Also sorry for not posting anything lately, school is getting a bit overwhelming

03/9/24

technically an update from yesterday but it’s 1 am right now lmao

Worked on some pages

Fixed some older design sheets

i have made a decision that sets me back quite a bit but it will save me a significant amount of time in the long run so i feel less bad about it

i restarted. again. i was going back to look at some old pages and there were quite a few weird continuity errors (ex. line sizing, line colours, character placement etc) that i just couldn’t fix because i get rid of the file as i finish them to save space. there’s also a bigger reason i wanted to, which is a problem ive run into several times while working on this project:

colour. i am so incredibly bad at picking colours for non-painted artworks that it’s embarrassing 🥲 i just can’t do it!! and it takes me so long and procreates fill bucket just doesn’t work properly so i’m doing 2 things:

- switching the comic to black and white

- going back to my drawing tablet and using krita as the art program

the reason why i used my ipad for so long was because i wanted to be able to work on it wherever i went, but procreate has so many setbacks that has wasted so much time that the portability isn’t enough to justify using the program. i cannot go as loosely as id like to be with my linework in procreate as i can on pc and the fill bucket never working is such a big reason why i’ve struggled to work consistently on this project. these changes will eliminate a large majority of my problems when i’m making this comic so there’s very little chance i end up restarting again. my only problems would just be hating my old art but what can you do 🤷‍♀️

not really update related, just kinda yapping utc

i used to care a lot about getting this comic out and making hype earlier into the project. thats what all creators usually go through. trying to push things out while they’re relevant so it gets more reach. after working on this comic for almost 3 years, im doing this more for me than for anything else. it’s so incredibly self indulgent that it already caters to a rather small demographic, and im fine with that. that’s how i’ve always worked. i did whatever i wanted and if people didn’t like it, i didn’t care. they can go find other media they like.

i used to be worried about not getting this comic out when this ship was super popular. not to say that it isn’t still, but there was a prime time and i was trying to get there within that time period. obviously that didn’t happen but whatever 🤷‍♀️ i’m taking the time to make sure i like what im doing with this project. who knows when i’ll finish it. but i want to make sure i do. just to say that i did it. this story has evolved and grown alongside me and i can’t wait for a day where i can put it out into the world. i’m okay with the possibility of my friends being the only readers. as long as it exists someday and im happy with what ive accomplished, i’m okay with the time ill need to get there.

I wanna explain pink clock art because I love explaining my art even though most people probably won’t understand what I’m talking about :3 I’m just rambling for no reason sorry

(TW themes of death annnd family issues and identity issues )

Anyways item one is this comic from a few days ago or something. Gender role unfortunately exist in Aadshend! Boooo! Hence why Pink Clock has a blue bowl (and Timey pink booooo 👎) Analog, as usual isn’t very patient about anything. Pink Clock is anxious, maybe not too obviously, but his hands are clearly a bit fast here!!! It is important to note this is before he got stuck at 3. Most art of him is from after he got stuck at 3.

Item 2… Pink Clock with the monster mask!!! This mask he wore shortly after Ring’s death, while in prison. Ring is referenced here with the abstract background (golden circle.) I like to subtly reference or hint to Ring when I can because that’s how memories feel sometimes, you have little reminders of major events sometimes.

Item 3…… my fav pink clock art probably. He is seen staring back near a warm light source, while the painting he created stares straight ahead. It’s a self portrait! I tried to make his painting appear distinctive and apart from him. I tried to make it so it wasn’t my art, but his. With how much I project onto him, it was an interesting experience to say the least! I am sorry to admit that the hour hand realistically would be under the minute one. I genuinely thought it was the other way around for a while. Mandela effect or something. Anyways I imagine he stayed up prettyyyyyyy late painting, hence his tired look. I experimented a bit with a closer up image than I usually do, and I am still very happy with this one.

Item 4, similar concept as item 3, but different themes I guess. He sits by an unfinished painting of his mother. She seems to have a smile that turns into upset, impulsive scribbles, pink clock likely assuming she wouldn’t be very happy with him right now. The paintbrush in his hand has its bristles looking rough. She is painted at 3, just like Pink Clock is.

Item 5 is GRAINY not because it’s supposed to be it’s just bad quality here for some reason. Pink Clock and Timey are in his room, with coloring books. Both of them are in distress but don’t openly express it. Crudely taped drawings are hung to the wall, one of a blue clock and a monster (mask reference?) and one of Pink Clock with his family!! Cute! As a child he drew their limbs as little balls. Cute. Timey colors the unicorns in distress, and pc kind of just stares off. Timey is also W-sitting which was REALLY hard to draw but I wanted to draw them specifically W-sitting because I did it as a kid. Also Jetpack (Timey’s stuffed bear) is also there!!! Yay!

Item 6…… carousel. I was kind of mean here sorry! Pink Clock is riding a carousel, when he notices the mirror in the center. It’s the shape of a ring and also a golden color. It reflects im his eyes. He notices the entire ride is full of gold coloring and ring-like shapes and feels more uneasy as it goes along. Also entirely unrelated to the actual art but I colorpicked the carousel horse colors off of metal sonic from sonic the hedgehog. Also this art isn’t 100% canon it’s just a maybe

Okay last one. Item 7. Human pc. He is going grocery shopping! Late at night when nobody is there but him.he is in the cereal section annnnnnnd CAN I GO ONE SECOND WITHOUT BEING REMINDED OF RING!!!!! He sees a cereal that unfortunately reminds him of his deceased friend 😢 (there are also choco bows, based on his other friend who he doesn’t have contact with anymore) Yeah.

Okay that’s it I’m sleepy I just like rambling about my own characters goodnight

Sparklecare Good AU FAQ

FAQ

-General Questions-

Q: What is the Good AU?

A: The Good AU is basically just one of those "what if The Bad Thing didnt happen and everything was fine" kind of things. In it the hospital has zero connection to Cuddles in anyway, and because of that, nobody gets hurt.

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Q: What is the comics schedual?

A: I post updates on Wednesdays and Saturdays at 6:00 AM Eastern Standard Time. The updates themselves can be one or two pages each, depending on if I had recently come back from a break, if the update falls on a holiday, or if the pages just need to be together for some reason.

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Q: Does the comic have an overarching plot?

A: Not in the way you might think. Theres no single goal the characters are aiming for, like how canon is about eventually getting Sparklecare exposed to the public. The "main goal", you could say, would be to get better and go home. This is still going to be difficult for some.

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Q: Does this version of the hospital allow people under 18 to be admitted?

A: No.

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Q: How many chapters will there be?

A: Right now there are 4 planned chapters, but more may be added over time.

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Q: Why are there ocs in this AU?

A: I just felt like it. It makes the AU more my own. Anybody can make an AU where nobody is hurt by the hospital, I make it different by adding new characters and dynamics.

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Q: Who runs the hospital if Cuddles isnt involved?

A: Richard Sparkle, the most boring guy on the face of the planet.

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Q: Since you know all the canon lore, will any if that be implemented?

A: No, I'm only ever going to include things that are publicly known. I don't want to spoil anything for anyone, so you won't be seeing any characters early or getting any backstories or lore before it is outright said in the comic.

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Q: How do you feel about shipping/selfshipping with your ocs?

A: Totally fine! The only exception to this is Saturn and Graham, as Saturn is my fursona/self insert, and Graham is my self inserts boyfriend.

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Q: How about kinning/IRLs/fictives?

A: Same answer as shipping, totally fine with kinng my ocs with the exception of Saturn and Graham. Saturn is me, so it would be kind of weird. IRLs and fictives are okay, but for personal comfort reasons, I would really not like them to interact with me/be talked abt on my blog, sorry!

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Q: What are you comfortable with when it comes to fanart?

A: I'd prefer if people didnt make anything nsfw or immoral with my characters, especially Saturn. You can do pretty much whatever you want other than that, like ship art, our ocs being friends, ect. Just please respect what im comfortable with and itll be fine!

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Q: Why isnt character/plot point/ect in here?

A: Even though I am a part of the ZCP, I obviously won't be spoiling anything about the comic. So I cant include things like the unknown patient who Uni hinted at in v1, or the other patient who Hemera hinted at in v2. I can only add in what is publically known, which is why character backstories arent going to be a major focus.

-Character Questions-

Q: Is Saturn a y*ndere?

A: No, and please stop asking. /srs

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Q: Wheres Cuddles?

A: Jail for tax evasion. He wont be important /srs

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Q: Why not just make Cuddles a good guy?

A: I didnt do that because of what he represents. Hes based off of Kittycorn's personal experiences, I feel it would be rude to do that. Besides, making him a good guy who doesnt kill people would leave him with literally no personality.

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Q: Are there any character blogs for the good au characters?

A: Yes! Saturn's blog is @xxdemondogxx, Uni's is @tiniestferryshop, and Graham's is @grahamberrymusic. There is also the general @asksparklecaregoodau blog where you can interact with the rest of the cast.

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Q: Who is Saturn, and why is he a main character?

A: Saturn is my fursona, he represents me! He is a main character because I've had him for a while and really wanted to finally do something with him.

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Q: Is Saturn really a demon?

A: No, he just thinks he is. Everybody, minus Barry, is nice to him about it.

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Q: Why does Saturn think hes a demon?

A: He feels like he is a horrible person for having intrusive thoughts, because he feels normal people would never consider the things he thinks about, even though those things are not in his control. He's literally demonizing himself for being mentally ill. That and he thinks demons are naturally evil, so hes assuming hes a demon to sort of give himself a better reason for being "evil" (he is not evil)

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Q: Why are the rainbow characters (Doom and Mood, Party, ect.) still rainbow? Werent those colors caused by truama?

A: In canon, yes, the rainbow characters are rainbow because of that. However, I didnt know about that when I made their AU designs and started the comic in December of 2020. They are still rainbow despite the knowledge I now have because it makes them more recognizable. The rats specifically are still rainbow because they got past the truama of being bullied when they were younger.

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Q: Why is everyone in the hospital at the same time if they arent being kept there?

A: The plot needs it. If everybody left when they were supposed to, the only main characters there would be Barry and Saturn.

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Q: Are there any new characters who are lgbtq+?

A: Currently, as of early 2023, all the new characters who are in the hospital are lgbtq+.

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Q: Are any of your ocs autistic?

A: Saturn and Graham are both autistic. Though its not canon in real SC, Hemera in the good au is also autistic.

-OC Questions-

Q: Can I make a good AU oc?

A: You can make an oc if you want, I dont own the idea of "Big Bad Thing Never Happens" aus, so feel free to make as many characters as you like!

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Q: Can you put my oc in the comic?

A: I dont include peoples ocs in the comic itself, since if they change their mind later I would have to either edit pages or write the character out. I will, however, draw your oc if you ask and provide a reference for them (or if I just feel like it)! I will only really do that when im taking requests, or if we are friends/mutuals.

*Slides a 5 dollar bill* So what are some of your ideas for those Little Nightmares fics?

OH BOY ARE YOU SURE YOU WANT TO KNOW.

Weeeell, I have various idea that I'm writing down all at the same time. I'll list the various AUs here.

