain spoilers for some of the characters/games so please be aware of all of that. if this garners interest, i’ll do maybe the penvellyn family tree (that thing could not fit in here) or last name origins!
Main Cast
Nancy Drew: Grace (Hebrew)
Bess Marvin: god of plenty (English)
Georgia “George” Fayne: farmer (English)
Edward “Ned” Nickerson: wealth, fortune, prosperous OR guardian, protector (English)
Joe Hardy: god will increase (English)
Frank “Franklin” Hardy: free landowner (English)
SCK/SCKR
Jacob “Jake” Rogers: supplanter (Hebrew)
Daryl Gray: open, from Airelle (English, French)
Connie Watson: strong willed, wise (Irish)
Hal Tanaka: army ruler (English)
Hector “Hulk” Sanchez: holding fast (Greek)
Mitch Dillon: Who is like God, gift from god (Hebrew)
Detective “Steve” Beech: crown, garland (Greek)
STFD
Mattie Jensen: lady, mistress of the house, might in battle (Aramaic or German)
Richard “Rick” Arlen: brave ruler (English)
Dwayne Powers: swarthy (Irish, Gaelic)
Lillian Weiss: lily, a flower (English)
Millie Strathorn: industrious (German)
William Pappas: resolute protector, strong willed warrior (German)
Ralph Guardino: counsel wolf, famous wolf (Norse, English)
MHM
Rose Green: rose, a flower (English)
Abby Sideris: father’s joy (Hebrew)
Charlie Murphy: free man (Charlie)
Louis Chandler: fame, warrior, famous in battle (French)
Hannah Gruen: favor, grace (Hebrew)
Emily Foxworth: rival, wily, persuasive (Latin, Greek)
TRT
Professor Beatrice Hotchkiss: she who makes happy, bringer of joy, blessings (Italian, French, Latin)
Dexter Egan: right handed, fortunate, one who dyes (Latin)
Lisa Ostrum: God’s promise (English, Hebrew)
Jacques Brunais: supplanter (French)
FIN
Brady Armstrong: spirited, broad (Irish)
Joseph Hughes: he will add (Hebrew)
Nicholas Falcone: victory of the people (Greek)
Simone Mueller: god has heard (Hebrew)
Maya Nguyen: good mother (Greek)
Eustacia Andropov: fruitful, productive (Greek)
Sherman Trout: shearer of woolen garments (English)
SSH
Joanna Riggs: god is gracious (Greek/Hebrew)
Alejandro Del Rio: defender of mankind (Spanish)
Taylor Sinclair: tailor (French)
Henrik Van Der Hune: ruler of the home, lord of the house (Swedish, Danish)
Franklin Rose: free landowner (English)
Poppy “Penelope” Dada: weaver (Greek)
Prudence Rutherford: prudence, good judgement (Latin)
DOG
Red Knott: person with red hair (English)
Jeff Akers: pledge of peace (English)
Emily Griffin: rival, persuasive, wily (Latin, Greek)
Sally McDonald: princess (Hebrew)
Vivian Whitmore: lively (Latin)
Mickey Malone: who is like god (Hebrew)
Lucy: as of light (English, French)
Iggy: fiery (Latin)
Vitus: lively (Latin)
Xander: defender of man (Greek)
Yogi: one who performs yoga (Indian, Hindu)
CAR
Harlan Bishop: army land (English)
Ingrid Corey: beloved, beautiful (Norse, German)
Elliot Chen: with strength and right, bravely and truly, boldly and rightly (English, Breton)
Joy Trent: joy, happiness (Latin)
Paula Santos: small (Latin)
K.J Perris: Petros-> the rock (Greek)
Tink Obermeier: love (English)
DDI
Jenna Deblin: white shadow, white wave (English, Welsh)
Katie Firestone: pure (English, Greek)
Andy Jason: manlike, brave (Greek)
Holt Scotto: woods, forest (English)
Casey Porterfield: vigilant, watchful (Irish, Gaelic)
Dr. Irina Predoviciu: peace (Greek)
Hilda Swenson: battle (Norse)
SHA
Dave Gregory: beloved (English)
Tex Britten: from Texas (American)
Mary Yazzie: bitter, beloved, rebelliousness, wished for child, marine, drop of the sea (Aramaic, Hebrew via Latin and Greek)
Shorty Thurmond: a short person (American)
Bet Rawley: god is my oath (Hebrew)
Ed Rawley: wealthy spear, protector, guard, frend (English)
Sheriff Hernandez: son of Hernando (Spanish)
Dirk Valentine: famous ruler (German)
France Humber: free one (French, English)
Meryl Humber: shining sea (English)
CUR
Linda Penvellyn: beautiful, pretty, cute OR clean (Spanish/Portugeuse, Italian)
Mrs. Leticia Drake: joy, gladness (Latin)
Jane Penvellyn: god is gracious/merciful (English)
Nigel Mookerjee: champion (Irish, Gaelic)
Ethel Bossiny: noble (English)
Hugh Penvellyn: mind, spirit (English)
Mrs. Petrov: petros-> rock (Greek to Russian)
CLK
Emily Crandall: rival, wily, persuasive (Latin, Greek)
Jane Willoughby: god is gracious/merciful (English)
Richard Topham: strong in rule (English, French, German, Czech)
Jim Archer: supplanter (English)
Carson Drew: son of marsh dwellers (Scandinavian)
Gloria Crandall: glory, fame, renown, praise, honor (Latin)
Marion Aborn: star of the sea (French)
Mrs Farthingham: a house supplying food (Scottish)
Josiah Crowley: god has healed (Hebrew)
TRN
Lori Girard: bay laurel (English)
Tino Balducci: little, junior (Italian)
Charleena Purcell: free man (German)
John Gray: graced by god (Hebrew)
Jake Hurley: supplanter (Hebrew)
Camille Hurley: helper to the priest (French)
Fatima: captivating, shining one (Arabic)
DAN
Minette: star of the sea, love, will helmet, protection (French)
Heather McKay: evergreen flowering plant (Middle English)
Jing Jing Ling: perfect essence (Chinese)
Dieter von Schwesterkrank: army of the people (German)
Jean-Michel Traquenard: god remits (Hebrew)
Lynn Manrique: pond, lake, pool, waterfall (Welsh)
Hugo Butterly: mind (German)
Zu: knowledgeable and voracious reader (French)
Tammy Barnes (Minette): palm tree (Hebrew)
Noisette Tornade: hazelnut (French)
the n*zi will not be appearing on this list
CRE
Pua Mapu: flower (Hawaiian)
Big Island Mike Mapu: who is like god, gift from god (Hebrew)
Dr. Quigley Kim: descendant of Coigleach or maybe messy hair (Irish)
Dr. Malachi Craven: messenger of god (Hebrew)
ICE
Ollie Randall: olive tree (Latin)
Yanni Volkstaia: god is gracious (Greek)
Bill Kessler: resolute protection (English)
Lou Talbot: renowned warrior (French)
Guadalupe Comillo: river of the wolf (Spanish)
Chantal Moique: stone (French)
Elsa Sibblehoth: pledged to god (German)
Freddie Randall: elf, magical counsel, peaceful ruler (English, German)
Isis: throne (Egyptian)
CRY
Henry Bolet Jr.: house ruler (French)
Dr. Gilbert Buford: bright pledge/promise (French)
Lamont Warrick: the mountain (French)
Renee Amande: reborn, born again (French)
Summer: season, half-year (German)
Bruno Bolet: brown (German)
Bernie: strong and brave bear (German, French)
Iggy: fiery (Latin)
VEN
Colin Baxter: whelp, cub, young creature (Irish, Scottish, Gaelic)
Margherita Faubourg: daisy (Italian)
Helena Berg: light/bright (Greek)
Enrico Tazza: homeowner, king (Italian)
Antonio Fango: priceless one (Spanish, Italian)
Sophia Leporace: wisdom (Greek)
HAU
Kyler Mallory: bowman, archer (Dutch)
Matt Simmons: gift of god (Hebrew)
Kit Foley: bearing Christ (Greek)
Donal Delany: world leader (Scottish)
Alan Payne: precious (German)
Fiona Malloy: white, fair (Gaelic)
RAN - Her Interactive refuses to acknowledge this game and so will I.
