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#many incoherent thoughts
mstrchu · 2 years
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the copium from this finals szn.. funniest character ever
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obsidianbit · 7 months
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I know I joked about how there was no reason for Izzy to be shirtless in that scene (and I stand by that) but I think it is really interesting how he is bare-chested. His leathers are a part of his image and reputation. They are part of what marked him as Blackbeard's. But more than that, they represent armor - in taking off his leather armor, he is bearing his vulnerabilities, and more precisely, his heart.
When Izzy is training, he isn't in his room. He is in a communal part of the ship, where, presumably, any one of the crew could enter. When Stede enters, he doesn't become defensive at being found in a vulnerable state. Instead he says "I'm having to relearn the basics with one leg." He openly admits to his weakness. He is the best sword fighter, that is his reputation, how he defines his worth (in his use as an incredibly fighter), but he didn't lie about the struggle of having to adapt to one leg. He didn't even try to down-play it by saying he was adjusting or refining his sword fighting with one leg. He outright says he is relearning.
Then (the showoff) Izzy demonstrates what he has been practicing. Now, he has just said he is relearning it - we can assume that he was better at this before he lost his leg. He shows Stede (who, to be fair, Izzy would know would probably be impressed regardless) something he is still working on. Not something he has perfected.
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Then he turns his back to Stede. Without his armor on, having just admitted to a weakness.
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Even when he asks 'but what did he say about me specifically,' he is showing vulnerability. His heart (and great tits) are in the middle of the shot when he shows Stede that he cares what Blackbeard has to say about him.
The lack of Izzy's leather armor/vest, and showing his bare chest (is much appreciated) is symbolic of his trust in the crew and in Stede. He shows his vulnerabilities and his shortcomings, when previously he never would, for fear of the crew losing respect for him.
The crew has seen him at his lowest, and came together to support him, showing him that he was a part of the crew and that they cared for him, not just what he was useful for, which is something that Izzy has ever experienced before.
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This is not a man who expected kindness at his lowest point.
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This, however, is a man who has found purpose because his crew cares about him.
Izzy took off the all-black leather armor which defined him as Blackbeard's, and in doing so, he showed his heart and his trust to the crew.
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beybuniki · 17 days
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one must imagine post-war deku and bakugo rekindling their friendship through fishing trips
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seaquestions · 9 months
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i stg nobody cared abt oppenheimer until it got lumped together w/ barbie. like i coulda Sworn the vibe was “this looks boring/why would you make this” and then all of a sudden its like teehee animal crossing x doom eternal all over again but like. its abt the fucking atom bomb. girl have some integrity.
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tojisun · 6 months
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more dbf!price x reader thats super self-indulgent bc i luv him // prev
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john gets the message late in the afternoon when the sun’s rays are dwarfed by the endless expanse of grey and he knows you should still be in class, focusing and not being on your phone (or laptop? you did tell him once you can send him a message through there). 
he dismisses mactavish without a second thought, telling him to just write up a report and that john will read that instead. mactavish quirks a brow at his commanding officer before nodding with a little awkward wave.
the man isn’t even completely out of the office when john swipes at his phone, tapping on the notification tab and roving his eyes at your short message.
> i miss you :( 
his heart aches at seeing it, his lips wobbling into a small smile which he has to smother behind a rough palm. it should be silly how happy you’ve made him with only three words, but john doesn’t care if it makes him look like a fool – he is proud of what you do to him; what you reduce him to.
he ignores his trembling fingers as he types up a reply.
I miss you more, sweetheart. So much. <
he chuckles at seeing the barrage of heart emojis that you sent in response.
see? look how precious you are. how can he not be giddy of you?
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seaweedstarshine · 4 months
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“They engineered a psychopath to kill you.” “Totally married her. I'd never have made it here alive without River Song.”
Sources: Let's Kill Hitler, Diary of River Song: My Dinner With Andrew, Closing Time, The Husbands of River Song, Diary of River Song: The Furies, Diary of River Song: Animal Instinct, The Ruby's Curse, Time of the Doctor
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Hey, can I hear about your shatterbird thoughts? She's always been my favourite member of the nine :]
[@faultlinescrew]
Oh I'm about to type for entirely too long.
Alright so a chunk of this is kinda headcanon, but any of that is fully based on canon. I had a giant fanfic planned that was literally an expanded telling of Shatterbird's life from trigger to death, and some plot points there may bleed into this unconsciously.