The Gang! AU

Ok no this isn't some sort of Criminal AU, I literally didn't know what to name it JSKDKS

Anyway, I'm actually writing this along with a friend of mine. It's based on a rp we had and it's quite long. We're writing one chapter each, I'm currently finishing chapter five. It kinda follows the story of Little Nightmares 2, but at the same time is canon divergent. Does that make sense?

We added two of our kid OCs to travel with Mono and Six!

Their names are Zip and Emerald respectively, from left to right! Zip was made by my friend while Emerald is my kid. The art was done by me!

They're not the only OCs we made for this story; we also have five glitch kids, a couple of bullies and a patient from the Hospital.

Since it's long, we decided to split it into three parts. The first part takes place in the Pale City, the second part in the Maw and the third in a location made up by us that we're still crafting.

The good news: Mono doesn't get dropped and Runaway Kid is alive!

The bad news: everything else literally every single thing

It's gonna have a good ending, though. It's the least we can do after everything we put these kids through😭

Restaurant Maw! AU

Just the monsters of LN put in a modern setting! Not only that, it's Maw employees centric!

Basically in this AU the Maw is a very well-known restaurant and hotel, in a very similar fashion to the bathouse in Spirited Away. The Lady is obviously the boss, the Ferryman becomes the driver of the Maw's personal bus, Roger is the keeper, Bellhop is still a bellhop and also the maître d'hotel (aka the guy who makes sure the guests are comfortable etc.), the Chefs are still the Chefs - their names are Bruce and Bernard! And lastly, the Nomes are a bunch of waiters, bellhops and cooks.

Things are going very well for eveyone until one day the Chefs go outside for a smoking break and they find a baby in a box. They take her in and keep her hidden for a couple of days before the Lady invitably finds out.

She decides to let them keep her with the condition that they raise her on their own and take care of all of her needs wihout bothering her - which of course doesn't happen at all and eventually all the employees in the Maw grow attached to baby Sawako nicknamed Six.

This one has all my favorite tropes: slice of life, found family, and I'm hoping to achieve comedy (which is very complicated for me because I have a very dramatic style).

Plus the Chefs are italian because I'm italian and I claimed them, so if you want to see one of them teach the Lady how to swear in italian you came in the right place.

RCG and the Pretender Live! AU

And they lived! I started writing this immediately after I finished VLN but I was blinded by pain so it's a little messy. I have to edit it.

But basically the point is: they survived! But are stuck on land. The first to wake up is RCG, who I named Valeria, and she spots the Pretender a few feet from her and realizes that somehow they both managed to float ashore. Luckily for her, the Nest is now very far away, although they can still see it from the distance.

At first she wants to leave the Pretender there, but then decides to bring her along, tying her hands behind her back first. And so begins the girls voyage in the big wide world, trying to survive and becoming besties in the process.

Im debating wheter I want the Pretender to develop a little crush on RCG or not. Mhhhh. I'll let you guys know.

Mono Jumps in Time! AU

THIS ONE WAS INSPIRED BY THIS ADORABLE FANART BY @kelpermoosee !! Go check them out their art is adorable!!! This is also a Mono centric AU!

So basically! When Six is kidnapped by the Thin Man and Mono goes to save her, his high distress and strong, swirling emotions lead him to not only travel from a place to the next, but to also accidentally go back in time.

He jumps out from a TV but, surprise surprise, he's not in the Pale City anymore. He's landed right in front of the Pretender, who immediately takes a liking to him and wants him to be her new friend. Mono is extremely confused and at first and doesn't realize what happened, so obviously he tries to go back to the Pale City, but then he sees a girl in a yellow raincoat and immediately assumes she's Six.

He assumes that's where the Thin Man brought her, so he tries to run after her, but he's costantly hindered by either the Pretender or her staff. Will he ever get to "Six" and realize that he jumped in time? I'll decide, because this story is still under construction.

Six Forgets! AU

You know that quote from the comics?

"What's the last thing you remember? Tell me. If you don't tell us, you're sure to forget altogether."

Beautiful. And also what prompted me to come up with this AU.

Some things to clarify: the Eye is a collective conciousness that feeds off from negative emotions, the Thin Man lives but can't leave the Pale City, and The Lady is a grown up Six. The Maw kids from the comics are here! Plus a few OCs of mine.

And lastly: Six couldn't handle the guilt from dropping Mono and repressed all memories involving him altogheter, so she completely forgot about him.

Six gets on the Maw, but this time instead of waking up in a suitcase, she's brought to Roger adn the other children by the Ferryman. There, she befriends a few children but no one gets closer to her than the Runaway Kid. They both want to be free and plan an escape together.

In the meantime, Mono is still trapped in the Signal Tower, but he's convinced that Six let him slip by accident and that she'll come back for him. (The Eye is very frustated with him bc they be planning on feeding on his sadness and rage and then he has the audacity to be hopeful? The nerve!) That's until he gets a glimpse of his best friend and this unknown child through one of the TVs on the Maw, joking and playing with each other, and she confesses to this... no one, really, that he's the best friend she's ever had.

As you can imagine, Mono goes feral. The Eye couldn't be happier.

Chaos ensues! We got a lot of angst, violence, Monster!Mono and also some wholesome moments. Also out of context spoiler: RK and Six lead a revolution.

The Lost Ones

This one is just a bunch of quick drabbles that talk about the glitching remains. They all deserved better.

Hunter and Veronica

I was not gonna miss the occasion of writing simp hunter. Take it or leave it.

Based on my Hunter theory!

My beautiful terrible disaster of a man works on the Maw as a chef, but no one really knows why since he's not good at it. Fortunately, the vast majority of the Guests is just too hungry to care and the current Lady, a woman with a scarecrow mask, doesn't want to fire him. A few Guests have complains, though; for example, a Teacher who seemingly never blinks and a very massive Doctor, whom he befriends.

One day, a filming crew gets on the Maw and the Lady informs her staff that they will be staying for a while to film a commercial-documentary of the restaurant, which will bring more and more Guests. With the crew came a famous, very talented chef named Veronica who has her own extremely successful cooking show, who offers to help the current chef as a thank you for letting them stay without having to pay.

Initially the Hunter is not too happy about this. In his eyes he doesn't need the help, but they start getting closer and closer with time.

This will probably be wholesome but end in a very bad, tragic way. I'd say I'm sorry but I'm not lol

✓✓✓

And that's it for now. I have some other things planned with my monster OCs (btw y'all wanna see them?), but this is the whole thing. It may be updated in the future since I always seem to get more and more ideas!

Anon said: [Spoilers for non-manga readers] opinion on Baku's hero name?

Very Bakugou, honestly don’t mind it at all! Mostly just surprised it’s, like, legal in the bnha universe for heroes to call themselves stuff like explodo-kills (and also that there isn’t a character limit for hero names??) but that Bakugou would stick with it is pretty damn in character for him so I like it xD still, I’ll probably just call him Dynamight if I’ll ever need to use his hero name lmao

Anon said: not to be the most romantic sap but uh just a kiss by lady a is killin me

Nothing sappy about letting romantic songs get to you!!!! I say, as I’m constantly crying over romantic songs so this mindset benefits me as well lol

Anon said: i may or may not have stumbled across some of your older kiribaku art, the stuff with akane, and she's the best child oc tbh. i actually like her and i tend to not be a fan of child ocs but she's just the cutest darn thing 🥰

I’m so glad you like her!!!!! She was a lot of fun, what a good gremlin ;;;

Anon said: uve heard of dragon!kiri w his hair spikes up, now get ready for dragon!kiri w his hair dowm lookin like the softest boy

AW HECK I think I’ve drawn him in the past, actually!!!! Spike-haired Kiri will forever be my fav Kiri, but there’s just something about hair down Kiri isn’t it!! What a cute boy ;;;; all sharp edges and soft curves, what a lovely sight

Anon said: can i just say your itafushi art is so cute? these two already make me feel and then your art just (つω°̥̥̥̥̥̥̥̥｀)

THANK YOU SO MUCH I really need to draw them more, don’t I! goge kinda monopolized my attention there, but the way itafushi makes me feel..........boy the way they make me feel ;;;;

Anon said: good day, poké au thought: 12 y/o bakugo somehow catches a dreepy as like his 2nd pokemon and never questions it

WHY NOT WHY NOT I have a whole team in my mind for the boy tbh but dreepy is so cute ;;;; and anyway, I like my poke!bakugou with as many dragon types as he could possibly get his hands on hahaha

Anon said: Please know that, amongst other factors, you were one of the maon reasons I stsrted Jujutsu Kaisen two days ago and there isnothing more to say except thank you and I'm absolutely in debt with you for that, thank you so much 😍

I’m so so SO glad you’re liking it!!!!!! It can get kinda heavy but it’s such a great story.... honestly I’d been wanting to start it since I saw the first pv for the anime all the way back last year but I was like, you know it’s a mappa anime! so I wanted to watch the anime as a new thing, cause I love mappa, but three episodes in I couldn’t hold back and just binged it. It’s kind of story that just makes you wanna drink it all in one go, isn’t it? so good so good

Anon said: makeup artist kirishima and model bakugo or makeup artist bakugo and model kirishima? :0c

Hmmmmmmmmmmmm can’t say I see either of them much into fashion tbh, but if I had to pick probably model Kiri and artist Baku? I just don’t think Baku would be able to stay still enough to get photographed, and he wouldn’t like the photographer bossing him around anyway, and catwalks would be impossible for him to stomach imho, he’s too restless for it! At least it’s the way I see it haha

Anon said: fdgdhdkfhdafs i had a thought, what if bakugo prefers dogs and kirishima prefers cats and when they meet each other and become friends it's like, "oh." because they have some striking similarities to their fave animals

That’s been my headcanon for a while now, actually!! I think for me it came from two characters in a manga I like that are a lot like a dog and a cat but have inverted fav animals and when I read about that I was like “oh, right, makes sense since they like each other” and then my brain turned it krbk because when does it not lmao

Anon said: your art is the soothing balm to my soul recently, thank you for posting so much beautiful content. i hope you have a lovely week. ♡

sob thank you so much, I’m glad my doodling can help you feel better ;; <3

Anon said: Friendly reminder anon from last time: that post I left last time I had only eaten 7 gingersnaps that day and hadn’t drank any water. So that encouraged me to actually self care. Thank you.

!!!!!!!!!!!!!!!!!!!!!!!! well I hope you’re taking care of yourself today too! And as fair trade, I’ll do the same myself! <3

Anon said: Hi! I'm an artist and I'm thinking of making a sideblog for my art. Do you have any tips?

Ah man, I’m sorry but I’m not the best person to ask this to! I started this sideblog cause I had too many followers on my main and I didn’t want my stuff to be seen by that many people at first, so whatever I did probably isn’t what you’re looking for :( but really there isn’t much to it, just post whatever you like to draw, tag it as best as you can (but remember that only the first five tags appear in the search page) and be patient, since whatever you do at first you won’t get much attention anyway - the only real advice I can give is to draw something that makes you happy and that you’d draw anyway even if no one were to see it, it’ll make keep posting despite a possible lack of activity a lot easier!

