He wouldn't be able to hide it, even if he wanted to. So why is it not there?

Little doodle from my bestie cuz I made myself sad making this comic

I MEAN~🎃

What they didn't show in The Bad Batch, was how in the first month or so after leaving Kamino, Omega was nonstop sick from all the new germs she was exposed to, since she's spent her entire life before that in a sterile environment

sometimes when i'm bored i scroll through holger rune's twitter likes. i would like you all to know that he likes every single one of his own tweets

Breha: As top in this relationship, I think we should- Fox: I can't believe you're pulling rank on us. Bail: I mean, as the switch in this relationship. I agree with her. Fox: Oh. So your taking her side now.

I LOVE ZUKO SO MUCH!!!

Chapters: 1/1 Fandom: Danny Phantom, Batman - All Media Types Rating: Not Rated Warnings: Graphic Depictions Of Violence Relationships: Danny Fenton & Jason Todd, Batfamily Members (DCU) & Danny Fenton, Batfamily Members & Jason Todd Characters: Danny Fenton, Jason Todd, Bruce Wayne, Dick Grayson, Barbara Gordon, Vlad Masters, Batfamily Members (DCU), Alfred Pennyworth, Jack Fenton (Danny Phantom), Maddie Fenton Additional Tags: Fentonic 2024 (Danny Phantom), Hot Chocolate, Injury, Torture, Dissection, Vivisection, Protective Jason Todd, Alfred's hot chocolate, why isn't there a tag for that?, Bad Parents Jack and Maddie Fenton, no beta we die like Jack and Maddie after Jason is done with them, Angst with a Happy Ending, Dissociation Series: Part 18 of Cat Soulmates Fentonic 2024 Spoilers Summary:

Jack and Maddie Fenton, determined to hunt down the ghost scum that killed their son and stole his body, team up with the GIW to track Phantom down.

Danny thought he was safe. Turns out, he wasn't.

Jason and the rest of the Bats are determined to find Danny, and they will do whatever it takes to save him.

Injury | Hot Chocolate

Warning: Please read the tags. This is not a happy fic.

Day 18 may not be a happy fic, per se, but it does have a happy ending! So. Can't be that bad, can it? @catnek-writing-things

My sense of what is and isn't bad is kinda messed up, so ignore me.

Is it me or why does Jin from Xenoblade Chronicles 2 look like/resemble Marluxia from Kingdom Hearts?! Is it the hair style or is it the blue eyes, or both? Hmmm...

Jin (Xenoblade Chronicles 2)

Marluxia (Kingdom Hearts series) (His eyes in this GIF are yellow, but his normal eye colour is blue)

But uh who cares, they're hot anyway.

I think it's so silly when TB fans are trying to slander the greens, but then immediately go with the "don't bring Daemon into this" line. like if you need to ignore such a prominent character (if not the most prominent after Rhaenyra, who he is integral to her storyline and character) to make you point that the TB is better then TG, then maybe, and think about this for a moment, your argument has little standing... wow, shocker.

"oh but the greens did this this and this" they say, ignoring any and all nuance or context for those events, "the blacks never did anything like that" they say, ignoring the fact that everything they did was almost always worse and/or had no backing or reason (that justifies it to any extent), "and don't even try to 'but daemon' me, I don't wanna hear it." I've seen this argument made more times that I can count, and it never ceases to drive me mental.

also, the wishing for the downfall of an entire family, celebrating their terrible deaths and horrific trauma's all because of aegon. like yeah, the botched show version of him deserves some of the best he's in, he is a rapist no matter how much it doesn't make sense and how much it discredits his whole character. but they take it as justification to just dance on the graves of the whole family, which is like... so fucked in so many ways. one man does not damn a whole house.

like listening to (most) TB fans is just like jamming my ear full of glass. they have no logic, no media literacy, hinge their whole arguments on udder bullshit, (attempt) bully those who disagree into submission (the amount of TB fans I've had because me for being stupid and many other words I do not wish to say, because I had a different opinion then them is insane), and all the while they can't even attempt to sound logical. like they're always missing the point, always simplifying characters cause apparently having complex, layered, morally grey characters is the devil. than TG fans are "the problem with this fandom" like??? hello??? your the one defending Daemon for being... Daemon, the one defending the cold blooded maiming and murder of people all cause they stated a fact, defending robbing girls of their claim to their houses thrones. not the Greens, we may defend our characters, but we don't pretend like it never happened or that it was 'cool' and 'bad ass'.

