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#might delete later I feel like they look wonky :
placegrenette · 2 years
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Every Ninety One Song Reviewed: “T’nda,” demo released 2021
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“T’nda,” demo released 2021 Music credits: I have no idea who they actually credited for this one, or who they’re going to credit if a reworked version of the song emerges. suffice to say four guys entered a room for six hours and a song came out. Lyrics credits: (probably solely) Dulat Mukhametkaliev (ZaQ)
So at this point the timeline gets a little wonky.
Last summer someone--possibly the guys themselves, possibly Boss Yerbolat, possibly someone else at Juz--came up with the idea of livestreaming a song-writing process, and thus the Saturday Tune demos were born. (The pun--tún is Kazakh for “night”--was almost certainly ZaQ’s doing.) Between May 2021 and January 2022, there were a total of nine Saturday Tune sessions, producing nine separate songs. Of the nine, two have been reworked and released as singles, and the single that got teased last month sounds an awful lot like it might be a new version of a third demo. (And then we got a different single, which I will be getting to later in this series, ahead of that single.) To further complicate matters, the whole Saturday Tune series was conducted while Ninety One was still under Juz Entertainment, and the first demo-turned-single was a Juz release, but the second demo-turned-single was the first release for Ninety One as an independent self-managed organization. And to further further complicate matters, once the single versions of “The Wings” and “Abuse” were released, Juz deleted the demo versions from YouTube.
So! I’m going to review the Saturday Tune songs in the order they were released, with the exception of “Abuse,” which was the second demo recorded but ended up becoming Independent!Ninety One’s first toe in the water. And we will hang on and see how long these videos actually stay available.
Fortunately “T’nda” is slight enough that I can take time out to explain all this. It’s more or less proof of concept. The second round of Saturday Tune broadcasts were limited to two-hour stretches, and those were the ones of which selections got archived, so you will have to take my word for it that the first round had the guys online for six hours at a time. They ordered food midway through, because they had to. They took naps. (Or, rather, Ace took naps enough for everybody.) They spent long stretches playing the same four bars over and over and over and over again. Bala was frequently stuck at the console for an hour or two at a time, and since they were starting at 7 p.m. or so their time, would end up at 2 a.m. looking like he was on the second day of a three-day bender. It was boring and exquisite.
But it makes sense that, if they only had six hours to work on a song, their first go at doing so while also making faces into the camera and occasionally reading YouTube comments would be unambitious. It seems unfair to actually review “T’nda”: I feel like we ought to reserve this space for whatever “T’nda” ends up being.
Should You Start Here? No. I kind of wish I could give you a translated archive of the original livestream, though. (Okay, I kind of wish I could give me a translated archive of the original livestream.)
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academiaipromise · 3 years
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what i imagine sydrian on social media would look like
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dastardlydandelion · 2 years
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avintagekiss24 · 4 years
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APPEARANCES || FRANK ADLER
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pairing: Frank Adler x black!reader || word count: 5,898 || warnings: smut, sex, slight ass play, a little bit of dirty talk, swearing || request: your car breaks down in the middle of nowhere during a downpour and Frank comes to you rescue 
authors note: fic number #2 for the 4k celebration! this was requested by @stargazingfangirl18​! hope you like, babe! line divider by @firefly-graphics​​!
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“Uncle Frank, where are you?”
You smile gently as Mary’s words hit your ears. You send your eyes towards her as she talks on your phone, pacing slowly, her little fingers playing with the hem of her Girls Scout vest. You hear a deep, muffled voice on the other end and turn your eyes back to the laptop in your lap, continuing to tap away at the keys.
“Okay, okay… yes… no… okay… I will… okay, bye.” She plops down next to you, holding out her hand containing your phone,  “He’s on his way. He said thanks for sitting with me.”
You wave her off, winking, “I owe you for all the help you’ve given me this semester.”
The young blonde leans over, placing her hands on your lap as she starts to read the dissertation you’re working on. She pushes some of her blonde hair out of her face as she mumbles, “This is good, except you forgot the negative here… and you need to carry the two here.” She says, pointing to the screen.
You tilt your head and squint your eyes, rereading your work quickly before you shake your head as a slow smile creeps on your face, “Shit.”
Mary looks back at you and smiles widely before leaning back over in her spot, “Can I play Angry Birds on your phone?”
“Well, I owe you again for telling me to carry this two, so yes,” you laugh as you delete the last two lines of your work to start treworking the problem, correctly this time, but you can’t get your fingers to move. You glance down the hallway as students in the small college building move about and spot the vending machine - your stomach rumbling as if on queue, “You want some chips or something, Mary?” you ask, grabbing your purse.
“Doritos please,” She answers, not looking up from your phone, “And a coke.”
You laugh a little as you stand, “Your Uncle is gonna kill me.”
“No he won’t, that’s what he had for breakfast this morning.”
“Wow,” You laugh, shaking your head as you start for the machine, “Don’t move, please.”
You move to the vending machine, pulling out your debit card and swiping it before tapping on the Doritos for Mary and the Cheetos for yourself. You pay for two cokes, (you’ve already ruined your diet with the Cheetos, might as well go all out) and turn on your heel to head back to your seat by the front doors. Just as you're handing the snacks to Mary, the doors open, a cool gust of wind washing over the two of you.
“Finally,” Mary says, rolling her eyes as she stands, “You’re late Uncle Frank.”
“I know it, I know.” He starts, running his hands through his damp hair, “You okay?”
“Why wouldn’t I be?” Mary asks, scrunching her face at him before she turns her attention back to you, “Thank you for the chips and the coke.”
“You’re very welcome. I’ll see you Monday, study buddy?” You ask, raising your hand for a high five.
The little monster slaps your hand with hers, her toothy grin stretching across her face, “You got it.”
“Thank you for sitting with her,” Frank says, glancing up at you as he helps her with her backpack, “And for feeding her.”
You wave him off as you pack up your own bag, “It’s no problem. She’s literally the only reason I’m passing this class, so I can certainly sit with her for fifteen or twenty minutes here and there.”
He smiles at you and you smile back at him, diverting your eyes after a few seconds. You don’t have time for hot uncles. Especially hot, tan uncles who work on boat engines for a living that wear loose Hawaiian button downs and old, dirty jeans. You certainly don’t have time in your life for hot uncles whose bicep muscles flex softly as he puts his nieces backpack on her shoulders.  Nope, you definitely don’t have time for hot, slightly grumpy uncles.
“You be careful out there, the rain is supposed to get worse for the rest of the night.”
“Thanks,” you say, unable to wipe the stupid smile off your face as Frank and Mary move towards the front door, “You too.”
He smiles again as he pushes open the door for the little human, “See you Monday.”
You lift your hand, wiggling your fingers a little as they push out into the wind and the rain. You watch as they run towards his old truck, Frank throwing open the passenger door for her before he slams it shut once she’s in. He jogs around the front of the trunk and then peels out of the parking lot, leaving you standing there, staring out of the glass doors like an idiot. You sigh - you really wish you had time for hot ass uncles.
You throw your messenger bag over your shoulder and grab your math book, holding it over your head as you push through the threshold of the doors out into the rain. You jog towards your old - and when you say old, you mean old. Your baby has two hundred thousand miles on her, a wonky tail light that sometimes comes on and sometimes doesn’t, and a passenger side window that doesn’t roll down all the way, but she’s always done right by you; until recently. You just need her to hold on for a few more weeks - until your dad comes down to visit his favorite girl and shell out a downpayment for a new car.
You toss the heavy math book into the passenger seat and dumb your bag onto the floor board before you put the key in the ignition and turn. It takes a minute, but the engine finally turns over and you pull out of the parking lot to head home - but you should stop by the store because you know you’re not going to want to do it later.
You groan as you slow to a stop at the intersection, cutting your eyes towards the Whole Foods to your left, and then the Taco Bell that sits on the corner to the right. God, a Mexican pizza sounds good… a Mexican pizza, Warrior Nun, and your couch sounds even better. A car honks behind you, startling you out of your daze, and you quickly take a left, heading towards the Whole Foods. Your scale will thank you later.
----
You waste longer than you intend in the Whole Foods and by the time you’re finished, it's pouring outside. Being the responsible adult that you are, you of course left your umbrella at home. So, of course, you and your groceries are soaked by the time you get them into the backseat and you get yourself back behind the wheel. You huff, pushing your wet, soon to be frizzy hair out of your face before slamming your key back into the ignition.
“Come on baby,” you whisper, “Come on, come on.”
After a few more prayers, it turns over, the heat (which is about the only thing that works the way it should) blasting over your chilled body. You rub your hands together quickly, eyeing the Taco Bell as Linkin Park blasts through the speakers. You’re soaked, starving, and no thanks to the thoughts of hot ass uncles and their stupid Hawaiian shirts, suddenly super horny - you deserve a Mexican pizza… and a chalupa… and some nacho fries… and a Baja Blast.
----
Your mood has improved greatly as the smell of tacos fill your nostrils. You tap along to the loud metal music blasting from the speakers as rain pelts down on your car. Ten more minutes and you’ll be home, in your pajamas, stuffing your face - this day can finally end.
Your car jerks suddenly, violently. Lights start flashing on the dash, the gauges pushing into the red as the car starts to die.
“Fuck!” You shout as you grip the wheel tightly, your eyes going wide, your heart starting to pound as you steer the car into the grass.
It rolls for a while before it finally comes to a stop. You turn the key, and hear nothing but clicks, “Shit,” you mumble, turning the key again and pumping the gas pedal, praying that it’ll start up, “Please, please, please.”
Click, click, click.
“Don’t do this to me!” You whine, turning the key again.
Click, click, click.
The lights on the dash flash again, the radio starts, the heat starts to blast, “Yes!” You squeal, bouncing in your seat.
It dies again.
You celebrated too soon.
“Fuck!”
You turn the key again.
No clicks.
No nothing.
You slam your head back into the seat and let your arms fall to your sides. Fuck. You sigh heavily and reach into the backseat, fumbling around until you feel your purse and pull it into your lap. You pull out your phone and tap the screen, but it stays black. You tap again, and then again, but nothing happens. You push the side button and groan when the red battery flashes across the screen. Of course. Of fucking course.
You throw the dead phone into the passenger seat and open your door, running around to the front of the car. You pop the hood, grunting and cursing as the heavy, hard rain drops down on you. Once the hood is up, you just stare at the engine. You don’t even know what you’re looking at, let alone what you should be looking for.
You tug on a few wires, push on the battery, you know, to make sure it’s in its place or whatever, wipe away old, wet leaves - but you’re completely lost, out of ideas and out of your element… in the middle of a downpour, with a dead phone. Just your luck.
A car drives by, splashing the puddled rainwater up onto you as you stand huddled under the hood. You slam your eyes closed, sucking your teeth before you count to ten, trying not to shout obscenities. You hear another car coming and naturally shift over a few feet to avoid being splashed again. A truck zooms past, but you hear it slow down within seconds. You peek over the hood as the truck comes to a complete stop and then is put in reverse. You’re half grateful but also half afraid - it is Florida.
“I thought that was you,” You hear a familiar voice call to you before a door opens and slams shut, “What happened?”
Relief floods over you as none other than Frank Adler, hottie McUncle pants, jogs towards you and joins your side, “God, I don’t know!” you whine, “I was driving home and it just stopped.”
“Let me take a look,” he mumbles more to himself than to you as he starts tugging and pushing on random wires, “Does it click or no, when you try and start it.”
“It was clicking, but now it’s not.”
He grunts a little, “Sounds like it’s probably the battery and the starter. When’s the last time you got an oil change?” You glance towards the sky, scrunching your face as you try and remember, “That’s too long to go without an oil change.” he chuckles, “I can get you fixed up, but not in all of this rain. Can I give you a lift somewhere?”
“No, I can’t - I can’t ask you to do that, I’ve taken enough of your time already and now you’re all soaked and,”
“I’m not gonna leave you in the rain,” he smirks, “Come on.”
“No, no, really! I can call somebody.” You lie, knowing good and damn well your phone is beyond dead. He scoffs, grabbing your hand, “I mean it, I have a backseat full of groceries!”
He pulls you into the street, opening the passenger side door to his truck and helps you in before he jogs back to your car. You watch as he grabs all of your groceries, all of them, in one hand at that, before he jogs back to his truck, opening the door again and depositing them at your feet. He runs back to your car, grabbing your backpack, purse, and your Taco Bell, before he jogs back to the truck, this time climbing into the drivers side.
“Frank,” you start, laughing nervously, “You really don’t have to do this. Really.”
“Don’t worry about it. I owe you anyway, for watching Mary whenever I’m running late.”
You roll your eyes playfully, “Not really, but okay. I live off of Ventura.”
“Ventura?” He says as he pulls off, flipping a u-turn, “That’s like fifteen minutes from here. You can chill at my place, get cleaned up, eat your food, then hopefully the rain will have let up and I can come back and change out the battery.”
His place? You swallow hard. This is not how you’ve elaborately daydreamed about finally being alone with Frank Adler, “You don’t have to do that, I’m sure you and Mary have plans.”
“Nah,” he says absentmindedly as he drives, “She stays with Roberta on Friday nights. It’ll just be you and me.”
Great. Now you don’t even have a buffer. You tap your fingers nervously against your knees as you stare out the windshield, your mind - and heart - suddenly racing. You clear your throat and glance over at him, which is a bad idea. His skin is damp, his loose dark gray t-shirt - now soaked - sticking to his chest and stomach. You push your eyes to his outstretched forearm and have to take a breath. How is it possible to be attracted to a forearm? Has it honestly been that long for you? You flick your eyes back towards the windshield - you’re not even going to chance looking at his face.
He pulls you into a small trailer park, parking his truck in front of a turquoise house. The two of you grab your belongings, him again grabbing all of your groceries in one hand - another thing that turns you on that shouldn’t - and run towards his front door, Frank pushing his weight against it to pop it open.
He lets you push in first before he closes the door and sets your groceries on the counter. You glance around, finding an orange, one eye cat meowing at you from its place on the small table pushed against the wall.
“Fred,” he says, pushing the cat softly, “Off the table, come on man.”
Little remnants of Mary are scattered around, her small sneakers tucked underneath the chair, her Spongebob DVDs piled on top of the table, with advanced math books and an apple laptop. Frank is also scattered around the small, but strangely cozy place.  A motor - or what you think is a motor - sits on the coffee table in the living room, tools strewn around it, and an open but turned over philosophy book lays on the couch.
“Do you wanna shower? I have some clothes you can change into if you want.”
You snap your head towards him, blinking rapidly as your brain tries to keep up with his words, “Oh, um, yeah. Okay, yeah.”
You follow him nervously to the bathroom, where he points out that you how to jiggle the knob a little to get hot water before he disappears into his room, only to return with a pair of sweatpants, an old t-shirt, a large pullover hoodie, and some socks. Just as he leaves the bathroom, there’s a hint of a smile, more like a smirk, on his face before he dips his head and shuts the door behind him.
The butterflies that fill your stomach.
You turn towards the shower, catching a glimpse of yourself in the mirror. You slam your eyes closed. This is definitely not how you’ve envisioned this moment.
----
You step out of the bathroom twenty some odd minutes later, drowning in his sweats and hoodie, but warm and definitely feeling a lot better. Rain still beats down on the small house, seemingly harder than before. The TV is on, either wrestling or MMA or whatever playing, the sound low. Frank is in the kitchen, changed into a slightly dirty white t-shirt, complete with a little pocket, and baggy jeans, his feet bare - something else that turns you on that shouldn’t.
He hasn’t noticed you yet and you’re unsure if you want him too. You run your hand over your hair, towel dried as best as you could and pulled into a tight bun to try and keep it from curling and frizzing, with a scrunchie that you hope is Mary’s. You shove your hands into the front pocket of the hoodie and take a few steps, clearing your throat as a small, nervous smile plays on your lips.
Frank glances over at you as the microwave beeps, “Feel better?”
You nod slowly, “Much. Thank you again.”
“Not a problem, although, I’ll need you to keep this to yourself. I have appearances to keep up.” He says with a straight face.
“Oh yeah?” You chuckle.
He nods and points at a house across a small patch of grass, “My neighbor, Roberta, thinks I’m a nice guy,” he shrugs and you laugh again, “So, I constantly have to remind her that I am not.”
Your smile grows as you see your phone plugged into the charger, knowing that you weren’t the one to do so, “Of course. I will be more than happy to let people know that you sped right past me in my desperate time of need.”
“Thanks,” he chuckles, holding out a plate to you, “You know they’re getting rid of the Mexican pizza, right?”
Your eyes widen as you take your heated up tacos from him, “No way!”
He throws up his hands as he pulls his microwavable burrito out of the wrapper and throws it on his plate, “Don’t shoot the messenger.”
You follow him into the living room and plop down on the opposite side of the couch, as far as you can get away from him, and tuck your feet underneath your butt, “The Mexican pizza is the staple of their menu, how could they do this?”
Frank shrugs again, “Trying to class the place up a bit I guess.”
You snort as you take a bite, “You can’t class up the drunk capital of the world, baby.”
The two of you fall into an easy silence as you eat, the rain still falling hard as you watch whatever it is you’re watching. You grimace as one man punches the other in the jaw before tackling him to the mat as they start to wrestle. You close your eyes and turn your head away, groaning as the same man starts rapidly punching the other in the face, “What um, what is this called?”
He chuckles, grabbing the remote, “Sorry, I’ll change it. Mary and I usually watch MMA together.”
“You let Mary watch this?” You ask shockingly, laughing a little.
He scrunches up his nose as he hisses, nodding his head slowly, “I probably shouldn’t, right? Too violent?”
“I mean,” you start, “Just a tad. I can see why she hit that kid in the face now.”
“Ah fuck, she told you about that?” He laughs, falling back into the couch.
