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justabigassnerd · 1 year

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Pairing - Pete 'Maverick' Mitchell x sister!reader

Word count - 3,330

Warnings - inaccurate court scenes, angst, mentions of death, abandonment, fluff

Summary - Maverick ends up fighting his mother for custody of his baby sister after her sudden reappearance

A/N - wow it's been a hot minute hasn't it?? I'm so sorry for the delay I'm fighting for my life out here but I'm almost done with my dissertation which is super exciting! this was an anon request so I hope I did the idea justice and I'm so sorry it took me so long to get to it. as per y'all, please send in requests, feedback and enjoy!!!

When Pete Mitchell turned eighteen, his mum gave birth to a little girl who very quickly became his favourite person in the world. Not even half a year had passed before his dad died, leaving the family in ruins.

Not long after Pete sent in his application to the naval academy along with his best friend, his mum took off, leaving his little sister in his care. He was petrified at having to look after a child but because it was you, he took it in his stride. He got official custody of you and raised you with love and affection and Goose was more than happy to help his best friend along the way.

When you turned four, Maverick and Goose were given spots at Top Gun, and so both men packed up their belongings and moved to San Diego. You were left in the care of Carole who graciously took charge of both you and her son while Maverick and Goose were training at Top Gun.

When it reached the last leg of training at Top Gun, families were permitted to fly out to see their loved ones, so Carole packed a bag with her stuff, yours, and Bradley’s and flew on the first plane out to San Diego to see Maverick and Goose. When you disembarked the plane, you spotted your big brother and immediately barrelled towards him, giggling when he scooped you up in his arms and pressed a kiss on your temple.

“Was the flight okay, kiddo?” Maverick asks with a grin as you cuddle close to your brother, wrapping your arms around his neck and burying your face in his shoulder.

“Yeah.” You reply, nodding against his shirt as you speak. It was clear that you were tired from the journey so Maverick exchanged one look with Goose, and both men instantly knew that tomorrow could be the day they go to the beach.

“Alright, y/n/n. Let’s grab something to eat and then we’ll get you settled at my place. I think that sounds like a plan. Do you?” He asks, receiving a nod in response to his question. The group of five make their way to a small diner and get something to eat. Maverick and Goose fill Carole in on what training at Top Gun had been like while you and Bradley were happy to entertain yourself by colouring on the colouring page the waitresses gave you. When you finished your food and Maverick and Goose had split the bill, you all left the diner with you holding your brother’s hand and giggling as he twirled you effortlessly. When Maverick looked up from where you were walking alongside him to check where he was going, he locked eyes with someone he didn’t think he’d ever see again.

“Hey y/n/n, why don’t you hang out with Goose for a minute. I have something I need to do really quick.” Maverick asks, glancing from you to Goose who instantly picked up on his best friend’s tense frame and nervous expression and crouched down to be at your height.

“I think I saw an ice cream place nearby when I was walking around the other day. I think we should get some ice cream, don’t you?” Goose says with a smile. The idea of ice cream has you instantly leaping into Goose’s arms as he scoops you up and sits you on his hip.

“Ice cream!” You cheer, clapping your hands happily.

“I want ice cream too, dad!” Bradley clamours, tugging on his dad’s Hawaiian shirt.

“We’ll get you some ice cream too my sweet boy. Just remember to say please, okay?” Carole says, stroking her son’s hair away from his face before taking his hand in hers to begin the walk to the ice cream shop.

“Bye, Pete!” You wave over Goose’s shoulder to Maverick who waves back, making sure to blow you a quick kiss as well. The moment you were out of his line of sight he turned to face Shannon Mitchell, the woman who abandoned her children.

“Pete, it’s so good to see you.” His mother gushes, instantly reaching out to cup his face but faltering when Maverick takes a step back, keeping the distance between them.

“What do you want?” He questions, grateful his aviators are hiding the daggers he is shooting towards the woman standing in front of him.

“A mother can’t come and see her own kids? Especially when her son got into Top Gun. That’s a big deal, Pete we should be celebrating as a family!” She tries, this time reaching for Maverick’s hand, and he snatches his hand away from her like she’d burn him if she made contact with him before folding his arms across his chest.

“I’ve already celebrated with my family, thanks.” Maverick says, thinking back to the dinner Carole had made to celebrate the pilot and RIO duo gaining a spot in Top Gun and how the five of you had sat around the dinner table eating the delicious meal.

“They’re not a proper family. I’m talking about me, you, and little y/n. Where’d that man take her to? I want to see my little girl.” Shannon argues, making Maverick grit his teeth at her words.

“Goose and Carole have been more than a family to me and y/n than you ever have. So leave us alone.” Maverick spits angrily before turning on his heels and leaving Shannon stunned and silent. As he walked away, Maverick assumed that was the last he’d see of her and that his warning was enough of a deterrent.

However, not even a week later, Maverick opened the door to his quarters as you sat colouring in your colouring book to see a man in a sharp suit on the other side of his door.

“Pete Mitchell? You’ve been served. Your mother wants to regain custody over your sister, y/n Mitchell.” The man said, holding out an envelope towards Maverick who takes it hesitantly, holding the envelope loosely in his hand as the man explains a few more things before bidding Maverick goodbye. Maverick closes the front door and rips the envelope open, eyes skimming the piece of paper in hand before he lets out a sigh.

“Pete?” Your small voice shakes Maverick out of his thoughts as he moves the paper from his eye line to see you standing in front of him with a worried expression as you clutched your soft toy in your hand. Maverick quickly folded the paper up and put it on the counter behind him so you wouldn’t see it.

“What’s that?” You question innocently, pointing at where Maverick had just put the piece of paper.

“It’s just grown-up stuff, squirt. Really boring if you ask me.” Maverick replies as he crouches down to be at your height, plastering a fake smile on his face for your sake. Instead of responding vocally, you wrap your arms around Maverick’s neck and nuzzle close to him as he reciprocates the hug, straightening up to stand at his full height before he carried you back to the sofa so you could have the cuddles you clearly wanted from your big brother.

When it came time for the court date, Maverick had recruited Goose and Carole to help him maintain custody. His lawyer had told him that he was probably in for a tough case because even though Shannon had left you in Maverick’s care, she was still your birth mother and while Maverick technically had custody, Shannon could make a strong sympathy case.

Maverick’s knee was bouncing anxiously as everyone filed into the courtroom for the trial. You were sat with Carole and Goose who reassured you that you’d be able to see Maverick again soon, you just needed to get through the boring stuff first. When the judge began the proceedings, Maverick could only hope and pray that the judge and the jury would see that you were better with him. Goose and Carole took the stand one at a time, both of them saying that Maverick was the best guardian for you. They explained that while they had been a support system for Maverick, he had been doing a great job raising you on his own and you were happy and loved.

Shannon took to the stand and tore Maverick’s whole case apart in mere seconds.

“He travels all the time for work. He could be killed and then there’d be no one to look after my sweet girl.” Shannon says, dabbing at her eyes with a tissue as she speaks. At her words, the jury exchange a look and Maverick feels his chances of keeping you slipping away. After listening to all the testimonies and reviewing the evidence, the judge calls a recess so they, along with the jury can come up with a verdict. Maverick looked over his shoulder to see you sat on Goose’s lap, waving at your brother once you made eye contact with him. Maverick waved back at you with a soft smile, hoping that when the judge walked back in, he’d get the verdict he wanted.

When the judge and jury return, Maverick watches them carefully. He watches as they take their seats, and the judge clears his throat before surveying the gathered people.

“After carefully reviewing the details of this case we have come to a conclusion. We have determined that y/n Mitchell would be much better suited to live with her mother Shannon Mitchell. Bailiff, if you could please bring y/n forward.” The judge says, and Maverick feels his world fall apart around him. He looked over his shoulder and locked eyes with Goose who was wearing a horrified expression as the bailiff took you away from him. Carole’s eyes had filled to the brim with tears as she watched you get handed over to your mother, who grabbed you by the wrist and gently guided you to follow her as the judge dismissed everyone after stating that Shannon would be permitted to pick up your stuff from Maverick’s the next day.

“I wanna go with Pete.” You whine, tugging against your mother's hold and glancing over at Maverick who could do nothing more than watch with teary eyes as you were dragged away from him as you cried and shouted for your big brother to come and save you from her. The second the doors closed behind you and Shannon, Goose and Carole came rushing over to Maverick, neither one daring to ask if he was okay.

“Hey Mav, let’s head back to ours. You can spend a few nights there.” Goose says softly, wrapping an arm around his best friend’s shoulders and escorting him out to Goose’s Bronco. When Goose got in the driver’s seat, Carole took over taking care of Maverick, sitting in the backseat with him, holding his hand gently and watching him carefully to see if he’d crumble. Maverick remained deadly silent the whole way back to Goose’s quarters, not responding to anything Goose or Carole said to him. When the three arrived at Goose’s quarters, Goose paid the babysitter as he entered the house while Carole guided Maverick into the living room, easing him down on the sofa and making sure he was comfortable.

“I’m going to get you some tea, okay, sweetie?” Carole says gently, before heading into the kitchen to make some tea for Maverick. As she leaves, Goose enters with Bradley hot on his heels.

“Uncle Mav!” Bradley shouts happily, scrambling to sit on Maverick’s lap, dodging Goose trying to stop him from doing so. Bradley settles himself on Maverick’s lap, curling into him as he looks up at his godfather with all the love and adoration in the world.

“Hey, kiddo.” Maverick forces himself to say, trying not to let his voice break.

“Where’s y/n?” Bradley enquires, looking from Maverick to Goose who exchange a nervous look with each other.

