katierainxo: I LOVE welcoming my girlfriends into motherhood by taking their photos. What a special treat!!!
Mama Mia, you are such a natural and I am so freaking proud of you!!! Bluesy Belle is the luckiest to have you and Darren as parents!
⭐️ Photo credit: @darrencriss 😉
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I know you probably abandoned this blog. But I want to say your writing has helped me. I have always had trouble with self-confidence, but I read your work, and I started to try and put myself out there more.
Oh...oooh..this made me incredibly happy. Thank you for taking the time to send this to me. I'm really touched, and happy my writing helped you in any way :). And I haven't abandoned this blog, I just got a little...busy with this :
Hehe.
I love you all. I will be back soon.
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I will never be over how good Leo and Hueso’s dynamic is and how both of them get so much out of having the other in their lives.
In Leo’s case, he gains that older male figure in his life that he is willing to trust and lower his walls for. He gains a confidant where he has none elsewhere, too busy keeping up his many masks with his family to ever consider showing them his true thoughts. He gains an authority figure who is willing to hear him out, no matter how reluctant said figure initially appears.
In Hueso’s case, Leo’s direct involvement in the skeleton’s life has undoubtedly benefited Hueso so unbelievably well. For one, it’s Leo’s choice to ask Hueso for help finding his brothers that ultimately leads to the clearing of Hueso’s Hidden City ban. Then, it’s Leo and Mikey that Hueso brings on to help him with two mob bosses, ending with the bosses no longer being a problem for Hueso. And of course, through Leo’s decision to come to Hueso for advice and later the slider’s insistence that Hueso try to make up with his brother, Hueso’s estranged relationship with Piel is finally mended.
Sure, Leo causes no small amount of strife and damages to Hueso’s business and person, and Hueso is often annoyed by and speaks callously to Leo, but there’s a reason Leo feels comfortable enough to continue going to Hueso, and there’s a reason Hueso ultimately always hears Leo out.
They really do end up feeling like a nephew and uncle, don’t they?
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i stand by that a better, more sensible, and more intriguing plot for TSATS would have been, instead of retconning literally everything:
Bob is dead (because he was very explicitly absorbed/killed by Tartarus Himself in House of Hades, alongside Damasen), and nobody is going into Tartarus to save him. He made his sacrifice and is gone. However. Remember how the Titans, including Bob, were just kind of kicking around for several years? Particularly. On a cruise ship full of mortals. And Bob happened to be kicking around in general for an extra year versus all the other Titans. And he mythologically sometimes has a mortal demigod son who partook in the Calydonian Boar Hunt (Dryas of Calydon). Yeah.
So turns out, Bob/Iapetus leaves behind a demigod (demititan?) child. And because Nico was pretty much his only friend, he named Nico his child's godfather. And while he's not being left in charge of the child, as a son of Hades and godfather to this kid, Nico is duty-bound to fulfill Bob's last will and go find this like 2 year old to make sure they're safe. So Nico has to undertake this very unusual quest (that raises many questions, such as "demititans are a thing?" and "DOES THIS MEAN THERE'S POTENTIALLY MORE-?!" and "SHOULD WE BE CONCERNED ABOUT THIS?") and is kind of freaking out because. He's the son of Hades! He's notoriously bad with living things, and animals, and definitely small children! Even if he does find this kid and assure they're safe, he is the last person who should be undergoing any kind of quest involving even potentially having to babysit. Fortunately, his boyfriend is the human embodiment of sunshine and calmness and good vibes, and also once helped a nymph give birth, so he feels Marginally More Confident in theoretical demititan babysitting and offers to come along on this Epic Journey of Figuring Out What In Hades' Name Is Up With This Demititan Baby Business.
Proceed with wholesome epic shenanigans quest of Nico and Will scurrying around trying to locate this random OP baby while Nico has an existential crisis about the nature of his powers because he doesn't want to let Bob down! Both for Hades Kid Honor Reasons and because Bob was his friend! But what if he's destined to fail this quest just because of who he is? Because he's simply not built for hanging out with the living/mortals? And Will reassuring him that He Will Probably Not Traumatize The Weird OP Titan Baby And It'll Be Fine, and simultaneously getting a peek into the weird other life Nico leads hanging out with immortals much more than the average demigod, which Nico considers his norm. Bonus shenanigans of both of them getting caught off-guard and culture shocked from where each other's respective worlds (Nico's mostly-immortal versus Will's mostly-mortal) cross over and learning to navigate those for each other - Nico finally starting to make some mortal connections and get glimpses at modern mortal American life, and Will trying not to get his brain literally incinerated while Nico's happily casually catching up with some of his old friends who happen to be literal gods.
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I'm playing with the Immersive Elliott Wedding mod installed and I absolutely love that he uses Scottish Gaelic terms of endearment for the farmer and references being from an in-universe equivalent to Scotland, it's all the author's own headcanons as far as I'm aware but I love thinking about this exact kind of thing for characters- where did they come from, what might their culture be, what traditions do they practice. Also I can't not picture him with a Scottish accent now and I'm fine with that.
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A little gift for all the @sonic-oc-showdown contestants [part 2/3] I made Sonic the Fighters styled logos for everyone to keep or even use for propaganda. They're transparent and everything, no credit required.
Let's make it a good tournament everyone!
part 1
part 3
Genesis for @peachiesnake
Pup for @scizzors-theawsome
Squabble for @sonic-adventure-3
Sinker for @the-gnome-zone
Coke for @lunapegasus
Ecru for @nolongeronlyhereforthewhispangle
Zenyx for @grimsdeadb0nes
Lori-Ki for @julie-su
Tommy the Bear for @clawcakes
Wendy for @maddestmewmew
Sharp for @sege-h
Sasha for @c0ngatime
Impact for @yeets-ix
Ebony for @mynders-universe
Chimera for @knizuu
Axel for @vgjedi
Breadroll for @neurotypical-sonic
Cake for @cakebird-art
Dr. Felicia for @dootdootboopedsnoot
Dr. Kass for @mistressdizzy
Berry for @nostalgic-soda
Rocket for @yourlessfast
Eris for @theknifedance
Flicker for @werewolveswithagenda
Leslie for @cosmosses
Canyon for @icednebula
Terio for @totaleclipse573
Eventide for @zepandovski
Eidolon for @vela--nova
Sunny for @chaos-and-the-emeralds
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Ellie’s memory of the golfing scene and what it tells us about her.
🚨spoilers for tlou2🚨
I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:
The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.
There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.
The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.
Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)
Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).
Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.
This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.
On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)
To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.
But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.
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