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wttcsms · 12 days

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excerpts;

i have over 100k+ words in unfinished drafts/wips in my google docs. yikes.

in an attempt to gauge general interest + also to motivate myself in attempting to at least finish half of the projects i've started, i'm going to share some of the fics i think y'all will be most interested in 🤍 (and also because these are my usual first rough draft attempts, so these are just the best of the worst LOL)

as always, lmk what you think, what you're most excited for, and i'm always open to chatting about any of my concepts in depth 🤭

featuring keiji akaashi, atsumu miya, sae itoshi, tobio kageyama, naoya zenin, satoru gojo, + a plot that's still open for any character so tell me why ur fave deserves it (all with fem reader)

— brace for impact, keiji akaashi elevator pitch: rich college girl with daddy issues is roommates/put under the care of old-time family friend, 20-something y/o keiji akaashi

“I just don’t want you to waste your life away.” He answers, which is the truth. He really hates picking you up when you’re drunk off your ass, unable to defend yourself against the swarms of sleazy college guys that are attending the same party as you. He hates the fact that you’ve been raised — if the dozen father-daughter interactions you had with your dad counts as him “raising” you — to believe that money can solve all your problems. Because, sure, having money has gotten you out of many tight spots, but it wasn’t money that drove to a college on the other side of the city to pick you up, it was him. He has to stand here and watch you push the universe’s boundaries, trying to test your luck, to see if there’s a problem or a bad situation that you can’t get out of this time. You’re reckless and privileged and insecure and rich — the deadliest combination for any college age girl to be. You’re going to ruin your life before it even fully begins. It’s like your default mode is self destruction.

“Not this speech again.” You sigh, shifting your body so that your knees are turned towards the door instead of him. “Y’know, Akaashi, you’re not my dad.”

“Yeah, because unlike him, I actually care about you.”

You’re silent now, still staring out the window. He’s usually better at keeping his mouth shut, but it’s hard to do whenever you’re constantly pushing and pushing and testing his patience and he’s just so—

“—sorry. I shouldn’t have said that.” His knuckles are white from how hard he’s gripping the steering wheel. It’s a wonder how the words leave his mouth; you think the way he’s clenching his teeth acts as a formidable enough boundary.

Actually, you think, it’s entirely justifiable. You’re coy, not dumb. You know when you’ve pushed Akaashi too far, and this is one of those times. And, really, you kind of — scratch that — you do deserve it. All of it. And then some. You’re irresponsible, and you drag him out to the other side of the city so he can act as your guardian, your protector, even though that is most certainly not the role he planned on playing. Honestly, you’re just surprised that he hasn’t left you out to rot like everyone else, and you’re thankful, you really are. But what are you supposed to say? That? The truth? Probably.

You don’t, though. You just mutter some weak ass retort that sounds an awful lot like “you need to get laid” before staring out the window for the rest of the ride.

— devil on my shoulder tellin' me i'll die soon (i don't really want that to impact you), atsumu miya elevator pitch: yakuza au but a healthy amount of porn and plot. sequel to this.

The first time Osamu Miya meets you, you’re unconscious, and he has a feeling you’d be grateful about this fact considering the state you’re in.

Atsumu’s carrying you bridal style, and even in your sleep, you still cling to him. The sight would be almost sweet, but Osamu’s not an idiot. There can never be anything sweet in his dear older brother’s life. Even in the pale moonlight, Osamu can see the bruises and hickeys lining your neck, a trail of them that seem to disappear underneath your clothes (he wouldn’t be shocked if there’s a map of hickeys littering your skin). Your hair is sticking up at odd angles, your lips are swollen, and you are knocked out in every sense of the word.

If the situation wasn’t serious (even without verbal confirmation, he’s well aware of how dire this situation is right now; Atsumu wouldn’t have visited him if it weren’t), Osamu thinks he would have made a comment about his brother’s rough handling.

(He doesn’t, though, because Osamu knows all about just how rough his brother can get — after all, they both had the same upbringing.)

“‘Samu,” Atsumu says, and his voice makes him sound like he’s worse for wear. He sounds like when he was fourteen and had his first taste of initiation, when a group of the strongest men would beat him relentlessly for thirty seconds and he wasn’t allowed to fight back. The crack in his voice is subtle, and even though Osamu rarely speaks to his brother anymore, he’s still a master at reading him.

“Who’s the girl?” Osamu nods to your sleeping form, trying not to focus on the purple and red marks. God, he can’t tell if he, Atsumu, you, or all three of you are lucky it’s so dark. Osamu can’t really believe it’s possible to go out in public after a night with his brother; not without being on the receiving end of a few concerned looks.

