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shinesurge · 5 months

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Webcomic rings run by people within the community are cool and you should support them

I've been loudly struggling a little bit with corporate webcomic Stuff lately so I want to mention something positive to balance it out: webrings run by small groups of creators earnestly trying to support each other are slowly making a comeback and I for one am delighted.

If you weren't around for them in the before times, webrings were just some folks who hang out a lot who feature each other on their websites. That's literally it lmao. There's generally no money involved and it only really functions the way it's supposed to if people have control over their own websites AND genuinely want to participate and get excited about other folks' work, which means the practice has pretty well fallen by the wayside over the years in webcomic culture given. Everything. In the rare event someone decides to do something like this it's usually in the form of a link list somewhere on their website; this doesn't usually indicate any sort of mutual support, it's just a list of what the creator is reading themselves.

A webring, though, is an official banner or hub that people gather under intentionally where each member is more or less on equal footing. It's essentially the concept of "a rising tide lifts all boats" put into practice, each creator brings their own audience to the table in a passive, opt-in sort of way that's different from working for a publisher since there isn't necessarily a Top Spot or a paycheck everyone's vying for, and individuals retain autonomy over both their own work and how (if) they promote each other. You're all at your own tables in an artist alley rather than fighting over the table in the front of the book store, essentially.

I have two rings and one collective for you today!

Webcomic Ring was brought to my attention AGES ago by Holly, one of the artists featured there, and I might have brought it up at some point but I'm doing it again lmao. This is exactly the kind of thing you ought to be looking for; a small group of enthusiastic folks having a good time making their weird little comics. You probably haven't heard of much in the catalog, that's PERFECT in the context of webcomics that's where the GOOD SHIT is. Finding something like this is A Gift go dig around in the longboxes for a while.

Then a few people have pointed me in the direction of the KNIFEBEETLE collective and that's neat too! Most of the comics there are already fairly well-known, but the vibes are excellent and I haven't seen a lot of talk about the collective /itself/ outside folks already in the know. I think it's important for this sort of thing to be more visible to folks who aren't terminally steeped in webcomic culture already so here I am telling you about it. You were probably reading several of these before I suggested it, but that's how a webring works! For it to do its job you should take those bigger creators' tacit recommendation of the less popular titles as a sign to go read something new and strange. Wild, I know these are practices held over from the old internet, but I think we should try and bring them back.

Lastly, I want to mention Spiderforest, which is a collective (slightly different from a webring) BUT still a very cool project readers starved for new stuff should pay attention to.

You've probably seen Spiderforest kicking around for a long time already; they're wonderful and have always been an overall positive force in the community in my experience. They really focus on building up a community, and especially welcoming newcomers and helping them get their feet under them. Full disclosure, I've been asked to apply by a few different folks over the years and the only reason I never did is I don't have the ability to participate in their forums and such as frequently as they want their creators to; it's a very good system (from my outside perspective) that might contribute to the community staying mostly healthy in ways that art communities usually don't and I appreciate it a lot!

ANYWAYS that's all I got for now, just trying to balance out some bad feelings I've been having by talking about some good stuff. Please go binge an archive this week.

#long post #contrary to what i say i do love webcomics so fucking much #there are Reasons i'm fucking angry all the time lmao

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wolfnanaki · 3 months

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The Cavemanon Files

This documentation is regarding Cavemanon. They are an independent development team that created Snoot Game (the parody of proudly LGBT indie game Goodbye Volcano High) and its spiritual successor, I Wani Hug That Gator!, which released on Steam February 14th, 2024.

The vast majority of this information had been compiled over the past few months by an independent team, and Caliber (ex-Cavemanon developer who worked on Snoot Game, credited as “Spigot The Bear Anon”), has volunteered to be the primary contact regarding this documentation.

Regarding the company’s newest game, I Wani Hug That Gator!, Cavemanon failed to pay wages towards many members of the development team, with the few members who did get paid being forced to sign a potentially fraudulent NDA contract and being offered as little as $50 for their work on a game that is estimated to have made $15k-$20k within a week of its launch. Among the people not paid – wages, royalties or otherwise – includes the creator of the concept, Loanshark, who had begun it as a passion project with his friends before Cavemanon took it over.

Additionally, “Nerd”, the head of Cavemanon and the originator of the Snoot Game idea, is openly anti-LGBT; he has admitted that anti-LGBT messages were fundamental to Snoot Game (and he’s upset more people don’t see it that way), and he has attempted to impose his personal views on the fandom. This has included attempting to assert control over moderation teams of an art server, sabotaging a gay mod for Snoot Game and accusing its creator of being a pedo, and having a Wani character be hastily redesigned a week before the game’s launch after finding out the artist had designed her as a transgender woman.

There’s a whole lot more, linked below, with citations in both links and screenshots. Some names and personal info are redacted for people’s safety.

[ download link ] [ backup link 1 ] [ backup link 2 ]

[ Internet Archive ]

(On a personal note: it’s cold comfort to me that I got doxed for calling Snoot Game transphobic, only to find out later that the guy behind it admitted that was the goal all along.)

#Cavemanon #Snoot Game #I Wani Hug That Gator #video games #PSA #I will probably get lots of backlash for this #so please back up the documents if they go offline

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pastadoughie · 3 months

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incase 1 of you needs 2 hear this :

ai art is shitty and explotative, and while i dont think that neural networks are bad as a concept, they can be done ethically, but at this point every single large company that has ai shit is doing it in an extremely shitty way. art that is posted on the internet isnt yours to steal and make profit off of. you do not get to take the art of unconsenting random internet users, throw it into a shredder, and sell 7.99 a month subscription packadges for people to be able to eat some of the dust it spits out.

while i previously was more lax on people on reposting my art so long as they credited me, i ask that you not fucking repost my art, under any circumstance if you are on a platform that is scraping art, or on a site that is not properly set up to deal with scraping. the only acception to this is commisions where you have explicitly asked me.

this includes tumblr.