Anon said: Your goge art🥺🥺

I just love them so much ( TT’’’TT)9

Anon said: how the fuck have i not been following you? I remember seeing your bakushima art in the bnha tag and always thinking it's so cute. Now you're into JJK too??? and the satosugu art??? fuckin, diabetes incarnate. I love it. I love you. Your art 10/10. I'm tired lmao.

WELL thank you for the follow!! And for thinking my stuff is cute!!!!! I do my best with that, I want all the soft things for my favs 😌

Anon said: Are you gonna draw Gojou/Getou comic?? 👉🏻👈🏻 WOULD LOVE TO READ IT

you mean an actual doujin? I don’t think I will, sorry! I’m really no good at long projects orz but thank you so much for wishing to read something like that from me!!! ;A;

Anon said: Hello! YOUR ART IS SO FREAKING GORGEOUSSSS!!! I love them so much!! If I may ask you one question. Between Getou amd Gojou, who do you see as top/bottom? Just curious

THANK YOU!!!!! And I honestly don’t care as long as they’re happy and together!!! please let them be happy and together 🙏🙏🙏

Anon said: i want you to know!!! i followed you for your kiribaku art but!!! i love your art so much that idc what you post because it's all just!!!! incredible and wonderful and stunning!!!

THANK YOU THANK YOU THANK YOU!!!!!! this means a lot to me so seriously thank you so much!!!!

Anon said: d'you think bakugo has like headaches or migraines after training or battles because of how loud his quirk is? like, i listen to music slightly too loud and my head is sending me to hell. (unless you go with the hoh hc which is also 👌)

I like to think Baku’s body is attuned enough to his own quirk that he wouldn’t get drawbacks of the kind tbh, though that wouldn’t be a bad thought for when he just starts to increase the output/width and strength of his explosions............ well, I myself suffer from chronic headaches and migraines so I’m always up for projecting on my favs ngl lmao

Anon said:  so like... dragon kirishima's eyes glow right? like, if we equate his dragon-ness to unbreakable his eyes glow? they also glow when he's half shifted? honestly i just live glowing eyes

Oh hell yeah I’m all for that, definitely definitely, I love glowing eyes with my whole heart and Kiri’s eyes in unbreakable are just so!!!!!! NGH *chef kiss* the more of unbreakable there is in his dragon form the happier I am ( TT^TT)9

Anon said: me, scrolling through your blog: ah shit guess im gonna have to start watching jjk

!!!!! hope it won’t hurt you too much, anon!!

Anon said: dragon!kiri and bakugo having a tug-of-war match over a piece of meat. both have it in their mouths. both are determined to win.

Kiri is turned into his dragon form and Baku still wins, hell yeah

Anon said: your satosugu is top tier!! it's hard to find stuff for them that isn't straight up angst so your art has been super cool and also very very cute!! (tho if you went with angst, it wouldn't be a bad thing obviously)

AH I’m so happy to hear you like them!!!! but also happy you wouldn’t mind angst, as I do like them the best happy and soft but my brain, my brain has been throwing sads my way for a while now 👀 I got some ideas

Anon said: What program/device do you use??

Easy Paint Tool SAI and a wacom intuos!! Though I got myself an ipad+procreate just yesterday and I’ve been messing around with it, let’s see how that one goes!

Anon said: *inahles* i am simping for mohawk man please tell me everything about your ocs immediately or i will detonate

THANK YOU FOR LIKING HIM HE’S CALLED DAVIDE Dav for short, he’s a cat of a man and a music instrument enthusiast (mostly string ones, but he’s very good with the piano as well) - he works in a music instruments store, and he’s a uni student majoring in philosphy! He doesn’t like bothersome things, he isn’t very good at taking anything seriously or putting effort in stuff, but he’s very chill to spend time with and generally a nice chat both if you want mindless thoughts or deep conversations (he’s a philosophy major after all). He can’t sing for shit, he’s got two cats (tago and schelly!), and he just wants a quiet life to laze around but all his friends are hurricanes in human bodies, but then again, he picked them himself so he can’t complain. He’s a good boy!! I’m planning a comic for him and his boy Ross >:]

Hi dear! I've seen you didn't talk much about Sadistic Beauty these days... What are your thoughts on ending and two side stories? Especially Wookying and Minho's one? Tbh I'm disappointed and disturbed :(

i had to step out of this story bc it was leaving me frustrated, irritated and disappointed not to mention very confused LOL. yep, im still fairly disappointed with where the author went with this. a major conflict that should or could have been in the main story was the whole drama including wookyung fighting with doona to get minho but it was swept under the rug only to return as some after thought as a side story (probably excluding doona).  there was such a great opportunity to finish it in the main story but the author decided that minho had to suffer all of the consequences and everyone else is going scot-free LOL. truly a shame. i wasnt surprised that doona was ending up with haesol, never was into them, still not into them. i have a certain distaste for characters like haesol, he’d be best described as a simp. and i absolutely loathe simps lol. there’s a fine line with being there for someone and being there in hopes that smth more might change, he def wants to date doona and saying that he’s okay with how things are and if they don’t date, is basically a blatant lie to himself. if that was the case, he wouldn’t let her string him along and use him for sex. the feelings he has for her will just be kept in the back, but it will most likely resurface in some way or another. in the long run, it’d hurt him and that’s just not worth the hassle. obv since the writer wanted them to happen, he’s prob gonna get what he wants lol. i def found the whole rivalry btw donna and wookyung in order to get to minho way more fascinating, and wished it was explored more. now, the only thing im happy with is gyerin is probably getting her happy ending with the new girl. she’s also the only one who went “fuck this” once she saw doona wasn’t going to reciprocate her feelings, and im rlly glad she did that. at first, i didnt think much of her, but now, seeing how the story went (lmao), im all for gyerin being happy. and as for wookyung and minho, im interested in how their story will unfold. but i feel so so bad for minho, he was a jerk and an asshole i wont deny that, but he didnt deserve all of the hate and harm he got and still is receiving according to the side story preview. wookyung is still a great and fascinating character, i do like characters like him, but how he was used was just not satisfying. and it seems like there might be a case of stockholm syndrome coming up where he might fall for wookyung. i just wish doona had smth to do with it before she parted ways or she could have helped minho, but yeah. *shrugs* this story left me confused as to what the author is doing, there is wasted potential and opportunities at every corner. the plot goes one way then goes another to end on a weird note. i also think the whole gl, bl stuff was more of a fanservice thing and that’s probably why it’s more of a disjointed story? as in, i feel like the gl and bl stuff should either have been more of a focus and woven into the story or it should have been entirely separate so the author wouldn’t have to shove many things at once and just focus on one or two pairing. one thing i might add for the story is that it felt as if it was trying to make us surprised, but the so called “twists” that happened just made it more confusing and those probably shouldn’t have been there as they don’t add much to the story narrative. back to gyerin, you can see that gyerin and the new girl can have their own separate story from the start (she didn’t have much to do with the primary conflict and could easily have a flashback to doona instead of the whole fanservice lol). the same goes for wookyung and minho as well, and it’d have been perfectly fine. at the end you basically see three pairings, the m/f, the f/f and the m/m. however, we dont even know if minho is into men? so i’m not sure how’s that gonna be considered BL? then again, every pairing could have been in the main story, but it’s not? for some reason??? it feels as if the author wanted their pairings without putting in the effort of making it into the main story, hence the side stories or they just wanted to make it separated without putting too many characters in it. obviously, for wookyung and minho, there’s no way doona wouldn’t have done smth if it was fully explored in the main story, and it might have changed the ending too. there’s multiple ways the story could have gone, but this one was the only conflict that was much more interesting imo, but it wasnt used that much.

gyerin didn’t really have much to do there other than be lesbian fanservice for doona (and the audience, writer and maybe the artist too?), and to be some kind of support for haesol. that’s about it, so i can understand why she’d not have a full blown romance in the main story, but seeing that she keeps reappearing, she still could have her side story integrated into it. lmao i don’t even kno if doona is bi/pan lol or if she just had sex bc she was drunk then did it just for pleasure without being interested in women at all.

EDIT: iirc doona did get aroused seeing gyerin uh doing stuff, so it could be possible that she is interested in women, but maybe only sexually? although i still could be wrong lol and it could just have been a moment of “I’m straight, but horny and u’ll do for now”. she could be in the closet too, who knows.

overall, sadistic beauty had some interesting conflict, some good characters (ill never like haesol lol), good art and the storytelling by this artist is well paced, but the execution and where the story went leaves a sour taste in my mouth. would i recommend this story? absolutely not. it is so frustrating, and for what? i wish i had saved myself this headache from the very start but the art and the fact that doona was a dom was what reeled me in. i only came back to it to see if the writer redeemed their story in some ways, but... well... you saw how that went.  i would follow the artist if i could, their art is beautiful. however, i cannot say the same for the writer. from my exp, it seems that many webtoons have good art, but the writing definitely leaves way more room for improvement. that said, i do hope ppl will learn that in order to make a great comic/webtoon/manga and so on, it is not only about pretty drawings. the story and writing should be up to par with the art. if not, it should be at least close to it. because the art might attract people, but if the story doesn’t resonate, if it doesn’t make much sense, then ppl are bound to leave and drop it. and what is a story, but pretty pictures and nothing substantial in it? nothing, but superficial beauty.

Did you ever have any doubts about pursuing art in school, and if so, how did you overcome it? I'm considering changing my major to art, but I'm terrified. Do you have any advice? :/

obviously I did because I’m a lawyer now and not a professional artist, but i will say i think my situation is a little unique. 

i attended a specialized arts school for both middle and high school which really put me off pursuing art as a career. the schools were also intense academic schools (i had to take 7 AP classes my senior year - like zero choice on my part) which overall just wore me down. so when it was time to go to college, i just didn’t want to do art anymore. and while i took a couple art classes in college (a digital design class and a comic class), i completely stopped making art until i contracted covid in 2020. 

but i still pursued a niche degree in college (german studies) so i think i can help you here. its natural to have doubts about your field of study, especially if its an undervalued degree like art. the starving artist is a stereotype for a reason. but i strongly believe in pursuing a field that’s interesting and important to you. its your life so you need to do what makes you happy. 

that being said, i think going pursuing an undervalued degree in an undervalued profession is challenging. many of my friends are professional artists and its hard work. most of them do freelance and have to have side gigs to make ends meet. i think before you make the decision to switch, you need to sit down and think through your future career path. 

at the end of the day you need to do whats best for you and despite what many people say, that’s not necessarily going to be pursuing a degree/career in a high paying field if you make yourself miserable doing it. if art is calling to you, then its worth pursing your options imo. 

and just remember - your degree doesnt define the rest of your life. again my degree is in german studies and im a lawyer. you can always go back to school later. you can always change your mind. life is a lot longer than it seems when you’re in your teens/twenties. 

hope that helps :)  

i wanna give my two cents on the whole nsfw content!!

i dont mind it really i actively indulge in it myself so i can really get on it too much especially since it something that you just cant stop no matter like if its on the internet there’s gonna be p*rn of it 😭😭

my only issue is like when some people kind of get upset with you when you say you shouldn’t make nfsw content bout minors characters like i never thought i’d ever be in situations where im virtually getting my ass beat for saying “hey isnt it kind of weird to write bout fucking that 15 y/o” and they always respond with “well its fiction!” “its not real” “well i aged them up” and like okay that’s still a 15 y/o at the end of the day so what now baby 😭😭

its especially upsetting with jjk cause like gege has mentioned that he doesn’t want any sexual related content bout his main trio but click on the jjk x reader tag on here and the first thing you see is probably gonna be smut about his main trio idk its really wild to me and ik i cant force everyone to stop but its still makes me feel icky yknow

but yeah thats all i wanted to say sorry if this was kind of vent-y i just been thinking about this recently and i had a lot to say 😭😭

- L anon

I think it depends on how you see it.

