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#mine was patch three!
tadfools · 8 months
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Reblogs appreciated so more folks see this!
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jamiethebeeart · 2 months
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Both linearts by @ecto-stone
I think it'd be funny if the Generation Zero one was them practicing posing in an empty classroom. (I love it when they get to be goobers.)
@green-with-envy-phandom-event i'm finally double posting pictures!
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evildilf2 · 1 year
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Details from my patch pants since someone on here asked to see them once
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jtownraindancer · 5 months
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History has shown that it is not whether a disaster will strike a town, but when. If it is not a mine fire, it is living in the shadow of Three Mile Island. Or in a community with a tainted water supply. Or the ghastly horror of Bhopal.
Slow Burn: A Photodocument of Centralia, Pennsylvania by Renée Jacobs, 1986.
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nostalgicfun · 1 year
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Koosas! 🌈
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lysissisyl · 2 years
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Yes, I keep turning my fanart into patches for my backpack.
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abessive-art · 1 year
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fuck man. the TLOU series? thats good tv right there. man,
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gorseflowers · 1 year
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okay the rubber glove thing worked in that I didn't scratch during the night but it came with the unforseen drawback that I sweated so much overnight that when I took them off in the morning and thought I could have just a little scratch that normally wouldn't break the skin, it's actually opened multiple sores on my wrists bc the skin was so soft from being basically submerged in water the whole night
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catscidr · 25 days
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// taking care of your dogboy (hsr edition!) //
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i. note — sry i havent been posting yall i got a job + ive been working on three cosplays at the same time bc my local con is coming up lmao (´ཀ`」 ∠) however the brainrot never stops. it only takes a break. a little break of approximatively. a month. ish. ......... anyways dog hybrid hsr boys brainrot !!! lmk if we want more of this with more boys •ᴗ• comments and asks are appreciated hehe ii. includes — blade, gepard, boothill and gn!reader iii. cw — slice of life stuff turning into smut, possessive behaviour, overstim, slight dom/sub dynamics, real messy stuff, manhandling. use of the word "hole" to keep reader gender neutral iv. wc — 1,9k
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blade is a mutt riddled in scars and dirty bandages from living on the streets and fighting to survive.
you think he might be some german shepherd mix, but he refuses to let you swab his teeth n gums for a dna test (last time you tried you narrowly avoided a punch to the face. he apologized in his own way afterwards), so whenever people ask, just say he’s a rescue to avoid revealing that you actually just… don’t really know what breed he is. they usually drop the subject and simply go on their merry way, seeing as he wasn’t the type of pup to appreciate affection from strangers anyways– it’s rare for you to leave the house in the first place, though.
you had to switch to a remote job because blade is just so persistent when it comes to you. although possessive is a much better descriptor, because he doesn’t let anyone near you. whenever you leave to get groceries he ends up practically breathing down your neck from how close he gets— acting as if he were your literal shadow— glaring at everyone that gets too close to you. you’ve made it a habit to always go to self-checkout lane so blade doesn’t scare off the cashiers.
the second you get home he’s all over you, determined to rid you of that outside stench and replace it with his own. you started packing your grocery bags in a way that nothing will break if (read: when) you suddenly drop them on the floor, all because you’re so familiar with blade’s impatience.
he holds you still by engulfing your body with his, knees caging your hips as he grinds into you, shallow and deep. blade’s growls and huffs fill your ears just as much as his cock fills your hole, his knot kissing your tightness from the outside.
“do you like this? like how i have to fuck you every time you decide to go outside again when you could stay here,” with me blade omits, his tail swishing back and forth on the bedsheets behind him, the sound just barely grounding you to reality.
your grocery bags were long forgotten on the foor (as they usually are), your mind too foggy to function. clawing at the sheets, you try to crawl away from blade’s grip— to no avail.
he tuts, craning his head to bite down onto the skin where your shoulder meets your neck. “i might just need to mark you for extra precaution,” he bucks into you, knocking the air out of your lungs. you hear squelching, the constant plap! plap! plap! from his thighs smacking against your ass and whine, broken babbles leaving your kiss-bruised lips.
“b-blade, y’can’t- ah,” he shushes you by plugging you full of his lengthy cock, his knot almost threatening to press inside of you. you whimper, feeling lightheaded from a mix of both nervousness and arousal.
he soothes the hickey he left on your neck, licking it languidly as he stills to bask into the way your hole throbs around him. warm and tight and oh so tempting.
“shit, wanna fill you. wanna… have everyone know they can’t have you. you’re mine, mine to love ‘n mine to fuck,” you’re not lucid enough to process his thinly veiled confession, too busy writhing your ass back against him in a feeble attempt to get him to continue moving.
you might want to invest into some good concealer or into those skin coloured tattoo patches to cover the bruises and bite marks blade’ll leave on you if you want to continue being a functioning member of society. you can’t really be walking around in public as if a dog had just mauled you right before you left the house, can you?
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gepard is a golden retriever because of COURSE he is. similarly to blade, he likes to invade your personal space a lot— not because he’s possessive, but because he’s extremely protective of you.
the random bruises you used to randomly notice on your body faded as soon as he came into your life. gepard’s soft, lingering touches healed them; gently placing a hand on your hip before you bump into sharp furniture so it doesn’t hit you, redirecting your head to his shoulder as you nod-off in the train before you bang your head, and so on.
it’s a full-time job and he’s working 24/7, always on the lookout for anything that could possibly hurt you as you saunter off… wherever, without a care in the world— because he took care of everything!
he would clean the apartment for you, cook (though you usually insist you do the cooking; a human doesn’t have the same taste in food as a hybrid), and even act as your own personal alarm clock. gone were the days of being woken up by loud, blaring beeping. gepard woke you up with forehead kisses instead, making your mornings much more pleasant.
but poor geppie, he’s always taking care of you; so take care of him, won’t you?
every so often you’ll sit in his lap to help him get rid of whatever stress he held in his body. your hands will knead at the muscles in his broad shoulders, all while you simultaneously kiss away the strain in his face. his brows are furrowed as you do your best to soothe his muscles; you never forget to smooch his cheek, nose and the corner of his lips.
though the attention and gentle acts of affection always ends with your hands lower than they should be.
“ah ah, no touching, remember?” you murmur in his ear playfully. you had been at it for what felt like hours; gepard’s cock and abdomen was smeared with the remnants of his cum, skin tacky from his previous loads. your hand shows no sign of stopping, not even when he begged oh so sweetly.
“c-come onn. just… jus’ wanna kiss…” and who were you to deny your sweet boy? your lips find his in a heartbeat, his tongue swiping over your own sloppily as he breathes you in like a depraved man.
the only condition you had when you did this was for him to keep his hands to himself— at least until you both decide to move on to something else. until then, his fists clench the sheets beneath the both of you, and his ears stay flat on his fluffy head.
“i’m… i’m close again, g- aah, please, please…!” he begs, cock weeping precum as you continuously jerk him off. you smile, absentmindedly rocking your hips to the rhythm you held him prisoner to— gepard was too engulfed in the warmth of your hand to notice, anyways. “cum whenever you want sweet boy,” you purr, and he keens as he buries his face in your neck, his hips lifting off the bed ever so slightly as they meet your hand and he thrusts, riding the high of his orgasm.
sticky cum coats your hand for the nth time; you relent your grip on his cock for his sake, instead choosing to shower him with chaste kisses all over his face. gepard whines, taking ahold of your waist weakly as he breathes into the crook of your neck.
“geppie, your han-“ he cuts you off, swiftly switching positions so you’re now laying on your back as he hovers over you, chest rising and falling quickly, catching his breath from the intensity of his orgasm. gepard’s tail wags slowly behind him as his hands creep up from your waist to your chest just as slowly- you feel his cock harden against your pelvis, precum spilling from his pinky tip.
“‘ts my turn now,” he huffs, leaning down to nip at your neck.
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boothill is the most obnoxious dalmatian hybrid you’ve ever seen (not that you’ve seen many, or at all). but he’s made your life so fun so you can’t be too mad at him
he’s always dragging you out of bed to go do something— could be going to the park nearby or sit in the living room playing video games on your dusty console, it doesn’t matter because he’ll MAKE you step out of your cozy nest!!
you’re glad he’s friendly, because you’re not sure how you would handle such an excited hybrid when you left the house. people come up to the both of you to chat and he indulges their questions, essentially leading the conversation (while you stand there awkwardly, not knowing what to say).
boothill is also great with kids, unexpectedly. 9 times out of 10 when you go to the park he ends up playing with someone’s child, bright smile on his face as he messes up their hair with a rough hand. they’ll throw a frisbee for him to go catch and he’ll do it happily, or he’ll even… teach them how to beat people up.
(you stare mortified as he teaches a little girl how to throw a proper punch only for her to then punch her parent when she leaves boothill’s side. you go up to them and apologize profusely, forcing boothill to bow with you.)
he also loves to help you out, even though he’s not the greatest at household chores— but he definitely tries! though he is a stellar cook, which never fails to surprise you whenever he’s on dinner duty. he just… really sucks at everything else.
it’s… mostly because he just has so much energy. he sweeps the floor? nope, he’s picking off the pieces of the broom off of the floor because he accidentally broke it. he’s fixing your bed? nuh uh, you’re throwing out the ruined bedsheets because he accidentally tore them to shreds somehow.
so, with all of these accidents happening because he’s just brimming with energy 24/7, you started purposely exhausting him. or, rather, gave him the green light to exhaust you until he tires himself out.