Number one favorite thing about Shatterbird is that initially, she did nothing wrong. She was unwillingly dosed with a Cauldron vial, and her scream and subsequent exploding of Dubai wasn't her fault. She had no intention to hurt anyone, it was done entirely out of her control as she gained powers and she should not be blamed for her first time destroying a city. The thing is, that doesn't matter in universe. She's still going to be hunted down by countless capes because she killed an untold number of people with that scream. No one's going to just let her go because it wasn't her fault, because she's the only person who can be blamed. People want revenge for their loved ones, and I'm willing to bet that she had a sizable bounty. It's similar to the situation we see with Rachel, where she can't have a normal life because she killed someone in her trigger and her identity is public, but on a much much larger scale.
I think the guilt ate at her so fucking bad at first. She killed her dad, her friends, her sister, her mother, countless others, and as much as it wasn't her fault she's still the one that did it. There's no way she doesn't blame herself for what happened, but when does she even have time to mourn? She's fled to a desert, she's gotta be struggling with food and water, and she's being hounded at every turn by people who want her dead. What's she supposed to do, let them kill her so she can atone for what she did or something?
I just love what a tragic backstory this is. She's one of the most horrible people we meet in canon, and I don't think it's unreasonable to say she has one of the highest body counts on Earth Bet, but she started as someone innocent and desperately trying to survive. And as much as I love this backstory and will defend to the death that she did nothing wrong at this point, it doesn't excuse who she becomes.
Shatterbird laughed.  “There’s only two ways to recover from something of that magnitude, to deal with the fact that you inadvertently killed thousands and thousands of people, and hospitalized twice that many.  You break, or you become it.”
(quote is from the missing interlude)
This is the quote that puts her entire character in a nutshell. The biggest question to me is... when did she become it? She implies in that interlude that it was rather quick, and that she went to Britain so she could hit a big target, but the Tattletale clone calls this out as a lie. She was running, the desert that she'd been in for months was unbearably loud with all that sand, and I think she was sick of living on the run. She wanted society, structure, something to make her feel human. I think she's full of shit saying she went there to destroy it, some accident or desperate confrontation occurred (timeline fits well enough for it to be a result of the Simurgh's attack, but that's just one possibility) and she broke London just as bad as she broke Dubai. What do you even do from there? Any slim hope of clearing her name is gone, she just has to keep running and try to ignore the guilt. And she ran to America, where the Slaughterhouse Nine found her.
The recruiting of people by the Slaughterhouse Nine fascinates me, because most are unwilling to join at first. Unfortunately the alternative is to die. No one in Brockton Bay was jumping to be the lucky winner, and the only people we know nominated themselves are Cherish and I think Siberian. Shatterbird (ever notice how she's the only S9 member with no canon first name? drives me nuts) was dragged into the recruitment process with no say in the matter just like most everyone is. Someone in the Nine found her, thought she would be a good fit because of London and Dubai (and how would that feel, to have someone on the S9 see you as just as bad as them?) and even if she explains that was on accident... what does it matter? It never matters that it was an accident. It never will matter. It's just something that she can tell herself to keep her sane.
So she's doing the fun little tests, I'm actually very curious how she altered herself for Mannequin's since he always does the same test, she's a very vain person, but that's off topic. Atrocities, horrors, being hunted by the Siberian, and suddenly she's at the end. Her and someone else.
“That’s not really a test,” Shatterbird spoke, “There hasn’t been a round of testing since I joined the group where we didn’t whittle it down to one candidate.” “We could forego the final test, pitting them against one another.” Shatterbird turned to him, “Ah.  But, again, the last test where we had to go that far was… mine?”
And she kills them. Dubai, London, those were accidents. This was on purpose, maybe even the first time she's done it on purpose. She could either break and decide she couldn't live with herself as a member of the nine, or she could just as horrible as everyone sees her. All her choices were rigged, there was never much of an opportunity to get better since so many paths closed off to her, but she voluntarily chooses to get worse. What's the point in holding on to the fact that it wasn't her fault at the beginning? She's never escaping what she did, so she'll become the monster everyone sees her as. You break, or you become it.
And there's not much of the more sympathetic side of Shatterbird in canon (partly because her backstory chapter was removed). She's fully embraced herself as a mass murderer. She revels in the attention, the fear. She parrots Jack's philosophy as a way to feel better about what she's doing, and eventually she doesn't need to feel better because she enjoys who she is now.
I don't know, I rambled for a while there but it boils down to me being fascinated by the circumstances of her gaining powers, and the shift from innocent but hated/feared to making damn sure that fear is justified.
Ok, so moving on from the backstory analysis, other miscellaneous details. Fuck it, I'm putting every thought I have on Shatterbird in this post.
