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#like 'I used to think my life was a tragedy but it's a comedy'
tofixtheshadows · 4 hours
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You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.
The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.
For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.
I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.
Like, this
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is funny.
But this?
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Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.
The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.
I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:
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Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.
And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.
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mossmx · 2 years
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Mr. Bateman saw a gay pride and immediately spiraled, had to go home in taxi to calm down, torture a puppy as self soothing, before he could go to work (late because of his gay panic)
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drchucktingle · 5 months
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work of jordan peele is BIG influence on chuck this is correct. there are quite a few similarities actually, especially when you consider both of us are coming to horror from place of comedy (i personally do not see tinglers as comedy but obviously this timeline has placed them there and i am perfectly okay with this trot).
we are both creating horror stories for our own historically marginalized groups and in particular, writing stories that are SPECIFIC to those groups.
for example when thinking about QUEER HORROR there is plenty of queer horror where the horror itself has nothing to do with queerness, or the queerness is subtext. for instance you could have a slasher where the main characters happen to be gay, but their queerness is not necessarily part of the fear.
on the other hand, CAMP DAMASCUS is directly commenting on a queer issue
BURY YOUR GAYS is directly commenting on a queer issue
by the same token GET OUT is directly commenting on a race issue
US is directly commenting on a class issue which is, of course, going to be wrapped up in topics of race and marginalization
it should be said that the other kinds of horror where issues of the marginalized groups is more in the SUBTEXT are not wrong. there is a time and a place for that. the book that will likely be chucks next horror novel is about bi erasure, but it is much more about the subtext and symbolism. there is a bi lead, but also a monster that does not seem to be about bi erasure AT FIRST. it is much less direct. so there is a time and a place for both kinds of approaches.
but i think the biggest thing that is similar about jordan and chucks approach (and what has been a big influence on me specifically) is that our goal is NOT: 'how HORRIFYING AND TRAUMATIC AND MESSED UP CAN WE MAKE THIS?'
we are doing something else
processing trauma by exposure can be a common goal for horror AND honestly i think it is also totally dang fine to make art like this. there are some incredible pieces where trauma and tragedy is the goal. however (and i will speak for myself here) when you are coming from a buckaroo community that has been through so much of this trauma in real life, i PERSONALLY find that goal to be a little too boring.
my goal is more like this: how can we use this genre of fear and tension that i love to comment and explore and say something new? how can i pull apart an issue and deconstruct it in a way that is cathartic and maybe even changes minds?
so i cannot speak for jordan but i feel like our approaches are similar in this way. i see a LOT of reviews that make comparisons between CAMP DAMASCUS and GET OUT and i am always very flattered
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kudossi · 9 months
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Tigerclaw and the Terrible, Horrible, No Good, Very Bad Senior Warrior Position AU
In a world where deputies can only be named after their first apprentice has been granted their warrior name, Tigerclaw struggles to keep an apprentice alive long enough to earn their name.
or, a comedy-tragedy AU in which having an apprentice isn't enough — you have to see them to their warrior name, and Tigerclaw cannot fucking get any of his goddamn apprentices to live, damn it.
It starts out mostly normally, except for the fact that Tigerclaw hasn't gotten any apprentices to their warrior name, and he needs that so he can accomplish his (very noble, of course) kitty genocide goals. And also be the supreme leader of the world or something. Darkpaw died stupidly, he hasn't had a chance since, and now he's got some tiny thing that's afraid of his own shadow.
Well. It'll have to do.
So naturally this man is so protective over Ravenpaw that Ravenpaw barely even leaves his sight. Firepaw and Graypaw think that this is adorable. Look how much Tigerclaw cares about his apprentice!!
Ravenpaw, of course, is fucking terrified and also slowly losing his mind, just in a different way.
"Redtail assigned us to go on a patrol to Snakerocks." "OH NO HE DID NOT. WE'RE STAYING IN THE SANDY HOLLOW WHERE IT'S SAFE."
"Nothing matters more to me than making you a warrior, Ravenpaw. Nothing." And the terrible thing is that Ravenpaw is sure he's being sincere.
Ravenpaw disappears and Tigerclaw nearly fucking has a conniption because the timing was all RIGHT and he was going to finally get the position AND HE NEVER GOT HIS DAMN NAME FUCK.
"Do you think I could convince the elders that Fireheart was my apprentice?" "Fireheart was Bluestar's apprentice, as approved by StarClan. You're going to have to wait for the next litter to be apprenticed."
So he begs and begs and gets Cinderpaw and then she accidentally falls into the trap he'd set for a better deputy candidate at the Thunderpath. Fuck.
Well. Time to resort to drastic measures.
"I was thinking that Darkstripe would have been a good name. Because he had dark stripes." "Again, Tigerclaw, it's admirable that you loved your apprentice so much, but I cannot grant him a name." "Are you sure?" "Honestly, Tigerclaw, I'm not sure he ever would have gotten a name. Missing quite a few feathers from his nest, that one..." Fuck. The worst part was that she wasn't even wrong.
— Swiftpaw and Brightpaw get mauled by the dogs he set up to happen like right after he got the title and they sprang it before and he's like FUCK NOW WHAT DO I DO WITH THESE DAMN DOGS? His world domination plans literally never come to fruition because he cannot keep his apprentices alive/in the clan/his own.
— "Brightheart counts. She HAS to count." "Actually, Cloudtail took over her training…" [demented noises]
Turns out that Ravenpaw is alive and no one — no one — in the Harper Collins Extended Universe is happier than Tigerclaw.
