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#makes drawing fanart for some of these things hard though. references............
blueywrites · 7 days
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'cause I ain't had nobody hit it like you hit it (2/2)
dom dealer!eddie x sub fem!reader inspired by @2jihiir0's fanart 'make it quick... baby's sleeping'. leave them some love! read part one here.
3.6k
cw: 18+. smut, references to hard drug use, unprotected piv, situationship becoming something more, shame kink, praise & degradation, pet names, exhibitionism-adjacent, eddie embarrasses the fuck out of reader but don't get it twisted, he's down bad, no y/n, no physical descriptors
an: sorry for leaving y'all on that little cliffie in the first part. I hope this makes up for it! 😉 also, make sure you check out the fanart if you haven't already - there are some specific allusions to it in this part, and it'll enhance the experience if you've checked it out. accreditation: I attribute those clever details to the very talented artist 🩵
now, enjoy the utter filth! xx
The sound is a bucket of ice water down your spine. Your back stiffens ramrod straight as your grasping fingers find the front of Eddie’s tank, fisting it up tight in a startled search for comfort. Eddie separates his lips from yours with a loud click, an annoyed frown already marring his brow as he cranes his neck to look around you toward the closed door. When the knocks come again in quick succession, there’s a split second you think he will tell you to get off him, and your stomach swoops with something just short of devastation. But Eddie doesn’t even bother asking who it is; he keeps cupping your cheek even as he barks harshly, "Busy, man. Go take a walk, come back in ten minutes." 
After a brief pause, you hear the creak of wood followed by the plodding steps of whomever had come calling descending the porch stairs. It’s somewhat of a relief, but the interruption has disturbed the haze you’d fallen into. You almost want to ask who that was, if Eddie’d been expecting any visitors or customers other than you, but you bite your tongue, not wanting to dampen the mood between you two even farther. As your heart keeps racing while you attempt to regain your composure, your eyes search his face. They flit about before being captured by deep brown, ensnared by the look he’s leveling you with. Eddie’s gaze bores into yours, dark with longing and mischief as if he’s daring you to defy him. 
As if he can see through your eyes straight down to your soul and all that it longs for.
The tension returns in an instant— sticky and hot as your thighs flex around Eddie’s hips, and the subtle shift reminds you he’s still buried inside. Your desire for him simmers like an ache low in your belly, plaintive and wanting. And he must read that on you, because despite the clock ticking down the seconds until his visitor returns, Eddie just has to tease you.
"Yeah?" His voice is a low whisper, a teasing challenge that sends a shiver down your spine. "S’like that, huh? You want me to make you cum now?" He glances up at the wall behind him, drawing your eyes to a row of scrawled lines— a tallied record of the pleasure he gives. It’s yet another way he’s found to rile you up, a reminder displayed in a place you can’t help but see every time you visit him. "And you think you’ve earned another tally?"
Your breath catches in your throat as you meet his gaze again. "Need it, Ed..." you whisper, your heartbeat rabbit-fast at the prospect of him really giving it to you.
His smirk widens, a flash of smug satisfaction dancing in his eyes. "Aww, baby needs it so bad," he teases, his tone laced with mock sympathy before it darkens. "You're such a fuckin' whore. But only for me, right?"
A heady mix of desire and shame courses through you, slinking through your veins, burning you up inside. Because, for all intents and purposes, he’s right: you are a whore, giving yourself to your dealer like this. And this thing between you and Eddie may be more than that to you— may be more to him, too, though you don’t know for sure— but on the surface, that’s exactly what you are. A whore, only for him.
It’s demeaning and nasty and so fucking arousing all at once. 
"Mhmm." A strangled hum of agreement is the most you can manage through your mortification. Even so, you know that won’t be enough for Eddie. 
"Tell me," he demands, his voice a low growl that makes your pussy flutter around him; his fingers tighten on your hip, blunt nails biting in, dimpling your softness. His expression doesn’t change, but you know he likes being able to affect you with just the sound of his voice and the things he makes you say.
"I-I'm a whore for you, Eddie..." you admit, forcing out the words though they make your face positively burn. "I'm your whore—"
His hand crawls into your hair, pulling you back, and you moan as your neck stretches tight. "That's fuckin' right," he says, licking up your throat. You gasp and tremble. "My good little whore."
The teasing is becoming too much; you’re so turned on, you’re nearly beside yourself. You need to move; need him to move. "Please," you cry, whiny and pathetic, your eyes prickling with frustrated tears.
It’s all part of the game, of course-- his casual dominance, your needy desperation. But a harsh exhale against your chin shows that Eddie isn’t as unaffected as he wants to appear. Without ceremony, the still-smoldering joint, only half smoked, is ground out against the edge of the wooden coffee table and dropped into an old bottle. With both hands now free, Eddie pulls you into his chest, his grip firm and possessive, his palms spanning great swaths of your back and his fingers stretched wide. 
Low and husky, he murmurs, "Hold on now, kitten.” 
Hastily, you wrap your arms around his shoulders as his hands dip, dragging down until his fingers dig into your bare ass cheeks. You moan quietly at the rough neediness in the gesture as he manhandles you up so he can slide himself down further on the couch, planting his feet wide on the carpet, his dark jeans and checked boxers pulling taut just above his knees. He’s still stretching you out on his dick, and you bite your lip at the duality of feeling: the dull pain where your skin dimples under his hands, the low pulse of pleasure as his shifting presses him deeper into you. 
You’re anticipating it, and still you choke on a gasp as Eddie uses his grip to slam you down onto his lap just as he thrusts up into you hard— once, twice, again, quickly setting a brutal pace that, if you weren’t so wet for him, would ache in quite a different way. As it is, this ache is exactly what you need— bruises on your ass from his blunt fingertips, burns on your knees from the scratchy cushions, and the battering of Eddie’s cock bullying deep into your pussy, making you feel so fucking good. 
He grunts as you dig your nails into the sturdy, smooth lines of his shoulders, holding onto him tight; you bury your whimpers in his neck, the sound muffled by the heat of his skin as he pounds into you with dizzying ferocity. But that just won’t do, because Eddie wants to see you— wants to see the way he wrecks you. Briefly, one hand leaves your ass to pull you back by the scruff of your neck. You whimper as you lose your hiding place but you don’t fight him, obeying despite the desire to burrow away from his discerning stare. 
"Just needed my dick all the way inside you, stretching this wet little hole out, didn’t you." Eddie chuckles, his gaze burning into yours with an intensity that makes your breath catch in your throat, hitching with every bounce of his thighs against your ass. "I know you did. You’re always so fuckin’ desperate for it."
You shift uncomfortably beneath his gaze, the heat rising to your cheeks as you try to avert your eyes, but you know he sees right through you. Every movement, every glance, every subtle shift of your body betrays the desire that burns within you.
Mercifully— or maybe unmercifully— Eddie goes on without expecting a response. "Comin’ over here, wearing your tiny little shorts, sittin’ on my couch, staring at me when you think I don’t see," he continues, his voice a low rumble that makes your scalp tighten as he leans in and murmurs in your ear. “No one else is givin’ it to you as good as me, huh? That why you gotta beg me for it?” As he mocks you, you squirm in his grip, embarrassed even as your pussy squeezes tight, your body betraying you with its unrelenting arousal. 
"Shit, you feel so fuckin’ good," Eddie mutters quietly against your cheek. "Love your little pussy." 