“booth-aah, w-wait, you’re being too…!” you fall over on top of his hard chest, keening at the new angle his cock reached inside of you. he repeated his assault on the spot that made you see stars as your jaw gaped, broken moans leaving your lips.
“don’t tell me y’re tapping out.. haa, already!” boothill grunts, his grip on your hips tightening. he throws his head back with a loud moan, abs tensing as he nears yet another climax— the 5th one of the night. maybe, maybe not. you lost count after the third one.
you bury your face into the crook of his neck, focusing on the feeling of his cock plugging you full instead of the soreness, the burn in your muscles that came from your knees holding you up on his lap.
watching you riding him will always be his favourite thing in the world, even if he always ends up fucking up into you and taking back control at the end of the night.
“gonna cu-uum…” you whine, clenching around his length almost painfully tightly, hearing his breathing hitch as an orgasm is ripped out of him in consequence to yours. boothill’s fingers dig into your ass, his hips lifting off the bed as he cums deep inside of your sloppy hole again, sticky fluid building up beneath the sheets.
you collapse on top of him fully, chest heaving against his own as you come back to your senses, slowly but surely. boothill’s ears perk up, hearing how your breathing had evening out.
“so… got another round in ya?”
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karolinanovotneys · 1 year
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my knockoff kanken has finally given up after three years and the urge to get a real one is so real
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fencesandfrogs · 2 years
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Absolute wild how much better my mood has been since I figured out how to make my body stop hurting
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roksik-dnd · 9 months
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For everyone who asked: a dialogue parser for BG3 alongside with the parsed dialogue for the newest patch. The parser is not mine, but its creator a) is amazing, b) wished to stay anonymous, and c) uploaded the parser to github - any future versions will be uploaded there first!
UPD: The parser was updated!! Now all the lines are parsed, AND there are new features like audio and dialogue tree visualisation. See below!
Patch 6 dialogue added!
If you don't want to touch the parser and just want the dialogues, make sure to download the whole "BG3 ... (1.6)" folder and keep the "jscssetc" folder within: it is needed for the html files functionality (hide/show certain types of information as per the menu at the top, jumps when you click on [jump], color for better readability, etc). See the image below for what it should look like. The formatting was borrowed from TORcommunity with their blessing.
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If you want to run the parser yourself instead of downloading my parsed files, it's easy:
run bg3dialogreader.exe, OPEN any .pak file inside of your game's '\steamapps\common\Baldurs Gate 3\Data' folder,
select your language
press ‘LOAD’, it'll create a database file with all the tags, flags, etc.
Once that is done, press ‘EXPORT all dialogs to html’, and give it a minute or two to finish.
Find the parser dialogue in ‘Dialogs’ folder. If you move the folder elsewhere, move the ‘jscssetc’ folder as well! It contains the styles you need for the color coding and functionality to keep working!
New features:
Once you've created the database (after step three above), you can also preview the dialogue trees inside of the parser and extract only what you need:
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You can also listen to the correspinding audio files by clicking the line in the right window. But to do that, as the parser tells you, you need to download and put the filed from vgmstream-win64.zip inside of the parser's main folder (restart the parser after).
You can CONVERT the bg3 dialogue to the format that the Divinity Original Sin 2's Editor understands. That way, you can view the dialogues as trees! Unlike the html files, the trees don't show ALL the relevant information, but it's much easier to orient yourself in.
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To get that, you DO need to have bought and installed Larian's previous game, Divinity Original Sin 2. It comes with a tool called 'The Divinity Engine 2'. Here you can read about how to unstall and lauch it. Once you have it, you need to load/create a project. We're trying to get to the point where the tool allows you to open the Dialog Editor. Then you can Open any bg3 dialogue file you want. And in case you want it, here's an in-depth Dialog Editor tutorial. But if you simply want to know how to open the Editor, here's the gist:
Update: In order to see the names of the speakers (up to ten), you can put the _merged.lsf file inside of the "\Divinity Original Sin 2\DefEd\Data\Public\[your project's name here]\RootTemplates\_merged.lsf" file path.
Feel free to ask if you have any questions! Please let me know if you modify the parser, I'd be curious to know what you added, and will possibly add it to the google drive.
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hannahmanderr · 10 months
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I see your increasingly eldritch ghost form for Danny, and I raise you:
Phantom who, instead of looking more ghostly, is just a little too much like a human.
Like yeah, everyone knows Danny Fenton can send literal chills up people's spines and they swear they've seen his eyes start to glow in the right light, but have you seen Phantom? Like why isn't his skin green or blue or even deathly white? It's a lot healthier looking than Fenton's, that's for sure.
And just about every ghost that comes through has crazy sharp fangs, but if anything, Phantom's canines are just a little sharper than normal, but really they don't look too different than Wes' when he's on one of his rage induced rants.
Not to mention the physical presence he has in Amity Park. The way he inhabits space just feels different than most other ghosts, as if Phantom is somehow more connected to the physical world. Like why is he opening doors when he can just phase through them?
Kat, who works the after school shifts at the Nasty Burger with Valerie, swears up and down that she's seen him sitting on the roof, eating two or three burgers at a time (and sharing his fries with the little blob ghost family that lives in the dumpsters).
Dale knows for a fact he's seen Phantom talking on a cell phone of all things with someone. Even claims he heard Phantom mention something about playing DOOMED.
Mrs. Greigerit, the tiny old lady who's cashiered at the grocery store since forever, loves to talk about the time Phantom grabbed a few first aid supplies off the shelves after a ghost attack to help a woman and her toddler patch up until EMS arrived. According to her, he knew exactly how to work with these things meant to heal humans, and he even left a crumpled handful of human cash on her counter to pay for the supplies before he disappeared.
Amity Park notices, just like they notice the strangeness that surrounds Danny Fenton. But really, maybe it's just AP weirdness finally rubbing off on Phantom.
Everyone brushes it off until Jack and Maddie Fenton do the unthinkable and offer their help to Phantom after a particularly nasty fight.
"We saw him there, and... we saw just another person who needed help," Jack tells Tiffany Snow later that day. "A kid who could've been going to school with mine. What else were we supposed to do?"
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bangaveragewhitewine · 3 months
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the boy is mine (amy's edition)
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Written as part of @carolmunson ‘s the boy is mine writing exercise which is such a fun and gorgeous idea!
wc: 1,800
contents: love-sick best friends turned lovers, set in 1985 (there's an angstier version of this in my drafts...), allusions to sex (nothing explicit), Eddie's boner mention, kissing until your lips hurt
notes: Well, I’d love to lie and say that this was a breeze, but writing has been incredibly difficult for me lately. Fighting with myself comes easier than writing these days, but this is a really fabulous idea. Feeling ✨part of something✨ is really special (and a little daunting). Thank you, Carol 🩷
the scene: a romantic night-in at the trailer. 
the guidelines: prompt, props and dialogue are all here 
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April 1985
You watch silver smoke curl and melt into the air as the cigarette burns between Eddie’s lips. The scent of it cuts through the lingering fug of weed and sex and sweat. His hands are busy with pen and paper, jotting lyric ideas into his little notebook.
It feels a little bit romantic that he is so inspired after fucking you.
Your chilly feet rub together beneath the covers. It’s hard to resist the urge to stick them between his shins but you don’t want to ruin his artistic flow by shocking him with your arctic toes. 
Fade to Black plays from the boombox on his messy dresser. Eddie had wound the tape back to restart the almost seven-minute track after the first listen-through and grinned unapologetically when you rolled your eyes at him. His head bobs to the beat as he scribbles and you shift your attention to a particularly perfect curl lying across his shoulder, the dark black ink pressed into his skin.
If your camera were closer, you would snap a picture of him. But for now, you store the image of him away in your mind. In twenty, thirty, forty years, you will remember tonight and smile. There’s a whole life ahead of you to plan with him, and you’re pretty sure Eddie wants in on it too. 
“Your Mama never told you it’s rude to stare, princess?” he asks, rereading what he had just spilled onto the page. He clicks the pen three times before folding the notebook closed. His wave of inspiration has peaked and you are, once again, his sole focus. 
“Maybe. Probably.” You shrug one shoulder before taking the cigarette from between his lips.
The way your lips hug the filter makes Eddie’s body thrum to life all over again. When you lean across him to tap off the ash, he takes his chance to pull you against his chest and lock you into his lap, closer than close. The cigarette is left to burn out as you trade smokey, wet kisses back and forth between smiling lips until you are both laughing at nothing, at everything. At that little whiney noise lodged in the back of Eddie’s throat, and the way he taps the opening bars of Trapped Under Ice against your bare body. 
That throaty, dirty laugh makes you feel warm all over. His cheeks are rosy-warm and cherubic when he smiles at you. You want to nibble them but settle on gentle kisses instead. His eyelids and forehead are next, then his nose, before you work your way back to his lips. It’s a tender moment after those almost unstoppable giggles, rib-aching and eye-watering laughter that comes easy when you’re with Eddie - more free-flowing when you’re still a little bit faded. 
“Want the rest of that pizza?” Eddie asks after a few moments. His mouth has been busy kissing your neck and shoulder, and the way his breath catches on damp patches makes you shiver. 
