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#love me some villains
turtleblogatlast · 28 days
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Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
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nibbelraz · 5 months
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When your brother wants to betray the powerful demon king you both work for but you know that's NOT going to end well so you try to convince him not to do it but he's also seen those LUSTFUL gazes you do to said demon and calls you out
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ministarfruit · 1 year
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day 9: it's time for crime ♡
(prompt list for femslashfeb)
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chillfaerietrinkets · 3 months
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At first I thought Starboy's black outfit was a bit odd, not glowy enough yknow? But then I realized it does two things:
Looks like the night sky, especially with the gold designs on it, and
Contrasts Magnifico's all-white outfit!
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lunarharp · 4 months
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more phoenix wright situations
#ace attorney tag#maybe i should tag this narumitsu or something. but i dont really care.#gearing up to rereading/illustrating bits of my fic i suppose...i think nick really is too dense to realise he's in love with edgeworth#without some scheming fop trying to intrude. i love villains like kristoph..villains can be fun..witnessing their pathetic folly..#or more like edgeworth would never have mentioned his feelings ever in his life if he wasn't sure phoenix reciprocates.#i want to see it this way because Falling in love during childhood with the person you're going to end up with. is not relatable#there have to be Situations that make you Realise.#as with orufrey i adore the idea of people not working out their romance with that person until their 30s+#but... i mean. even with orufrey i often think how alaira could be qifrey's ex. and oru having been pursued by noble fops through his work#there is that delicate sliver of time before orufrey start living together that such believable situations could have happened.#Then the relief of politely and amicably extricating themselves from those untenable situations#the idea of falling in love age 7 and saving your first kiss for age 35 or something is all very well but more relatable is#people realising how they really feel whilst trying something that ends up feeling wrong.#The comfort and joy of living with your dearest one as if it's platonic - much preferable to trying anything more with anyone else.#But i doubt i will ever portray that or mention it further. it is indeed very delicate to me.#and i really am an OTP FOR LIFE!!!!!!!!!!!!!! kind of person who can barely bear to consider this anyway...NOT a polyshipper i'm afraid !#so i wouldn't mind either if they do have their first kiss in their lives age 35 with each other either. I would not mind that at all.#i love bi/gay couples apparently... bi father figures & their grumpy gay men waiting for them to work it all out...#not used to using colour in comic-style drawings..or at all..so this is messy and awkward looking..but colour is refreshing#i imagine i will go back to witch hat art soon btw. my destiny in life.#i still remember writing my nrmt fic expecting to write their first kiss & then partway through twas like Umm No. They have kissed prior.#does that really line up with this comic though... i think i had their early dinner dates/first kiss BEFORE disbarment.#so i guess this comic doesn't line up with my ficverse.... No..... U___U Oh well. sorry kris! <3
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cassidysinferno · 4 months
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Prompt #8
cw referenced drugging & kidnapping??
The villain gave hero a truth serum and asked hero to tell their darkest secret, expecting a some sort of corrupt agency or a crime they did so the villain can use that to blackmail the hero.
Hero instead spilled the most horrifying, gut wrenching, traumatizing backstory known to man that they kept bottled up their whole entire life and villain just thinks. "oh.... you're kind of fucked up actually....you need to Seek Help how did you even get through those what the fuck."
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scooterpengie · 9 months
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So whenever I see a pink outfit, my first thought is "draw Heed wearing that" and Barbie is full of pink outfits so naturally I had to draw her wearing one. And since Flug shares a name with Ken...
That's how I ended up with this weird thing😂 enjoy
Edit: check the notes for more art
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caeslxys · 27 days
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here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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sejjiplinth · 5 months
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sejanus and marcus truly have one of the most insane dynamics from the franchise, like i have never been this crushed over a story between two characters in my life. 😭
i was really expecting the movie to take advantage of their past, to bring that raw emotion to the screen. because even after a whole DECADE, sejanus still remembers and cherishes marcus for what he did for him when they were children. marcus helping sejanus with his hurt finger on his own, showing him kindness, never left him. sejanus never experienced that level of generosity in the capitol, i don’t think he was treated that way ever again.
it breaks me reading their scenes in the zoo and during the questionnaire, because sejanus so desperately wants to make amends with him. but marcus has made up his mind, he doesn’t say a word to him, he doesn’t trust him, and he never gives in. the plinth’s are despised in two, sejanus being his mentor won’t change that. sejanus bringing him food, and offering it to him multiple times won’t either. sejanus goes as far as to ask coriolanus to trade tributes because marcus being his tribute is taking that much of a toll on him, while he clarifies that it’d be terrible with anyone, it’s marcus that brings him so much emotional distress.
