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#karaoke scene
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RWRB Incorrect Quotes
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honey-bri-books 9 months
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Amy, Pez, Nora, Bea, FirstPrince 馃グ
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jajatoc 10 months
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"I could fix him", "I could make him worse", uhm sorry sir could you step off the karaoke stage please
Different version under the cut
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Title reference >
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ossanana 2 years
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" I've had the time of my life And I owe it all to you "
I really love their duo in season 3
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crush-like-that 3 months
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fuck farleigh WHAT
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pineappical 6 months
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THE DUET IVE ALWAYS WANTED
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hischiersdraisaitl 9 months
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RED, WHITE & ROYAL BLUE | Favourite Prince Henry Moments/Looks ( 1 / ?? )
Casual + Karaoke in Texas
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apeirophobia 5 months
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There's a natural, innate competition with each other and dislike between them. But there's also that kind of sense, increasingly, that they know each other better than anyone else knows them because they can kind of see through each other. x
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liquidstar 19 days
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i havent seen anyone else point out yet that ivan reaching for till's neck was already a consistent theme, strangulation aside
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all the way back to round 3. in both that and after the karaoke scene, he's doing it specifically to release his restraints (post-karaoke specifically, it doesnt even seem to be for a real reason other than to bring him some temporary relief/comfort after that). even if its not shown in the other shots, i think thats what his desire is there too.
and with the strangling too, in the end i still think he was trying to save him through it, in whatever way he could at least. you could take that in the "it was a farce to save him" way or the "it was an attempted double suicide" way, but i think its just interesting. we see consistently ivan reach for till's neck to give him freedom, until the same gesture strangles him instead. isn't that ironic?
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overleftdown 4 months
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i finally got around to watching archie madekwe's interview with in creative company and it was astounding, for one. i geeked the fuck out. there's so much to talk about.
his and emerald's understanding of farleigh's character on such a deep level, not just what was on screen, but in his past and in his thoughts... gagged! i was very interested in his interpretation of farleigh's family; archie considers farleigh's mother as a kind of enigmatic fallen star who behaved more as a friend than a parent. archie describes farleigh's childhood as overly mature and neglectful, with the character having to experience more mature and adult situations than he might've in a different family.
another important thing archie touched on was the power dynamics between oliver and farleigh, and how threatening they appeared to each other. archie believes that farleigh didn't truly understand the genius of oliver and how intricate a game he was playing; that never stopped farleigh from observing oliver at any opportune moment. eventually, farleigh had a deeper understanding of oliver's sinister obsession with felix, as well as the way he manipulated the family. this is why, in the karaoke scene, farleigh doesn't bite the bait that oliver offers him. he's not grateful for oliver's sympathy or companionship; he's appalled that oliver would even have a personal conversation with him in the first place.
the dynamic archie describes between felix and farleigh is also really interesting to me. he discusses the transactional nature of their relationship, but also how deeply farleigh loved felix. there was also the need to learn exactly how to behave amongst the cattons; when to pull away, when to fade into the background, where to assert or insert yourself in a situation. farleigh is, above most other things, an observer. the nature in which oliver behaves in the early summer, how clumsily he navigates conversation, incited a lot of judgement from farleigh. part of it was the knowledge that oliver didn't quite fit, didn't make sense among the cattons.
archie talks about how self-serving the majority of farleigh's socialization is, at oxbridge. his opening line is entirely intended to cater towards the people he is walking with. there has always been a need for farleigh to adapt, observe, overthink. in this environment, love is neither unconditional nor reliable.
the biggest difference i've clocked between farleigh and oliver is the way they play the game. farleigh plays his own cards, he analyzes what he's seen, and acts accordingly. whereas oliver integrates, injects, and manipulates. farleigh is playing poker while oliver is playing chess.
i'm an actual blabbermouth.
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elloras 8 months
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Ted Lasso: Make Rebecca Great Again
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tinymintywolf 1 year
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you're needy love sponges. and i'm a plant that grows on rocks and lives off insects that die inside of me.
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Go little boy kisser go
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stellarspecter 2 years
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sometimes i think about five choosing to sing "i've had the time of my life" and choosing to make it a duet with klaus and pulling their other brothers up to sing with them too, and he's never been one to say what he feels, but he's always been one to show it ("you're a good brother. okay, you say something nice about me now" "let's go find your stupid birth mother.") and of all the songs to sing at the end of the world, he chooses to say that he's had the time of his life. he chooses a duet so he won't be alone. he gives himself permission to be sentimental for once, about as overtly as he can be, and his brothers join him. he's saved the world for them. twice. and he may have said fuck it to saving the world this time, but he's not gonna go out without saying "i owe it all to you"
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e2castiel 11 months
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Barry Season 4 + Funniest Moments
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walnutmistjamie 6 months
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@giftober 2023 Day 25: Music
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