A few more smiling kisses are traded before you vacate the cocoon of body-warm blankets together to don discarded sweaters and underwear. Eddie glues himself to your back in a penguin shuffle to the kitchenette to raid the forgotten pizza box and the stash of munchie-friendly snacks stowed away in the cupboard. 
The formica feels cool against the back of your thighs as you chew thoughtfully on the cooled-off slice. There are empty cans of High Life on the table between the melted candles; Eddie’s romantic ideas of tea lights and the champagne of beers had set the butterflies in your stomach swirling when you stepped into the trailer that evening. The VHS cases and TV remote are lost between the couch cushions and throw pillows, cast aside before you could even decide what to watch in favour of making out hot and heavy. 
Eddie holds up two soup-recipe mugs. “I ran out of like, nice cups, this okay?" he asks. 
The unwashed everyday mugs are abandoned in the sink and Eddie’s own Garfield mug is a quarter full of flat soda on his dresser. You know better than to suggest one of the collectables perched high on the shelves and hooks in the living room, and Eddie does too. Wayne is still irked about the cracked commemorative Moon Landing mug. It’s been glued together and sits safely on a higher-up shelf since thirteen-year-old Eddie had wanted to impress you, his new friend, with hot cocoa. 
You look back at the bowl-cups, and wonder if anyone ever used the recipe on the front. “They are nice. I’ve always wanted to drink not-soup out of these. Feels illegal.” 
Everyone always said he would be a bad influence on you, drag you down. They never saw that soft side to Eddie Munson, but you did. Using soup bowls as cups is far from ritual sacrifice and grand theft auto.
When he looks at you, perched on the counter in his hoodie and no pants, eating cold pizza, he feels like he might be looking at an angel. Your post-sex hair is your messy halo.
He comes to stand between your thighs and you feed him a bite before pushing his bangs back to kiss his forehead simply because you want you. Because you can now. Now that the pretence of being just friends has finally (finally) been dropped. Everything about your night together - now that you are together - is pretty similar to how it’s always been. Pizza and laughing until your ribs hurt, smoking enough to make you loose-limbed and ravenous. You spend less time looking at his lips and fingers and wondering what they feel like; you know now, and get to sample any time. 
He steals one more bite before popping the lid on a can of Betty Crocker vanilla frosting from the cupboard. It has been a solid fixture of your garbage-food fixes since you and Eddie were fourteen and fifteen and home alone with a stack of horror movies to watch; Betty and two spoons, maybe some peanut butter or salty chips for balance. Now there is always a can in the cupboard, in your house and in the trailer, for when the cravings hit. When you move to Indy together after graduation, it’s top of your grocery list.
Eddie feeds you the first spoon, hovering it in front of your lips so you will come and take it. He feels a little like a pervert when he watches you eat it, lips around the cold metal and your eyes closed. You know exactly what you’re doing, doling out a little payback for Eddie getting distracted with his lyrics and set-lists while you were cuddling.
“Did anyone ever tell you it’s rude to stare?” you ask, tongue thick and coated with sweet vanilla. 
“Just appreciating the art, sweet thing,” he fires back, winking at you before taking a bite of frosting. His brows pull in like he’s pondering something. “Mm. Wonder if  there’s a Mr Crocker…”
You shove his head as he cackles that goblin-laugh of his and you try not to smirk at the same joke he’s been telling for years. 
“You want an older model, Munson? Karen Wheeler’s been looking pretty dolled up lately…” You take the spoon, tapping it against your lip as Eddie pulls a face. 
“Oh yeah, MILFs of Hawkins, come get me.” Eddie rolls his eyes before sliding his fingers up your bare legs to find the soft curve of your waist. “Only girl for me is riiight here, baby. You’re all the woman I need.”
He’s pressed up close with his chin resting against your chest, gazing at you like you hung the moon. 
“Better tell O’Donnell that. I think she has a crush, s’why she keeps giving you detention.” 
“You’re a fuckin’ sicko.” Eddie’s reverence shifts into a scowl as he rests against your chest, but softens again when your fingers slide into his hair, coaxing him to relax and melt against you. 
“And you like that?” you ask.
“I do.”
Eddie can feel the sped-up thud of your heart beneath his ear, matching the beat of his own. A peaceful moment settles over the kitchen.
Until a tendril of mischief unfurls inside you. Imitating that nasally, cringe-inducing voice of O’Donnell blended with something a little breathy, you whisper in his ear, “Edward Munson. I want to see you after class. You’ve been a very bad boy…” 
He steps back from you, hands over his ears so he can’t hear any more of your teasing. It’s cold without him all wrapped up and pressed against you.
“Divorce. Divorcing you. Get out.” 
Your cheeks ache, like when you’ve had a lollipop lodged there for a little too long. It’s sweet and cloying like the joy you take from riling him up like this. “Aw, don’t be like that!”
“Too late. I’m taking the house and the kids.” 
“That’s not even…” you cut yourself off, laughing too hard, and Eddie can’t even hide his own smile; he can’t buy into his own dramatics when you sit glowing on his kitchen counter, damp-eyed from laughing so hard (even if it is at his expense). 
“M’sorry, sorry. Don’t divorce me.” You pout and open your arms out, grabby hands poking from the too-long sleeves until he slopes back between your legs and folds against you. Your mind wanders briefly to a future where you’re Mrs Munson; it sounds nice.
As stubborn as he can be, Eddie thaws after a few sweet kisses cut with quiet little murmurs of ‘forgive meee’. You feed him another spoon of icing as a sign of peace, sweetening him up just a little more before licking what’s left off of the tip and edge. 
You feel his hands squeezing tighter on your hips, bringing your attention back to Eddie and away from the frosting. 
“Hm?”
“If you don't stop, we're gonna have a problem.” He sees your confused expression and taps the spoon. “I’m gettin’ jealous. Of a spoon.” 
You can feel the problem, warm and thick against your leg. It does not feel like much of a problem, and you both can think of a few tried and tested solutions to make it all better - a few more to be explored are jotted on a page of another small notebook tucked away in Eddie’s drawer.
“Is it a problem? Really?” you ask, head tilted with the metal tap-tapping against your lips before you go in for another indulgent scoop. 
“Okay, I’m cutting you off.” 
The spoon is snatched and thrown, and it clangs against the mugs in the sink as Eddie takes your hands and hauls you down from the counter. You taste vanilla on his tongue, sharing the sweetness with you as you stumble blindly back to his room.
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thank you for reading🩷reblogs, likes and comments are welcome and cherished!
Don't forget to check out the rest of the fics from the challenge!!
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reasonsforhope · 2 months
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"Sunlight dapples the once-denuded forest floor as saplings spread their branches and leaves overhead, slowly forming a lush canopy.
Beside each young tree, a sign notes its species. Lupuna, says one, the colloquial Peruvian term, and below that its scientific name, Ceiba pentandra — in other words, a kapok tree, known for its cotton-like fibers. Huito, says another sign, or Geinpa americana, which produces edible gray berries.
Each sapling is distinct, a reflection of the Amazon's stunning biodiversity, with so many different species that you might go acres without finding a repeat.
Yet this young forest did not spring up naturally. It has been carefully recreated by humans in an area that was, until just three years ago, a heavily contaminated moonscape.
This land was stripped of its dense vegetation by miners scouring the subsoil for tiny specks of gold, using mercury to separate the gold from the sediment. Many thought that a healthy forest would never thrive in impoverished, mercury-laden topsoil and that the piles of sandy tailings, the residue from the gold mining effort, and the pools of wastewater were irremediable...
"It feels good to see the forest grow back," says Pedro Ynfantes, 66, the miner whose legal mining concession of 1,110 acres includes this 10-acre patch of land where this young forest is located. "We don't want to deforest. When we had the opportunity to let the forest grow back, we took it. It's much better this way."
The opportunity he refers to came via U.S. nonprofit Pure Earth, which works with communities across the Global Southto remediate environmental problems left behind by mining, much of it illegal. Their biggest targets are mercury and lead contamination...
Security forces have launched anti-mining operations down the years, even blowing up the miners' equipment deep in the jungle. But most local politicians, including Madre de Dios' members of Peru's national congress, broadly support the miners, who are a powerful constituency in the relatively sparsely populated jungle region.
Restoring the forest
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Pictured: France Cabanillas works for the nonprofit group Pure Earth, which is spearheading an effort to plant saplings in areas of the Peruvian Amazon that were devastated by illegal gold mining.
Now there's an effort to address the damage. Initially working with the region's legal miners, most of whom were here before the 2009 gold rush kicked off, the nonprofit group Pure Earth is using this patch of Ynfantes' land as a pilot project to show how the rainforest can be regenerated after the last traces of gold have been plucked from the soil.
It took a sustained outreach effort. Many miners are wary of or even downright hostile to foreign NGOs, which have repeatedly called for gold mining to be banned or severely curbed in the Peruvian Amazon — steps they say would cost them their livelihood.
"I am feeling optimistic," says France Cabanillas, Pure Earth's local coordinator, who has been appealing to the frustration of many miners at the heavy toll they have taken on the jungle and their desire to minimize their environmental footprint for the next generation.
"We still have a lot to do but this pilot is going well. Down the years, the miners have been getting a lot of stick but not much carrot when it comes to their environmental impacts," says Cabanillas. "We are offering them a carrot, allowing them to remediate their own impacts. Many of the miners do not want to be destroying the rainforest."
Before the miners plant the carefully-selected mix of tree species, they had to prepare the earth. Most of the topsoil had been washed away by the miners' heavy use of hoses.