“Oh yeah, she did.” You laugh harder.
He covers his face with his hands, “Not our most shining moment.”
You push your elbow into the back of the couch and prop your head up with your fist as you smile back at him. Hot uncle is really… hot in his element, and when he’s talking about the small, blonde human. It makes your ovaries quake.
“She’s a great kid, you know.” You say, “You’re doing great with her.”
He rolls his head towards you, a smirk tugging at his lips, “You think?”
His question catches you off guard a little - the earnesty of it. Like he really wants you to say yes. Like, he doesn’t believe that he’s doing a great job.
“Yeah. You are.”
He blinks at you - once, and then twice before he looks back at the tv, touching his knees together before he pushes them back out again. Mark down a third thing that turns you on - the manspread.
“She talks about you a lot,” he says after a few moments, “Not just to me, but Roberta too. She really likes you.”
You smile softly, “Yeah?”
He looks back over at you, nodding slowly, “Yeah. That’s half the reason Roberta comes to get her, you know, so she can have some girl time - talk about girl stuff. She needs that,” he nods again, clearing his throat, “And you, you know, you kinda help out with that in an unconscious way, so,” he clears his throat again, “It means a lot, it really does.”
You drop your head as a large smile spreads on your face, “Well,” you start, “Somebody has to offset your asshole-ness, so Roberta and I are doing our best.”
The two of you laugh again, him dropping his head, you glancing back at the tv as the air around you starts to suddenly shift. He takes a swig of his beer before he places it between his legs, holding the neck with both of his hands. He taps his thick fingers against the green bottle a few times before he turns his heads towards you, blinking as he chews on his bottom lip. Your lips part as your breath gets shallow, your eyes bouncing around his face.
Within a second, his lips are on yours, taking you by complete surprise. You’re frozen for a few seconds, your eyes still open, your breath hitching in your throat - but then… oh, but then. Your eyes flutter shut as you lean into his kiss slowly, placing your hands on his shoulders and gripping ever so tightly. He releases your lips quickly before he delves back in, this time harder, his tongue pushing into your mouth for the very first time.
You can taste the faint alcohol on his lips and you moan - slipping your hand around his neck to push your fingers into his surprisingly soft hair. He fumbles with his beer, stretching out his arm trying to find the table. The bottle clangs against the edge and then the top before he just lets it go, letting it fall to the floor with a soft thud as the rest of the golden liquid pours out onto the carpet.
He crawls towards you, his knees sinking into the couch as he loops his arm around your waist, pulling you into his lap and further down onto your back. You slip your hands up into his shirt, sliding them along his sides and up his sinewy back. You push yours hips into his as you feel his muscles flex underneath your fingers. The tips of his fingers are still cool from the beer bottle as they skirt across your stomach. You break the kiss to laugh at yourself when you jump at his touch, Frank’s low chuckle harmonizing with yours.
“You okay?” he whispers, a smile still on his face, his lips brushing against yours.
You nod, still giggling like an idiot, “Yeah, sorry,” you whisper, leaning up a little to kiss him again.
His hand continues to travel the length of you, reaching your bare breasts, where he cups gently. You gasp lightly as the pads of his fingers graze over your nipples, exciting them further as they tighten and protrude. He pushes his hips down into yours and rocks forward - so you can feel him. You dig your fingers into his sides, matching the slow pace of his hips with yours.
His lips push down to your jaw and neck, where he nips and sucks, his arm looping around your waist again. He pulls you into his lap as he sits back into the couch, his hands dragging up your back. You lean back and bite your bottom lip in uncertainty as your eyes search his. His lips are red and swollen, his eyes wide and sparkly as they drop to your lips before linking with yours again. He drops his hands to your waist, holding you firmly as he pushes his hips into yours.
You bunch the baggy hoodie and t-shirt that cover your chest and pull, bringing them both up over your head in one fell swoop and drop them to the floor. Frank takes a breath - deep and slow - as his eyes drop to your exposed flesh. He sends his eyes back up to yours seconds later and sucks his bottom lip into his mouth as his hand slips up your back. He wraps his long fingers around the back of your neck and pulls you down, crashing your lips to his.
You reach for the bottom of his shirt, tugging it up, helping him shrug it off quickly before you fumble with the button on his jeans. He digs his fingers underneath the band of your sweatpants, lifting you up to yank them down your legs and throw them to the floor. You pop the button of his jeans and pull down his zipper before you reach for him, palming his warmth. He hisses, and pulls your body into his, tightening his grip on you as you stroke him.
He releases you just long enough to pull his jeans down his legs. He then grabs two handfuls of your ass, spreading your skin as the tip of his cock pushes against your slit. You grip his shoulders as you sink down on him - throwing your head back as he penetrates you. You feel his eyes on you as you gobble him up, wiggling your hips slowly as you adjust to his girth. He sinks back into the couch, resting his head on the back of it as his eyelids droop over his blues, his hands still gripping your ass.
You start to move. Pulling up on him before you sink back down, hissing as a fire starts to rage through you. You dig your nails into his shoulders before dragging them down his biceps as you let your head roll back on your neck, your mouth falling open as your eyes close.
Frank leans up to peer around the curve of your body to watch the primal connection between the two of you. He palms your ass hard, squeezing your flesh in his hands as he spreads it apart again as you bounce and rock into him. He slips a large hand up your back and spreads his fingers to push your naked chest into his. The hardness of his body against the softness of yours - your supple, full breasts pushing against his wide, hairy chest is… wildly erotic. The sturdiness of him, the tightness in which his hands hold you.
He starts to fuck up into you, bucking his hips to meet you on your way down - all the while keeping his hands full of your ass, kneading and groping -  feeling you. You wrap your arms around his neck and lean back, pulling him with you. He peppers hot, wet, furied kisses over and between your breasts and along your clavicles as his hips dig into yours.
It feels good - he feels good. He leans away from you, pulling you up with him as he stands, He wraps his hands around your thighs and kisses you hard as he starts to pull you through the living room and the kitchen, back into his bedroom. He closes the door with his foot and lays you down gently, climbing over top you, his knees pressing into the mattress. He drags his dick through your folds before he centers at your slit, pushing gently - slowly -  like he’s savoring the feeling.
He grabs your leg and hooks it over his waist as he starts to move again. He runs his hand the length of your calf, over your knee, down your thigh as he fucks you - harder than before, on the couch. You sweep your hands up his sides and along the small of his back, feeling his muscles as they flex while he fucks you good; deep. His name falls off your lips as more heat blooms across your skin, and he likes it - growls at it - the sound of his name rolling off of your tongue.
He grunts, squeezing your thigh in his hand as he pumps into you, “You feel so good, baby,” he slurs, “As good as I thought you’d feel.”
As good as I thought you’d feel. You slam your eyes closed as you groan at his admission. He pulls out of you suddenly and pushes his hands underneath your body, flipping you right over onto your stomach. He grabs your sides, his rough hands pulling you up onto your knees. He slips his hand between your folds and massages your clit with the pads of his fingers as he pushes into you again.
His free hand slips up your back, grabbing your shoulder and squeezing as he starts to fuck into you again. You grip the sheets in your hands as you lunge forward with each of his thrusts, your breasts bouncing, the sound of his skin slapping against yours filling the room. He releases your shoulder and flattens his hand between your shoulder blades, pushing hard to get you to rest your head and shoulders against the mattress. He grabs your hands and crosses them at the wrists over the small of your back as he holds them in just one of his large hands.
“God, Frank,” you groan, “Fuck.”
His thrusts are long and hard; pushing deep into your sex, stroking you in places that haven’t been touched in ages. Your wet muscles start to squeak with each push of his hips, a soft squish sound filling your ears. He grabs your ass again, squeezing hard, spreading you open so he can see all of you. You feel his fingers drift through your cheeks, circling your tight hole before his thumb starts to press gently.
You grit your teeth and push back into him as hard as you can, meeting his hips halfway. Your head swims as sweat and goosebumps pop up along your skin, your heart slamming against your chest. Electricity flashes through your body, making your toes curl as your ungodly howls float through the trailer. Hot uncle is a hot fuck - that’s for sure.
Frank slips out of you again but stays close - the tip of his cock still pressing against your slit. You open your eyes and glance back at him, your lips parted and breath heavy. He stares down at your cunt and ass, stroking himself from his base to his tip slowly, his free hand pulling softly on his balls. You pull your hand around to your sex and push your fingers along your clit, arching your back as you hiss loudly. You lick your lips as you keep your eyes on him - his hard, wide chest and thick biceps flexing as he pumps himself.
“This is a pretty pussy, baby girl,” he praises, releasing a deep breath, “So pretty.”
You whine at the words, your fingers picking up their pace as his praise falls over you. Your cunt is hot and swollen - so wet that your fingers glide with ease through your folds, your slick starting to slide down the inside of your thigh. You push your fingers into your opening and pump them quickly for him, sinking your teeth into your bottom lip as he growls at the sight.
You pull your fingers out and start rubbing your clit again, pulsing your hips slightly as you watch Frank stroke himself. His tip glistens as precum spurts from his slit, dripping off of him and splashing on the sheets. He grabs your ass, jiggling your flesh playfully before he slides his cock through your folds. He positions himself right at your opening, but doesn’t push - he just waits.
You wiggle your hips, giggling a little before you push back onto him, a smile curling onto your lips as your muscles spread for him. You push until you’ve swallowed him whole, until your ass is flush against his hips, and you feel him deep. You pull forward and then push back, over and over until you’re thrashing against him; you’re eyes slammed closed, your sounds loud and high pitched.
He pulls you up onto your knees and flattens your back to his chest. He nips at your neck with his teeth as he glues his hands to your bouncing tits, tweaking your nipples between his thumb and index fingers. He pants in your ear, mumbling not so sweet nothings, his hot breath washing over the side of your face. He snakes his hand down your stomach - right down to your sex - and touches you ever so lightly.
That’s all it takes. Just the gentle tap of his rough fingers against your sensitive, sore, clit; and you’re gone. Your body tenses and then shudders as your orgasm spreads through you like lightening. Heat blooms across your skin as your pussy convulses - your clit jumping with each contraction, your muscles tightening around him.
He gets louder, his voice deeper and gruffer as each stroke gets harder and faster. Within minutes of your undoing, he’s spurting into you, coating your insides with his milky warmth. You fall forward onto your chest, Frank onto his back next to you as your chests heave. You stare at the opposite wall, blinking slowly as the world starts to center again - the sound of the television comes back to you -  the sound of the rain.
You roll your head towards him and he does the same, the two of you just blinking at one another until a fit of giggles erupt from you. You don’t even know why. You laugh so hard that you have to cover your face with your hands. This definitely isn’t the way you’ve imagined this going when you’ve had your hand down your pants at night in your apartment. He rolls over onto his side and props his head up with his palm, smiling at you as you laugh.
“Sorry,” you mumble, “I don’t know why I’m laughing.”
“It’s okay,” he shrugs, “You have a nice laugh.”
“That’s not very asshole-y of you, Frank.”
He chuckles, nodding slowly, “That’s right, okay, yeah. You have an awful laugh.”
You point at him, “Appearances, right?”
----
You wake with a slight start. You sit up quickly, your eyes squinted as the sun breaks in through the crack in the shade over the window. A sleeping Frank lays beside you. He’s on his stomach, his hands shoved underneath the pillows that hold his head, facing away from you. The tv still plays in the living room. Your discarded clothes still in a heap on the floor, the beer bottle still tipped over.
You glance back at the window and lift the shade slowly, a smile spreading on your face as you spot your old Jetta parked next to his old truck. You lay back down and pull the covers up over your head just as he shifts beside you, stretching out his long arm until it finds your hip.
You close your eyes.
You can’t wait to tell everybody how big of an asshole Frank Adler is.
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fatoujallovv · 4 years
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so here’s my disclaimer: I hardly know what I'm doing. This is my glued together homemade giffing method that I’ve created over months of just random experimentation and bits and pieces from all kinds of tutorials. there are probably better or more correct ways to do a lot of these things! this also isn’t a completely universal tutorial, some of the specifics are geared towards giffing skam, specifically skam france. 
I gif in photoshop cc 2020 on a macbook. Some things like keyboard shortcuts and little things about the photoshop interface will probably vary if you are on a pc/ other version of photoshop! 
this is very long and very unprofessional, but I hope there is something in here that someone will find helpful!
we’ll be going from this:
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to this:
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up to date as of October 25, 2020
downloading clips
selecting what part you’re going to gif
cropping
my action for resizing, converting to a smart object, and sharpening
coloring
exporting and setting the delay
tldr tips
1. downloading clips
4k video downloader (which you can get for mac or pc here) is great for things posted to youtube, especially from skam france because all the clips are on their youtube with no weird geoblocks or anything! it’s really easy, you just have to open the clip in youtube, copy the link, and go into the program and hit paste link. I like to put on smart mode first and set the destination folder so all my clips go into the place I want. 
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There is a 30 video per day download limit, so if you’re thinking you really want to gif lots of stuff from the show, and want a big chunk or a full season it’s definitely worth hunting for a mega or google drive with full episodes to download because it’s just less hassle! I might come back to this post later and compile a list of all of those, but for now if you type “[remake] no subs google drive” or “[remake] no subs mega” into a google search, you’ll probably find something! the all of skam website has no subs for several remakes, but not all!
If you don’t have enough space on your computer to be keeping full seasons, I know there are methods to get screencaps without having to download (generally for giffing movies and regular tv I think this is a common method), but I’ve never done it so I’ll redirect you to this tutorial that explains it! you should probably just go there for the whole thing tbh it’s much more coherent than this, but I digress. 
2. selecting the piece of the video you want to gif
now that you’ve got your episode or clip you’ll want to just open it in photoshop! if you go the screen capping route the way to do that is a bit wonky, so you can keep following the tutorial I linked above and join back in here at coloring if you like!
if the timeline at the bottom doesn’t pop up automatically you can go to window > timeline and turn it on! now you can use the scrubber bar thing to find the moment you want to gif! 
The advantage of this over screen capping is you can scrub with more precision. the arrows circled in blue below let you jump only one frame, where in screen capping I'm pretty sure you can only go by ten second or one minute intervals. 
I usually drag the scrubber as close as I can to the start of the shot/moment I want to use, fiddle with the arrows circled in blue below to jump forward or back one frame at a time until I'm at the first frame I want. I move the left grey handle to the scrubber and then I hit the play button and let the whole shot/moment play. Pause and repeat the shuffling with the arrows until you’ve landed on the last frame you want to use and move the other grey handle. 
the moment you want to use should be between your handles (it’ll look like what I have circled in red), and if you hit play, you should see the thing you want to gif playing on loop above the timeline. the speed will probably be weird, but we’ll deal with that at the end. 
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now I recommend doing command or control + s to save your gif as a psd (photoshop document). this is a working, editable file which means if photoshop crashes you can open your file right back up and keep working as long as you’re hitting command or control + s at regular intervals as you work. later we’ll go through exporting in gif format that can actually be uploaded to tumblr.
3. cropping
next I crop out any logos or black space at the top and bottom. Just click on the crop tool on the lefthand side of the screen, drag the edges and hit enter when you’re done. you can of course crop out more than just that, but regardless of what you crop out, now is the time to do it. 
you can set an aspect ratio for your crop at the top of the screen if you’d like to be positive that all the gifs in your set will be the same:
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4. my trusty action: resizing, converting to a smart object, and sharpening with one click
Now is when I use an action I made that does all the resizing, converts to a smart object, and sharpens. I’ll take you through the steps so you can conceptually get what’s going on, but I highly recommend using the actions window to record your process as you follow along so you have this action as well. It easily shaves at least 5-10 minutes off of the whole process, and these steps will be the same every time. 
here’s how you make an action: go to window > action and open the action panel. click the plus symbol to start recording a new action:
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in the window that pops up, give it a name and hit record:
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now just continue with the steps below, and it will save them!
first you flatten frames to clips (I think it says flatten to layers on older versions of photoshop). this is in the menu at the top right corner of your timeline:
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next you convert to frame animation by clicking on the symbol in the bottom left, circled in red:
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if there is more than one thing in the frame animation, delete the extra one. you don’t need to keep the last one but it won’t let you remove it until there are other frames in there. also go into your layers and delete video group 1 and its contents. don’t ask me why these steps are necessary, I don’t really know, but I’ve noticed it sometimes gets wonky if you don’t do this:
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now you want to make frames from layers and delete that first frame that was there before:
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then we return to the timeline: 
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use command + option + a (control + alt + a for pc I'm pretty sure) to select all layers and then right click within your layers window and select convert to smart object. It’s important to convert to smart object after you go back to the timeline, or the gif won’t move:
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next I resize. gifs for tumblr should be 540 pixels wide. for recording your action you should just go into image > image size and only change the width to 540 in case you ever have gifs cropped to different aspect ratios. don’t touch the height, let constrain proportions figure it out!
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now, here’s what our base gif looks like, no sharpening, no coloring:
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now to sharpen. go to filter > sharpen > smart sharpen. this is up to personal preference, but my go to settings are:
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this is what we have after sharpening:
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now is when you can stop recording your action. 
just press the stop button in the action window:
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this action is pretty much universal and after I select the moment the gif will be and crop however I want, I use it on every gif I make!  so although this initial setup is tedious, now you’ll never have to do these steps again, and the process is magically much quicker.
5. it’s time to jump into coloring!