WAC
Corine Myers: maiden (American)
Danielle Hayes: god is my judge (Latin)
Mel Corbalis: council protector (English)
Megan Vargas: pearl (Greek)
Izzy Romero: god’s promise (Hebrew)
Leela Yadav: play OR night beauty (Sanskrit or Arabic)
Rachel Hubbard: ewe, one with purity (Hebrew)
Kim Hubbard: of the clearing of the royal fortress (Old English)
Rebecca Sawyer (Nancy): join, tie, snare (Hebrew)
Rita Hallowell: pearl (Spanish)
TOT
Scott Varnell: from Scotland, a Scotsman (old English)
Debbie Kircum: bee (Hebrew)
Tobias “Frosty” Harlow: god is good (Hebrew)
Chase Releford: to hunt (French)
SAW
Shimizu Yumi: reason/cause, beauty; abundant, beauty; evening, fruit; tenderness, beauty (Japanese)
Shimizu Miwako: child of beautiful harmony (Japanese)
Shimizu Kasumi: mist, clear, pure (Japanese)
Nagai Takae: filial piety, obedience and large river (Japanese)
Aihara Rentaro: dependant on kanji used (Japanese)
Savannah Woodham: treeless plain (Spanish)
CAP
Karl Weschler: free man, strong man, man, manly (German)
Anja Mittelmeier: grace (German, Russian)
Lukas Mittelmeier: man from Lucanus (German, Greek, Swedish)
Renate Stoller: Reborn (Latin)
Markus Boehm: dedicated to Mars (Latin)
ASH
Chief McGinnis: son of Angus (Irish)
Deirdre Shannon: broken hearted, sorrowful (Irish, Gaelic)
Brenda Carlton: sword (Norse)
Alexei Markovic: defender (Russian)
Antonia “Toni” Scallari: priceless, praiseworthy, beautiful (Roman)
TMB
Abdullah Bakhoum: servant of Allah (Arabic)
Lily Crewe: lily, a flower
Jamila El-Dine: beauty (Arabic)
Dylan Carter: son of the sea, son of the wave, born from the ocean (Welsh)
Jon Boyle: God is gracious, gift of Jehovah (Hebrew)
DED
Victor Lossett: winner, conqueror (Latin)
Ryan Kilpatrick: descendant of the king, little king (Irish, Gaelic)
Mason Quinto: one who works with stone (English)
Ellie York: shining light (Greek)
Gray Cortright: color, black mixed with white (English)
Niko Jovic: people of victory (Greek, English, Slavic)
GTH
Jessalyn Thornton: he sees (Hebrew)
Clara Thornton: clear, bright, famous (Latin)
Wade Thornton: to go, ford (Anglo-Saxon English)
Harper Thornton: harp, son of the harper (Scottish, Irish, English)
Colton Birchfield: swarthy person, coal town, settlement (Old English)
Charlotte Thornton: free man, petite (French)
Addison Hammond: son of Adam, son of Addi (Old English, Scottish)
SPY
Alec Fell: defender of the people (English)
Bridget Shaw: power, strength, virtue, vigor, noble or exalted one (Gaelic, Irish)
Ewan Macleod: born of the mountain (Scottish, Gaelic)
Moira Chisholm: destiny, share, fate (English)
Kate Drew: pure (English)
Samantha Quick: listens well, as told by god (Aramaic, Hebrew)
MED
Sonny Joon: son (English)
Patrick Dowsett: nobleman, patrician (Latin)
Leena Patel: young palm tree, tender, delicate (Qunaric Arabic)
Kiri Nind: skin, bark, rind (Māori)
Jin Seung: rise, ascent, victory, excel, inherit (Sino-Korean)
LIE
Xenia Doukas: foreigner, outlander, welcomed guest, hospitality (Greek)
Niobe Papadaki: fern (Greek)
Thanos Ganas: immortal (Greek)
Grigor Karakinos: vigilant (Greek)
Melina Rosi: honey, god’s gift (Greek)
SEA
Soren Bergursson: severe (Scandinavian) 
Dagny Silva: new day (Old Norse)
Elisabet Grimursdottir: pledged to god (Hebrew)
Magnus Kiljansson: great (Latin)
Gunnar Tonnisson: fighter, soldier, attacker, brave and bold warrior (Nordic)
Burt Eddleton: bright, glorious (Old English)
Alex Trang: man’s defender, warrior (Greek)
MID
Mei Parry: beautiful (Chinese)
Teegan Parry: special thing, little poet (Cornish, Gaelic)
Olivia Ravencraft: olive, olive tree (Latin)
Judge Danforth: hidden ford (Old English) [Last name]
Lauren Corey: laurel tree, sweet of honor, wisdom (English, french)
Alicia Cole: noble natured (Germanic)
Jason Danforth: healer (Greek)
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Lumos: Holiday Playlist Instructions
Playlist:
1. “All I Want” by Kodaline (March 28, 12:12 a.m.)
2. “Fix You” by Brooklyn Duo and Dover Quartet/ “Light” by Sleeping at Last (Same scene, directly after)
3. “Dusk Till Dawn” by Lofi Fruits Music (--1:45 a.m.)
4. “Don’t Give Up On Me” by Andy Grammer (Same scene, directly after through 9:10 a.m.)
5. “Someone to Stay” by Vancouver Sleep Clinic (--, 1:50 p.m., when Mr. Weasley speaks)
6. “I’ll Keep You Safe” by Sleeping At Last (Same scene, directly after)
7. “All the Stars” by Ed Sheeran (Same Scene)
8. “Super Trouper” by ABBA (Same Scene, you’ll know)
9. “Annie’s Other Song” by John Denver (--, 8:22 p.m.)
10. “Chasing Cars” by Simply Three/“Take Me Home, Country Roads” by John Denver (Same Scene, in the shed)
11. “Her Joy Was Complete” by Sleeping At Last (Same Scene, directly after)
12. “You Can’t Hurry Love” by Phil Collins/ (--, 8:845 p.m.)
13. “Lovebug” by The Jonas Brothers (same scene, when George unwraps the gift)
14. “Heart” by Sleeping At Last (on flight)
15. “Sweet Child O’ Mine” by Guns N’ Roses or by 2CELLOS (on flight, you’ll know)
16. “The Power of Love” by Celine Dion (on flight, you’ll know)
17. “7 Years” by Lofi Fruits Music (Directly following the prior)
18. “Yellow” by Lofi Fruits Music (April 1)
19. “Wouldn’t It Be Nice” by The Beach Boys (April 2, 8:00--9:38 a.m.)
20. “Heavy is the Head” by Future Royalty (April 2, 10:01 a.m.)
21. A Vivaldi Violin Concerto of Your Choice. (April 2, 6:00 p.m.)
22. “Icarus – Main Theme” by Michael McCann (April 3, 12:27 a.m.)
23. “Chiquitita” by ABBA (Same scene, you’ll know—through start of April 3, 4:00 p.m.)
24. “People Will Say We’re In Love” by Ella Fitzgerald (Same scene, directly after)
25. “Puttin’ on The Ritz” by Ella Fitzgerald (April 5, 6:35 p.m., during dancing)
26. “Saying Goodbye” by Banks, Ames (Same scene, on the terrace)
27. “My Girl” by The Temptations (April 5, you will /know/.)
28. “Here Comes the Sun” by Midnight String Quartet (April 6)
29. “I Don’t Care” by 2CELLOS (Directly after the last song, through the first part of April 8)
30. “Turning Page” by Sleeping at Last (Same scene, when George says, “Time for the best bit.”)
31. “Innocent” by Taylor Swift (April 9, first two scenes)
32. “Orchard House” by Thomas Newman (April 9, in front of the telly)
33. “precious light” by kainbeats and edelwize (April 10, 6:10 a.m.)
34. “Money, Money, Money” by Chill With Lofi, Cidus, and Emil Lonam (April 12, 5:10 p.m.)
35. “Take Me To Church” by Simply Three (Same scene, directly after.)
36. “Take A Chance On Me (arr. Piano)” by Music Lab Collective (April 12, 5:59 p.m.)
37. “Impulse” by Hans Zimmer (April 13, and you can thank Navistar for this one)
38. “Holding Out For A Hero” by Nothing But Thieves (same scene, when you see “thunder”)
39. “Shivering Soldier” by Hans Zimmer (same scene, once George finds the group)
40. “Icarus” by Phildel (Same scene, directly after)
41. “Saturn – Instrumental” by Sleeping at Last (Same day, directly after)
42. “Stand By Me Arr. Z. Reaves for String Quartet)” by Ben E. King, Jerry Leiber, Mike Stoller, Zachary Reaves, and Altius Quartet (Same scene, when you see the fence)
43. “Chasing Cars” by Simply Three again (Same scene, when Marcus comes in)
44. “Hallelujah” by Ben Laver (Same scene, directly after)
45. “Honeybee” by The Head and The Heart (May 1)
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aion-rsa · 2 years
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The Beatles: Get Back – Do Beatlemaniacs Get What They’re Looking For?
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There’s no mania like Beatlemania, and Peter Jackson’s The Beatles: Get Back is both proof of that, and a direct consequence of it. A lot of the reviews said it was an overlong and unnecessary affair. Well, Disney+ let Jackson include swearing in the documentary, so, fuck them. He prefers his own 18-hour cut to this just-under-eight-hour documentary series, and he’s “right and will be proved right,” to paraphrase John Lennon. 