That preparation involved adding biochar (burnt organic material) and even molasses, which contain fixed carbon and minerals, along with various other nutrients. The miners also had to dig tiny moats around the saplings to prevent all of this new planting from being washed away. Now, after three years, the forest is visibly coming back.
The rejuvenated rainforest also mitigates the impact of the mercury used by many of the illegal miners.
Research done by Pure Earth shows that the barren, sandy soil emits mercury. But in a rainforest, the ecosystem actually absorbs some of the metal, boosting public health."
-via NPR, April 2, 2024
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angry-geese · 5 months
Text
The Weight - Sukuna x Reader
Warnings: smut//not osha compliant. arranged marriage au. blood/cannibalism mention. biting/size kink. unprotected sex, creampies. afab reader
synopsis: an arranged marriage au where the reader chooses sukuna instead of one of the men from her village
word count: 10.3k
a/n: this has been sitting in my drafts since probably last february and I finally got around to finishing it lol
jjk masterlist
As mid-afternoon turns to dusk, you realize you have nothing to show for your hours in these woods. You know, reasonably, you should cut your losses for the day, and return home. In a little over an hour, it’ll be dark, and navigating these woods will become a challenge. But winter has come and gone with a vengeance, leaving food stores low. The thought of fresh meat is too much for you to quit now.
Fresh tracks mark the once-smooth creek bed. Deer. At least three. They’ve bedded down here, as evident by the smell, and flattened patches of grass. For several meters, the tracks nearly overlap themselves, before heading off in separate directions. It's been years since you’ve traveled this deep into the woods, and those few times were accompanied by your father, or uncle. Your solitude has you jumping at every rustle of a leaf, and snapped twig. It's when the woods fall silent that you need to worry. That means a predator is near. As long as you can hear bugs, or birds, you'll be okay.
Further ahead—maybe twenty yards—is a buck that stopped to drink from the creek. 
You knock an arrow, lining the broadhead up with your target. Something feels wrong. The string feels too taut. It slips from your fingers prematurely. The arrow hits just behind the front shoulder, and—in theory—should puncture the heart. A shot like that—in theory—should drop an animal like this where it stands. Today it doesn't. The buck takes off running.
Between the footprints, and little droplets of blood, a clear trail is left behind. When you do finally come upon your prey, the crickets have fallen silent. The buck lays on its side in the grass, chest heaving. You ready your knife to put the poor thing out of its misery when something—someone—emerges from the treeline on the opposite side of the clearing. 
Your body is moving before you can fully process the situation. You flatten yourself out on the ground, hiding under the cover of some bushes. If the man does see you, then he makes no note of it. He draws closer, stopping to kneel beside the buck. It’s too dark to make out his face. Something about him has the hair on the back of your neck on end. He hauls the carcass up onto his shoulder, turning to return in the direction in which he came. 
The absurdness of it all has you frozen. You blink several times as if to make sure this isn't your mind playing tricks on you. Once reality sets in, you’re back on your feet, chasing after him.
“That's mine!” You say, hoping the volume of your voice is enough to scare off the thief. It isn't.
What you first assume to be another trick of the lighting becomes a horrifying reality as you notice the true size of the man. The man—being, or whatever he is—towers over you, completely dwarfing you in size. Mild annoyance is all that is visible on his face as he turns to you. From the deer, he rips out your arrow, tossing it at your feet. The broadhead has snapped off, as well as the shaft is bent. If you so desire, you suppose you could repair it. Not that you have any wish to. Sometimes it is simply better to cut your losses.
But you have more pressing things to deal with right now.
“And just what do you plan to accomplish, little lamb?” He asks. “A deer like this can weigh as much as a grown man. Do you plan to carry this back all by yourself?”
It’ll be tiring, but not impossible. Gutting and dressing it here would remove a lot of unnecessary weight, but would render plenty of valuable meat and organs useless. All that extra meat and skin could be used better elsewhere…
You are overcome with the urge to run, yet his gaze has your feet firmly planted on the ground. Your eyes fall to a small red splotch on his kimono—a blood stain. It can't be from the deer, it's far too old. It’s not until your knees knock together that you realize you’re trembling.
The action of him moving closer causes a cry of panic to leave you, unintentionally calling out for your father. 
“What—who are you?!” You ask as you scramble backwards. 
“I am Ryoumen Sukuna, the King of Curses, my dear,” he says. “Now, shall we get this back to your home?”
Fear threatens to overcome you. Even if you could draw an arrow in time, you doubt it would truly hurt him. Yet, in spite of your fear, you know he has no plans to harm you. Once you’re in sight of the village, he sets the deer down, and gestures for you to take the lead.
“Why are you helping me?” You ask. You’re certain the look on your face suggests you still expect him to eat you. 
“Why do you ask?” He says. “Maybe I wanted the location of your home. It seems there are plenty of sacrifices here for me.”
“Wait a minute!” You say, eyes widening with fear. A mix of panic and guilt consumes you. “You can't-”
A look resembling amusement crosses his face. “I mean no harm to your village,” Sukuna says, “but in five years, I will return to claim what is mine.”
The strange man would vanish upon reaching the outskirts of your village, and in the nearly five years that follow, you would not once traverse so deep into the woods. On several occasions, you would try to retrace your steps, but would never once come across that clearing. When you would bring it up to your father, or any of the other village elders, your concerns would be brushed off, or outright ignored. Years would pass and slowly, achingly slowly, you would forget about the man in the woods entirely.
The coming spring brings your twenty-eighth birthday, and the looming threat of being an “older” unmarried woman.
If you had any say in the matter, you wouldn't get married at all. Plenty of older women exist, happily unmarried, yet your mother insists that you must find a husband. Any attempts to convince her that you’re fine with the way things are, fail. Once it became clear you weren't going to seek a husband on your own, your mother took upon the task of finding a suitor for you. Over the course of several months, meetings were arranged with various men, and with each rejected one, your mother grew more desperate to find the perfect match. 
Your mother insists you're cursed. Your father thinks you’re simply unlucky. When you asked how marriage was supposed to fix that curse, she had no answer for you.
In the months prior to your birthday, your mother proposed a deal to you: meet with another man—the son of a wealthy merchant. That if this meeting went well, even if you didn't marry him, she would stop pestering you about getting married. Tired of her pestering, you relented, and agreed to meet him. And as the days draw closer, you only feel dread towards him. 
The outcome of tonight has already been decided by you: failure. Whether your mother knows this or not is hard to tell. Judging her tense nature, you suspect she knows your plans.
“I was already married at your age,” she says, tightening your obi, “I used to have a dress just like this.”
“The difference is, you knew him already,” you say, “and I am meeting a stranger.”
“I am simply doing what I think is best for you,” she says. “This is your chance to get out of this village—to live a better life! Don't you want that?”
Her eyes meet yours in one last pleading glance. It makes you wonder; did she have such a conversation with her mother? Did your grandmother go through such trouble to match her to your father? Or did this come easier to her, than it did to you?
You suppose he’s handsome. The silks he wears are clearly expensive, with threads like woven gold. His features are sharp—what one could describe as noble, but you find him truly dull. But he is scrawny—squishy, with hands that show he has never worked a day in his life. The little conversation he makes is dreadfully boring. His father is an older man, with a graying beard, and sagging eyes. His mother is considerably younger, dressed in blue, with a small scar on her chin. Her silky black hair falls down her back. The little conversation you do have is short, but polite. The typical small talk you would have with a stranger.
Your mother does her best to talk you up. She’s gotten pretty good at that over the past few years. Your father interjects here and there, but it's your mother that does the majority of the talking. 
“She’s strong. A talented hunter. Good with a knife.” Your father says. This time, you’re paying attention when he speaks.
Your potential father-in-law seems unimpressed with your father’s attempts to talk you up. Perhaps if you were a son, this conversation would go differently. If you were a son, your mother wouldn't be so stressed about you being married before 30. Your growing irritation mounts when you set down your cutlery, turning to look the old man in his eyes.
“And what about him?” You ask, motioning to his son. “Look at him—how is he supposed to give me a strong child?”
The energy in the room seems to shift entirely. Your father nearly chokes on his wine, but his eyes are firmly trained on your mother. She glares daggers at you, gripping her spoon so tightly that her knuckles turn white.
“What?” You ask. “I am the one getting married. Don't I get a say in this?”
Are you trying to screw this up? Your mother’s face seems to ask.
“A good father controls his daughter,” the man says, “especially one with such a sharp tongue.”
“I can serve this village, or I can control my daughter, but I cannot do both,” your father says, “she’s not a child anymore, she can make her own choices.”
That earns a small smirk from you. Leave it to him to stand up for you.
“That is exactly why this is so grievous,” the man says, “my son will not marry an old maid with an attitude problem!”
“And I will not have in-laws as insufferable as you!” You bring your knife down on the table, narrowly missing his fingers. This little outburst of yours at dinner will certainly have consequences. Your mother’s wrath is only the beginning.
They don't leave in nearly as big of a hurry as you’d expect from a man who was just threatened with a knife, but they do hurry out, making certain not to look back.
“Maybe we should have offered to let them stay,” says your father, “it’s not safe to be out on the road after dark.”
“We’re lucky to not have them send guards after us for that,” your mother says, and for once, you agree with her. “Threatening a man like that is a new low, even for you.”