Oddly specific meme bc Edith Jr has the sweetest voice ive ever heard

Something I don't see anyone speak about (if you have and I just haven't seen it... I'm sorry :( ) is how Wylan not only reclaims his identity by the duology's conclusion, but he also reclaims Marya's. I feel like we as a fandom overlook just how much J*n put Marya through in an attempt to erase Wylan from the public memory: he had her declared insane as a grounds for divorce and institutionalised her, leaving her "abandoned along with her defective child" in order to "forever rid himself of any evidence that Wylan had existed". This transcended to J*n not allowing Wylan to grieve his mother's 'death' because, as he put it, "it didn’t pay to dwell on the past" - and Wylan tells Jesper that J*n never brought Marya up after breaking the news of her finality to his son, confessing "we just stopped talking about her".

What we also need to remember is that the Van Eck mansion "had belonged to Wylan’s mother’s family for generations before Van Eck had ever set foot through the door". (Edit: I didn't mean to write that the mansion belonged to the Hendriks - it was part of the property under the Van Eck name. Sorry about that!) Just like how J*n separated Wylan from his mother, he simultaneously took so much from Marya - first her home, then her name, her fortune, her own child. This is why Marya was admitted as Marya Hendriks, not Marya Van Eck: this is J*n quite literally stripping her of her name to permanently erase her from the public memory. The nurse addresses Marya as "Miss Hendriks", to which Marya mutters "Van Eck" in response, because "she was not Marya Hendriks, she was Marya Van Eck, a wife and mother stripped of her name and her fortune." So why is it that Wylan says, "I am Marya Hendriks' son" if Marya Hendriks is the woman who's left after Marya Van Eck had her name and her life taken away from her? Because this is Wylan reclaiming his mother's identity.

If we examine the moment Wylan visits his mother at Saint Hilde, Marya's first words to him are "did you come for my money? I don’t have any money" to which Wylan replies that he doesn't have any money either. The money neither of them have comes to signify the lack of autonomy they have over their identities, which have spent so long confined by J*n's contempt as he gradually works towards making them vanish entirely. J*n tried desperately to erase Marya's memory as a means of gradually erasing Wylan's - however, Wylan is the only one who keeps his mother's memory alive, just like how Marya keeps her son's alive. Upon arriving in the Barrel, Wylan detaches himself from his father's name and, instead, uses his mother's maiden name. Yes, he's doing it to not draw attention to himself (because what would the child of one of the richest men in Ketterdam be doing in a place like the Barrel?), but he's also preserving Marya's memory, clinging to it like a lifeline without even realising it. In a way, it's saving him.

Before I go on any further, I'm taking a brief detour to discuss the transition in Wylan's motivations upon discovering what really happened to his mother (it's relevant, I promise). Wylan completely breaking down when he realises that his father is indeed evil is such a pivotal moment that marks a major transition in his motivations. Jesper comforts Wylan during his breakdown, assuring him that "Kaz is going to tear your father’s damn life apart" - a sentiment that "felt like cool water cascading over the hot, shameful feeling of helplessness he’d [Wylan] been carrying with him for so long". His continued contribution to the Dregs’ mission is no longer about making the money to “get out of town and never speak the name Van Eck again” - now, he's "here for her". Now, it's about punishing his father, saving Marya and returning all J*n took from her: “what am I doing here? But he knew the answer. Only he could see his father punished for what he’d done. Only he could see his mother free.” He realises that J*n's life falling apart means that, with his money, "he could take his mother from this place. They could go somewhere warm. He could put her in front of a piano, get her to play, take her somewhere full of bright colors and beautiful sounds. They could go to Novyi Zem. They could go anywhere." He could save her, liberate her from the confines of J*n's contempt - and only he can do it, because who else would?

Meanwhile, Marya clings to the memories of her child even though J*n took him away from her. While institutionalised, Marya would paint - and in her paintings, "repeated again and again, was the face of a little boy with ruddy curls and bright blue eyes". We know that J*n wanted Wylan to disappear "the way he’d made Wylan’s mother disappear" - what we don't know, however, is what J*n told Marya during the time she was institutionalised. Did he visit her after sending Wylan away, supposedly to study music in Belendt, to tell her that Wylan is dead? Did he ever visit her before then and tell her that her son is dead to expunge his memory from Marya? We can only speculate - but what we do know is that, regardless of whether or not she thinks he's dead, Marya is grieving the loss of her child.