"You're alive! …You deserve your warrior name!" "Actually, I've come to peace with my name and my way of life. I have no need for a—" "GET YOUR FUCKING NAME RIGHT NOW RAVENPAW OR SO HELP ME STARCLAN—" "I know you really wanted Ravenpaw to become a warrior," Barley says gently, "but he's made his decision. It's very kind of you to acknowledge that he deserves it, though. You must have been so close as mentor and apprentice." Tigerclaw's eye twitches. "Yes. Close. Very... close." —
He finally, finally retires as an elder after his plans go absolutely nowhere for years on end. And maybe StarClan is still like "Brambleclaw would be chill actually, we can forget that pesky little law" and Tigerclaw is sitting there like "excuse me what the actual fuck?" —
But at this point Tigerclaw is about as dangerous as Ashfur without a freak forest fire. Which is to say about as dangerous as using a leaf as a weapon. Which is, incidentally, how Darkpaw managed to get himself killed in the first place.
"Is this the Dark Forest? This has to be the Dark Forest. It doesn't look like Thistleclaw described it, but it must be. This Clan is all an elaborate punishment meted down by StarClan for my sins." "Tigerclaw, sir, I'm just here to help you with your ticks. See? I have the mousebile right here." "…Yes, thank you, Alderpaw." — Graystripe joins him in the elder's den and he's like, "You know, Ravenpaw thought you were up to some… scheme, back in the day. Crazy, right? You've been a model Clanmate as long as I've been alive." [muffled screaming] "Huh, what do you think that is? It sounds almost like someone killed a rabbit, but they know not to come this close to camp…"
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saintvainglorious · 3 months
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My First Fanbind! A Black Sails Fic Anthology Series
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It took me a year (and a lot of anxious research) before I worked up the courage to bookbind fanfiction, and after months of on-again-off-again work, my first fanbind is finally done!
I knew that if I was going to bookbind fic, I had to bind something from the Black Sails fandom, aka the fandom and show that have had the biggest impact on my life. Y'all, I almost went into academia to study slavery in the 17th-18th century Caribbean because of this show - when folks say this show rewires your brain chemistry, they are NOT kidding. THEE show of all time. Happy 10th anniversary to Black Sails! This fandom is small but mighty. May we continue to get our hearts and souls blasted to smithereens by this show for many years to come.
Ao3 abounds with magnificent Black Sails oneshots, so I decided to put together an anthology of my favorite Silverflint fics under 20k, which I split into two volumes. Included are works by @justlikeeddie, @vowel-in-thug, @balloonstand, @annevbonny, @francisthegreat, @nysscientia, and more! Thank you, thank you all, you brilliant wonderful people, for gracing the Internet with such amazing writing. When I read the fics in these anthologies I want to fling myself into the sun.
More on the design and binding process below the cut!
Vol. 1 Page Count: 270 (12 fics) Vol. 2 Page Count: 248 (11 fics) Body Font: Sabon Next LT (10.5 pt) Title Font: Goudy Old Style Other Fonts: IM Fell English, pirates pw
The typeset (which I did in Word) took a while, mainly because I'd never done it before. Manually adjusting the hyphenation line-by-line was especially tedious. After making these books, I abandoned Word in favor of InDesign, in large part because InDesign gives you way finer control over your justification and hyphenation settings.
Regarding my actual design choices, I'm happy with how the ocean motif on the title page turned out (it's not the same pattern as my endpapers, but they're complimentary) and I'm very fond of my divider dingbats, which are little swords! Goudy Old Style was a fun title font to use, since it's the font that Black Sails uses as its logo. The stories in Vol. 1 are divided into parts based on what Silver WAS at that point in the show (cook, quartermaster, or king), and Vol. 2 is split up into comedies, histories (AUs set in the canon universe) and tragedies - befitting Black Sails' Shakespearean ~vibes~.
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I stuck to a flatback binding, as I wasn't feeling quite ambitious enough to try rounding and/or backing. I've learned that I ~Anakin Skywalker voice~ hate sanding, enjoy folding/sewing, and don't LIKE edge trimming but enjoy the results enough to make it worth it.
The real adventure was decorating the cover, which remained bare for months. After agonizing over Illustrator and experimenting unsuccessfully with HTV and lokta paper embossing, I ultimately turned to using stencil vinyl to paint on the designs. There was a bit of seepage under some of the stencils, but I was able to scrape off the excess with my Cricut weeding tool without damaging the coated surface of the bookcloth (probably Arrestox Blue Ribbon from Hollander's). Even though it was very time-consuming, I'm so happy with the end result of the stenciled paint job and I intend to stick with stencils for my foreseeable future binds.
Are there things I would change? Sure. It was humid out when I printed, so the pages have got a wave. There’s an extra two pages in Vol 2. that I have no idea how I missed, and I got a line of glue in the middle of one of my Vol. 2 endpapers. I’m pretty sure I didn’t case in quite right, since my endpapers pull away from the case at the spine. I think the inner margins are a bit too big, and despite going line-by-line there’s still some wacky justification spacing in the typeset. But man, am I proud of these books! It is so satisfying to learn a new skill - MANY new skills, if we’re being honest - and to make something both beautiful and practical. If I’m still binding in two years or so, I can see myself redoing the typeset in InDesign, cutting out the existing text block, and reusing the cases. I’m also already planning for Vol. 3, which will be Silverflint Modern AUs.
Thanks for reading!