“Hey buddy, we’ll see y/n soon. She’s just gone away for a little bit.” Goose lies, kneeling down by the sofa to look Bradley in the eye. He felt awful for lying to his son about how long you’d be gone, but he didn’t want to break Bradley’s heart, not yet. Bradley’s face shifted as he thought about what he could do.

“Could I make her a card?” He asks, making Goose smile softly before he looked up at Maverick.

“I’m sure she’d love that, Bradley.” Maverick said, finding his voice and ruffling Bradley’s hair lightly. Maverick’s words had Bradley instantly scrambling off Maverick’s lap so he could dart off in search of paper and pens so he could make you a card. As Bradley left, Carole re-emerged from the kitchen with a tray with three mugs of hot tea. She places the tray down on the coffee table and hands a mug to Maverick who offers a weak smile in response before taking a sip of the warm drink. Carole and Goose move to sit alongside Maverick as Bradley came barrelling into the room with paper and pens in his arms before he dropped everything on the coffee table, being mindful of the mugs of tea. He asks Carole to fold the paper into a card, waiting patiently for her to do so before he begins to draw on the front cover, humming happily to himself as he doodles. When he’s finished drawing on the front of the card, he turns around to the adults.

“Daddy, can you help me write in the card?” Bradley asks, holding a pen out to Goose who nods lightly before easing himself to sit on the floor alongside Bradley.

“Alright buddy, what do we want to write?” Goose asks, guiding Bradley as he writes in the card, helping him spell certain words and helping him sign his name at the end.

Maverick makes it through the rest of the afternoon without breaking down. He struggled with keeping himself upbeat enough for Bradley’s sake, but he held it together somehow. However, once Bradley was in bed, Maverick broke down. Goose and Carole came downstairs to find Maverick sobbing with his head in his hands. The couple immediately trapped Maverick in a hug, both of them exchanging sad looks with each other as they comfort Maverick.

“I can’t believe I lost her.” Maverick manages to say through his sobs, lifting his head to reveal his bloodshot eyes as he glances at his best friend.

“Maybe if we talk to your mum, she’ll let you visit sometime.” Goose says softly as Carole rubs Maverick’s shoulder comfortingly. Maverick wanted to believe Goose’s words, but he knew that after the battle they had in court would lead his mother to not want Maverick within a hundred-mile radius of you. Goose and Carole continue to comfort Maverick until his tears slow. Carole then excuses herself to grab Maverick some water while Goose picks up the mugs and carries them into the kitchen behind his wife. Carole fills up a glass while Goose places the mugs in the dishwasher. When the two make their way back into the living room, they find Maverick curled up on the sofa, fast asleep. Exhaustion had clearly taken hold of him after the day he had. Carole placed the glass down on the coffee table while Goose grabbed a blanket and draped it carefully over Maverick. They then whispered a goodnight to him and made their way upstairs.

“I’m worried about him. This is going to mess with him even when he’s up in the air. He can’t fly while he’s like this.” Goose confesses to Carole as the couple climbs into their bed, wrapping his arms around his wife and tugging her close to his chest.

“I’m worried too. Maybe you could speak to your instructor? I know the trophy is important to you two, but I’d like my boys to make it home safe.” Carole agrees, making Goose’s heart soften for a moment. She’d known Maverick for as long as she knew him and for her to consider both of them ‘her boys’ showed how big her love was for not only him but his best friend as well.

“We need to be his support system. He needs us now more than ever.” Goose says as his hand finds its way into Carole’s hair, running through it absentmindedly.

“We will be. Let’s get some sleep. Mav will need us tomorrow.” Carole says as her eyes slip shut and Goose follows suit, sleep claiming the couple.

The next day, Maverick returns to his quarters, waiting anxiously with Goose and Carole for Shannon’s arrival after he showered and changed before they packed up your belongings. It took a mere twenty minutes for her to arrive after they started packing and they were soon loading your belongings into Shannon’s car.

“Is there any way I could visit sometime?” Maverick asks awkwardly, shoving his hands in his jacket pockets as he talks, glancing over at Shannon.

“I don’t think so. You stole my daughter from me and then you gave me hell in that courtroom.” Shannon fires back, making Maverick shrink from her glare and harsh words. Goose watched the exchange from afar, eyebrows furrowing at seeing Maverick shy away from someone.

“Well, then could you at least give her this card? It’s from Goose’s kid, Bradley. I thought y/n would appreciate a letter from her friend.” Maverick then says, extracting the card from his pocket and holding it out towards his mother who rolls her eyes but takes it anyway, barely promising to give it to you.

Maverick watched Shannon drive away with all your belongings in her car with teary eyes as Goose and Carole comforted him once more. He couldn’t believe that she had denied him any form of visitation. He had only lived one day without you since you were born, and it was already the worst day of his life, and he didn’t know how he could keep going without you.

However, a couple of days later, Maverick received a knock on the door to his quarters. He didn’t want to answer the door, Goose would’ve called through to him if it was him but when the knocking refused to cease, Maverick dragged himself off the sofa and tugged the door open.

“Pete!” You hugged your brothers’ legs as he stared at you in shock before looking up at the smartly dressed woman who offered him a kind smile.

“After what happened in the court, the judge and jury felt they made an incorrect choice in their verdict-”

“You’re telling me.” Maverick interjected, leaning down to scoop you up so he could hug you close.

“As I was saying. The judge and jury reconvened the next day to discuss overturning their verdict. They realised that their verdict was made in error and that while Shannon was y/n’s mother, the two had no relationship and she evidently felt much safer with you than she did with her mother.” The woman explains. Maverick was barely paying her any attention; he was too focused on the fact that you were back with him.

“Well, here’s her belongings. We’ll be in contact shortly to get you custody again.” The woman continues, handing Maverick a suitcase.

“Thank you.” Maverick says sincerely to the woman, nodding lightly before he dragged the suitcase inside and closed the door behind him. The second the door closed he hugged you tight, peppering kisses all over your face as you giggled, pushing his face away.

“Yucky kisses!” You giggle, wiping at your face as Maverick chuckles lightly.

“I’m just so happy you’re home.” Maverick says, carrying you over to the sofa and flopping onto it, keeping you lying on his chest so he can feel your weight so his brain knew you were home.

“Stay with you?” You ask, innocent eyes looking up at Maverick who nods confidently.

“You’re home kiddo. I’m not going to let anyone take you away from me again.”

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tnt-tourney · 11 months

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welcome one and all to the 2023 t+t tournament!! despite the long wait for the final bracket, the day has finally arrived. due to the size of the text, the list of contestants will be under the cut. due to how many contestants there are, i wont be able to tag everything, but i will tag as much as i can.

now, since it's been a while, a quick rehashing of the relevant rules!

1. be polite to others participating in the vote

2. do not Rig the vote -- propaganda is more than welcome and the askbox is always open for it! i just dont have the energy to deal with botting

3. dont be rude if the contestants youre rooting for are voted out!! sometimes thats just the way things go. theres always next time!

4. have fun !

the polls will start rolling out sometime next week. thank you!!

left:

Hexsquad (The Owl House) VS. Vault Hunters (Borderlands 1+2)

The Bad Kids (D20: Fantasy High) VS. FloweringPassionFruit (Ride the Cyclone)

Barbie + Ken (Barbie) VS. Dwarves (Deep Rock Galactic)

Mabel Pines + Dipper Pines (Gravity Falls) VS. The Fantastic 4 (Marvel)

Klaus Hargreeves + Viktor Hargreeves (The Umbrella Academy) VS. Spiderband (Spider-Man: Into/Across the Spiderverse)

Lup + Barry Bluejeans (The Adventure Zone) VS. Cleo de Nile + Deuce Gorgon (Monster High)

Spideypool (Marvel) VS. Gomez Addams + Morticia Addams (The Addams Family)

Team Rocket (Pokémon) VS. Rashmi Jamil + Amelie Macon + Loam Arnault (Entropic Float)

Link + Zelda (The Legend of Zelda) VS. Peter Parker + Harry Osborn (Marvel)

Huey Duck + B.O.Y.D. (Ducktales 2017) VS. Golf Ball + Tennis Ball (Battle for Dream Island)

Lewis + Vivi + Arthur (Mystery Skulls Animate) VS. Horokeu Usui + Pirica Usui (Shaman King)

Paulkins (Hatchetfield) VS. Magnus Chase + Alex Fierro (Magnus Chase and the Gods of Asgard)

Bill Preston + Ted Logan (Bill and Ted) VS. Leonard Church + Agent Texas (Red vs. Blue)

Ariel + Prince Eric (The Little Mermaid) VS. Polypirates (JRWI: Riptide)

Cody Goodwin + May Goodwin (It Takes Two) VS. Frank-N-Furter + Magenta + Columbia + Riff Raff (The Rocky Horror Show)

SpaceDolls (Ride the Cyclone) VS. Kim Possible + Ron Stoppable (Kim Possible)

---

right:

The Guardians of the Galaxy (Marvel) VS. Julian Bashir + Miles O'Brien + Jadzia Dax (Star Trek: Deep Space 9)

The Murder Crew (Clue) VS. The Teenage Mutant Ninja Turtles

Vash the Stampede + Nicolas D. Wolfwood + Meryl Stryfe + Milly Thompson (Trigun) VS. Team Chaotix (Sonic the Hedgehog)

Steve + Alex (Minecraft) VS. Gyro Gearloose + Lil Bulb (Ducktales 2017)

Phantom Thieves (Persona 5) VS. Wright Anything Agency + Apollo Justice + Klavier Gavin (Ace Attorney)