reposting without credit is always bad, even if you dont know who to credit. you should under no circumstance be posting artwork that isnt your own without giving people a way to see the artist, and you need to link it in a way that is ACTUALLY USEFUL, give multiple links to multiple platforms, do not use 3rd party link shorteners, include mirrors and archive captures, provide a plain text spelling of usernames for every platform you link to, ask for explicit permission of the artist, opt out of any ai generation tools. or if you are on a platform that does not allow for this do not post it at all, and you have to have all of this very clearly visable and easily readable

if that is too much effort for you then you shouldnt be posting it. with literally zero exceptions.

biological sex is not real and people can do whatever the fuck they want with their own bodies, even if you deem it as "self harm". under no circumstance should you take away peoples bodily autonomy, someone could literally be sawing their arms off for funsie wunsies and i would still say they need to have freedom and privacy, and it is ultimatly THEIR call what they do with themselves.

gender is similarly also not fucking real, people can dress however they want, fuck whoever they want, and use whatever words to describe themself with that they want. and if you think that boys wearing dresses or some shit is somehow harming you then you are ligitimately fucking pathetic. if i fucking ran a political campain saying everybody wearing a scarf was a pedo and a rapist and we need to ban scarfs forever would you fucking vote for me? are you that scared of people being able to? do what they want? jesus.

genocide is bad. regardless of who does it.

regardless of the scale of cruelty, there is nothing that a group of people from a certain state, ethnicity, religeon, ect, can do that justifies murdering civilians. there is never a justification for genocide.

implying, under any circumstance, that someone is somehow evil for their background, appearance, religous beliefs, country of origin, sexuality, gender, ect. is shitty or worthy of violence because of that is, and i cannot stress this enough, fucking disgusting. nazi shit. even.

i do not support zionism. i do not support antisemitism. i do not support racism.

also the iof is actively commiting a genocide. you should donate to a relief fund for people currently suffering from this, as well as call your house and senate members. as have i.

people often times claim that people they dislike, largely minorities, are pedos or rapists or something of the sort. this is something that has been happening for, and i cannot stress this enough. all of fucking history. people were fucking saying these exact points, verbatim, to argue in favor of SLAVERY okay? if you are spouting the exact same shit as fucking nazis and colonizers and slave traders, then consider, you are a horrible fucking person.

you have to be EXTRODENARILY SKEPTICAL when accusing a minority of a serious crime, and spreading information about it. because if a bigot can just say "oh theyre a pedo" and you believe them at FACE VALUE then guess what? you are just as much of a bigot as they are. minorities are people, and people do terrible things, but just like you should be doing with EVERYBODY, you should be actually looking into things before you accuse someone of being a shit person, and often times, you are not knowlagable enough about someone to make those kinds of claims anyway.

#the beast speaks #retchid opinions

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blanketforcas · 5 months

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Hey destiel and cockles newbies/relapsed addicts! We’re glad you’re here. But we have a problem – no worries, there’s an easy solution.

You may have noticed when you post ai images, people don’t always respond well to it. Let me explain why. And let me help you find different ways to engage with fandom/find community!

Why we don’t want to see ai “art”:

AI steals from real artists

it’s discouraging for artists who actually put the work and heart into their creations

If you want to have a better understanding of why it's unethical, here's a good video to watch

Why we don’t want to see ai-altered images/art of cockles, even if most of the picture is real:

See the reasons mentioned above

It eventually creates this weird dystopian situation where you google their names and there’s fake pictures among the real ones and it becomes harder to tell which ones are real

What IS okay:

Manips you created yourself without help of ai – as long as you state it’s a manip. Preferably also a link to the og pic(s) you used. This is a great way to get creative with real pictures and still make something new out of it.

Now, let me preface this next part by saying no one is obligated to engage with fandom in any way. Lurking is okay, though we always love when people reblog our posts/creations.

How to find community if you want to contribute something yourself but you’re still too intimidated to do it in any of the “conventional” ways:

Talk in the tags! People love to read those and like/reply to them. It’s a very accessible and low pressure way to feel part of a community

Make commentary posts about a fandom/destiel/cockles event or scene that happened a long time ago. They can be as short or as long as you like. We never got over it, so might as well make another post about it!

Edit pictures in a way you like, make posters out of them, make your blorbos/actor men look silly. It can be very low effort and still make people feel something

Web weaving! if you're not familiar with this concept, here's a post that explains it well

You can of course always dabble in making art, amvs, gifs, graphics, original music,... You don’t need to be good, let alone amazing at it from the start, or ever! There’s a learning curve for everyone and creators are improving their skills all the time. Don’t be afraid to ask for help or resources! The main goal is that you have fun

Let's make this a welcoming and supportive community. There's no place for AI in that.

#destiel #cockles #spn

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fashion4standusers · 11 months

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FFSU’s Fan Fashion Week!

*ETA: Works posted to AO3 can be tagged as "FFSU Fashion Week"!*

I’ve had the concept for this in my head for AGES but never got around to posting it. I originally planned to run it as an event during a certain time period, but I found that making it an event intimidated me out of actually making the idea happen. I just think that I’m a lot more confident in my ideas when I don’t overthink it! Therefore, instead of running an event, I’m just putting this challenge out into the atmosphere for people to take it and run with it.

REBLOGS GREATLY APPRECIATED!

Everything you need to know is in the graphics, and here’s a plain text version as well:

Fashion For Stand Users’ Fan Fashion Week Challenge: a 7-day art and/or fic-writing challenge!

Art Prompts:

- Day 1: Runway

Draw your chosen character(s) in an outfit from a designer runway! Check the blog archive or Vogue Runway for references and modify the look however you want.

-Day 2: Subculture

Draw your chosen character(s) in the fashion of a certain subculture: goth, raver, scene kid, etc.

-Day 3: Style Swap

Draw two or more characters swapping their canon outfits, or simply wearing outfits more suited for the other person's vibe and aesthetic.

-Day 4: Historical

Draw your chosen character(s) in the fashion of another era.

-Day 5: Redesign

Redesign, reinvent, or modify the canon outfit(s) of your chosen character(s).

-Day 6: Formal

Draw your chosen character(s) in gowns, tuxedos, and other fancy clothes.

-Day 7: Free Space

Draw any kind of outfit(s) you'd like for your chosen character(s)!