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staged but i've never watched it and i'm drunk
hello mascot good omens mascot here okay so THE STAGED LIVESTREAAM IS ON SATURDAY BTW. That is a thing that is happening. So. You know. If you're above 18 because @thescholarlystrumpet (and I ig) are responaible adults come and like. Join us. Watch me react to staged and probably die. i'Ll probably share details when I'm not drunk and when it's not nearing midnight.
But until then I'm drinking battery acid (this red wine cost like the equivalent of 2.5 USD) and I am here to summarise staged.
It's about David Tennant and Michael Sheen, who, until barely a month ago, I had no idea existed (we don't talk about Michael sneakily being in Twilight and Passengers I'm actually pretending the Twilight thing didn't happen pklease respect my denial)
It started over Zoom and it's about them rehearsing a play during COVID but like it's scripted so it's a show about rehearsing a play and it stars the actors as themselves very meta very fourth wall
David has hair extensions and Michael does not
David keeps switching locations because he has to quote Michael "twenty children" and they're everywhere. Because of this hellsite that's obsessed with David to an unhealthy level I know that this is not true, he has five children and I can probably give you details and how is this my life
Michael stays in the kitcehn and some watchers think this is a poetic choice it's not David just has to shift because humans are everywhere in his house
Georgia who is David's wife and Anna who is Michael's wife which I also know because of this hellsite both also star in it
They're all neighbours now by the way which this really creepy hellsite was DETERMINED that I know about okay thank you tumblr I'm uh that's knowledge for sure I'm sure they're having fun
Judi Dench is involved and I'm not sure who she is but she's a Dame and she's a very good actress and she's kinda intimoidating and also for some weird reason I associate her with that Cats nightmare fuel even though I didn't watch it but yeah she probably had nothing to do with it
There are three seasons and FOR SOME REAOSN EVERYONE IS CRYING AT THE END. WHY ARE YOU ALL ALWAYS CRYING WHY HAVE YOU DRAGGED ME INTO THE CRYING TOO I'M STILL CRYING OVER GOOD OMENS WHAT IS THIS NOW.
it's uh it's a comedy but I've realised now that in Britain comedy = will make you sob harder than a tragedy but will be more subtle and sneaky about it
god this wine tastes like shit i really need to make money so i can afford better alcohol. any suggestions, maggots? wait this is a summary not a life update
uhhhh the silhouette of one of david's kids appears in one of the episodes
that's all i've got i'm sorry time to go make more bad decisions I love you all byebyeeeeeeeeeeeeeeeeeeeee stay rotten
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arwenadreamer · 2 months
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Why I love the SPN finale so much
There are exactly 4 possible ways the show could have ended for our boys.
a) Both Sam and Dean live
b) Both Winchesters die together
c) Sam dies
d) Dean dies
So why do I think d) was the best possible outcome? Lets have a look at the different scenarios.
a) Both Sam and Dean live
While it would have been nice, I dont think it would have really concluded the show. "There will be peace when you are done." Well, on earth they would never have been truly done. There would always have been another horror lurking just around the corner, even if it was just a Monster of the Week. To find true peace, I think the boys had to enter heaven. And we actually had a bit of the they were done and lived happily on earth scenario in that domestic life openening of the finale. For the boys to live would just have meant more of the same, seasoned with hurts and horrors and a sprinkle of pain on top.
b) Both Winchesters die together
I wouldn't have minded that. It sure would have made for a tragic ending. In fact, that was what I kind of was hoping for, at least I imagined that this would be how the finale would go. Both boys going down swinging, blaze of glory style, preferably dying hand in hand, saying something like "Good night Sammy" or "See you on the other side, Dean". But in retrospect I see that this would have robbed us of their 7 Minute good bye scene. Of all the things Dean needed to say to Sam because he was saying good bye for quite a while. Of Sam being devastated and breaking down with his dead brother in his arms. There would have been no need for love confessions and "I must have stood outside your dorm for hours" and "When it came down to it it has always been you ... and me". Because they just could have picked up their normal conversation on the other side.
c) Sam dies
Dean would have comitted suicide right after burning Sams corpse. Jensen said so, and regarding Deans feelings and intentions, Jensens words are as good as canon to me.
I wouldnt have minded the tragedy of that, but in that case it really would have had an undertone of suicide ideation, which enough people scream about Dean's death as it is. (And which it really, really wasnt!)
c) Dean dies
Did I cry my eyes out? Yes. But the show I love is a drama show. Otherwise I`d choose a feelgood comedy show.
I wouldnt have minded for Sam to follow Dean soon after, to be honest. Maybe by being extra careless on hunts. But in keeping fighting, living through the grieve and pain day by day and coming out strong enough on the other side to actually have a kid and give him a stable, loving home, the message of the finale was actually so powerful. Opposite of glorifying suicide, it said "hold on, stay strong, there is a light at the end of all this trauma and horror and darkness you currently walk through".
The best part about the finale is, though, that it did not end there. Supernatural DID. NOT. END. WITH. DEAN'S. DEATH!!!
SUPERNATURAL ENDED ON A BRIDGE!!!!
I would have hated it, if the end of the show would have been the brothers seperated. But they weren`t. The show literally ended with the boys arm in arm, looking out over a peaceful valley in a heaven better than the one they knew from before.
There was peace and they were done. Together.