Westley + Buttercup (The Princess Bride) VS. Shin + Noi (Dorohedoro)

Kermit + Miss Piggy (The Muppets) VS. The Mechanisms

Jeremy Heere + Michael Mell + Christine Canigula (Be More Chill) VS. The Solve It Squad (The Solve It Squad Returns)

Harleyberts + Crockenglishes (Homestuck) VS. Sonic & co. (Sonic the Hedgehog)

Mulder + Scully (The X-Files) VS. Steph Lauter + Pete Spankoffski (Hatchetfield)

Main Cast (Omori) VS. Ben Tennyson + Gwen Tennyson + Kevin Levin (Ben 10)

Ashe Ubert + Claude Von Riegan + Sylvain Jose Gautier (Fire Emblem: Three Houses) VS. Birdetta + Yoshi (Mario)

Prime Defenders (JRWI: Prime Defenders) VS. Strilondes (Homestuck)

The Mystery Gang (Scooby Doo) VS. Billie Logan + Thea Preston (Bill and Ted)

Splatoon Idols VS. Lexthan (Hatchetfield)

Sex Bob-omb + Ramona Flowers (Scott Pilgrim vs. the World) VS. Jonathan Sims + Martin K. Blackwood (The Magnus Archives)

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handweavers · 21 days

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i don't want no jim crow coffee / in woolworth store, in woolworth store / i don't want no jim crow coffee / in woolworth store, in woolworth store.

i don't want no lyncher's justice / in poplarville, in poplarville / i don't want no lyncher's justice / in poplarville, in poplarville.

now did you hear about brother mack parker / in poplarville, in america? / did you hear about brother mack parker / in poplarville, lordy, in america?

now they beat him and they shot him and they lynched him / and it's a shame in america / now they beat him and they shot him and they lynched him / and it's a shame in america.

now did you hear about the west virginia miners / they starve to death in america / now did you hear about the west virginia miners? / they starve to death in america.

well, i don't want no jim crow in my union / it hurts my pride; i'm a working man / well, i don't want no jim crow in my union / it hurts my pride; i'm a working man.

now if we all just stand together / then we will win, brother, we will win / now if we all just stand together / then we will win, brother, we will win / we will win, lord, we will win.

[bill mcadoo with pete seeger on guitar, 1960]

#music #one of my favourite anti war anti jim crow pro labour songs of this era

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starpirateee · 2 months

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WAITWAITWAITWAIT YKNOW HOW SPANKOFFSKI IS A POLISH NAME

PETE OR TED OR MAYBE BOTH SPEAKING POLISH AND CONFUSING THE PEOPLE AROUND THEM

JUST LIKE, THEY HAVE A PRIVATE CONVERSATION OVER THE PHONE THEY DONT WANT OTHERS TO HEAR SO SPEAK IN POLISH TO EACH OTHER AND WHEN TEHY HANG UP EVERYONE AROUND THEM IS LIKE WHAT THE FUCK??????

god im insane about themmmmmm

Anon this is really funny in concept, the size of your mind is insane && I just hope I can do it vague justice

The major problem for Ted on most days was that his phone tended to ring in the most inconvenient of places, at the most inconvenient of times. another major problem was that he often got so engrossed in… Whatever he was doing in the office that he forgot that he and Pete ran on completely different schedules, because his brother was still three months from graduating high school.

He'd been bunking off for the past half hour, and had been talking to Charlotte in the break room, trying to work out when a good time to see her again would be. Everyone who knew them tended to avoid the fact that she was blatantly using him as a fallback option because her husband couldn't— or wouldn't— give her what she wanted. People like Paul and Bill tended to ignore it, only because Sam was doing the same thing across town, with one of the Beanies' baristas, and one of his coworkers… Never at the same time, mind, but Zoey Chambers seemed rather unapologetic about it, so Paul and Bill had managed to work it out as fact.

Still, it was weird to see Charlotte with Ted. Because, at the right angle, it almost looked like Ted genuinely cared about her, and wanted to keep doing what they did to get her away from the thought of her husband for a while. That, of course, had seemed like enough total bullshit that nobody bought it, but they left the two of them to their well needed privacy when it came down to it. Only two people knew they were spot on with near enough everything they speculated about.

Ted leaned against the water cooler, sporting a little more confidence than would surely be allowed in a situation like this. Charlotte wasn't having a terrible day, and that meant it was that little bit easier to talk to her. Less Sam to think about… How did that bastard end up with a woman like her? And why was it that her situation was that bad that he was an upgrade for her?

He was going to think about an answer to that question, but his phone started ringing in his back pocket, vibrating way too dramatically against the cooler.

"Jesus christ-" He stood up a little straighter, pulling his phone out of his pocket. "Sorry, Charlotte. One sec, I swear- hello?"

"Hey, Ted."

That was a voice he'd recognise from anywhere. Pete, once again working off his own time and perhaps completely overlooking the fact that Ted still had an hour at work.

For the sake of clarity, Pete checked his watch and drew the realisation that the holidays were over last week, and Ted was back on office hours. His brow creased, hoping he wasn't interrupting anything then realising there wasn't really anything to interrupt in his brother's work life. "This a bad time?"

"Oh, hey, Pete. No, you're good, I wasn't doing anything anyway…" Ted went straight back to lounging, aware that Charlotte was now trying not to eavesdrop but didn't really have anything better to do. "What's up?"

Pete chuckled. "C'mon, when are you ever doing anything? You don't do shit! Especially not at work!"

"Hey! I do shit! I get paid to do shit, don't I?"

"… Do you even know what department you work in?"

It was a genuine question, and would've accounted for Ted's genuine laziness and reluctance to do any of the actual work he was sent… If Ted hadn't prepared for this exact eventuality several months ago. He'd made sure to pay enough attention in a Monday meeting to at least account for what depeatment he worked in, and what that department pretty much required him to do. He didn't have to work constantly anyway, and that was the best part. His main job was just… fixing the problems everyone else had, when they had them.

"Sure I do. Tech support!" He imagined the defeated expression that flashed across his brother's face, and laughed to himself. There were too many people around him to make the point he was going to make next without getting mobbed, so he leaned in a little closer to the phone, a smirk playing on his lips, and muttered, "Czuję się, jakbym był jedynym idiotą, który faktycznie się zakwalifikował… (I feel like I'm the only idiot who's actually qualified…)"

That prompted an unexpected laugh out of Pete, who was clearly around other people too, because he tried to cover it up. "To wiele mówi (that says a lot.)" He returned once he'd stopped laughing. The two of them had stopped questioning the other's occasional slip into their own version of mostly fluent Polish. They used it to their advantage, to have private conversations in public, or sometimes in reverse when they were around the Polish side of their family. More things could be said if there was the added bonus of nobody overhearing, and that way of thinking had helped Pete out on a few occasions.

Ted cracked a smile. "Ty jesteś gówniarz- (you're a little shit)" He managed to bring himself back into the conversation they were supposed to be having, before he and Pete managed to lose it like they always did, lost in the jesting and the back and forth that just seemed to get better with every phonecall they had. "You didn't call to insult my supposed lack of work, did you? What's up?"

"Can I drop by the office and pick up your keys? I must've left mine on my desk this morning… Took me till third period to realise they weren't in my pocket…" Pete turned from the phone to mutter something- a goodbye, perhaps- towards someone else, and Ted found it vaguely amusing that Pete had retaliated to his complaint when he was with friends.

"You left after me this morning…"

"The front door locks itself, don't worry about it."

Ted faltered, and then nodded. He'd figured that by accident once when he accidentally locked himself out after forgetting his own keys, and he had to wait in the foyer for half an hour like an absolute fool for Pete to show up after his study session. "Fine. You know where the back entrance is, don't you? My car's parked out there, you should recognise it."

"That hunk of shit? I'd recognise it anywhere,"

"Do not slander my car!"

"C'mon, Ted, you've had it like, twenty years! And it hasn't gotten any better in all that time…"

He was going to ignore for now the seemingly increasing pile of problems that it seemed to have every year. Wings that needed replacing because they'd rusted so hard last year, numerous little engine faults… And the suspension was probably shot after all these years… It was a hunk of shit, sure, but it was _his_hunk of shit. "You just wait till you get your own hunk of shit, we'll see who's laughing then!"

"I'm- I'm getting close, I can see your car. Thanks for this, by the way…"

"Yeah yeah, don't mention it, Pete. You better not lose 'em on your way home, I know what you're like…"

"Dupek. (Asshole)"

"Tak, też Cię kocham… (Yeah, I love you too)" Ted chuckled before Pete hung up on him with a scoff. He rolled back his shoulders and stood up from the water cooler. Charlotte tilted her head, and it dawned on him that she'd probably heard all of that. He shrugged. "My brother. Useless bastard left his keys in the apartment… Hold on just a moment." He flashed her a quick smile and sauntered out of the break room towards the lift at the back of the office. Charlotte didn't have the time nor the space to question the constant little jumps in language that may well have happened on both ends, because Ted was gone before she had the chance to think about it at all.

#starkid #ted spankoffski #peter spankoffski #void offering #star mail #nova's tags →#i love the idea of ted hiding the fact hes a massive sap by only being a massive sap in polish #like damn that man really will never tell anyone he loves his brother but his brother huh #king of showing affection tbh #btw feel free to correct me on the language if i got anything wrong #i'll be happy to change anything #i'm not a polish speaker and i did use google translate #you know how it is

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eelhound · 27 days

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"Nearly half of the US population uses TikTok. It’s the most downloaded app in the country and the world. And last Wednesday, President Joe Biden signed its ban into law.