Writing Prompts:

- Day 1: Character Study

Write about why a character dresses or looks the way they do. Why do they like the clothes they wear? Do they wear something with personal significance? How do they want the world to see them?

-Day 2: Makeover

Write about a character getting a makeover from another. Are they getting new clothes, a new hairstyle, new makeup? Is it just for fun or a sign of a bigger change?

-Day 3: AU

Write about an alternate universe where the characters are models, fashion designers, hairstylists, makeup artists, etc.

-Day 4: Disaster

Write about something going horribly, horribly wrong: wardrobe malfunctions, makeup mishaps, over/underdressing, etc.

-Day 5: Shopping Trip

Write about characters going shopping together and all the shenanigans that ensue.

-Day 6: The Event

Write about a character getting ready for or attending an upscale event. Who are they going with? What are they wearing? How are they feeling?

-Day 7: Free Space

Write about any scenario you'd like, as long as it's about clothing or fashion!

Rules:

Have Fun!

This is obviously a JJBA blog, but feel free to use this challenge for OCs and other fandoms! If you plan to modify the prompts, make different graphics, or make your own version of the challenge for a different fandom, be sure to credit this blog or link back to this post!

Mention @fashion4standusers in all your posts to give credit! You can also tag your posts with #ffsufashionweek, and if your work is about JoJo, I would love to share it on the blog. If you post outside of Tumblr, include a link to this post!

Don't think you can do it in a week? Want more time to write longer fics, make more detailed art, or just develop your idea more? No worries, just work at your own pace! The concept of the challenge is a reference to the various Fashion Weeks that happen around the world, but by no means is it restricted to any real time frame!

Only want to write or draw for a few of the prompts? Maybe only one? Wanna work out of order? Go ahead! This is a challenge of course, but if you just aren't connecting with some of the prompts, don't force it!

Feel free to use the ideas you come up with for this into more in-depth works!

It's never too early or too late to give it a shot, and I'll always keep an eye on tags and mentions for new additions!

#ffsufashionweek #jjba #JoJo's Bizarre Adventure #jjba fanfic

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accio-victuuri · 3 months

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an analysis : Xiao Zhan + The Moon & Sixpence 🌖

as usual with xzs videos like the one just released, you can make an entire thesis into the possible meanings of every chapter and frame. add it’s relation to xz and if you’re a pro, go deep into the techniques they used in shooting and editing. this one tho is centered around the theme of “the moon and sixpence” which is a book xz recommended before. I saw a few articles linking this to the elements on the vlog and so i looked into it.

i have lightly talked about some elements from the vlog yesterday but focused more on the quotes that appeared and the music chosen.

it’s been years since he mentioned this book and he didn’t even say that it’s his all-time-favorite. for example, the van gogh elements, we expect that already to be a recurring theme. as well as the moon, but this one has another connection to it. i am honestly curious where his headspace is at, and why, in this specific point in time he felt so close to the message of that book or some parts of it.

let me start with a synopsis and the book is available on googlebooks if you wanna try it out like i did. 🔖

with the plot alone, you can get a sense of why he would like it. at the time he read it, he was not yet the superstar xiao zhan that we know now. and this is why i guess he related to it more now. especially the sacrifices he has to make for the path he has chosen. this was evident in his GQ cover story interview where he compares himself to his other friends and how they have normal lives. the books is written in the first person POV of narrator who is looking into the stockbroker turned artist Charles Strickland. you get to see the thoughts of the narrator and how he views the main character of his story. the way i see it, the narrator is “Xiao Zhan the person” and how he sees “Xiao Zhan the public personality”. this concept of two sides to him was opened up in his esquire cover story and i can’t help but think it relates to this story.

i will be heavily quoting passages from the book that attracted me and i personally thought relates to xz. this is my personal interpretation only.

The greatness of Charles Strickland was authentic. It may be that you do not like his art, but at all events you can hardly refuse it the tribute of your interest. He disturbs and arrests.

the story starts of with this line and well isn’t this one way to describe xiao zhan? he has always been described as authentic and the “real deal” as far as idols and actors go. not many people are expected to like him or be part of his fan club and chase him — however, one thing is clear: he disturbs and arrests. his popularity is something that is unheard of and many artist and companies try to replicate. he is a disturbance to the norm in c-ent and why he is a constant target. it’s his biggest asset and liability. something like MFW and stepping out of his home is also expected to attract all kinds of attention. He is aware of that.

“His faults are accepted as the necessary complement to his merits. It is still possible to discuss his place in art, and the adulation of his admirers is perhaps no less capricious than the disparagement of his detractors; but one thing can never be doubtful, and that is that he had genius. To my mind the most interesting thing in art is the personality of the artist; and if that is singular, I am willing to excuse a thousand faults.”

this is in the POV of the narrator, describing the artist he is writing a book about, Charles Strickland. the message of this quote is similar to the one i mentioned above. xz is not perfect and people, specifically his fans should accept that. it’s what makes him more real. through his wins and losses, he is still xiao zhan.

“It is a salutary discipline to consider the vast number of books that are written, the fair hopes with which their authors see them published, and the fate which awaits them. What chance is there that any book will make its way among that multitude? And the successful books are but the successes of a season. Heaven knows what pains the author has been at, what bitter experiences he has endured and what heartache suffered, to give some chance reader a few hours’ relaxation or to while away the tedium of a journey. And if I may judge from the reviews, many of these books are well and carefully written; much thought has gone to their composition; to some even has been given the anxious labour of a lifetime. The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of his thoughts; and, indifferent to aught else, care nothing for praise or censure, failure or success.”

this next passage makes me think of the projects he has done and what it must feel like for him. there are a lot of dramas/movies that come out every year and what we repeatedly hear from xz is that he only wishes to bring good works. something people will enjoy and appreciate— never mind the popularity that comes with it. he just finished filming a big project LOCH which i can only imagine is so stressful to him. and now is working on another historical drama.

he is someone who immerses himself in the character and once it’s done, it must be a huge weight off his shoulder. like what is said — seek reward in the pleasure of work and in release from the burden of his thoughts.

“Then, what in God’s name have you left her for?’

‘I want to paint.’

