FEARS — BOLD any fears which apply to your muse. Italicize what makes them uncomfortable.

[ liam kaz ] the dark. fire. open water. deep water. being alone. crowded spaces. confined spaces. change. failure. war. loss of control. powerlessness. prison. blood. drowning. suffocation. public speaking. natural animals. the supernatural. heights. death. (they play video games together <3) dying. intimacy. rejection. abandonment.  loss. the unknown. the future. not being good enough. scary stories. speaking to new people. poverty. loud noises. being touched. sex. chains. inner demons. hallucinations. staring. going berserk. betrayal.

[ peter parker ] the dark. fire. open water. deep water. being alone. crowded spaces. confined spaces. change. failure. war. loss of control. powerlessness. prison. blood. drowning. suffocation. public speaking. natural animals. the supernatural. heights. death. dying. intimacy. rejection. abandonment.  loss. the unknown. the future. not being good enough. scary stories. speaking to new people. poverty. loud noises (on occasion). being touched. sex. chains. inner demons. hallucinations. staring. going berserk. betrayal.

tagged by : @walkedfire (ty!) tagging: @thanatologies @hopeforce @amoreno9 @ncmad @oceansfirst @kitmans

skyward sword… yeah <3

Crimson Loftwing

↻ ◁ || ▷ ↺

(I point. Gently, in the voice of somebody who’s mind touched by the outer gods, i whisper truth in your ears:

Your honor the horses are now lesbians

(Anyways here’s the designs)

i wasn't really a greek mythology kid when i was young. however i was obsessed with exactly one goddess and her name is eris and i'm very pleased to report supergiant games engineered her specifically for me. something is very wrong with her <3

DinerDash AU Brainrot fr fr

Context :

Their first meetinf was when Vincent had first arrived to Rody's fast food restro and upon their second meeting.. it took a more unexpected turn.. But Rody didn't seem to mind it.

see everyone worried and fretted and panicked and yet quesadilla island looked at pepito and went

petey vs. buzzer game (0-17 head to head)

✨hbowar fandom positivity ask game✨

just wanted to put something together to spread positivity and spread the wonderful community we have! reblog, tag your mutuals, and ask away! (fanwork = graphics, edits, moodboards, fics, playlists, memes, anything anyone creates!)

1 - what is your fav part about being in the fandom? 2 - who are some your fav creators/mutuals? 3 - what are some fics that you go back and read again and again? 4 - whats a moodboard that you just want to live inside of? 5 - fav fanwork from an episode? 6 - whats a headcanon that you will die on that hill? 7 - what hbowar blogs have your favorite aesthetic? 8 - your fav hbowar content you've ever made? 9 - a ship that you can't get enough of? 10 - an oc that you can't get enough of? 11 - songs that you associate with a certain character? 12 - songs that you associate with certain mutuals? 13 - what inspires you to create in the fandom? 14 - your fav underrated character? 15 - a character you started liking thanks to someone else? 16 - what do you love about fanworks in the fandom? 17 - your fav fanwork about an underrated character? 18 - your fav fandom meme? 19 - what's your fav universally-accepted/fanon headcanon about a character? 20 - what character/character moment would you assign to your mutuals? 21 - what quote from the show you find yourself quoting in real life all the time? 22 - what quotes from the show you would assign to your mutuals? 23 - what's your fav wip of yours? 24 - what wip from another creator are you most excited about? 25 - what colors do your mutuals most remind you of? 26 - what meme do you associate with each of your mutuals? 27 - what's your fav moment during your time in the fandom? 28 - what's something that lives in your brain rent free and you want everyone to know about the show/the fandom/your works?

💫✨💫✨💫✨💫✨💫✨💫✨💫✨💫✨💫✨💫

tagging some friends to get started! @xxluckystrike @malarkgirlypop @sweetxvanixlla @georgieluz @footprintsinthesxnd @panzershrike-pretz @samwinchesterslostshoe @next-autopsy @holdingforgeneralhugs @blood-mocha-latte @onlyyouexisthere @ronsparky @land-sh and so many more, go forth and tag and spread the love!

If the Graves siblings ever got a Nintendo Switch, Ashley would insist on getting these so they can play 2P games and each have their own designated controller.

And then whenever one of them plays 1P they'd still be thinking about the other the entire time, whether or not they're watching them play. 💗

Have another favorite obscure/underrated official render, this time from Double Dash!

the chibis are here to boop you!