marcus’s torture being displayed as a message, but also to get under sejanus’s skin… dr. gaul teases him about marcus’s disappearance, (most-likely) knowing they’d already caught him. and looping back to the reaping, strabo buying the district two boy… done only to shove it in his face that he could never go back to two. sabotaging him with marcus seems to be a common theme.
when marcus dies, sejanus honors him. sacrificing himself just to do so. he’d planned to die in there with him, too. and if coriolanus hadn’t been sent in, it would’ve worked. when he agrees to leave with coriolanus, he doesn’t want to go without marcus’s body.
marcus, undeniably, had a very large role in sejanus’s actions, in his resistance, and once he was gone, sejanus doesn’t have a purpose to live anymore. he tells coriolanus in part three that after the arena, he had planned to end his own life, one of his reasonings being because of what happened to marcus. and that was not the first time he’s considered suicide over marcus’s fate, he feels that guilty over him.
sejanus still keeps pictures of marcus, takes the childhood class photo where marcus is standing behind him to district twelve. ma comments on how she knew marcus’s dismay “hit him hard”. coriolanus calling sejanus dramatic over going into the arena, and sejanus reacting as if coriolanus had slapped him across the face.
they met for the first time in district two, then again in the capitol, and eventually in death. just . MY GOD!!!!!!!
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bluebunnyears-08 · 1 year
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Why Nine Is Loved So Much Already
Just watched Sonic Prime and it is AMAZING! It has stellar animation, unforgettable characters, and an engaging and exciting plot.
Among all of that, however, one character stood out to me more than all of the others: Nine. The "edgy, emo" Tails from the first Shatterverse. He's already a prevalent character, praised for his design, nature, and fantastic acting by Ashleigh Bell. He's just an excellent character in general, being complex and complicated.
He has a snarky, distant, and almost broken personality, from what I've seen, he IS almost broken. He's nearly broken because of what drives him in the first batch of episodes: Hope.
Hope can be an excellent thing. It can help you overcome obstacles, it can help you move forward, and it can help you win. However, what that hope exactly is and how you achieve it determines your character and morals.
What Nine HOPES for is a better future for himself. That is a good thing, however, the way he tries to achieve it is morally grey. It is a selfish hope that can potentially hurt others. Nine KNOWS it's selfish, he just doesn't care, the world treated him like dirt, and EVERYONE on it treated him like dirt, why should he care about how it affects it?
One more thing to note is how he acts around the others, Sonic specifically. He is curt, snarky, aloof, and strictly business with them, seeing no personal value in them other than using them due to how the world around him is.
Sonic, however, he's softer and opens slightly up. Sonic is open, kind, and patient toward the kit, something Nine never got to experience. He likes Sonic but doesn't know how to feel about it. He doesn't show trust in the blue blur. He likes him, but he isn't sure if he can truly trust him. But despite that, through out the series, the only time he genuinely smiles is with Sonic, no one else.
That's why he wanted Sonic to join him to live in The Grim with him.
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Sonic makes him feel good, he makes him genuinely happy. He never thought about getting Sonic home, he only thought about getting the hedgehog to HIS idea of a true home.
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One where it's just the two, where nobody can ever hurt them again. To him, it'd be the perfect world, a place where it's just him and the person he's close to.
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But then Sonic tells him it's not going to work out. The worst part?
He's right.
Not just because of the problems with the Shatterverse, but also because it really isn't going to work out for them. While it's never outright stated if looked closer you can see that Sonic likes TAILS, not NINE. He cares for Nine BECAUSE he is a version of his brother, not because he cares for the separate person he is.
Nine is NOT Tails. Not just because he is different from Tails, but because he just isn't. Compared to Sonic, Nine isn't much better either. He DOES like Sonic and WHO he IS, but it's because of what Sonic can GIVE him that he does.
To Nine, Sonic can bring him EVERYTHING he ever wanted: A home, love, care, companionship, and family. To Nine, Sonic is his HOPE. If he loses that, he's back to square one, and that is what he desperately DOESN'T want.
It's heartbreakingly tragic and horribly unfair to both of them.
Another thing is his backstory. It wasn't over the top, it was what everyone EXPECTED to happen. Because Sonic wasn't there he was bullied relentlessly and became cold and resentful of the world. It's simple and not over-exaggerated and I appreciate that. It's not annoyingly complicated or trying hard to make you cry, it's just a simple statement of what happened. And that's the part that hurts, that we were RIGHT.
Because we were already close and emotionally invested in Tails, it was easy for us to sympathize with Nine. This was a character we loved, and looked up to, only to become cold and emotionally exhausted towards everything around him.