I looked at him for quite a long time. I did not understand. I thought he was mad. It must be remembered that I was very young, and I looked upon him as a middle-aged man. I forgot everything but my own amazement.

‘But you’re forty.’

‘That’s what made me think it was high time to begin.’

i think this one is pretty self explanatory, how he started in the entertainment circle a little bit later in his life. compared to his peers. but the answer was simple to him as it was with Strickland, in his case, “i want to sing.”

‘I tell you I’ve got to paint. I can’t help myself. When a man falls into the water it doesn’t matter how he swims, well or badly: he’s got to get out or else he’ll drown.”

this message seems similar to the one quoted on the vlog about about the rivers and small streams. in this one, it emphasizes how one should not be afraid to take the small step of “swimming badly” in hopes that someday they will wade the waters more efficiently.

“But here was a man who sincerely did not mind what people thought of him, and so convention had no hold on him; he was like a wrestler whose body is oiled; you could not get a grip on him”

If there was something in this book the describes XZ so perfectly — it is this one. I think he is not devoid of over thinking about what people say or being a people pleaser. but in recent times, i am seeing a change in him and how he is more calm. a freedom in the way he speaks, the truths he is no longer holding back. he is not afraid to be different anymore.

which led to that GUCCI outfit. LOL! 🤣🤣🤣

‘Look here, if everyone acted like you, the world couldn’t go on.’

‘That’s a damned silly thing to say. Everyone doesn’t want to act like me. The great majority are perfectly content to do the ordinary thing.”

so true. a great majority wouldn’t and couldn’t do what he does. just looking at the chapters in the vlog, from going to a distant place and dealing with the MGW chaos. after that, being only afforded a small time to decompress and sit. to enjoy the sunset. that’s what his life is.

“I don’t pretend to be a great painter’, he said. ‘I’m not a Michael Angelo, no, but I have something. I sell. I bring romance into the homes of all sorts of people. Do you know, they buy my pictures not only in Holland, but in Norway and Sweden and Denmark? It’s mostly merchants who buy them, and rich tradesmen. You can’t imagine what the winters are like in those countries, so long and dark and cold. They like to think that Italy is like my pictures. That’s what they expect. That’s what I expected Italy to be before I came here.”

i would guess this is how he sees his work. he never claimed to be the best, you can see that with how he always mentions wanting to be better. he wants to give the people a positive view of life. which i can clearly see from the vlogs even, makes you wanna go where he visited.

“A man’s work reveals him. In social intercourse he gives you the surface that he wishes the world to accept, and you can only gain a true knowledge of him by inferences from little actions, of which he is unconscious, and from fleeting expressions, which cross his face unknown to him. Sometimes people carry to such perfection the mask they have assumed that in due course they actually become the person they seem.”

another one that i think describes xz. his little actions that we see reveal his true self —- the gentle, funny and dorky xiao zhan which is a contrast to the character he sometimes has to portray. it’s when we talk about his duality, the way he was posing and “game face on” for GUCCI but when he did the interview you can see the dorky xiao zhan 😂

there are times that xiao zhan merges some of the qualities of his celebrity side and i think it’s perfectly person. it is a huge part of his life, and the way i see it, his experiences only make him a better person.

“I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage.

They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known.

Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history.

Sometimes a man hits upon a place to which he mysteriously feels that he belongs.

Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth.

Here at last he finds rest.”

read that again. it’s a lovely way to put into words what i imagine is something that not only xz goes through. we know what kind of environment and country he lives in, i’m not trying to get political but you get the point. being a celebrity or public personality like him is vastly different from how it is with the rest of the world. i have always admired how he handles it all with grace, how he he willingly accepts the responsibility and burden of being who he is. and that’s why i was also surprised by his answer when asked about a parallel world and he answers about a superpower where he can make it possible to have no disputes in the world. being in that place, with lots of people around, from different parts of the world probably made him think more about this topic. aside from eating pizza and being his usual beautiful self, he was thinking about some serious issues too.

chapter 1 was about going to a distant place but not really, there was something in that place and experience that feels like a home he longs for.

alternate explanation, this can also mean him living his life as a graphic designer, and then spreading his wings into a different industry — being the place he has sought. but considering the time this was released and where he is now at life, i’m thinking it’s more of the former.

so busy yearning for the moon that he never saw the sixpence at his feet. 🪙

this imagery at the end of the vlog + the coin he holds + the quote fits so well together. the way i see it, XZ is doing both. he appreciates the moon, he looks up to it but he doesn’t miss to see and hold the sixpence. it’s why he is holding on to it, in some, it was even rolling on it’s own towards him. and it’s not just the proverbial sixpence. he is seeing and appreciating his surroundings —- the egg he ate, laundry, bike etc.

as a fan, this is actually comforting to me. the book itself is not the happiest, which makes sense cause xz prefers melodramatic to downright tragic stories. but it shows a realistic view of what some goes through to pursue their dreams. it’s not as glamorous as what we see on tv or the internet. but the end of the vlog, shows that xz is keeping a balance. he is not just busy looking up at the moon— he is also living his life.

-END.

I first knew about the connection of the vlog to the book via 辉夜姬不叽 and i got hooked into writing something about it and reading the source material. i also liked @resonancewitness interpretation of the vlog, particularly the lines in starry starry night.

#xiao zhan #halfway through making this i thought about why i made it in the first place lol i just got so fixated #reading the book was lowkey therapeutic for me cause it has some good passages about love too ^^#i can’t believe xz made me read book lol thank you xiao laoshi 🙇‍♀️🙇‍♀️🙇‍♀️#i absolutely love the intellectual hipster side of xz never change please

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carryon-reverse-bang · 7 months

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Carry On Reverse Bang 2023 Masterlist

The Carry On Reverse Bang is a fandom event where an artist and writer pair up to collaborate on fic/art that is inspired by the artist’s concept. Our posting window for 2023 has now closed! You can click on any of the links to view these amazing collabs. You can also check out the collection on AO3, Carry On Reverse Bang 2023

Rated G

Three months or 3,000 miles is a collab with art by @theimpossibledemon and fic by @larkral

Rated T

Feet Buried in the Sand is a collab with art by @leithillustration and fic by @larkral