Is it an important document? Yes. Does it give Beatlemaniacs everything they want? Of course not, nothing will.
For one thing, he doesn’t give us a full version of  Paul McCartney’s “Teddy Boy,” which came close to making the playlist. We also don’t get the satisfaction of hearing entire versions of “The Long and Winding Road,” “Let It Be,” or any of the other final album songs not performed on the roof. We get two versions of each of those. The rest we get to see unfold in slow motion, like one of the films Lennon made with Yoko Ono during this period. 
Sure, he could have cut it into a precise race-against-the-clock musical comedy like A Hard Day’s Night. He even gets in the “Who’s that little old man/He’s very clean, though” joke. But to be honest, even if this wasn’t halfway this pristine, Beatle aficionados would be satisfied.
Yes, not enough can be said about the cleanup. There is a clip from the Cavern club which has been so cleaned up, you can see individual beads of sweat on the band, and on the walls. This clip was in Anthology and the Malcolm McDowell-narrated The Compleat Beatles, and it always looks like it was shot through a dirty lens on used film stock from across the street. Jackson makes it look like yesterday’s news, not 52-year-old footage. But some of us would watch eight hours of the crappy footage, especially cut right. Remember, most of us have only seen and heard this on shitty board mix bootlegs.
Which brings us to the audio, which is equally superb. Forget the songs we all know, the ones on the album and which were given on the Anthology compilations. The snippets of covers the band plays have never been this clear and fully produced. Most of what’s gotten out to the public sounds like the original film is reputed to make people feel, but the sonic redemption here is a wonderful tease of fun performances. Jackson only doles out the best bits, but with the cleanup, his 18-hour director’s cut becomes a must-do. You already cut it, Mr. Jackson, there is an audience for it. Give with it.
THE COVERS
The snippets of the band running through Bob Dylan’s “Mighty Quinn” and “I Shall Be Released” should be released, in full, or as far as the Beatles got into it. The other thing the bootlegs made clear is the band might jump into a number for a few bars, and either merge it into something else or just drop it outright. What the documentary does show, however, is how much they were listening to the music which was going on at the time. During several segments we see Lennon holding The Rolling Stones’ Beggar’s Banquet album. 
The Beatles jam through quite a few unexpected popular contemporary and traditional numbers. They perform “You Are My Sunshine,” “Queen of the Hop,” revisit Jerry Leiber, Mike Stoller and Richie Barrett’s “Some Other Guy,” and even their own “Help!.” Jackson skips the wonderful rendition of Mario Lanza’s hit “Besame Mucho,” which is a shame, especially since we’ve only seen Lennon’s happy reaction to it. Paul is an expert vocal mimic, and besides his standard Elvis turn, gives spot on impressions of Canned Heat, down to the country feel, and up to vaudevillian voices. He and Lennon fall easily into some of the harmonies of their favorite teenage pop platters. 
Lennon and McCartney obviously remember every single Everly Brothers harmony they probably sang to each other on tour buses to pass the time. They do a lot of wop bop a loo bop, but dip into enough diversity of the rock and roll and rhythm and blues covers to let us know they were serious students of the music, and avid listeners.
Lennon always bent a knee to Chuck Berry, co-leading with George on “Johnny B. Goode,” taking “30 Days” all to himself, and performing “Rock and Roll Music” at the same tempo as their performance at Budokan, and yes, I know this Beatlemaniac wrote it was overlaid to Shea Stadium, but it was eight hours after I saw it, it hit the proper emotional note better, and I was on a deadline. Jackson’s entire film is about deadlines, and The Beatles show how musical mistakes can be capitalized on and added to the mix. There’s a rushed guitar on “Dig a Pony” which made the final cut. The Beatles also know when to skim well-worked-out arrangements that get too busy, as they do with the “all I want is” intro and outro of the song.
THE ABBEY ROAD WORKS-IN-PROGRESS
Jackson gives us both, in equal and almost satisfying measure. Again, obsessives will point to still other examples. The classic scat Lennon sings when he forgets a line in “Don’t Let Me Down” is well known, but his improvisations about a guitar going out of tune, Band-Aids on his playing finger, and “40 days in the desert and he couldn’t find his balls” are a great add to the mix. On a related note, “cauliflower,” the word he throws out as a placeholder word to Harrison’s “Something,” does sound phonetically closer to “like no other lover” than any of the fillers George was riffing. Hey, he paid a ton of money for unconsciously tributing “He’s So Fine” on “My Sweet Lord,” so we know he is a sponge to musical influence.
Read more
TV
The Beatles: Get Back Review – Peter Jackson Presents A Crystal Clear Story of Legendary Band
By Tony Sokol
Comics
The Doctor Strange and Pink Floyd Connection
By Mike Cecchini
It warms a Beatle fan’s heart to see how encouraging Lennon and McCartney are on some of Harrison’s songs, even before the walkout. In Episode 1, Jackson finds the take of Harrison’s “All Things Must Pass,” which sounds most like a Beatles’ rendition. Lennon and McCartney’s harmonies aren’t quite there in the early attempt, but we can already imagine how it would sound as a Beatles song. The band gives a very nice early sounding performance of “Something,” along with a few other songs which will work their way on Abbey Road.  
McCartney introduces “Maxwell’s Silver Hammer” and “Oh Darling.” Lennon’s “Across the Universe” gets a full band treatment. We hear “Golden Slumbers” just waking up. We learn that the song “Carry that Weight” was originally written for Ringo to sing and already has the recognizable chorus, but also includes verses about “normal kinds of troubles everyone has,” as Paul puts it, which are later cut. Starr brings out “Octopus’ Garden,” which gets a full chordal resolution treatment from George, free of charge.
Quite a few of Lennon’s medley songs are almost finished here already, and it’s good to see the fingers match the notes. Plus, we hear an early, fully musically worked out version of “I Want You (She’s So Heavy),” envisioned as a civil rights riff. This is a musical, and emotional highlight. In the documentary, Lennon’s already called Martin Luther King, Jr. a poet who should have been president, which foretells his future commitment to radical change, and then we get a radical change. Billy Preston sings lead on one of the verses.
This is appealing to Beatle fans on so many levels. A non-Beatle singing with the Beatles on a song which will become a staple, it also reinforces Lennon’s enthusiastic revelation that the band found its “fifth Beatle.” Preston is a friend from the Hamburg days who’d backed up Little Richard, while the Beatles were an opening act. Each individual Beatle has said the first time Ringo sat in for Pete Best on drums in a Hamburg club, they could feel the magic. This gives us a taste of what that moment must have been like. It doesn’t take but a few bars for Lennon to nominate Preston for full-time membership. George overdoes it by bringing up Bob Dylan, Paul says four Beatles are hard enough to deal with, and we have a classic film and musical moment.
We’ve always heard it was George who brought Preston into the sessions because it would ease the tension, like Eric Clapton made everyone behave during the recording of “While My Gently Weeps,” and he does mention he saw Preston backing Ray Charles in an earlier sequence, and how Charles lets this young organist shine. Then he does the same for the sound, and work progresses at an intense pace. Preston brings so much promise, the band dips into the future to whip out songs that won’t see release until the solo years.
THE EARLY SOLO MATERIAL
Day 1 opens with Lennon playing the song which will become “Jealous Guy,” and his guitar fills are amazingly textured, all naked there by themselves in the huge film studio rehearsal space. Now called “Child of Nature,” it gets reintroduced as “The Road to Marrakesh” later. Episode 1 closes on a delicate version of George Harrison’s “Isn’t It a Pity” which grows slowly, occasionally the only backing is Harrison’s guitar and a single bass note from Paul, and it’s perfect, while still distinguishable in character from the final release.
We also get a version of the band working on “Gimme Some Truth,” where McCartney knows the words better than Lennon. McCartney is playing “Another Day,” which will be one of his first solo singles, on the day he brings Linda into the studio. It is also a treat to hear McCartney playing “Martha, My Dear” exactly as it sounded on The White Album, while talking about the instrument itself. “That’s the great thing about the piano,” he enthuses. “There it all is. There’s all the music ever. All that’s ever been written ever.” There’s a reason Ringo Starr says he can watch Paul play piano all day.
It is fun to see the two lefties join in on the piano for a positively giddy version of “I Bought a Piano the Other Day.” It’s even a bigger kick to see them switch instruments in a later jam. Ringo plays bass while Paul’s on drums. But their most satisfying scene, for fans of the musical process, happens during the section where Paul writes “The Long and Winding Road.” He doesn’t only write it in front of Ringo, who throws out lyrical fill-ins just to keep it going, but he does it in front of the camera. Jackson tightly highlights the transitions so the song’s birth has a recognizable story, but he also tickles fans with a glimpse into the comradery of the Beatles inner circle.