“I need a favor.” Atsumu ignores his question, which is typical behavior for him, so Osamu’s not entirely too surprised or annoyed. “She’s in danger, and it’s—”

Atsumu grimaces like the next words he’s about to say are going to leave a bitter taste in his mouth. And maybe it’s because that’s his brother and they grew up together, or maybe it’s because ‘Tsumu’s always been a little predictable (or has Osamu just always been good at predicting?), but Osamu can almost mouth what his brother’s about to say.

“—my fault.”

So, you must be someone awfully important to his brother then. Important enough that Atsumu would finally visit him in person after all these years (with barely any warning beforehand, too). Important enough that Atsumu would treat you so roughly (if the marks on your body are any indication of what you’ve been through) and still care about you so deeply. Important enough that he’s finally taking accountability, finally taking the blame for his actions.

He didn’t think it was possible, but Atsumu’s left him genuinely speechless for a moment.

“Please, ‘Samu.” Atsumu Miya is not the type of person who breaks down easily. He does not beg, he commands. But right now, Atsumu sounds like he’s this close to getting down on his knees and clasping his hands together if that’s what it’ll take to get Osamu to help him. “You told me you would owe me after what I did for you. Consider this your repayment.”

Apparently, you’re someone so important to Atsumu, he’s cashing in a favor that’s worth his life just to ensure your safety. Osamu can’t tell if that’s true idiocy or true love — then again, there’s hardly a difference between the two, is there?

“Idiot. I would have helped ya regardless, y’know.” He means it. Every word.

“I know.” And Atsumu means it, too. Because even if they’ve went years with little to no contact, even though they both belong to two completely different worlds, they’re still brothers. Which means that they also know each other as well as they know themselves, and Atsumu knows that Osamu can never truly be at peace until he feels like the completely imaginary debt he owes is paid back in full.

The universe must have a taste for irony, though, because Atsumu thought that ensuring your safety and bringing his brother peace would make him feel good. Instead, transferring you to his brother’s arms allows the weight of the world to rest more comfortably on his shoulders.

Osamu takes one last look at his older brother, and he’s not entirely surprised to see that his attention is on you, dark eyes staring so intensely at your sleeping figure, he wonders if he’s trying to commit your face to his memory. He’s worried about Atsumu. Sure, he’s got a whole entire gang on his side, a rather powerful one too, but ‘Tsumu’s never been the greatest at being left alone to his devices, even if he doesn’t want to admit it.

But then Atsumu looks up at him, and Osamu feels like they’re both fourteen again. Trapped, vulnerable, in immense pain… But not alone, never alone.

“Thanks, ‘Samu.”

“Any time, ‘Tsumu.”

(It’s the same words exchanged by their teenage selves years ago, whenever Osamu would help him clean his cuts and sloppily stitch him up.

To them, it was another way of saying “I love you”.)

— it always leads to you [chapter one], sae itoshi elevator pitch: literally the long ass, long awaited start to this series. if you listened to taylor's new album (ttpd)... yeah, that's basically the new soundtrack for this fic. do what u will with that info <3

A hard pill to swallow is that people never get over their first loves.

It’s like, scientifically proven, or something. There’s been studies, you think. Not to mention that you belong to the group of people who have never gotten over their first loves.

You’re aware that it’s probably embarrassing and should be something that brings you shame, but when Sae comes knocking on your door, infrequent, surprise visits that always catch you off-guard, you find yourself opening the door for him.

(He has a key. He can let himself in any time he wants. You think he must forget.)

This time, he’s not knocking on your door, but he is waiting in the stairwell near the entrance to the floor of your apartment. He’s got a baseball cap on and a dark sweatshirt, and you want to tell him that everyone who lives here is most definitely getting shitfaced at the college bar you just left (the one whose only redeeming qualities are that it’s by campus and the drinks are cheap). He doesn’t have to worry about hiding his identity.

You frown when he approaches you.

“You didn’t tell me you were coming,” you pout and complain about this halfheartedly, but it’s all for nothing. Sae never tells you when he’s coming; it’s almost like you’re just a spur-of-the-moment decision to him, which doesn’t feel right since the Sae you grew up with was always meticulous and purposeful with his actions. Granted, the Sae you grew up with left on a plane to an entirely different continent four years ago, and the one you have standing next to you now sometimes feels more like a doppelganger than your ex-boyfriend.