Members of Congress backing the anti-TikTok bill from both sides of the aisle have tried to emphasize that it’s 'not a ban' — it’s a forced sale. The 'ban' requires Chinese tech company ByteDance, the owner of TikTok, to sell the app to a US-based company within twelve months or the app will be banned in the United States.

ByteDance has responded saying that it will refuse to sell, and that it will instead fight the ban in court. ByteDance believes it can win the court case, based on precedent from federal courts blocking an attempted ban in Montana in November 2023. Former president Donald Trump also tried to ban TikTok twice by executive order when he was in office; those efforts were struck down by the courts too.

Lawmakers are citing data privacy and national security as the primary concerns behind the ban. But others have been more explicit — they are worried about how the app is influencing Americans’ political views, particularly among young voters.

Discussion of the TikTok ban in Congress has been rife with red-baiting and anti-Chinese fearmongering. Senator Mark Warner, a Virginia Democrat, referred to TikTok as a 'Communist Party propaganda tool.' And Senator Pete Ricketts, a Nebraska Republican, said:

Pro-Palestinian and pro-Hamas hashtags are generating fifty times the views on TikTok right now. . . . These videos have more reach than the top ten US news websites combined. This is not a coincidence. The Chinese Communist Party is doing this on purpose.

The senator went on to blame TikTok and the Chinese government for the student protests that started at Columbia University and have since spread to dozens of college campuses across the country on TikTok and the Chinese government.

There is no concrete evidence supporting the idea that political ideas shared on TikTok are more progressive or pro-Palestine than what you find on other platforms or that it skews more progressive than the overall population — with nearly 70 percent of voters now supporting a cease-fire in Gaza. It’s unclear how TikTok’s algorithm handles political content. But one of lawmakers’ greatest concerns is that the platform has offered a new avenue for people to virally spread political messages outside of traditional media.

This is not to say that TikTok doesn’t pose data-privacy concerns. But as Paris Marx writes, TikTok’s opaque data-privacy practices are not specific to TikTok or China. TikTok is a private company. Like all profit-driven social media companies, US- and Chinese-owned alike, there are genuine concerns over data usage — but the TikTok ban won’t fix those.

'The US government’s desire to ban TikTok instead of taking industry-wide action is a good indication that its campaign isn’t really about national security or data protection,' Marx points out, 'but something much deeper: namely the preservation of American economic and geopolitical hegemony.'

In this regard, the federal government sees a lot to gain from banning TikTok. Asserting control over highly profitable Chinese tech companies will help US companies like Meta maintain dominance in the social media space, an important consideration given the United States’ growing Great Power rivalry with China. The ban may also allow the US government tighter control over media narratives, particularly around Israel’s increasingly unpopular war on Gaza and government repression of protests.

I’m a content creator on TikTok, alongside millions of others. TikTok has allowed me to reach millions of people to share ideas about movements for social and economic justice. Recently, I’ve covered the wave of student protests calling for a cease-fire in Gaza and university endowment divestment from weapons manufacturers and other financial ties to Israeli apartheid by interviewing students on the ground in New York City. If TikTok is banned, it means shutting down my voice and the voices of many others who are loudly opposing our government’s support for Israel and spreading awareness of the growing protest movement.

It’s unclear if the ban will be upheld in court. And if the forced sale is upheld, it’s also unclear if twelve months will be enough for a sale to make it through the legal and financial red tape. In any case, it will be at least a year before we see any changes to the app and its availability in the United States.

If the TikTok ban is successful, though, it will serve as a major blow to free speech without actually protecting users’ data. It will mean restricting access to news and political ideas simply because the federal government wants to suppress the ideas that are being shared and popularized on the platform — like opposition to US support for Israel’s genocide in Gaza."

- Caitlyn Clark, "The TikTok Ban Is an Egregious Assault on Free Speech." Jacobin, 29 April 2024.

#caitlyn clark #quote #quotations #tiktok ban #social media #free gaza #freedom of speech #free palestine #students for justice in palestine

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stinky-fuck-swag · 8 months

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Aaand here's the brackets!

Wacky ass formatting, i know- Matchups under the cut, polls will be starting soon!

(note: i know nothing about like. 80% of these characters. if their names or where theyre from is incorrect, just lmk cuz i have NOO IDEAA) also i am fully aware of every mistake made in this bracket. whoops

BRACKET A, SIDE A

Henry Oak (Dungeons and Daddies) VS Normal Oak (Dungeons and Daddies season 2

Zora Salazar (Epithet Erased) VS Stink (Epithet Erased)

Anders (Dragon Age) VS Isabela (Dragon Age)

Deandra the new girl (Most Popular Girls in School) VS Peach (real life)

Randy Jade (Dialtown) VS Phonegingi (Dialtown)

Stunky (Pokemon) VS Stinkeye (Yo-kai Watch)

Reigen Arataka (Mob Psycho 100) VS Dimple (Mob Psycho 100)

Moonbeam McSwine (Li'l Abner) VS Marc Spector (Marvel Comics)

Link (BOTW) VS Lt. Columbo (Columbo)

Yoda (Star Wars) VS Shaggy (Scooby Doo)

Dob the Half Orc Bard (Oxventure Dungeons and Dragons) VS Caleb Widogast (Critical Role campaign 2)

Shinjiro Aragaki (Persona 3) VS Ryuji Sakamoto (Persona 5)

Gyro Zepelli (JoJo’s Bizarre Adventure) VS Guido Mista (JoJo’s Bizarre Adventure)

Tokkori (Kirby right back at ya) VS Jotaro Kujo (JoJo’s Bizarre Adventure)

Elon Musk (real life. sadly) VS Berdly (Deltarune)

Spamton G. Spamton (Deltarune) VS Susie (Deltarune)

BRACKET A, SIDE B

The Great Mighty Poo (Conker) VS The Poop Smith (Homestar Runner)

Michael Afton (Five Nights at Freddy’s) VS Springtrap (Five Nights at Freddy’s)

Manjoume Jun/Chazz Princeton (Yu-Gi-Oh! GX) VS Datz Are'bal (Ace Attorney: Spirit of Justice)

Aragorn (Lord of the Rings) VS Humans in general (Star Trek)

Captain Rockhopper (Club Penguin) VS King Micah of Bright Moon (She-Ra and the Princesses of Power)

Frank Gallagher (Shameless) VS Remus Sanders (Sanders Sides)

The Riddler (Batman: Arkham Knight) VS Power (Chainsaw Man)

Charlie Kelly (It's Always Sunny In Philadelphia) VS Every Dog (real life)

c!Technoblade (Dream SMP) VS c!Wilbur Soot (Dream SMP)

Harrier Du Bois (Disco Elysium) VS Bruno Madrigal (Encanto)

Submitters Brother (real life) VS Prosperity Redding (The Dreadful Tale of Prosper Redding)

Izutsumi (Dungeon Meshi) VS Goobleck (Just Roll With It)

Enoch O'Connor (Miss Peregrine's Home For Peculiar Children) VS Smores (real life)

Lady Macbeth (Macbeth) VS Erik (The Phantom of the Opera (Andrew Lloyd Webber musical & movie))

The Voters (Tumblr) VS Equius Zahhak (Homestuck)

Rotten Apple (Showvember) VS Loki (real life)

BRACKET B, SIDE A

Calvin (Calvin and Hobbes) VS Smudge (Cascão) (Monica’s Team (Turma da Monica))

Oscar the Grouch (Sesame Street) VS Stinky Pete (Toy Story 2)

Toko Fukawa (Danganronpa) VS L (Death Note)

Stink Bomb (Skylanders: SWAP Force) VS Slugcat (Rain World)

Thorfinn (Vinland Saga) VS Vice (Kamen Rider Revice)

Dr. Iceberg (SCP Foundation) VS Dr. Alto Clef (SCP Foundation)

Ash Ketchum (Pokemon) VS Doug Eiffel (Wolf 359)

Estinien Wyrmblood (Final Fantasy XIV) VS Alphinaud Leveilleur (Final Fantasy XIV)

Raphael Hamato (Rise of the Teenage Mutant Ninja Turtles) VS Gobber (How To Train Your Dragon)

Keaton (Fire Emblem Fates) VS Sniper (Team Fortress 2)

Bill Lenz (Black Christmas 1974) VS Stinkor (Masters of the Universe)

The Sewer Urchin (The Tick (1994 Animated Series)) VS Macaque (Lego Monkie Kid)

Barfbat (Ward (Parahumans series)) VS Kevin (Synthesizer V)

Yellowfang (Warrior Cats) VS Big Mac (My Little Pony: Friendship is Magic)

Heppokomaru (Bobobo-bo Bo-bobo) VS Captain 3 (Splatoon 3)

Buttercup (Powerpuff Girls) VS Linus (Stardew Valley)

BRACKET B, SIDE B

Jeong-Jeong (Avatar: The Last Airbender) VS Pigpen (Peanuts)

Beelzebub (Good Omens) VS Stinkfly (Ben 10)C

Hiravias (Pillars of Eternity) VS Chell (Portal)

Murdoc Niccals (Gorillaz) VS Bacterian (Dragon Ball)

Captain K'nuckles (The Marvelous Misadventures of Flapjack) VS Kimchi (Chowder)

Stinky (Moomins) VS Stinky (Animal Crossing)

Mitchell Shephard (Hunt Down the Freeman) VS Melly Plinius (Identity V)

Monkey D. Luffy (One Piece) VS Yato (Noragami)

THAT FUCKING THING IN YOUR BANNER (my banner lol) VS Harold (Fallout 1, 2, and 3)

Barik of the Stone Shields (Tyranny) VS Samuel Gladiator (Yandere High School (minecraft roleplay))

John Hart (Torchwood) VS Orochimaru (Naruto)

Dung Defender/Ogrim (Hollow Knight) VS Zane (Borderlands)

Pumbaa (The Lion King) VS Enki (Fear and Hunger)

Goro Majima (Yakuza) VS Sandalphon (Granblue Fantasy)

Finn Mertins (Farmworld) (Adventure Time) VS John Doe (John Doe / John Doe+)

Dipper Pines (Gravity Falls) VS Ed Sheeran (ginger people fandom)

#stinkyfuckswagtourney #tumblr bracket #poll bracket #my ass realizing all the name mistakes i made in the bracket but im too tired to go back n change it lolol #i dont wanna see anyone complaining abt the dsmp characters btw #idk jackshit about it but i do know that those two ARENT dream and the submitter specifically submitted the CHARACTERS not the people #and when i said any media besides southpark and hp was fine i meant it #ill prob have to make a separate post but anyone being disrespectful about ANY Character in this bracket will get blocked idc #tried to do some of the matchups by fandom but i just realized theres 2 final fantasy dudes that i didnt pair up sighhh. im tired ok #if this is rlly fucked up ill fix it up later dwdw

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freakingoutthesquares · 1 year

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Mojo Britpop Special 2009 This Year’s Model. Transcription: Me.