THE SONGWRITING PROCESS
We actually see Paul almost raise an eyebrow at the Beatles’ most trusted and beloved employee, Mal Evans. The road manager/personal assistant/best mate-since-Liddypool asks Paul how some Beatle business went, just as the songwriter is deciding between two chord changes. The eyebrow goes halfway up in annoyance, and McCartney’s mind recognizes Mal as, well, good old Mal, smiles until the chat ends naturally, letting Paul get back to those two chords. They each have possibilities, and it is just fun to watch him hearing them all in his own head.
We also see Ringo keep time to the great Lennon-McCartney writing team in action. John used the phrase “eyeball-to-eyeball” when describing in interviews how he and Paul wrote, and it comes as a happy jolt to hear Lennon throw suggestions to McCartney as he works on the words to “Get Back,” which goes from an inspirational kickstart to a protest song against white nationalism and ends up as the album and event’s first single. It’s also just fun to know Paul set the song in Tucson, Arizona, because “that’s where they film High Chaparral,” a western TV series which was popular at the time.
THE NEW RARITIES
We are also gifted with snippets of songs which have never seen the light of day, even on bootlegs. Ringo plays a song he wrote called “Taking a Trip to Carolina,” accompanying himself on piano. McCartney and the band bash through a number called “You Wear Your Women Out,” and we get a snippet of a song called “My Imagination.” But it is extremely satisfying to see the group’s process, and the ear for perfection which is really at the bottom of most of their arguments and their reconciliations. They fully work out harmonies on “Don’t Let Me Down,” including a call-and-response which merges the combined feel of their backups on “Twist and Shout” and “Happiness is a Warm Gun.” It is on the verge of veering into something they are known for and excel in. 
After it’s arranged, George casually mentions, if they heard it back on tape, they wouldn’t like it, and the whole part is dropped. He’s right, of course, McCartney’s harmony on the final version does with one voice what the whole harmony part works too hard at.
BEHIND-THE-SCENES REVELATIONS
We also hear the band discuss what every fan has read about in books and seen in documentaries: their lack of access to the latest audio technology. They note the Beach Boys have an 8-track because they’re American, and they have to make do with what they got, which isn’t much at the moment, and takes twice as much work to do with limited facilities. For fans of extreme trivia, we get a taste of Magic Alex’s inaction in action. If you know his reputation and the story behind what he always promises but never delivers, the non-functioning recording console and the bass/rhythm guitar combo with the revolving neck are satisfying real-life representations, and if you don’t, tell me to write an article on it.
On another personal note, it’s nice to hear George tell Paul his beard suits him, but nowhere near how good it is to overhear the true empathy John and Paul feel for the underserved guitar-playing songwriter which gets caught on the hidden mic. It’s also comforting to hear Paul call John boss, and complain how he’s miffed about having to take the lead so often, but also be understanding enough to know “obviously if it’s a push between Yoko and the Beatles,” John would choose her. He fully supports the “young lovers.” And while it’s a shame that any song he writes when Yoko is in the room has to do with “white walls,” Paul does not want history to say the Beatles broke up because “Yoko sat on an amplifier.” Jackson’s film also shows why people compare Ono to the B-52s, and reminds us Linda Eastman was a master rock photographer long before she changed her name to McCartney and joined Wings.
The running gag Lennon makes out of his introduction to the Rolling Stones’ performance in their Rock and Roll Circus is also a satisfying nugget. Like watching him attempt juggling with Ringo or singing “my rock and roll finger is bleeding,” it captures the throwaway humor fans of “the witty Beatle” want to see. Not that the others don’t get in their share of the quick one-liners which made them favorites with the press corps.
Regarding the actual time frame of the film itself, the most satisfying moment of The Beatles: Get Back is when it appears Jackson unearths the exact frame which captures the precise moment Lindsay-Hogg and Glyn Johns tell Paul the perfect venue for the project, and he goes through the roof.
The Beatles are mostly known as a recording act, but Lennon, McCartney, Harrison, and Starr got famous by playing live. It was how they were trained. Even when they had Stu Sutcliff on bass and Pete Best on drums, the band knew the importance of grabbing and keeping an audience. When someone walked into a ballroom while The Beatles were on stage, they were there to stay. The Beatles worked hard to keep them there. Here we get closeups of each Beatle making contact with an audience member. The most satisfying thing to come out of The Beatles: Get Back, is a reminder they could still pull it off.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
Now, about that 18-hour cut. When, Mr. Jackson?
The post The Beatles: Get Back – Do Beatlemaniacs Get What They’re Looking For? appeared first on Den of Geek.
from Den of Geek https://ift.tt/3I8CvPI
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void-apocalypse · 3 years
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The server has officially made Roochie our lord and savior, Jesus Crust. Of course I had to draw him in all his toasty glory.
Thanks Mr. Stoller for creating Roochie in the best way possible.
(Pls don’t anyone take this the wrong way; it’s all in good fun)
~
PLEASE DO NOT REUPLOAD/USE/STEAL/EDIT/TRACE!!
also, IF YOU’RE PART OF CRINGE CULTURE/HATEDOMS, PLEASE DO NOT INTERACT!!!
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humbug-demartino · 10 months
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"Lucky Strike" [S5 Ep06]
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argumate · 3 years
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This level of idiocy seems off-the-charts, but it’s not that the CEO is stupid. Far from it. “Employees say that under Mr. Thompson,” the Times continued, “an accountant by training and a former chief financial officer, every part of the business was examined for cost savings and common security practices were eschewed because of their expense.” The company’s profit tripled from 2010 to 2019. Thompson calculated that his business could run more profitably if it chose to open its clients to hacking risk, and he was right.
...
After its IPO, SolarWinds followed Ellison’s advice, became a merger machine, buying a dozen companies from 2011-2014, including Pingdom, Confio and N-Able Technologies. In 2015,  Thomas Bravo Partners (along with Silver Lake) bought the company, and loaded it up with $2 billion of debt to finance the purchase. (Yes, this was one of those purchases in which the private equity buyer bought the company with the company’s own money.) Under Bravo’s control, SolarWinds engaged in more mergers, buying companies who made threat monitoring software, email security, database performance monitoring, and IT support firms. SolarWinds sought to become a one-stop-shop in its niche, not particular good at quality, but with everything a customer might need. Of course, the Federal Trade Commission and the European Competition Commission allowed these deals; just a month before the hack was revealed, the FTC approved yet another acquisition by SolarWinds.
Matt Stoller on private equity behind the SolarWinds debacle
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thebeastofblackmoor · 4 years
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Nancy Drew Asks- Send me a Suspect!
Since it seems everyone is cooped up at home, I figured I’d make an ask game of my own to help the Clue Crew combat boredom... Send me a suspect and rb!
Daryl Gray: What kind of car do you drive? Connie Watson: Are you a part of any clubs? Hal Tanaka: Have you ever cheated in school? Hector “Hulk” Sanchez:  Do you play any sports? If so, which one(s)? Detective Beech: Do you keep a journal? What’s in it? Mitch Dillon: Have you ever blocked your number and if yes, why?
Mattie Jensen: Describe the plot of the last TV show you watched. Rick Arlen: What’s your favorite kind of chocolate? Lillian Weiss: What’s the worst way you’ve ever broken up with somebody? Millie Strathorn: Would you consider yourself cluttered or organized? Dwayne Powers: Do you hold a grudge? Ralph Guardino: What is your job?
Rose Green: Do you talk with your hands? Abby Sideris: What is your star sign? Louis Chandler: What’s the oldest thing you own? Charlie Murphy: How many different places have you lived?
Dexter Egan: Did you get in trouble a lot as a kid? Professor Hotchkiss: Early bird or night owl (hoot hoot)? Lisa Ostrum: Do you speak another language? Jacques Brunais: Would you rather have a big or small wedding?
Brady Armstrong: What was the worst job you ever worked? Simone Mueller: Has anyone ever climbed out of your wardrobe? Nicholas Falcone: Have you ever been to a protest? Joseph Hughes: If you had to move away to live with family in another state, who would it be and where?
Joanna Riggs: What’s your favorite exhibit at the museum? Henrik van der Hune: Are you attracted to Henrik? this is a serious question I know a lot of you are or at least used to be.. what was the deal with that.. Alejandro del Rio: What country are you from? Taylor Sinclair: Do you have a nickname?
Red Knott: What’s your favorite animal? Emily Griffin: If you owned a store, what would it sell? Jeff Akers: Do you have any pets?
Harlan Bishop: Have you ever gotten into trouble with the law? Ingrid Corey: If you suddenly got a lot of money, how would you spend it? Joy Trent: Do you consider yourself an optimist or a pessimist? Elliot Chen: If any, what kind of art do you do?