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UNRELIABLE NARRATORS; THE FINAL FINAL
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Shen Qingqiu Propaganda:
The entire series is told from his POV and the story seems like a comedy. The side stories from other characters POVs make the story sound like a tragedy. He thought that Luo Binghe hated him and wanted him dead while everyone else knew that Binghe was in love with him.
the whole book he’s using his OWN interpretation of the world to explain literally everything, not knowing that his introduction into the world changed it so fundamentally that his prior knowledge of it is less than useless. he’s like “binghe is being sweet to me because binghe is sweet to people that wronged him before repaying their slight a thousandfold, and he only adds their acceptance of his sweetness to his tally of their sins!! i have to run away forever or he’ll tear my arms and legs off!!!!!!” and binghe in reality is like “wow the love of my life my beloved shizun is scared of me still :( i should act sweet and nonthreatening so he’s not scared of me :(“ and he literally doesn’t have this corrected until the end of the book. but even when that one thing is corrected he still is like “haha okay but these other six things-“ bro……. cucumber bro………….. you homosexualized the world just accept it
He examines the entire reality he's isekai-ed into as if it's still fictional and his inner monologue ignores any "character trait" of the people around him that doesn't fit into his perception of "canon" despite everything he's done to change reality from the canon of the novel he first read. He routinely mislabels his own emotions as well as making heteronormative assumptions about himself and the people around him before he finally realises he's in reciprocated gay love with a man. It's a book that benefits being read twice, so the second time around you can focus on the implications Shen Qingqiu blatantly misses.
Transmigrates into a novel he “hates,” assumes he’s doing a good job pretending to be the character whose body he got stuck in, assumes other characters will stick to their original paths. Lotta assumptions, lots of rationalizing, lots of incredible feats of misunderstanding/misinterpreting things. His internal narration is also hysterical.
Lemony Snicket Propaganda:
(I would like to preface this by saying that Lemony Snicket is the author's pen name, not a real person, and he exists as a character in-universe as well as being the one in-universe who writes the books!) I'd say he's unreliable because he spent time collecting information about the Baudelaire kids and then... wrote books about it. He has no idea what any of their dialogue actually was, what they were thinking, or even the whole plot, he's just doing research into the incidents and then filling in the gaps to make it a story. What ACTUALLY happened to the Baudelaires? Nobody really knows for sure
While the Baudelaire siblings are in potentially life threatening danger, he will randomly start talking about his own life and just leave the siblings hanging. For example, once Count Olaf was threatening to kill Violet, and then Lemony randomly began talking about how he met the love of his life at a costume party. This man CANNOT stay on topic. Usually when a new character is introduced, Lemony tells us right at the start that they’re either going to die or that the Baudelaire siblings will never see them again. Foreshadowing is not subtle in these books. CONSTANTLY emphasizes how miserable he feels while writing these books. At one point he admits that he had to put his pencil down and go cry for a while because of how sad it made him. Once he filled an entire page with nothing but the word “ever” to emphasize how dangerous it is to put forks in electrical outlets. He also repeated a paragraph about deja vu later on in the book to give the reader deja vu.
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antlerqueer · 5 months
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sorry im literally putting all of my complaints about ppl's critiques of leave the world behind here bc it's alll..... like what? so i literally looked up interviews from sam esmail and rumaan alam and i'm not crazy!!! the things i was like "this is the opposite of what was going on??" were actually the opposite of what was going on.
Some criticism I've seen is people saying "the movie mocks Rose's dependence on technology with the final scene" but it was like... Rose's journey was seeking her own solution to not wanting to be miserable and inside and waiting for death?? And she found it??
Quote from Sam Esmail, from Rolling Stone (emphasis mine):
During the early days of the pandemic, I remember how we were all very scared. We were scared for our loved ones, we were scared for one another, we were scared for ourselves. People were dying on a daily basis and we were locked in and trapped. There was this real sense of fear and anxiety. And then Tiger King dropped on Netflix and that was all we could talk about for weeks.  As silly as that show is, I love that we as a community dropped our differences to engage with this story and to laugh with it and talk about it. I just found that very human. I love when you can mix tragedy and comedy like that because I do think the essence of tragic comedy speaks directly to who we are and to the human condition.  So when I was constructing this story, I felt that throughout all this bleakness, to have this character, Rose, escape into something comfortable — I thought that was just something that felt like a kind of universal touchstone.
Rumaan Alam, the author, also says this to Variety:
I say it’s funny, but I don’t think it’s a joke. I don’t think it’s a joke on Rose. I don’t think it’s a joke on the audience. I don’t think it’s a joke on “Friends.” It’s a reminder that art is kind of a salve.
Sam Esmail LOVES media. He's not fucking condemning a child for wanting comfort????? Anyway. The dependence on technology isn't a point of inherent criticism, it is a point of what do we do when our survival is reliant on technology but we lose it. It's part of the horror. It's scary.
Literally, a quote from Esmail in GQ:
[It] really kind of underlines the theme of this reliance on tech, and once it goes away, what are we left with? And that in its own way is pretty terrifying.
I've seen it said Julia Roberts's character was "redeemed" in the film from her bad actions, which I so heavily disagree with, and so does Rumaan Alam, in the Variety interview:
In that final scene between Julia and Myha’la, they don’t embrace. Even prior to that, when they’re in that little shed and come to a détente, Ruth acknowledges that there’s some truth to the things that Amanda has said, that they’re in agreement about something, but it doesn’t end with a hug. It’s not that kind of story.
(A detente is "the easing of hostility or strained relations" - not a reprieve or a reconciliation, but an easing.)
These characters don't have to like or forgive each other to agree that there are things more important to survival and making it through than Amanda being overbearing and racist. Ruth lost her mother and even though Amanda steps in and maybe saves her life (we don't know what the deer were gonna do) that is not an apology! And it's not treated like one because we don't see any sort of forgiveness from Ruth!