You go boneless on him as the embarrassment mixes with adoration. You tuck your face against his neck again, and this time, it’s not to hide. Your hands snake down his tank to claw at his back, nails dragging lines across his skin as you press sloppy, open-mouthed kisses over his throat, lavishing him with the depth of your feeling. His words vibrate under your lips. “That’s right, just like that. I gotcha. My pliant little fuckdoll.”
"Oh," you moan, your voice barely above a whisper as you surrender yourself to him completely. "Fuck—"
"Could do anything to you, hm?" Eddie rasps, never faltering in his pace as he fucks up into you.
As your breasts rub against his clothed chest, your hard nipples quickly become oversensitized by the friction, spurring you to meet him thrust for thrust. "Yeah, yeah," you gasp, your voice trembling with need, nearly overwhelmed by his words and the feeling of his fat tip kissing that spot inside. He’s working you so quickly at this angle that you nearly see stars. "Whatever y’want,” you slur, well on your way to being cock drunk. “M’your good girl, Eddie."
He chuckles, amused and fond. "That’s why you get the free ride, babe,” he tells you. "Cause you’re just so good."
There is no deliberate thought driving you anymore, just instinct as you ride him with abandon— tits shaking, ass rippling, head thrown back, mouth open, fists in his hair, drool on your chin, arousal leaking onto his thighs. Your lashes flutter, eyes half rolled back as you start to ascend.
“Jesus Christ, I swear, you’re��” Eddie pauses, swallowing harshly, like he’s gulping back what he almost said. “You’re so sexy like this,” he rasps finally, breath ragged, biting his lip when you throw it down harder on him. “So sexy. All mine.”
My whore. My fuckdoll. Mine, mine, mine. That sentiment makes you bold. You summon all your faculties to pull your face back from his neck and tip your head coquettishly, looking down at Eddie like you own him and not the other way around. 
“Yeah, baby?” It’s a little breathless with effort, but still, you manage to sound sultry in a way you almost do not recognize. “You like that?”
Eddie’s pupils blow wide. He chuckles breathlessly, but he doesn’t look amused. “Go’n, fuck me,” he grits out, and his eyes are pitch black with desire, but as you keep looking down at him, there’s a flash of something else— something more akin to awe. “Fuck me like you mean it.”
And you do, more than you ever have before. The room collapses to nothing but the slapping of skin on skin— furious, sweaty, gasping plunges downward met with equally sharp upward thrusts that gradually have him sinking lower on the couch. By the time Eddie’s ass slips to the edge of the cushion, you’re slumped over him, hands squishing up his cheeks, lips mashed together, kissing like you need him to live. Each time he punches in, you keen like a wild animal, the sound garbled and mixed with his low, rasping whines. There’s salt in your mouth and you don’t know whose sweat it is, his or yours. Eddie’s breath puffs from his nose like he’s sprinting for his life; one of his damp curls tacks to your cheek as your bodies writhe together all slick, sticky, wet. You’re fucking each other so hard it almost hurts—
And then it does hurt, because on your next desperate bounce, Eddie’s ass slips off the couch, toppling you both to the floor.
Buzzing with adrenaline and on the knife’s edge of your orgasm, the fall only radiates dull pain for a moment before you’re over it. You lift your face from the carpet to see Eddie’s head all wedged up at an angle against the couch’s leg, his arms splayed, legs still caught in his pants and boxers like he’d tripped taking a piss or something. Your eyes hone in on his cock— wobbling in the air, flushed and slick with you down to the matted-curl base, miraculously still hard and, most importantly, entirely unharmed. 
“Oh, fuck,” Eddie groans, his face contorted in a pained wince. If you weren’t so close to cumming, you’d ask him if he was okay, but as it is, your only thought is to crawl on top of him and hastily throw your leg over his hip. Before he can even blink, you’ve impaled yourself on his cock, engulfing him in the heat of your throbbing pussy with a filthy, wet squelch. 
“Oh, fuck!” It’s a ragged moan this time as his mouth falls open, the cords of his neck pulling tight on an even more strangled sound as you go right back to fucking him like he asked you— like you mean it.
Pleasure returns in an even more potent swell as you consider how feral it is that you and Eddie are now fucking on the floor like animals. You’re making sounds of pained ecstasy, punching them out of yourself as you slam down on him until he’s hitting so deep you can feel it in the back of your throat. Your muscles are quivering, burning with effort, so much so that you can’t help but collapse forward, bracing your forearm against the edge of the couch cushion. You whimper as the move changes the angle, dulling your pleasure, but you can’t find the strength to hoist yourself back up while still chasing your orgasm— and you need to cum so badly now that you want to fucking cry. 
But Eddie’s got you. When you slip, he’s there the next moment tilting his hips, matching you thrust for thrust, hooking an arm around your back and pressing his forehead against your sternum. His skin is hot, sweaty and tacky, and his breath huffs ragged over your bouncing chest for a moment before he presses his face into the plush curve of your breast. 
And then you hear it: Eddie’s voice breaking as he moans out your name against your skin. 
Dizzying flutters burst in your chest just as pleasure twists violently in your belly, a throbbing ache you can feel pressing at your walls, clawing its way up to break the surface inside you. You heave a tight sob as you cum, back arched, neck straining, consumed whole by the intensity of the feeling. Distantly, as if through a tunnel, you register a brief flare of pain; your spasming pussy clenches around Eddie’s kicking length as the pleasure peaks at the sensation, breaking in waves that gradually gentle and then finally ease. And it’s when you collapse weakly against Eddie’s chest, quivering as his arms fold around your back, that you realize the pain you felt was Eddie’s teeth sinking into your breast as he came with you.
When you finally have the strength to open your eyes, you're both still breathing fast, Eddie's bare arms bunching up your disheveled tank and sticking to your lower back as he holds you, panting into your mouth. "Shit," he mutters, chuckling under his breath. "That was..." 
He leaves the sentence unfinished, but you understand his meaning. It was really fucking good— better than usual. And maybe it was because there was a thrill in trying to finish before his visitor returned, but maybe... maybe it was more than that.
“Even the part when you fell on your ass?” You whisper, smiling when his eyes crinkle.
“Sure,” he offers. “Even that part.”
You hum, nudging your nose against his, and when you pull back, there's a strange glint in his eye— something fonder, sweeter than it had been before. You smile at him again, and maybe he sees something in your gaze too, because he doesn't kiss you filthy, nor peck you as a quick punctuation to your fucking. Instead, he strokes back your hair, his brown eyes darting down to your lips. And as he leans in, your heart thumps—
That infernal pounding starts up again, louder this time and accompanied by the muffled sound of a male voice calling impatiently, "Hey, Eddie, open up— I ain't got all day, man!"
Your stomach lurches. Has it really been ten minutes? 
Not that it matters, you berate yourself, ‘cause he’s back, and you’re still naked on the fucking floor. You dismount Eddie quickly, collapsing down to all fours so you can reach for your clothes where they’re bunched under the other side of the couch. As you scramble to your feet, tearing your panties and shorts up your legs, you hear Eddie curse quietly under his breath. 
"Gimme a goddamn second!" he snaps, still lying on the ground, lifting his hips and shimmying up his boxers with a level of nonchalance that belies the urgency of the situation. 