Katie Firestone: What is your favorite kind of sandwich? Holt Scotto: Political alignment? Andy Jason: Sharks or whales? Jenna Deblin: Starbucks or local coffee shop?
Dave Gregory: You got a steady back home? Tex Britten: Have you ever ridden a horse? Shorty Thurmond: Are you a good cook? Mary Yazzie: Have you ever had a secret relationship?
Linda Penvellyn: Are you married? Jane Penvellyn: Favorite mythological creature? Mrs. Drake: Do you have plants? Ethel Bossiny: What period in or piece of history fascinates you the most? Nigel Mookerjee: Do you scare easily?
Emily Crandall: When was the last time you stayed in your pajamas all day? Richard Topham: Have you ever seen a psychic? Jane Willoughby: What kind of accent do you have? Jim Archer: Are you good with money?
Lori Girard: Favorite celebrity? Charleena Purcell: What was the last book you read? Tino Balducci: Do you exaggerate stories?  John Grey: What’s the cheesiest TV show you watch?
Minette: Do you have any tattoos? JJ Ling: Most outrageous lie you’ve told? Heather McKay: Do you care about fashion? Dieter von Schwesterkrank: How many people have you dated? Jean-Michel Traquenard: Where do you do your best work?
Dr. Quigley Kim: Bugs: yay or nay? Big Island Mike: What’s your favorite meme? Pua Mapu: Have you ever been surfing? Malachi Craven: Do you take compliments well?
Ollie Randall: Have you ever been hunting? Freddie Randall: Do you like winter weather? Bill Kessler: Name a place from your childhood that holds a fond place in your heart. Yanni Volkstaia: Winter or summer sports? Lou Talbot: What did you major in or what would you like to major in, if applicable? Guadalupe Comillo: Did you have a “wolf phase” growing up?
Henry Bolet: Are you more goth, jock, nerd, or prep? Renee Amande: Do you have a secret stash of food in your room? Lamont Warrick: Do you have allergies? Gilbert Buford: Describe your best friend.
Margarita Fauberg: Do you prefer to spend time inside or outside? Helena Berg: What’s your favorite city in the world? Colin Baxter: Do you give a single shit about tesserae tiles?? Enrico Tazza: Favorite card game? Antonio Fango: Do you work in an office?
Kyler Mallory: Do you know much about your family history? Matt Simmons: Do you enjoy playing practical jokes? Kit Foley: Have you ever gotten into a physical fight? Donal Delaney: Favorite drink, alcoholic or otherwise? Fiona Malloy: What was your favorite toy as a kid?
Johnny Rolle: Favorite Halloween costume you’ve ever worn?
Corine Meyers: Did you get good grades in high school? Izzy Romero: Were you popular in high school? Mel Corbalis: Do you play an instrument? Rachel & Kim Hubbard: Do you have any siblings?
Scott Varnell: What are you really passionate about? Debbie Kircum: Are you a hard worker? Frosty Harlow: Do you like photography? Chase Relerford: Have you ever stolen from a store? Pa: Do you do any theater?
Yumi Shimizu: Would you consider yourself bossy? Miwako Shimizu: Are you timid or assertive? Takae Nagai: Do you have any traditions you honor? Rentaro Aihara: Are you technical-minded? I was gonna ask if you like puzzles but, um, this is the friggin clue crew
Karl Weschler: Are you a leader or a follower? Anja Mittelmeier: Have you or would you lie on your resume?  Lukas Mittelmeier: Do you like to cause trouble? Renate Stoller: Tell us the best story you’ve got.
Deirdre Shannon: Do you get jealous easily? Brenda Carlton: Are you just the fucking worst? (HINT: No, because you’re not Brenda) Toni Scallari: Do you talk about people behind their backs? Alexei Markovic: Do you break things often?
Abdullah Bakhoum: Do you have high self-confidence? Lily Crewe: Favorite board game? Dylan Carter: Are people inclined to believe you, even when you lie? Jamila El-Dine: Do you believe there are aliens on other planets?
Victor Lossett: Are you strict? Ryan Kilpatrick: What’s your favorite kind of candy? Mason Quinto: Do you consider yourself a logical thinker? Ellie York: What “percent scientist” are you? Gray Cortright: Would you work a night shift?
Clara Thornton: Tell us a story you haven’t told almost anyone. Apparently “have you ever accidentally gotten someone killed?” isn’t an appropriate question for tumblr dot com Wade Thornton: Do you believe in ghosts? Jessalyn Thornton: Do you think spending a night on a haunted island with your best friend sounds like fun? Harper Thornton: What’s your favorite book? Colton Birchfield: How would you get the attention of someone you liked?
Alec Fell: Are you especially witty? Moira Chisholm: Again, since “have you ever accidentally gotten someone killed?” isn’t gonna cut it, I’ll go with: What are your hobbies? Ewan Macleod: What piece of spy gadgetry would you pick if you got to take one home? Zoe Wolf: Do you like to break the rules?
Sonny Joon: Do you doodle? Patrick Dowsett: Are you a good swimmer? Leena Patel: How did you meet your best friend? Kiri Nind: Why did you dedicate your life to being on trashy TV? Do you watch reality TV?
Xenia Doukas: Which fictional character do you relate to on a personal level? Niobe Papadaki: Are you a good public speaker? Grigor Karakinos: If you had to make up a fake identity for yourself, what first and last name would you pick and why? Thanos Ganas:  Do you think you’re intimidating?
Elisabet Grimursdottir: Are you a cat or a dog person? Dagny Silva: What’s your sexuality? Soren Bergursson: If you were a villain, what would be your weapon of choice? Gunnar Tonnisson: What stands out about your physical appearance?
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collapsedsquid · 3 years
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In March, Mr. Gates was urging drugmakers to move fast, cooperate with one another, open up their libraries of drug compounds and even share production responsibilities.
“The first set of meetings, it was: ‘How are we going to find an active drug? How are we going to kick off vaccine development quickly? How are we going to shift manufacturing capacity?’” recalled Vasant Narasimhan, the chief executive of Novartis.
The Gates Foundation employs former pharmaceutical executives in its top ranks, including Dr. Trevor Mundel, who had been global head of development at Novartis, and Emilio Emini, previously a senior vice president of vaccine research at Pfizer. Working with the Coalition for Epidemic Preparedness Innovations, they helped steer money into Covid-19 vaccine candidates and biotechnologies that could be quickly manufactured and suitable for the developing world.
Oxford University said it would offer “nonexclusive, royalty-free licenses” of its work to manufacturers. But as it developed one of the most promising vaccine candidates, the university debated whether it was equipped to conduct clinical trials and transfer its technology to manufacturers around the world.
Sir John Bell, who leads the development of Oxford’s health research strategies and chairs the Gates Foundation’s scientific advisory committee, reached out to Dr. Mundel. The advice was direct: “We told Oxford, ‘Hey, you’ve got to find a partner who knows how to run trials,’” Mr. Gates said.
Oxford chose the British-Swedish drugmaker AstraZeneca. The Serum Institute of India, after getting the financial commitment from Mr. Gates, agreed in the summer to start producing the vaccine.
Think we need to do the Matt Stoller thing here and require pharmaceutical manufacture and clinical trials to be done by separate companies (or just do the testing publicly)
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lilzebub · 3 years
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The Here and Now (Through the Years CH2)
Summary:  Five has returned, and no one expected the condition that he would be in. Can (Y/n) and Five navigate the major set backs, thwart the Apocalypse, and resume their happily ever after?
Five Hargreeves x F!reader Word count: 11k total
Warnings: TUA typical violence, angst, awkward interactions, brief mention of spicy time, brief description of depression Also posted on AO3!
She stared blankly at the young man that stood distressed on her porch. “Five…I….Hurry up, get inside.”  Her hand darted out to grab the sleeve of his tailored blazer, and she quickly dragged him through the threshold.  He awkwardly stood in the foyer of their house, with his hands shoved in the pockets of his shorts. “(Y/n) this is a nightmare.  I’m an old man trapped in this body.  Ever had growing pains and indigestion at the same time?”  He glowered up at her.  A quiet snicker escaped from her lips.  “You think this is funny? Huh?”
The snicker sparked a roar of laughter that erupted deep from her belly, and Five could do nothing but stare blankly at her.  He considered the last time he saw her looking genuinely this amused by something was the day of their wedding after they had tossed his Commission tracking device.
“I mean, no. It’s not funny. It’s just…ridiculous.  I waited all this time. Counted all these days. And you show up here….like….” she gestures vaguely. “It’s absolutely absurd, and honestly, kind of unfair.  Here is was, expecting my 100% normal, thirty year old husband to poof into my house today.  And I get the awkward teenager slash old man version of you.  This is too much.”  She dramatically wiped tears from her eyes.
“Okay, are you done now?” Five stated frankly, with no hint of irritation. He opened his arms to her and she met his embrace, throwing her arms over his shoulders.