He doesn’t answer, because of course he fucking wouldn’t. He waits for you to fumble with your keys; if you knew he was coming, you wouldn’t have let Akane convince you to take as many shots as you did. Now everything is kind of blurry and hazy, and your hands shake despite the lack of coldness you’re feeling.

You delude yourself into thinking that there’s something of the old Sae left inside of him as he gently pries the keys from your fumbling fingers and unlocks the door to your apartment himself.

Entering your apartment feels like traveling in a time machine, only instead of traveling back in time or to the future, Sae is entering a present-day parallel universe. This apartment, with its best (and only) amenity being a short distance from campus, could have been his. Could have been shared by the two of you, even.

If he had stayed, that is.

Sometimes Sae ponders what his life would be like if he stuck around. If he had never had the ego or the audacity to want to see more of the world. You know better than to ask him why he never visits you when you’re on a holiday break from school, and he thinks it’s because you still know him the best out of anybody, even Rin. The truth is, Sae is too uncomfortable to come crawling back to his childhood home that he grew up in, the one he’s spent years determined to grow out of. He only comes back home when absolutely necessary — out of eldest son/family obligation.

This college apartment, seeing remnants of a life you’re living that he doesn’t know much about (even though all he has to do is ask, and you would gladly tell), feels wrongly nostalgic. Like, the sweatshirt lying haphazardly on the couch displaying a big, fat Tokyo U logo on its front could have been his instead of your roommate’s. He could have played college ball instead of trying to get recruited directly to the big leagues. Sae’s good enough to get a scholarship. Even received a letter informing him that Tokyo U would be more than glad to have him, full-ride.

(The letter resides in the back of his closet, crumpled up but never forgotten.)

And, most importantly, you wouldn’t be looking at him like this.

Even drunk off of cheap alcohol, you sober up startlingly fast when you see him. You shouldn’t give him so much power over your life, but he’d be a damn liar if he said he didn’t relish in the overwhelming relief that you still love him just the same. Nothing ever changes back home, and he says this with disdain, but when it comes to your unshifting affection for him, he figures staying the same can’t be all bad.

“Y’know, it always feels like you’re judging me when you just stand there and look at everything.” An intoxicated you is an honest you. If he wasn’t so determined to mask everything about himself, he would have smiled at your admittance.

He doesn’t smile, though. He just continues to let his cold eyes roam across the entirety of your cramped, college apartment.

— an indentation in the shape of you, tobio kageyama elevator pitch: idol!reader who goes into hiding after a major scandal despite being the victim x pro!tobio who's been hopelessly pining after you since forever. now you're in hiding, but also living in the apartment right across from his.

SEARCH NEWS: [NAME] [SURNAME] > TOP RESULTS (SORTED FROM MOST TO LEAST RECENT)

WHERE DID [NAME] [SURNAME] GO? *INCLUDES EXCLUSIVE PHOTO OF HER MOST RECENT SIGHTING!*Posted on March 10, 2019

[NAME]’S SOCIAL MEDIA ACCOUNTS HAVE BEEN TAKEN DOWN, IDOL HAS NOT BEEN SPOTTED IN A WEEK Posted on January 4, 2019 BREAKING: [NAME] [SURNAME] GOES SOLO! LEAVES IDOL GROUP TO START HER OWN CAREER! Posted November 6, 2018

KENTARO TANAKA NOW DATING J-POP IDOL AYAME MATSUMOTO, [NAME]’S FELLOW GIRL GROUP MEMBER!Posted on November 1, 2018

AFTER RECEIVING BACKLASH FROM ANNOUNCEMENT OF HER RELATIONSHIP, [NAME] [SURNAME] ISSUES AN APOLOGY ON ALL SOCIAL MEDIA ACCOUNTS Posted on September 3, 2018

NEW COUPLE ALERT! IDOL [NAME] AND HER RECORD LABEL’S EXECUTIVE, KENTARO TANAKA, SPARK DATING RUMORS Posted on August 16, 2018

When you spend most of your adolescent and young adult years standing in front of a camera, constantly served on a platter for the masses to scrutinize during your most formative years, you get used to being seen. People’s eyes locked in on you isn’t a comfortable feeling, but it’s one you’re very well acquainted with. Watchful, judging gazes cling to you like a second skin.

It comes with the job is what your personal manager, Fumiko Gima, tells you, right before she tells you to toughen up. You had been fifteen at the time and saw a blogger discussing how you were the least attractive cast member on the children’s ensemble show you starred in.

All eyes are on you from this point forward. You really going to let them see you cry? Fumiko is not a nice person, but she is incredibly kind, in her own way. She’s the type of person who believes in tough love, all while claiming that she doesn’t even think love exists.