She's the Nine's primary recruiter! Woo, good for her. Notably, she recruits Burnscar. Mimi is in a similar position to Shatterbird's past self with the whole involuntary mass destruction, although on a lesser scale (it'll always be on a lesser scale, Shatterbird has the worst trigger event out there in terms of consequences and she didn't even trigger). Mimi was on the streets and trying not to use her power, and Shatterbird scooped her up into the Nine.
“I- before I knew it, the Slaughterhouse Nine had found me.  Shatterbird recruited me.  And now I’m stuck.  I’m trapped.  You know there’s a kill order out on me?  If I try to quit, either the Nine or the cops will off me.  So I keep going, I work for them, and it all just gets worse.”
It's a situation Shatterbird can very likely relate to, but she's perpetuating it and making Mimi suffer like she did. No sympathy, no helping someone get through it and avoid the pitfalls she fell into, she's dragging other people down with her like a crab in a pot. Worth noting that I believe she's still bitter about the hand she was dealt even if she's embraced where it led her to, she remembers how horrible it was to be forced into everything and she does not care if she inflicts it on others.
But if someone else willingly joins the Nine, she takes it personally. Cherie says Shatterbird hates her, and that's because Cherie chooses the life Shatterbird was locked into. She's bitter that she never had that choice, and so she makes sure Cherie understands what it's like by chasing her for days for her test, not allowing any rest or sleep. However, this could also simply because Cherie sucks and is an unpleasant person to talk to, and Shatterbird is stuck-up.
Another thing I like is Shatterbird's appearance of knowledge and elegance. She's trying to appear put together, confident, in-control, and to be fair she does a pretty good job, her costume and theming are great. But under that is someone violent and angry, she's keeping up appearances to everyone else but also to herself. The fact that she's always trying to keep up appearances, even when locked in a room and doomed to die with one Witness (haha get it) she's trying to make it look like she was calm and in control when her body is found, is what 100% convinces me exploding Britain was an accident. The Tattletale clone calls her out, and to me it seems like another attempt to seem in control by framing it as deliberate.
Anyway, my attempts to woobify a mass murderer aside, I also like that she was a spoiled rich kid before all this and her prim asshole attitude points to that. She quotes Edgar Allen Poe, she reads because it makes her feel better than others, she's just so pretentious and unpleasant and to be clear I love this as a character trait, it's fun and leads to her speaking in overdramatic ways.
“Then you should know, nearly-Tattletale, that I’ve spent too long in the company of monsters to be scared by words.”
She thinks she was soooo cool saying that.
I also want to look at the last few weeks of her life. She spends so much effort propping herself up as great and in control, only to be locked in a box and puppeted around against her will. Genuinely I cannot think of anything more humiliating and agonizing for her to endure. She has nothing to do but think as she's used as a marionette.
She had a long time to reflect on her life, to look back at how she got here and what she regrets.
But I think she spent it stewing in her rage, itching and planning to get violent revenge and keep hurting others to be respected. She's unwilling and unable to go back, she'll double down on this forever because this is who she is now. And because 99% of characterization for Shatterbird isn't in Worm anyway, I may as well toss in this minor AU summary by Wildbow. If she escaped, she would have started her own version of the Nine with Damsel of Distress and Trickster. There is nothing left to sympathize with or redeem Shatterbird by the time we see her in canon, she's simply past that point. Side note but Shatterbird + Damsel of Distress + Trickster as a team is perhaps the funniest combo ever and I really wish those 3 fuckers got to interact in canon. Weirdo assholes who dress up fancy and have a taste for theatrics as a murder crew, we were robbed.
I could analyze the Hookwolf interlude but I don't want to. I'm very annoyed that Shatterbird (still no first name) is the only member of the Nine to lose the fight against her recruit instead of appearing terrifying and unstoppable. How come Burnscar can solo Faultline's crew but 3 nazis can take out Shatterbird, who has way more experience? It's pretty uncomfortable to have the only member of the Nine who isn't white be the one that loses to nazis, while one calls her a slur in his internal monologue, in the interludes where everyone else on her team is introduced as a force of nature. I think we should just collectively agree to make this interlude not canon and un-retcon the Witness interlude. While I'm on the topic it's also a bit questionable to have Sophia and Shatterbird (no first name. I am annoyed by this) as the only named capes puppeted by Regent?
But that's not the topic I wanna explore. The topic is that Shatterbird is a great character and I wish that she had depth in the story itself rather than scattered through 20 different sources, because she's legitimately my favorite non-undersider in the story. There is a lot of potential to explore her, one could interpret her backstory in a less charitable way than I did just for an example, and I really think she's neat! She takes hurting someone in an accident and then becoming the monster people see her as, something we see a few times throughout worm, to its ultimate conclusion in terms of scale. That alongside her outer layer of intellectualism and pretentiousness, which I'm a massive sucker for as a trait, and she's just perfect. Did nothing wrong (citation needed). I love her and I do hope that at least some of the stuff written her makes someone appreciate her character more.