Something that Wylan fears if the Dregs’ mission is unsuccessful is that he’s “going to die and there will be no one to help her. No one to even remember Marya Hendriks” - and the same could be said about Marya’s feelings of responsibility for preserving the spirit of her child. Amidst her grief is the strive to save him and his memory, because she’s really the only one who’s willing to remember him. At the asylum, her paintings are thrown out “every six months” because “there just isn’t enough space for them” - but that doesn’t stop her from continuing to paint the face of her child and, thus, remembering him, making sure he doesn't disappear. Wylan confesses to Jesper that his parents “fought all the time, sometimes about me”, revealing how Marya has always fought for Wylan - and her being institutionalised, having her paintings thrown out every so often, won’t put an end to her fighting for him. She's hellbent on ensuring he doesn't vanish, because there’s no one else who would. (Think of this in relation to the meaning behind “no mourners, no funerals” - if Wylan disappeared, “no one would come looking”, as is the case with the rest of the Crows.)

Now, let's examine how, by the end of the duology, Wylan not only liberates himself from the pain caused by his father's wrongdoings, but also saves his mother. He'd "chosen to use a portion of his newfound wealth to restore his home", exemplifying how inheriting his father's fortune represents him reclaiming his identity from the pain and abuse J*n's contempt inflicted upon him. However, I mentioned earlier that the Van Eck mansion didn't actually belong to the Van Ecks in the first place - it belonged to the Hendriks. (Edit: again, not the mansion, but part of the property under the Van Eck name.) Thus, Wylan's position by the end of Crooked Kingdom also comes to represent him reclaiming his mother's identity as he returns everything J*n took from her. By "restor[ing] his home", he's also restoring Marya's.

P5T random ideas that arrived at 4 a.m, in case anyone needs fanart/fics inspiration

1 - Toshiro goes to a political event and Eri goes as his partner to do her job as a journalist, but it's in another city so they have to go by train. However, at the station the train derails and an accident occurs, Toshiro pulls Eri out before it hits them, but the damage is already done

2 - The press conference where Toshiro confesses the crimes of his father, Marie and himself as a silent accomplice

3 - Following the previous one, the case State vs Kasukabe & Anto, where Toshiro's defense attorney is Sae at the request of her sister

4 - An Eritoshi date, no drama, no angst, just the two of them, enjoying a day together

5 - Winter break, Akiren invites Toshiro to his Christmas party and he takes the opportunity to introduce them to his new fiancée, Eri

6 - P5 Strikers + Royal + Tactica. Upon hearing the apparent return of the PT, Toshiro decides to investigate on his own the cases of change of heart with Eri, starting with Mariko Hyodo, who recently invited him to Sapporo, only for them to accidentally end up in a frozen prison, Erina's back and what the hell is he wearing?

And that's it, enjoy your new ideas (unless you've already had them, apparently we Tactica enjoyers share the same brain cell :V)

Also, I don't have any ideas for the DLC, sorry :p

In the middle of the world, in the centre Of the polluted heart of man, a midden; A stake stemmed in the rubbish.

From lipless jaws, Adam's skull Gasped up through the garbage: 'I lie in the discarded dross of history, Ground down again to the red dust, The obliterated image. Create me.'

From lips cracked with thirst, the voice That sounded once over the billows of chaos When the royal banners advanced, replied through the smother of dark: 'All is accomplished, all is made new, and look - All things, once more, are good.'

Then, with a loud cry, exhaled His spirit.

Golgotha, John Heath-Stubbs

Pine marten!!!!!

I love these critters so much.

It’s something about being caged by his arms with your back pushed up against a wall. Nowhere to run. Head swimming and gaze averted while he leans in. Your knees wobble because he radiates heat, and he smells like petrichor and smothered fire and the crackle of thunder. And when he huffs into the crook of your shoulder, the fine hairs covering your body stand at attention. Raw tingles skitter up your limbs, eyes hooded, breath corked in your lungs, pupils dilated. You don’t know what to do with your hands, and they ache with the need to reach out and touch. To see if his hair is as soft as cotton candy clouds. If his lips are delicate like the rose petals they resemble. But you know you can’t because he’s not yours.