You think about the disapproving frown on her face when you revealed your relationship with Kentaro Tanaka.

“You think you’re in love with him?” Sometimes it’s hard to believe that Fumiko is barely seven years older than you. Her youth is evident in her flawless skin and shiny hair (both of which are maintained by very meticulous routines), but the flat expression she wears on her face makes her seem like a woman who found out the hard way that her thirties are not going the way she planned. You’re eighteen when she asks you this question, and you don’t know how a twenty-five year old woman can have such an intimidating aura, but you think that only adds to her beauty.

“He told me he loves me.”

“People like him and I don’t believe in love.” Fumiko makes a face; sometimes, she lets her poker face drop in favor of making a face of disgust, annoyance, irritation, or extreme smugness. Right now, she looks disgusted. “Well, I wouldn’t normally place myself in the same group as him, but our industries are pretty much the same. You don’t get to where we’re at because of love, that’s for damn certain.”

At this point in time, you’re adamant that it’s love because that’s what he says it is, and you’ve never been in love before, but you know that it’s something great. You’re eighteen, and insecure, and he’s in such a powerful position — he could have anyone he wants, and he loves you, so he picks you. Maybe Fumiko is just bitter because no one’s ever chosen her.

— angel of the morning, atsumu miya elevator pitch: historical, ambiguous war au ft. soldier!atsumu x the civilian sweetheart reader who nurses him back to health

It’s the thunder that wakes you first.

Lately, you’ve been a light sleeper. Paranoia is a good companion whenever you’re a young, pitifully unmarried lady who lives alone. You keep a chair propped under the knob of the front door, and you no longer open any windows, scared that you’ll forget to lock them at night.

Normally, it’s the ticking of the grandfather clock in the foyer, or the creaks that come and interrupt the silence of the night (your parents used to swear that old houses just make those noises) that keeps you up. Sometimes it’s the neighbors next door; they like to get into screaming matches that seem to be so loud, they shake the walls of your home.

It’s not your neighbors’ arguing that rattles the walls tonight. It’s the thunderstorm that the sweet old man at the farmer’s market warned you about. You be safe out, miss. Take some extra apples. It might be too flooded for you to go out like you normally do.

You pull your blanket over your head, enveloping yourself in darkness but doing very little to block out the noise outside. The thunder seems to only grow louder, each boom punctuating the lightning that you’re certain is striking through the sky. It’s too loud.

And rhythmic.

You listen closer… Three booms in succession. A pause. Three more booms. After a minute of this pattern, the sound only comes more rapidly — louder than before, too.

The loud booms — it’s not from the storm, then.

There’s someone knocking at your door.

You debate hiding under the blanket forever. Maybe this stranger will go away and leave once they realize that no one is going to answer the door. Besides, no one trustworthy is roaming the area at this time of night, right? What possible explanation could there be for someone to be stranded outside at midnight during a major thunderstorm?

But the knocking persists. Whoever this stranger is, they don’t know when to quit. You’d be annoyed if you weren’t so paralyzed with fear.

“Open up!” A muffled voice still manages to cut through the front door, traveling all the way to your bedroom. It only serves to make you more afraid; what sort of monster is waiting for you outside? The storm rages on, and the knocking won’t stop.

What happens if this person is in genuine trouble? Would a murderer truly be going through such lengths to kill someone? A thief?

Well, you rationalize, it’s not as if you have many items worth stealing. Besides, you have no family, no marriage prospects, and a dwindling stash of money with no means to make more. You’re just existing at this point, and you’re surviving on limited time.

So you make your way to the front door, cringing as one section of the floor creaks as you tiptoe through the darkness of your home. You highly doubt the stranger outside can hear you, but you still hold your breath as you peek through the curtains. It’s too dark inside and out for anyone to notice the movement, and all you can make out is a large figure. There’s a knapsack by their feet and hanging off their shoulder is a gun.

The knocks shouldn’t catch you off guard by now, but one particular hard bang against the door has you jumping in surprise, away from the window.

This stranger must be a soldier.

There’s not a lot of fighting to be done down here. The southern towns have mostly been unaffected. Most of the war is being fought up north. All the southern soldiers write back home, telling stories about the cities they visited, careful not to mention the red that runs through the streets and the way the citizens will have to update the population count on the sign outside their City Hall.

But still, you know what everyone knows — when a soldier, especially one from your side, shows up on your front step, you better let him know that this home is now his.