Yippee we boopin' !!!! :D ⭐💫

Eclipse boops you back !!!! 💥💥💥⭐

please pray for the hephaestus sprint nuke in these trying times

still love screenshotting my cybergrind deaths

Okay, so long long ramble under the cut about the nature of Ratgrinder Discourse™, I'll preface by saying that I don't want any of this to get hostile with anyone, because I think that's frankly silly to do over a webshow. That said I am also open to critical discussion so if anything I say doesn't make sense, or doesn't track I'm open to critique on it! Obviously spoilers up to Episode 19 of Fantasy High Junior Year underneath. Also it is a VERY long post, several pages, so don't click read more if that'll be overwhelming/too much at once. I just had to get my thoughts into words.

So, this will be long but I'll try to break it up. For clarity I want to establish my main point and give a quick TL;DR here, so here's the short version, long version even further below. My main points are as follows: 1: It is okay to not be happy with how a narrative is going in a show/story you enjoy. Critique is not hate, if anything it's a form of praise in a way. People wouldn't be having such long and frequent discourse about D20 and it's current season if they didn't feel strongly. 2: Similarly, we as an audience have a very different perspective of the entire story unfolding compared to the Intrepid Heroes/Cast. I think a lot of people jump to assumptions about the cast's thought process when that really isn't something we can gauge beyond what they say in episode and on Adventuring Party. 3: For me at least, even if I am left unsatisfied by an ending it doesn't ruin the fun I had in a work. Now if you just wanted my bullet point thoughts without elaboration, there they are! The rest of this is going to be an insanely long ramble (seriously, exit now if you aren't up for that, it's pages long) that I don't expect anyone to read, but I like to get my thoughts outta my brain. ---------------------------------------------------------------------------

So, in regards to the Ratgrinders dying in the fashion they have, there's been a lot of discussion on literally every place there is to discuss Dimension 20, Twitter, Tumblr, Reddit, I'm sure other places as well. Really it all comes back to one thing, Dungeons and Dragons is a game, but Dimension 20 is a show. We as viewers have some level of narrative expectation, now for everyone that's different. Some folks have specific hopes for plot and character arcs. Others just want a general vibe, but the cast are players. Sure they are performers, but they are players in a game in equal measure. I've alluded to this before but a lot of the sincere vitriol to antagonists thus far (and especially the Ratgrinders) comes from the fact that the players have been fully immersed in a world and as characters where the Ratgrinders have been a constant thorn in their side for tens of hours of play time. Obviously one can still not like how they've engaged with them (I'm still not sure how exactly I feel about it,) but a lot of it is coming from that distinct perspective. When Fig took Ruben out, she specifically was frustrated because she 'wasted her season' on him. There's a meta level of Fig being angry with Ruben as a character who shares a world with him, versus Emily being frustrated as a player that a lot of her in-game actions did not hash out. That's actually totally natural, by the way. The interesting way that DnD serves both as a narrative of the characters in the setting, but also of the players rolling dice is part of what makes actual play like Dimension 20 so interesting. It's why I think SOME of the disappointment with Brennan and the Intrepid Heroes comes from a strange place, we literally cannot experience the story the same way the cast have. We get a week between chunks of story, they film the episodes in batches. We can think for as long as we want about our critical thoughts, they have to improv on the fly. We get to watch the Ratgrinders as antagonists in a story, the IH are actively hindered in their gameplay by the Ratgrinders as enemies.

That said I would be lying if I said I wasn't worried about some aspects of Protagonist Centric Morality™ in this. Oisin having a mildly flirty conversation with Adaine once when he had ulterior motives is a deeply awful manipulation, but Fig catfishing Ruben the better part of an entire year is her trying to reach out and understand him (?). Kipperlilly threatening to desecrate Eugenia's grave is deeply fucked up, but Riz openly advocating mutilating Oisin's body for tactical reasons, and Fabian loudly declaring he intends to do the same to Ivy for literally just his own self-satisfaction are 'fun unhinged moments'.