For example, for me, I know there is no way to deny that smut is widespread here. And for me, I do not mind if something is written for minors if they are written in an aged-up scenario because to me, JJK and any cinematic universe (regardless of country), is just a fictional reality of a sort. Where whatever is done in that world stays in that realm of 'reality'. Also - some mangas and animes have time skip eras too - so characters can be written in that sense as well.

Before you say "oh but fiction affects reality" - that is not a fully valid argument in a sense. Many fully legal and normal people can tell the difference between what is reality and what is fiction. It is also why people who write 'dark content' will always encourage underage readers to not interact or read their works because they are worried that people who cannot differentiate people between 'real life' and 'fictional life' will start to develop their own twisted version of what is acceptable in society and what isn't.

Hence why JJK is for readers who are 16 and above - because this is around the age where you learn where the lines of 'fiction' and 'reality' starts and ends. And the people who usually can't differentiate that already have a set of issues going on with themselves, so this is where the phrase 'the consumer controls what they consume' come into play - because at the end of the day, you, as the consumer, is the one in charge of what you consume and how you choose to understand the content in your own way. Of course, there are a few who slip through the cracks, but that small majority should not be the reason as to why you ostracize an entire community who writes/produces content that is 'questionable' in terms of your own individual morals/what we are used to consuming in media. It's an art form that some people chose to use to express themselves, and it isn't harming anyone.

But this also comes down to the reader - for example, I am 19 years old. I am a legal adult in many countries, and I should not be pining over a 15-year-old child because hello; that is illegal lol. So while I know in the canon material, which I think JJK is sent in 2018 (which is an entire argument on its own), I should not be like lowkey simping for these people. But in my head, I keep thinking they are of my age? Like when I read JJK I forget that the main trio and the second years are high school students? Because the content doesn't necessarily follow the entire high school education and such? It's a trope that is used in the storyline, but the high school itself does not play a huge role in the story besides the titles given to characters, their uniforms, and how they are referred to by other characters in a sense? You know what I mean - like the high school is just a 'home base' that the characters return to, but if you take the high school aspect out, I don't necessarily think it affects the main storyline too much.

And I know Gege-sensei means well when he says he does not want people to lewd his main trio and such, but I think at the same time he knows he can't stop it. There are obviously people who are going to respect his wishes, and there are others who had no idea (like me, like I had no idea he said that 0-0) that will not know that, and will write it because they personally want to.

Plus, not gonna lie, Japan anime/manga culture and the unofficial comic books that are essentially manga fanfiction can get quite lewd and PG18 as well - so in a sense whenever you produce a body of work, I don't think you can expect it not to be lewded. It's bad, since it makes it feel like I am invalidating the creator's wish, but coming from a very like common sense and practical point of view, there is no way you can stop everyone from doing what they want in a way. You can advise and you can tell them nicely, but there are always people who are just going to do what they want.

So might as well just respect them and their decision on how they want to express their creativity, and if it is not hurting anybody, I don't see an issue with it.

Wanted to ask about beetlelyds, sorry, I thought it was technically cannon? Like in the old comics after the show ended she grew up and married him. Sorry I’m an old school fan and have no idea why this whole thing is such a big deal. Wasn’t the actor like 20 too? I’m sorry if I sound very dumb. I’m not used to this new tumblr.

youre fine you are one hundred percent allowed to especially when you do it civilly as you have done here

first of all the biggest issue faced in the whole what is and is not canon debate is the fact that there are three (four if you count the limited comics run) publicized iterations of my media

i will go over each very briefly just kidding this is going to a long answer so i will spare the dashboard with a readmore

there is the movie which im sure you dont need me to explain the plot since youre an old school fan but basically the climax is that yes beetlejuice does go for the marriage angle in exchange for stopping the exorcism of adam and barbara and his motive for this is so that he can cause as much chaos as he wants on the mortal coil but his plan is thwarted when barbara rides a sandworm into the house which promptly eats beetlejuice sending him to bureaucratic death limbo

the end of the movie features the deetz and the maitlands happily living together with lydia havign a new appreciation for her situation and beetlejuice gets his head made real small which is very funny haha 

so no in the movie they are not canon editors note the actress who played lydia winona ryder was a teenager while filming the movie she turned 17 the year it released 

the next is the cartoon which i will admit has the most grounds for being considered canon but in the end the show is about a middle schooler and her best friend who is a ghost which in itself is a pretty iffy gray area sort of thing but for a childrens cartoon to work a friendship is better than the obvious enemy status they held in the movie

anyway in the cartoon they are potrayed to be very close friends with lydia being the person beetlejuice cares about the most and honestly if you were to watch it with no prior knowledge of the media and if you ignored their massive and obvious age difference than yeah you probably would read it as a romantic relationship 

however lydia is a middle schooler and that is simply immoral

there have been writers for the cartoon who have been credited to say that a relationship is what they were trying to invoke but for obvious reasons they couldnt exactly move forward with that angle with them establishing that lydia is a child in middle school and a fully grown adult man dating a child who is in middle school is immoral and also illegal in the united states and in canada 

this isnt a good argument for whether or not something is canon and i will tell you why with one simple name and that is luke weber

if you dont know who luke weber is he was a storyboard artist on the cartoon steven universe he is known for making a lot of self ship artwork of him and the character pearl

he worked on the show isnt his material canon no of course it isnt it wasnt put in the actual publication and also if memory serves he was eventually asked to leave the project after he drew art of the shows creator giving him permission to date pearl and calling them her otp and a lot of fans hated this because the most generally accepted interpretation of pearls character is that she is sapphic so a lot of people took issue however that again is just a widely perceived headcanon it is never stated what her actual sexuality is no one in that show is because it isnt a show about that its about wait im getting off topic sorry

what im saying is what can truly be considered canon is what you see on the screen and with the cartoon they are definitely the most friendly with each other and that is why so many people in the beetlebabe shipping community take so much stock in the cartoon because it is the easiest to read the relationship between the mas romantic although that is not what the show actually provides in black and white terms

interpretation does not equal canon and in this case no matter what anyone says the fact remains that in the cartoon itself they are friends good friends yes but friends all the same

it is definitely not a show about a grown man grooming an adult and if it were you definitely shouldn’t be stanning it the extreme because grooming a minor is wrong and it is apparently a problem in the fandom

anyway if the cartoon and the movie are both products of their time and there was more leniency on content bear in mind this was the same era as notorious animation powerhouse and known predator john k who was a showrunner on ren and stimpy and he maintained a relationship with a teenager which was an open secret that nobody really took issue with because in that time being a woman in the animation industry was tricky business and your career could be ended easily if you rejected advances luckily time has moved forward and the animation industry although still full of problems of a similar nature at least people are getting called out and punished for it

you can look more into that yourself its really upsetting though

as for comics i havent been able to find good scans of them and im not willing to purchase them but in my search i never found anything about the two of them ever being married in the cartoon again because she is a child i did find a cover where he appears to be getting married and hes asking lydia to get him out of it but im not sure where the comic actually goes all i know is she is standing off to the side shrugging and looking like she doesnt really care

anyway that brings us to the musical which is set in the modern day 

in the original libretto lydia is described as thirteen but since they got an actress who was older in the updated librettos she is listed as 15 and the story is pretty similar to the movie the young girl befriends ghosts and they try to scare her family out etc etc

the major difference between the film and the musical are that lydia and beetlejuice are more like friends like in the cartoon 

she summons him to help scare after the maitlands attempt doesnt really work so he shows up and they have fun terrorizing people together however she drops him for the opportunity to perhaps get her mom back but when no one will help she goes back to beetlejuice who tricks her into almost exorcising barbara

she agrees to marry him in order to stop the exorcism and he only wants to get married so he can be alive again and cause problems on the mortal coil like in the movie in the musical he states several times its a green card thing whihc obviously doesnt make it okay but still

anyway lydia tricks him and runs off into the underworld before the wedding can happen blah blah blah she goes back blah blah and she agrees to go through with the wedding to save her friends and family with a plan to make him go away for good

theres a very tongue and cheek song called creepy old guy which points out how wrong the whole thing is but everyone is going along with it in a very comedic matter and it includes the line 

i cant believe some cultures think this kind of things alright

basically saying yeah this is very very wrong anyway they do get married and beeltjeuice is alive for like 6 seconds before lydia stabs him to death with bad art and he dies thus nullifying the marriage because death do you part etc

so in the musical no at the end of the show they are not canon because he is dead their marriage is nullified and they go their separate ways

anyway sorry about that i just need to make it very clear that these three properties are all very distinct from each other and basically all three are indeed canon since they are publicized material and arguing the validity of which one is pointless editors note all actresses who played with the exception of dana steingold were minors for the majority of their runs as lydia with sophia ann caruso the originator of the role turning 18 during the run and dana being in her late twenties presley ryan however was a minor the whole time and still is one

tldr no they aren’t canon but to the credit of some people in this fandom their interpretation isnt too far of a stretch thanks to the era and some of the writers wishing to imply a relationship between an adult and a child

i also need to address how this is all a big deal and i suggest you take a peak through my discourse tag and check out @leedia‘s blog to see some of the more harmful things done by beetlebabe shippers

the beetlejuice fandom is home to many minors after the musical came out since musical fandom is vast and the ages of its members varies and normalizing pedophilia is harmful to them not to mention the people who have been effected by sexual harassment at the hands of adults

both sides have victims of csa but one side continues to perpetuate the cycle by showing time and time again that this behavior is normal and easily romanticized in the name of coping and literally anyone who has ever been to a good and credible therapist could tell you that posting cp even if it is simulated cp isnt a really good way to cope and you can get mad at me for saying that its totally fine but and im going to remove my character veil here for just a second as a csa survivor myself i think its harmful to not only myself but many others ok the veil is back down

tldr again there is a lot of bullying and harassment going on with both sides having their own issues but there is one side whos issues run a bit deeper in my humble opinion 

thank you for your question it allowed me to talk a lot you are welcome to discuss further with me in dms if you wish i honestly recommend giving the musical a listen because it is very fun and despite what some people say its very clever and if you get a chance to see a boot of it its visually stunning

one last note that i couldnt really fit in here but a large portion of the beetlebabes shipping community ignore the musical because it openly condemns the idea of beeltejuice and lydia having a relationship and a lot of the antis take issue with much of the writing and characterizations of the cartoon just a note that i think is important since were talking about canon

tbh i had forgot the katara as jane i just remembered the zuko being stupid haha the post being ss well makes it great (i suppose they mean the narrative function of being the support and a contrast with lizzy. but yeah comparing her to katara who has such strong independence and standing up values sounds '???')