You climb onto the couch, your chest heaving from adrenaline and exertion as he pops up in front of you, hopping several times to get his tight jeans the rest of the way up. He flops down on the other side, spreading his legs comfortably, seeming content to just let his belt hang open like he can’t be bothered with it. You glance at him skeptically to see he’s already looking back at you with the same expression, though his is also tinged with some amusement. It takes you a beat to realize why, but when you do, you rush with prickling panic. Because your top’s still rucked up around your collarbone, leaving your bare tits, complete with the new impression of Eddie’s teeth, on full display. Miraculously, you manage to yank it down just as the front door knob twists sharply.
And then, to your horror, the door pops right open.
Your jaw goes slack as a guy around your age— rail thin and pale, dressed in an oversized flannel and a ratty pair of jean shorts— steps into the trailer. Eddie grunts a casual greeting, nodding at the visitor as he lopes up to the couch just as casually, slapping Eddie’s lazily outstretched palm like they’ve done this a million times before. You’re still attempting to process the fact that the front door has been unlocked this entire time when the guy casts a cursory glance your way, his eyes quickly flicking you up and down. You snap your mouth shut, your lips pressing into a flat line as you pull your legs up like they can shield you from his appraisement.
“Hey, man,” Eddie says, cracking his neck to the side. “How was that rock I hooked you up with last time? Good shit, right?”
Obviously a customer, then. You try to ignore the exchange, but you’re inescapably conscious of the fact that this guy could’ve walked in on you and Eddie fucking at literally any point in time. That awareness prickles as you shift, trying to mimic Eddie’s casual posture, though your attempt fails miserably as you feel a small gush of wet warmth leak between your thighs. You blanch as you realize Eddie’s cum is probably dampening your shorts; quickly, you adjust your legs, hoping to conceal the telltale spot. But your traitorous mind can’t help but consider how you likely look— hair mussed, lips swollen from Eddie’s kisses, one strap of your stretched-out tank top sagging down your arm. Like I’ve been totally fucked stupid, you think sourly, casting a flat look toward Eddie who, aside from a sweaty face and lips that are just the slightest bit puffier than before, appears no worse than normal.
Your fingers tap an impatient beat against your knee as you wait, eager for them to finish up so this awkward situation can be over already. The exchange drags on until the guy is finally pocketing his product as Eddie counts his money. 
“Alright,” Eddie says at last, leaning to one side to stuff the bills in his pocket. “Pleasure doin’ business.” You hold in a relieved sigh as he jerks his chin up in a nod, flashing his customer a friendly look that’s half warm eyes and half sharp teeth.
The guy’s about to turn toward the door when Eddie speaks again, and the feigned innocence in his tone makes your stomach sink.
“Oh, shit, almost forgot—”
His ringed hand stretches out, rooting around on the messy side table for a moment before snatching up a ballpoint pen. Your eyes widen in disbelief as he glances behind him, casually reaching up and scratching another line into the wall— drawing everyone’s eyes to the tally marks and, in particular, to the words written above them.
Cum counter.
All you can do is stare at Eddie, utterly at a loss. "Now get the fuck outta here," he says to the guy, his eyes never leaving yours. "My baby's tired, and it's time for her nap." 
And that motherfucker smiles at you— so wide his cheek dimples.
Not his whore; not his fuckdoll. His baby. Your heart swells behind your ribs even as your body heats several degrees with mortification; the customer’s long gone before you can decide whether to kiss Eddie or kick him. 
It’s a decision you’ll have to make a lot from now on.
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inklessletter · 9 months
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Congratulations, first of all, for reaching the milestone 💐💐💐 you deserve every single follower, and then some. Your art is always so pretty and I love how you bring us along during your process.
Secondly, would you like to make art based on this fic of mine? I'm thinking right at the beginning, when Eddie falls to his knees on stage and he and Steve have their "moment".
Thank you for hosting this fanart party ❤️
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Steve tilts his head, and Eddie prepares for a kiss. He gets no lips, only tongue; Steve licks his mouth, from one corner to the other.
🎸🎸🎸
@2btheanswertothequestion
This one was SO MUCH FUN TO DO. I had trouble finding good references for the ambiance, but I love the result. Please, go read the fic, it's so good.
I know that I don't know many of the users that sent me requests a few weeks ago, but I've got a tiny story to tell about this one (I'm getting to know you little by little and I'm falling for every single one of you, you talented fuckers). They are the reason I am in Tumblr. It happens that I created an account many months ago, and didn't know how to use this, I just clicked "follow" to the tags and the blogs ST/Steddie related that posted fics and arts, and on my way to work, in the bus, I read the first chapter of a fanfic that made lose my stop (literally, I got late to the office that day).
Sad thing is the next time I opened the app, the fic was gone. I just remembered a few things and god knows that the search bar in this site works... well, works. Sometimes. I couldn't find it. I made it my personal goal to actually find this fic again, and this user, whose name I didn't catch because, again, I didn't know how to use Tumblr. This user pulled a full Cinderella on me, reading with intent every fic until the shoe fit. And I found it by mere coincidence, because they posted the third part, and I was like "WAIT IS THIS IT?". And it was it.
In the meanwhile, I actually completed my account, like you know, trying not to make it look like a bot (that I learned that it was a bad thing that could get me blocked), I put a profile picture, I made it decent, I learned how to use Tumblr (a bit). So, you see. This user, my beloved @2btheanswertothequestion is the one to blame that I actually stuck in this place. If you're wondering which one was the fic that got me so hooked up it was November Paramedic. (Here the AO3 link). Go read it, you're gonna love it.
(I'm kinda mad that they didn't asked me to draw the actual picture of the calendar, though. I have some ideas, I might draw it the future, because when I say that I hold this fic very close to my heart, I mean it.)
I really, really hope you like it, I worked hard on it and I did this with every bit of love stored in my heart ❤️❤️❤️
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tmntkiseki · 3 months
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I'd say it's been probably... almost two months since I became an active participant in the TMNT 2003 fandom? And while there have been some ups and downs, overall I have been enjoying myself.
The biggest adjustment is the size. Most of my previous fandoms have been relatively niche JRPGs and while TMNT 2003 isn't the most popular animated TMNT iteration, the fanbase is still much, much larger than what I'm used to. More people talking, more fanart and fanfic being posted, and definitely a lot more, ah, discourse. Not that discourse wasn't a thing in my smaller fandoms, but I stumble across it quite a bit when browsing tags, and there's also a lot more variety to it as well. It really is weird what kind of stuff people will get their underwear up in a bunch about.
As far as interacting with other fans goes, I try to keep a relatively open mind when discussing the show and characters. I know some people can be very trigger happy with their block buttons, but I try not to block people simply because they disagree with me/I disagree with them. If I were to block someone on the grounds of their opinion being different from mine, it would be because they were being aggressive of how right they are while I'm completely wrong to the point of literal harassment over whatever is being discussed. Which, you know, fortunately I haven't had to do something like that yet. Most people have been very kind to me thus far, even when there were disagreements.
I am pretty happy with how things are turning out, even though it was a bit rough in the beginning when I didn't know anyone and felt like an outsider. A lot of people have expressed thanks for the fact I've been posting the official model sheets and concept art from the show, and as long as people still want them, I'll keep uploading them until I've run out because hey, I can personally confirm that the turtles are fucking hard to draw, and even the lowest quality reference can do wonders. This is also the fandom that inspired me to dabble in video editing and gif making; still not the best at either of them, but much like art, it's a learning process and the most important thing is that I'm having fun. My brain hasn't been this entertained learning new techniques for making things in a while, even if it can be frustrating at times. (Those damn shells are the worst to draw, man.)