Known is a collab with art by @stardustasincocaine and fic by @melodysmash

After the Freak Show is a collab with art by @ebbpettier and fic by @jasonfunderberkerthefrogexists

Bait and Switch is a collab with art by @cutestkilla and fic by @whatevertheweather

The Secret to Forever is a collab with art by @artsyunderstudy and fic by @gaymageenthusiast

The Heart in the Well is a collab with art by @alexalexinii and fic by @aristocratic-otter

Stake My Breath Away is a collab with art by @ivelovedhimthroughworse and fic by @dragoneggos

Take a Walk on the Wild Slice is a collab with art by @aroace-genderfluid-sheep and fic by @youarenevertooold

Out of Time is a collab with art by @artsyunderstudy and fic by @nightimedreamersworld

Hey Cowgirl With That Look in Your Eyes is a collab with art by @excalisbury and fic by @iknowfuck-allaboutvampires

Rated M

The Tower Room is a collab with art by @artsyunderstudy and fic by @best--dress

Let me fall is a collab with art by @rimeswithpurple and fic by @nightimedreamersworld

The Vampire Knight and the Chivalrous Dragon is a collab with art by @leithillustration and fic by @scribble-tier

The Haunting of Simon Snow is a collab with art by @bubble-gumhead and fic by @iamamythologicalcreature

The Stars Light Our Path is a collab with art by @ghostpepperworld and fic by @blackberrysummerblog

Rated E

Supernova is a collab with art by @pato-roldnart and fic by @orange-peony

When I Get My Hands on You is a collab with art by @stardustasincocaine and fic by @blackberrysummerblog

#carry on reverse bang #corb 2023 #snowbaz #the simon snow series #simon snow #baz pitch #carry on #carry on fanart #carry on fanfiction

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maniculum · 5 months

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Bestiaryposting Results -- Gligglae

Sorry this is later than usual; traveling for the holidays makes it difficult to keep up with this sort of thing. The smart move would have been to write it up a couple days ahead of time, then on Monday just update it with anything new that had been posted since, but see, what happened was that I did not do that. Instead, I tried to type this up Monday evening in between various family obligations, realized I didn't have time to do it properly, and just shoved it in my drafts. Then all of Tuesday was taken up with the long drive back home from where my family lives, and now you're getting it on Wednesday.

(Also, don't worry, I followed all CDC guidelines appropriate for someone who had recently had covid, and wouldn't have traveled for the holidays at all if I hadn't been without a fever for 48 hours prior to departing. Plus I drove instead of flying, didn't visit anyone but immediate family, and had a mask the whole time, so even if I am still contagious somehow, exposure was pretty minimal.)

Anyway, the entry that our artists are working from is here:

And, of course, all previous material on this matter can be found at https://maniculum.tumblr.com/bestiaryposting.

I think a larger number of people than usual identified the animal in question right off the proverbial bat, because this one has some pretty blatant tells, but as always I appreciate everyone trying to put it out of their minds.

So, anyway, in rough chronological order:

@coolest-capybara (link to post here) (thank you for providing your own alt text, I really appreciate it) brings us her usual impeccably medieval-stylized rendition -- the swirls and curves in this one give it a really interesting vibe, I think. We can see the Gligglae in full-body profile on the left there, and a group of them doing their cluster behavior on the right. The, like, griffin/cockatrice/vampire look is pretty great, also. I enjoy the overall design, which you can find some discussion of in the linked post. Gold foil also a nice touch.

Coolest-capybara also notes that the entry is very interested in the ways in which the creature is "almost, but not quite, entirely unlike a bird," and I can explain why that is. It is because this entry is in the Bird section of the bestiary, so officially this is a bird -- I mean, it flies, what else can it be -- but it's sufficiently un-bird-like that it really sticks out to the authors, so they need to explain the ways in which it's Doing Bird Wrong. Everything else in this section does X, so we need to point out that this one does Y, kind of thing.

@silverhart-makes-art (link to post here) has drawn an absolutely adorable little Gligglae. (Adorable if you have my sense of aesthetics, that is -- I suspect if you're among the portion of the population that finds aye-ayes more creepy-looking than cute, that might apply here as well.) There's an explanation of design decisions in the linked post, including a number of references to real animals that provided inspiration. I like the decision to play up the "lowly" and "mean" part of the description by making it small and kind of scruffy. And the general concept of blending "gliding rodent" with "nocturnal primate" to make an arboreal mammal with elements of both really worked out well here, in my opinion.

@aethereaii (link to post here) has done this beautiful piece in a style that kind of gives "19th-century naturalist" vibes. (Actually, it makes me think of James Gurney, but I suspect that association says more about my childhood reading habits than anything else.) This is a great design in my opinion, and you can find some brief discussion on design decisions as well as an earlier version of the Gligglae in the linked post. The earlier design is also very good, but I agree with Aethereaii that this one is a step up, particularly with the Anomalocaris-inspired faux-wings. I also really like the inclusion of the juvenile Gligglae (Gligglings?) clinging to their parent's back in the corner there.

@karthara (link to post here) decided to go in a reptilian direction with this one, which (a) works well and (b) caused me to spend a chunk of time reading about flying snakes on Wikipedia just now. So in this version, the "rowing motion with its skin" is a description of the Gligglae flaring its ribs and undulating through the air -- which I genuinely think really makes sense. The entry seems to legitimately disagree with itself about whether this critter has wings (or, taking it entirely literally, it has wings but flies through a completely separate method that specifically does not involve said wings, which I think we're justified in deciding is Wrong), so I think going with such a non-wing-like flight method works here. Also like the concept of making these very cuddly (and apparently loving, according to our bestiary author) creatures into a type of animal that usually isn't seen that way. The linked post also contains some brief notes on design decisions.

@strixcattus (link to post here) has, as per usual, provided a really excellent modern-naturalistic description of the creature they've designed in the linked post, and you should definitely go check it out right now. I'll wait.

... back? Okay good. I particularly like their interpretation of the "grape-cluster" behavior as a social group that's specifically not a kin group; and also the fact that said group is officially referred to as a "cuddle". The choice to make it a whole genus and show us several different wild and domesticated species, also very good, love it. As with several of these drawings, Strixcattus's Gligglae (Gligglaes?) are extremely cute -- which, really, does also fit the description provided in the entry. They're like tadpoles crossed with sugar gliders.