I typically start with exposure and sometimes some brightness/contrast. with really dark gifs like this, you kind of have to make it worse before you make it better. I did this:
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now the gif looks like this:
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we have some static and some ugly bits, and this is where selective color comes in to fix it! boost blacks like this:
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and now your gif looks like this:
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the skin tone is looking a little sickly and weird, so I go into the yellows and reds in my selective color layer to fix it! I also messed with the greens here because I didn't want color in the background (that part is totally optional and just up to your preference):
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now we have this:
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to really take the color 100% out of the background, I did one more separate selective color layer for cyan (again, I just felt like it but this is optional!):
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and now the finished gif:
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there’s lots of fun extra things you can add like text and tints and overlays and all that I won’t get into, but feel free to reach out for help on those types of things! 
this gif was certainly not the most complicated to color. some ridonkulously dark clips (*cough cough* vendredi 20h27 *cough cough*) take tons and tons more effort than this and a lot of the time you’ll want to use color balance layers and vibrance layers and all of that to mess with your coloring. 
with all of this coloring business, I really just learned by doing. I don’t know all the technical purposes of each type of adjustment layer, and I tend to stay away from curves just because I find them confusing and annoying. The bottom line is that you should always experiment and find out whatever coloring works for you and run with it! I’m sure every gif maker you talk to does things at least a little differently! 
I highly recommend taking the time to go through all the types of adjustment layers and just move the sliders around to see what they do! That’s honestly one of the best ways to learn and decide what you like!
6. now to export and adjust the delay!
the keyboard shortcut for exporting on mac is command + option + shift + s, control + alt + shift + s for pc, otherwise you can go to file > export > save for web
my settings are here:
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the settings only need to be configured once! otherwise just hit save and follow the pop ups to choose where to save and what name you want to give your gif. Since you saved as a psd way back, that will be the name it’s automatically given, but call it whatever you want!
then I adjust my delay by opening the gif I just exported (not the psd, the .gif file) and using one of my delay actions. I’ve made an action for each delay between 0.05 (real time) and 0.08 (really slow mo for certain super short shots, typically for more ~artsy~ sets). 
all my action does is select all frames:
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adjust the delay (which will differ based on whether you want them slowed down and by how much): 
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for reference, this is a 0.05 delay:
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and this is a 0.08 delay
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now you just export the same way you did before! 
remember if you’re recording this as an action, you don’t want to touch the file name, just say yes when it asks if you want to replace the file. if you always save your gifs to the same place, your action will now enable you to override any gif with the incorrect delay with the correct one with one click!
7. tldr: the main tips
for downloading 4k video downloader works well for non geoblocked youtube videos, the all of skam website is another place you can look to download with no subs, here’s the screen capping method if you don’t want to download
The main way I combat dark lighting is to bump exposure to the right, gamma correction to the left, and then enhance black in a selective color layer. The amount of these three adjustments will vary gif to gif. I know lots of people use curves, but I find them really confusing for some reason, so this is my method! As my graphics teacher likes to say: there are always at least 3 different ways to reach the same result!
there’s a little bit of additional coloring on this one, but here’s another before and after example so you can get an idea of how those steps get you a better lit result without making the lighter parts super over exposed:
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besides those three steps, you have free rein to use the other selective color channels, as well as color balance, vibrance, hue/saturation, etc. to restore color that was lost or to change the colors altogether! mess around with it and have fun experimenting!
7a. bonus coloring tip: 
sometimes you can make use of selective color to completely alter an isolated color in your gif. You can get very adventurous with this, but here's a simple example of changing blue tones to teal (I got away with these gifs being longer because they were in rows of two in the set I posted them in. I'm too lazy to trim frames so I can put them here at 540 px without going over the 10mb limit so just ignore the quality ok):
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7b. actions, actions, actions! 
if you find yourself doing a certain thing over and over, always record it as an action. the amount of time they will save you is honestly really impressive. 
You can duplicate actions, so, for example, if you have different sharpening preferences for different shows or scenes, you can duplicate your gif process action and go into the steps, double click smart sharpen, and alter it however you want! 
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This could also be good to do for the different widths for tumblr if you ever do sets with rows of two or three! Duplicate actions is also how I made my actions that set delay at 0.05, 0.06, 0.07, and 0.08!
when in doubt, always make an action! it’s worth minimizing the tedious bits of the process as much as possible so you can focus on the fun part of seeing your awesome gifs come to life! any little task you find yourself doing often, make an action!
and for now that’s all I have. if any of this made no sense, if you want to suggest a correction or addition I could make, if you’re ever curious how I did something on any gifs I post, or if you have any other sort of questions, feel free to send me an ask or a dm! if I can’t answer your questions I’ll be happy to try to direct you to someone who can or a tutorial to help! again, I'm no expert, not even close, but I hope at least one person will find one thing in this mess that helps. 
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ariadne-mouse · 3 years
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See, you asked such great questions, so now I want to hear your answers too! What is your editing process like? What do you look for? How much does a draft change during the editing process? Also, favorite WIP?
Aw shucks!  Glad you liked them - more than happy to answer the same! :D
My editing process is geared for oneshots (I have yet to properly dive into chaptered works).  The level of editing depends on whether the first draft is a faithful execution of a concise premise, or if it’s a wibbly-wobbly idea that I’m struggling to make tangible, but I always have the same few phases:
Phase 1 is where I look for major themes and continuity.  I ignore the details as best I can (I have to slap my own wrist a lot) and focus entirely on whether the events make sense and hit the points I wanted to make.  My writing process can be nonlinear, especially for works with longer word counts, so it means there’s potential for things to be wonky when it’s all finally stitched together.  This stage usually has the most additional writing and/or large changes. 
Phase 2 is where I look for flow, phrasing, imagery, and other details.  The biggest rule here is that I’m not allowed to randomly peruse or jump around the document.  I must complete passes from start to finish, in order.  No exceptions.  I have this rule because if I tweak things piecemeal, I lose sight of the forest for the trees, and am more likely to ruin flow or phrasing than improve it.  More than once I’ve nitpicked a phrase then later saw that I already had something really similar right above it - I just didn’t notice because I was jumping around too much. 
Phase 3: Before posting, I try to disengage and take a break before doing a read-through like a reader might - with fresh eyes, all the way through.  Sometimes I trim or move things, or delete sections entirely if I realize they aren’t necessary.  If I run into something egregious I punt it back to more robust editing.  Otherwise, I dust my hands and release it into the wilds of Ao3.
(There isn’t an official Phase 4, but realistically it happens every time: once I’ve posted to Ao3, I get an automatic +10 to all my perception checks for typos, repetitive word use, and clunky phrasing.  I’m not shy about sneaking into what I posted and trimming some of those things.)
Favorite WIP: My current favorite WIP is a Gen fic between two people in Nicodranas who may never encounter each other in canon: Marion Lavorre and Yussa Errenis.  Given Marion’s agoraphobia and Yussa’s preference for never leaving his tower (also agoraphobia?) I thought it might be interesting for these two refined and isolated gentlepeople to meet and slowly become friends, all with a spicy backdrop of Nicodranas political drama. Like your Pirate!AU, it’s comforting to work on because it’s completely divorced from the fast-paced progression of canon.
Thanks Wren for treating me to not one but TWO asks about writing! <3
[FFWF Ask Meme About Writing - feel free to send questions!]
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Text
Like for an AO3 thread
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Something that might look [like that].
If you don’t have an account, that’s fine, I have a spare one I can lend you. No strings attached, you can change your mind at any time.
Below the cut are ‘pros and cons’ of rping there. Why? Because it’s less messy there.
Pros:
the whole thread is in one place; no need to look up your older posts if you need this one detail from a long time ago
you can edit anything at any time; no more old typos staring you in the face on your partner’s blog
no issue with posts looking wonky when rebloged; you don’t reblog things so tumblr can’t break it. There’s no problem with tumblr breaking editable reblogs either
formatting that does NOT change every month; AO3 has its own quirks (listed in cons) but at least they are consistent
no timestamps to pressure you into replying; the only timestamps are when a chapter was created, not edited and it can be freely changed so is this thing a day old? Is it a month old? No one knows, write it when you feel like that
word count; ‘we wrote 5K words together’ looks more impressive than ‘our thread has 15 notes’
comments; you can use them to talk about your thread, other people can use them to comment on your thread (you can disable them if you want to) and they stay neatly organised in their own little threads
multiple co-aurthors; have you ever wanted to have a three way thread? or four way but you knew posts would get stupid long? it’s no problem on AO3, the whole work is in one place anyway
notes in the draft; you want to make a note of something to touch on later on? you can write it down in the draft of the following chapter. It will sit there, in an easy to find place till the day you use it.
no bots; maybe there are some but I’m yet to see one
no porn bans; that’s it, you can write all the smut you want to
Cons:
no notifications about replies; you’ll have to contact your partner and tell them you replied or be silent and hope they notice BUT when you tell them about the reply, you have a perfect opportunity to comment on what’s happening or might happen
blockquotes have a tendency to add extra empty paragraphs around; sadly, in this case, all I can say is ‘don’t use them’; at least times you would need them are rare
no photo uploads; you need a link to a pic uploaded somewhere else; yeah, that’s annoying BUT you can create a tumblr sideblog and upload all your icons over there. Not only you can use them on AO3 but you have them available no matter what computer you’re on
it’s slow at first; yeah, it takes some time to update at the beginning but once AO3 realises that you and your partner are co-authors, it gets quicker. More than once I noticed my partner updated their work before they wrote me a message about it
Other:
no askbox! yes and that’s where the ‘tumblr’ part of the ‘AO3+Tumblr Combo’ comes in. You can still post memes and send asks on tumblr. I answer all my asks on AO3 but you can do it on tumblr or on AO3. If you create a separate work for your answers, people can ‘send’ you asks by writing comments under this work with their asks and you do get notifications about comments and they get notifications if you reply that you answered
other people won’t see my active threads; you can post a link to the work and reblog it from time to time. I personally decided to reblog them every 5K words but you can do you. And you know what? Other people reblogging your threads? The bane of every roleplayer’s life? It does not apply here. I actually advise you to encourage people to reblog those links
what if I want to keep our RP private? Create a work for it, add at least 10 symbols, save, create a second chapter and you roleplay in the forever drafted second chapter. AO3 deletes drafts of an unposted work, but as far as I know, any further chapters can stay in drafts however long you want them to
where do I keep my drafts? In the draft of the following chapter. Yes, your partner will be able to see them but you know what? They might give you feedback on what you’re writing, how their muse would react to your muse’s actions and suggest ideas when you’re stuck. If you don’t want that, you can keep them in a document file on your computer. I personally don’t care and write drafts in the actual work for the world to see.
I don’t want to create multiple accounts for my multiple muses! Pseudonyms. AO3 has pseudonyms - pen names. You can create a separate one for each muse if you want to
what if I get anon hate?
Welp, that’s everything I could think of at the moment; other than ‘I don’t have AO3 account’. Let me know if you have any other reasons not to RP on AO3.
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Fanfiction review : Unexpected
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Disclaimer: Do not send hate to anyone mentioned in this post. If you plan to respond in anyway to this post, I ask that you remain civil to everyone. Also, this review is an opinion post. Do not take what I say here as fact. Thank you.
------------------
I like sorbet. I do! I prefer it to ice cream, and I would gladly eat half a tub without hesitation. But if I were to eat it every day? I'd get sick of it. It's always bothersome when something like that happens. Especially in literature. Sometimes, a short story is more enjoyable than a lengthy saga. Good things can come in small packages....
... what was I talking about again? Ah, whatever.
Anyway, let's talk about zoophobia fanfiction.
*****
Those who have had the misfortune of reading my last fic review may recall that I went through each and every chapter of TDL's story. This time, however, this will be structured in a sort of ramble. I will be discussing things in sections, and I will give my overall thoughts at the end. This is a review of "Unexpected " by a "Kalum16" , who, if my memory serves me correctly, goes by @kartoonluv on Tumblr. Now, this review was not requested by anyone, so if Kalum (who I'll refer to as KL for brevity's sake) wishes this review to be deleted, I will comply with his wishes. Also, I suggest that you read this on fanfiction.net before continuing with this post.
******
Something I would like to get out of the way are my views on romance and the story's pairing. I'd like to bring these up now as I will be mentioning them later on.
Firstly, I have never been in a romantic relationship. However, I have been in love before, and I know people who are or who have been in relationships. That being said, I have considered that perhaps my lack of experience will mean that with certain things... I might not get it. The importance of certain events may be lost on me, and I may not be able to connect with things couples do.
I would also like to confess that Kayla x Damian is one of my least favorite ZP ships. The idea that after Damian basically harasses Kayla, manipulates her and Zill, and basically makes their lives miserable for his own gain, that he can be rewarded by getting the girl? Not exactly something I jive with. Also, (and this is my interpretation) I do not think that Damian's feelings towards Kayla are genuine. By that, I think (due to how little they know about each other) Dame is more in love with his idea of who Kayla is. Or, if we weren't going to look to deep into it and say that it's because he has a thing for Christians, it would make Dame's attraction pretty materialistic. Neither idea really screams "good ship!" to me.
********
That being said, let's discuss how the pairing is handled here. I'm actually on board with this depiction of the relationship. For one thing, it seems that Kay and Dame have become friends. They clearly care about one another before starting a relationship, and the story makes it so that they can relate to each other. This takes away my issue of these characters not acting knowing each other well, and thus the feelings they have towards one another come off as genuine.
I think that the story makes them out to the a cute couple. However, I still have a major issue with it, and the story as a whole.
Basically, (after a while) I think it's boring.
To best explain why, I would first like detour and discuss Damian and Kayla individually.
*******
Ladies first. I have mentioned in previous posts that I enjoyed the first chapter of this story. Back then, I had not read beyond chapter 1, as I hadn't realized that the story had been updated. And you know what? I still stand by that. In chapter 1, Kayla feels a lot more interesting than she is in the comic. It's interesting to see Kay in a situation where she basically gets what she wants, but she ends up hating it. She struggles with writers block, self doubt and regret. It's sad to see how apathetic she's become, and how she no longer holds the ambition she once did.
I also liked that she still had some internalized prejudice against demons. It made sense, and it made what was going on more interesting as it created inner conflict. Now, if the story was just the one chapter, I would have bought that her falling in love with Dame would have made all her prejudice go away. I mean, you would need to wrap it up by the end.
But we got more than 1 chapter, and thus the evaporated prejudice feels kind of contrived and like lost potential. Hell, it would have been interesting if an ongoing subplot involved Kayla conquering her prejudice by learning about demons and debunking the stories that I heard as a kid. Her just yeeting away her prejudice because she falls for one guy feels kind of lame, and going forward, Kayla feels less interesting in the fic.
Originally, she had all this regret and self doubt. While it's great to see her doing good, her issues feel like they've almost all been resolved by a makeout session. Throughout the story, Kay doesn't grow or develop in any way. Her only real issue is "I'm in love with Dame and ppl don't like it, woe is me"
There's this chapter where Dame meets Kay's parents, and I feel like I should be invested, but I'm more confused than anything. The story points out that Kay's parents were ok with Zill (who's part demon, part whatever the fuck), but they're not ok with Dame. I mean, yes, he's the antichrist, but have they not figured out that their daughter is into some weird dudes? Like, they're perspective is painted as "oh, Kay was such a good girl, and yadda yadda", but, again, they were ok with Zill. You'd think that that relationship would at least make them question that idea? Also, why are Kay's parents deer? Am I missing something?
Kay serves really only one role here. She's Dame's gf, she'll defend the relationship to the grave, and she cares about him. She doesn't become much more than that, and every chapter feels like it's redundant in reinforcing that idea. Like...ok, we get it, let's move on.
*******
Does Damian do much here? Not really. He's mainly the inverse of Kayla for the most part, being "I will defend this love, no matter fucking what". The issue being constantly brought up about how he's the antichrist, so "oh no, that makes things difficult ", is always resolved in about a chapter.
The story feels like it's trying to give Damian some development. I mean, I guess he stands up for himself against Kay's parents, and defends her from his? Oh, and there's that moment where he's like "Yo, I have no control over my life, I don't wanna be a prince, you make me happy ", etc. But not even this really does anything. The meeting with his parents feels like a repeat of meeting Kay's parents. We even get the one parent approval, one on one talk, and it's the mom, just like before. Oh, and Dame's emotional "I will reject prince-y ness to be with you " speech? All that leads to is them having sex.
Ok, well, that last one I might give a pass. I don't find sex to be that big a deal, but I know some people view it as this super important thing, so maybe through that lense, I could see sex as being an emotional payoff.
*******
One thing I won't give a pass is chapter 2, which really didn't need to be here. Jack never shows up again, Kayla can be subtracted from this chapter entirely, and the only build up to this was a couple lines in the previous chapter. The chapter itself is alright, but it feels like it should have been it's own separate story. My only idea as to why this chapter should stay is that, apart from Kayla in chapter 1, this is the only chapter with development. Damian owning up for being a shit is great, and it shows some of only god damn growth for anyone here.
Another chapter that didn't need to be here was whichever was the chapter when Zill showed up again. Admittedly, I skipped this chapter almost entirely. Look, he and Kay broke up, and they're dating different people. That's it. That's all we need. I read the first few paragraphs and the last few. I feel like I don't need to read the entire chapter to know that it's just reinforcing the idea of how great a couple Kayla and Damian are. You know, like basically every chapter in here.
*****
My biggest issue overall with this story is the relationship. As much as I've been ragging on this fic, KL is very gifted at writing. There were some instances where a reread or two could fix some wonky sentences (sounds like me reviewing my posts), but overall he does have a good grasp on it.
That being said, the relationship, the core of this story, is not interesting enough to warrant all six chapters. The only issue Kayla and Damian face are the opinions of others. They never have any reason to question the relationship, question themselves as people, or think about how to handle things. It would have been a lot more interesting if we saw them develop the close relationship the story portrays them as having. It would be interesting if we saw them learn more about each other, or discover ways to deal with each other if one of them is being a dumb bitch. We get it. They love and care about each other. The world around them think it's weird. Every chapter just reinforces the same idea again and again.