But the part that is great about him is that we don't know what his arc is going to be. Is he the character that opens up more and makes friends, is he the character that remains neutral, or is he going to be the true villain? We can't figure it out.
He's complicated and confusing but it's BECAUSE of that that we love him so much.
The final reason is the fact that he's just THAT character you WANT to win. He's so heart-wrenchingly tragic you just want him to achieve his goal of being happy, no matter HOW he achieves it. Even if he becomes the true antagonist I KNOW that all of us would root for him anyway because he DESERVES to win because he LOST so MUCH.
And that's why he's quite possibly going to be the greatest character ever written (not that he wasn't already in my opinion) in the Sonic universe.
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turtleblogatlast · 1 month
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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.
The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.
And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.
He’s their father, for all his faults he did his damndest to make sure they survived.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt splinter#rise splinter#he’s not perfect as I’ve said#and he’s got a whole slew of flaws and faults#but he’s a person - we are all flawed#he loves his sons dearly dearly dearly even if he struggles along the way to show that#parenting is not easy! especially as a traumatized mutant who is forced to do it alone#side note but I think this is one of the reasons why it kiiiiiinda ruffles my feathers to see so many people assign parentification to Raph#and in turn make Splinter out to be way worse and way more distant than he is in canon?#like idk I just don’t see what so many others see ig but maybe that’s just me#i guess my thoughts are like- let parents have flaws without villainizing them?#they’re still parents even if they mess up?#we can discuss the repercussions of a parents actions on a child while not casting that parent as an awful person#parents are peopleeee#I could go on but yeahhh#idk it bothers me seeing splinter’s efforts undermined when he’s been through so much#idk if ppl realized this by now but I love me some flawed characters#tho I do think in this fandom the ones whose faults are discussed the most are like#Splinter mostly then Draxum then Leo#of the main cast#and in Splinters case in particular his faults are made to cover his good qualities which makes me sad#because he is SO INTERESTING#they’re all flawed characters and tbh so interesting because their flaws are ALSO their strengths in many aspects
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hitwiththetmnt · 5 months
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Shhh I should be sleeping but I’m sneaking in a post inspired by this blerb by @desceros
It’s a x-reader perspective but I’m throwing my oc in there cause that’s how ma brain picture this story
I wanna illustrate the whole story because it is so art, but I have so many wips already. Maybe in the future? (・・?)
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youngerfrankenstein · 22 days
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Soundwave superior.
This is why you don’t mess with someone’s cat.
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sukibenders · 19 days
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I get the appeal for Cregan and Jace, but I'm already nervous about how the fandom will treat Baela and her relationship with Jace as a result. Could both ships coexist? Yes, but this fandom has proven many times over that whenever a black person, specifically a black woman, is involved said ship is often overlooked or dismissed. This can be said for many of the ships in the show, which I've talked about, and Baela's treatment even outside of mentions of Cregan (I love Heleana, but it is not lost on me how some Jace/Hel shippers dismiss Baela). Like, this isn't the case for everyone, but enough for it to be very apparent. All in all, I just want the best for my girl Baela Targaryen.
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wisebeth · 1 month
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why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?
ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.
#all the gods and goddesses in the greek mythology are flawed in their own way#it doesn't make sense why the books were so unnecessarily biased towards certain gods?#it bothers me specifically that hera and athena are SO unnecessarily painted as villains#while posiedon is ‘cool’ dad ‘great’ lover ‘decent’ god ‘reasonable’ than other olympians#i get it he's the main character's father of a children's fantasy novel so rick painted him in a good light#but my man? then why are you painting other gods who are arguably just as bad as him as WORSE#shut up i feel strongly about it#i love the percy jackson series#but i hate how the gods are portrayed#is trials of apollo a good series? yes#does it make sense why he's shown as a human-like god with redemption arc#while hera is reduced to ‘evil stepmom’ and ‘bitch to annabeth’ even if apollo is JUST as bad as her?#no#and aphrodite is not some ‘silly fangirl’ whose personality revolves around shipping percabeth#she is powerful terrifying and cunning who can bestow some of worst revenge on those who offend her#demeter is not a silly crop goddess#her love for her daughter was so strong it almost ended the world and destroyed mankind#shes in charge of harvest and agriculture without her humanity will starve to death#shes just as powerful as the big-3 or at least she should be#posiedon is not this cool perfect rational god#medusa would disagree demeter would disagree pasiphae would disagree odysseus would disagree#apollo cursed women posiedon raped yet ares killed a rapist BUT nooo let's make ares the bad one#percy jackson#rr crit#greek mythology#heroes of olympus#trials of apollo
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