A mix of Celtic yobs and art school wits, Pulp created a culturally momentous update of old school glam. But joining London's glitterati fragmented them. By Roy Wilkinson.

At the 96 BRITS, whilst Jarvis Cocker was making himself known to Michael Jackson via a stage invasion, bandmate Russell Senior was making another acquaintance. ‘I met Chris Eubank,’ says Russell of the monocle wearing former boxer. ‘We were getting on famously, but after the Jackson incident he folded his arms and turned away because he was a huge Jackson fan. I'd been having this interesting conversation, about art, philosophy... But Jarvis ruined it!’ [Laughs] ‘Though he had a point, of course.’

A phenomenon as chummy as Britpop was never likely to produce seditious acts similar to self-immolating monks or suffragettes throwing themselves under horses. Cocker's BRITS incursion was perfect - a commando raid as envisaged by Charlie Chaplin. If the Britpop was a national Jubilee, Cocker’s assault was the feat of bravado that marked the party at its peak - before dawn revealed the broken glass and trampled flower beds.

With nothing but a stylised posterior display and glare full of silent movie distain Cocker derailed Jackson’s plan to recast himself as a mix of Jesus, David Attenborough and Doctor Bernardo. Surrounded by children, images of wildlife and actors done up as representatives of the world's key religions, Jacko sang on through Earth Song, oblivious to Cocker’s presence. But the rest of the world noticed, and there were consequences.

Jarvis was locked up at Kensington police station, Brian Eno took out a pro-Cocker advert in industry paper Music Week, while Simon and Yasmin Le Bon appeared in the Daily Mirror wearing ‘Justice for Jarvis’ T-shirts. An act that united the ex-Roxy Music pop sage with the Duran Duran singer was an appropriately odd reflection of the way Pulp’s uneven career embraced both high and low art. By the time Cocker gatecrashed Jackson's performance, Pulp had been going 18 years. Jarvis, a single minded fellow, was the only surviving original member.

Russell Senior left Pulp after ‘Jacksongate’ in January 1997. He'd been with the band since 1983, effectively operating as Jarvis, his right-hand man. When I spoke to Russell, he was attempting to create a nesting site for kingfishers in the garden of his three-bedroom family home in Sheffield. Conversation ranged from Suede and Oasis to Russell’s fascination for central Europe. He recently visited Criona, a Serb enclave in Croatia. The band's guitarist and multi-instrumentalist, Russell quit Pulp, citing artistic frustration and the desire to spend more time with his family. He'd been part of Pulp’s slow ascent to 1995’s Different Class album, the band's commercial and critical peak, cut by a line up completed by keyboard player Candida Doyle, drummer Nick Banks and bassist Steve Mackey.

Jarvis wasn't the only member of Pulp to trespass at the BRITS. Cocker was accompanied by Peter Mansell, Pulp bassist, from 84 to 87. Mansell’s presence at the BRITS was a subtle reminder of the bands long torturous history. They survived years on the dole and lived through the Miners’ Strike, during which Russell served on the picket lines. Pulp finally reached the masses during Britpop's commercial peak in 95. But for Senior. Britpop began earlier, on a night in Paris in October 1991. Pulp were third on the bill to Blur and Lush.

‘My first experience of Blur,’ says Russell,’ was walking into their dressing room in Paris and seeing them smashing this mirrored wall. The floor was covered in glass and Alex (James) was pouring champagne out of the window onto the people below. Damon (Albarn) was flicking spoonfuls of caviar out of a window. The first thing Graham (Coxon) said to me was, ‘We like your band. We're going to copy you.’ I used to do this kind of Pete Townsend arm fling. Next time I saw Blur, Graham was doing it but making it look more like a Nazi salute.’

‘Later I thought their Girls and Boys single was very Pulp. (Blur producer) Stephen Steet did say, ‘I know we've nicked your clothes a bit.’ But I'm not griping at Blur because they had the balls to do it bigger. For me, that night in Paris was the start of Britpop. It's not something I'm going to knock. I mean, there was a period little later when I started wearing Union Jack socks.’

Prior to Senior’s Britpop flashpoint in Paris, he is band had a 13 year pre-history - unlucky for some including, it seems, Pulp. The band came into being in 78, formed by Jarvis at school in Sheffield. They were known as Arabicus Pulp, the Arabicus coming from a copy of the Financial Times. It alluded to a commodities index featuring coffee arabica, found in Ethiopia and Yemen. Spiritually cursed by such obtuseness, Pulp spent the next 15 years plagued by tragicomic levels of ill omen and commercial failure. There were rehearsals in the building shared with table tennis clubs and model railway enthusiasts. According to Jarvis, these hobbyist sects were at daggers-drawn and expressed their antipathy by crapping outside each other’s doors. Jarvis said in 1993 that he devoted much of ‘It’ Pulp’s 83 debut to ‘writing all these songs about girls when I'd never had a proper girlfriend.’ When he did secure female attention, Cocker had unconventional ways of making an impression. He attempted to walk along a second-floor window ledge outside a Sheffield bookshop. He fell, breaking a wrist and ankle and fracturing his pelvis.

Subsequent shows saw Jarvis singing from a wheelchair - a sight some interpreted as grotesque take on the kind of ‘disability chic’ launched by a hearing-aid-adorned Morrissey. Pulp made an album for £600. The sales figure wasn't of a dissimilar magnitude. Pulp made three albums in these wilderness years. It was followed by Freaks (1987) and Separations (1991) [Actually 1992!]. Freaks’ subtitle - Ten Songs About Power, Claustrophobia, Suffocation and Holding Hands – said Pulp were still some way from the matily exuberant dimensions of, say, Blurs beery, Britpop totem Girls and Boys.

I first interviewed Jarvis and Russell in 87 around Freaks. They were genuinely amazed that then record company Fire had stretched to some chocolate biscuits to go with tea. The resulting article compared Pulp to Ian McEwan, Bertold Brecht and Carry On actor Charles Hawtrey.

‘It wasn't all about me and Jarvis by any means,’ says Russell of Freaks. ‘There was also this Celtic yob element which was (Belfast born) Candida Doyle, Magnus (Doyle, Candida’s brother and Pulp drummer at that point) and Pete Mansell. If it was just me and Jarvis, it would have all been very art school. The other three liked Sham 69… Actually, we all liked Sham 69. Perhaps that was the only thing we all had in common. In fact, we sometimes played Sham 69s Hurry up, Harry live.

After Freaks, Jarvis moved to London, studying at Central St. Martins College of Art and Design. Steve Mackey had joined Pulp on bass and was also in the capital studying film at the Royal College of Art. Soon Pulp were exhibiting a more playful mood and an unknowingly pop-art retrospection. There were concert flyers advocating ‘Pulp-ish’ things to do, such as ‘doing a wheelie on a Raleigh Chopper’ and ‘Going to the supermarket wearing a lurex jumper.’

This increasing friskiness - and references to the kind of 70s bicycling design that would soon turn up in the video for Supergrass’, Alright single - began to manifest itself in Pulp’s records. In the early 1990s they released a string of singles full of a new vivacity. In title, at least one single could hardly have given clearer indication that Pulp were now ready for revelry. It was called Razzamatazz.

Pulp left Fire for Island Records. The band's first album proper for Island was His’n’Hers in 1994. Now Pulp finally reached the Top 10 of the UK Albums Chart. The sleeve featured an airbrushed portrait of the band by Philip Castle, the artist best known for his poster image for the film A Clockwork Orange in 1971 - Pulp were a vision of sci-fi second-hand chic. The music included the same pop art reconfiguration of the past.

‘Glam rock was a big part of the picture,’ says Russell. ‘I'd written this mission statement for the band - about making the fairground music of the future. The music of dodgem cars and girls with love bites - the modern version of Sugar Baby Love by the Rubettes, anything by Slade and Sweet. In the dour time we were experiencing, there was a wistfulness for the exuberance of glam rock. We believed in glamour. We absolutely wanted to be pop stars - on our own terms, but pop stars nonetheless.’

With its vandals, acrylics and tales of sexual initiation His’n’Hers was a critical and commercial success. The next 16 months saw Pulp - Jarvis in particular - become a national treasure. Where once Cocker had occupied the mildewed margins, now he seemed to be permanently addressing the nation with wit, charm and the ability to correctly answer every question that Mike Read [it was Chris ‘Talent’ Tarrant actually!] asked in the quick fire round on BBC 1's Pop Quiz.