You slide the deadbolt with shaky hands, turn the lock on the doorknob, and only hesitate for a few seconds before removing the chair that serves as your last barrier. He’s a soldier, you remind yourself, hoping that you’re not wrong. The least you can do for him is offer him a hot bath for leaving him outside for so long.

You open the door, revealing a blond-haired soldier weighed down from the weight of his sopping wet uniform, his hair sticking to his forehead because his face is also covered in rainwater, and it’s now that you notice that he’s got one arm wrapped around his abdomen. His hand is pressing down on his side, and you don’t think the dark liquid coating his fingers is water.

“Finally.” He says. “I’m First Lieutenant Miya, and I fight for the south. I am seeking temporary refuge in your home, and I require only what you can afford to give me. I–“ Before he can finish rattling off what he’s been forced to memorize for times like these, First Lieutenant Miya falls forward, his body crashing into yours.

It’s been a rough day.

A rough week.

A rough month.

A rough life, really, but Atsumu Miya’s long past the days of whining and complaining about things he can’t control. For example, he no longer dwells on his father abandoning his mother right before she gave birth to him and Osamu. There’s still a bitter taste that gets left on his tongue when he mentions dear old pa, which is why, for the most part, he chooses not to discuss him at all. He can’t control the way the north and the south view each other; sure, the mandatory draft isn’t his definition of a fun time, but he honestly didn’t have many plans after school, anyway. He probably would’ve joined the cause, regardless of the law or not. It’s just… A choice is nice to have, y’know?

Like, if he had it his way, he wouldn’t have gotten caught up in some ambush tonight. If only he weren’t just a lieutenant. If only his captain weren’t such a dumbass.

If he had a group to command, Atsumu’s certain that he wouldn’t lead his men into obvious traps, unlike some captains. But newly promoted Brigadier General Kita isn’t here to force people to listen to what Atsumu has to say. Kita has bigger problems to worry about, bigger troops to organize.

Atsumu’s morning starts off bright and early with a five mile trek in the woods. The sky is overcast, and anyone with eyes is capable of predicting the storm that’s coming. Atsumu suggests building temporary shelter before the rain makes it too hard to walk; it’s already hard enough to navigate now, but Atsumu’s visited this town before, when he was a little boy. It floods easily, too easily.

His captain doesn’t listen. Typical.

Around noon, they take a short break to eat. Rations are getting lower. Atsumu suggests that two or three soldiers turn around and head towards town to get supplies. His captain argues that their group is already small enough and sneers that Atsumu must be a northie lover since he’s trying so hard to sabotage this plan.

The plan is shit, by the way. The captain swears his intel is good, that he’s just oh so certain that a troop of northern soldiers are planning to invade a series of small southern towns. They’re supposedly cutting through the woods to be discreet, and they plan on striking at night.

Atsumu thinks that the captain is just falling into their trap (spoiler: he’s right). There’s no way anyone would bother capturing small towns, just like there’s no way people ever want to listen to someone who’s just a lieutenant. Nobody thinks they have anything to offer, so it’s not worth the time to even pretend to care. These towns aren’t loaded with resources. They aren’t located in any coveted areas. There are only a couple of farms, but even then, they’re not big enough to justify wasting troops to terrorize the townspeople.

But First Lieutenant Miya follows his orders anyway because what else is he supposed to do? Unfortunately, talking back comes to bite him in the ass because as nighttime starts to settle and the first drops of rain start to fall, his captain gives him a slimy smile before telling him, “Since you have such great ideas, Lieutenant, why don’t you go ahead and turn back into town to get us some of those supplies we needed?”

Well, Atsumu has a few choice words in reply, none of which will get him back into his captain’s good graces (not like he cares to be anyway). Atsumu can argue that it’s dark out, and no one in their right mind is going to be up at night. Atsumu can throw back his captain’s words and remind him that their measly team is already lacking in numbers. He can make the captain look dumb and ask him where the supposed enemy troops are at, since apparently they’re supposed to be capturing the town right about now. He can abandon the men, go back home, and enjoy a homecooked meal from ma. She wouldn’t care enough to scold him for being a dirty deserter; the lecture will come, surely, but she wouldn’t be too harsh with him. Atsumu misses home. He misses his brother, who belongs to a different troop. He misses Shinsuke, his former captain. He misses his mom.

What he does end up doing, though, is biting back his tongue. He barely nods, clenches his teeth as he reluctantly says yes, sir, and treks off on his own.

He’s about three miles in when the bullets start flying.

Isn’t this just a lovely way to finish off the night, he thinks, before sprinting through the trees, weaving between them, trying to ignore how loud and how close the shots sound. He thinks he’ll probably go deaf by the time this damn war is over. A bullet narrowly misses his face, and then he starts to think he’ll probably be dead before then.