After such a disastrous dinner, you’re not particularly eager to go find your parents. You linger towards the outskirts of your village for as long as daylight allows you to. Once it grows too dark to stay out, you begin the trek back to your home, praying your parents—or at least your mother—have simply gone to bed. Maybe your father will forgive such a night, but your mother certainly won't. Over the past year you’ve done enough to earn her ire, this will not help your case.
Sitting outside is your mother, her eyes trained on a dying fire. Although she doesn't acknowledge you, you know she’s noticed you. Part of you wonders if you should speak first. Would that even improve your situation, or simply make it worse?
“You win.” She says. 
“What?” You ask.
“You win. I told you I’d stop after this, remember?” She asks. “Besides, I stopped liking him after that comment he made about your father.”
You still don't believe it's over. No tone of accusation clings to her voice, yet you can't help being suspicious.
“I don't get it.” You say.
“I just want what's best for you.” She says. “I want you to live a long and happy life. Are you really content to spend the rest of your life in this village? Stuck taking care of your brother and father?”
“That sounds like the preferable outcome,” you say, “compared to having in-laws I can't stand.”
“Where does he get off calling you an old maid anyway?” She says.
A small smile crosses your lips. This is about the best she'll get, and she knows this, a grin crossing her own face. A moment that should be one of triumph—at least for you—seems to be more sorrowful. The older you grow, the further apart you drift from her, and with that comes a strange, aching loneliness. You long for a time in your youth; the days when she would play dolls with you in-between house chores. You miss the tiny clothes she’d sew for them. The furniture made of timber scraps she’d hand paint. Oh how long has it been since she last braided your hair? Or brushed it? Or helped you wash it? 
Did she have these same feelings about her own mother? Or was it easy for her? Does she too mourn those moments you used to share?
You don't remember her always looking this old. That’s not to say she isn't beautiful still—age does not nullify beauty. But she looks tired now. The dark circles under her eyes are more prominent than ever. The skin around her eyes crinkles when she laughs, or smiles. Her hair is littered with grays—like little silver threads. She looks like you.
From within the nearly pitch-black woods comes a scream; not that of an animal, but of man. When the scream rings out again, it’s much easier to understand. It’s a cry for help.
Emerging out of the treeline, and following the main road is a man, half hunched over and clutching his stomach. He makes it several yards into the village before collapsing. Enough blood pours from the wound on his side that you can smell it. A metallic taste lingers in the air, stuck to the back of your throat. Blood. 
You’re the first to run over, followed shortly behind by your mother. The injured, shambling figure collapses upon the road. It’s only as you draw closer that you recognize him, albeit barely: the man from dinner. His clothes at one point in time were yellow in color, but are now stained a deep brown in color from a mix of dirt and blood.
“We need a doctor over here!” Mother cries out, her voice echoing against the wall of trees.
Someone must hear, because eventually a group of men burst out of a nearby house. They make quick work of rolling him onto his back, granting you a better look at his wounds. Three long slashes across his stomach. From your mother comes a gasp, followed by her clamping her hand over her mouth. The young man succumbs to his wounds before anyone is able to help him. He’s lost too much blood. People don't come back from that.
“Was he stabbed?” One man asks.
“Looks like knife marks,” comments another.
“Not a knife,” the oldest of the three says, “claws.”
“Do you think a mountain lion got to him?” You ask.
The oldest of the men shakes his head. “Cats like that don't get this close to towns. They avoid people if they can. A bear, maybe; if he got in between a mother and cub. But even that seems unlikely…”
This is why you don't go into the woods after dark. This is why you lock your doors and close your shutters tight when the sun sets. Bad things lurk out there, but they are not bears, nor are they mountain lions.
Something about the height of a person bursts from the treeline. Atop the legs of a chicken is a head only humanesque in the way corpses are. Sunken eyes sit atop a shriveled nose, and cracked lips. Its skin seems to be hanging off bone. Still, it takes you a moment to register that it’s fear you feel. Your palms prickle with sweat, the hairs on the back of your neck stand on end. The urge to flee is nearly unbearable.
More of these creatures emerge from the direction of the nearly-set sun. They appear to come in all sorts of horrid shapes, and sizes, the smallest being no larger than a bird, and the largest about the size of a cow. Fear threatens to overcome you entirely. At least twenty of the creatures leave the treeline, although you suspect more remain hidden within it. The temperature must drop by ten degrees. It’s as if all the moisture has been sucked from the air. Those who dared leave their homes to look at the source of the commotion have now retreated, locking their doors behind them. 
The collar of your dress jerks backwards as your mother struggles to drag you back towards the house. “Get your father!” She says. “Hurry!” 
“What about you?!” You ask.
“Just get your father,” she says.
And you do so, running as fast as your feet will take you. The chilly night air renders your fingertips numb, and your face burning. He’s asleep in his chair, and wakes with a gasp as you shake him, motioning frantically to the door. The words that leave you are incoherent, but he must understand your panic. He retrieves his sword, telling you to lock the door behind him. You don't listen. You never listen, you can hear your mother say now. A sudden burst of light draws your attention—a nearby house has caught fire. Those strange, horrid creatures swarm around it like flies. Several neighbors have exited their houses, and begun throwing buckets of water upon the blaze, but the fire is too strong.
And from the treeline emerges that man from the woods all those years ago. 
In five years time, he has not aged a day. His cruelly sharp features appear the same within the flicker of the firelight. They fall before him on their hands and knees, heads bowed in fear. You only realize you’re shaking when you move closer to the window, peeking out through the crack in the shutters. 
The King of Curses, he called himself, all those years ago.
His mouth moves as if he's speaking, but you can only make out about half of what he says. The ringing in your ears is too loud to make sense of much.
“My offerings lessen, my shrine lies defiled,” he says, “and you humans sit here complacent. I gave you five years to make amends and this is what you do with it?”
You know, logically, that your father is going to die. He is no match for the creatures, let alone that strange man. You must do something. Even if it is beyond logic, or reason, you would not forgive yourself if you did not act.
“Then what is it you require of us?” Asks father, his hands trembling slightly. You can tell it’s more than just the dancing light of the fire. He is truly frightened.
“An offering,” says the King of Curses. “A sacrifice.”
“We have nothing to offer,” says father, “the river has run dry of fish—our crops have withered! We have nothing to offer, we’re starving regardless!”
The King of Curses eyes drift to your hiding place, before landing back on your father. “You said it yourself.” He says. “You’ll starve regardless. What difference does it make that you should give up one of your own? Won't there only be less mouths to feed?”
Your arrows rattle loudly as you pull one from your quiver, knocking it. From this angle, and sitting half crouched on the ground, you can't bring it to a full draw. Not only does that mess with your aim, but alter the power of the shot too. That can be accounted for. You adjust your angle to be a little higher—right above his head. When you release the string, the arrow gives way with a thunk! The shot is dead on; your arrow whistling towards the demon king’s head. He brings his spear up, knocking it aside. Several heads whip back towards you, their faces contorted in a mix of anger, and fear. 
You’re not quite sure who grabs you first—it must be more than one person. Several sets of hands are upon you, dragging you from the house. Any attempts to fight it fail on your part, there are simply too many people to kick off. They drop you in the dirt beside your father. You don't dare look at him. You know his eyes are filled with fear. 
“We’ll—we’ll put it to a vote,” says one of the elders. “All those in favor of sending this woman as an offering…”
Two other elders raise their hands. Then several of the men. Then, reluctantly, the mother of a neighboring family. Even more hands pop up after that. Although maybe a minute passes, it feels like hours. At least a dozen sets of eyes are on you.
“Out of all of you,” the demon king says, eyes following across the crowd that’s now gathered, “she was the only one of you to fight back, yet you punish such an action?”
Silence is the only response the crowd can conjure up. A groan so loud that the ground rumbles beneath it rings out as the house gives way, collapsing in on itself in a rain of ash and embers.
“Wait!” Your father cries out, “let me go in her place!”
Several more incomprehensible sentence fragments leave him. He pleads and pleads to no avail. The last view you get of your village is of the spirits retreating back into the woods.
It must be hours before your state of shock wears off. Dawn breaks bleak and gray over the horizon. The temple he brings you lies in ruin. You must be one of the first people to set foot in here in years. A cracked foundation gives way to walls overtaken by vines. Dust and ash layers the ground, and every surface imaginable.
Sukuna must not expect you to try to run. Nothing is done to prevent you from escaping. There are no doors to lock. No ropes or cages. The only real barrier of escape is the trek home through miles of woods. Should you wait until sunrise, the trip won't be impossible. It is the fear of what remains for you that prevents you from returning.
Would there even be anything to go back to? Is it even worth it after what they did? They did not hesitate as they offered you as a sacrifice. Whatever happens to them… they have it coming.
Such thoughts do little to comfort you. If anything, they make you feel worse. What little strength you have left goes into stopping the tears that threaten to spill down your cheeks. You manage. Barely.
Unable to find it within you to do anything else, you sit. Only a thin, woven mat separates you and the hard floor. Footsteps draw closer down the hall, the noise only amplified by the high ceilings of the temple.
Uraume. That’s what Sukuna called them. A strange being that looks human, but appears to be more than such. They enter the room, a shock a white hair visible before the rest of them is. They wear the kimono of an unmarried woman, in vibrant shades of orange, blues, and pinks woven in the pattern of flowers. Hooked around one arm is a pail of water. Under the other arm is a roll of cloth. Contained within the cloth is a mix of hygiene supplies; a sponge, comb, various vials of oils and creams. 