So.... Yeah. All I can really say at this point is thank you to everyone for making this fanbase experience enjoyable so far. I'll probably be around for a while yet!
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intotheelliwoods · 9 months
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This is probably going to be the most boring answer ever, but you will see the aftermath of the whole portaling ordeal in the next biggish update! (I have one short comic to work on before I can get to work on all that can of beans... haha beans.) Yes this includes brothers and Casey, you are just going to have to give me some time here to draw all that! :)
@overthinkingintrovert-blue
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Big Leo doesnt really have a defined, singular nickname? Rather than just an assortment of old/fruit related nicknames! Sprout could never land on just one and had quite the arsenal of names to use! The new little fella Poptart, was also about to follow this assortment of nicknames pattern before Sprout gave him an idea of what singular thing to call him
Ha names are confusing... personally unless they are referring to eachother in the comics im just resorting to call them big medium and little pfft
@marnerlue
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Yes!? I would not be going out of my way for a whole arc 2 ordeal if it wasnt cannon! If you are lost on the timeline, feel free to look at this post!
To be fair though, what is cannon, really. If you really want you could just accept this comic as the "true" ending, since it was the original ending I had in mind when I first started the series, everything past that is optional tbh but everything past that is what im going to be working on for the rest of the series so...
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Funny story! Its one thing to get hyperfixations, its another to get, hyperfixations within your hyperfixations? 2AL is my hyperfixation within my hyperfixation within my hyper- point being this ADHD brain has no other ideas. One show pony but its a one AU brain. In fact its a bit hard for me to even focus on other peoples aus because of that hahah whoops-
I say that since again, this whole comic started by accident???? And I have no clue if that luck of just, pure inspiration and motivation will ever happen again ha
+ Whenever I do finish the series (in like, 3 to 5 months maybe?), I for one am very excited to relax and go back to just making fanart for other people, no au to worry about, oh the peace of mind-
Who knows, maybe inspiration will accidentally strike again though, but its def going to be after I finish this series!
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ASBDKJABSDNH!!!!!!!
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utahlive · 1 year
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This ask isn't directly for Wilbur or the blog, but rather the person who runs this. A bit of an ooc ask about world building and expanding this universe since I'm invested
Are we as the audience perceived as people in this universe watching this show/documentary about Utah at our homes, sending in questions via telephone. Or are we just random people that show up in the gas station and keep coming back one by one at random times to talk about the "Dabi cosplayer". (I'd like the imagine the second one; just a but of faceless people pressed up against the glass outside asking the weirdest questions. Fits the vibe)
Do you, the owner of this blog, have a part to play in the universe? Are you the director to the show, a main camera man, or something else.
The fanart that's made for this blog, I'd like to imagine it's—again—just faceless people running up and slapping drawings they make on the convince store windows and running off, leaving the producers and Wilbur with it. Stuff like that :]
Im gonna be honest I said I was gonna do author q&a today specifically so I could answer this ask because I feel weird just answering it willy-nilly
I tend to be... pretty bad at storytelling. I always get wayyy too into my own head, and things get so complicated to a degree where only I can understand whats going on, which is something im obviously trying very hard to avoid. However I don't wanna sacrifice the story I want to tell, so I'm just doing my best here.
One of the biggest limitations right now is that I'm just struggling to explain exactly how the world works/the translation between "Utah" and irl/us. The biggest ones are time and what exactly is being aired, because obviously it doesn't take one whole day to answer two questions, but I don't have the energy to answer more than two q's per day. And of course the 'film crew' arent actually filming Wilbur while he's sleeping or anything like that, but it's hard to tell the story I want to tell without having scenes like that. Im hoping that things will get smoother as we go, but for now I've just been making it so that episodes that dont have 'transcript's in them aren't filmed (or have "artist rendition" notes), and lets say that even though its been over a month of answering questions for us, it's only been two or three weeks for wilbur.
As for what you guys are, you're viewers who are calling in from home! Kinda like a radio show. No one is physically showing up to the store or his house (that would be really funny though). I did have some scrapped ideas that I may bring back later about the film crew, but for now "they" dont have any deeper place in the story. I'm the camera man, I guess! I've been imagining it as just some guy with a camera in one hand, a headset to listen to calls, and a little paper pad to write down answers.
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There are 886 asks in the inbox right now! Not all of them are asks, some of them are just comments about whats happening (which I love, I <3 hearing what you guys think) but unfortunately I can't answer all of them. I have a general outline so whenever I do pick story/plot asks, its ones that fit that outline, and every other time I just try to be funny.
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nor/mal (jk. he/they/xe)
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I was typing out the whole story and reasoning behind the pictures I chose but it was getting way too long (because I ended up going down a rabbit hole). Basically I found an old blog from 2010 where a girl had posted a picture of her room, it was a very positive post so I didn't think it would be offensive to use it (also there's a comment from 2016 on the blog post asking if the image can be used as reference, no reply, the author of the blog has not logged in for years). The bathroom was made in the Sims 4/I used pictures of my own dorm bathroom
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smoked a blunt in the woods and thought about cwilbur's character arc a little too hard
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im shy 👉👈
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fucks me up that people continue to think about this blog after liking/reblogging
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justlet-melive · 5 months
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here’s a question :3 uh do you have like any favourite anatomy or reference books/texts. or any tips for doing study’s??
sorry if this is like annoying or weird idk i’ve just been a little obsessed with your art lately. the way you capture shape and movement is so fantastic. you have such a talent for capturing characters personality through visual quirks too. idk like the way you draw ellie tlou is so specific. it’s not exactly on model but it’s kind of better lol. i can instantly tell most of what you need to know about her. same with your recent astarions like idk you’ve just managed to capture a real physicality about him that i think can be hard. idk i’m maybe biased but i think without any exposure to the game you could probably guess how he moves and sounds from your art.
idk uh sorry if this is worded weird i feel like i always do that LOL okay though anyways i adore your art it’s just so distinct. i’d eat it if i could. i’d honestly do a lot to capture even a fraction of the magic you’re creating. okay hope this message finds you well BYE
no need to feel self conscious about doing me a kindness in the form of gratifying to read, thoughtful observations of my fanart!!!!
thank you. very late response because i wanted to respond with some equally thoughtful advice and also let my ego calm down a bit, but..
im 'lazy' and like to keep drawing for fun as easy as possible. So i dont have any reference books hm... You obviously look at art and are able to relay to yourself and others what you saw and felt. thats the skill you should always indulge. looking at all kinds of things youre drawn to and observing why. best ref! (thanks again btw, best feeling being on the receiving end of that. to be... astarion voice: Seen in the Eyes of Another)
I have studied (and continue to do so when i get the chance) figure drawing at my community college, which was a big leap. i ended up focusing a lot on the relationship between the ribcage/pelvis/flow of the spine at that time. still my favorite part of drawing lol. During my most recent artblock i started copying muscle anatomy pages from a Morpho book as a way to keep drawing without a proper fixation. which is great because i also love the weight of flesh :^D
if you'd like my 'woo-woo advice' it's to get lost in the process and less invested in the results. and never be embarrassed. it'll keep you drawing (behind every piece of successful fanart is a mountain of scrap drawings of Fictional Guy #2378 facing 3/4 left.) and its meditative!! cathartic? personally i like to have a song/playlist to keep up the emotion im trying to work out going throughout my drawing session. helps me tell if the expression im drawing feels 'right'
and on the topic of drawing off model--!! Anytime im onto a new character i do spend a few sessions tracing their proportions/copying their models. after i figure out more or less what about their original design makes that Character i like to lose the training wheels. artistic interpretation is more interesting for me to look at and create. and i think it frees you up to better convey a feeling. the more you draw something the more you settle into 'what works' but i never set out to draw the same way twice! usually never anyway
thank you again for taking time to observe my drawings, and relaying back what you saw and felt. it honestly makes my day(s) to the point i almost feel guilty about it
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mararabbit · 1 day
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How did you learn to draw as well as you do? Do you have any tips or advice?