I read a lot zutara mainly because katara and aang getting together was always super uncomfortable to me

i am always here for Dumbass Zuko headcanons lmao. however I did unfollow that blog just the other day because while I love their art (give me allllllllll the accurately drawn PoC. if you draw PoC (or white people for that matter) as button-nosed instagram girls with dark skin and make no effort to learn how to actually draw different types of facial features i will come to your house and make you eat your wacom tablet and draw my giant nose and square jaw with pen and paper until you get it Right, there are enough resources about this and i am tired) I didn’t love their hot takes which I obviously did not want to say in the tags on their post but idk,,, I was getting this really bitter vibe from their meta, idk how else to explain it. I can understand being bitter about aspects of media you like and of course people are perfectly entitled to their opinions and headcanons, but I just don’t want that bitterness on my dash lol, I come to tumblr to shitpost and look at pretty pictures. and their opinions on zuko were definitely part of it bc they felt really unfair to me and the Pride and Prejudice post is def an example of something where I was just like ??? this makes perfect sense until I actually think about it at all?? why are you being mean to zuko for no apparent reason????? is it.... because he’s the only major character from the nation that is most similar to white colonising cultures, even though he’s doing the work to a) be aware of the colonising mentality he’s internalised and work on it and b) as the ruler of said nation, flag up and eradicate this mentality from his own country, which is evidenced by the FN’s policy of non-intervention in Korra (I think the almost-going-to-war plot in the comics was absolute bullshit by the way, like not its existence but just it not really being examined in that sense)? I am 100% here to examine those aspects of ATLA and again, I totally understand being bitter about them, but it just tires me out in a website I consider a leisure space

I do need to find more atla blogs to follow now, recs would be fab if you have any :)

oh yeah i basically dont ship any of the endgame ships (in ATLA, as you may guess from my header being Korrasami lol) because as i have said before, nobody needs to find their One True Love at the age of 13 lmao (i do kinda ship Suki/Sokka because they are a little older (still kids by our standards but most probably near adulthood by their own, if not actually adults in the full sense, and yes I do think cultural context matters when ascribing adulthood to people outside the modern West no matter what ‘you’re a baby until you turn 18 and then why don’t you instatnly have a job and a mortgage’ internet culture says) and their relationship is just so cute and feels really healthy to me idk we were Robbed of enough Suki screentime, we should have got more Suki and also she should have had her character explored a Lot more than Cool Ninja Feminist Gal) (also, witness the nested brackets, they are here)

I think a lot of people have issues with Zutara (and presumably by extension Zukka? though I haven’t seen this discussed as much or like. at all) because of the issues associated with essentially the heir to a colonizing empire which has decimated the culture of the indigenous-coded woman he’s being shipped with (im sure you’ve also seen those discussions if you’ve spent like. any time at all in ATLA fandom lol) which I... kinda have mixed feelings about, I’ve seen fics where it is definintely completely ignored and done really really badly but I have also seen fics where that conflict is a really essential theme and that’s been quite interesting (would recommend Southern Lights on AO3 if ou haven’t come across it before as a good example of that though it is very long and currently being updated (pretty regularly)). I feel like I’m too removed from that part of intercultural conflict that I have the right to comment on it, though I’ve definitely faced shades of those issues in the past, but I also feel like it’s potentially an example fo knee-jerk Tumblr purity culture to just say its Bad And Wrong so idk I’m conflicted.

In the politics of the world, I just don’t see how Katara being Fire Lady (ugh that’s a phrase that always makes me laugh, and not in a kind way), which is probs the most comon Zutara fic plot, would have Worked in any sense at all, and I definitely think she would have wanted to stay at he South Pole and rebuild her culture and bring bending back to them (as we see in the comics and obvs with her being Korra’s waterbending master iirc) and I can see Zuko wanting to help with that in whatever way possible because he rightly sees that as a really important part of the reparations owed by the Fire Nation. and obviously by the end of the series they were very good friends and definitely had better chemistry than fricking Kataang but yeah those reasons are basically why I don’t love Zutara but don’t necessarily hate it either

this was another ramble, not apologising for it this time because this is just what talking to me is like. I am very here for bringing back letter-writing because it lets me ramble to my heart’s content but also it would take up All My Time

genuinely curious about what u said in your recent comment on sixspence's ceo tim art bc as far as i know (read: as far as my mostly fanon + wiki knowledge goes) i thought he was the ceo? or majority shareholder/owner? idk, im not very well versed on the red robin comics so i was wondering if u got that from there? thank u!

I got it from the Red Robin Comics but also because I’ve read pretty much all of the comics Tim appeared in before N52. Which helps give more context.

So you see, It’s like Bruce, he owns the company, but he doesn’t actually work there. Until New 52, Lucius was the one acting as CEO for Wayne Company while Bruce was the face of it. If he wanted something he’d tell Lucius who would make it happen so he was still technically “The BOSS” but he generally let Lucius do his own thing cause he trusted his decision (the truth is they’re made of the same wood). And Bruce never asked anything Lucius was actually against so that helps.

Tim kept that. Now Tim’s dad had his own company in which Tim never shown any interest (it sunk due to internal strife + Jack losing interest + it seemed his wife was the main chief there), the same way he never showed interest in Wayne Enterprise. The thing is, he’s also terrible at managing his money as he’s generally lived a sheltered and very rich life. Obviously he’s gotten better but it’s the guy for whom getting his own apartment means he gets his own pop corn machine. He doesn’t know a thing about running a business (no interest in his family company + little to no interest in school ensured that). Or rather…he knows enough to analyse and to predict what others would do and what can be done to stop them as a vigilante, but not enough to make the best choices himself (it’s kinda like the difference between an art critic and an artist). 

So he could probably learn to be a CEO but why would he when Lucius is perfect for the job and actually likes it ? While Tim is about as interested in it as Shawn Spencer is (that’s to say : not at all, btw I recommend watching the first episode of Psych. Obviously Shawn and Tim are fairly different characters (Tim’s more like the love son of Shawn and his best friend Gus tbh) but they have enough similarities that it could be an interesting watch).

However what Tim did was work on a charity program called The Neon Knights Fundation. The point was to help at-risk teenagers from turning to crime by providing youth shelters and community activities for youth gangs. He did it for 2 reasons : 1. the idea was good.2. He could expose some corrupt police officers.Then he realized he could use it to get other more… specific criminals by drawing them out as Tim Drake and he jumped to the occasion (the famous time when he was Shot but used M’Gann as a decoy since she couldn’t actually be hurt).Then, since it was a good idea and he needed to go to Russia for a mission he got the idea of making it an international program (which would give him an excuse to be in a different country for missions….And would generally just give him an excuse to go outside…Which is part of why the whole conclusion of him needing to stay in Gotham never made sense to me…I mean c’mon, the kid spent the major part of vigilante life OUTSIDE of Gotham, but that writer tends to want to turn Tim into a mini Bruce so…).

But for this to happen first he got the help of Tiffany and Tamara Fox to create the file to pitch the idea to Lucius, to help him with his presentation and accompanied him when he did it (Tam being the only one who knew his secret ID tho I’m pretty sure Lucius got an idea that Bruce is Batman so…He doesn’t officially know anything but he most likely guessed Tim was Robin). Tiffany became the manager of the Fundation, so even there Tim isn’t completely in charge.

Ultimately, Tim’s thing is that he’s a social butterfly. He’s good at talking to people and he likes it. He’s probably the most social Batfam member. So he stays as Wayne Enterprise’s face, like Bruce was, he gets invited to charities and parties, ect… . Because of his training under Batman one newpaper once called him a genius so he doesn’t have to act dumb like Bruce did but he definitely keeps it on the more “social” side rather than the business one in canon (not that there were that many issues about this since New 52 happened rather quickly).But because he was stuck in the middle of Gotham in No Man’s Land, he went to school in a “mixed” high school (his bff, Ives, who he met there for example was part of the lower middle class for example), and a few other thing happen that could make it understandable why he’d be more concerned about the social part of Gotham in addition to being adopted by Bruce Wayne who’s known for being dumb and…Flamboyant and giving to charities without thinking things through, he can get away with that without people overthinking things too much (except for Vicky Vale).

So generally there’s no reason to believe Tim would act as the CEO since he spends his time gallivanting here and there. He also never especially sets foot in an office that can be called his. He canonically doesn’t want to work as one (literally said so several time, just like how he doesn’t want to be Batman).

I love Tim but being CEO just isn’t something he’d want to do or be good at it. He’d be decent with some training but it’s clrealy not a passion or an ambition of his, hell I’m pretty sure if Damian grows up well enough Tim’d give him the ownership willingly in order to be free of it and go work in a garage somewhere.

I'm new to writing fanfic, and always work solo, so when I saw you have a whole team at your disposal, it blew my mind. I've got a list of questions about that: 1. How did you guys find each other and get started? 2. How does your work flow look for a story vs. a page/chapter of the comic? 3. How much do you love having an editor? 4. How does your work change from draft to final? 5. The quality of your prose is very consistent, is that just you as a writer, or is it your team keeping you good?

1. Seddm, EA, and Dino were all good friends of mine from the fandom from before or during Season 3 (I started watching the show between 2B and BFM). Toxic started watching the show sometime in late 2018 and messaged me on Tumblr for some sort of formatting help, or tips and tricks for getting posts more noticed in the fandom or something? I don’t remember and Tumblr DMs are awful to navigate, but we quickly bonded over what really matters most.

Lawchan had been a longtime follower of the show and fanfic author who inspired me to get into it back after 3A and we started talking and became friends at some point in the last year or so. BMC popped into my askbox when I opened it up to headcanon suggestions and ended up sending me over 100 in a span of 3 days that were all wonderful and creative so we started talking more. This really is a “team” in a loose sense, I just have a ton of awesome and creative and supportive friends willing to help out with this.

Oddly enough, this project started less than a day after (and was inspired by) Lake House Fever. I had already been thinking about getting back into fanfiction writing after S4 ended and we were pissed and salty and just needed good Starco thoughts so I hit him up and we started chatting and thought “huh wait a Star and Marco section of a family photo album would be a cool concept for some sort of series” and it evolved from there. We’d planned out a lot of the basics for the comic before the show ended and were waiting on the canon resolution before going any further, and Cleaved shook a lot up for what the postcanon status quo would be, so my whole aforementioned group all sat in a Discord channel on and off for literally 8+ hours the day after Cleaved and roundtable’d the entire backbone of the Earthni timeline for almost every major character (so if there’s people in the credits for TGG that haven’t shown up directly in any works yet, that’s where they contributed).