Uraume treats you like one would treat a frightened animal. They kneel on the ground before you, leaving about the distance of a foot. When you don't flinch, or shy away, they move closer.
“You’re covered in ash,” they say, “let me help.”
With the sponge, they dab away the bits of dirt and ash that have caked to your skin. Human contact like this should, in theory, be intimate, but in this situation it feels like anything but that. Uraume’s touch feels cold, and clinical. With them comes a strange, uncanny feeling, like you are not looking into the eyes of a human, but of a corpse. The reason behind their kindness is a mystery to you. It feels wrong to question them, but you can't help but think there is something sinister behind their actions. Their casualness suggests this isn't the first time they’ve done this. That thought does nothing to comfort you, so you quickly push it aside.
Next, they move on to your neck, then down to the exposed bits of your chest, and shoulders. 
“Such a beautiful dress,” they comment. You reply weakly, saying it belonged to your mother. Their response to that is little more than a hum.
They take your hands, scrubbing the dirt from under your nails with a small brush. After that, a comb is worked through your hair, taking great care to not pull on any knots that have formed. Once they can work their hands through your hair with no resistance, they stop.
Uraume leans back to examine their work, deeming you presentable. Gathering what they brought with them, they make their way towards the door, turning back once to say: “I’ll bring something to eat.”
The events of the night have left you without an appetite. You probably should eat something. It’ll be important to keep your energy up. The little adrenaline left within you has you jumping at any small noise, or shadow. Sleep feels like an impossibility right now.
About ten minutes pass before Uraume returns carrying a platter. Tea, pickled vegetables, a hunk of bread, a bowl of some kind of stew. It smells quite good, but you merely pick at it. Like your hesitation to sleep, you can hardly eat. Uraume sits with you, picking at their own food, but never finishing it. A million questions race through your mind, although you can barely bring yourself to ask them.
Would they even answer you? Or does this have a more sinister plan behind it?
Finally, you find enough of your voice to ask: “Where is…?”
“I’ve prepared a bath for master Sukuna,” they say, “he’ll be joining us shortly.”
Your attention turns back to the bowl in your hands, which soon slips through your fingers, breaking upon the floor. What little appetite you had is soured entirely. This is it. You’re nearly certain you’re going to die here.
Your attempt to clean up the mess is stopped by Uraume. They insist upon cleaning it themselves, taking great care not to cut their hands on the shards.
“Why are you helping me?” You ask, shocked at how small your voice sounds.
“Master Sukuna likes to play with his food before he eats it,” they say.
Uraume leaves shortly after, taking the leftover dishes with them. You remain seated, eyes moving between the two exits of the room. One takes you to the entrance of the temple; you’re not certain where the other leads. The first is almost guaranteed to be guarded, though. Trying to run now is a bad idea. But when will you get another chance?
You will not sit idly by as death draws closer. Like the previous night, you feel as if you must do something. It was your own foolish actions that got you into this mess, says a small voice in the back of your head.
Trapped under your heel is a small pottery shard, left over from the shattered bowl. It’s small enough to conceal in your palm. Sharp. Better for stabbing than it is slashing, but it will be good enough at either. Once Sukuna returns, you’ll get your chance.
The rush of adrenaline has started to wear off now, rendering your arms weak, and your legs shaky. If you were to sit down now, you’re certain it would be a while before you get back up. It is the body fighting itself; fight or flight mode mixing with exhaustion. If you do not stop and rest, your body will give out on you eventually.
So you stand there and pace, clutching your shard of pottery close. Maybe thirty minutes pass in the time it takes Sukuna to enter, but it feels like hours. Adrenaline turns into fatigue.
Tears burn at your eyes again, but you’re able to blink them back. A mix of shock and betrayal has left you nothing short of exhausted. Sukuna’s towering stature only helps to make you feel like a lamb about to be devoured by a wolf.
“I trust Uraume has been of assistance,” Sukuna says. 
Unsure of how to respond, you simply nod.
“What now?” You ask. “Is this the part where you’re supposed to eat me?”
That earns a laugh from him, although it’s strange sounding, as if the very action is foreign to him.
“Many decades ago, the people of your village—among others—would hold a festival during harvest season,” he says, “it was meant as a sign of peace. An offering in return to not raze their homes,
“The people of your village have grown laze, and complacent. They have forgotten their place as humans, and needed to be reminded of it. You are simply another offering. Something to tide me over.”
Sukuna draws close enough for you to feel his breath across the back of your neck. You shudder. Adrenaline courses through you once again.
This is it, you think, you are going to die. 
In one last attempt to preserve your dignity, you aim for his jugular, and swing the shard of pottery towards it. A hand wraps around your wrist before it can make contact. A second set of arms are trapping you against his body before you can even register it. His breath is warm against your cheek, teeth inhumanly sharp in the dim light.
“You are entertainment.” He says. 
That same set of sharp teeth drag up your neck. Some sick sense of pleasure runs up your spine at the feeling: being a little lamb in the jaws of a predator. It would take so little effort from him to render you lifeless that it’s almost comical. Adrenaline turns to delirium in your mind. 
What happens if he finally grows bored of you? It’s not a matter of “if” in this case, it’s a matter of “when”. You have an idea of what will happen once he does.
You don't hear him leave, so much as you notice his lack of presence.
Sukuna is gone for most of the following day. In that time, you explore much of the temple in an attempt to gain your bearings. It’s sparsely furnished, and dilapidated for the most part, but there are some signs of life. On a lower level of the temple is a bedroom, where the bed alone is as big as a room in your home. Must be Sukuna’s. Another, smaller room appears to be Uraume’s quarters. A small kitchen branches off the hallway not far from this. 
The later half of the day is spent trying to familiarize yourself with your surroundings. Thick woods surround the structure, spreading out for what must be miles. To the North is a creek. If you followed it, you might possibly meet up with the river by your village. Whether you could do so before nightfall is another question entirely. Finding yourself stuck in unfamiliar woods past dark may prove to be a death sentence.
Even if you could go back, would you want to? Their lack of hesitation towards sacrificing you still rings clear in your mind.
Sleep seems to be the best way to pass the time. There isn't much else to do around here. In the hours before dusk, you manage to drag yourself out of bed, and into the woods that surround the temple. You justify it by saying that fresh air will do you good, not that anyone asks you. The only person around to do so would be Uraume, though you don't see much of them.
Heavy fog settles upon the trees, causing the day to take on a quiet, sleepy nature. Little cream-colored mushrooms pop up through the layer of moss and dead leaves that blanket the forest floor. Carved out over years of use is a dirt path, barely wide enough for a person to walk through. Following it for about ten minutes brings you to a pond. At one end, the start of a small creek leads downhill. Little fish are visible just under the surface. Leaving your socks and shoes at the shore, you wade out into the water. It’s cool, but not chilly. The mud feels soft underneath your feet. Being outside helps settle your nerves a bit. Outright terror is replaced with uneasiness now. While not entirely better, it’s an improvement to your previous mood.
From the treeline opposite of the path you took, a figure enters the clearing. Sukuna. Adrenaline spikes through your body at the sight of him. Your pulse quickens, and fear prickles in your palms. Every cell of your being is telling you to run.
Sukuna motions with his hand for you to follow him. It is not an offer, so much as it’s a command. Following a short walk on a stoney path, you find yourself overlooking a rock cliff-face, and a small wood hut. Scattered about are several steaming pools, which bubble up from the ground, layering upon the cliff-face like stairs.
Sukuna undressed at the wood hut, leaving his clothes hanging upon the rafters. Your gaze remains firmly on the ground. You should not be seeing him like this. This feels far too intimate. You try not to let your gaze linger too long, but can't help it. The sight of his back alone is hard to tear your eyes away from; the muscles, the tattoos, the curve of his spine. There is a strange, supernatural beauty to him. You eye him with caution, yet curiosity. 
Why has he brought you here? What does he want? Is this simply a ritual before he eats you?
Certainly, if you were to scream, no one would be nearby to hear you. 
It strikes you just how easily his teeth could tear through your jugular. How his sharp nails could shred your flesh to ribbons. Sukuna is far faster and stronger than you, outrunning him is not an option.
Following his lead, you undress, and leave your clothes folded neatly upon a rock. Next comes the task of taking down your hair, and combing through it with your fingers, finding it still knot-free from the events of the previous night. Only then do you approach the largest of the three pools, and wade into it. At its deepest, it's a little above your waist. You could walk all the way across and never once have your feet leave the ground.
You settle upon a rock towards the edge, half submerged in the pool. The hot water feels nice upon your sore muscles. Your eyes trail ribbons of steam as they curl off the water. A wave of self consciousness rolls over you. You sink further into the water, crossing your arms in front of your chest. It’s up to your chin now. Sometime during this, it starts raining. The droplets leave little ripples across the surface of the water. Fall brings the smell of damp earth, and decaying leaves with it. Something that should be comforting only makes your stomach turn.
“You look frightened, little lamb,” Sukuna says.
Is it so obvious? 
“I still don't believe this isn't some attempt to eat me.” You ask, though you’re not certain you want the answer.
“Had I wanted to eat you, I would have had Uraume make preparations.” He says.
You still don't believe him. How many people met their fate at his hands before you? There is no reason why you would be lucky—why you would escape your fate.
“Then what is it you want from me?” You ask.