Ok! That was... 2.2k words about Shatterbird (no first name). Woo! If some stuff seems inconsistent between paragraphs here, it's probably because I wrote this in chunks over the course of a few weeks and my feelings at the time can influence my interpretation of things and my writing to feel different when read all at once and compared. If you think I'm woobifying her too much, cool. I think it makes her more compelling to examine how much we know was her fault and how much she shouldn't be blamed for, and making her have less agency makes her more tragic which I always like. If you actually read this to the end, thank you! Have a nice day!
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janewayintersection · 6 months
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I ... I really like how Kaidan is this man in his 30s who is confident and kinda quiet but exudes this aura of sureness in his words and actions - and then you have a strong presence in Shepard who is a leader, confident in their role as Commander, but not always sure of themselves when it comes to their subordinates/friends once the mantle of Commander comes off.
"Are you flirting with me?" - this line from Shepard sounds more like they're asking for confirmation that not only does a crew mate like them, but is interested in them. Interested in them, outside of the Commander title, and them as a person. Kaidan reassures them - even when he gets turned down the night before Eden, he still comforts Shepard.
I like that over the course of the series it seems to flip, where Shepard becomes confident in themselves in their work and relationships/friendships (much more out of necessity) and Kaidan falls more and more into this uncertainty with his personal connections, and most importantly, with Shepard. Just like Shepard, he doesn't compromise his work or his morals but you can see that on the personal side he's second guessing everything everything he knew about Shepard.
The ME3 romance is Shepard taking care of Kaidan the same way he took care of them in the first game. It makes me gush how much Kaidan gets back to his confident self from ME1 if your Shepard decides to pursue him again and how you build up that trust once more. Kaidan is much more confident in his relationship with Shepard, much like how he did to the Commander during the romance in ME1, and he allows himself to trust and be honest again.
Him asking if the Commander is flirting with him in the hospital? That's a mirror of what Shepard was doing - feeling - in the first game. Does Shepard feel the same way? Are they still interested after seeing him lose control of his anger at Horizon? Was he wrong to assume they wanted to end what they had?
I love me the dynamic between Garrus and Shepard (bros for LIFE), but there's something so wonderful about Kaidan saying he wanted to be that comfortable space, that safe person, for Shepard that just tickles my romantic side especiallg seeing how it looks like they swap roles by the time ME3 rolls around.
not to be too blunt or anything, but if i could make out with this ask and the meta you just wrote, i would. mwah. master craft. i am genuinely so honored and flattered you shared this with me - thank you! i literally never even thought about it this way before, but holy shit you are so RIGHT. right down to the fact that kaidan now technically outranks shepard as major in me3; he is a lot more confident in his profession and position as a leader in his own right. hell, its his main priority (up until the moment he decides to take shepard at their word during the citadel confrontation...).
it’s clear that romanced or not, shepard’s death hit kaidan and it hit kaidan HARD. no doubt that he recoiled back into his shell after that, and especially after shepard joins cerberus and causes a whole slew of misunderstandings, confusion, and people being kept out of the loop. it’s really, really sweet to see him bounce back after that.
even with a shenko that starts in me3 (with mshenko primarily, but also fshenko where the romance path is cancelled before it can even begin)… while kaidan never takes his shot in me1, and its directly stated that kaidan wants to avoid acting out of line with such a serious and professionally focused shepard (in his words, shepard was “always so focused on the work back then. the mission was everything,” to which shepard replies, “it’s true. i’ll never know what i missed.”). however, over the course of the plot he still manages to get shepard to warm up around him, becoming good friends w them and dealing with ashley’s death together.
so really, we’re back to our original parallel. kaidan was the one more assured in personal relationships while- wait. hold on. kaidan’s initial struggle in dropping formalities in this route could also be attributed to his uncertainty when it comes to working with shepard. this would be filed into kaidan being more uncertain when it comes to his work and interacting with his more ‘accomplished’ and emotionally constipated/serious commanding officer. SORRY. sorry. as i was saying, kaidan was the one more assured in personal relationships, while shepard was the opposite. and gah. GAH. taste. by design.
also, to add to your original take, his certainty in his actions are called into question in me3 too. he doubts his behavior towards shepard, he tries to sit down and think through the good people who were caught up in cerberus, he questions how the illusive man spiraled into the person he is and if he was ever a good person. its just good. sorry my thoughts are so jumbled and im just word vomiting as i write this reply. truly a failing grade paper on my part, i hope you dont mind!!
as for garrus, agreed! garrus feels like a really touching sort of “mentorship” ride or die comrades dynamic that builds over the course of the plot while kaidan definitely has the above mentioned parallels and has the “equals who can help bring out the best in each other’s weaknesses” thing.
also i made a meme just because of this ask.