I think KL could easily make this better. There's a bunch of plot points that are never brought up more than once that could be interesting. For instance, Kayla struggling to write new songs. We could see more of how she and Dame deal with that instead of having them mention "oh yeah, the problem is fixed now ". Does Damian ever earn Jack's forgiveness? Does Kayla learn anything new about demons?
KL, I believe you when you say these two care a lot about each other. And yeah, seeing how they make their relationship work in spite of what others think is an interesting idea on paper. But the characters don't become closer to each other or anything. Why would I be concerned about the issues presented in the story when I know that they're just going to be resolved in the same way?
You know it's kind of like sorbet...
I would still nonetheless recommend this story tho. Again, as much as I've ragged on it, I still think that the story is good. As mentioned before, I don't have much experience with romantic relationships, so perhaps something here could be lost on me. I'm curious to know anyone else's thoughts.
I apologize for wasting your time
- Spooky S Skeletons
Ps. Yes, quarantine is messing with my head :) just bear with me
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new-endings · 4 years
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Do you have any advice for a first time writer? I’ve never made a fic before but I plan on writing one when I have the time. I know you’re a great writer so I thought I’d ask! Thanks and have a good day :)
Hi and of course, I’d be happy to help! Also /)///(\  (❁´◡`❁) I’m so very honored that you like my writing 💕 
I don’t think there’s really a wrong way to write (grammar and spelling aside), but here are some of my beliefs and my own advice! 
I think when it comes down to writing, especially for fanfiction, it’s important to remember that it’s a labor of love and you should write what you love and enjoy! If you’re not having fun while doing it and aren’t writing what you want, then why do it? 
You took the time and energy to create something that’s uniquely yours. It doesn’t matter if it’s any other AU that is considered “popular” among your fandom, this take is uniquely your own. And take pride in your work!
that’s not to say steal from other writers that’s plagiarism and i trust you know already not to do that but because this is the internet, i feel like this caveat has to be made
Also, I do encourage you to tag properly. In many fandoms, there are just too many fics to go through and tagging really helps the reader in finding your work! It also prevents people who may not be into the type of work you’re making from reading it and causing issues down the line.   
So have fun, and again I’m so glad to hear that you want to write! There’s never too many ideas, never too many stories c: Once it’s done, please link me! I’d be more than happy to read~
this is rly long im sry but here’s more
aight here’s some things that I do that personally helps me when I’m writing:
0. FEEL FREE TO DISREGARD ANY OF THE BELOW. Honestly, the way I write may not jive with you and that’s totally fine. This is just what I do. You’ll find your own rhythm or discover it along the way, but these are just some suggestions. 
1. Free write. 
-It sounds like you’re busy and might not have time throughout the day to just sit down and write for hours on end and if this is the case, sometimes just putting something down on paper/typing it up is small progress that gradually builds. It’s okay if it looks disjointed or a bit wonky at first-- you can smooth things over later. 
2. conversely, Write your rough drafts as a story skeleton. I’m a particular sorta creature, so if you have the time, I can recommend
It kinda looks like a play. Example: dead dove do not eat btw 
-C locks the door- 
C  "What are you going to tell the police, angel? That a billionaire is obsessively in love with you, a Soho bookseller, “ -A flinches as C approaches closer- “And kidnapped you all the way to his country villa and forged a completely new life for you?" 
-commotion outside from the storm-
A, pouting as he’s backing up against the wall "...well, you don't have to put it that way."
it can read fine just the way I wrote it lol but the point is-- having the scene already laid out in front of you helps with building the rest of the story and makes filling in details a lot smoother.
I also recommend using this method if you’d like your dialogue to run smoother.
3. Read things out loud. 
-It really helps. especially with dialogue. Think “is this something C/A/an actual human being would say in this manner?” it also helps with sentence structures. If you can read your paragraphs out loud without getting lost or winded, then the reader can too. 
4. Don’t make chunky paragraphs. 
-I need to take this advice lol Our eyes get tired as we read big blocks of letters strung together. Make them digestible. If you’re enjoying the spacing and it looks good to your eyes, chances are, they’re good for the reader too. 
5. Don’t apologize for being a first-time fic writer or antagonize your own writing especially in the summary.
-I see this a lot where the writer says “sorry if summary sucks” or “Sorry, first time writing!” and I think it sends a bad message to the reader. It tells the reader that you’re not confident in your writing skills. If you’re not confident, then the reader isn’t confident in your abilities. 
6. Don’t be afraid to share it! 
-Tumblr, ao3, Wattpad, you name it. Be proud of your work! I can honestly say that I love my own writing and that’s the primary drive to why I write in the first place-- I have an idea that no one else is gonna write for me (because I can’t afford commissions no siree), so if what I got is what I got, then I’m gonna make it good for myself. 
And I’m my own worst critic. If I like it, then I think it’s def gonna be good enough to share with other people so we can enjoy the same thing! 
7. It’s not worth getting upset over feedback.
-Whether it’s getting criticism or if there aren’t a lot of notes, comments, or kudos, it’s okay. Every writer has been there. 
-For negative feedback, remember that unless this person is harassing you or just putting down the fic without anything constructive at all, delete it and move on with your day. If they had no ill intent behind it, it may be worth considering their comment, but in the end, the choice is yours. 
-If there’s not enough feedback, then remind yourself of the reason why you made this fic: was it to gain traction as a writer? To polish your writing skills that you will eventually use to make your own original works or make more fics? If so, then go back to step 6. Promote it, share it, tell your friends and followers about it and there’s absolutely no shame in that. 
-And if you wrote primarily for the fun of it, because this was an idea in your head that you wanted to see, then that’s okay. You made a work you’re proud of and if you’re happy with that work, then don’t let this be a numbers game that will make you sad or upset. Your work is good enough when you’re happy with it; you only need to please yourself for it to have been a success.
Hope this helps~  
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speakeasier · 4 years
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#sixfanarts
my six farts from top half to bottom half, left to right are:
kahlua: from hunter x hunter (tried to go for the 1999 version look). nobu nobu shinobu: from kimetsu no yaiba. major rouis armstronk: from full metal alchemist alisahhhhhhhhhh: from tekken. launch/lunch: from dragon ball. wink wonk, link lonk: from legend of zelda. (tried breath of the wild).
more to come later!! if you got an idea, feel free to hit me!! i’ll try to do it.
swear to fuck, i was early to this but late to post!! took forever to clean, and even then i gave up cleaning them all up. wheeze, i think you can tell which characters i gave up sketching too. i did them all in one sitting and no real erase to kill time.  “ 8’D “
exceptshinobushe’sacheatimade last year. nobody really requested these, i just wanted to do this for fun. so i did random favorites that literally have no correlation to one another, in another words a random variety. “ x’D “
i originally did them all monochrome, but i thought a touch of color in eyes would do okay. only middles get a bit more color besides eyes because i like shinobu and launch. lololol. and i included at least one female and male video game character. other than that, i think that’s all i have to say!!! 
i’ll post another set soon. gomen for the wonky-ness of it, i know some don’t look exactly even. wheeze. might delete this post if find something wrong with it later.
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ashvayr · 5 years
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MY WRITING PROCESS ―
i’ve found that there is a rather small amount of stuff out there for writers wherein they can actually see the step by step process of creating a piece of written work. you don’t really get to see the behind the scenes stuff or the eventually deleted stuff. i am by no means an expert and i still have a lot to learn (a lot a lot), but i still think this might be interesting to those looking for something similar. enjoy!
the following excerpt is from a conversation between lukas tkachov and miko dvorak from my current wip ‘blood and bones.’
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- proof i make everything up the first time. - i never expect very much from myself on this first run and a lot of times i’ll delete whole paragraphs. even if something is really good, i may have to take it out because it doesn’t fit the scene. - i keep all of these bits and bobs though (as should you!! never throw away any writing ever, even if it’s bad!!) just in case i might need them later or find a way for them to work. - i do not recommend writing your first drafts in apps like wattpad, because you risk losing them there. not to mention the writing ui is complete horse shit.
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- i always just write just the dialogue first, that way when i want to write in the style of the story, i don’t have to switch between tones. - its also a really great way to make sure the people talking sound like people and the conversation is consistent. - if you’re doing this with multiple people you can color code or put an initial in front of the words. i tend to just do extra lines in between because i’m lazy - highly recommend!!! you do this!!! 
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- some brainstorming where i fought myself for a little bit in the comment section. essentially i had differed from the planned personality of miko in my outline and needed someone more outgoing than what i had originally decided.  - this happens a lot when i first write characters because ultimately i change their personalities to fit the scene. i have a feeling that is bad and you should probably do the exact opposite, but hey do as i say, not as i do.  - a good time to note: i put all my first draft content in that dark teal color, it helps to remove the illusion of permanence. sort of like i’m typing in pencil and can always erase. i basically trick my brain into realizing that we want any and all content, even if it sucks. (writing in a stupid font can also help!)
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- ignoring some very obvious grammatical errors dtrfyghuj - i write the actual writing above or below the previously written dialogue so i can see it as i do. - i also look at notes constantly and edit those notes while i write. - i make sure to read back some finished writing from earlier in my draft, if i have any. this way i know what the hell is going on and can keep writing in the same style. this is why i won’t read other things/multitask while i write because it can throw me off. you do you though. - in actuality, this is what i would call a base layer, its the bones of this operation. for the editing process, this smoking hot pile of garbage is what i’m going to be working with. revel in all its awfulness. then shed a tear for me. - note that this is not all the dialogue i just showed you. - i then rewrite the entire thing from scratch, right above or below and still referencing the previous writing. i will keep some stuff, change some stuff, and expand most of it.   - this beefing up of descriptions when i edit is probably not super great because then i have paragraphs between dialogue. that being said this is the first draft and i don’t care very much. i will care later, but definitely not now.   
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- here is a more detailed look into my thought process in this section, why i changed what i changed essentially.  1. i was splitting up the thought of lada between two paragraphs, ideally, I would keep them in one, like the paragraph before when i mentioned her first. this is really only a me thing i don’t think that generally it's a rule that would be applied to anyone else's writing. 2. i put this here due to what i’m going to call......mh...writer’s fatigue. that sounds real. basically, i was lazy and didn’t feel like thinking about lukas’ character. he’s adaptable, curious, and driven, so laughing hysterically is probably something he wouldn’t do. i’ll replace that text with something else or get rid of the line entirely.  3. more of a stylistic change. saying ‘anything’ sounds a bit out of place and somewhat elementary in comparison to the rest of this piece. it doesn’t match, essentially. i’ll probably want to tie this back in with the point i made in the sentence previous.  4. this is what a comment to a specific word looks like in docs. this is when i have removed a line or thought of one that might fit, but am not really certain about, so i put it in a comment, that way i have it save for later.  5. a line i may or may not remove. 6. here is something i will definitely keep, this is characterization. yes it’s sort of rudimentary, but i can work out the kinks in a minute. 
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- i personally think that their conversation seems to be a bit impersonal, sort of like they don’t really know each other, but i’ll fix that in my draft edits because i’ll have a much better idea of the relationship after i’m done writing.  - as you can see though, this is a lot less of the conversation on one page as i’ve made some changes and extended descriptions. (what you see is one and like a quarter page.) - it’s also not perfect, but it is a better version of what was before.   - the most important thing to note here is how i’ve moved stuff around and made small tweaks and adjustments. the moving around bit helps it sound a bit more cohesive and that's a really big thing when i move on to final final editing, so the thoughts and actions don’t sound so all over the place.  - this is when i put it through grammarly (use grammarly, love grammarly, marry grammarly, in that order) (no seriously) and let a friend, or sometimes my mom, ilu mom, listen to me read it.  - reading your writing out loud is important!!!!!!!!!! i do it all the time, it makes stuff sound less wonky and you spot more spelling mistakes.  - most stories were originally told orally, too, so if you can say it out loud and it sounds pretty decent you’re probably on the right track.  - now for some Thought Processes (with just the first page lol.)
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- we love inconsistant color and font size because i was too lazy to save the other file Anyway (also gross i said ‘issues’ twice?) 1. in descriptions of characters, i find its always really good to ground them to the world. with just a couple of words, you have learned quite a bit about the nobility of vysena. yay learning. 2. nicknames are a good way to establish the previous existence of a relationship or something specific about both or one characters, respectively.  3. when i end parts and then start a next scene that takes place hours or days later, i like to make sure that my readers still sort of know what they’re doing or going through. it can also be interesting to see that character from the point of view of another! 4. for this particular book, supernatural beings and elements are very much real things and things i want people to know about. if it's not a major secret to the characters, i find that the reader should also pretty much be aware of the same things. like pop culture but for magic and also centuries ago.  5.  this paragraph is also something i’m considering removing and putting in a different chapter, but for the sake of this Whole Thing i kept it in. it doesn’t really fit the mood, its a lot more....i dunno...awe-inspiring and less my-dad-just-got-stabbed. 6. when briefly introducing a character, i like to give the readers something to associate them with. this is done so when you actually meet this person later, it is more like you were told a rumor and then can confirm it (if i’ve done my job right.) you also get a sort of negative feeling from the get-go with this character.  7. self-explanatory. 
- my next step, after grammar and reading, is to keep writing. wild i know. - but really i don’t want to dwell too much on one part or i’ll never get anything done. not to mention this is draft one!! i don’t care if its bad, as long as its written. it being bad is a future me problem. - one of the greatest writing tips i’ve ever been given when writing chapters, is to leave the readers feeling a different way when it ends from when it had begun. like this chapter sort of starts of sad, but it ends leaving you with a sense of mystery and suspicion. this can be more drastic too like...sensual to disgusted. obviously, this doesn’t have to apply to every chapter, but the best stories are the ones that make you feel things. - i started with 287 words for the dialogue.  - then went on with 1,169 words for the bones. - and finished with 2,126 words total for that scene.
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read the book  follow the tag playlist / pinterest
taglist:  @montevena @evervicious @meegeewrites @the-ichor-of-ruination @starrywritingg @zmlorenz @the-real-rg @noloumna @norawritess @gorelips  let me know if you want to be added or removed!
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destielfanfic · 5 years
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Group Ask #177
Relevant links to find lost fic
previous group asks 
spnstoryfinders
Guide to Finding Fic
Guide to Finding Lost Fic
Ask #1 ( @thepoodlepack​ ): there’s this fic…#1
There’s a fic where castiel is a child and everyone’s looking after him and I think it’s post s4 and Cas draws a picture of the church Lucifer is rising from but I cannot for the life of me find it please help it’s driving me crazy.
Ask #2 ( @buck-spring-soldier ): there’s this fic…#2
hey, can you help find a fic? it’s a/b/o dynamics, dean is an alpha and he’s looking for a mate, cas is his true mate and it’s working on the ball dean’s throwing. cas was abused by his pack for some reason and dean helps him.
Check out our a/b/o tag
Ask #3 ( @alrightydean ​): there’s this fic...#3
oof idk if you still do these but I need help finding a fic!! Dean works as a repairman/janitor for a circus and Cas is the new act from Europe , an acrobat and Cas choses Dean as his partner. It’s mostly about Cas teaching Dean how to be an acrobat. I think Charlie and Jo are together too, if that helps the search. Thanks!
Found by @freetobecasdean: The Cost of Falling by JinxedAmbition
Ask #4 ( Alex on gmail ): there’s this fic…#4
It was Dean/Cas, and the first chapter takes place at a Christmas Party they got invited to. Sam notices Cas being flirted with by one of the girls at the party and then notices Dean is getting super jealous about it, to the point where Dean demands that they all leave. They end up going back to the motel, there’s something about them managing to get some free Christmas Dinner from a family at a gas station that realized they didn’t have any Christmas meal. Sam is subtly (not-so-subtly) trying to pair Dean and Cas up since he’s realized it’s obvious that they have unresolved tension. I also remember a scene where Dean and Cas are alone watching TV and Dean ends up laying his head on Cas’ chest/lap? If I remember right, it was on FF.net a number of years ago, but I worry it got taken down or removed because I’ve never been able to find it again! Thought I’d try to see if you guys know if it!
Check out our jealous!Dean tag as well as the Christmas tag
Found by @thursdaysfallenangel : 
This, And So Much More by rockstarpeach on LJ [NC-17, 80,000 word count] It happens to start out over the holidays, but it's not a holiday fic. It's sort of the story of how Dean and gets over himself already and admits to how he really feels about Cas. It takes Cas even longer than Dean, if you can believe it, but he eventually gets with the program.
Ask #5 ( Sylvia on gmail #1 ): there’s this fic…#5
Hello! I saw on your tumblr guide that we could email you if we needed help finding something, and I definitely do... Castiel is some kind of creature (not angel, but has wings) and Dean is sacrificed/offered to him by John (maybe to protect Sam?) Anyways, in Castiel’s society of whatever creature they are, he’s some kind of prince I think? Dean is given to him as a pet/slave/consort/something and is transformed into the same kind of creature. I remember they are described as being winged, and coated with a gray fuzz/down all over the body. They derive energy from sex. They look down on humans as being inferior, and I remember a scene in which Dean is being taught their language, which is very songlike and melodic. Something like that.
Check out our wing!fic tag - it includes non-angel fic as well as the creature!cas tag.
Ask #6 ( Sylvia on gmail #2 ): there’s this fic…#6
Dean somehow ends up in an alternate dimension where Castiel and the other angels are a species called Birds (though I don’t think they differ much from angels in Deans universe) and humans are kept as pets. Somehow Dean ends up with Cas, who tries to treat him like a pet before realizing he’s smart and definitely not a pet in his own universe. But for whatever reason they try to keep the fact that Dean is from a different dimension a secret until they figure out how to fix it. I remember that all the Birds live in very tall tower-like houses, and there’s a scene where Dean tries to escape by making a rope out of fabric and going through the window. There are also demon-equivalents in the Bird universe, and I think they’re called Rats or Moles or Shrews or something like that.