His expression softens, shoulders lowering with a sigh. The space between his eyebrows is not so harshly creased anymore. 
“I am not like the typical curses you have met,” Sukuna says, “I require your permission.” 
“Permission for what?” You shrink back as he draws closer, stopping mere inches from you. He’d tower over the tallest man, let alone someone like you.
A kiss. Hungry, and overbearing, but a kiss nonetheless. Sukuna has to lean down, and you have to crane your neck up to complete the action. His movements feel stiff, clinical, as if he hasn't done this many times before. The action causes warmth to bloom in your chest, and spread out to your limbs. The hands that cup your face are nearly large enough to encompass it entirely. He tastes like wine, and something vaguely metallic. The thought that it might be blood crosses your mind for only a moment. You’d much rather think about other things. 
“Will you devote yourself to me, completely and entirely?” He asks.
Funny, you think, had a human man asked you the same thing, you would have laughed in his face. Yet you find yourself bewitched by the King of Curses. Curious, and cautious all the same. This is not a feeling of love. It is something else entirely. You are a sacrifice, you remind yourself, this is the fate of a sacrifice.
“I devote myself to no man,” you say, “I don't see how you'd be any different.”
He hums in amusement, circling around you in the water. He stops behind you, slightly to your right. Sharp teeth graze across your shoulder. Large hands trace their way up your hips, then your body, coming to rest just below your breasts. You squeeze your thighs together in an attempt to relieve the strange pressure that has built up. Your heart rate picks up in pace. Sukuna must be able to sense this. A low laugh leaves him as he pulls away.
“Well then,” he says, “do I have your permission to continue?”
Continue what? You wish to ask. As if against your mind’s wishes, your head moves in a nod. “Yes,” you say.
You can only imagine the look on his face as you have your back to him. He’s close enough you can feel the warmth radiate off his body. Is he pleased? Amused? Smug that all it took was a kiss to make you let your guard down? 
Hands that should be calloused and rough are quite gentle with their touch. One comes to rest upon your hip, before trailing down to the space between your thighs. Seconds in and your knees seem to give out, your body supported only by him. One finger presses into you, then a second. You sigh at the intrusion. There’s little resistance as he presses into you. You’re too wet. Sukuna’s fingers are much larger than your own, though the stretch you feel is pleasant, not painful. Your thighs squeeze around his hand, drawing a low laugh from him. You can feel it rumble within his chest, which your back is pressed flush to.
Being so close to another being feels odd. The only intimacy you know is a platonic one. A familial one. This is different. Stronger. More intense. He finds the spot that makes you squirm and abuses it, toying with you like prey. It must be a game to him, you think, like cat and mouse. With one of your hands over your mouth, you try to muffle the lewd noises that spill from you. It’s a losing battle. All sorts of pleased sounding noises—from both you and him—echo through the clearing. Secretly, you’re glad this place is so remote. Should someone hear the lewd noises you’re making, you wouldn't recover from the embarrassment. He brings you just to the edge, but refuses to let you cross over. Frustration turns to desperation as you grind against him, chasing your own release. Sukuna doesn't appear opposed to your actions. He lets you work yourself up to—and through—your own release, the noises you make growing gradually more obscene until they come to a head in the form of an orgasm.
You remain in the water for a while afterwards. The layer of fog overhead makes the day take on a lazy, sleepy nature. His hands comb through your hair as you lay against his chest. Such a moment feels uncharacteristically tender for him. While you expect them to be sharp, his nails feel nice against your skin. The mouth on his stomach resembles a smirk, although the expression on his face is flat. Unreadable. A slight pang of disappointment shoots through you. You know it’s unreasonable of you to expect humanity from someone inherently inhuman. He does not—he can not—process things the way you do. Humans must appear so small and fragile to him.
You’re uncertain of how much time passes as you lay there, your limbs tangled with his. It doesn't feel like long enough. No time would feel long enough. You crave the touch of another being whether you want to admit that or not.
“It’s getting late,” he comments. Without another word, you watch as Sukuna dresses himself, and leaves.
You follow him as quickly as you can. You’re not quite fast enough, arriving back at the temple long after him. Dusk follows soon after. 
You find no sign of the King of Curses upon your return. Finding yourself with not much of an appetite, you head straight to bed. Uraume stops by once to offer tea, but you decline, insisting you’re tired, and just wish to sleep. Whether or not they believe you, you can't tell. That’s about the extent of every conversation you have; polite, but short.
Sukuna must not need to sleep. Not in the same way you do. You dress down into your underclothes, leaving the rest folded neatly upon a chair. They’re not dirty, just slightly wrinkled from the events of today. You crawl into the bed much larger than you, and attempt to sleep. When he crawls into the bed beside you, you do nothing to protest.
As time passes, you grow used to his presence. Falling into a routine takes mere days. In that time, you don't see much of Sukuna, or Uraume. Maybe it’s for the best. You’re not certain what you’d say to either of them. You figure it best not to question what Sukuna gets up to in his free time. If the events at your village are anything similar, you figure it best to pay them no mind.
The longer you spend here, the more curious you find yourself. At least twice you find your way back to the hot springs. Familiarizing yourself with the surrounding woods has you growing more confident when navigating it. Animal tracks and trails reveal themselves, bringing more life to the woods. 
Fall turns to winter. Rain gives way to snow, bringing in a bitter stormfront. It’s hard to tell how many days pass as the storm hits, rendering the three of you confined to the temple. Sukuna doesn't appear bothered at all by the cold, but you spend many bleak nights huddled by a fire. Sukuna approaches you on one of these nights; perhaps the bleakest and darkest one before the storm finally breaks. Your inability to leave the temple has you ready to claw out of your own skin. Never were you one to stay in one place very long. 
Days have passed and you haven't spoken much to one another. Not since the day at the hot springs. You find yourself especially longing for them on a day like this, where the cold makes your joints ache, and your lips cracked. Winter is among your least favorite of the seasons. A hot and sticky summer day was always preferred over a day like this. Sukuna must sense it. He finds you curled by the fire, wrapped in an assortment of quilts and fabrics. You can't tell if it’s morning, or evening. Snow has rendered midday as dark as dusk. 
You know you should get up, and toss more wood onto the fire. Should you let it die any further, it’s unlikely you’ll get it started again. Sukuna joins you in the room, sitting on the mat to your left. Finding yourself searching for warmth, you move closer to him. It’s an unconscious action at first. Once you recognize it, you can't find the willpower within you to stop.
You offer the edge of the blanket to him, basking in his warmth as the quilt is wrapped around both of you. One of his hands comes to rest upon your knee. Your gaze is trained on his face, while his remains on the dying fire. 
“I don't suppose you do this to every sacrifice you get,” you say, not expecting an answer.
The corners of his lips twitch into something that resembles a smile. Much life his laugh, his smile is stiff, and rather foreign feeling. Like he hasn't done such a thing in centuries.
“You are different from the sacrifices I have received in the past.” He says. 
You get the impression he is still figuring out what to do with you. Such a thought doesn't inspire confidence on your part, though you assume your situation could be worse. 
You're nearly in his lap now. The hand on your knee soon moves upwards onto your thigh. Out of the corner of your eye, you watch as he palms himself through his clothes. Some sick part of you wishes to taunt him. To tease him in the same way he has done to you. You part your legs just enough to encourage him. There must be something wrong with you, you think, no normal woman would enjoy the company of the King of Curses.
This is not your typical virgin sacrifice. It is little more than that. Pleasure for the sake of pleasure. To fuck without the intent to procreate.
“I always assumed you wouldn’t have these… urges.” You say.
“Many things lost their potency,” he says. “Food was never enough to satiate, drink was never enough to quench thirst. Sex has remained the same. Primal pleasure never loses its potency.”
So he was human. At least at one point in time…
“Like I said,” he hums, “I am not like the typical curses you have met. I require your permission.”
“You have it,” you say. 
Oh how dearly you wish to recreate the event at the hot springs. To feel the same build-up of emotions, and the following release. Such mindless pleasure has remained in your head, unable to be stifled by your own hands.
Off comes your kimono, guided down your shoulders by his hand. Your nipples stiffen when exposed to the open air. It is not the cold that has you shivering, but the expectation of what’s to come. His size, and calloused hands suggest his touch would be harsh, but you find to be the opposite. Sharp nails graze down your sides as he moves to kneel before you. You prop yourself up on your elbows to get a better look at him.
His own clothes are left among the growing pile on the floor. He pumps his stiffening cock in his hand, the head of which weeps across his palm. A different kind of heat blooms in your stomach.
 Sharp teeth graze across your jaw, down your neck, before eventually nipping at your shoulder. A sting both painful and pleasurable radiates from the bite. Blood beads from the two points where he managed to break the skin, quickly lapped away by him. Part of your brain is telling you to push him away. The other part is telling you to expose your neck further. You’re not certain which to listen to as you lay under him, caged within his arms. Your breaths grow ragged, turning into quiet moans as his knee nudges your legs apart. This is different from the day at the hot springs. Sukuna is seeking something more—he is seeking his own pleasure this time.
A hand finds its way into your hair, gently tugging at it. Guided by his hand, you expose your neck further to him. He laps at the droplets of blood that form, sucking dark marks into the skin of your neck. Pain and pleasure overlap in your mind. Your thighs are a mess of your own slick, and the precum that leaks from the heads of his two cocks. It’s almost comical how you work yourself up in knots at only the slightest provocation by him.