Before I go on, obviously the Ratgrinders are the bad guys. They're taking part in an evil plan, they've done villainous things throughout the season, especially very recently, etc. This isn't some argument that the Bad Kids are secretly the real monsters or something, obviously not. I just think it's odd that people read into the Bad Kids' actions in the best possible light at all times and the inverse for the Ratgrinders. This protagonist centric morality also comes down to the true reason behind any and all of Fantasy High's villain redemption. Ragh gets redeemed because the player characters think he's possibly useful and/or endearing. Aelwyn gets redeemed because she personally helps Adaine. The only one that Brennan really pushed forward on his own was Zayn, who they barely engaged with. People compare the Ratgrinders to Penelope and Dayne a lot, and understandably so. However I think this is sort of the complication and in my opinion, the silver bullet to understanding what's actually happening with the Ratgrinder's narrative place, Dayne more specifically. He does very little evil on screen. I mean, he injures Fabian and is most likely the one who killed Zayn, but comparatively to Aelwyn, he does almost nothing. He gets killed without so much as a thought, and in a fun (?) parallel to current Ratgrinder discourse, does actually have his body desecrated after death by Fabian. Because he hurt Fabian personally. Aelwyn gets forgiven of doing a lot of terrible shit (and this isn't Aelwyn hate, she's like my favorite NPC.) because it didn't directly affect any of the Bad Kids besides Adaine, and even the bad stuff that did affect Adaine can be sort of off-loaded onto their parents. So it's why I say this discourse is tough, people inevitably say "Well, the Ratgrinders are villains, of course they'll get killed." And this isn't inherently a wrong statement, they look at the bad things the group is doing and understand they must be stopped, why are people upset clearly bad guys get beat and/or killed in DnD games? Because they aren't actually getting killed in such brutal ways because they're bad guys, it's because they personally annoyed or hurt the Bad Kids. This is also why Ratgrinder fans often feel both frustrated and vindicated at once (I speculate, but I feel it's a safe assumption,) because on a meta level Kipperlilly is literally right. Her friends and likely herself are getting ripped to shreds because they crossed the special protagonists, because they started to really frustrate the Intrepid Heroes. The Bad Kids have forgiven atrocities before, but the Intrepid Heroes are really quick to dismiss and kill people they find annoying.

The ultimate example I feel of this, is Mary Ann. Ruben gets blasted into hell because his actions personally annoyed the players, Ivy gets stabbed to death while being repeatedly insulted and threatened with mutilation because her actions personally annoyed the players.

But Mary Ann is the one they all think they can redeem or save, because her personality is more cute and endearing to the players. That kind of says it all better than I ever could.

Frankly I think Alistair being mildly shitty to that mage in Ostagar seems pretty in-character for the guy he is before the massive, life-altering trauma that is the Ostagar massacre wherein he sees all of his Grey Warden comrades, his beloved mentor/father figure, and his beloathed half-brother/convenient-target-of-projection absolutely torn to shreds by literal Thedas boogeymen. IIRC Morrigan and Flemeth both comment on his wack behavior after Ostagar and then by the time we get to Lothering Alistair just fully surrenders any and all responsibility (and, frankly, agency) to the player's Warden for the foreseeable future. It can then take anywhere from a couple IRL hours to the entire second act of the game for him to retake almost any amount of it back. And depending on the player's choices in dialogue, and especially whether or not they choose to romance him, we may only see flashes of that guy we met at Ostagar before he potentially morphs into almost someone else entirely (hardened!King!Alistair). All that to say, I don't actually think it's a useful criticism of "characterization" to bring up Alistair's glibness as compared to his behavior in the majority of the game because from where I'm standing (looking directly at his snottiness about Cailan, his complaints about being assigned to the Tower of Ishal, his Templar-esque focusing on Morrigan and Flemeth being apostates, his generally pretty brusque manner with the Warden recruits) it seems fairly in-line with the rest of his behavior at Ostagar.

I would love to see a heartfelt, gut-wrenching goodbye kiss from Finnick and Annie because you know they've had a good few of those kisses in their traumatic life.

anon your wish is my command

When the alarm goes off, Annie doesn’t move. She’s been awake for what feels like hours. She still isn’t going to move, because if she does, then this will splinter and fracture and it will actually be the morning, and he will actually need to leave.

At least he’s leaving in the morning. She hates when he leaves at night. It means that he won’t get any sleep and then he’ll be expected to perform even more exhausted than he normally is. She doesn’t think he slept much anyway. She doesn’t know.

She’s spinning out, so she squeezes her eyes shut and pretends it’s not the morning until Finnick turns the alarm off. He exhales slowly next to her.

He has to know she’s awake. Has to. But he needs her to not be upset, and Annie’s fraying around the edges too much to keep it together the way he needs her to.

She drags herself out of bed at the last second. She knows they’ve both put it off, he’ll have to run the whole way to make it to the train on time, so she runs down the stairs and nearly collides with him as she stumbles on the last step.

He catches her. It’s almost thoughtless, the way he does it. Like he’ll always catch her.

“Finnick,” she says helplessly, and draws his head down to hers so she can kiss him.

It’s quicker than she wants. She wants to lose herself in it. She knows she can’t, but she does, just for a second, in the feel of his lips on hers. How soft his hair is under her fingertips.

“You’d better run,” she says against his lips. “Don’t want to be late.” Her voice cracks.

Finnick kisses her again and then turns and dashes out the door. He never said a word to her. She doesn’t think he could.

Annie collapses into a kitchen chair and stays there, staring at the wood grain of the table, for a long, long time.

send a kiss