Ah, thank you! I’m still learning a lot myself, but I can try to give some tips! Take me with a grain of salt though because I’m not a great teacher.
1) Simple volumes help so much during planning/sketching. Drawing a few circles and lines just to know where things are can help so much with proportions and posing.
Though of course people make use of them in many ways. Like drawing 3D boxes to get the volume down or just drawing 2D circles to get your bearings.
2) Have fun! Draw what you like, and indulge in whatever you’re interested in. I have also found that fanart is so good for exploring your style and enjoying yourself. I draw my OCs and UTDR stuff a lot because I just love them so much, and I’ve been seeing improvement.
3) Use reference! Also it’s crucial to remember, because I struggle with this so much, (this applies more to a stylized look) you don’t have to copy every detail you see.
For the longest time I avoided reference because whenever I drew it, the drawing look nothing like the image. You are not using reference to just draw the image, you are studying how certain things look in that image. How clothing folds, how you can show those folds in a simpler way. How the body bends and overlaps, and how you can try to visualize that in a way that’s easy to draw.
I have found that drawing my OCs doing or wearing whatever I’m studying to be so helpful.
4) Get feedback! If you don’t like how a drawing looks, even a sketch, it can be hard not to just trash it. Maybe from time to time if you’re struggling with something, ask around in friendly communities with artists. It’s helped me before, but I need to do it more often.
5) And last but not least, every artist is unique and special in their own way. Yeah, their styles are all different, but beyond that is our process.
Everyone draws in a different way, down to how we start a drawing. All tips and tricks you hear from artists are based on their own experiences and stuff. I’ve tried so many different methods and they just don’t click with me.
I can’t get the hang of using 3D shapes, so I just don’t usually. I don’t use the line of action a whole lot because it just doesn’t work in my head yet.
It’s all about that sweet practice so you can experiment with a bunch of stuff and figure out what is best for you.
I hope these help, at all?? I’m not great with advice, as my own thoughts are constantly shifting. But I’m very confident in my answers.
Also thank you again!!!!
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forecast0ctopus · 1 year
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how do you use references when you draw fanart or figure out how to draw irl characters?? it's just that i've been looking through your art and i feel like you ability to capture a character's idk essence, in vibes + appearence, are just unmatched! they're all so dynamic and like them i just <33
aaa thanks so much!! im glad to hear that since i honestly dont watch a ton of live action? i generally have done a lot more fanart for animated things so thats nice to hear haha anyways though!! i have far too many words that may or may not make sense to say so i'll put how i use references and figure out live action characters below
the main rule i like to keep in my head is that i am drawing the character, not the actor, if that makes sense?
this is all taking arthur as an example, to show what kinds of things i look for!! if i were talking about merlin any other live action character like. bobby briggs or something all the details would be super different haha a way i like to familiarize myself with a live action character at first is tracing which i must preface by saying TRACING ISNT BAD!! its a tool and it just needs to be used correctly. tracing is a great way to figure out a method to drawing things, so its really valuable in studying. im not gonna address using tracing in finished artwork rn bc thats where it gets a little dicey and i would talk about it too much.
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i dont really need to do this for arthur anymore but it was a fun exercise lmao
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sorry the images are so crunchy i always forget i work on small canvases, anyways in capturing a likeness i like to emphasize and exaggerate a little which features make the character most recognizable to me.
he's got a sharp nose which is bumped at the bridge and a little bit upturned at the bottom. when he's smiling his eyes crinkle a lot and his cheek muscle becomes more pronounced and connects into the corner of his mouth
very square jaw. his brows are thicker near the center and don't have much of an arch. his cheeks are hollowed with neutral expression and the muscles on the sides of his mouth (depressor anguli oris, if i remember correctly lol) are obvious when the corners of his mouth are downturned
the corners of his mouth fold in a lot when he bares his teeth if hes angry or agitated, its a different type of fold when hes relaxed or smiling
his masseter is rather pronounced when he's talking or agitated, and i usually connect the line of it to the line that goes down from the inner corner of his eye. i forget what the word for it is rn but its different from eyebags (though i do like to draw eyebags)
but none of these details work if whatever hes doing in the drawing isnt in character, yknow? like he could look like arthur but he wouldnt really feel like arthur if hes not acting like arthur. idk it s hard for me to put to words im sure u get what i mean enough
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body shape and language are also super important to think about, these are some things i keep in mind with arthur - hes shredded but not like marvel movie dehydrated shredded (good for him) - hes very broad and his shoulders slope down because of his trapezius muscles - he takes up a lot of space! he hardly ever curls up or sits with his feet up in his chair. even when hes sleeping hes pretty sprawled out - his "closed off" body language is crossing his arms or raising his left hand to twist his index finger ring with his thumb (worried/thinking gesture) - he moves with a lot of purpose usually and isnt often clumsy (unlike merlin lmao) - he moves his shoulders a lot when he walks (see top left image)
honestly think body language is just as important as facial features if not more, for the purpose of creating personality and character
i probably sound like i think way too much about this stuff which i. i kind of do but not in so many words i dont need this many words when its all in my brain. but yeah thats how i figure out how to draw a live action character i guess? anyways this was kind of a mess haha
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meirimerens · 1 year
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Geniune question how do you draw so much? I really admire your work but I have such a hard time not getting constantly hit with artblock I wonder how you do it.
i'll begin to tell you that being unemployed and out of school does help. won't lie! the art you see posted here is part of a bigger pattern of Making Art (for portfolio-related reasons & whatnot) so i'm always. Makin Art. i'm fully focused on Art for the better or the worst. second disclaimer is that i hyperfixate and not in a fun teehee enjoyable way - when i start a piece, i will neglect getting enough sleep or feeding myself well until i see it finished. this is not healthy, and while it is part of how i Draw So Much, it's unsustainable for you as much as it is for me. do not fret if you can't Churn Art Out like i do - you're probably healthier off this way. i'm trapped in cycles of Arting and when i stop drawing or writing get get genuine physical symptoms of restlessness, my limbs itch or ache, i pace a lot, i have racing/disordered/cyclical thoughts, like Not Fun. tldr i pray To God You Don't do it like i do.
now some actually helpful tips lol:
have multiple things going on at once. it might seem counterproductive but not being hyperconcentrated on Art allows for your mind to get inspirations from multiple areas. that might be having a job, being in college... for me it's having both personal and fanart on my plate among other things. - i've found that art block can come when you try to cram too much art at once, a form of burn-out, a psychological bottleneck; it's like constantly pulling on the reins of a horse, it will get used to the pulling, and you cannot out-strength a horse, nor can you out-block artblock. when i'm not drawing, i'm writing, listening to music, checking out movies, traveling (even on small scales): all of that feeds into my art, it's all inspiration fodder. when i'm writing, i might write a line which i think would have a banger foundation for a scary image, and the scary image appears to me. new idea!. - don't force yourself to draw, you cannot out-block the block, do something else and inspiration will come.