Found by @mittensmorgul: Bird Song by elidiablito_sf (unofficially recced here, but the fic seems to have been deleted. UPDATE!! the fic is back on AO3!
Ask #7 ( @shugrina ): there’s this fic…#7
Hello awesome people! Hoped you could help me with the name of another fic. It starts with Dean, overwhelmed by the Mark, torturing and ultimately killing Castiel — crucifying him on a cross in some church or a barn. Before the end Cas manages to tell Dean that he forgives him. Later Dean comes to his senses and is overtaken by guilt and grief. I don't think I've read further but if I recall correctly it's a rather long fic. And of course Cas ends up not being dead after all.
Found by @savannadarkbaby and @helianthus21: 
Into the Fire by NorthernSparrow [M, 259,000 word count] Dean accidentally kills Castiel, and is tormented by grief and guilt afterwards. Dean becomes convinced Cas still exists somehow, and that he will be resurrected; Sam's not so sure, but is determined to help his grief-stricken brother recover. Meanwhile the Darkness is eating away at Creation, and soon both brothers realize they may have to embark on their longest and strangest journey yet. This time they might not come back. Will they have to fight their last battle without Castiel?
Ask #8 ( @theimportanceogbeingvictoria ): there’s this fic…#8
Hi all! Looking for a fic where Cas dies and Dean visits him in the empty through Jack's powers. Dean is pretty much a broken shell while Cas is dead. Cas is eventually brought back to the real world. Endgame destiel with an extra bit of angst when Dean realizes being with him is inadvertently making Cas fall. I was reading this fic via PDF and accidentally deleted it and can't find it again.
We are not reading much post S12 fics as described in an earlier post, but maybe our followers know this fic!
If any of our followers have anything to suggest, drop it in our ask box (mention which ask you are talking about by number or bolded title). Our anon is switched off for good, if you know the lost fic but don’t want your url to appear on this list, let us know and we will call you an anon! If you don’t see your ask here, it is because we have quite a few in the inbox. Thanks!!
And sorry if formatting is wonky, we blame tumblr!
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aimforthedogstar · 5 years
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You want prompts? Here you go! Wolfstar AU where they have just started dating, and Remus hasn't told Sirius about his furry little problem yet. Sirius gets bitten by a werewolf and freaks out because (on top of him being scared of the consequences of the bite) he's scared Remus will leave him
This is so so bad, and I might just delete this later. But, this is what my brain cooked up in the middle of the night.
I apologize in advance.
(Note: This is a world slightly different than the magical world of Harry Potter. Here, it’s non-magical human beings with no knowledge of the other side, while in shadows exist a world filled with Magical Creatures. They live in flow with humans, like werewolves, vampires, witches, shapeshifters, fairies, demons, ghouls etc.)
Sirius is a normal human.
He works as an ER nurse and he loves his job. It keeps him on his toes, he doesn’t mind the hours(on most days) and he loves the effort and the challenge of it.
One day, he meets a patient who has come in with bruised ribs and a dislocated shoulder.
And on that day, for the first time, Sirius fails to maintain his professional composure.
Because there is something about this patient that is quite intriguing and Sirius can’t seem to take his eyes off of him.
The patient (Lupin, R - as per his chart) has an ashen look to his skin and sunken eyes and looks about to fall apart but the brilliant gleam in his eyes that Sirius can only describe as glowing amber, a quiet strength to him and a weird tolerance for pain cause bells to ring in Sirius’ mind but he can’t seem to put a finger on why.
Despite his own internal struggle, Sirius goes about his duty, ordering tests, consulting the physician and discharging the patient when its time with proper instructions to be followed.
Once Sirius is done with the instructions, Lupin steps forward to thank him in a hoarse voice with those damnable eyes boring into Sirius’ own.
And then he is gone.
And Sirius only has a few minutes to stand there dumbstruck before duty calls and he’s back into the grind.
But, Sirius never seems to get Lupin out of his mind.
Days go by and on his off day Sirius decides to visit the Carnie book festival and runs into Lupin.
“Uh, Lupin. Hi”
“Call me Remus,” is the response with a feral grin showing too sharp teeth and gleaming eyes.
And, just like that Sirius is swept in.
They spend the day with one another, debating authors and books, recalling some of the funniest and the weirdest scenarios they have come across and Sirius can’t believe he’s actually having a great time.
They make plans for a movie night because Sirius has never seen ‘The Godfather’ but he has read the books but according to Remus that’s no excuse.
The movie night leads to a coffee date nearby Sirius’ hospital which then leads to a dinner date at Sirius’ apartment and weeks fly by as they fall more and more for each other with each passing day.
Or, at least, that’s what Sirius hopes is happening. For a workaholic loner like him, to have found someone like Remus who ticks all the boxes on Sirius’ list and is someone Sirius gets along with so well, he really desperately wishes that that is what is happening between them.
And it is, it’s true on both sides and Remus hates it.
Remus hates how quickly and irrevocably he is falling for Sirius.
Because what Sirius doesn’t know is that Remus is a werewolf.
A werewolf who is answerable to a pack and its leader.
Remus has been a werewolf for as long as he can remember. Despite growing up in the human world, Remus has always been tethered to this part of life and for him, Sirius is like a breath of fresh air.
And soon, it becomes an issue with his pack and his leader who is adamant about keeping their secret a secret. No human can know of their existence.
And Remus soon finds himself split between his heart and his duty.
And he follows his heart.
Months into their relationship, they have a steady equation going. Remus lives in bliss with Sirius. He himself working as a rare items collector can make up stories for when he needs to get away for his transformations and with Sirius’ work schedule none’s the wiser and life soon settles into a dream.
And it’s very easy to forget about the world when one’s living in a dream.
A pack war occurs between Remus’ pack and the Fangdeclan pack from the south over territory.
For which Remus is not present and his pack loses quite spectacularly.
Resentment rises in the ranks and the mate of one of the werewolves who died blames Remus and as an act of revenge decides to go after Sirius on the next full moon.
Not aware of the danger to his boyfriend, Remus leaves on one of his “trips” the following moon while Sirius has to cover shifts at the hospital.
Coming back to his apartment late into the night Sirius is attacked in the alley behind their housing complex.
Sirius, high on adrenaline, manages to escape and runs into the building and soon, into his apartment.
Panicking and panting, Sirius reaches into his denim pocket to call the police only for his fingers to come away coated in blood.
That is when he realizes the sharp sting running up and down his left thigh and he looks down to inspect and finds a vicious bite mark there.
And Sirius is scared, so, so scared and the adrenaline starts to wear off and mind-numbing pain settles in. He doesn’t understand what is happening, all of a sudden feeling extremely light-headed, failing in his attempts to call for help, he passes out.
And wakes with the moonset the following morning.
Feeling extremely groggy and downright weird, and unable to fathom the events that occured because looking down his injury is healed and all that’s left is the deep indentations of razor sharp teeth of the bite etched into his thigh.
He goes to the hospital and gets himself checked to find that he is in perfect health but he knows he’s not.
The smells in the hospital, having never bothered him before, assault his senses like a bulldozer. The smell of blood causes bile to rise in the back of his throat  and he has to get out of there.
His hearing is wonky and he can’t seem to keep steady hands. His vision keeps blurring in and out and somehow he finds his way back to the apartment.
Feeling dizzy and nauseated, unable to even think about eating something, he falls back asleep.
Upon awakening, all Sirius can obsess over is the bizarreness of everything and is so worried about Remus finding out. Because all Sirius can imagine is that this looks and sounds crazy to any sane person.
It’s not like Sirius can go into a police station and report of a wild animal attack, that may or may not have poisoned him with something, in the back alley of his apartment. He lives in the middle of a metropolitan city damnit.
It’s not like Sirius can say he’s hearing things, sounds and voices from far off and that his senses are going crazy. He knows if he had a patient who came in complaining like this, it’s off to the Psych ward.
So Sirius does the one thing that makes sense right now and that is to avoid everything and everyone.
He ignores Remus’ calls and messages enough to prompt his boyfriend to show up at his doorstep refusing to budge.
Finally, unable to hold it in, Sirius recounts what happened and how weird he’s feeling and everything and how insane all this sounds, he knows that, he does but Sirius begs Remus to understand that this is the truth because he is freaking out.
And to say Remus is dumbstruck is an understatement. He soon reconnects the dots and realises what has happened and he blurts out the truth about himself and the nature of the bite.
Sirius doesn’t believe him at first. Because Sirius thought he was going insane and compared to Remus’ answer, Sirius theories were far better of. But, when he does he blows over, because his feelings and emotions and his senses are all over the place and throws Remus out of the apartment.
Remus feels so guilty for being the cause of this happening to Sirius and he goes to the werewolf who did this to Sirius and picks a fight with them because Sirius had nothing to do with this and he was innocent.
His pack leader however breaks the fight up and urges him to bring Sirius in, stating what’s done is done.
Remus then reaches out to Sirius and says that Remus apologises, promising to help him and repeats a million times how he never wanted this to happen to Sirius and no matter how scared Sirius is, Remus assures him that he won’t let anything happen to him.
Utterly defeated, wanting more answers and seeing no way out, Sirius accepts. They talk and Remus explains about his pack, it’s dynamics, about mates, the effects the moon has on other nights it’s not full and the curse.
Somewhere in the middle, unable to help himself. Sirius makes a joke of whether he gets a new name now remarking on Remus’ name being tied to a wolf. Letting out a laugh, Remus replies that that’s not how it works and it was just his luck to be named Remus from the beginning.
He explains the nature of his “trips”, how Remus was bitten and what it’s gonna be like.
They even delve into talking about modern depictions of a werewolf in stories to how it actually is.
They talk, a lot. Sirius having to quit his job because he still can’t settle his senses.
And they prepare for the coming full moon.
They drive up to a private farmland spanning acres long.
Remus explains how the land belongs to an owner who himself is a lycanthrope and opens it up for any werewolf in the territory during the moons.
As they settle onto the ground awaiting the moonrise, Remus cannot take his eyes off Sirius.
As the first jolt of pain seizes him, Sirius let’s out a small groan shutting his eyes tight. Remus moves closer to him, as he is used to this for far too long. These small jolts are nothing compared to what’s actually coming and Remus wants to make it as easier as he can for Sirius, knowing it’s gonna be futile because soon Remus won’t be able to do anything. But he tries, if not anything then to let Sirius know he isn’t alone.
He places an arm over Sirius’ and Sirius immediately grabs onto his like a lifeline, eyes still shut tight. With teeth grit tight, Sirius enquires, “it’s gonna get worse isn’t it?”
“Yes,” Remus confirms without any sugar-coating because it’s not gonna help anyone.
Sirius hums in response as he relaxes back against the bark of the tree and slowly opens his eyes to meet Remus’
He smiles a sad sort of smile in return.
Soon they both are overtaken by the agony, feeling their bodies shift and twist. And where once sat two men, now holds two wolves standing proud sniffing one another curiously.
It’s a sight to behold, where Remus is all gold and brown fur, lithe long body; Sirius is sleek black fur coated around a muscular physique.
Where Remus’ hazel eyes take on a golden glow, Sirius’ grey eyes become glowing silver orbs, not unlike the full plump moon that stands witness to their curse time and time again.
And with that, a new chapter begins…
Only when they are back into their human shells does Sirius finally understand the instant connection and intrigue he had felt upon meeting Remus for the first time.
Even as a human, he had felt the faint echo of their bond.
And now as a werewolf, he could finally feel the tugging at his heart, the bond of a mate finally found.
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wizardwisenmore · 5 years
Text
First Aid Gives Rodimus Hell
@alyonian a fic based on those posts about thunderclash asking first aid to write fanfiction for him
i put the final touches on this at like 4am so it might be a bit wonky, will look at it with a more awake mind later
The purple datapad that goes with First Aid everywhere is, supposedly, a personal journal for keeping track of schedules and random ideas to look at later. Which, in fact, isn’t completely incorrect but those schedules happen to be for in-person or online meetings with his clients and those little ideas he writes are for said clients. Well, now, “client” sounds a bit risque but what he’s doing is perfectly legitimate in First Aid’s opinion. He ignores the several helpful reminders from Ambulon that he writes literal porn sometimes, some of it far raunchier than one would initially think the medibot capable of. Hey, all that built up tension daydreaming about the Wreckers had to go somewhere right? So, whenever Ambulon does feel like reminding him, First Aid just in turn reminds of that nice, new, adjustable, and expensive berth he was able to buy him because of his “smutty money” which tends to shut him up pretty fast. First Aid is a bit loathe to admit how bad his far more, ahem, specialized stories are even to Ambulon. He supposes his willingness to write these kinds of stories is what got him his four regulars as well as his latest request from an anonymous individual that- Okay, no, First Aid knows exactly who it is. It’s so painfully obvious but he just doesn’t have the heart to tell Thunderclash that he knows it’s him. That big, soft-hearted lug is just so hopeless when it comes to hiding his identity, just, Primus, First Aid is having a field day with this one. The names of the main characters alone are enough to practically shout that his latest client is none other than the Greatest Autobot of All Time.
The content that’s been requested is more of a surprise than the fact that Thunderclash of all bots is commissioning a personalized story (fantasy) from him. He’s requested a story with two bots the heroic Lightningclash and the charming, beautiful, charismatic, kind, (the list goes on) Radius who find themselves (gasp) stuck on a planet alone together with no immediate way of contacting their ship. Lightningclash and Radius are then put through several perilous situations in which they save each other thus becoming closer and better people through their shared experiences (First Aid had rolled his optics at the cheesiness of it all but this is Thunderclash after all and he’s paying very well so, who cares?). While these initial interactions started out innocent enough, Thunderclash had become a bit bolder and requested a particularly saucy scene that takes place in a cave full of bioluminescent plants. First Aid doesn’t know if he should be ashamed or proud that he only hesitated for a split second before agreeing to write self-insert smut for Thunderclash with Rodimus or “Radius” as he’s being called in this specific rendition. He only hopes he can manage to write it without making it too obvious he knows and still be able to look Rodimus in the eye.
Ambulon shakes his head as First Aid taps the send button that makes a characteristic “woosh” sound as Thunderclash’ smut gets sent away to be consumed by the poor pining bot. He tries not to let it weigh too heavily on his mind as he goes about his work and even almost forgets about it entirely until Ambulon speaks up.
“Hey, First Aid?” Ambulon says over his shoulder while studying a datapad.
“Yeah?” First Aid looks over to him, medkit in hand.
“It’s a good thing that account of yours is anonymous,” Ambulon pulls a pained smirk and flips his datapad over to reveal the screen to First Aid, “because you just sent your smut to the entirety of the Lost Light.”
First Aid is definitely proud to say he didn’t faint then and there.
Thunderclash is just relaxing in his habsuite when a message pings in on his hud and he see that the story he requested from “NotaPrime” has been completed and opens it with no small amount of excitement. Another glance at the message has him frowning though. It seems that for some reason the message was sent to all of the Lost Light for whatever reason. Thunderclash worries for a moment that something might be up but puts it off for the time being in favor of his commissioned piece. A part of him cringes as he begins to read, the part of him that tells him that indulging in his fantasies this way is unhealthy and even creepy. If he was honest with himself he knows that this is just because he knows he could never be with someone like Rodimus, especially not when it seems as though he’s done something to upset the mech. All of that is forgotten, however, when he lands upon the scene where Lightningclash and Radius take shelter in a cave and things heat up.
His immediate reaction is damage control. He’s automatically sending Thunderclash an apology while rushing to call in a favor with Perceptor to delete the story from everyone’s accounts. The questions that surely will come with it he can handle, exposing himself to Perceptor is a small price to pay to maintain some semblance of dignity in the eyes of the rest of the crew. Anyone who reads it will know just who the smut is about. At this point it’s just a matter of beating the clock, a thought that urges him on, running through the halls ignoring anyone who tries to wave him down. Thankfully most people just get out of his way. Ah, the perks of being a medical officer. As he turns one corner just before the labs he spots Nautica looking over a datapad, giggling. He’s just about to put it off as paranoia until-
“Pfft, Lightningclash? Really?” Nautica chuckles as she consumes the little surprise gift that popped up in her messages.
First Aid doesn’t think he’s run this fast since before the war was over. Ragged and panicky, he makes it to the lab door just as a message pings in from Thunderclash’s anonymous account. It’s enough to make First Aid freeze in confusion and complete astonishment. The message reads:
“Oh! Yes, I saw that! But no worries! I was a little confused and concerned at first but you’re explanation clears that right up. I don’t mind other people seeing my commission. I’m sure nothing bad will come of it. Thank you for clearing that up and for the story. What I’ve read so far is wonderful!
-sent from Thorguy”
First Aid feels a crawling beneath his plates as if his circuits were doing a low-level defrag  as he just stares at the door panel to the lab. Did he think he’d feel regret? Did he really think that flamboyant , energetic Thunderclash would feel shame? Apparently First Aid didn’t know him at all. Well, he did commission blatant and explicit porn so, perhaps First Aid underestimated the durability of his pride. These thoughts flicker through his processor until one very key factor filters through the calming thoughts. Thunderclash doesn’t know First Aid knows it’s him or how he knows it’s him. Thunderclash thinks he’s secure. Thunderclash thinks no one will know who the story is about.
“That idiot,” First Aid rests his helm against the lab door.
The door panel slides open to reveal a very confused Brainstorm with various pieces of tech bundled in his arms making First Aid jump back, startling him out of his dark reverie. Tension bounces between the two mechs both trying to decide what to say.
“Uh, I was picking up some spare parts from Percy,” Brainstorm jostles the odd bits and ends as an indication of what he’s referring to.