“It’s really hard to hug you like this.  You lost a few inches in the fray, buddy.”  She pressed a kiss onto the top of his head. He pulled away from her to protest, but she just pulled him back in tightly.
“Come on my grumpy little man.  Let’s get you over to the Academy and see if your family can possibly help with this.  They’re used to things outside of the ordinary.
The couple walked down the street, awkwardly meeting the glances of everyone around them. The uniform jacket was telling, and it was apparent that everyone was shocked to see the prodigal son of the Umbrella Academy, alive and in the flesh, looking exactly how he did nearly fifteen years ago.  A man pushing a two seat baby stroller gave them a wide berth on the sidewalk, and gave (Y/n) a double take.
“(Y/n) (Y/L/M/N)?”  He proclaimed, causing Y/n to screech to a halt.  She turned to face the man, quickly glancing down at the stoller.
“Um, yes? It’s actually (Y/n) Hargreeves now, but yes, that’s me.”  Realization dawned on her, and hit her in the face like a runaway freight train.  “Uh, how are you, (ex F/n)?”
“I’m great! So great, it’s really fantastic to see you! I’m just on the way to surprise the wife at work, it’s her first week back after her maternity leave, and I know she’s missing the kiddos.” (Y/n) glanced down at the pair of cooing babies in the stoller.  “And who’s this strapping young gentleman?  I didn’t know you had a little brother.”
Five took an immediate offensive stance.  “I’m Five Hargreeves, and I’m her HUSBAND.”
“Oh, God I’m sorry.  I guess you just looked a little different the last time I saw you….At our, uh, or rather, your, uh. Wedding.”  The young man stammered, and (Y/n) watched Five grow increasingly more irritated.
“Yep, Five is a time traveler extraordinaire.  Just had a little mishap with his calculations.  He’s not normally a teenager, or anything. Like, it’s not like that at all, I mean…God that sounds so weird. Sorry.”  She was beginning to grow flustered, and no longer felt the need to explain herself.  “It was nice seeing you, we’ve got to be going now.”  Her arm linked around Five’s, as she began dragging him away.
“Well you couldn’t have possibly made that any more awkward,” Five fretted at her.  “Bad enough you dumped him at the alter and now you had to explain how your husband, who I don’t know if I mentioned it already, but you DUMPED HIM FOR, is stuck in a teenage body.”
She whipped around him in front of him, staring him down.  “Look, you don’t get to be angry at me for your mistake. It’s not my fault that you aren’t even old enough to DRIVE now.” “Well you could have driven if you had ever taken the time to learn how to drive a stick shift.”  Five puffed up his chest to look tougher, but it was futile in his current form.
“You’re the one who was never around long enough to teach me how to do it.”  He flinched, and she instantly felt a wave of guilt wash over her.  “Five, I’m sorry.  I didn’t mean it.  We’re both just…tense right now.  The world is ending, you’re hormonal and also crabby because you probably won’t get to take advantage of the senior citizen discount at Griddy’s today.”
He couldn’t help but laugh at her.  The moment he fell through the portal, and realizing his body was now in shambles due to his miscalculations, all he could think was how she would react.  Would she faint?  Would she promptly turn him away?  Instead, she surpassed all of his expectations and was making jokes at his expense.  He paused for a moment and grabbed her hand, rubbing his thumb across her knuckles. “You know, now more than ever, I’m so glad I married you.  I can’t imagine anyone else being able to handle this curveball.”
“What can I say, Mr. Hargreeves.  You had me on the hook for a long time.  A little hiccup like this isn’t going to scare me off.”  He smiled, lacing his fingers with hers as they continued down the street, the Umbrella Academy looming just a few blocks ahead.
The pair quietly entered the front door, only to be bombarded by all of the siblings at once.  Five sulked behind his wife, as each of his family members warmly embraced her. Klaus picked her up and spun her around, quickly locking eyes with his brother. “Oh Jesus Christ, what do we have here?”  Klaus murmured, gently placing (Y/n) down on the ground.  “If it isn’t our dear little brother, alive and in the flesh…And perhaps a few inches shorter than last time we saw you, hm?”
Allison spoke next without giving Five a chance to respond, a look of shock on her face. “So I’m guessing something wasn’t quite right with your math, was it?”
Five pulled on the sleeves of his blazer. “You can say that again. I fucked up royally.  That’s the least of our concerns now though. We only have a few days to stop the Apocalypse from happening, and I still have no idea how we’re going to do it.”
Days had passed, and the family was no closer to determining the catalyst of the Apocalypse than they were when Five and (Y/n) had returned to the Academy.  They sat around the kitchen table on the day that Five had so loudly proclaimed would be the end of the world, all eyes sunken in from lack of sleep.  Luther dragged his hands down his face, as he looked over at Five sulking over his late night cup of coffee.  “Maybe it’s just inevitable.  We should have had at least some clue by now.”
Allison scanned over the newspapers scattered along the table.  “I mean, there’s nothing in the news that indicates anything out of the ordinary.  Nothing political, no threats of nuclear warfare, literally nothing.”
“Or maybe it’s just not going to happen at all? I mean, today is the day isn’t it? Everything has been completely normal.” (Y/n) yawned, her forehead meeting the wooden table
“Maybe it’s you, little brother,” Klaus said, pausing to light the joint pressed between his lips.  “I mean, think about it.  You’re the only one who experienced the end of the world. Did you ever think, maybe it has something to do with you?”  Vanya nodded her head in agreement.
“Klaus might actually have a point.  Have you done anything you know of to alter the timeline at all?”
“Yeah, you know like, in time travel movies where someone accidentally kills a bug and it causes the entire future to change? Killed any bugs lately, Five? Or like, Presidents, or whatever it was you had to do with the Commission?”  Klaus coughed.
Five thought for a moment, taking a sip of his coffee.  “Not really, before I left the Commission, I only did one thing….”  (Y/n) jerked her head up from the table, eyes widening.  The family looked at him expectantly, then over to her.  “You know, the whole crashing her wedding day thing.  The head of the Commission, the Handler warned me she would kill us, but I didn’t really think much about it.”  The group collectively groaned. Diego stabbed a blade into the table. “Well, these are the kinds of things you might want to tell us, Five. Your former boss literally threatening to murder you seems like a pretty good reason to be on high alert.”
A loud rap at the front door of the Academy put everyone on high alert.  They all rose from their spots, quietly making their way towards the door. “Hey, maybe it’s the Apocalypse knocking.  We can just ignore it, maybe they’ll think we aren’t home.” Klaus whispered, throwing the remains of his spent joint into a potted plant.  Diego peeked out a window near the door. “It’s some blonde woman in a dress. Sound familiar?”  He whispered, and Five immediately straightened his tie. “Yep, I’ll take this.”  He moved towards the door to unlock it, coming face to face with the Handler.
“Good evening, Five…Assorted Hargreeves.” She flourished her hand, shoving past Five into the living room, depositing a large briefcase by the door. “And Mrs. Hargreeves, a pleasure to see you once again.”  (Y/n) felt her heart tighten in her chest, recalling the last ill fated encounter with the woman, and the impossible choice she posed for the pair.
“Wish I could say the same,” (Y/n) scoffed.  “Care to tell us why you’re here? You’re getting a bit too familiar with these unexpected housecalls.”  The family gathered around her in a protective stance, and she felt the tightness in her chest dissipate.
“Well, I did advise you that I’d be back at a date of MY choosing to dispose of the pair of you, didn’t I?”  The Handler towered over (Y/n) in her heels, frowning down at her.
Five shook his head. “That wasn’t part of the deal.  I came back to the Commission, I did what you asked, and you sent me to that God-forsaken wasteland.”
She advanced towards Five. “Ah, yes, that much is true.  But what I didn’t anticipate was you defying the odds.  Do you know what the odds were that you’d be able to time travel back to any point in time to your wife?”  She emphasized, venom dripping in her voice.  “One in thirty million.  Now, wouldn’t you say, the odds of that are simply astronomical?”  Five looked over at (Y/n) and his family.
She paused, looking back at the family, then pointed her icy gaze to (Y/n).  “You two couldn’t just leave well enough alone, could you?” The Handler smirked at the distressed boy, as she positioned herself in between him and his wife.  “Did you really think I could allow you to take everything from me?”
“I didn’t do anything to you. I did my job, I did my time.  I just want to live the rest of my life with my wife.”  He glowered at her, as she chuckled.
“Five, tell me, why do you think I had such a vested interest in you and your boring little wife here, in your holy union, hm?”  She gestured behind her. He shrugged. “I haven’t the inkiest, enough with the damn riddles, why don’t you fill us all in on why you’re so hell bent on killing us?”