2.  Overall I’m the project lead and head writer so the majority of specific ideas, what should this page have or where is the story going, etc, come from me although anything we do gets signed off on by at LEAST me, Toxic, and Seddm first.  For comics, I usually plan the concept (Star goes here, these people are talking to each other, happy or sad, etc) and then let Toxic do his thing - he’s great already but is SUUUUUUUUPER amazingly wonderful at reading my mind and making visuals that represent my thoughts even better than the visuals in my head for them. He’ll do a rough page layout and sketch, we workshop that, then he does line-art, we look for any issues or revisions there, then he colors as I make the dialogue.  Usually takes a few days of back and forth.

Honestly my workflow for writing fics is absolute ass and you should not learn from us (ESPECIALLY me) if you’re getting into the game, hahahaha. Every day that I say I’m gonna write something, I usually end up dicking around at my computer until 1 AM and THEN decide to write a little bit and lose sleep over it. A lot of Glow was written between 2 and 6 AM on a Saturday night. I’m ridiculously nitpicky of my own work and half the time before I even finish typing a sentence I’m already erasing it because I decided it was dumb or did something wrong, which makes drafts take F O R E V E R, but the silver lining is that my first draft is already very polished by the time it’s done.

Overall, we play to our strengths - Seddm and I are general idea guys, “wouldn’t it be funny/cool if X” or “we should tell a story about Y” etc, and Toxic is especially wonderful at coming up with fantastic visual designs or gags or whatever else. So there’s plenty of times where I’ll give him the rough outline for a comic page and he’ll slip in some goofy background thing that makes it so much better, or I’ll give him a joke idea and it’ll work amazingly. I also like to call Seddm my “internal debate moderator”. When I’m struggling to figure out what to do for something, I’m often torn between a few ideas. Getting outside advice on it can obviously be really helpful, but there are times that it leaves me even more confused about what to do. But because my and Seddm’s understandings of the characters and senses of design and humor are so damn similar, he can basically serve as both a neutral voice and still part of my own thought process at the same time, which really helps me get my own personal ideas in order before running them by others.

3. Editors are great and wonderful and perfect and I love my friends to death for graciously helping week in and week out with this when I ping them with “hey guys shat this out, sun has been up for an hour so im gonna go fucking die now bye”. As stated earlier, perhaps my need for one isn’t AS high because I self-edit so compulsively as I go, but it’s soooooooo easy to get caught up in your own head and intentions and not spot obvious issues with your own writing that outside voices help a ton.

4. Whoops I guess I answered already. Very little.

5. Given that edits don’t change much about the structure of my writing, I guess it’s me - thanks! But my team is great about keeping me in line with my own vision in editing and hitting any lines that just seem out of place. There was one particular cut line in Glow that I won’t post here that was easily a full standard deviation of naughty greater than the rest of the fic’s tone (unintentional, it was very late -_-) and that got caught and shot down real quick lmfao.

February 15th-February 21st, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from February 15th, 2020 to February 21st, 2020.  The chat focused on the following question:

If a company wanted to publish your comic or adapt it for animation or games, how willing would you be to change the story if requested to do so?

FeatherNotes(Krispy)

That's such a tough question just because it's such a goal for so many creators, and yet a potential threat to their creativity in a sense. As always, it will depend on what exactly would be changed in order for such a project to be given approval. If it has to do with censoring LGBTQ+ content, changing race for 'marketability' purposes and the like, or erasing a specific topic integral to the plot with relation to politics- then it's a no go. There are plenty enough watered down media that doesn't stretch itself with diversity those companies can have and the subtext they pepper in to stay relevant, def something i find irksome with todays media (its 2020 guys !!) But if it's maybe cutting a chapter that acts like filler, or adding a character ( so long as it is plot relevant) i could take that into consideration! I actually take some time to imagine what Ghost Junk would be in a diff form of media and usually in those scenarios, things change to fit the way its being presented! A video game will differ more than an anime adaptation for sure, so long as the original intent and impact is kept, i would definitely consider some change!

LadyLazuli (Phantomarine)

If I ever had the opportunity to pass my work off to a whole other team for an adaptation, I think I would take great joy in leaving them completely to it - barring a few obvious issues like race changes, gender/sexuality changes, and... changing the entire story to the point where it's unrecognizable. I love seeing reinterpretations of my work, and I understand that every adaptation would need changes of some form. My words and art aren't gospel - I'm open to any change if it improves the whole product. Whatever it takes to translate the material in the best way, which keeps the original message intact, is all good by me.

Changes in the actual comic would be harder to make - and I'd be far less comfortable with them, to be honest - but I wouldn't fight them if they obviously made the story/characters stronger. I've already added in ideas and reorganized plot threads based on reader feedback - luckily the story still has some places where it can bend. So long as a publisher took my basic story seriously, and aimed to remold it rather than remake it - I'd be down for a discussion. Hopefully a reputable publisher would know how best to sell my work, and would aim to make it as good as possible while maintaining integrity - I would try to trust them

chalcara

Comic stays mine, won‘t be changed beyound perhaps some professional line edits and polish. There’s a reason I didn’t shop it around as a graphic novel. I’d actually like that eitherway, would love to get myself a professional editor when I have the money. Adaptions can go nuts, provided the main characters stay true to their comic versions and the woman-loves-woman storyline stays in.

Holmeaa - working on WAYFINDERS

For the story to be told in another medium I would be pretty game for it to change the story a bit. Already now we are changing the story from how we made as a campaign. Makeing it more streamlined and more precise. I wanted originally that our comic could be a TV show. I come from a background of a character animator so that would make sense for me. So seeing it animated would be awesome! There would be some designs that needed to change to fit animation better.

Like Andree has this texture in his skin that needed to go away. But seeing it animated would be awesooome

Deo101 [Millennium]

I think if my Characters stay in Character, then I'm fine with changing pretty much any of the plot or world things. But the Character dynamics and who they are as people is what matters most to me, and I'm not sure I would be willing to sacrifice that. With some of my stories I'd be willing to completely let go of the reins, and with others I definitely want a tighter grip, too.

sagaholmgaard

Agree with the thing about character dynamics. My stories always stem from the characters' relationships and how they evolve, so I'd like for the essence of that to stay. Otherwise I'm pretty loose about the plot itself. Because I have an education in game development, I would totally be down for my comic being adapted into a story driven game of some sort. I'd be okay with changing the story to favor the game mechanics, like putting certain magic abilities in the focus and turning certain scenes into gameplay (like when they're sneaking around or fighting). As long as my handful of core emotional moments come across, I'm pretty happy to change things.

Tuyetnhi

I agree with the character dynamics too. I don't feel comfortable if they change the character backgrounds along with it as well for er what Krispy said for "Markability". That stuff won't fly with me. Comic stuff stay the same but for adaptations, I want to make sure it has similar story beats even if there's a change on few details. Tbh I could totally see er....a visual novel game happening in my comic since that's what my original intention was going for. still at the end I really don't intend my comic to transend other mediums since i'm planning to self publish the story someday lol.

kayotics

I’d be pretty willing to change stuff, actually. I’d want to be pretty involved in whatever adaptation was being made in this hypothetical, but I know that more people can make for stronger work. On the other hand, too many cooks can make for some pretty watered down soup, which is why I’d want to have a large role in things so some of the core stuff doesn’t get changed. But as it is, I’m not married to any ideas that exist in my comic, and am pretty welcome to changes.

DanitheCarutor

If the changes were to benefit the story than I wouldn't mind, if they were going to change everything to make it appealing to the masses than no. Definitely not if they want to mess with the characters since how they are play a major role in the comic. I've got a really specific story I'm trying to tell, so I'm very stingy on changes. If anything I'd be more open to a company making a spin-off or something not totally related to the main story, as long as it's not a complete bastardization. Other than free advertising and the brand name, I don't really see how getting published would benefit me anyway? I'm already in the process of rescanning and re-editing the first four chapters of my comic for self-publishing, if I really wanted to adapt it into an animation I would just do it myself. Along with teaching myself whatever else I needed to get as little help as possible. Sure, I have no experience but it's not like I can't learn, there are classes and free tutorials all over the internet. I've always wanted to get into animating. I can't imagine my comic being adapted into game, what would it even be? An anti-dating sim? An interactive novel? An Apollo drinking simulator?

Capitania do Azar

I WANT A BEAT THEM UP JUST RUN IN ONE DIRECTION KICK EVERYONE

eli [a winged tale]

The dream is a studio ghibli adaption but that won’t be happening I would want to vet the studio/company proposing the adaption and ensure that we are a good fit. I echo what many of you have said about the integrity of the characters and heart of the story. There are a lot of secrets that will come to unravel as the comic progresses and I hope the publisher will be accepting of them. I will be happy to have a conversation on why these structural changes are there and why I think it’s important to allow them to reach a wider audience. That said, I am also eager to see how they would themselves interpret the story and I will give creative freedom to that. Again, it’s a dream and while I would love to direct my own film, I simply don’t have the resources to do it (at this time). https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODQ3MzIzMTM3NjY4MDA0?igshid=15bnlhamdu3tn&story_media_id=2149085305360952847

Capitania we should just have a super smash bros of all our comic characters

renieplayerone

I think like a lot of people here have already said, Im not changing anyones race, gender identity or sexuality. Otherwise? I'd be really curious what someone else's perspectives could bring to my work if it ever got adapted. I have ideas for comics that are written like they could be movies too, but idk. Its fun trying to write thinking of other mediums

mariah (rainy day dreams)

Im pretty much in the same camp of make changes as it makes sense, but stay true to the core. In the case of a live action thing being made of my story, I would actually be super ok with a POC actor filling the role of any of the white presenting characters. Or actors with different body shapes that what I'd originally draw. More diversity in film is always good

snuffysam (Super Galaxy Knights)

outside of censorship, I would be fine with most story changes? with that said, good luck lol. there are very few scenes I think can be cut out of the story without supremely messing up later scenes. every magic ability on-screen is important in some way, a bunch of random background characters end up coming back & getting way more focus later on, etc. add filler, sure, but there's really not much you can cut out without messing up the entire story down the line.

Cronaj (Whispers of the Past)

I'm pretty open to the idea of changing some details to fit a different medium better. The big thing that I wouldn't want changed in Whispers of the Past (https://www.webtoons.com/en/challenge/whispers-of-the-past/list?title_no=191366) is the characters' races. Since the story explores the idea of culture-shock and cultural identity, and the races/cultures are integral to world-building, it would be stupid the change the characters' appearances/races willy nilly. And besides, we don't want what happened to Eragon or Percy Jackson when they became movies. Congratulations on completely killing a franchise But yeah, as long as races and major plot details aren't changed too much, I'm really open to adjusting things. As an example, cutting out smexy times or making the language a bit friendlier to a wide audience, fine by me. But changing Kelan to a blacksmith instead of a farmer... Why???? I would need a good reason to do something like that. (I'M TALKING ABOUT YOU, ERAGON! WHY WAS RORAN JOINING THE ARMY RANDOMLY, INSTEAD OF BECOMING A MILLER? ISN'T THE ARMY WORKING FOR THE EVIL KING WHO TAXES THEM HEAVILY? EXPLAIN THIS TO ME.) I'm actually pretty scared about the whole race thing. I mean, Hollywood also ruined The ]

if the adaptation is Bad I can always just, like, disown it lmao

Deo101 [Millennium]

clearly im the one with the ideas here B) soo

LMAO yea

Cap’n Lee (Flowerlark Studios)

If it was being published as a comic, I don’t think I’d be willing to change too much- though that would depend a great deal in what kind of change. Cleaning up some wonky dialogue? That would probably be fine. Censorship? Absolutely not. Changing my LGBTQ+ characters’ gender / orientation to appeal to the mainstream? Really absolutely not. If being adapted to a different medium, I’d be much more willing to change things around, but would still insist my minority characters not change their identities. But I understand that as far as plot goes, different mediums call for different approaches. I’m planning on writing my comics as novels someday, and will be taking a much different approach to them. The plots will definitely be altered a great deal to better fit being written in prose.(edited)

AntiBunny

It honestly depends on what the changes were. There's a fair amount I'd change myself. A few core things I'd certainly not change though.