He can’t see. If he can’t see, he doubts the enemies can, either. That’s when he gets an idea. His legs are sore, he’s thirsty, and every step he takes is punctuated by a sloshing sound because the area is flooding, just like he predicted it would.

(Sometimes it’s a pain being right all the time.)

The shots are still coming at him in rapid succession, and he believes maybe it’s because they still think they have to shoot at him. If they think they got him, maybe they’ll leave him alone. It didn’t sound like anyone was bothering to chase after him, meaning they’re all probably perched in trees or hiding in bushes, shooting blindly into the night, hoping to land a lucky shot on a target.

Before he can pretend to be hit, though, some bastard does get a lucky shot on him.

“Fuck!” He can’t help but yell out, the bullet piercing the side of his abdomen. A burning sensation begins to form on the spot where the bullet decided to make its happy home, and Atsumu can’t help but fall to the ground, clutching at the bottom half of his body.

A minute goes by with no more shooting, and he’s glad he’s in enough pain not to realize that had he thought of his little plan of pretending to be shot sooner, he probably wouldn’t be in this predicament right now.

It’d be so easy just to lie down and die. It’d be a slow death, sure. Painful, very much so. But no more fighting. No more captains belittling him.

But if you die, a tiny voice in his head reminds him, it wouldn’t just be you that dies. It’d kill ma. It would ruin Osamu. Don’t be a selfish bastard.

He allows himself only one more minute to stay absolutely still. He thinks the adrenaline pumping in his system helps to numb the pain, which is saying a lot, considering the fact that death would be preferable over this excruciating sensation. When he’s certain the coast is clear, he struggles to stand and keep himself steady.

He cannot die like this.

Atsumu Miya knows better than to get upset at things he can’t control. He can’t control flying bullets aimed at him. He can’t control enemy soldiers; hell, he doesn’t even have soldiers he can control, enemy or ally. He can’t control a lot of shitty things that seem to happen to him, but as long as his heart is still beating, Atsumu Miya controls his own fate. He decides what happens next.

It’s only a matter of putting one foot in front of the other, he rationalizes. He walks all the time. It’s not such a hard task. The storm continues to rage on, and Atsumu pretends he doesn’t even mind the water. He pretends that he’s not freezing. He pretends that he doesn’t care that his uniform is sticking to his body, making the dirty fabric cling onto him as if to act as a second skin.

There’s a white flag in his knapsack. During training, they said to use it as a last resort. Die before you wave it, or something like that.

He knows the intended use for it, but right now, he needs it as a tourniquet. He tightens the flag around his waist, using all his diminishing strength to get it as tight as possible. He can trick himself into thinking it’ll stop the flow of blood leaving his body, but at least it’ll slow it down. It’ll grant him enough time to make it into town and get help.

He doesn’t choose the first house he sees; he chooses the one he likes the best. It’s nothing all too impressive — certainly not the biggest, but from what he can make out in the dark, it looks quaint. It reminds him of home, almost. There’s a porch with a bench outside and flowers on a window sill. It seems to glow in the darkness of the town, its paint a much brighter shade than the surrounding houses. A nice family must live here then.

He knocks on the door, and there is no answer. Atsumu Miya did not walk this far with his life literally draining out of him to only make it this far. He knocks and knocks, and because he is too stubborn, even to the very end, he doesn’t quit. Someone must answer the door. It doesn’t cross his mind that perhaps this lovely family he’s envisioning might not even be home. It feels like ages since he first started banging on this door, and he thinks this might be it.

And then the door swings open, revealing a young lady with a certain glow about her. Maybe it’s the blood loss talking, but right now, you look like an absolute angel. His bright beacon of hope.

“Finally.” He swallows hard, trying to remember what he’s supposed to tell you. The proper words are evading him right now. Honestly, even standing is a struggle now. He thinks he does a good enough job, but then he blinks, and his eyes don’t open back up after that.

— to the victor belong the spoils, naoya zenin elevator pitch: the dark longfic i mentioned abt borderline yandere naoya + how he basically slaughtered your whole entire clan and is going to force you to marry him because you have a cursed technique that will basically grant him invincibility

“Who did this?” You’ve seen Naoya so angry that his words seemed to shake the very interior of the room he was shouting in. You’ve seen Naoya so furious that he had everyone in his vicinity cowering in fear, scared to face his merciless wrath. Never have you seen him so enraged that he can hardly speak, the sentence coming out from between bared teeth; they’re discernible growls more than they are words, but his message doesn’t need to be understood in order to know his intent.