The Handler nonchalantly looked at the gun in her hand, then turned towards (Y/n), cocking it in her direction.  “It’s really nothing personal, dear.  It’s about your baby.  Specifically, the baby that you’re set to have in…oh…” She thought a beat, “four years, give or take.  If I eliminate you now, the Apocalypse can resume right on schedule.”  The family exhaled a collective gasp.
Klaus laughed, “Well, congratulations to my dear brother and his wife on their non-existent baby. But I have to ask, when did you get in the business of murdering babies?”
“Let me break it down for you.  If Five had followed orders, he never would have married (Y/n). (Y/n) would have settled down with….that boring guy, what’s his name?  Five would have continued working for the Commission, and everything would have been hunky dory. But the moment he defied his orders, the entire timeline changed.  He and (Y/n) had their happily ever after, and eventually, (Y/n) will give birth to a beautiful, bouncing baby girl.  Not just a girl though, the most powerful time traveler in history, in any timeline. With the inherited skills of her father, and with the complex ability of their mother to become a big flashing beacon in the space-time continuum, which might I add, didn’t seem like much until we determined Five could find her in ANY timeline under any circumstance, you have a recipe for someone powerful enough to overthrow the entire Commission, namely me. Because this child was born, the entire scenario for the Apocalypse was avoided completely, no matter what variables we changed, infinitely into the future.  It just never happens.  The only variable that changed was me.  My entire life’s work, bypassed, like a bump in the road.  The Apocalypse that I deemed absolutely necessary, gone, thanks to a single choice.”
Allison stared at the Handler incredulously.  “So what you’re really saying, is you’re too selfish and drunk off power to give it up.  Someone more suited to the job, who doesn’t even exist yet, is so much of a threat to you, that you’ll eliminate anyone involved?”
“Well, I was only going to eliminate (Y/n), I don’t particularly enjoy getting my hands messy.  There would have been no greater delight than seeing Five suffer for his indiscretions; however, since the whole family is here, I might as well make a day of it.”
Chaos erupted in the expanse of the Umbrella Academy’s living room. (Y/n) wasn’t sure who cast the first stone, but a flurry of bullets began raining down on the Hargreeves family.  Diego curved as many of the bullets as he could, as he ushered her towards the hallway.  She craned her neck to peer over his shoulder, desperately trying to find Five in the fray, as she was shoved into a bedroom in the hallway, a gun being thrust into her hands by her brother-in-law.  In defeat, she pressed herself against the wooden door, trying to hear anything at all, only to be met with the sounds of glass and furniture breaking, guns being fired, indiscernible shouts of her family fighting for their lives.
Gathering her resolve, she crept from the room, unable to stand not knowing what was occurring just beyond the walls.  Gun outstretched in front of her, she quietly made her way down the hall, just as all of the fighting abruptly stopped.
“Where the hell did she go?”  Vanya hissed, as the family peered around, puzzled.  “We had her pinned down?”
Luther cautiously evaluated the rest of the family.  “I don’t like this one bit. She wouldn’t just zap out of her, would she?”  Allison looked towards the front door, noting the telltale briefcase that sat by the door. “She’s still here somewhere, she couldn’t get out without the briefcase.”
 (Y/n) peeked around the corner glancing around at the scene before her.  All of the lightbulbs in the room had been mostly shattered and the room was awash with the little light that shone in through the innumerable windows. In the dim light, chairs and tables could be seen upturned and scattered around the room.
“Five?”  She called out weakly, in a desperate bid to get his attention.  His gaze quickly turned towards her, and a look of terror overtook his features.  A loud pop resounded through the space, and a searing pain shot through the center of her chest.  Slowly, (Y/n) peered down, noting the slow stream of dark red that stained the front her shirt.  Everything started to go black, as Five rushed towards her.
“What did you do? WHAT DID YOU DO?”  He screamed at the Handler who stood smugly behind where (Y/n) had collapsed on the floor.  Five removed his blazer and pressed the fabric to her steadily bleeding chest.
“Restoring order, that’s what, Five.  Her being alive was a conflict of interest I suppose you could say.  I think there’s going to be a little change of plans though, seeing the anguish on your face, I think that’s the best punishment I could ask for.”  She glided past the family towards the briefcase, and no one moved.
“(Y/n) please stay with me, stay awake, you’re going to be fine.”  Tears welled up in the corners of his eyes, as he desperately fumbled with the compress on her chest.  Her breath began to slow, as she reached up and pressed a hand to Five’s cheek.  Klaus crouched down beside the pair, and placed his hand over Five’s.
“Five, I can feel her leaving.  She isn’t going to make it.”  Klaus whispered, remorseful.  Five stood beside her, the space all around him glowing blue.
“I didn’t come all this way through time just to lose her.”  He tightly shut his eyes, and the room began moving slowly in reverse, the Handler moving slowly backwards towards the clandestine hallway.  (Y/n)’s crumpled form rose from the spot on the ground, the dark blood receding back into her body, as Five’s nose began bleeding profusely from his efforts.  He felt himself weaken, as the scene resumed before him.
“Where the hell did she go?”  Vanya hissed, looking towards Five who stood in his new spot near the hallway.  “We had her pinned down?”
“She’s in the hallway,” he replied weakly.  “She’s going to kill (Y/n).  I just….reversed time by just a few minutes.  We have to make sure she doesn’t kill her this time.”  A moment later, (Y/n) peered around the corner.  Five rushed forward with the last bit of strength he had left, pulling her into the living room and shoving her aside as he collapsed on top of her.  The Handler revealed herself, looking thoroughly confused.  The gun fell to her side. “Well, this is certainly odd.  Did our boy just manipulate time here?  So much power, so much wasted on a perfectly normal girl.”
Klaus strode forward, fists illuminated.  “She’s not perfectly normal, she loves Five and that’s a feat all on its own.  The kid’s hard to love, no doubt about that, but she does, and that’s worth saving.” In a flash, a barrage of tentacles burst forth from his chest, and the ghostly figure of Ben could be seen just beyond Klaus’s form.  The Horror reached forth, grabbing onto the Handler’s limbs, gruesomely tearing her apart bit by bit.  The family looked on in shock at the grisly scene, until there was nothing left of the Handler but a puddle of blood and gore, spewed on the floor and walls.
And just like that, the Handler was gone, ripped apart by otherworldly forces that seeped from Klaus’s body.  The family stood, stark-still, covered in entrails, before erupting in fits of laughter.  Luther swept Allison up in his arms, her shrieking delightedly. “I can’t believe that’s it. That it was just that easy.  Klaus, I think dad might have been wrong about your powers being totally useless.”
Klaus’s hands were still shaking, as he peered down at them in disbelief.  “That….bitch.  I can’t believe she would have just killed (Y/n) to intentionally cause the Apocalypse. And (Y/n)…” he shot a glance over at her. “I can’t believe you were the key it all along.”
She hadn’t moved.  The ringing in her ears had barely subsided, when she pressed her hands into Five’s chest to meet him face to face.  His expression was barely readable, save for the telltale upturn of the corners of his mouth.  The words came out so soft, the family could barely make it out.  “Our baby?  The Handler couldn’t handle the idea of being replaced…That’s why.  That’s why they warned me we couldn’t be together.  Why they tortured me, making me see you be with that asshole over and over again.  If we were together, the Apocalypse would never even happen.  I really ruined her timeline, didn’t I?” He chuckled, rolling over onto the bloody floor, wiping his nose of his own blood.
Diego walked across the room towards the phone, wiping his knives on his already bloodied pants. Vanya looked at him incredulously. “Diego what on earth are you doing? Is now really time to make a phone call?”
He picked up the phone and dialed quickly. “It is. I’m calling (Y/f/n).  Knowing how close we were to the whole world ending, I’m not taking anymore chances.”  (Y/n) turned to him, shocked. “You know, she’s been hung up on you for years, Diego.  I think everyone deserves a chance at a happy ending, now.”  Five stood and stretched his hand down to hers and pulled her up. He carefully snaked his arm around her waist, pressing a chaste kiss on her bare and bloodied shoulder.  “Even us, Five.”
He smiled, peering up at her through his dark hair.  “Especially us, Mrs. Hargreeves. Especially us.”
Luther lurched over to the liquor cabinet, and sighed. “You know, I know it’s usually Klaus that suggests we start drinking, but I propose we go ahead and pop one of these nice bottles and celebrate tonight.”  And they did.  Vanya pulled out her violin, creating lively, happy music for the group as they danced and laughed around the living room.  Allison stole a not so secret kiss from Luther, and the family loudly teased them, secretly grateful that they were no longer hiding their affections after so many years.  Klaus was able to manifest Ben once more, who although he couldn’t drink, still engaged in the party just as much as any living person could.  Diego had snuck out quietly sometime after his phone call, and (Y/n) hoped with all hope that he was finally going to apologize for being a such a jerk to her closest friend.