And then the whole "it's an attack from a foreign government making the US a victim" shit. Like... GH theorizes, out loud, that this could be the US government's doing? Anyway.
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denny-artsss · 1 month
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Caine throws a "prom night" as the adventure and Gangle (reluctantly) agreed to be Jax's date and Jax basically shuts down because he did NOT expect Gangle to look that good in a dress, like DAMN
Caine: HELLO EVERYONE!! I HAVE SOMETHING SPECIAL PLANNED FOR TONIGHT!
Jax: you're gonna learn to speak in your inside voice?
Caine: SILLY JAX! THIS IS MY INSIDE VOICE! NOW! WERE GONNA HAVE A PROM NIGHT!
Zooble: what are we school girls? Ragatha and Gangle be playing bingo like they're in a retirement home.
Ragatha: we play cause its fun not cause were old.
Gangle: bingo-
Caine: COME ON IT WILL BE FUN! YOU CAN DRESS UP IN DRESSES AND COSTUMES! ITS TONIGHT AT 8!
Jax: is it mandatory to show up?
Caine: YES! ITS ALSO MANDATORY TO HAVE A PARTNER!
*everyone finds a partner except Gangle and Jax*
Gangle: *slowly backs away*
Jax: *pulls her close* Gangle! My best friend!
Gangle: *raises an eyebrow*
Jax: best- frienemy? Whatever. You coming to prom with me.
Gangle: that sounded more like a statement than a question.
Jax: UGH YOURE SO PRETENTIOUS! FINE! oh my dear Gangle, light of my life, would you make me the HUGE honor of going to Caines stupid prom with me? *ironic*
Gangle: you forgot to drop on your knees and beg
Jax: YES OR NO
Gangle: *sighs* I would've gone with you anyway. There's no one left, big brain. But thanks for humiliating yourself I guess.
Jax: whatever. Have fun finding something to put on that body of yours. We'll see who's gonna be humiliated. *walks away laughing*
*Gangle walks with the others to look for something to wear*
Gangle: I'm not forgiving you guys for leaving me to be his date for prom.
Zooble: a risk I'm willing to take as long as I'm Jax-free.
Ragatha: yeah sorry Gangle. My Hate for Jax is bigger than my love for you.
Gangle: that's understandable. *picks up a nice black dress and puts it on* huh- this doesn't look too bad does it?
Ragatha: no it actually looks really good! Here- *hands her some accesories* ooo
Zooble: Gangle trust me.you don't need to get this dressed. Jax will probably just show up in his pajamas.
Gangle: pfft. Like If i was dressing for him anyway- *admires herself in the mirror*
Zooble: I think ill just slap a tie on and call it a day.
-time skip-
Jax: *knocks at Gangles door* you abstracted yet?
Gangle: I wish. *opens the door and looks at him* wow you actually put on some decent clothing-
Jax: ah this? I just stole it from those 2 npcs having a wedding now the groom is naked.
Gangle: there was a whole box of costumes downstairs. *steps out of her room into the light*
Jax: *stares at her, a blush creeping on his face*
Gangle: what? Does it look wierd?..
Jax: no- no it looks- *cleans his throat* it looks good- *hands her a red rose*
Gangle: *smiles softly and puts it on top of her head* how do I look?
Jax: beauti- I mean you look okay- *comes closer and wipes the running mascara off her face*
Gangle: I shouldn't have put make up on with my tragedy mask.
Jax: what happened to your comedy mask?
Gangle: Caine keeps forgetting to fix it-
Caine: DID SOMEONE MENTION MY NAME? MY MY! YOU BOTH LOOK STUNNING- oh wow Gangle I don't think that dress is prom appropriate
Gangle: huh? *looks down*
Jax: SHUT UP CAINE SHUT UP I WILL FORCE FEED YOU DENTAL FLOSS SHUT UP.
Caine: alright then-
Gangle: *walks with him to the prom* wow you must really like this dress-
Jax: *blushes embarrassed* yeah well- I also just really DISlike Caine.
Bubble: does this mean you're my date for the prom Caine?
Caine: ... *pops bubble*
.
(Also heres a drawing of her in the prom dress)
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Yes I used this as am excuse to draw Gangle in yet another dress.
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thefiresofpompeii · 3 months
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more unprovoked unhinged takes about The Show™️… i like whittaker well enough, she’s fine, but i think what would really have been perfect is for twelve to have regenerated into michelle gomez. missy made such a profound impact on his psyche story-wise that it was the memory of her calling for him that eventually got him to wake up in twice upon a time. her life ended in tragedy because the master’s (literal) self-hatred was too strong to overcome, but right before the end, even after he was led to believe she’d betrayed him, she stood up for what’s right, without hope, without witness, without reward. and i think that the doctor’s subconscious in the process of regeneration would have carried that message forward, especially since we know from caecilius that the faces the doctor chooses aren’t random: they’re there to embody an ideal or code to swear by. ten’s face, for example, was a representation of the man that would be perfect for rose (because that was the first face she saw on new year’s eve 2005, the year that changed her life: the mysterious handsome drunk stranger that promised her a wonderful year. it’s the sweetest ever causal loop) sorry i veered off-course a bit there but ah well, always gonna use an excuse to mention rose
anyway, gomez would make a brilliant doctor from what we’ve seen of her acting, her charisma and her redemption arc. it would give the new thirteenth doctor plenty of angst opportunities and regrets every time she looked in the mirror, and she could get a mini-arc over the course of her first series in which she faces up to her past and recognises that they really weren’t so different after all. and… i’m still on s11 so i haven’t met dhawan!master yet, but it could make for some great mindbending comedy-drama if he believes her to be his previous self when he first meets the new doctor, and she goes along with his mistake to deceive him, realising she’s ironically becoming more master-ish as she brings that plan to fruition (which would inspire another minor identity crisis, and don’t we just love it when the doctor isn’t quite sure of who they really are)
anyway, i don’t quite know where i’m going with this. my pfp speaks for itself. ideal parallel universe where thirteen was michelle gomez, basically
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kadextra · 4 months
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q!Forever & q!Bad, comedy and tragedy are two sides of the same coin
(little meta rp analysis & appreciation)
Comedy and tragedy- complimentary concepts when it comes to the dynamic that is these two characters.