You taste yourself on him as he kisses you. The bleeding from your neck has mostly stopped now. What remains will barely leave a scar. His lips trail down your neck, through the valley between your breasts, and down your stomach, before eventually stopping just shy of your cunt. The look of him alone has you growing as wet as a virgin; his hair disheveled from your hands running through it, the muscles in his shoulders appear more prominent now. His arms hook around your thighs, although he doesn't need to bother holding your legs open. You’d do it without prompt by him. Eager for your own release, and worked up into a soaked mess, you’d do anything to please him.
You shouldn't be enjoying it as much as you are. You know you should be afraid. It would take no effort from him at all to tear through your femoral artery, and let you bleed out. You would be helpless in the matter anyway; you’re nothing more than a little lamb trapped under a big bad wolf.
The feeling of his tongue is strange. With him on his knees, bowed in what resembles worship, has your stomach in knots. The lewdness of it all has you more worked up than anything else. A strange, pleasurable tension builds within you. He is not toying with you this time, but working you over. When you do finally cum, you cum hard, riding out your high on his face. The noises he’s making suggest he’s enjoying this almost more than you do.
He must be painfully hard now. The head of his cock is an angry shade of red, and leaking precum. Using his hand to guide him, the head of his cock presses into you. You’re too wet from his previous actions to notice much of a stretch. What little pain there is crosses over with pleasure in your mind. He groans as he sheathes himself within you fully. His expression softens just enough for you to take in the features of his face. He’s quite handsome now that you’re close enough to appreciate his looks. It makes you wonder what his life as a human was like. Was he royalty, or a commoner? What was his job? Did he ever have family?
You won't get an answer out of him no matter how hard you try. This is the most human the king of curses will ever appear. 
His thrusts are slow at first. Lazy. More like grinding, not proper fucking. With as sensitive as you still are, this doesn't make much of a difference. You’re still a writhing, moaning mess beneath him. Judging by the noises he’s making, he’s not far from cumming himself. Your legs wrap around his waist, pulling him closer, and that seems to only encourage him. The muscles in his arms and shoulders gradually grow more tense before he shudders, then visibly relaxes. A warm sensation in your cunt follows soon after; he’s cum inside of you.
You lay like that for a while: limbs entwined, bodies curled around each other. He lets himself soften inside of you until the desire to pull out hits. You can tell your hips will be sore in the morning—whenever it decides to come. What little of his seed spills out of you is forced back in by his fingers. You assume it ties into his possessive nature. It must be a way of marking you as his. The fire has long since died out, though you find the warmth from his body adequate enough. 
“I don't think I can walk,” you lie, “carry me?”
Sukuna feigns annoyance, but relents, carrying you to the bed too large for any human. You quickly find your way under the covers. He finds himself in the space beside you. Fatigue hits you soon after, yet you find yourself unable to sleep.
“You were human once?” You ask.
The mood in the room seems to shift entirely. Sukuna is not one for conversation. You expected no different from a man like him. He looks at you with mild annoyance, as if deciding on his answer.
“I was. Once.” He says.
Your fingers trace across the tattoos on his wrist. “Do you miss it?” You ask. “Being human, I mean.”
“I am far stronger now than I was when I was a human.” He says. “I no longer need to eat, nor drink. I have the gift of eternal life so long as I am smart with my actions. I do not miss the fragility that comes with humanity.”
His words almost irritate you. So much more exists to humanity than what he says, from little things like sharing a summer even with a friend, tearing into ripe persimmons. Spending an evening hunched over a stew pot helping your mother. Kisses shared between a lover in the woods, or out in the fields. Stories exchanged by firelight. Intricately woven fabrics and paintings that might as well be indistinguishable from real life. So many beautiful things exist within humanity. Maybe he’s been away from it so long he’s forgotten the extent of it.
Would the King of Curses even admit he’s lonely? Or would he be too prideful to admit such a thing?
“You're sad. Why?” He questions.
“Was just thinking about my mother. That's all.” You say. “She wanted me to get married before I…”
You’re mad at her. More mad than you’ve been at anyone in your life. Yet you wish for nothing more than her comfort in this moment. A wound exists that time won't heal. Anger is not productive in fixing it. Anger only makes it worse.
This time, you are the one to initiate the kiss. You wish for it to distract you, but it only amplifies the ache in your chest.
“If you were to lose what little fight you had left in you, then this would no longer be fun,” he says.
You grow used to the ever-present shadow that is Sukuna, talking to the space beside you as if he is there because hell, sometimes he is. He is more than a mere man. He exists on a level different from you or anyone else. Your existence at this temple feels less like confinement and more like living. 
“Will you join me?” He asks one day by the river. 
The two of you sit upon the riverbank, watching as the water swirls below you. Spring snowmelt, combined with a recent storm, has stirred up the river bottom, turning the water murky. What was meant to be a fishing trip has proved unsuccessful.
“I would be lying if I said I haven't grown used to your presence.” He says.
“Don't be getting soft on me,” you say, half joking.
The most emotion you get out of him is an amused sounding huff. 
“I want you to join me,” he says, “not in life as human, but in eternity as a curse.”
“I will,” you say. 
No thought is needed for your answer, nor is there any hesitation on your part. Sukuna simply nods. That is what love is to him. Devotion. Worship. Throwing away your humanity means nothing if humanity is so quick to reject you. 
Gifts begin appearing around the temple after that. Priceless jewelry, and expensive dresses. Hair pins and cosmetics. Seasons pass in what feels like no time at all. Before you know it, your third fall here is quickly approaching. Winter comes and goes—uncharacteristically bitter this year. Spring brings a sense of rebirth. The ground thaws slowly, and plant life is in full bloom. Animal life returns to the surrounding woods, showing signs in every trail around the temple.
A hunting trip brings you further out into the woods than you’ve traveled before. You don't realize you’re nearing a human settlement until you’ve stumbled upon it.
The village has changed drastically in the time you were gone, so much so that you almost don't recognize it. A full blown mill has sprouted up along the river. At least twice as many houses stand now. Years ago this street was little more than a dirt path. Sometime over the years it has been paved over with river stones. Children play in the streets. Men walk home with pails of fish slung over their shoulders. These strangers notice you and pause, returning to their homes quickly. 
Your house remains mostly the same. Age has not been kind to it. One corner of the roof sags, and the wood trim has grown bleached with time. The path up to the front steps is overgrown. Sitting outside, hunched over a wash bin, is your mother.
Her hair is mostly gray now. Wrinkles mark her skin, and her joints are knobby, but you would still consider her beautiful. The face of the woman she once was is still there. The clothes she wears are of rich fabrics, suggesting your family has not hurt for money. Her sturdy figure suggests they never lacked food either.
When she sees you, her eyes grow wet with tears. And it’s as if the weight of the world has lifted off your shoulders. You want to be angry at her. You want to unload years of anger upon her. You want her to feel just a fraction of the fear you've felt. But you can't bring yourself to do it. The look in her eyes tells you she’s felt all the emotions you have.
Her movements are laced with hesitation, as if she’s deciding whether or not you're real. One of her wrinkled hands takes yours. 
“I love you,” she says, “and I am so sorry.”
“I know,” you say.
She invites you in for tea, setting the table up with the nice dishware—the kind she only uses for guests. The interior of the house hasn't changed much. Your room is eerily the same, as if it hasn't been touched since the day you left. Your father’s boots, and hunting coat remain by the door, although they look as if they haven't been moved in years. Makes sense, you think, hunting is a task that grows difficult as you get older. There comes a time in every hunter’s life where they grow old, and it becomes their turn to stay home and tend the fire.
“Where's…?” You never get the chance to finish your question, the solemn look on your mother’s face is enough of an answer.
“He passed,” she says, pausing to think, “two springs ago now? Maybe three.”
Believing you would never see them again, you grieved your parents long ago.This particular grief is like an old wound to you.
“The village looks prosperous,” you comment. A bitter tone clings to your voice.
“Yes,” she says, “the past years have been kind to us. I suppose we have you to thank for that?”
She sits across from you, her eyes still wet with tears. It feels like you are holding a conversation with a stranger. Your mother regards you with a certain weariness she only reserves for strangers. Maybe it would hurt more if you had more room within you for grief.
“He never stopped looking for you, you know,” she says, setting a cup of tea in front of you. “Even after the village held a funeral for you. He never wanted to believe it. Until the day he died, he was out in the woods thinking he could bring you home.”
“I was under the impression I wasn't wanted here.” You say.
“You know that’s not true,” she says. “What happened that night was a result of fear. The elders did what they thought would preserve the safety of everyone.”
“Except for me.” You say.
Fear. Right. To them, you were simply a sacrifice. You drain the last of your tea, standing from the table. Your mother stands as if to stop you, but freezes before she can.
“Does he treat you well?” She asks.
“Yes,” you say.
“Better than any human man?”
“Yes,” you answer, although you can tell she doesn't believe it. 
“Do you love him?” She asks. “Does he love you?”
“I suppose so.” You say. “As much as he is capable of loving something.”
“But do you love him?” She asks again.
“As much as I am capable of doing so, yes.” You answer.
It is not the answer she wants, but the one that is the truth. With her hands folded in her lap, she nods solemnly.
That following night you leave your village not as a human, but as a curse. 
Enough time would pass that the story of a young sacrifice would be forgotten by its people; what would remain, is a tale of a love so infamous that it survived centuries.
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