“Right, yeah, sure,” First Aid backs up to let him pass, “I just, uh, was hoping to ask Perceptor for a favor.”
“Yeah?”
“Yeah, I’m pretty sure something’s wrong with my spam filter. I’ve tried everything but I just can’t set it up properly.”
“Oh, right, mundane stuff. Yeah, more his thing.”
They fumble a little as Brainstorm makes his leave and First Aid walks into Perceptor’s lab, exventing heavily after all the stress begins to ebb away. When he takes a look around the lab the dimness and slight mess strikes First Aid as a little unusual for the normally tidy scientist. When he spots Perceptor he can’t help but feel a little concerned at how tired he looks with his shoulders sagging as he leans back up against a counter and his fully exposed optics shuttering lazily every so often. First Aid makes his way to Perceptor’s side startling the bedraggled microscope and begins to do an impromptu preliminary check up.
“Ah, First Aid, wh- what can I help you with?” Perceptor manages to say after getting over his initial shock.
“First, you can tell me what you were doing that taxed your systems this much,” First Aid remarks, shaking his head at the results of his scan.
“Brainstorm and I pulled an all-nighter and I neglected to refuel,” Perceptor looks away in shame.
“You know that’s not good for you but even if you did that that still wouldn’t have been enough to make you this tired.”
“Yes, well, it was a long night.”
“It certainly must have been.”
Perceptor doesn’t say anything while keeping his optics anywhere but towards First Aid only succeeding in making the beginnings of serious worry bubble up in the medibot.
“Perceptor, be honest with me,” First Aid levels himself so that he’s face-to-face with Perceptor, “What’s going on with you and Brainstorm?”
The effect of that statement is instant and Perceptor struggles to find his voice in an awkward cluster of broken syllables. Eventually he gives up and exvents.
“I probably should have gone to see you about it earlier. I noticed that it wore me out quite a bit before but didn’t feel it was anything to worry about. This particular bout was especially tiring though. I try to reassure Brainstorm but it’s gotten to a point where I think I can’t just blow it off as nothing anymore,” Perceptor seems to have gathered himself more, managing to explain himself more thoroughly and honestly.
“Wait, so you mean…”
“Brainstorm and I have initiated an intimate and sexual relationship. Our sessions together leave me lethargic and I often have to recharge for a longer period in order to make up for it.”
“Oh!” First Aid brightens and begins a more thorough check of his systems, paying close attention to the power systems linked up with his interfacing array.
“Is everything alright?”
“Everything seems to check out. I don’t understand why you would be experiencing such heavy energy withdrawal.”
“Then why…?”
“Uh, this may seem a bit intrusive…”
“No, it’s alright.”
“How are your sessions normally? Is there anything you can think of that may relate to this?”
“Well,” Perceptor retracts into himself again, “Brainstorm is rather energetic. He never seems to get tired.”
“So you try to keep up with him,” First Aid sighs and shakes his head, “You shouldn’t push yourself like that. That or you should allow yourself more breaks. If you don’t tell him you’re wearing down he won’t be able to take that into consideration.”
Perceptor holds his face in his hands and nods.
“If you want Rung-”
“No,” Perceptor looks up, “I can take care of this. Thank you, I had wondered after all and you provided an answer. I should have realized…”
“Well, I can understand with a good partner it can be easy to get carried away,” First Aid relishes the bashful side of Perceptor he’s seeing now, “You should get some rest now to make up for you latest ‘session’ though.”
After a brief episode of mortification, Perceptor returns the light levels of his lab to normal and buts is monocle back on. He looks for all the world that he hadn’t just been absolutely ravished by his lab partner just minutes ago. The weight of his exhaustion still lingers but he looks more like his professional self.
“So,” Perceptor clears his intake, “did you need something.”
Everything he’d meant to talk to Perceptor about suddenly rushes back to First Aid making him feel a bit dizzy. All that had transpired just pours out of First Aid and Perceptor patiently listens to him then pulls out a datapad before First Aid is finished. At the end of the panicked explanation, First Aid watches Perceptor as he hums thoughtfully over the screen revealing the activity history of the accounts of the Lost Light Crew. First Aid begins to fidget as more and more time passes with Perceptor just analyzing the datapad.
“I have good news and I have bad news,” Perceptor finally tears his attention from the pad.
“Bad news first.”
“It seems as though that not only have many of the crew members opened the email but have actually taken the time to read it.”
First Aid slumps at this new information, “And the good news?”
“It seems as though Rodimus has yet to open the message.”
“Thank goodness for his lack of work ethic but that doesn’t mean he hasn’t found out about it.”
“Doesn’t mean he has either.”
In another part of the ship Drift sees a strange message appear on his hud and he opens it to find fanfiction that is very thinly disguised Thunderclash and Rodimus slash fic. As he reads it he has to take several breaks to laugh for a good minute and when he reaches the scene with the cave he chokes on air which causes Ratchet to find him in the middle of a coughing fit.
“Drift, are you alright?” Ratchet comes over, concern written on his face.
Drift nods and when his coughing finally dies down he says, “Yeah, just got to point in this story that really caught me off guard.”
“What story?” Ratchet looks at the datapad Drift is holding.
“It looks like someone has written a piece with our captain and Thunderclash having an adventure together,” Drift turns the datapad so Ratchet can see it better.
“Who would want to read something like that?” Ratchet looks over the story some more, “Rodimus doesn’t even like the guy.”
“I don’t know,” Drift shakes his helm, “but whoever wrote this is one kinky bastard.”
First Aid rests his helm against a desk, slumped over in a chair thinking about how he can handle this situation. His break down of it essentially comes down to Thunderclash not knowing he’s the author, the story is obviously about him and Rodimus but it can’t be immediately traced back to Thunderclash, and so long as Rodimus remains oblivious things shouldn’t get out of hand.
“First Aid,” Perceptor leans against the desk he’s sulking on, “I take it that it would be an issue for Rodimus to find out and not Thunderclash is because Thunderclash is your commissioner.”
“Yup.”
“I would have never suspected him having feelings for Rodimus if it weren’t for this slip up. However, with this realization and further reflection I can recall several occasions that are now painfully obvious as acts of endearment on Thunderclash’s part.”
“Right? If you have the time you should actually read the story. All his little requests and the details he leans on make it all the more obvious just how hopeless he is,” First Aid leans back to stare blankly at the ceiling.
“Then perhaps this is a blessing in disguise,” Perceptor puts his chin in his hand and First Aid looks at him as though he installed a second head, “I know that sounds a little ridiculous but think about it. Thunderclash clearly wants to express his feelings to Rodimus but Rodimus has put up not-so-subtle barriers that prevent that from happening. If manipulated in the right way it could ease the situation and make it possible for Thunderclash to overcome those barriers and/or encourage Rodimus to tear them down all together.”
“You want me to hook up Thunderclash and Rodimus with smutty fanfiction.”
“Don’t you?” Perceptor leaves First Aid alone to contemplate that after stating that he feels the need to have that conversation with Brainstorm sooner rather than later.
First Aid winds up going back to the medbay to an annoyed Ratchet and inquisitive Ambulon who are both very interested in what he was up to. He waves them off claiming he’s had a very long morning and will tell them about it later. Ratchet huffs, clearly agitated but lets it drop, however, Ambulon doesn’t let go so easily and is only satisfied when First Aid pulls him aside to explain it had been too late by the time he and Perceptor got to assessing the damage.
“The entire crew has read it?!” Ambulon stumbles a bit in his surprise and nearly drops his tools.
“Most of the crew has read it,” First Aid clarifies, exasperated, “Rodimus, thankfully isn’t really in the habit of checking his messages.”
“That’s an understatement.”
“I am very grateful for it. Can you imagine what he’d do if he found out?”
“When he finds out.”
“Right… yeah…”
They continue working like they aren’t waiting for the inevitable shitstorm that’s brewing on the horizon. First AId rests in a state of emotional lapse now having his panic forcibly ripped from him in the wake of Thunderclash’s response and Perceptor’s view on the matter at hand. He mulls in the space between screaming endlessly into the void and the vast hollowness that can only come from making a mistake as bad as the sheer hell that First Aid has unleashed. Humming along to the panicked rhythm that begins to rise within him almost has Ratchet coming over to ask him if he’s alright.  Through his new bout of nerves the start of a plan forms which eases some of his distress and what Perceptor said inspires him to take advantage of this disaster. He could get Rodimus to at least acknowledge his unfair distaste for Thunderclash, maybe even convince him it is unfair. Then a devious thought crosses his mind that brings him out of his self-sentenced personal hell by realizing how much chaos he could actually cause. Forget pride and reputation for that has been all but lost, while he has a stylus in his hand he can write the world into a frenzy and make all good-hearted souls wheep. He will bring about a reckoning that will lead the crew into madness and he will delight in the absurdity of it all instead of letting it sweep him away. This is probably not what Perceptor had in mind but any semblance of a calm and rational take on this has already been thrown out of the airlock. He has the power, he shall see that big goofball get his mech even if it gets him kicked off this ship.
“Aid?” Ambulon turns to him, a sudden thought striking him, “Did Megatron read it?”
“...slag.”
Megatron had just gone through his normal morning routine when the surprise message popped up, the contents of which surprised and appalled him. Anyone willing to go into that much detail on Rodimus’s spike or “Radius’s”rather is a depraved individual the likes of which he has only known during the war among certain circles of the Decepticons. He had powered through mostly due to immense boredom and sheer morbid curiosity. The reasoning for sending it to the entire crew puzzled him for if it was meant to be a prank it wasn’t very well executed for anyone who knew Rodimus for even a day would know he doesn’t check his messages. So, that means it had to have been a mistake and this thing about a “commission” detailed at the beginning would mean that not only was it a mistake but a very severe one. Megatron finds himself pitying whoever the writer was. In his opinion the story is solid if a little off in the dialogue and the plot is engaging making it one of the better things he’s read on this ship in the past few years. He just can’t fathom why anyone would want such a story enough to pay for it unless…
“Oh dear.”
“What is it?” Ultra Magnus who had been going over the daily reports turns to Megatron.
“I think that Thunderclash might be enamored with our captain,” Megatron muses.
“What? What makes you say that?” Ultra Magnus lowers his his servos from his work putting his full attention on Megatron.
“Have you received that strange message with a story attached to it? I think it was probably commissioned by Thunderclash.”
“It… that would make sense,” Ultra Magnus looks off in thought, “That poor mech.”
“Indeed.”
It doesn’t take too long for the entire ship to become all abuzz with the fanfiction which means everyone in Swerve’s is talking about it. Tailgate is chatting excitedly with Swerve and Rewind who nod along to his rapid-fire analysis of the story. Nautica seems to be just as enthused by the epic of Lightningclash and Radius while also having recruited Brainstorm to hold Nightbeat back from telling Rodimus what’s going on and explaining the entire mishap. First Aid is pretty sure he also knows that he wrote it but has been kind enough not to tell anyone. It also seems as though everyone has silently agreed not to tell Thunderclash that they know the story is about him and those few that suspect him as the mysterious commissioner have neglected to say anything as well. First Aid couldn’t have dreamed of a better reaction than this. He mentally gives himself a pat on the back as he looks around the bar and Ambulon rolls his optics, undoubtedly noticing his fellow medibot’s smugness. First Aid ignores him in favor of watching a happy Thunderclash excitedly going over a particularly dramatic scene where Lightningclash is being tended to by a distraught Radius with a particularly patient Perceptor who looks equally endeared and distressed.
“This line here ‘With Thunderclash’s helm in his servos and those dimly glowing red optics looking softly and lovingly up at him, Radius knew that no one else would go further or fight harder for him than his Lightningclash.’ Don’t you think that it just so wonderfully expresses the building undefined something between Lightningclash and Radius?” Thunderclash reads from a datapad and emits a dreamy sigh.
Perceptor takes a moment to steady himself before calmly turning to Thunderclash, “It is a solidly written line that clearly portrays Radius’s revelation. I think it’s the definite turning point in their relationship.”
First Aid stifles maniacal laughter as he watches Perceptor flub through a very detailed in-depth reading of the story and swears he can see Perceptor’s life force slowly leave his body. Ambulon gives him a look that lets him know that he’s enjoying this far too much but he can’t find it within himself to care. He’s sure that sooner rather than later he’ll have to face the consequences for his actions so he’s deciding to enjoy what he can while he can. The clincher to his ever-elevating mood is a little ping that notifies him of a very enthusiastic message from Thorguy A.K.A Thunderclash A.K.A Lightningclash. He excuses himself and heads back to his habsuite because, right now, he has a story to write and this time he has explicit permission to share it with the crew so all the better really.
Okay, so, Ratchet knows now but that’s something that’s been coming for a while now because of the glimpses he’s caught on Aid’s infamous purple datapad. First Aid thinks he takes it rather well seeing as how he faces minimum yelling but, unfortunately, Ratchet does wind up outing him to the others. This only succeeds in causing a hoard of the unexpected fans to pester him about the next story and for Thunderclash to confess that he had been the one to commission the first two stories. The lack of surprise from his peers is palpable making him retreat to a table in Perceptor’s lab to contemplate his apparent lack of subtlety. First Aid notes how Ratchet isn’t disappointed by the lack of backlash and notes how he didn’t include Rodimus in this suedo-intervention, not to mention the yelling devolved into critique of his latest story, the sequel to the first one everyone’s started calling “Cave Escapades.” This exposure has brought on a new problem, though. Everyone seems to have gotten very invested in the story of Lightningclash and Radius so they’ve all really started to get on his case about the update. First Aid had hoped to make this a more gradual thing but that clearly wasn’t going to happen now. Poor Thunderclash is too mortified to ask and pay for a third story which is Aid’s only defense in the face of his crew’s inquiries so, Nautica, Nightbeat, surprisingly Whirl, and a few others all pitch in for the next one.
Ambulon is rather unsympathetic when he retells what happened and all but straight up tells him he deserves the sudden pressure.First Aid stares at a blank datapad for a solid three hours before eventually giving up and heading to Swerve’s in hopes that giving his mind a break will clear his sudden and severe writer’s block. In his latest story, Lightningclash and Radius managed to get back in contact with their ship allowing them to reunite with their crew to then go to the next galaxy over to a good planet for refueling and resupplying. They were also checking a lead that might help them find the missing ally ship that had gone dark just months ago. Now he just didn’t know where to take the story. Lightningclash’s and Radius’s interactions had all been filled with the new question “what are we?” creating a lot of tension between them that is just fit to burst but how should it be done? First Aid just doesn’t know what he should do. Thankfully, before he can get too deep into his funk a very happy Drift plops down in the booth right across from him pulling him away from his thoughts.
“So, you’re the one that wrote the best thing I’ve read in the past thousand years,” Drift chuckles as he doctors his drink slowly.
“I’m glad you like it,” First Aid huffs, “It may be awhile before you get the next part though. I just can’t seem to get myself to write.”
“Well then,” Drift gives him a smirk that can only mean he has something mischievous in mind, “would you take a request then?”
First Aid mulls over it for a moment then remembering how many people are waiting for his story decides to throw caution to the wind yet again, “Sure, what do you have in mind?”
“Well, you know, I think it’s about time that rodimus found out about these stories. So, I was thinking that it would be great that if when he reads them he got to a point where Rodimus reveals that he’s the next in line to declare the Primacy. I mean you haven’t built up a lot of lore for your stories but it’s clear it isn’t the same as our culture exactly. So, my idea is because he has to take on the Primacy he has all these responsibilities including not being able to take on anyone as his conjunx without like a ton of pomp and circumstance.”
“You mean like a really over-the-top mushy scene where Radius essentially goes ‘I love you Lightningclash but we can’t be together because I’m meant to take on the Primacy’ in the most sappy way possible,” First Aid mimics his parody Rodimus and begins to feel like he could work with this.
“Yes, that and Lightningclash as the respectable bot he is goes ‘I understand, Radius, your responsibilities come first but, I beg of you, let me be by your side always.’ just hamming it up all the way.”
“This,” First Aid leans against his interwoven servos with a wicked glint in his optics, “could work very well.”
When the message pings in Drift quickly gets up from meditating and rushes to Rodimus’s habsuite, datapad in hand looking all the world like the cybercat that got the energon. Rodimus is still in recharge after the indulgent night he had at Swerve’s and isn’t very happy when Drift roughly wakes him up to show him the datapad. Rodimus blinks slowly a few times at the datapad, not really seeing what’s on it.
“Drift, I know you’re trying to show me something but my processor hasn’t caught up with my body yet,” Rodimus lets out a yawn, “wanna just tell me what’s so important?”
“Somebody wrote a story about you!” Drift exclaims all to pleased with the situation.
Rodimus wakes up much more at that and begins to read over the stories while Drift watches in delighted anticipation. The faces the captain makes are extremely varied and rapid in their transitions. Drift bursts out laughing at a particularly disgusted expression Rodimus makes when he probably reaches the cave scene that he admirably pushes through to read the rest of it. Then he gets to the third chapter and groans once he gets to the big confession.
“What the hell is this?” Rodimus asks, his words muffled by the servos covering his face.
“It’s clearly other you with other Thunderclash having the time of your lives,” Drift teases and Rodimus gives him a look.
“This is the worst thing I’ve read, ever,” Rodimus grumbles, “You really woke me up for this? It’s not even worth the data storage.”
“Well I think it’s fun,” Drift says earning another look of disgust from his amica.
“This can’t continue like this.”
“Well what do you want to do about it then?”
“I don’t know!” Rodimus throws his servos in the air exasperated, “I wish this story just didn’t exist! That would be much better.”
“If you’re really so upset with it, why not just change it?” Drift offers calming Rodimus down somewhat.
“What do you mean?”
“This story was commissioned right? Well what if you commissioned this author to write the story how you want it to go?”
“It’s not worth the shanix,” Rodimus waves off the idea easily and slides off his berth to get ready for the day.