Their lore together is truly like a soap opera to me in the way it operates, entertaining in how goofy it is- I laughed so much during interrodate. They had a whole elaborate musical prank war over a stolen gun (which neither of them even had, they’re just too dedicated to the bit.) The first thing they say to each other after q!Forever returns from the nether is “You look terrible!” 💀 and my guy gifted a bloody chainsaw as the flower of the day to q!Bad in purgatory 1 which was happily accepted.
Even when the characters show attraction for each other, it’s usually through some ridiculous romcom thing. q!Forever is in love with q!Bad dressed as pink barbie and thinks photos of her are the best gift a person could ever receive?? 🤨 q!Bad daydreams about q!Forever as a lobster with blonde hair and a six-pack??? brother be projecting him onto larry the lobster from spongebob squarepants dude what is wrong with them 😭 sometimes I wonder how they’re able to do all these bits in improv and take it seriously, it’s impressive
The characters are not normal, their relationship is not normal, it cannot be viewed normally. the ccs know exactly what they’re doing in creating whatever *gestures* this is, and it’s amazing. over the top, cute, played perfectly for comedy
But the characters aren’t just that, you can’t have them without the inverse 🎭 like a punch to the gut after all the sillies, they really know how to do tragedy well.
I very much look forward to whenever they’re at the top of their angst game, bc they both LOVE to make their cubitos suffer. to an insane degree. My god these two can’t go 3 days with their characters experiencing some peace and joyful whimsy, they *must* rp their ocs actively dying, horribly diseased, going crazy
And they go hard with it. I’m very serious when I say multiple times during the lore I’ve had to get up and walk away to calm down because it was too intense. super special shoutout to the q!Forever first happy pills arc stream & October 1st q!Bad psychotic breakdown stream. I’ve never been so shocked as I was watching those live, the stamina to do highly emotional rp like that is actually nuts. some of the most angsty mfs on this server fr (the #1 spot goes to quackity though. hey maybe i’ll make a tierlist)
So when Bad & Forever bring the best of their angst ability into serious rp interactions together that Aren’t comedic…? we are in for a treat. that talk they had right when q!cellbit died to the code, the richas rescue mission, the election, voting arguments, post-ron kidnapping, colorblind test/therapy, flower of the day. many scenes that are seared into my mind, but none is more so than The Happy Pills Proposal. goosebumps whenever I think about it… the scene ever. the way it was framed, the lines they said, how it had tense, chilling buildup before a literal explosion. how are these people capable of doing the most silly things and then turning around to stab us in the heart 50 times
So you bet I’m crossing my fingers for a meeting between @v@ & q!Bad. Forever is absolutely killing the role so far. If q!Bad gets involved I can already taste the glorious angst…. since he has specific traumatic experience in also being possessed, & having killed his possessed friends in another life. he recalled the memory when talking about how to save q!Forever last night. fun! *shaking*
anyways that’s all :D love these characters, I had been wanting to do a little meta appreciation post for a while so I thought why not now ^^
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ethrealilies · 5 months
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Have been thinking of an Digital Circus AU
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For those wondering its an AU where all the characters from "I Have No Mouth and I Must Scream" are in digital circus and I might post more of this because I'm already liking this idea and so in order we got: Ted as Pomni - Personality wise they are to implied having Paranoia and even hallucinations and just like Ted Pomni like gets paranoid of the surrounding things within the Digtial Circus and along with it in the Pilot the others believe Pomni is having hallucinations themselves Benny as Zangle - Again personality wise its base how they are emotional but have differences with Benny having a childlike temperament where as for Gangle they wear masks but at most of the time have the tragedy mask as the comedy mask would mostly be broken Ellen as Ragatha - Now both Ellen and Ragatha are both somewhat sane (partially to the talk of Ragatha to Pomni about the digital world) with Ellen trying to make sure the group are together and making sure everyone is okay where for Ragatha does the same thing but in a way to make sure the others are alright and not abstracted when me and my friends were discussing about Ragatha they said that her design is of a Rag doll and we believed that in her past life when she was Human she was thrown around by others or basically taken for granted and also a people pleaser in a way and with Ellen it was mentioned I believe that the group somehow @bu$e her and also taken for granted too when she also have to make sure the group is together and that everyone is okay this could be implied in the book with Benny Nimdok as Kinger - Their both old but at the same time Kinger seems to be traumatized with many fan theories talking about his own wife and along with it he is also seem to be paranoid even sometimes screaming randomly and it is said that Nimdok would wander about randomly and then return back traumatized so I wanna implied that Gorriester as both Jax and Zooble - Now Jax is apathetic whereas Zooble say curse words even vulgar actions with that the middle finger but they both remind me of Gorriester who used to be a pacifist but then became apathetic and even being listless like Zooble lacking enthusiasm from it alone and I had to mix both Zooble and Jax for it but may change later on | AM as Caine - AM and Caine are like both AI but different personality although AM finds enjoyment and pleasure in torturing the five whereas Caine gives them enjoyment whereas being oblivious that they are becoming insane and want to leave and it was even confirmed by Gooseworx themselves so Yeah Now once more episodes come I may do more with it still and these are just sketches I have done so until then I'll just gotta wait and see
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sneakystorms · 1 year
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Thoughts about the Banshees of Inisherin in no particular order because I'm insane and I spent at least a third of the screening with tears streaming down my face
Padraic starting out the film happy and one by one realising how few things he was relying on to stay that way, just the dreadful hit after hit as he loses his friend, his sister, his donkey and even the village idiot he couldn't get to leave him alone
Something which reminds me of the most painful moments of catcher in the rye or lord of the rings - having a protagonist who does not suffer stoically, does not repress his emotions until a breaking point, but laments and begs for help and reaches out again and again and is broken by the pain inflicted upon him and is not strong enough to survive through it
The most horrible sight to behold in our culture - a grown man crying
In general that whole scene. Padraic standing up to the shithole cop, getting assaulted, Colm wordlessly helping him up but refusing to comfort him once he broke down or stay with him past the crossing
Jenny being buried in padraic's blanket
The hooked stick.