@cheapsweets (link to post here) credits Ken Sugimori's Pokemon illustrations as a stylistic inspiration, which I suppose explains why the Gligglae cluster seems to be hanging from a Sudowoodo. The linked post also draws certain parallels between medieval bestiaries and the Pokedex, which I think is actually pretty insightful. There's also a breakdown of their design decisions there, go read it. I think this is a pretty good rendering of something that is like a flying squirrel but distinctly not a flying squirrel, and I like the shaggy look of the fur.

Also, thank you for providing your own alt text.

@pomrania (link to post here) is, I think, the only person to take the bestiary author at their word that this animal has wings but flies through some other, non-wing-related method. You can see the tiny useless wings at the shoulder there. I really think that's fascinating as a concept: what evolutionary pressures would produce an animal that (a) has wings and (b) flies but (c) those two things are unrelated? Although this many appendages on a fur-bearing creature puts us firmly in the "alien biology" territory, so maybe it's silly to expect it to make sense by the standards of terrestrial biology. Regardless, I like it, and I think the decision to run with the "rowing" description by giving it those oar-shaped appendages is a good & creative one. The post linked above contains a fair bit of information on design decisions and the drawing process here -- there are sketches and everything.

@vindikat (link to post here) has interpreted this in a way I find really charming. The art is of course excellent, very well drawn, and I appreciate the effort that went into doing these different poses. However, I really like it from a worldbuilding perspective: this gives me the impression of a small species of griffin that's adapted to urban living, more pigeon/cat than eagle/lion. (Come to think, both pigeons and cats are examples of feral populations finding a successful niche, rather than wild ones that adapt to a city, so maybe we can speculate that these guys are also descended from domestic ancestors.) Also the Gligglae under the eaves there remind me of pictures of chimney swifts that have made the rounds on Tumblr.

The design is also generally very appealing; I think the extra wings and the long tail really work here. The linked post includes an explanation of the design decisions that I think is worth taking a look at.

@moustawott (link to post here) has given us another very cuddly version of the Gligglae. I particularly like the wing design here, how it's kind of a mammalian version of a pterosaur -- Moustawott indicates that they were specifically trying not to draw the animal that they're sure this is, and I think the pterosaur-squirrel design here is a great way to make something that could fill kind of the same niche while being an unmistakably distinct creature. The little round head and eye markings remind me of a chipmunk, also, which is cute.

@rautavaara (link to post here) continues to do interesting stylistic stuff with their contributions. I like how the limited color palette here makes this look kind of like a single-block woodcut or similar relief printing. Like, you could plausibly see this as a design someone's carved into a wood block, then printed on mustard-yellow paper with purple ink. (I'm actually not 100% sure that's not what it is; I would just be surprised if someone actually went the extra mile of breaking out the engraving tools for my little bestiaryposting thing.) Very dynamic scene, also, and a charming creature design; love the huge mouths with pointy little fangs.

All right, these are all the ones that come up on the search; if I missed yours, let me know please.

(I have to apologize here for another delay that's absolutely my fault -- I would have had this out a few hours ago, but I got derailed by impulsively deciding to check out that Hbomberguy plagiarism video everyone's talking out, and... yeah.)

Anyway, as a number of this week's artists indicated, this one was really easy to guess, so the reveal seems a little pointless, but we have a format, so:

Obviously, this was the sheep.

What? Look, you can't make assumptions with these things. Some of these medieval bestiary entries are really counterintuitive. Medieval Europeans believed there was a species of small, highly-social, flying nocturnal sheep native to Ethiopia.

Really, it's in Pliny the Elder.

...

Yes, fine, I'm just lying to you for fun. It's the animal you all think it is, there are no flying sheep to my knowledge. Here's the Aberdeen Bestiary illustration.

Yep, it's the bat. Oddly human face on that one, and generally I don't think this was drawn from life, but it's definitely a bat.

I do kind of find the way it's described in this entry kind of interesting, though. The confusion about whether bats count as having wings (even after having been placed in the "bird" category) is kind of odd, and the "rowing" description is not one I would have ever thought of. I very much like the declaration that the way bats huddle together is "an act of love of a sort which is difficult to find among men"; it's a sweet way to talk about a creature with a generally negative reputation, which contrasts interestingly with the fact that the author also thinks of them as "lowly" and "mean". You kind of get the idea of a creature that's a bit wretched but in a sympathetic way. "Scrungly", one might say.

#maniculum bestiaryposting #gligglae

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pm0 · 11 months

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@hajimedics revealing my #anonymous self to show how ur post inspired me 🫡

ok I guess I will explain what the symbolism in this drawing means under this cut now :)

BASICALLY Rave’s tags on his art got me thinking about mutual sentience theory & the idea that who these puppets actually are does not align with what playfellow workshop created them to be — specifically, the actual desires of the puppets in whps are not the same as what playfellow thinks they should desire — and it made me think about how it might apply to Frank & Julie.

We know that neither of them fall into (strictly) binary gender labels, we know that Frank is gay, we know that Julie was confirmed sapphic in a stream — and yet we see playfellow putting them into the roles of cisgender heterosexual man & woman respectively, that they cast them to be in the roles of each others romantic love interests (see julie-rella animation cels). So I wanted to draw something based on that concept, the contrast of who they are vs who they’re “supposed” to be.

This is why I included 2 Franks and 2 Julies here, one set in my usual style for drawing them and the other being more ‘on-model’ — the former are a representation of who the puppets actually are, with their agency, while the latter are who playfellow themselves outline the puppets to be. The playfellow puppets are a ‘perfect’ version of sorts, their canonical accuracy + their sparkling appearance being extensions of how true to the script they are.