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karl-raccoon-enjoyer · 3 months
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Idk I think it would be cool if AM looked like some horrible, mutilated, body-horror-esque thing if you need him to look humanoid but mostly he’s a large industrial building or a strange creature to me
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burnorgetburned · 6 months
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New teaser for Walpurgis no Kaiten!
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While the trailer itself seems unchanged, there’s a small bit added to the end with what appears to be Madoka in her Concept Movie outfit! With some very funky animation.
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lilysundragon · 11 months
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Crazy Anthem is quite literally the perfect Crazy:B MV and, even more importantly, a perfect Rinne center. I don't think anything else could have possible encapsulated Rinne better. He might seem brash and uncaring but that's all surface-level things, the persona he allows people to see. This MV is very specifically about the version of Rinne he allows himself to be around his friends and loved ones, the kind of person that would do anything for them. Enstars has made it a point to show just how much Rinne is willing to sacrifice for Crazy:B, the lengths he has gone to ensure that his unit can continue to be happy and silly. I couldn't imagine a better MV to showcase that than what we got. Having an entire MV of fun times with Crazy:B? That's the most Rinne thing I've ever heard
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masochistartt · 5 months
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thinking about them tonight (jamie tartt and roy kent)
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lamonnaie · 21 days
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this line !!!!!!
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fox-guardian · 2 years
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thinking now and forever about jmart clinginess
in the safehouse, Jon is the clingy one. after a good old fashioned What Are We talk, Jon goes in hard with the physical affection. not to mention, Martin's fresh out of The Lonely so he needs that grounding at times, though he's rarely the one to initiate it himself. he's happy to cuddle, but he still feels strange asking for it after. everything in his life. meanwhile Jon is sick of everything in his life and Dangit He Wants To Hold His Boyfriend, so he does <3 often <3 he hugs him from the front and buries his face in his chest, he hugs him from the back and buries his face between his shoulder blades, he alternates between being the little spoon tucked in Martin's arms and the big spoon clutching Martin protectively in his own. Martin is more than happy to indulge. especially since Jon likes to have his hair played with.
maybe at Upton House things are a bit different. Jon's clingy, but maybe a bit less so if only because he's wary of Annabelle. Martin's a bit more used to their relationship now, so he can stand to hug Jon from behind and press a kiss to the top of his head without needing to ask, sure in the knowledge that Jon would like nothing more than for him to do that.
somewhere else, Martin gets clingier than ever. arguments are had, things are said, but Martin still can't leave his side. and once things quiet down again and forgiveness is given as it's due, he goes back to hugging Jon from behind, though much more carefully now. his fingertips ghost around the edges of that scar on his chest before pressing his palms down gently across Jon's front. Jon leans his head back against his chest and smiles as if the scar wasn't there. as if Martin hadn't caused it. they go to bed and Jon gets in the habit of stroking Martin's hair as he rests his head on his chest, carefully listening in case a heartbeat disappears. Martin is practically glued to his hip, those days, and Jon would only ever mind it if he could see the guilt in his eyes. And if he could, he'd have Martin lay his head in his lap and stroke his hair until he fell asleep with his nose buried in his stomach.
eventually Martin is able to just ask for the affection he wants without guilt or apprehension once more. and by then they're both evenly insufferable in their displays of affection <3.
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ram-to-the-ham · 2 years
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Linked Universe but for some goddess awful reason Wild gets a twili form. And so the entirety of the time both Wild and Twilight are transformed it’s just this.
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I wholeheartedly believe that Wild would have a fox twili form, just because foxes are known to be cunning and quiet. But also insurmountably mischievous, (and stupid) and that is just the entirety of Wild.
(Also fox baby’s are sometimes called cubs-)
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lukesunbornn · 9 months
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still thinking about how elliot & luke are both entirely convinced the whole world is in love with their boyfriend. and also are both entirely right. elliot is funny & attractive & interesting & flirtatious & smart & a hero. luke is ALSO funny & attractive & interesting & smart & a hero. like those are the two most desirable men in the border camp tbh like they both catch your eye immediately and take up every room they walk into. and the best part is both of them think they personally are unloveable and nobody would ever want to date them because they’re not as cool as the other. dorks
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