The second confession scene containing both "kind of weird, but strictly speaking not a sin" and "you got me there"
"and what about the despair?" "It's back a bit" "but you're not going to do anything about it, are you?" "No, I'm not"
I wish I knew enough about Irish or English history to say something more about the civil war's significance to the story but I can at least say the faraway conflict gives an eerily absurd tone to Padraic and Colm's feud, like they are simultaneously squabbling over nothing and waging some great existential battle
Speaking of which I was absolutely astounded to see a genuine discussion about the meaning of life in like the first ten minutes of this film. Padraic represents my own belief that a life spent enjoying yourself and making others happy is well lived and valuable, while Colm is obsessed with being remembered and believes his life will only have been worthwhile if he does something remarkable, if he leaves something behind. I kind of wanted Padraic to ask him what it matters to him how someone will feel about him long after he's dead in the ground, but regardless this was a genuinely compelling and shockingly well laid out philosophical conflict
In general I'm stunned by how seamlessly and plainly the themes are interwoven with the story. It's hard to put into words exactly but it's some damn good scriptwriting
I called this movie a masterpiece of small scale tragedy on letterboxd and I fully stand by this. This microscopic in the grand scale of things drama - made to look even smaller by the fact that it's two grown men having it - is simultaneously shown very clearly to encompass padraic's entire world. The tiny island setting is used wonderfully to emphasise this
Speaking of which, I have a massive soft spot for stories where the location is a character unto itself, or in any case has a huge role to play. This is a perfect example of a story like that
And speaking of the tragedy genre, this is maybe the best example I have ever seen of comedy and tragedy/drama woven together completely seamlessly? I can't think of a single moment where the tone shift felt jarring or the mood felt inappropriate. One of the moments I remember most clearly as integrating humour with drama is when Siobhan sees the first finger and padraic's comically stunned reaction combines with her comically realistic one to create a genuine air of tragedy somehow. It's also a good example of the similarly seamless weaving together of naturalistic and stylised storytelling
Not only the horror of loving someone who hates you, but of having that person leverage your love for them in order to keep you away
In general, most heartbreaking film I think I've literally ever watched. 10/10 masterpiece probably will not watch again all the way through because it's too painful
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So The Amazing Digital Circus has latched onto my brain like a particularly stubborn tick so now I gotta share a theory of mine from the Pilot.
Considering it's all, indeed, digital and the mental health of its occupants ties to their stability, I bet their avatars are near direct reflections of themselves and their issues/flaws, albeit with a filter to fit the Fun, Child Friendly Aesthetic of the Circus.
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Pomni is a classic rendition of a Jester. A Court Fool. Her eyes are incredibly expressive and even change to scribbles, hollow circles, or pure black depending on her mental state.
She likely views her life as a joke, or views herself as the punchline of a joke. She's a Fool. Whether this is due to perceived incompetence, an inability to "grow up", or simply considers herself to be lesser than her peers.
I do however use the above picture on purpose. She's an absolute nervous wreck 99% of the time, but stops while being chased by a monster and is stunned by her own reflection. That isn't a look of fear or confusion, it's awe. Something about her avatar struck a cord with her and seemed right. I personally subscribe to the theory of her being transgender and experiencing a small bout of gender euphoria amidst the horrors thanks to a post made by one demilypyro.
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Jax is a Cartoon Rabbit. Not really terribly much to say about the design itself other than it being very rubber-hose animation in its proportions and the seeming default smug expression.
Jax is an asshole. He plays pranks in bad faith, is incredibly snarky and dry even to someone in distress, and doesn't seem to overly care about the others well being.
"I'm fine with doing whatever, as long as I get to see funny things happen to people." It makes sense his avatar would take a similar look to another wise-cracking cartoon rabbit we all know. He also seems the most content to actually be in the Circus itself. Considering it can let him do all manner of things to others, from the lethal to the physically impossible, he might consider it better than reality.
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Ragatha is literally just raggedy ann. A patchwork doll.
She seems to be the most outwardly kind of the individuals in the circus, showing patience and understanding with Pomni even when in distress, though she clearly has a limit to said patience.