Five had pulled her into what she could only describe as an “awkward middle school style slow dance”, with her arms clasped loosely around his shoulders as they swayed side to side.  “You know”, Five started, “my father taught all of us how to ballroom dance as kids.”
(Y/n) laughed, pulling him in a bit closer. “Is there anything you can’t do, Five? You’re remarkable.”
“Well obviously I’m not great at time travel, but I think those days might be behind me.  At least, after I figure out how to get my normal body back.”  He frowned.  “(Y/n), have you considered what we’re going to do if I’m stuck like this? Permanently?”
She considered him for a moment.  “Truthfully, no.  I hadn’t really considered that to be a possibility.  I mean, it would be kind of nice, you’d be able to take care of me when I get old and senile.”  He pushed his foot forward and tripped her, easily causing her to lose her balance in her tipsy state . “HEY! Come on, Five, you know I’m kidding.  I think…..I think we’ll just have to cross that bridge when we come to it, okay?  I love you. I love you no matter what.  Even if we can’t really….do the thing normal married people do.  It’ll be okay.”  She yawned, slowing her movements.
“I admire your persistent optimism. But my wife appears to be growing weary.  Want to go relax in the library while I go over some of my old notes?”  She nodded, craning down to place her head on his shoulder.  “Alright, let’s go.”  He gently pulled her arm across the back of his shoulders, and they made their way towards the stairs, calling out their goodnights to the family as they went.
The math was right there all along, in one of his oldest, most worn down notebooks.  In disbelief, he reread his notes over and over, and was sure he couldn’t have possibly gotten it wrong.  (Y/n) was dozing off in the plush arm chair, and he took a moment to admire her:  all of the stress from the impending doom was gone.  No tell-tale gunshot wound, no signs of excessive blood-loss.  Her shoulders were no longer tense, the space between her eyes no longer creased.  A peaceful expression had fallen over her, as though she would be perfectly content to live out her days in that chair with Five’s company, illuminated only by the small lamp in the middle of the table.
He drew a large red circle around the offending equation, and rose from his spot.  He peered down at her snoozing form, and ran his hand through her hair.  Careful not to wake her, he placed the notebook on the arm of the chair and strode quietly towards the door, knowing what he had to do.
He whispered something softly to himself, towards the empty hallways of the Academy.
The ocean waves were breaking softly along the shore, now littered with seashells after an afternoon rainstorm. The only chaos that remained was the wind that whipped through her hair, now unruly and wild from the rain.  She turned around and saw him standing there, frozen in time with a grin on his face.  Everything moved in slow motion as she ran towards him, crashing into his embrace. His palms rested on her cheeks, capturing her in a passionate kiss, until a small voice interrupted them.
“Mommy? Daddy?”  She turned to peer down at the source of the small voice, to be met by a tiny girl with dark hair and verdant green eyes.  Five bent down, finding purchase under the child’s arms, hoisting her to his chest.  (Y/n) gingerly kissed the child’s forehead, then pressed another dizzying kiss to Five’s lips.  He whispered words against her flesh that she had read so long before, words that were so real, she’s certain she couldn’t have dreamed them. “If something happens, just know I’ll find you eventually. I promise.”
(Y/n) woke with a start, knocking something off the arm of the chair.  She slowly reached down, peering down at the foreign numbers and figures, outlined in bold red, then glanced across the room.  Five was no longer situated at the table, and she began to panic.  The woman leapt from her chair, sprinting down the hallway, shouting at the top of her lungs.
“Five? Five where are you?!”  The pounding of her feet and the thundering of her pulse led her straight to his childhood room’s door. Before she could connect with the doorknob, a flash of blue illuminated the space beneath the door, accompanied by the telltale “pop” of her husband attempting some sort of jump.  She flung the door open wide, only to be met once again with darkness.  The room was empty: Five was gone. Again.
Weeks had passed, maybe even months at this point.  (Y/n) wasn’t sure.  No longer having the list of dates to guide her now that the Apocalypse had been avoided, she had, for the most part, lost herself in time.  She could only assume it was midday, judging by the light that cascaded through the windows.  Padding down the halls of their still empty home, she stopped to stare at herself in the bathroom mirror:  her eyes had grown weary, and her hair was a matted mess, sticking up in all directions.  Gently, she prodded at her ribs, which protruded slightly more than usual, a testament to her terrible diet since Five had…..Disappeared? That didn’t feel like the right word for it.  Someone can’t disappear when this is their entire modus operandi.  The absences were something she had grown accustomed to, but this time felt entirely different. There was no carefully curated list of dates, handwritten by Five. Nothing to look forward to.  Nothing to expect.  Not even a “goodbye” or “I’ll see you soon” to soothe her addled brain, only the words echoed in her dream from the note he wrote her as a child.
Starting the shower, she went through the motions.  “This is what he would want me to do, right?”  She thought to herself.  “He would want me to try to be normal. Whatever that means.”  Tears pricked at the corner of her eyes.  “Come on, don’t cry.  You cried it all out the first week. You’re too dehydrated to cry anymore.”  Throwing her clothes haphazardly across the bathroom, she climbed into the shower.
And there she sat.  She sat on the floor of the walk-in shower until the water ran cold.  When she finally collected herself from the floor and wrapped herself in an oversized towel, she could have sworn she caught the wafting scent of coffee, but she waved it off as wishful thinking.  (Y/n) glided towards the kitchen, a towel-clad phantom of a person haunting her home.  Just beyond the threshold, she stopped dead in her tracks.  A full pot of coffee sat brewed on the countertop, steam floating towards to ceiling.  For a moment her breath left her lungs. Clutching her towel to her tightly, she raced towards the living room where Five Hargreeves, looking about fifteen years older than their last encounter, sat on the couch.  The moment he laid eyes on her, he moved towards her as fast as his legs would carry him, stopping short as he saw her chest heaving in what he could only assume to be rage.
“I can explain. I can explain everything.”  Five spoke calmly, as though he were trying to persuade an animal to not attack him.  “I had the equations right years ago, I just didn’t realize it before. I was such a cocky asshole kid back then.  I knew I could make this jump, it had to be just the right moment in time to get it perfect, to get me back to my normal body. Back to you.”  
“Are you….Are you really home? For good? Just like this?”  Her breathing was still erratic, knuckles turning with how tightly she squeezed the towel.
“For good.”  He nodded, taking a step closer.
“And no more big jumps? No more accidentally getting stuck in the wrong body?”
“Nope. No more Commission. No more assassinations.  I think it’s time to grow old…again. The right way.”  He reached towards her, his palms resting on her shoulders.
“And what’s the right way, Five?”  She closed her eyes, relishing in the warmth of his hands.
“Together. With you.”
She moved so quickly Five was afraid he may not be able to grab her in time.  She darted forward, throwing her arms and legs around him, nearly knocking him to the ground.  He supported her weight and held her flush against him.  A sob erupted from her against the side of his neck. “Promise me, Five. Promise you won’t ever leave me like that again.  I was so scared you were gone. For good. That you would be lost and I would have no idea.”  She grabbed his face, kissing him in earnest over and over, her lips salty from the broken dam of tears that ran down her face. “God, I never want to stop kissing you.  It feels like I haven’t been able to in ages.”
Five felt his emotions getting the better of him, and thought for a moment that he may cry.  “You know I was always going to make it back to you. My lighthouse.”  He smiled against her kiss, returning it with equal fervor.
“Take me to bed, Five. I think we need to make up for lost time, no pun intended.”
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girlcaptainamerica · 4 years
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I had thought Westview had blue counters and tabletops when I rebloggedthat post, but actually now that I think about it, that was stoller. Westview had black countertops in most science rooms, except Mr. Ivy's upstairs by the elevator had counter tops that looked like those faux granite laminate counter tops, but again that was 14 years ago. Mr Ivy probably isn't even there any more.
I never heard of any Mr.Ivy. I never had a class by the elevator but all the other science labs looked the same with the same location in each hall.
I can't believe we went to the same school a decade apart.
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cr3v · 5 years
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Mr. Brin and Mr. Page were right about the corrupting influence of advertising. This business model of conflicted communications is where the addiction, surveillance, fraud and clickbait come from. Unfortunately, we are living in the world they foresaw.
The combination of these two dynamics — the concentration of power and the new ethical quandaries presented by the financing of information networks by advertising — has created a crisis for democracy. The monopolization of ad revenue starves legitimate outlets of financing. More subtly, the signaling functions of news brands and the dense cultural barriers meant to guard against distorting effects of advertising have broken down. The task of policymakers is now to put together the ethical structures to mitigate these conflicts.
Matt Stoller Tech Companies Are Destroying Democracy and the Free Press: Ad revenue that used to support journalism is now captured by Google and Facebook, and some of that money supports and spreads fake news.
He sends out a newsletter called BIG, on monopolies.
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