In AntiBunny http://AntiBunny.net/ for instance I could see some people missing the point of Penelope's character being a pacifist and wanting to make her some kind of badass, as if the only kind of strength there is comes from violence. I wouldn't remove the question of Pooky's gender, as in order to ask the question of "what is identity" I stripped Pooky of everything including even a mental construct of gender.

Some things I would change though. Likely I would cut the first two chapters and start at the 3rd when the plot actually gets moving. So demands for a faster flowing plot I could certainly meet. I'd probably cut few extra characters from the cast to streamline things a bit.

So yes for the purposes of streamlining things I'd make changes. I wouldn't make changes that would go against the entire point of the cahracters though.

snuffysam (Super Galaxy Knights)

Oh, a conversation in #general reminded me of something else regarding adapting Super Galaxy Knights Deluxe R - If the comic is to be adapted with no changes at all, it'd be a legal nightmare. Off the top of my head, these are properties that have been directly stated in dialogue - - Yahtzee - Risk - Mario Kart - Settlers of Catan - Pokemon - Disney's Frozen I don't think you could technically get in trouble for any of those? It's not like anything copyrighted was shown on screen, it's just characters talking about things they've seen before. But a publisher would probably want to play it safe and avoid that. Also... the NFL might get mad at the publisher if the gang names in Cunoze City aren't changed? Like I don't ever say the team location, so technically full team names are never used... but again, it's probably best to play it safe.

Desnik

I'd be pretty flexible with changes, but if I have to take out demons to appeal to the Evangelical Christian states of America then obvs that's not going to work out

(And you wouldn't think that'd be a Thing to this day, but apparently it's been sort of this unspoken rule in book publishing since the Satanic Panic of the 80's in the US)

Some changes I'd be okay with: Adjusting ages of characters to appeal to target demographics, removing scenes that are difficult to draw, tweaking characters to be either more or less horrible depending on their role in the story

FeatheryJustice

I will be flexible to a point and the limit of this point is pretty align to my morals. If the editor tells me to include some weird things like "You must have a scene where this guy licks the curtains" I would also be like "What is the point of this scene."(edited)

LadyLazuli (Phantomarine)

“Your protagonist must fight a giant spider in the third act.”

Deo101 [Millennium]

I mean, if you bring up giant spiders in the first act... well...

Q (Wayfinders: Off Course)

Turn it around: if your protag must fight spiders in the third act, well, time to bring in the spiders in the first..?

AntiBunny

The more I think of it, the more I realize that the most likely thing I'd be asked to change in AntiBunny is to either tone down the violence and grimdark for kids, or make it even raunchier to appeal to the "mature" (not mature at all) animation market (Seth McFarlane's audience).

My own comic keeps it rather PG-13, but there's not much market for animation in that field, at least in America. Seems like it's all either kid friendly stories where no one dies or if they do it's off screen (people get shot and stabbed in my comic) or there's the opposite with dropping F bombs every other line and filling it with sex jokes.

snuffysam (Super Galaxy Knights)

Hey, I mean, never say never. Off the top of my head, Futurama and the Samurai Jack revival were both western cartoons that I'd put solidly in PG-13 territory. Both shows were able to go adult when they needed to be, but they didn't take that as a blank check to go into "rated R" territory for the shock of it.

here’s a big ol dump of art thats been sitting in my folders for anywhere between 1-3 years that at this point ill probably never finish to accompany some Really Long rambling under the cut

im a junior in college now (””should be”” a senior/whatever that means/since i took a gap year but) but when i was in my like....sophomore-senior years of high school i drew like.....every. freaking. day. like literally i feel like i would draw like, 1 or 2 fully fleshed out, give-all-my-attention to type drawings every single day of my life, and i always had so much fun doing it.

after having a while to self-reflect though ive concluded theres kind of some layers to this. because i figure theres at least a little romanticization of the past going on, because i KNOW i wasn't a very happy person in high school; in fact, mental health wise, late high school into my freshman year of college was probably my very lowest point. i did lack motivation at these points, but not for drawing; i kind of put off school work and college prep, which wasn't good, but drew like HELL every single day, and pretty much all of it was fan art. thats one of the main differences between me then and me now; i used to dedicate so much of my time and energy to “fandom” and the media i was into, and it totally fueled my desire to draw, whereas now, i obviously still enjoy different series, but... my life doesn't really revolve around them like it used to.

the way i see it, i think i definitely used to use media and fandom participation as a form of escapism, but not really the good kind... i think it was more of a maladaptive obsession i failed to keep in check that i know for a fact really got in the way of my schoolwork, and i only doubled down when it came time to apply to colleges, because of course that stressed me out and scared me; during times like that, which was almost always due to my mental health issues at the time, i clung to fandom because its what brought me comfort and kind of shielded me from my responsibilities.

either way, that obsession with whatever media i was into at any given time is also what i think gave me that desire to draw all the time that i miss so much. i think being THAT invested in something is what actually gave me the constant desire to create, and being able to create something and feel accomplished in something without having to face anything uncertain or scary kept me totally hooked. so its weird trying to parse how i feel about that time period in my life.

on one hand, my mental health has gotten SO much better. obviously ive matured a lot since high school, so over time ive learned about much better coping mechanisms and ideas about mental health, ive gotten on a medication that works for me, and ive really gotten into my major so I'm really enjoying school as well. and obviously this is progress that i would never, ever, just want to give up or throw away. however, its also this progress that seems to have inadvertently influenced how often i draw, because I'm no longer fully diving into media/fandom because i dont need that escapism anymore, and therefore i don't have this like, feverish, obsession-fueled desire to draw like i used to. its kind of a double edged sword i guess and something i don't have a clear answer to.

i also think another factor i can't ignore is that i used to have a very large following in a lot of fandoms on tumblr, and if i remember correctly before i deleted my old tumblr i had around 12,000 followers that i had accumulated over probably the course of about 5 years. so that meant that my fan art got a LOT of attention. not to sound like hur-de-blur-social-media-is-evil but like at least in my personal experience, i kind of taught myself to think, “your art is only worth something if it gains a huge, instantaneous reaction, and peoples’ reaction to your art is the ONLY thing that decides its value.” and thinking like that really has hurt how i feel about my art over time! often times, after deleting my tumblr, i would find myself thinking, “well whats the point in doing any art, because nobodys going to see it anyway” so i honestly didn't draw or feel anything for art for a long, long time. in that time i channeled my feelings and energy into much more harmful activities, and i really could've used art at the time, but it had become such a worthless concept in my head since i could no longer associate it with immediate praise and attention.

i forgot a lot of important things about art, most importantly, how it could be fulfilling to just ME and that that was ok. i forgot that drawing regularly would help me improve, or give me something to focus on when i felt down, or give me the power to create something when i felt like i messed up everything else around me, or just make me happy because i thought of something i wanted to put on paper and then just put it on paper. and thats one of the main reasons i created this tumblr; i want to kind of rekindle that passion i had for art, but this time, without the maladaptive obsessions and without the need for approval from everyone around me. and i know this isn't a unique struggle; i know lots of artists who share their work online get discouraged by how little attention their work gets after they put so much time and effort into it, and like them, i don't have an answer as to how to “fix” this feeling either. but i can at least try. i want to prove to myself that the time i spent feeling hopeful and happy about something i created justifies its entire existence regardless of now many notes it gets, whether its OCs, fan art, digital, traditional, whatever. i just want to learn how to draw because it makes me happy.

that said, finding the motivation can be hard. however, i think I'm sometimes a little too hard on myself. I'm on winter break right now, and ive kind of defaulted to thinking “you haven't drawn enough, you've wasted so much time wishing the motivation fairy would visit you and make you draw that you haven't put in the time and effort needed to make yourself do it, youre pissing away every chance you have.” but when i think about it, i don't think thats true.

ive spent a lot of time thinking about OCs recently, which is kind of wild, because i haven't had the desire to make OCs in probably literally ten freakin years, so thats honestly huge for me--i actually really WANT to make original content despite the fact that i know it won't get as much attention as fan art, and i want to just do it for me, because i want to get it out. ive done a whole character sheet and I'm working on another! and sure, it didn't take me half a day like it maybe used to would've, but what does that matter? i thought, hey, i wanna get this out, and i got it out, and thats good enough for me. ive even written up storyboards in case i wanna ever make some small comics about my OCs just for fun, which is exciting cause ive never done it before. ive also been working on a commission for a close friend who wanted me to design her a fursona, and not only has it been a really fun process, but its the first commission ive done in a really, really long time, and it feels really rewarding. on top of that, I'm working on a painting for my dad as a late christmas present, and its my first really ambitious traditional piece in a while, so thats been pretty exciting too. and sure, ive done some fan art, but it feels like its coming from a better place; its less “please assign me value” and more just, really feeling something for the characters and wanting to try to connect with other people who feel something for those characters as well.

so, while it seems challenging, i also need to remind myself not to be blind to my own progress. i think i am doing better, and feeling better about art even if sometimes it feels like i spend way more time thinking about doing art instead of actually doing it. i think thats probably normal, and i think i can keep heading in the right direction.