I think it's safe to assume Ragatha has been through a lot of shit for her avatar to make her seem patchwork. Which is to say, damaged multiple times and repaired each time, leaving clear marks of the repairs like scars.
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Zooble is a mess of individual parts slammed together in an approximation of a humanoid shape. Like someone took dozens of pieces from all sorts of toys and put them together into an amalgam.
Gooseworx has stated they have no idea what they're even suppose to be. This can and likely does include gender, but probably includes their entire identity as a whole. Or rather, their lack of one.
For whatever reason, be it alienation, isolation, or any number of potential causes; Zooble doesn't know who they are or what they want to be. No ambitions, no dreams, no real self identity. This makes their avatar manifest as a mess that also doesn't know what it wants to be, so is a little bit of everything.
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Gangle is most insubstantial, their body almost entirely a ribbon. The key part of their avatar is the mask: Comedy and Tragedy. And it seems in the few instances it's not broken, they always try to wear the comedy mask over top the tragedy mask.
Gangle's behavior makes me think she's the youngest of the individuals, at least mentally. As for the masks, something about her circumstances in life made her feel the need to put on a facade of joy. Maybe to live up to expectations, or to hide her true feelings to avoid worrying others. As an avatar, this seems to have become literal: She seems to only be happy with the mask on and discontent at best with it off/broken.
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Kinger is a White King Chess Piece.
He's a forgetful paranoiac who, according to the characters, has been present in the Circus for the longest amount of time. He seems to forget where people are and what he's doing quite a bit.
In a moment of lucidity near the end, he goes in depth about how the food they eat is just simulated, and how they provide the sensation of eating despite not being real. It's also worth mentioning the ground floor of the circus is a Chess Board.
I believe Kinger is/was at least partially in charge of creating the Circus. His avatar is a walking symbol of authority, a reflection on his standing within the digital space rather than his current mental state. Perhaps the avatar was more fitting when he first entered the Circus, aware of its intricacies and rules, but has long since forgotten such things.
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We don't see Kaufmo while he's uh. Normal. But we do see pictures of what he did look like: A Clown.
From the dialogue of other characters like Ragatha and Gangle, he seemed to actually try and play the role of clown during his time in the Circus, even if he wasn't terribly funny.
Kaufmo likely found himself to be a clown in reality. Maybe he was a clown in the literal sense. Or maybe he just saw himself as a funny, quirky guy to be around even if he was none of those things.
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Finally, we have what happens when someone goes completely plum insane.
The Avatars are based on mental scans of the individual made to fit the aesthetic of the circus. an Abstraction is what happens when said software tries to read a mind that has no logic or reasoning left. There's nothing to find, no basis of personality, no base to work with. So in confusion the avatar becomes a glitched mess, trying and failing to find a shape within the madness to settle into.
Kinger seems to be insane, yet they're stable, because there is still an individual underneath the neurosis. There's nothing left of Kaufmo at this point: Just a cyclone of emotions inside a broken human mind.
That's the theory, anyway. It's a fucking pilot I could be entirely wrong.
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faglaios · 4 months
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id love to hear your denji thoughts
I HAVE SO MANYYYY HE MAKES ME SO SAD. Warnings for sexual assault talk
particularly just how tragic he is and framed as comedy (meant to be realized is tragic, but csm fans tend to have no reading comprehension💔) like ermmm when his FAMILY IS BEING HELD HOSTAGE? and he desperately offers sexual favors to ensure their safety like people seeing that and going “haha woah what!!” or “denji gay moments!” or whatever like yes I think he is bisexual but that is literally not a moment for evidence for that, he is desperate and willing to do anything to help his family and we KNOW his relationship with sexuality.
Denji is 16 at the start, he’s going through puberty, he’s horny. That’s not a bad thing and is actually really fun to explore! It’s a central part of his character that he just wanted to touch boobs and have sex and a girlfriend, but what ISNT silly is how that is directly what causes him to get groomed and assaulted over and over (groomed I use mostly just for makima, himeno is on the fence for it I think she just took advantage of him and then. Sexually assaulted him like twice) Denji’s had no family for the vast majority of his life and has had little contact with other people in a normal way, he’s had no way to process or experience desire whether it be sexual or romantic or just desire for things in general. He struggles (and I believe he’s not even conscious of it) to differentiate between these types of feelings because the only time he’s done that was with pochita! And it makes sense he wouldn’t wanna fuck his dog like. Duh.
But he’s so continuously taken advantage of and manipulated that even in recent chapters when he’s sorted through some things and has visibly REALIZED he needs to be treated better and with respect, you can see him revert back to those traumatic habits and responses because he’s desperate! And you can see he’s not fucking happy when these examples of reversion occur! He feels bad, but because characters are laughing at him or what he says “feels” (“feels” because tbh like it’s realistic when you think about it!) out of pocket and surprises the audience, it’s viewed as funny!
Literally my friend, when the chapter of him offering to tongue yoshida’s ass for a week to keep his family safe, was laughing! And that’s like ok initially I guess bc yeah it’s vulgar and sudden but it’s so sad! Chainsaw man has a funny name so “it’s a comedy,” or someone literally just tried telling me it’s a “tragic romcom” like!!! Csm is not a sad romantic comedy!! Denji is groomed, sexually assaulted, manipulated, taken advantage of, the list goes on!! None of his romantic encounters are ever (save for asa) just Kind Of Sad. Csm is the story of a victim over and over again and it’s explicit about that!! The comedy comes from silly moments that are semi frequent, but overall it’s a tragedy, like ohhhh my god denji makes me so fucking upset
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