“I’ll pay for it then,” Drift shrugs when Rodimus shoots him a surprised look, “I think it would be fun.”
“How many people have read this again?”
The result is almost instant when First Aid sends off the next part of what is slowly becoming a series. Messages filter back with praise and statements of varying degrees of incredulousness. Now, as much as he’s enjoying all of this, he would have backed off had Thunderclash asked him to and even hesitated somewhat but the short message from the bot that started it all clears away his worry. Thunderclash sent him a very short but clear show of approval of his latest and most melodramatic installment. Ambulon groans once he gets to the big confession as Ratchet bends over steadying himself on a medical berth, immobilized by laughter. Seeing as how not much more work was going to get done he decides to go see how everyone is reacting to the story in person. He’s rewarded with a Nautica who’s absolutely glued to her datapad, an attentive Perceptor who gives a few good suggestions, and Tailgate along with Rewind listening to Chromedome give an excellent dramatic reading that Rewind is undoubtedly recording. The icing on the cake is when he stumbles on to the bridge to find a distraught Rodimus.
“Who the hell wrote this?!” Rodimus gestures widely to the datapad in his servo as though it just insulted him.
“I don’t know, Rodimus,” Megatron sighs, “but clearly it’s just in good fun. They don’t seem like they mean to slander you.”
“What do you mean? It’s clearly slander! They’ve paired me up with Thunderclash!” Rodimus shouts, fuming at the lack of sympathy.
“An excellent member of Autobot society,” Ultra Magnus adds helpfully without looking up from his work.
“They make me the damsel in distress!”
“Sometimes they make Thunderclash the damsel,” Megatron points out making Rodimus scoff.
“They make us frag in a cave!”
“I admit that might have been a bit much but they do an excellent job of portraying proper consent and communication between partners,” Ultra Magnus concedes.
Rodimus growls in frustration before storming off of the bridge undoubtedly to take it out on First Aid if unknowingly so. Sure enough, a little while later a message appears on his hud to his not-so-anonymous-anymore account from Rodimus describing just how much he hates the story. However, Aid is surprised to find that Rodimus, instead of demanding an end to the series, is paying for his own continuation of the story “to set the record straight” and First Aid obliges him. Of course, he doesn’t it’ll have the effect Rodimus desires but that’s mostly just because he knows he’s gonna spin it in another direction. Ah, the beauty of interpretation. Rodimus want him to write a continuation where Lightningclash messes up terribly so that Radius becomes enraged with him, so much so that he stops talking to Lightningclash with no hint of possibly letting up. First Aid decides he’ll humor Rodimus for now and leave Lightningclash and Radius’s issue unsolved at the end which just so happens to create a cliffhanger. First Aid leans back in his chair and looks at his handy work, satisfied with it, and sends it off before heading off to his berth to recharge. His intention is to feed Rodimus’s need for there to be conflict between the two characters to then have said characters to resolve it in the next chapter which will undoubtedly frustrate his captain but maybe also give him a hint. Besides, how was Lightningclash supposed to know that one of the reasons Radius left Cybertron to explore the stars was to escape the heavy weight of responsibility that the Primacy put on him? With a sigh and aching servos, First Aid drifts into recharge.
When First Aid heads to the medbay he can’t help but feel as though something’s off. He doesn’t have too much time to ponder it since Ambulon all but drags him into the medbay and locks the door behind them. Okay, that wasn’t a good sign. Ratchet’s giving him a look that tells him he’s definitely messed up.
“What did you do?!” Ambulon hisses regaining Aid’s attention.
“What? I don’t know. What’s happened?” First Aid is definitely starting to panic now.
“Your fans are in an uproar over the latest chapter of that terrible fanfiction of yours,” Ratchet informs him busying himself with prepping the medbay as though he was expecting a lot of injured bots to come flooding in at any moment.
“What? How bad?”
“Bad enough that Whirl started a bar fight with Cyclonus of all people over whether or not Lightningclash and Radius are going to ever get together. They’ve both been put into the brig and thankfully didn’t injure each other too badly but this is getting ridiculous.”
“I’ll say,” First Aid nods weakly, “That old romantic really let it get away from him. I bet he was defending Lightningclash’s and Radius’s durability all the way.”
“Yes, it’s all very sweet,” Ratchet gralfs, “What you need to do now is sit down and write so we can fix this mess before it gets any worse. I’ll even pay for it if I have to.”
“That won’t be necessary. This one’s on the house,” First Aid snags a datapad and begins writing like faster than he ever has before.
Apparently the impending doom via complete crew meltdown is a very good motivator seeing as he’s able to pump out a complete chapter in a record time of three hours. First Aid collapses on a berth completely drained from the frantic writing and hopes that it will clear everything up. Within those three hours, Nautica and Perceptor (for some reason) were brought in beaten up and ragged. Ratchet is still patching up the last of Perceptor’s abrasions when First Aid sends out the chapter making both patients leap for their datapads. Blissful calm settles over the medbay as the mechs devour the the story. Watching Ratchet read the story just as avidly as the rest of them, First Aid feels a little cheated for being guilted into making the latest chapter for free but he’ll get that old bastard back for it. He might even add in a weary old medic called “Hatchet” that’s hopelessly helm over pedes for a certain swordsmech called… He’ll think of a good name later.
“Yes!” Nautica cries out in glee and falls back on to the berth she’s taken residency on startling First Aid out of his half-awake state.
“I’m guessing that means you find the latest chapter acceptable?” First Aid says while still lying down.
“Very! Oh, just how Lightningclash takes Radius into his arms and pushes away any doubts that he sees him as a capable and beautiful mech. Radius struggling with himself as to whether to give in and abandon his responsibilities or remain the next prime but the Lightningclash insists he should be true to himself and not abandon his destiny! It’s perfect!”
“I quite agree,” Perceptor gives him a weary but emphatic nod.
“Good maybe this’ll settle things.”
“Don’t bet on it,” Ratchet scoffs, “You’ve just given them all another taste and still no resolution. At this rate you’ll be at this for a while.”
“That’s true,” Ambulon puts a servo on First Aid’s shoulder, “If you want this to end you have to conclude the story.”
“I can’t just yet,” First Aid puts a servo over Ambulon’s, “This is supposed to mediate Thunderclash’s inevitable confession to Rodimus.”
“That’s what all of this is about?!” Ratchet gapes at his downed colleague.
“I think that’s wonderful! Do you need any help?” Nautica leaps up energy fully restored.
“Perceptor, tell me you at least don’t approve of this,” Ratchet turns to the person that has become his only hope.
“Do you really want First Aid to stop?” Perceptor retorts making Ratchet fumble searching for the right words to defend himself but comes up empty.
First Aid turns to Nautica, “You know, a co-writer would actually help a lot. I don’t think I can write as fast as I need to on my own.”
“This is going to be great!” Nautica hops up and bounces with excitement.
Rodimus is fuming on the bridge now, very upset that his piece of the story had been subverted by the next chapter and has made his displeasure very well known to everyone in earshot. Thunderclash looks at him sadly, guilt weighing heavily in his spark as he looks at the damage his personal indulgence has caused. If the story has managed to do anything so far, it’s made Rodimus dislike him even more even without knowing he’s the one that commissioned the story. He makes a decision then and there that he’s going to do something to fix this mess that he’s made and hopefully get Rodimus to dislike him less.
Later on after workshopping the rest of the story, Nautica and First Aid decide having the outline all flushed out at least deserves a drink. First Aid is greeted at Swerve’s with praise and distress at how he almost severed such a beautiful, blossoming relationship. It’s clear now more than ever that he’s in it for the long haul. At the very least it seems this has alleviated some of the prevalent boredom that had been plaguing the ship. For a moment First Aid worries about what’s to come after all of this. This is, in all honesty, fun. Everyone is following the story with an intensity he didn’t know they possessed and that feeling is is so addictive that he almost  doesn’t want it to end but he knows it has to. A blatant reminder of it all needing to come to a close is Thunderclash looking very sullen heading his way. He can feel Nautica tense up beside him when she spots their source material. First Aid tries and fails to steady himself knowing he can’t avoid this interaction while fearing what is to come of it. The large bot settles carefully in the seat across from them and folds his servos on the table. Nobody moves. Nobody speaks.
“Hey Thunderclash!” Swerve breaks the tension, “Can I get you anything?”
“Uh, just mid-grade please,” whatever cool Thunderclash had is broken and the nervousness he’d been concealing earlier breaks through.
“You got it!”
After Swerve leaves to get Thunderclash’s drink he can’t seem to meet First Aid’s or Nautica’s optics.
“What do you need, ‘Clash?” First Aid tries to ease the situation.
“I, uh,” Thunderclash clears his intake, “I’d to um… Okay, so, Rodimus is clearly unhappy about this story. He seemed especially unhappy when the next piece after that fiasco was released. He seemed happier when our parodies were fighting. I had no idea that he disliked me that much.”
First Aid feels his spark ache a little at that last statement knowing all too well what Rodimus might have had to say about it.
“So, what do you need me to do?”
“I feel that this may not be the last issue that he forces our other selves to face. I think -indirectly- Rodimus showed something he’s very self-conscious of. It’s likely he will do so again.”
“You mean you think Rodimus was projecting his insecurities of technically never being a true prime on to Radius and he might do more requests that reveal things like that,” Nautica jumps in excitedly.
“Uh, that’s a bit harsher than I would put it but yes.”
“So,” First Aid puts a hand on Nautica’s shoulder to get her to sit back down again, “What do you want to do about that?”
“I’d like all of Lightningclash’s words to be my own from now on. I want to reassure Rodimus myself.”
First Aid’s spark grows warm at that. He just cannot handle how in love this poor mech is with “flaming ego,” Rodimus Prime out of everyone he could have given his spark to. Boy, if that didn’t just make him want to redouble his efforts.
“Radius!” the faint murmurs of conversation suddenly die down as Riptide shouts out in the middle of the bar while clasping Drift’s servo with a datapad in his other servo, “Please don’t misunderstand my formality as being a joke or in spite. I could never see you as anything other than a mech that deserves the world, the universe!”
“Just because you know I’m supposed to be prime now doesn’t mean you should treat me like some bauble on display,” Drift gives his best Rodimus impression but First Aid silently admits that his word choice probably wasn’t the most Rodimus-like, “I’m still Radius! I’m still the bot you called a friend! I’m still the bot that got overcharged and lost his credits to you on Hedonia! I’m still me!”
“I know you are!”
“Then why are you putting up this air of formality? Why are you treating me like a thing and not a person?”
“I can’t be with you, Radius,” Riptide recites in a hushed voice that has the audience of their impromptu performance gasping, “No matter how much I long to be with you, your position is too high for me to reach. I must steel my spark in the face of it. I must respect our traditions but I wish to remain useful to you. In order to do so I’ve had to put a barrier between myself and you. I am sorry. Please, don’t push me away.”
Drift A.K.A “Radius” looks down at Riptide A.K.A “Lightningclash” with a surprisingly convincing sad look in his optics.
“Then be my friend, Lightningclash,” “Radius” says, “because my spark won’t survive losing you.”
With the close, Riptide and Drift bow to the roaring crowd among which is even an amused Megatron. Rodimus sits in stunned silence as Drift wanders back to their booth where Ratchet is also dying of laughter. Rodimus looks at his amica in complete and utter betrayal but doesn’t even manage to dent Drift’s smugness. Out of everything First Aid had thought would come of his writing, miniature theater was not one of them. Across from him, Thunderclash looks over at Rodimus with longing, love, and hurt shining in perfect crimson. A message pings on First Aid’s hud and he knows he has work to do.
“I can’t believe you actually did that!” Rodimus shouts as he walks down the hall with Drift and Ratchet who are both laughing at his distress.
“What? Of course I did,” Drift nudges him gently, “I knew your reaction would be priceless.”
“I think he did a terrific job imitating you,” Ratchet adds making Rodimus scoff.
“See,” Drift loops his arm with Ratchet’s, “It’s all in good fun.”
“For everyone except me,” Rodimus grumbles.
“Details,” Ratchet shrugs.
“Well hopefully this time what I do will stick.”
“Hopefully,” Drift says wistfully obvious in his insincerity.
Nautica turns out to be First Aid’s saving grace as they continue writing the Epic of Lightningclash and Radius. They take turns typing what the other one says making the process much faster and before the day is out they have a chapter ready for editing. Thunderclash sits in and helps with word choice but for the most part just politely listens in quietly. First Aid is grateful to have him there as well because he really does help with dialogue, even making Radius sound more, well, Rodimus-y. God, this mech. The way he talks about Rodimus’s little quirks and the phrases he likes to use alone almost makes First Aid feel like he’s the one falling in love with Rodimus.
“You know, I always forget about his tendency to use Earth slang,” First Aid admits after sending off the chapter to Perceptor who had volunteered to edit the thing.
“His love for Earth and its people is incredibly endearing,” Thunderclash admits and looks into the distance, a sweet smile plastered on his face, “I’d never seen him so devoted to studying a culture before. He really has become a kind of expert on it.”
“How long have you had your eye on Rodimus?” Nautica bumps her elbow gently against Thunderclash.
“I-uh,” Thunderclash stutters and looks away, flustered.
“Don’t worry,” First Aid puts a servo on Thunderclash’s, “we’ll get him for you.”
Thunderclash smiles brightly but it quickly dims with sadness, “At this point, my hope is that I can at least salvage whatever happened for him to… detest me.”
“That’s not your fault!” Nautica slams her servos on the table startling both of them, “That’s just Rodimus being a jerk.”
“I don’t think that’s necessarily true, Nautica,” Thunderclash puts up a consoling servo.
“I’m starting to think you’re right, Thunderclash. Something else is going on with him. Something he hasn’t let anyone see before,” First Aid hums and puts his helm in his servo contemplating their latest piece.
This new figure that Rodimus himself introduced into the story has been especially telling. This figure that can be none other than Optimus Prime’s doppelganger. So, Pinnamus Prime (so subtle) comes aboard the ship and pretty much takes control of everything to which the crew complies with completely because who would argue with a Prime? Lightningclash makes the mistake of agreeing with some of the current Prime’s criticisms causing tension to build yet again. When the pressure comes to a head, Radius gives a very deep confession that are the actual words of Rodimus. First Aid thinks that Rodimus didn’t realize how intense his offered bit of dialogue is, a confession of all the faults and missteps he knows are there that he feels are all people see when they look at him. He also talks about the sacrifices he’s made and the good he’s done but Pinnamus (Optimus) is just a walking reminder of what he’ll never be, Lightningclash (Thunderclash) is an example of what he could have become. It all struck First Aid a bit hard, making him realize that, perhaps, they have been a bit harsh on their captain. While childish at times and certainly impulsive, he cares about his crew and he is working on being better. Looking back on all they’ve been through, First Aid has to admit that Rodimus has actually been a rather good captain making quick decisions and being as fair as he can be. He hasn’t been a captain that would fit in during wartime but they’re not at war anymore. Oh, Primus, Rodimus had given up just as much as everyone else and then some to keep people safe, to keep the Autobots from falling. The fact that he can still smile, have fun, and then remind people they can still smile, that they still have hope is absolutely remarkable. Thunderclash is definitely starting to get to him.
The open ending they leave goes over about as well as First Aid expected which is to say not very well at all. They couldn’t think of any other way they could have done it. Thunderclash responded to Rodimus’s confession in his own words through Lightningclash then the chapter ends with him waiting for his response. The cliffhanger has everyone theorizing and arguing how it’s all going to end, the anticipation thick in the air. First Aid wades through the chaos dodging questions or giving ambiguous answers until he literally bumps into Rodimus. Before he can get too deep into his flurry of apologies a datapad is shoved into his servos. When he looks up at Rodimus he’s stunned to see his captain so serious, not angry, just serious. Without a single word, Rodimus leaves. After a moment of ogling the empty space Rodimus left behind, First Aid looks down at the proffered datapad and what he sees makes his optics flash in excitement. This would be the perfect end.
“I think this has gone on long enough,” Megatron says startling Drift who had been sharpening his swords.
“I’m sorry?”
“This entire back and forth with Rodimus and Thunderclash,” Megatron clarifies, “It needs to end.”
“I suppose we can’t tolerate too many more bar fights over something so trivial,” Drift concedes, “What do you have in mind.”
“I think Rodimus and Thunderclash need to confront each other on this matter.”
Drift looks up at ex-warlord skeptically and returns to sharpening his swords for a minute considering if what Megatron is suggesting is really a good idea. After dithering on it he turns back to the larger mech.
“Confront how?”
“I was quite inspired by your little performance the other day,” Megatron can’t hide his amusement when Drift coughs awkwardly, “I think they should read it together.”
“Oh yeah? How do you expect to get them to do that?” Drift raises an eye ridge.
“Everyone knows First Aid is the one that’s been writing this story and from what I can tell he seems quite eager to see this through. I’m sure I could convince him to help out.”
“Okay, what does that have to do with me?” Drift leans back looking up at Megatron.
“Your his amica, he spends time with you normally,” Megatron gestures nonchalantly, “Just make it so he’s in Swerve’s tomorrow evening.”
Drift looks him over for a moment but seemingly having made a decision just gives him a nod and goes back to his swords. Satisfied by this, Megatron leaves him be.
A very confused Thunderclash speeds along as he’s dragged down the hall to greet an equally baffled Nautica who gets the datapad First Aid had been given shoved into her servos. He then deposits Thunderclash into a chair, actually lifting the mech and seating him, surprising the poor mech with his hidden strength before sitting down to start writing. Nautica scans the datapad in record time and joins First Aid, newly invigorated. Thunderclash looks on with concern as they whisper over their datapad.
“Is everything alright?” Thunderclash breaks through the ominus haze.