ANYWAY this got really long but sometimes typing out how i feel about something and then reading it back helps me understand my own head a little better, so thats ok

review: hajimari no kyojin (osaka 6/1)

so. hello. i usually write up my butai thoughts as, um, 100+ tweet threads in the immediate wake of whatever i just saw, but this time around i thought i'd work them out into a proper report, of a sort. if you, too, have seen this show already and want to talk about it... please. any time. always.

about reviewing: this is my very favorite 2.5D franchise, ever. but this is also a review, not a cheerleading exercise, so not every single thing i have to say is unrelentingly positive. having said that, i respect kinoshita, wada, suga-zachou, and the staff at large more than just about any creative team in this corner of japanese theater fandom so like. i'm not here to drag, lol.

about spoilers: i talk about the plot elements covered but try to avoid spoiling any of the fun production surprises. :) happy to do a more spoilery play-by-play later if folks are curious.

about length: i just checked and it's 2400 words im so sorry.

without further ado...

first of all, i admit that based on the preview clips i doubted, and i was swiftly taken to task for doubting. IM SORRY WORRY-SAN i trust u implicitly and i should have known better. after the major changes in shinka no natsu, i was concerned that bringing back the revolving stage and the original opening theme would feel stale/regressive. it did not. while they did bring back the revolving element they also extended the stage backward and added a second level behind a full stage height projection screen – the second level was used to do some neat staging for flashbacks/parallels and the screen was used to, how shall we say this, up their projection game in a major way, which i frankly did not think was possible. i will not spoil the details but it was pretty great, on a purely technical level.

i also realized that a lot of the repetition – opening with the bike scene, bringing back the original opening credits music, the staging, etc – is the "look back" over the last couple years that i'd expected to come this fall. they are very obviously already preparing for the end – you could think of this as part one of their last show, with the fall as part two. the show opens with a restaging of sixth grader hinata seeing the little giant on tv for the first time – then the current karasuno team take the place of the tv and hinata joins them for a team jog. "karasuno, fight!" "oh!" "fight!" "oh!" only then each character calls out their signature line from the show so far. "uchi no renchuu wa chanto tsuyoi" / "mou tobenai karasu nante yobasenai" / "murabito b mo tatakaemasu!"

and haha. let me tell you. BOY, DID I FEEL THINGS. a lot of things. i think yachi got me the worst but they were all real bad. (i have so many feelings about yachi's story and what a beautiful job saitou ami did with her character on stage. god. ;_;)

the theme of this play was the role of captain – what makes a good captain, what a captain does for the team, and how to step into those shoes when the captain is gone. the johzenji match is fun, but here, in a sense, it exists more or less to set up the wakutani match – (re)establishing daichi's importance so that his absence feels like the gut punch it is. and fully settling the weight of that responsibility on ennoshita's shoulders, as both daichi's substitute on the court and the captain-in-waiting.

with that in mind, the rival schools: imo it wasn't strictly necessary to cast full teams for each school – each match got its own dedicated act, and unlike, for example, nekoma/datekou in karasuno fukkatsu (which had a similar story structure), there aren't really any individual characters on these rival schools who have a role as such other than terushima and takeru. (you know, the captains. see above. XD) so in theory one could get this done with, like, one actor for each captain and then an ensemble cast playing the rest of the team across both matches. HOWEVER, having all those bodies allows them to do super cool stuff visually, and why force yourself to create the illusion of a full team if you don't have to? i.e., /i/ sure am not complaining, isn't it nice to have $$$ to achieve the max vision of your choreographer. XD

i also have no doubt that the kids playing these other characters are doing whatever they can to create a character within the ensemble, and i suspect there's plenty for repeat viewers to pick up on, esp during say the johzenji match (see below). however for the first time viewer following the main flow of the story it's more or less a very large ensemble cast.

the johzenji chaos was well expressed, haha, there was so damn much going on all the time that i hardly knew where to look. (i've also seen opinions on j-twitter that that diluted the impact and i can see that too – it worked for me as a "funny" match that didn't cross the line into comic relief, but ymmv.) i thought the final scene with misaki would pack more of a punch, but i fully expect them to cry at daisenshuuraku so that might fill in the last 10% that's missing rn.

wakutani are another Good Dance Team. one did get a sense, stylistically, of fukurodani- and nekoma-lite with johzenji and wakunan, respectively – i assume that was intentional. mirroring the cats vs owls match, as it were. yanagihara rin's takeru was like… scary?? i had to rewatch those episodes this weekend to see if i'd just forgotten something, but no, stage takeru is not so much reliable middle brother as scowly quiet tough guy. he looked like a kyoutani tbh, and looking at the kid actually cast for kyoutani, one wonders if someone in casting mixed up some paperwork or something. having said that, yanagihara was great at being the character he was, i enjoyed what he did on stage. i'm just not sure that character was takeru. XD (edit: ok having just rewatched, i have to revise this somewhat, i think a big part of my impression was due to being too far back to properly see his expressions the first time around -- up close he was much smilier, and bc i was thinking about it i noticed some nice details like him going over for a family hug afterward.) otoh big post-match scene – all of wakutani, actually – was really good. v effective, i heard sniffles around me.

during this match, johzenji reappeared dressed as takeru's family: FUCKING HILARIOUS omg, everyone involved has clearly learned how to do this right wrt blocking, the very fine line between comic relief and intrusion, etc, after the, er, shaky shousha to haisha experiment of kuroken doubling as oikawa's fangirls. seichou shita na, errone.

also, some great wire work for hinata and takeru – you could tell kenta is really comfortable up there these days. the first time the wires came into play one of the women behind me went "UWO!" which, when a japanese theatergoer makes a noise out loud, that's a true sign something's impressive. XD

nekoma vs fukurodani: Yeah, That Happened. it is a testament to how well done karasuno vs wakunan was that i didn't just spend the entire time screeching BRING BACK CATS VS OWLS because fjkdajfkdlsfjd KYAA. another good staging moment – they used mirrors to create the effect of two full teams playing at a crowded gymnasium, it was brill. i won't spoil some of the fun details but vvjakdlfjdf. and tbh i think the best performance of the four was probably shouri's?? not that this is news but istg idk how someone so soft offstage does THAT on stage. is it this "acting" thing you speak of.

new bokuaka: i mean it was clear some of this material was meant for yoshimoto kouki and i did kinda miss him – i appreciate higashi-san's pinch hitting and he did a solid job. but. ah well. HAVING SAID THAT. fucking "michi wo tsukurimasu yo" i mean we should all be grateful it wasn't kouki and yuuki or it would have just been a fucking fanfic on stage. it was still bad and i don't even go here. XD

and last but not least, arita ushiwaka kenji: not exactly the world's most natural line delivery but that's fine because, i mean, he's ushiwaka. and his physical presence was perfect. which was about all he was called on to do in this particular show, ahaha.

now, for karasuno. and specifically, for my son, kawahara kazuma. remember what i said approximately a thousand words ago, about captains and captains in waiting and stepping up to the plate? (or onto the court, as it were.) ennoshita's story was the heart of the wakutani match and kazuma carried the second act. he was. so. good. he had good material to work with, of course, but he made it even better. i was saying to a friend that in retrospect i think this is one of the very very few parts of the series that actually played better and more emotionally affecting on stage than in the source material (as opposed to differently good/differently affecting). in the manga/anime, you can only see what the paneling or the frame shows you, and those initial paneling/framing choices are focused on the drama of CAPTAIN DOWN. but on the stage, daichi goes down… and off to the side you see ennoshita freeze. and from that moment on, for kazuma, it's go time. he doesn't let up until the end of post-match scene in (here) the locker room – which, jesus, that scene. it packs ten times the punch it does in the anime. because of kazuma.

sorry if i sound like a crazy person here ahaha. but like. like, imagine you have been acting since childhood, you've studied dance with famous choreographers and innovators, you had a main role in The Franchise That Changed 2.5D as a teenager, you've done a solo album, you have a serious history in performing arts... and you get cast in what was initially the smallest role of the entire karasuno team. and you take it! and pull your weight! kazuma was a team player for three years and he deserved this chance to let his actual skills shine so much. ;_; because i don't necessarily think he would have been better in any of the other roles than his actual teammates – but i do think he is a much better actor than several of his actual teammates. and he finally got the opportunity to show that.

anyway, when it came time for curtain calls, the applause swelled noticeably for kazuma – a louder ovation than anyone except kagechan and kenta. and one of those people clapping her hands off, say in row 20, just a random row choice, was definitely tearing up at the same time.

IN OTHER KARASANEWS. kt-san. LIVE IN PERSON KT-SAN BACK IN THE ROLE HE WAS MEANT FOR cries into my hands i love him daichi-saaaaaaaaaan. very occasionally his delivery reminded me he's a model not an actor, if you know what i mean, but like, for the vast part it didn't matter because he is naturally such a perfect fit. have i mentioned i love him.

new suga: mmmmm. he looked and moved fine but his line delivery did not convince me. tbf it's not like suga has a huge role to play in these matches so 1) it's not a huge deal 2) he didn't get much chance to get into the character. either he'll get better or he won't, and if he doesn't it's not going to sink the next play or anything. he seems like a nice enough kid, i wish him well!

kageyama tatsuya: still can't yell and enunciate at the same time. loved that they brought back the archer analogy from shinka no natsu though!! it was one of my favorite things about his kageyama, and it's nice that it's something he "owns" instead of imitating/inheriting from tatsunari.

tsukishima & yamaguchi: miura kairi continues to get even better, i'm so pleased. <3 also, i love love love that they still use the musical motif from shousha to haisha for yamaguchi's jump float serve. it was the same in shinka no natsu, it's the same here. THE TSUKKIYAMA WAS REAL CUTE, great detail work before and after the serve as well as after tsukki's block(s). as for tsukishima, much as they brought back kageyama's archer imagery, they brought back tsukki's fancy katana kill block. (they didn't waste kondou shouri, either, i'll leave it at that.)

last but not least, MY ACTUAL SON AND FEELINGS TWIN, SUGA KENTA: ok like. to set the scene here. i have mad respect for this kid and also love him to death as a human. i think he puts more thought into this production than anyone else in the cast – he is practically worry-san's AD. and he clearly has a lot of real deep thoughts and feelings about the source material. so deep in fact that it took a while for me to come around to his hinata because while, for example, tatsunari's kageyama could have walked straight off my television screen, kenta went down to the manga and built hinata up from there. he didn't have a choice – he's nothing like murase ayumu's voice. all too often we, and i include myself here, think of the two dimensions in 2.5D as anime, rather than manga... but just as there's a big gap between the two dimensions of animation and the three dimensions of live theater, there's as big a gap again between static black-and-white drawing, and movement and color and sound. and when i looked at kenta's hinata as something created solely from furudate's art style, it all slotted into place for me. (naturally, ymmv.)

it also took kenta longer than some of the others, i think, to portray all of what he wanted to. shoen hinata was pretty yelly, and pretty single-register yelly. hinata is a yelly character, of course, but the balance between that hinata and Serious Match Hinata was out of whack at first. this got better and better with every show. and then—

his encounter with ushiwaka here. was IT. it was what i was looking for all this time. his delivery of hinata's big line there was like – i think maybe i clapped my hands over my mouth, unclear, bc it was like the final missing piece and i was so happy. kentaaaaa. ;____;

part of me wonders if this is what kenta's always had in his head but maybe couldn't get his face/voice to express the way he wanted it? OR, IT'S KENTA, SO MAYBE IT WAS ON PURPOSE and his previous Serious Hinata was meant to be like, just a feral hunger child whereas this is the kid who experienced the heartbreak of losing to seijou. i would love to ask him tbh. XD

anyway, my son, after five plays continues to grow in his portrayal of this character. kenta is the heart of gekidan haikyuu in so many ways, and i will be at their graduation show if it kills me.

(breathes out) i think that's. everything. a best setter award to anyone who read this far, and feel free to ask if there's anything specific you want to know about? i will be seeing it again this weekend for daisenshuuraku and will be sure to report back on who cried, etc. all hail volleyball stage the end. 🏐