Pulp’s years lurking in the backwaters could now be seen as advantageous, their own prolonged version of the way The Beatles had honed their craft hidden away in Hamburg. If Britpop was about taking age-old strands of British culture and re-styling them for the contemporary era, Pulp were masters of the moment. The Sheffield years weren't far removed from the formative grind endured by any traditional Northern stand-up comedian.

Russel: ‘On stage, Jarvis is always great at talking to people. But before Britpop, he kind of had them in his hand and then turned it into a joke. That used to drive me mad because I wanted him to keep hold of them and make it all really euphoric. Coming into the 90s he became a full-on master of ceremonies and it was great. The Pulp shows in that period was so exciting. That was the best of it for me. I don't think we ever truly captured it on record.’

When Pulp stood in for an injury-stricken Stone Roses at Glastonbury in 1995, they were greeted with the kind of open-armed gratitude Allied troops experienced while liberating Paris in 1944. These latter-day saviours brought with them a whiff of sex and nylons, but also Common People, a song that for the summer of 1995 became a universal anthem to match Lily Marlene or The White Cliffs of Dover.

When Jarvis guest presented Top of the Pops in 1994, he was met with a wave of communal good will. Even more so than when Chris U band appeared two years later, gamey lisping through ‘Suggs at six with Cecilia.’ Then Pulp became Top of the Pops themselves, their Different Class album hitting Number 1. It wasn't difficult to account for its success. The likes of Mis-Shapes and Something Changed have show-tune vigour that could have been as successful for Tommy Steele or Jesus Christ Superstar. There were also more left field inclinations. Common People was partly inspired by the drones of American minimalist composers Steve Reich and La Monte Young. But at its core, the album dealt in ancient methodology: narrative writing set to music everyone could understand.

While Britpop groups occasionally mined British music hall, Pulp surveyed the eternal verities of popular song less self-consciously than their peers. Here was a new folk music, but one that always felt like pop music. Musically, the album touched on The Beatles’ Revolution 9, drum and bass, the soundtrack to 1966 French film Un Homme et une Femme by Claude Lelouch and Gloria the 1982 hit from Laura Branigan. It amounted to a remarkable piece of populist art. However, the band have mixed memories of this period.

‘It did feel like vindication,’ says Nick Banks. ‘We were always confident that if only the masses could hear what we were doing, then they'd like it. When people did hear it, quite a few thought it was good enough to shell out for a record or two.’

‘At the time,’ says Candida Doyle, ‘We fought against the Britpop label. I thought we were the best band and there was no way we should be grouped with these other bands, but looking back, we were part of it and I'm glad we were. It was only in 2000 that I actually began to enjoy playing with the band. Before that, I was petrified on stage. Headlining Glastonbury, that was really fucking scary. But when we played Common People and they turned the lights on the crowd singing for miles into the distance, I'll never forget that.’

Russell has a more challenging version of events. ‘It had become a travesty,’ he says. Different Class was a kind of last gasp. It was over by then, but we still managed to get it down as a document. I rather hated Jarvis when he was in the studio singing Common People. He'd become so far removed. He was the villain of the piece because he was wearing trousers he'd been given by some designer. He wasn't wearing his jumble sale trousers. We were surrounded by coked-up knobheads.’

Senior also talks about an attitudinal North-South divide in the band at this point. In the Southern corner were London residents Jarvis and Steve. For the North, Russell, Nick and Candida, (though Candida was actually living in London by this point.) It's a perspective partly shared by Nick. ‘There was a North-South divide,’ says Russell, ‘Abso-fucking-lutely. I like living in Sheffield and one does have a chip on one’s shoulder about being patronised by poncy Southern bastards. To find there was a couple of members of the band who were doing the patronising was rather irksome! (laughs) The more they go all Kate Moss and London, the more I'd be, ‘By heck, where's me whippet?’ There was definitely a divide within the band.’

Russell left Pulp as they began to work on what would become 1998’s This is Hardcore album. By this time narcotics had become part of the picture, appearing in the lyrics of This is Hardcore and becoming a staple topic in Pulp interviews.

‘I thought that was a distorted image,’ says Steve Mackey. ‘I've never known Jarvis have a problem with narcotics. Ever. I was taking a lot more drugs than he was, but I didn't think I was taking that many. With Pulp no one ever went to rehab, no one was taking heroin. I don't recall Jarvis ever regularly taking drugs. But it did become a fairly regular part of the studio experience during This is Hardcore, and that's a dangerous thing. It became a bit of a self-indulgent record. But in a way that's also its finest hour, because something glorious came out of that. I feel very affectionate about that record. I think we really reached something with that.’

And the alleged north-south divide?

‘I never felt that,’ says Mackey, ‘My recollection of why Russell left is that after Different Class, it was clear he wanted to make a record that followed on in that vein. Me and Jarvis made it clear we weren't going to make that kind of record. Russell made it clear he didn't want to make our kind of record. The split was pretty amicable - we didn't fall out, but it cast a shadow over the band. I missed Russell - he was the person I loved watching when I saw them live before I joined.’

Before Pulp played their last show in 2002, they made one more album, the nature oriented We Love Life, released in 2001. There was also an underperforming greatest hits compilation in 2002, a record Jarvis has described as ‘the real whimper, the real silent fart’ of Pulp’s career. It charted Number 71, then disappeared. But if Pulp’s last years can read as forlorn times, that wasn't really the case. Recorded with Scott Walker, We Love Life has some of Pulp’s finest material, particularly the wonderfully elegiac, spoken word piece, Wickerman.

Nowadays, Pulp’s ex-members have a healthy view on all the past dramas, perhaps because Pulp isn't the only thing in their lives anymore. Jarvis was unavailable for interview because he was in America mastering his second solo LP. He also guest-edited BBC Radio 4’s Today programme and collaborated with Nancy Sinatra and Marianne Faithful. I spoke to Candida Doyle as she was visiting Disneyland Paris with six Shetland cousins and their ten children. She’s started a counselling course in London. Steve Mackey just finished producing Florence and the Machine’s debut album. He's produced and co-written for MIA and has remixed the likes of Kelis and Arcade Fire. While overseeing London's Frieze Art Fair’s musical programme, Mackey booked Karlheinz Stockhausen for one of his last engagements before he died. Nick Banks plays at private parties with The Big Shambles, knocking out covers of songs by The Damned, David Bowie and Amy Whitehouse. More typically, he runs Banks' pottery, a Rotherham based crockery business – ‘Crock’n’roll, as we like to call it.’

Of all the former members, Russell Senior has strayed furthest from music. He's written 50,000 words of a debut novel and has been setting up a ‘wild-foods processing plant.’ An avid lover of wild mushrooms, Russell has been furthering this. Rather than reducing trees to a pulp, he's utilised woodland in a more sustainable manner. ‘What I've been doing,’ he says, ‘is drilling little holes in Birch trees to collect sap – I’d highly recommend it.”

Scans from PulpWiki

#russell senior #jarvis cocker #steve mackey #candida doyle #nick banks #mark webber #pulp #britpop #90s #interview

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thatsastepladder · 11 months

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In light of My Adventures With Superman's existence, I should probably mention (and not for the first time) that Superman's extended supporting cast has never been done any justice in adaptations and really would benefit from a Spectacular Spider-Man-esque show that really dives in to some of the more obscure characters from the comics.

I'm talking the extended Daily Planet cast - Steve Lombard, Ron Troupe, a comics-accurate Cat Grant; Bibbo Bibbowski; Pete Ross and Lana Lang; Sam, Ella, and Lucy Lane; John Henry and Natasha Irons; Bill Henderson, Dan Turpin, and Maggie Sawyer from the MPD; Morgan Edge; etc.

Really build up Metropolis and show the strength of Clark's supporting characters on a level that's on par with the great supporting casts in comics.

And do the same with his rogues gallery! Luthor, Zod, Bizarro, and Doomsday are great, but what about Hellgrammite? Kurt Busiek's rework of Prankster as a professional distraction is fantastic, take from that a little. Or how about Riot - he's a visually impressive villain with a cool look. And of course, Titano. Who can resist a giant gorilla with Kryptonite vision?

Point is, there is plenty in the Superman mythos that hasn't even really been touched in an adaptation sense, and MAWS likely isn't going to be the show to do it due to its genre and target audience. And that makes me sad.

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aith-art · 8 months

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Falloutober 2023 - Day 9

"Butcher Pete"

@falloutober

Word Count - 585

Andale. A picturesque town in the middle of nowhere. Two families, upholding the values of a long dead world, lived in the undamaged houses. They were too bright, too bubbly, too welcoming. It was all off.

Standing in the kitchen for one of the families, whose names have long since left my mind, I tinkered with their radio. As I worked, I talked the men through the hows and whys of my actions. I just had to keep their attention for a little long. Cyrus would have the answers to what was really going on in this place before long.

In my peripheral vision, I saw him emerge from the shed, lean against the wall, and loose all the contents of his stomach. Dogmeat followed immediately behind him, Standing guard at his feet. I didn’t know what he’d seen. I knew I should have checked it out. He was still new to the wasteland. He didn’t know the kinds of monsters that hid behind smiles.

One of the men said something, a comment on my talent for a woman. I finished fixing the radio.

“I’m terribly sorry to have stayed as long as I have. Me and my friend really must be going.” I made a move for the door.

Stopping dead as a gun was leveled at me.

“Listen stranger, I couldn’t help but notice your friend was poking around in Bill’s shed. Do you think he found what he was looking for in there.”