artblock can often comes when your ideas/desire to draw outdo your current skills, which is a Very, Very common issue, especially if you're improving fast. identify what you're struggling with, and take the time to study it, even if it's just for 10 minutes. full focus, nothing else going on. i also have on my phone entire folders will of references, typically "how to draw [bodypart]" refs, some art pieces i find are visually striking and inspiring, pictures for poses, etc. - if you're struggling with backgrounds, try to trace a picture as study, then reproduce it without tracing, just with it as a visual reference. watch tutorials on how to paint a landscape, or how to understand perspective. - if you're struggling with anatomy, try to do some live poses studies on quickposes, line of action or something of the sort. - something else that has helped me tremendously is anatomy for sculptors PDF. it's pretty expensive but you can find it online for free. wink wink nudge nudge. it breaks down all the muscle groups on the body and gives you a better understanding of the way the human body moves. invaluable resource imo. it's very thin-centric though, so i'd recommend pairing it with like. google search [how to draw fat on a person], [body type you want to draw] and pairing it with the knowledge in the PDF. if you're pudgy or chubby or fat yourself you can use your own body as a reference ain't nothing wrong with that and see how the anatomy underneath reacts with the different levels of body fat or muscles. - i also have saved a tab for head angles ref, light on a face 3d ref model, and the pose tool. the pose tool has collections of live drawing pictures for both clothed and nude, in different poses (sitting, reclining,...). it's also very thin + young-centric (mostly for the women, how curious) & a number of the female poses are eroticized/male gazey but I Grit My Teeth And Bear It. i use them in application with the anatomy knowledge i learned from mentioned above, etc.
something that might seem counterproductive but works for me is that I Hoard WIPs. this makes it so that if i'm not fuckin wit a piece i'm working on and it's frustrating me, i put it aside for a little bit and go work on something else.
preddy much it... tldr I Do It in unhealthy, hyperfixated ways that if i catch you reproducing i'm coming to your house and hitting you wit a stick, however there are a few things that help me power through artblock, namely I Be Studyin What I Draw, i keep these mfer thangs [my refs] on me, and i find inspirations in multiple areas of life.
GOOD LUCK SOLDIER
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chiocchi · 1 year
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Chiocchi!
Big fan of your artistry. I love your art so much! And those graphic novels you have on ao3??? Heaven sent! I use them as an imagery reference if I read any similar trope haha!
I asked the same question to leafiloaf since I love them too, but I'll be very interested to know your artistic journey if you don't mind sharing. How did you start with your art?
Tysm for being in this fandom ❤️
youknowmevj! omg thank you so much! You're too kind 😭🥺❤️❤️❤️ And yess lots of love to leafiloaf
Thanks for the ask! I've never told anyone about it and I'm so excited I'll give you so much unnecessary context. Oops long post.
My artistic journey
I've enjoyed drawing since I was little, but mostly I just drew doodles in my notebook. Anime was a big inspiration for my style and I wanted to create digital illustrations too. When I was a teenager, I tried using a mouse and a PC, and my finger and some app on my phone, but the results were always terrible. I told myself it was because I didn't have a drawing tablet, so "of course my drawings will look ugly" and stopped trying.
However, I promised a discord friend that I would do a drawing for her in December 2020. So, I downloaded this app called "Ibis Paint" on my phone and, with all my effort despite my lack of ability, I drew Harry using the app and my finger jskldhfsa
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I was so hesitant and nervous about showing it to her. I could tell it wasn't pretty, just "weird and awkward", and I felt embarrassed. But she told me it was good (LIES) and somehow convinced me to share it with others on the server. Despite feeling shy, I shared it anyway. To my surprise, three people told me it was pretty! I appreciated their kindness.
It wasn't until March 2021 that I returned to drawing digitally and on a more consistent basis. I was mainly doing fanart for a game that I liked.
In May or June (I can't remember exactly), I stumbled upon an artist who created incredible art using Ibis Paint. And I realized that I didn't need a drawing tablet, just more practice and skill, because if they could do it, then I could do it too! That was the moment I began taking art more seriously (still as a hobby, though!).
Due to the pandemic, I had a lot of free time, which I used to watch a lot of tutorials, practice gesture and follow the advice of artists I liked. With every drawing I made, I could see an improvement, which motivated me even more to keep on working hard (drawing became a source of comfort during those depressing times. It was just really fun).
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In late 2021, I mentioned to a childhood friend that I wanted to buy a drawing tablet, and he asked me if I wanted his old one, which I excitedly accepted. Finally, I had the tool that would make my art incredible… or so I thought! I was terrible with it. For the first few months, I preferred Ibis paint and my finger. But I eventually got the hang of it! What I love the most are the multiple brushes and pressure settings. I'm such a hoarder, even if I don't use all of them ksklajdl.
In 2022, I participated in several bigbangs and zines, but what I'm most excited to talk about is the tomarry comic that I started.
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My tomarrymort art
I've read tomarrymort fics since 2017, but I wasn't active on the fandom. In 2020, I joined a writer's server (all love to Amanda) and met the friend I mentioned earlier. So technically, you could say my love for tomarrymort lead me here kek
Even though my main inspiration was a game, here is some fic fanart I made.
This is my first tomarry art (July 27th, 2021). It's a scene from Genius by the Numbers. I think it looks weird kjdshk
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I also made art for A Mating of Convenience, what started in beautiful rooms, Dripping Fingers and for Ale, beloved. (I think I've never posted these before.)
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Then two things happened: I saw comic on ao3 (If I'll Ever See You by festivewind) and I was like "WOW! THAT'S SO COOL" and "omg we can upload comics!"
The second thing was me being rejected as a webtoon background artist (naturally, as I wasn't good enough for the specifics) and the spite made me want to do my own so I could improve my weakness (the grind never stops 💪🔥).
I read some of my old notes for story ideas (I'm not good at writing but I still had some snippets of stories). And boom! Love triangle but the 3 of them are idiots (affectionate). Fun fact: the original version had a murder, someone in Azkaban and someone hating the other forever :D
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Don't pretend started as an anonymous work because some of my friends knew my AO3 username and I was afraid of screwing up the format (I don't know html) and looking like a fool DKJALKSJL I was also afraid of possible backlash (I'm an over-thinker).
None of that happened (comments were very kind and nice!) But idk, it was nice being anon. I'm awkward and shy and I usually don't know what to say to compliments (Sometimes a "thank you" doesn't feel enough but that's all my brain can offer 😭)
Then I made some tomarry christmas art and shared it on TRoR discord server and someone asked me if I had Tumblr and I said no but that gave me the idea of making one.
Since I planned Don't pretend as being a long story, I realized it'd take me a long time to finish it and I wanted to contribute to the complete tomarrymort works! That's the reason I took a pause and made A Soulmate Like You.
Anyway, I made this tumblr on January 2023, and the plan was to fill it with art so, eventually, when I found the courage to make my works non-anon, I could link to this page. Except that I posted one drawing, and that was enough for isalisewrites to know it was me HJKASDJLA. So I stopped the anonymous thing.
I'm still not used to being "perceived" 👁️👁️ but I've learned it's not bad. People have been really kind and I think I'm less shy now! I'm very happy to be part of this fandom with lots of kind and supportive people and incredible fics and fanart <3
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creatively-cosmic · 1 month
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New pinned? Earlier today we got some tags on one of our art that reminded me that we never really went back and explained anything about ourselves, so. Gonna do it now.