The framing of these two sets, how they interact with each other within the image, is meant to show the situational helplessness Julie and Frank share. They are stuck together in a ring of lavender flowers (do you get it. wedding rings. lavender marriage. I’m a master of artistic metaphor /j), looking to one another in worry as they’re surrounded by playfellow’s expectations. Neither of them want this, for themselves nor for each other, but what are they meant to do? They aren’t trapped by something they can just escape from, they’re trapped by their own identities; the will of their creators and the will of themselves are intrinsically linked, each at their core are answers to the question of who “Julie Joyful” and “Frank Frankly” are, to try and sever that connection is an impossible task.

The circles above each of the on-model puppets’ heads are primarily meant to be halos bc well. you know how queer religious trauma goes (there’s a ‘playfellow workshop is a stand-in for american christianity and possibly god’ metaphor in there somewhere) BUT they are also supposed to represent wedding rings too, to show yet again how playfellow likely wants them to be a couple — and not in the “a couple of bestiesss(๑>◡0)~☆” way they’d like to be

I think that’s all????? not really much else I can say here. background is black + slightly red for that whrp undersite feel and the on-model puppets are drawn in white to contrast with the primarily black background but also because they’re technically Julie & Frank’s straightsonas & black+white=straight pride flag. ok bye

#I elaborated on my thought process under the cut but erm idk I might sound insane..#pov you see me buying Frank & Julie angst at the delusional store #frank frankly #julie joyful #welcome home #welcome home fanart #welcome home puppet show #my art #don’t tag as ship #playfellow workshop said bury your gays?? nahh bitch bury them in the CLOSET more like #eyestrain #cw eyestrain #<- noticed that this image is kinda hard to look @ so I’m adding tjis now srry abt that!

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greekceltic · 4 months

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FAQ Page

I'm not quite done with this, but it'll be nice for later.

Is it okay if I take inspiration from your art and concepts? I've been in a situation in recent years where another artist has taken far, far too much. You've probably seen me talk about it. It's a subject I'm pretty burnt out on. I recently saw another artist's take on this and it seemed sensible to me. I'm just going to quote theirs. I have tried to find my own words, but right now I find myself more comfortable using someone else's. "Well, if you’re having to ask me for permission, either your design is too similar or you’re being overly nervous about a normal artistic process. You’re absolutely free to use my work as a source of inspiration but I’d strongly encourage you to think about the details from my design you like most, and remix them with other concepts into your own unique take."

Taking inspiration is something everyone does, but please don't become a shadow I get bi-weekly alerts about. Ideally your pool of inspiration will be many artists and concepts re-imagined into something unique to you- and that you're being honest with yourself about the result.

Your art is being copied! / Will you tell me who the copy cat is? I know your intentions are in the right place, and I appreciate that, but I get a lot of messages about this and am tired. I'm sure if my art ends up somewhere it shouldn't be or there's a significant event, the community will get it to me through people I know, but let me rest. I'm just sayin' get a second or third opinion before coming to my inbox.

I sent you a message and you didn't respond. Sorry about that. I tend not to stress about messages because it can be a drain. You're more likely to get a response if you let me know from the get go what you want, but nothing is guaranteed. Sometimes I didn't see it, sometimes I got busy or forgot, sometimes I plan to do it later, sometimes I just opted out. It's not personal.

Are you okay with fanart? What about OC interactions? Can I post it? Sure, just don't profit off of it and please credit me. If you want to draw my OCs interacting with yours that's also fine- though I prefer situations where their actions make sense. Alf wouldn't make your character cry for fun, for example. He's grumpy but not cruel. Posting it is fine. Where do you Rp? Are you looking for more partners? Discord mostly. Roleplay consumes a lot of time so these days I mostly only play with my buddy Thema. I probably wouldn't have time to play, but I like to hang around people that do and I don't mind being asked. Just please don't be sad if I never get around to responding! I'm most compatible with people who are comfortable with radio silence.

Can I use your characters in roleplay/as roleplay refs? Considering I actively roleplay my OCs and there's a potential for confusion, I'd rather you didn't. Though I think there's a difference between linking to my art and saying 'this is my character', and linking to it to say 'this has the mood I'm going for, but here's what's different about my character--'. The latter is fine.

Can I make Fan OCs for your setting? Thinking about this makes me tired. Maybe I'll get to a point where I'm more comfortable later, but for now I'd rather you didn't make something directly from my worlds. But lets be real, you don't need my permission to draw cat monsters and I take a huge amount of inspiration from ancient history. Many of my concepts are inspired by things that you can read about and be inspired too. If you see something and are curious if there's a historical source, just ask. Hopefully I'll remember.

Can I repost your work? I don't mind as long as I'm credited. Most of my art has a signature on it already. If it doesn't, please add a link or my name so people can find me. I'm less okay with my work being used as a pageviews grab on a site where I have an active social media presence, but it's probably not worth my time to care.

Do I have permission to draw NSFW art of your characters? No, for a plethora of reasons, some easy to explain and some not, but I probably can't stop you. Just don't profit off of it or show it to me.

Do you have a website for your OCs? I have RP pages for them scattered all over the place and many of them are outdated, but as I type this I recently put some up on Toyhouse. https://toyhou.se/GreekCeltic

Do you have a website for your comic? Sure do. It's an expensive fuck. https://catswaycomic.com/ When does your comic update? Sporadically. I work on it when I have time. My income is solely freelance commissions and Patreon- mostly commissions.

There's other places you could post your comic! Yeah, I know. I may do that someday, but for now I like having my own house, even if it's an expensive fuck. (Not really, the renewal just hits around tax time, Lol).

#faq #stuff

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kaiju-krew · 5 months

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hey, same anon from the reference ask! I mostly asked beccause Legendary Godzilla is so very detailed, I don't plan on posting the studies I made(using your art as reference, I kinda refuse to do it to respect the artist in question), but I do ask, what references do you have of Goji boy? I often don't find good ones even on pinterest and the movies don't tend on focus too much on his anatomy and features

hallooo again :3c i hope your goji drawin adventures are going well!

anything from the concept book is great, or stills from those 4K brightened scenes from the movies help pop a lot of detail that gets lost behind effects. but if you shoot me a message privately i can send you a google drive link with all my ref in it too, since some of them i just found while browsing twitter n stuff

this is one of my favourites and an absolute gem for goji drawers imo. it's great for capturing multiple angles of him, half my goji ref folder is screenshots from this vid x) they start going over his model at around 10 min in. (im too lazy to timestamp sorry) i find the textureless greyscale model to be easier to use as ref personally, since there's no colour distraction going on. they also show pictures of the real animals they used as ref for certain areas too which is great imo, it helps a lot with surface detail since quite a bit gets lost when it's lit in a movie scene. and around 25 min they add the textures so you can really see his 'true' colouration too. 33 min mark is great for different angles of his face.

but if you aren't a goji drawer and wont be watching the vid at the very least please enjoy my favourite cursed goji face from it

not a single thought behind those eyes <3

#there's also the 3d model you can find online and throw into csp. it's rigged and everything too it's great #kai talks #anonymous

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lil-tachyon · 1 year

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Got any good resources for clothing drawing tips?