“Probably, didn’t seem overly impressed with it-”

“You’re sick bastards.” Cyrus finished my sentance as he walked into the house.

The man with a gun, turned to Cyrus and leveled his gun at him. “I’m disappointed in you stranger - so quick to judge us. Did you ever stop to think that I have a family to support here?” The other man had drawn a weapon, aiming at me. “ ‘Judge not, lest ye be judged’ as the good book says. Honestly, how many people have you killed?” He stepped forwards, “The only differecne between us is that I’m bringing home bacon for my family.”

Cyrus, with some vomit still around his mouth responded before his brain had kicked in. “Bringing home the bacon? Those are people, not bacon! What the fuck?”

My hand grasped the small pistol on my belt, this was going to get ugly.

“Hey, I’ll have none of that language in this house!”

I almost laughed. “Seriously, You’re talking about eating people here, our fucking language is the problem. What is wrong with you people?”

“I don’t think I like your tone, young lady. There’s nothing wrong with me, we’ve lived this way for decades.”

I caught Cyrus’ eye. He nodded. We both knew this couldn’t continue. The wasteland was full of monsters, but this was disturbing. I gave a small nod back. Preparing for the fight at hand.

“We don’t care, Jack. You have to die. You and your sick little town.”

“Well, I guess we know where our next meal is coming from -” He didn’t finish his sentence. Cyrus’ gun smoked.

The next day, we had made it to Megaton with plans of repleishing our supplies when Butcher Pete began to play over the radio. Cyrus suddenly looked queasy and turned off his pipboy radio.

“That was too soon.” he joked half heartedly.

I smiled. He was right, but seeing him atleast attempt a joke was nice. Wasteland Justice was not a pretty thing. But those people had been deserving of it more than most.

#falloutober #falloutober2023 #fallout #courier six #jules courier 6 #fallout oc #self insert #aith art writing #fallout ocs #cyrus lone wanderer #fo3 lone wanderer #lone wanderer #fallout 3 #fo3

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isleofdarkness · 9 months

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The Isle

The pieces of the Isle and notable locations and inhabitants of them

Isle of the Lost - Dragon Hall - Serpent Prep - Bazaar - Barge Docks - Facilier's Arcade - Castle Across the Way - Cruela de Vil's mansion - Evil Queen's Palace - Jafar's Junk Shop - Horned King's Cauldron Repair Shop - Ursula's Fish and Chips - Hades' Cavern -- River Styxx - Yen Sid's house - Gothel's Tower - Hospital - Kronk's Shelter - Want's Escorts and Whores - Harriet Hook's Docks - Uma's Docks - Forbidden Forest - Slop Shop - Monsieur D’Arque's Asylum - Nasty Nanny's Orphanage - Chernabog's Mountain - Devil's Bayou - Tremaine Palace - Frollo's Church - Rasputin's Church

- Hades - Persephone (part-time) - Maleficent - Evil Queen - Jafar - Cruella de Vil - Horned King - Pain and Panic - Ignorance and Want - Ravana - Surtr - Zhan Tiri - Red Faerie - Blue Faerie - Madam Mim - Ursula - Morganna - Demona - Marina Del Rey - Oogie Boogie - Fawn - Queen Nerissa - Nasira - The Enchantress - Doctor Facilier - Queen La - Mother Gothel - Mr Dark - Yzma - Rasputin - Monsieur D’Arque - Yen Sid - Scout - Ivy de Vil - Cecil B de Vil - P H de Vil - Jasper and Horace Badun - Lady Tremaine - Anastasia and Drizella Tremaine - Madame Medusa - Mr Snoops - Captain Hook - Smee - Cassim - Queen of Hearts - Judge Doom - Bill Sykes - Percival McLeach - Gaston - Paulette, Claudette, and Laurette - Claude Frollo - Shan Yu - Lyle Tiberius Rourke - Helga Sinclaire - Pete - Ringmaster - Stabbington Brothers - Hans - Kronk - LeFou - Edgar Balthazar - Stromboli - The Huntsman - Lawrence - Nasty Nanny - Shan Yu's Army - The hyenas - The black triangles - Scar - Zira - Iago - Flotsam and Jetsam - Diablo - Monstro - Kaa - Shere Khan - Lucifer (cat) - Cheshire Cat - Molly - Tick Tock - Calypso

- Mal - Jay - Evie - Carlos - Claudine - Hadie - Uma - Freddie and Celia Facilier - Ginny Gothel - Jade - Diego de Vil - Dizzy - Anthony Tremaine - Yzla, Zevon - Harriet, CJ, Harry - Gaston II, Gaston III, Gil, Belle, Giles, Gordon, Narcissa, and Alaric - Squeaky, Squirmy, and Sammy Smee - Rick Ratcliffe - Jace - Harry - Hermie Bing - LeFou Deux - Reza - Riah Darhk - Rose and Ace of Hearts - Veronica de Vil - Mischa, Polina, Kira, Nikita, and Pasha Rasputin - Odgerel, Odtsetseg, Sarangerel, and Taban - Arika Sykes - Lydia Snoops - Hans II and Anna - Averil, Hayden, Ash, and Josiah - Tarzan and Tara D'Arque - Agony and Chaos - Desiree - Jonas - Bonny - Gonzo - Maddy, Madrigal, Mallory, Malvolia, Mara, Mary, Molly, Mordred, Malcolm, Mage, Morpheus, Morwenna, and Maxine Mim

Isle of the Doomed - Maleficent's Palace - Cavern of Lost Items - Desmodona's Prison - Dream Pirate Prison - Firebird Forest

- Kozmotis Pitchiner - Creeper - Firebird - Lord Ombra - Fenrir - Maleficent's Minions - Chernabog's minions - Horned King's minions

- Desdemona

Isle of Exile - Gods of Tomorrow Academy - Hecate's Apothecary - Circe's Shelter - Medusa's Garden

- Nyx - Hecate - Androctasiae - Melinoe - Eurynomos - Themis - Loki - Deimos - Erebus - Elea - Oizys - Circe - Styx - Dionysus - Medusa - Mother Earth - Father Time - Chiron

- Mavis Mim - Dawn Olympian - Hatitosa Lokidottir - Justice Olympian - Mercy Olympian

#descendants #descendants au #isle of darkness

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solarpunkcast · 1 year

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i’ve got issues with perfectionism due to my ✨many neurodivergencies✨, which makes being a leftist tricky sometimes, because my brain is telling me that if i’m not the best at infosec in the world, i am a failure. do you know any quotes or anything that might be a nice thing to fall back on when being a leftist is tiring? like a “if the situation was hopeless they wouldn’t need propaganda” sorta deal?

okay well the first thing is that whether you're a leftist or not, whether you ignore it or not, capitalism is an ongoing class war. so this is as much of a state of becoming/being as it is learning; what that means is your awareness is as much of an asset as your knowledge is. like most things in life, there is not an endpoint--so you cannot frame this as a goal to cross off or even a checklist to follow. it is a part of you that you will carry around. because at its core, your leftism needs to come from kindness, empathy, and love. there is no justice without these things. there will be no true liberation without these things.

“if the situation was hopeless they wouldn’t need propaganda” is like the tip of that idea: while true, it ignores the underlying fact that that Propaganda requires billions on billions of dollars to even function. Every. Single Year. There is quite literally no limit to the amount of money that capitalists would spend on anticommunist and revisionist propaganda in order to stop us from agitating against them. Nothing they wouldn't do to prevent actual, lasting change from happening.

In a way, that's fucking pathetic! How shitty of an existence that must be. They even understand how precarious their position is... we don't really see coverage about this, but the aristocrats and capitalists have admitted they're scared--especially about a climate collapse that would unequivocally destroy their power structures for good. They've lived with this fear, passed it down through the generations even. How fucking pathetic is that? To curse your entire ancestry with this fear because you refuse to share? Reductive maybe, but down at the core that's what it really is right? An absolute refusal to commune with the rest of us human beings, to the detriment of our lives and everything else on this planet. That and their arbitrary system that tells themselves they're superior and special.

Living under it is fucking terrifying though, which is why leftists, revolutionaries, and other radicals have always come together through the arts and oratory, as well as celebrations of community, culture, and shared history.

There is no comprehensive list I could give you on quotes or speeches to read, nor music to listen to. I've been digging around for a couple hours now and I'm not even sure what examples to provide. There is a ton, like truly a TON of stuff out there to help. My suggestion would be to dig into your country's history of leftists, its revolutionary speeches and music, its folk music, its art and agitprop first. Then save those and come back to them whenever you need them.

If you live in the US, this would be figures like Angela Davis, Ursula K Le Guin, Eugene Debs, James Baldwin, Pete Seeger, Bill Haywood, Fred Hampton, the IWW, Murray Bookchin, David Graeber, Cesar Chavez...

Learn about the historical figures who had their leftism whitewashed like Martin Luther King Jr, Helen Keller, Harry Belafonte, Paul Robeson, Jane Fonda, Albert Einstein...

Cultivating a love for humanity as a whole instead of fostering misanthrophy is also a big thing to help combat exhaustion and burnout. I have a #humans are good actually tag that I use to help with this myself. Even reading up on anthropology can help! Cases like Shanidar I teaches us that community support and care is what helped us survive, not the individualism that capitalism preaches.

This has already been pretty long so I'll leave you with my two favorite quotes on this subject, from Angela Davis and Ursula K Le Guin respectively:

“You have to act as if it were possible to radically transform the world. And you have to do it all the time.”

"You cannot buy the Revolution. You cannot make the Revolution. You can only be the Revolution. It is in your spirit, or it is nowhere."