Heya! We're Starry. This is our artblog.
We're a 20y/o genderfucked queer polyfragmented system with a lotta fictives. Pretty much everything here is based on shit in our brain. Heads up: We post Gore, Horror, and occasionally Suggestive content (tagged), along with artistic and partial nudity (which may not get tagged).
You might notice we never take acknowledging our plurality very seriously, or explain things regarding it much ever. That's... Pretty simply cause we don't want to put that on the internet for everyone and God to see. We're explaining it here because it's a part of our art and a frame of reference for a lot of things we make and say.
DON'T TAKE THIS POST AS ANY FORM OF A DNI. We don't want things we make to be treated any differently because of this. The works, writings, designs, and stories we put here are all from a place of concious thought and passion! While we call this blog more of a personal art archival, we do genuinely still put it online to share art that we've put thought, heart, and soul into.
For the record, to make things abundantly clear, we'll put a list of specifications under the cut. But in a nutshell, the main "boundary" I give a shit about is this:
Don't interact with our posts any differently than you would literally anything else. When you talk to us directly, just remember to not treat us like characters.
Thanks for reading. More below if you want more clarification.
Stuff that's fine:
We're fine with "doubles." You can be, kin, ID as whoever you want. If you relate to our stuff specifically, too? I promise that's fine. Awesome, in fact!
Comments/tags. Pleaseee comment on our art in fact it always makes our day. We see all that shit. Analyze, keysmash, shit you can even say some unwise stuff if you wanna. Don't hold back.
Fanart. Look if you ever got possessed to draw one of our designs I think we'd die for you on the spot. No questions asked, go for it.
Asks! Man, feel free to ask about anything. Ask about our stories, designs, opinions, experiences, whatever. Just don't ask about our trauma.
You can use our art as icons and such, just make sure to credit properly if it's in a public space ie social media or discord profile. Don't use it for any of that AI shit though.
Stuff that ISN'T fine:
I can't be damned to fill this out in any thorough way cause I don't really have any hard NOs, honestly. So this is just like. One thing, and it's an elaboration on the earlier bolded thing: Don't TALK DIRECTLY TO US as if we are characters. What I mean by this is... Us being fictives and talking about our stories doesn't mean this is a character blog. It isn't a roleplay blog. It's just us being us. Don't send messages or asks looking for someone specific, or expecting a specific reply, cause their source is your blorbo. And don't get shocked or offended when we inevitably act out of character in our posts, cause we AREN'T a character. We're people.
I guess this goes in hand with that but, don't tell us we're existing wrong as a fictive, alter, or system, too. I'll just block you. This is the only serious response anyone who might try to fakeclaim us is getting. I am not here to explain why we are the way we are, who we are, or what happened. Anyone engaging in """syscourse,""" please. Step back and understand that all that shit is, is sticking your nose into the trauma of strangers on the internet to decide if they're "correct" enough in your eyes. Nobody owes you their life story so you can decide if they're valid. Put your energy into something better.
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ariparri · 1 year
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Chibi & Sketch Commissions
I wanted to hold off on doing commissions until I managed to ease back into a consistent schedule. However, the family's going through a bit of a financial situation so I'll be taking some commissions to try and help out. Really thought we were doing fine but I guess we weren't. We're running very low on a lot of stuff like food and hygiene products. Bills are already hard to keep up with, and now we can barely afford basic essentials.
Terms of Service | Commission Post
Rules and the dos and don'ts on my regular commission page still apply here!
Visual character references are mandatory. Preferably colored.
If you have a specific pose/expression in mind, please provide visual references otherwise I’ll pick it out as I make the sketch.
Will Draw
OCs
Fanart
Ships
Small Animals
Won't Draw
Furries
Mechas
Gore
NSFW
Large Animals
Payment Method
I’ll accept Cash App, Zelle, and Apple Pay.
I’m not sure if PayPal is still freezing accounts and stealing money, but I’m on the fence about using it so it will be a last resort if the other options aren’t available for you.
And I haven’t updated my ko-if in a while, but if anything you can just donate there.
When you pay, send me something to confirm it was from you like a screenshot showing your username.
Chibi
- One character is $5
-  Two characters is $10
- Will be full body and fully colored.
- Some features of the character design will be resized, simplified, and positioned to fit within the canvas.
- Flat colors, gradients or half-tones, patterns, pride flags, etc, can be chosen for the background.
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Ink Styled Sketch
- One character is $15
- Two characters is $20
- Bust up only, poses will be simple though I'm willing to try whatever was requested.
- Can be B&W or have color
- Background will mostly be black and white.
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DM me if interested! Make sure to have everything on hand too so it'll make things much easier ^^
If you can’t commission me or aren’t interested that’s perfectly fine!! Please share this around to others, that's all I ask. Every little bit counts no matter how small. I appreciate all of your help so far. I will be sure to keep you all updated every now and then!
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baconcolacan · 1 year
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Since I’m still stuck at work and cant do anything, I thought it would be fun to post my drawing process for my semi-serious style, using the latest fanart I did with Edd and Edu but only featuring Edd :3c Maybe one day I’ll make a speedpaint but thats not today. If you’re curious, one by one below the line + me talking about the process (as best I can)
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1. Preliminary sketch. These are my roughs, this is the start after I had my brainstorm and planning phase. I’ve found all my references and did the pose myself as well so I know what it feels like and if its bodily possible. 2. Clean sketch. This is where I loosely put in all the nitty-gritty, where the folds are, details of the hair, etc etc. I change the pencil colour so I can differentiate certain parts. 3. Line art. Like it says on the tin, but for my semi-serious style I tend to avoid lining folds because I prefer to paint them in this style. 4. Grey out. I need this layer so that I don’t get blinded/confused when I lay down the colours,
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5. Flats. So all the colours needed, usually when I draw backgrounds they would also depend on the lighting, so I would colorize them if needed, but for standalones I just put in the basic colours. 6. Soft shadows. I tend to use multiply layers for this step, but sometimes I also do normal layers, in case I feel as though the colour should be more relative to its surroundings since multiply wont let me do that. It all depends on how I want the shadows to feel on the piece, but when I’m lazy I just do multiply (lol). Soft shadows also include the colour on the planes of the face, so = yellow for forehead, red for middle, blue for the lower part aka jaw area. Of course also the reds on the skin in other areas like elbows and knees, but since Edd is fully clothed, its just the tip and inner part of his ear, and the tips of his fingers. 7. Hard shadows and minor highlights. For my style, I gear more towards a watercolour style kind of shading, so I follow that principle when I decide where to put and how to render my shadows. Typically I have at minimum 4 layers for this type of hard shadow shading. The minor highlights here are just the lights in the pupil, and a soft large airbrush going over the spaces where shadows cant reach. 8. Missing details and overlay highlights. Near the end I put in all the little details I missed, so in here its Edd’s 5 o’clock shadow, and some scuffs and scrapes on his clothing and shoes. The overlay highlights are super subtle but make the drawing feel a bit more alive, for me at least, these highlights are the ones on the “bumps” of the clothing folds, and the hair highlights.
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9. Hard highlights and atmospheric lights. The finale! This is where I just put in the brighter, harder, highlights in places they should be, and then clip a Luminosity/Overlay layer on top of the entire drawing, using a large soft brush I go over the drawing to put a bit more brightness into it. And there! Thats how I render in my semi-serious artstyle. But...eh, dont be fooled, I know this step by step makes it look like I would jump around all the parts of the drawing and render things equally, sadly thats far from the truth. My perfectionism flares up badly and it often leads to me obsessing over a singular part before moving on, so the process would look more like this:
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yeah......