Naoya Zenin is out for blood.

“Tell me who did this.” He demands, hand gripping your chin, forcing you to tilt your head up and stare him directly in the eyes. You know why he does this; he can read you like a fucking book. He’ll know if you’re lying before you can even finish whatever fabricated story you’ve spent forever formulating. There’s no point in trying to trick him because it’ll cause him to get angrier, and then what? Then, you’ll have the whole entire room’s blood on your hands. A massacre dedicated just for you.

You hadn’t cried when he had taken you from your home. You hadn’t cried when you were about to be killed by that curse. You hadn’t shed a single tear despite the unfamiliarity of the Zenin Estate, despite the fact that you were forced into a marriage with a man you did not know, despite the fact that you’ve never been this far from home, suffering silently in feelings of isolation and despair. You hadn’t cried after all of that, yet now you’re sobbing? Now you’re here, struggling to stand on your own, clutching onto the material of his shirt as if he’s your only lifeline, dangerously close to burying your face in his chest and crying your little eyes out. He’s been angry more times than he’s ever felt any other emotion. He’s numb to the feeling of his blood rising, of his vision being tainted with red, of having nothing but sick thoughts and vivid memories of torn flesh and severed limbs surrounding him. This emotion isn’t foreign to him; it’s a part ofhim. And he’s angry, yes, but there’s something else that he feels when he looks down and sees you making yourself smaller, as if trying to use him as your own personal shield.

— balancing act [chapter one], satoru gojo elevator pitch: the first month of your bet will you and gojo inevitably get together <3 the start of this series.

You have what you order down to a T. You first started your tried and true method of restaurant ordering when you were but a wee little intern, too shy to go to town on a rack of ribs in front of your peers and bosses. Once you entered the city’s dating scene (which is actually Dante’s tenth circle of hell — it’s just never discussed because that’s truly how vile trying to find a good man in a big city is), you realized that there’s not much difference between lunch dates and client lunches.

You have the obligatory greeting exchanges (“hi,” “hello,” “how are you,” etc.), the awkward smiles, the mental countdown going off in your head as you wait for the perfect moment to get right into business (“what do you expect to gain from this partnership?” — a line surprisingly used more often in your meetings with potential investors and clients). There’s the pained professionalism, the tight-lipped smiles, the napkin resting in your lap, the battle to maintain constant eye-contact. When you sit across from someone at a table, date or client, you don’t see the person; you see a goal.

And you’re good at working towards a goal. It’s why you’ve always been the analyst your managers rely on, why you’ve morphed into the senior associate that all your juniors look up to at G&G Capital, and why you automatically figure that if you set your sights on a man only to have him end things, it’s not you who was at fault. It has to be him. You’ve charmed the toughest clients and built fantastic working relationships with the most well-connected M&A lawyers; if you’re this good at professional relationships, why wouldn’t you also be fan-fucking-tastic at a romantic one?

All the men who have taken you out on dates before wanted to sweep you off your feet. An ex-boyfriend once admitted to you that you appeared so unimpressed at everything, it had become this fun, twisted competition with himself to see what he had to do to get a look of amazement on your face.

“I can tell by the look on your face that you’re impressed.” Gojo says gleefully, holding open the dirty glass door so you and Utahime can walk in.

Utahime looks like Gojo just slid open the backdoor to a white van and told her to get in. There’s shock with a hint of disgust evident on her pretty, doll-like features, and you know you’ve got a similar expression, too.

The floors inside this restaurant — if the dingy, dimly lit shack crammed with small tables and rickety chairs can even be considered a restaurant — are sticky with decades’ worth of mystery liquids that have congealed into the half-inch thick residue that coats the floorboards. You have to purposely think about moving one foot in front of the other in order to walk because actual pressure needs to be applied if you don’t want your heels to become glued to the floor. You’re walking in front of Utahime and Gojo, and you end up choosing a table in the far back; it looks the cleanest. Briefly, you wonder if you’re allowed to be here, then think better of it as Utahime takes the seat next to you, and Gojo takes the one across. You highly doubt there’s a hostess here that’s dictating where the customers sit.

Especially since, upon one glance of the whole place, you realize that it’s empty save for you three.

“Gojo, if we get killed, I hope they murder you in front of us first,” Utahime hisses. Her family’s so rich (and traditional), she’s never willingly been to a restaurant that doesn’t have a Michelin star. Before college, she’s never even eaten out at a chain restaurant. Being caught in a place like this has Utahime mentally spiraling towards rock bottom.