#asked #answered #microwave-gremlin #p/s #intro to leftism #long post

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dontmeantobepoliticalbut · 1 year

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Transportation Secretary Pete Buttigieg is a favorite target of the right. Conservatives appear to have difficulty handling the most senior gay official in the U.S. government with a husband, Chasten, and children. The Buttigieg kids, Penelope and Gus, have been in the world for over two years, and Republican voters remain obsessed with their parents.

Throughout it all, Buttigieg faced political attacks from those on the right who otherwise praised “strong family values.”

It is, therefore, no surprise that Buttigieg is keenly aware of the realities LGBTQ+ people face in 2023 as conservatives attack the community and LGBTQ+ people from American society through targeted legislation intended to limit discussion of sexual orientation, gender identity, and books, as well as eliminate essential health care for transgender people.

“I think it’s gotten worse,” Buttigieg told Time during a recent interview. “I think we’re actually in an exceptionally ugly moment in terms of some figures deciding that there’s utility, political utility, in targeting trans people and LGBTQ people more generally,” before pointing to Republicans who voted against last year’s Respect For Marriage Act, which provides some protections for same-sex and interracial marriages. The bill, which received overwhelming support from Democrats, was opposed by 36 Republican senators and 169 Republican representatives.

“I mean, look how many people voted against marriage equality—which should have been an easy one—just as recently as a few months ago. And so I think it’s a reminder that none of what’s been gained is really locked in.”

Gallup reports that more than 71% of Americans favor marriage equality.

In light of the recent ruling of the U.S. Supreme Court overturning Roe v. Wade, Buttigieg warns that a Supreme Court decision also ushered in marriage equality, and the Justices have proved themselves capable of overturning established precedent.

“I don’t think anything is safe. I mean, Roe fell, and that was the law of the land for longer than I’ve been alive. Nothing is safe. Especially right now,” Buttigieg said.

Currently, LGBTQ+ rights in this country face a terrifying reality. Far-right provocateurs and lawmakers have moved on to identity politics after the court's decision.

These policies do not help Republicans win over middle-class voters, despite the praise of hard-right lawmakers. While Buttigieg acknowledges the privileges he enjoys, he believes this approach will fail.

“The situation of an upper-middle-class, married white gay dude is not the same as a trans kid in Texas or any number of LGBTQ people of color trying to survive right now,” he said. “They see political value in this. I see not only distraction but a very real harm that’s being done. And that’s gonna persist until they figure out that it is not rewarding politically for them.”

One of the GOP candidates for president in 2024 has gone all in on hatred of LGBTQ+ people. As Florida’s Governor, Ron DeSantis has unapologetically targeted queer people in his state, and it appears that that disdain extends to his professional interactions with Buttigieg.

One example is a proposed rail line connecting Miami to Tampa via a station near Disney World near Orlando. Federal infrastructure dollars could be a big boon to the state. As a result of its dispute with DeSantis, the company canceled an expansion of $1 billion and the construction of a station at Disney Springs.

According to Time, the train will instead head to the Orange County Convention Center in central Florida, but the longer it lingers, the less likely a Washington cash infusion will be.

Despite his best efforts, Buttigieg said he has yet to speak with DeSantis about transportation issues. Buttigieg noted that he has called DeSantis but has yet to talk to him.

“I’ve never heard from this Governor, and it’s not because I’ve never called him. We’ve never spoken. What I will say is we’ve done a lot of good work with the Florida Department of Transportation,” Buttigieg said. “We try to work around and through all that to just get stuff done. A huge amount of energy and effort is being wasted in these dumb fights. And that’s really unfortunate. It’s policy waste in order to achieve political benefit or perceived political benefit.”

Buttigieg added, “He’s more worried about Bud Light or Disney or whatever.”

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ausetkmt · 8 months

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Earlier this month, over a dozen civil rights and religious groups sent a letter to the White House calling on President Joe Biden to act on reparations by signing an executive order to study reparations by Juneteenth. This comes after a decadeslong push to establish a 13-person reparation commission in Congress.

Shortly after the end of the Civil War, formerly enslaved families were promised by Union leadership 40 acres and a mule. The promise was never fulfilled, however a reminder of the centuries-old promise remained in Congress for decades. H.R. 40, the Commission to Study and Develop Reparation Proposals for African Americans Act, has been introduced in every legislative session since 1989.

In this May 19, 2021, file photo, Hughes Van Ellis, a Tulsa Race Massacre survivor and World War II veteran, and Viola Fletcher, oldest living survivor of the Tulsa Race Massacre, testify before the Civil Rights and Civil Liber...

Jim Watson/AFP via Getty Images, FILE

In recent years, the bill has gained traction politically. In 2019, Speaker Nancy Pelosi, hundreds of members of Congress and over 350 organizations such as the U.S. Conference of Mayors, NAACP and ACLU publicly announced support for reparations. H.R. 40 was able to pass out of the House Judiciary Committee in 2021, however, it has failed to come to a vote in the House or Senate.

When asked about the letter from racial justice advocates calling for Biden to meet with them and sign the H.R. 40 executive order, now former White House press secretary Jen Psaki said she was unaware of the letter. However, she said there was a range of executive orders the White House was considering including police reform and student debt.

Psaki previously reiterated in 2021 that President Biden supported the study of reparations. However, when asked if he would support a bill on reparations Psaki said, "We'll see what happens through the legislative process.”

Asked if Biden supports an executive order on the study of reparations, Psaki said at the time, "it would be up to him, he has executive order authority, he would certainly support a study, and we'll see where Congress moves on that issue."

A source familiar with White House proceedings told ABC News that Biden’s support of H.R. 40 has not changed, however he feels that “we don't need a study to continue to advance racial equity.”

In this April 13, 2021, file photo, President Joe Biden and Vice President Kamala Harris meet with members of the Congressional Black Caucus, including House Majority Whip James Clyburn, Sen. Raphael Warnock, R...

Pete Marovich, Pool/Getty Images

Dreisen Heath, a researcher and advocate in Human Rights Watch's United States Program focusing on racial justice issues, said that the push for an executive order for H.R. 40 is a necessity. She said if a “commission Bill cannot advance through both chambers, then that's why you have other branches of government, who have also promised to execute on a study for reparations and developing reparations proposals, to commit to executive action and do it.”

Heath added other bills have dealt with the legacy of enslavement with majority support from Republicans, including Anti-lynching legislation that stalled for over a century.

“If Juneteenth is a consensus, then reparations also has to be a consensus. And if the congressional chambers aren't going to commit to doing something that they all publicly said that they were going to do, then the President has to do what he also publicly promised that he was going to do," Heath said.

For many fighting for reparations, Tiffany Crutcher is seen as an example of the cumulative impacts that enslaved people have overcome.

In this June 19, 2020, file photo, Dr. Tiffany Crutcher is seen on stage with family members during events to mark Juneteenth, in Tulsa, Oklahoma.

Lawrence Bryant/Reuters, FILE

The Oklahoma native said she believes race is a factor in why reparations has happened in the centuries since it was first proposed. “I think that people believe and repair and reparations when it comes to everybody, but Black people.”

To her reparations is about more than just cash payments. “We're talking about decades and centuries of harm. That caused my mother to recently pass away of COVID-19 because of the continued harm. We're talking about decades of harm that caused my brother to take his last breath alone.”

She added, “laws that are in place that allow the brutality of Black people in this country is so much more than money."

H.R. 40’s lead sponsor Rep. Sheila Jackson Lee told ABC News, “We can't allow a question of slavery and its impact on the descendants of enslaved Africans today, African Americans to go unanswered. Because we believe the momentum is there, because President Biden is a President that understands equity and is committed to and who has recognized the importance of African Americans in this nation this is a diverse nation, but he recognizes the importance of not only African Americans, but our history.”

Jackson Lee told ABC News one of the things that she hopes will happen if H.R. 40 gets signed by Biden is the retelling of human stories.

“There are many human stories about the impact of slavery, because there are descendants who can clearly document their life and their history to the slaves who were enslaved over 200 years," Jackson Lee said.

In this March 1, 2022, file photo, President Joe Biden embraces Rep. Sheila Jackson Lee after Biden delivered the State of the Union address to a joint session of Congress in the U.S. Capitol's House Chamber in Washington, D.C.

Win McNamee/Getty Images, FILE

University of Connecticut professor Thomas Craemer has studied the topic of race and reparations for over 15 years. Craemer published study in 2015 estimating that the costs of slavery and loss of wealth through slavery cost a conservative estimate of $14.5 trillion through 2009, which didn’t account for inflation. His study also didn’t account for colonial slavery or the loss of wealth due to discrimination after slavery.

Craemer told ABC News when H.R. 40 was introduced, it was a progressive idea, however he says with the amount of research into the impacts of slavery, “setting up a commission to study is not enough. The goal should actually include actual reparations payouts, as a stark starting amount rather than only studying it because they could be a delay tactic. Investment.”

He said reparations “is not a past injustice but a injustice, and it has to do with loss inheritances, and taken inheritances, rights as given. We ignore it when it comes to African American inheritances, and this is a present day wrong that needs to be right.”

“The time is urgent more than ever before,” Crutcher told ABC News on the 108th birthday of Tulsa Race Massacre survivor Mother Viola Fletcher. She notes the last three remaining survivors of the Massacre have waited a lifetime for restorative justice.

Crutcher said for Mother Leslie Randall, 107, and Uncle Hughes Van Ellis, 101, “there's no greater time. How much longer will they have to wait for justice?”

#lawmaker call for Biden to sign an executive order to study reparations #Reparations #Freedmen #Black Freedmen #Biden

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