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shina-moon-art · 1 year
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@justscrolling765
So tumblr ate your ask bestie but I have it so I get an email when ppl send asks or questions
(Gotta remember what all i wrote because tumblr decided it was gonna trash all of it)
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Kinda using these pictures as reference bec I know next to nothing about this anime
I like the way he’s drawn in the last pic, I think it’s from the manga idk tho. He’s a vampire? I think? This anime has vampires right? Tbh if it’s not something the story is upfront with about his character then the all red + red eyes is a bit on the nose.
I saw clips of the anime like 5+ years ago so I don’t remember much. I thought he was taller??? Maybe he is and that’s just the way they drew the refs idk. Speaking of the refs they made his arms weirdly long, usually your fingertips reach about mid thigh while his are like by his knees. Idk if it’s intentional but it helps make his design look more unsettling/not quite human
I’m sorry but his jacket is boring I think the only interesting part is that it’s flared and completely red also maybe the things at his shoulders but yeah. (The fanart does some interesting stuff with the shape of his jacket but otherwise yeah it’s pretty boring in terms of a design standpoint)
The HAT though, I’ve got a love hate relationship with hats because oftentimes I cannot draw them for the life of me but I love it in this design, the shadow it casts over his face also adds to the unsettling feeling of his character ESPECIALLY when you’ve got the glasses since the way they’re drawn seemingly never has hard shadows over them.
All in all I think he’s probably at best a morally grey character and at worst the outright villain of the series but idk. His design works for that purpose and from the way he smiles I’d say his personality is probably pretty unsettling as well so if this is what the author set out to do with his design I’d say it was done well. Manga shots look awesome and so does the anime ones, idk what they were doing with the refs but it’s whatever, I like it
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omiramotakiart · 2 years
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Cause at least two people have asked me directly to talk of how I design clothes (in fantasy at least) I will try to break my mental process down (do not take this as a tutorial though)
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Let's use my girl Alheya , a dwarf from an island that contains a fair amount of elven interaction and has elven ancestors. Let's break this first bit down.
Thinking of the character, their personal taste is the main focus however thinking what outfit they can affor and is practical to them is also good. Alheya loves fashion and crafting, lives in the "warm" region of an ice wasteland, not particularly rich but doing well enough on her own, so her outfit has to reflect that. She won't have the fanciest of things but some nice green stockings are a luxury she can allow herself, next to the standard undergarments.
Layering, not necessary to draw all layers though it can help with understanding the garment so it looks wearable, in my mind it goes: chemise > stockings > petticoat. That is for this character. You can adapt this to whatever order and whatever clothes you wanna give your character. The more layers the more bulk.
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What makes sense for the world. Not that you have to make an elaborate worldbuilding doc or whatever, just going back to the first part of what makes sense for the character. Alheya lives on a colder region so classic thick dwarven attire and boots will do, though I did use patterns common in elven dresses for her. You can take inspiration from all sorts of places (mine was the cliche fantasy viking trope), references are always good, consider this the base of the outfit that you can leave alone if you want.
If not, add the accessories. Maybe another piece of clothing (layers upon layers help in fantasy), some jewelry, coats, cloaks, shawls, whatever you think will fit well.
Color palette? You can generate one (there are plenty of sites for that), pick it from an image, make it on the spot, if you like it and it works well then go ahead, while color theory does help (another can of worms) who am I to stop you from ignoring it?
While yes you normally should avoid tons and tona of details since it makes it confussing and hard to draw, don't pretend as if minimalism is your only option. If you are drawing the same character over and over again (like animation or comics) you may wanna lose some of the details, you'll have more free range in single illustrations, though if you have a deadline it'll take extra time if your character has tons of elements to draw.
For historical stuff. Look at fashion plates of the era, photos if they had them, any real record, then you decide how much you wanna keep from them, if you want it to be historically accurate or vaguely inspired.
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First picture is me trying to adapt the outfits mote accurate depictions (on my limited knowledge), the second is an overall 1850s-ish looking dress yet sea themed and probably wouldn't have been made back in the day.
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Contemporary stuff? I literally copied the outdit from two photos on pinterest, you can get away with almost any fashion choice.
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Fanart but don't wanna copy the outfit the character already has? Look for references to figure out their style and how people dress in that universe.
At least that's how I do these stuff
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@theblueskyphoenix @dreamstormdragon
I hope it's okay to show this as fanart given Chapter 9 has been completed and out for an while now, but decided to draw Dr. Tyler Chase for this fanart, using his flashback design, as I felt it would fit, I could honestly see Tyler just having an moment like this where he just breaks down in guilt and prays for forgiveness of taking so many lives just to give them peace.
Tyler was kinda difficult to draw, but I managed somehow the tears were the hard part along with what colour glow I wanted to give to his sigil, decided to mix things up with red and grey, honestly this could work for an What lies within drawing for Tyler.
Also did an James Lunagazer in redesigned Ancient Greek outfit for once he learns that he's got Apollo's powers, trust me, this drawing went through the most changes as I struggled to figure what colours would work, as I didn't want to completely lose the blue for James, so decided to mix both blue and gold together with some silver here and there.
James was going to have an headdress like Tyler, but I figured it would be overused so I chose to go with an sun inspired headdress, and I know that this Apollo design might not be what the manga depicts depending if someone has Apollo later down the line, but I have the idea that maybe the God's appearance changes depending on the user as an way of explaining it.
As for the sigil, I wasn’t completely sure what to give James, as even though Apollo is Asclepius' father, I didn’t want James to have the same sigil Derek and probably Naomi have, so I went with the devotion to Apollo symbol and gave James green as his eye colour for his powers, sort of like mixing his clothing colours, and it symbolically adds to him slowly making steps to reconciling his painful aspects of the past and moving forward into the future.
For James' actual powers, I'd figure it would be something to do with an lyre motif in terms of sound, an possible name being the "Soothing Choir" like for example, say James was dealing with an extremely anxiety filled patient, his voice would change tone to an soothing aura and it can calm said patient and relieve their pain for an time.
Another possibility considering I'm going with the idea that Apollo has multiple powers being the father of Asclepius and healing, is that James can possibly hear certain "melodies" in an patient's body, allowing him to find problems faster by detecting "discords" in the melody, sort of like Mood Matrix from Ace Attorney pretty much it would be heightened hearing, one such draw back could be that if overused James could risk going deaf for an time along with sensory overload.
And another could do more with the bow and arrow, like James could find certain weak points in G.U.I.L.T strains and then accurately strike them like an arrow similar to Derek's healing touch and references plague arrows from Apollo, except it would be used to save lives.
Pretty much James could be more leaning to an support type kind of role, but he can attack if required, the reason I paired him and Tyler together is that I feel that if I did an fanfic exploring James' side story in the manga verse, these two would mesh as they are similar in someways, like both have an little sister that falls ill but their methods in those scenarios are different and that could lead to parallels along with clashes, but ultimately they come to an understanding and form an brotherhood.
Also just an funny idea I've thought of is if the Greek gods were able to interact in the astral plane, Asclepius and Apollo could possibly have an bit of an father and son moment, as James and Derek are both bewildered and weirded out by.
And that's mostly my ideas and fanart at this time, hope that some of it sounds good with what I've thought of!
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