First Aid and Nautica look back at him, smiling with  wicked glints in theri optics.
“Perfect,” Nautica answers, her voice heavy with incredible, almost sadistic joy.
“How would you respond to something like, ‘Do I matter to you?’ from Rodimus?” First Aid asks, avoiding Thunderclash’s question.
“I’d tell him he means everything to me,” Thunderclash answers bashfully, “that…  I’ll always be here for him.”
“Excellent, thank you,” with that First Aid goes back to writing with Nautica.
They continue like that for the remainder of the day, only asking Thunderclash seemingly random questions while not letting him read anything they’re writing. The pattern is eventually broken when the door panel slides open to reveal Megatron. For a moment they all just openly stare at each other until Megatron let’s himself in.
“I have a request,” Megatron breaks the silence and Nautica unabashedly gapes at him.
“Yeah?” First Aid’s voice breaks a little as he addresses the ex-warlord.
“This time when you release the story, only release it to Rodimus and Thunderclash at first,” Megatron says and sits down.
“Why?” Nautica crosses her arms, skeptical of Megatron’s plan.
“I think another reading of your story in Swerve’s is just what the crew needs,” Megatron says offhandedly, “except this time I think it should be done by your muses.”
“What?!” Thunderclash leaps up, “No, I can’t… Rodimus would surely… How would you even convince him to do that?”
“I don’t need to,” Megatron shrugs, “Drift will have him there tomorrow in the afternoon. The rest would have to be up to you.”
“Still-”
“I like that idea,” First Aid interrupts Thunderclash before he can go on a tirade.
“So do I,” Nautica smirks and pats Thunderclash on the shoulder, “It’s okay. You’re going to be great.”
Thunderclash looks helplessly around at the bots that seem very menacing now that plans for his grand performance were made.
Time flashes by and before he knew it, Thunderclash is being dragged once again by First Aid into Swerve’s where Rodimus sits drinking with Drift looking rather glum. Thunderclash’s spark aches as he sees his- as he sees Rodimus look so out of sorts because of him. In his moment of distraction he hadn’t First Aid bring him to the center of the bar and put a datpad in his servo. Looking back up from the datapad his tank drops as he sees Nautica quietly talking to Rodimus who nods at whatever she says to him and comes over to Thunderclash, arms crossed and body tensed while not meeting Thunderclash’s optics. Thunderclash’s intake goes dry and he can’t seem to just say something, anything. Then First Aid swoops in and gives Rodimus a datapad that he takes and scowls at it after reading the first few lines.
“Really?” Rodimus sighs, “This is what we’re doing?”
“So it would seem,” Thunderclash nods weakly.
“Might as well get this over with,” Rodimus rolls his optics, “I know Drift won’t let me back down from this.”
“You really don’t have to-”
“Save it,” Rodimus bites out, then turns his attention to the datapad, “Lightningclash, I don’t believe you, I can’t believe you. What you’re saying… I don’t believe you.”
Thunderclash looks down for his lines and with more feeling than Rodimus’s deadpan recites, “How can I show you that I’m telling the truth? That I mean every word I say.”
“Nothing.”
“Why? Why are you so determined to believe that no one thinks you’re worthy? You’re going to make an excellent prime. You’re already a wonderful captain.”
“You keep saying that but you know it isn’t true!”
“It is true, all of it.”
“Then why does everyone else think I’m a failure? Why did Pinnamus Prime take command? Why did he shove his greatest enemy on me to watch like some glorified patrol officer? And I can’t even do that right! I made friends with him, hey, maybe even proved he’s not completely evil! That was a surprise for me too.”
“Prime sees too much of himself in you. So much so that he forgets that you are your own person and not a perfect reflection. Whatever he perceives as failure in you is nothing more than him projecting his own fears on you. I think he feels as though he has failed as a prime and doesn’t want you to be the same.”
Rodimus hesitates for a long moment, the quiet palpable as all the attendees looks on in awe at their performance.
“Even if that was true,” Rodimus takes a deep intake, “I’m still not as good as you.”
Thunderclash looks at Rodimus, his spark aching, wanting nothing more than to take him into his arms and push the rest of the universe away, the universe that let Rodimus believe this about himself.
“No,” Thunderclash decides to ditch the script, “You’re better. I could never do what you’ve done here on the Lost Light. You’ve given people that didn’t quite fit a home, a place where they can be themselves. I was able to lead people in the war, I’m a good soldier, a law-abiding citizen. When the war was over, that was it. I didn’t know what to do so I just did whatever came my way. I didn’t fit anymore. You know exactly what to do. Your amica found you a ship, you found the next big adventure. Along the way you’ve done so much good, helped so many people and shown them they don’t have to be soldiers anymore. That’s why I’m here, because of you. On this ship, piece by piece, I’ve been able to figure out who I am again.”
“You… really mean that,” Rodimus looks up at Thunderclash with wide optics.
“Of course I do, I love you,” Thunderclash drop the datapad and takes Rodimus’s servos in his own the other datapad having been already forgotten during Thunderclash’s speech, “I’ll follow you so long as you’ll lead me. I’ll go anywhere so long as you’ll have me. I’ll do anything to show you I really mean it when I say ‘I love you.’ Please, at least believe me when I say I don’t think you’re a failure.”
Rodimus doesn’t say anything, he just looks up at Thundeclash in complete disbelief, unable to process what just happened. Just when Thunderclash thinks he’s messed everything up and begins to pull away, he’s suddenly pulled down. He exclaims in surprise then Rodimus is kissing him and nothing else matters. He holds Rodimus close and sighs at the feeling of soft lip plates against his own, feeling dizzy from his surprise and amazement. He didn’t think it would happen but here Rodimus is: kissing him with servos on his helm and humming with content. A rumble erupts from his engines suddenly and embarrassingly making him pull away to look down at Rodimus apologetically due to his involuntary show of excitement. Rodimus just laughs and Thunderclash finally registers the deafening cheers that surround them. First Aid is giving him a thumbs up and Nautica looks on with a dreamy look in her optics.
“Thunderclash,” Rodimus pulls his focus from the crowd, “same.”
Now it’s Thunderclash’s turn to laugh as he pulls Rodimus in for hug, his Rodimus, his captain, his love.
First Aid looks on as Rodimus whispers something to Thunderclash that makes his optics go wide before pulling him along out of Swerve’s followed by whoops and wolf whistles. He shakes his helm and laughs, pleased by how much better it all went down than he was hoping. Ambulon bumps into his side affectionately catching his attention.
“Shame your big finally wasn’t actually read,” Ambulon teases.
“That was way better than anything I could have written and it was from the spark so all the better,” First Aid shrugs and sips his drink that he finally got from Swerve.
“Seems like they aren’t wasting anymore time.”
“No,” First Aid laughs, “They certainly aren’t. I don’t think we’ll see our captain anytime soon.”
Ambulon turns First Aid’s helm to look at him and leans up to press a chaste kiss to his lip plates before moving away only slightly.
“You know,” Ambulon says quietly, “I think you deserve a reward for getting those two idiots together.”
“Oh yeah?” First Aid plays along, “And what do you have in mind for my reward?”
“That new berth you bought for me still hasn’t been properly broken-in yet,” Ambulon says in a low tone and rubs a thumb along First Aid’s faceplate.
“We better take care of that,” First Aid leans in for another kiss.
“We better,” Ambulon agrees once they break apart.
122 notes · View notes
emphasis-all-mine · 6 years
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How do you not get discouraged about your writing? I'm trying to write a fic right now and I'm only 2k words in and it is soooo hard not to stop every five minutes and go "wow this sucks" because I have no one to tell me otherwise :/ I know it's different for everyone, but I was suggesting how you might cope with these feelings?
Hi Anon! This is going to get long… I hope something here will be helpful to you. If you want to, I’m always happy to answer messages if you need some real-time advice. Not everything here will work for every writer, but hopefully I can get your wheels turning. :D
So like I think every writer here, we absolutely 100% get discouraged. For me, I take a breath and allow myself to write things that suck. I say “this sucks… but fuck it, I will fix it later.”
I think we sometimes have this weird image of writing in our heads as not being a process that includes editing, collaboration, and revision. We have this image of a writer typing away in a fury, just spinning straw into gold the first time around. So then we think, if it’s not perfect NOW it will never be so why don’t we just give up? Ugh, I fight that voice all the time telling me to delete everything because it’s not perfect right away.
I tell that voice to be QUIET and I write things that suck.
What you’re writing now might not be what you end up posting, so you can fix the sucky parts later. Is the scene dragging on and you want to skip ahead to a different one? Fucking go ahead! I get stuck in a scene and I just say screw it, and I leave a place holder like this:
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It’s okay to write out of order. If there’s a scene you can’t wait to write, but it’s at the middle or the end? Just write it. Don’t worry about where it goes yet, you’ll add in the transitional stuff when you have a bigger picture of what it’s going to become. In fact, writing out of order is how I’ve written some of my favorite things, and it helps jump-start my brain to start adding in the stuff that goes around it.
My advice would be to write through the suck, and own the suck. Or if you need to, open up a new blank document, and call it a “scrap file” (I call mine “garbage file” but I realize that name might sound a little harsh). If a paragraph or a scene is wonky and making you want to delete it? Put it in the scrap file. Don’t throw away something you put time and effort into, but it’s okay to cut around a rough edge. You might be able to look at it better when it’s on it’s own, and see how to re-work it into the story. A lot of my scraps usually end up coming back in later on, but it eases my mind to have them out of the way for the moment. Like de-cluttering a messy workspace. And a lot of times I find myself racing for my garbage/scrap file because I finally found the part where that scene works better! And yay, it’s already written I can be lazy and just paste it back in!
Writing is hard, and the easiest thing is to just not write. I applaud you anon, you have 2k of SOMETHING! That is awesome! You might end up with 3k when you start editing it! Editing seems daunting but honestly if I think about it, it’s way easier for me to edit than write the piece. Editing allows me to fix the things that made me want to stop, and I don’t have to create anything from scratch, I have the stuff already written, just waiting for some love and polish. Editing can also mean adding to something, not just deleting or fixing your grammar. Editing for me, sometimes includes adding a whole new section or part or dialogue that finally fixes what I was having problems with (much to the chagrin of my beta who might not see it before I post… whoops…)
You’re sewing a patchwork quilt, pieces can be cut around, taken out, fixed and put back on. Pieces can be already done and waiting for you to get to them. Don’t worry about the quilt as a whole. Take it one piece at a time. I’m cheering for you. Send me a link when you’re done, I’m happy to give it a look! 
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mottlemoth · 6 years
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Leave it to me to go offscript, but my question isn't on the list, and it's one I've been meaning to ask. What's your writing process like? Do you write fairly clean drafts that require a minimum of polishing? Or are they akin to vomiting words and require several passes to edit, tighten and polish?
Redsie, my darling, I would go offscript for you any time.
My process, and how much editing I do, varies dramatically from chapter-to-chapter and day-to-day. I’ll try and go through this in detail, in case it’s helpful for anyone. 
And I’m popping this under a cut for the sake of people’s dashboards.
As a general rule, a chapter will take me several sessions of work. When I settle to write at the start of each session, I usually start by reading back through what’s there. I’ll tidy up any typos, watch out for repeated words (Mycroft whimpers a lot in my first drafts) and just give it all a gentle fluffing while I get cosy again in the sound of my own voice. 
When I’ve finished a chapter (or a short story, such as Kit or Diogenes) I’ll then close the file and let it sit overnight - or ideally for a couple of days - while I work on something else. 
It means that when I reopen it some time later, to get it ready so that you guys can have a read, I’ve slept and I can process it with a clean brain.
I then read my way through, listening for ‘pings’.
‘Ping’ sounds when a sentence doesn’t read quite right just yet. It flags up something that seems a little clunky, a little laborious, a repeat of something that’s already been established, or something a bit too fluffed-up and melodramatic. A lot of my personal ‘pings’ can be fixed by shifting something into the active voice, or by taking out unnecessary adverbs - or, if it’s really vexing me and I can’t work out why, it sometimes turns out I don’t want that sentence there at all.
So I brush my way gently through the chapter, combing out pings, watching for repetition, spotting touch-ups I could make. For example - recently I’m more selective with my adverbs. I’ve been running sentences through my mind with the adverb, and then without it, and quite often it turns out the sentence is happy without it. (If I like the adverb, then fuck it - the adverb stays. It’s my story and if Greg fucks the guy gently, he’s going to fuck him gently.)
I’ve also recently been looking out for ‘ping’  when I’ve used ‘-ing’ forms of a verb where the simple ‘-ed’ form would do. (”Mycroft was searching through the drawer.”) If I get a ping reading that (and sometimes I won’t! And it’s fine!) then I’ll trial ‘Mycroft searched through the drawer’ - and if that seems tidier, I’ll replace it.
I do things like try and keep dialogue to three or four sentences/utterances per go. (“Are you serious, Myke? We already ate there last week. I’m so sick of noodles.”) I saw it suggested somewhere as a tip, and I tried it - and I think it’s nice. So I use it now, unless it’s inconvenient - in which case my dialogue chunks will be as long as I like.
An important part of my editing process is the saving of cut bits. 
This is vital for me. 
I have files and files of them - sentences, paragraphs, entire scenes, entire chapters. I don’t ever delete a thing. I worked hard on those words. They’re good words, and I’m glad that I wrote them. Just because they don’t fit in the finished version of the story that I want to show you guys, it doesn’t mean that they’re bad words. So they go safe into a file to be kept, in case I want to use them some day.
If the brushing process was tough, or it took a while, I might put the chapter away again for another night. 
Essentially, when I can read through it all without sensing pings, just happily following along with what’s happening, I know it’s ready for you guys. Onto AO3 it goes.
All of this assumes that the underlying actions and events within the chapter are fine.
Which brings me onto The Case of Excultus.
I cannot begin to tell you the amount of editing (and trouble) that has gone into some sections of 'Skultus.
On two separate occasions, I’ve developed seriously swampy feelings while drafting, wondering why I’ve slowed down, what’s wrong with me, what the hell’s the matter. On both occasions I realised after several days of fretting that scenes had somehow been delivered to me (and I’d written them down) in the wrong order. Something in chapter twenty-seven actually needed to go in thirty. This bit from chapter thirty-one needed to go into twenty-eight. TJ can’t say that bit there; but without that line, that whole section can go four days back in time, and then it makes more sense.
(If you’re interested, the major turbulence struck chapters 27-32. I’ve undergone further problems in 41-44.)
Excultus has been a lot of work at times. This business of plot events in the wrong order has never happened to me before. I’ve also had to rescue Mycroft from several inconvenient mental breakdowns. I’ve had to wade into the two of them having furious arguments, and zap entire scenes to prevent it happening. I had to stop them having sex four times before they were allowed. I’ve had to take entire sex scenes out of the latter chapters, scenes that I adore, because they were too funny, too light - because they’re not fitting with that low thrumming cello you can all hear.
East End Boy wasn’t like this. I have very few cut bits from East End Boy - and they’re all cosmetic things, phrases and sentences and paragraphs, rather than entire 5000 word chapters like Excultus. 
At times, Excultus has been like vomiting things up that turn out to be something I haven’t even eaten yet. Or vomiting things up that are just the wrong type of vomit entirely. 
Some sections were breezy - especially the earlier parts. All they needed was that gentle brushing. The events happening were fine; character reactions to them were fine; everything was okay to go.
But the rest has sometimes felt like putting myself through a mangle.
It’s wholly worth it. 
Entirely worth it. 
The more work I put into ‘Skultus, and the more problems I surmount, the more I adore it. It’s been a vicious little snake to me at times. Weird things have happened, things I don’t understand until chapters later. I’ve loved every second of it.
I’d hate for anyone to think I slide this stuff out of nowhere.
But at the same time, I’m frankly horrified by the way some writers talk about editing. All this ‘slash things up’, ‘kill your babies’ crap - ‘delete at least so much of the first draft’. ‘Never use adverbs’.
No. 
Nonsense. 
Not helpful, not okay.
And not true.
Editing is brushing. Grooming. Gently working tangles out of this beautiful thing you have made, so that it’s smooth and easy and enjoyable for people to run their minds through. 
Even in the worst case scenario, when The Powers That Be decide to send me entire sections of story in the wrong order, it’s been utterly fixable. It just takes some time to think, a deep breath to say, “Okay, something’s not quite right here,” and the courage to wonder. 
“I wonder if Myke really needs to react that angrily.” 
“I wonder if I could replace this bit with a text conversation instead. That might be simpler, and fun to write.”
“I wonder if I have this discussion with Luke come earlier, then the scene later doesn’t need to include him and it solves the issue of why they’re at Scotland Yard. They can be at home instead.”
I’m ultimately a believer that you should write the things you want to read.
You should write your own favourite stories, and you should write them the way you want them to be. 
When a work is finished - finished for good, and I’ve written ‘The End’ - I’m far more inclined to leave it as it is and begin a new project, than start suddenly ripping up the foundations and changing plot or structure. I’ve been there, and it hurts. I’ve never seen it work out for the better, either. I’d rather start something fresh with what I’ve learned, than get into making huge changes. 
When the house is built, you can only amend so much. 
So you’re worried that you put the porch on wonky - that’s fine. Now you know how to make porches. Put a really posh one on the next house.
I wish I had a ‘just written’ chapter and a brushed one to show you all. I’ll see if I can remember to do that when I’ve finished Chapter 47.
This has become a very long reply - to a question I could probably have answered with ‘a bit of both’. 
I just remember the person I was several years ago, and how desperately she needed to hear this. The word ‘editing’ used to paralyse me to the heart - because I thought it meant taking a sledgehammer in both hands to the thing you love. 
It really doesn’t. 
It’s about giving it more love - stroking through to spot those pings, working them out, and reminding yourself how well you’ve done.
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