Okay so quick little introduction before I try to answer this question. First of all, sorry for letting this languish in the inbox for so long. I have a lot I want to say about this and I'd really like to make a proper "tutorial" but this week took a lot out of me so what you're going to get are some visual notes on graph paper and some rambling thoughts. Maybe down the line I'll try to flesh this out more into a proper guide, but for now it is what it is.

Second- for many different art concepts I can give you some really great recommended reading for self-teaching. There's a whole section of my website with links to things that helped me learn. Clothing is one of those things where I never found a book or tutorial that really "clicked" with me. It's one of the few areas of art where I feel like it's fair to say I'm genuinely self-taught. So what you're going to get here is very much my opinion, not undisputed common wisdom or whatever. Take it with a grain of salt. This is how I draw, not the "right way" to draw.

Third- drawing clothes is not something fundamental like perspective or rendering where there are actual hard-and-fast "rules" you can learn to guide you. It's not even like anatomy where there are approaches that have been worked out and passed down by artists over generations. I think about drawing clothing as a synthesis of several different skills- a little bit of anatomy, a little bit of perspective, a little bit of rendering. Honestly a smidge of graphic design. You're employing a "cloud" of your artistic skills towards a specific end. What this means is that the TLDR of this post is going to be "do what you would normally do to improve at drawing but apply it to clothing." So don't expect something life-changing, instead just open your mind to maybe trying some new things you hadn't thought of before. Also this is going to be more about drawing than painting, that is more about "lines" than "shapes" but the two skills overlap and the same concepts should be broadly applicable. But my examples are going to be drawings.

Okay intro out of the way. Clothes are mostly just tubes of fabric, fabric wants to fall down. The human body and sometimes wind and water and other fluids will stop this fabric from falling down all at once and instead give it a shape. Keep this in mind. It's helpful to know how clothes are actually constructed if you want to know how they will deform when falling across the figure. Where a garment is simply a length of fabric, it's very flexible. It can bunch together or be stretched taught. This is most noticeable at the parts of the body that open and shut like hinges- knees, elbows, and armpits. The behavior of garments at these areas of the body is highly dynamic.

At seams where different sections of fabric are stitched together, movement can be come more limited. Seams are usually imperfect- pieces of fabric of slightly different lengths might be stitched together or fabric may shrink over time around a thread causing it to pucker and wrinkle. For these reasons, seams often act as the originating areas for folds and wrinkles, even when a garment is not in a particularly flexed/active state.

In a two-dimensional image, it can be helpful to describe a garment in terms of silhouette and wrinkles/folds. The silhouette is the actual boundary of the garment, where the fabric comes to an end. The wrinkles/folds are where different parts of the garment pass in front of each other or where the fabric becomes bunched up to the point that light can't reach inside and occlusion shadows form. You should always keep the overall silhouette of the garment in mind to inform the bigger shapes you draw, but you will use wrinkles and folds to demonstrate how the garment twists and deforms. These are the basic tools in your arsenal. Keep it simple.

There are lots of different ways to approach wrinkles. My advice and my personal preference is to draw wrinkles as shapes and not just lines. Specifically, tapered shapes (like triangles) and be really good both for implying motion and the varying depth of a fold/wrinkle. Experiment with different shapes of varying angularity, fill texture, etc. Your hands and eyes will guide you towards what looks and feels good. There's no right way but I would advise you to exaggerate! Ask yourself- what's the biggest shape I can draw here? How can I twist it to make it bigger, crazier but still describe the form in a way that makes sense? It can be exhausting to just try to perfectly copy a reference and also using your imagination like this when doing studies will help build up your visual library for when you're drawing/designing clothing from imagination. In general I would advise you to focus more on drawing something that looks good (ie is composed of shapes that you find aesthetically pleasant) than is "correct."

Quick recap: Garments fall down, you can simplify an article of clothing into a silhouette described by folds and wrinkles. What next? Observe! Take notes! It is worth your time to think about how common articles of clothing are constructed. Jeans, t-shirts, dresses, etc. I used to do some hobbyist sewing and clothing alteration and I think that hands-on work with clothes has really affected the way I think about drawing them. You don't have to go that far but like- look at the world around you. Stuck on the bus, in school, in a meeting, etc? Even if you can't draw, look at how your pants bunch up around your legs, look at the sleeves of someone sitting next to you. I mean, don't be weird about it, but these are valuable observations. Think about how you would draw those things! Really getting good at drawing clothes involves studying them in the wild, understanding how they work, building up your visual library. Look at a faded denim jacket- at the puckered places where the indigo has rubbed away or the permanent creases that hardly see the light of day and remain a deeper blue. Look at petrochemical techwear outfits that break into jagged, high-sheen triangular wrinkles. Soak it all in!

Save pictures of and take notes on outfits you like, designers you like, garments you like. Keep track of these things. Come back and study them over time. Have fun with it! I have folders and folders and folders of images of clothes that I come back to constantly. Over time and with lots of study you'll learn what you want to draw when you draw clothes and that's half the battle. You'll have images of buttons, pockets, belts, laces, fabrics, seams, dancing around in your head that you can deploy at will. It's delightful.

Hope this helps! If anyone has more advice to add, please do! If this tutorial helped anyone, please show me your drawings! If you'd like more stuff like this from me, just send me an ask or an email and I'll answer it when I can.

Peace,

Logan

#illustration #art tutorial #art thoughts #clothing design #drawing tutorial

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