“I hope they would, too. I don’t think I have the stomach to watch you meet your grisly end.” Gojo says serenely. Usually, he says things loudly, teasingly, gets all up in your face. When it comes to Utahime, he likes to play at being nonchalant. He’s been doing this to her for over a decade now, and it still grates her.

Before Utahime can reply, the shaky voice of an older woman is exclaiming, “Oh! Welcome in! Have you gotten a chance to look over the menu?” The voice belongs to a short, plump woman with gray hair, a wrinkly face, but a kind smile that reveals yellowing teeth. She’s got a slight hunch to her back and nails with overgrown cuticles. You try to do a mental calculation of what you could buy this building for, to ensure that this sweet old lady never has to work a day in her life ever again.

“You know what I want, Mrs. Kimura.” Gojo is giving her one of his signature dazzling smiles. “You can just double the portions today since my friend Utahime here eats enough for a family of five.”

Mrs. Kimura lets out a throaty laugh. Utahime kicks Gojo in the shin from underneath the table. You’re wondering what Gojo orders from this place, and why does he order here so often to the point of them memorizing his meals?

“I’m glad you brought friends with you today, Satoru. Meals always taste better when shared with loved ones!” She directs a warm smile in your direction, and you feel bad for returning it with your normal polite one. Tiny and brief. It’s more muscle memory than born from any real emotion. She’s shuffling away to the kitchen before you can try to summon a genuine smile for her, and Utahime’s phone is ringing, filling this near empty space with the tinny, anxiety-inducing sound of an iPhone ringer.

She doesn’t excuse herself; just looks down at the glowing screen, grabs her phone, and heads outside to take the call.

Which leaves you sitting across from Gojo. Just the two of you. Just the two of you in a dingy restaurant seemingly run by only one old woman. The table looks older than you. The chair you’re sitting on makes a weird squeaky noise with any slight movement of your body. There’s no decor on the walls, no windows either. Nothing to distract you, nothing for you to feign interest in as you wait for Utahime to come back.

You straighten your posture, try to discreetly look out the front door to gauge how close Utahime is to wrapping up her conversation, and find yourself with no choice but to look in front of you. All you see is Gojo.

He’s tall, you know that. Broad shoulders. Definitely not hideous, you can give him that much. You just feel shocked at how much space he takes up, how it feels like your eyes have to stretch to try to accommodate all of him.

You don’t know why you feel so awkward, almost like a teenager going on her very first date with a boy she barely knows but still, for some inexplicable reason, wants so badly to impress. You can’t remember the last time you’ve ever felt this way, and you definitely don’t like this feeling at all.

“How’d you find this place?” You ask him.

“I like to support small businesses.” He’s not teasing you, but Gojo has this bad habit of always adding a playful inflection to his words.

“I hope you tip well. You look like their only supporter.” It’s not meant to be an insult to the painfully empty restaurant. You know how much Gojo is worth; when Itadori Googled “Satoru Gojo net worth” and showed the results to everyone, Gojo caught him in the act, looked at the top result, and threw his head back in laughter as he told Itadori to “add an extra zero and triple the number.” You think back to your calculation and assessment of the place. “Might as well buy the business.”

“You make capitalism so cute.” He has to be teasing you now. You scowl.

(He means it.)

— i wish to know the fatal flaw that makes you long to be magnificently cursed, satoru gojo elevator pitch: yandere gojo, royal au, nanny!reader... yeah idk what happened to this fic either, just that it was depraved and i wish i wrote more to share LOL

You’re acutely aware of the noise you’re making, every huff and small, desperate gasp for breath only further betraying your location, but you can’t find it in you to care.

You know, deep inside your pounding, frightened heart, that it doesn’t really matter how fast or how far you run.

I will always find you.

Just the mere thought of him is enough for you to ignore the ache in your legs and push forward. If you can find the exit, if you can just see the daylight, surely you’d be able to—

You stop in your tracks.

There are two paths: one right, one wrong. Left or right? Freedom or imprisonment?

There’s no time to waste, but you can’t make a choice. Which decision would be the right one? Surely either route would still be able to lead you to the exit, right? The sharp snap! of a branch being trampled on leaves you even more frightened. Without thinking, you take a left.

— i think you're too divine for my human mind, undecided elevator pitch: rough around the edges but w a heart of gold underground fighter!character x ring girl!reader. i think this was gonna be for bakugo LMAO but i do not have bnha brain rot so maybe a bllk or jjk or hq boy... NO ONE SAY ATSUMU I DON'T WANNA GIVE IT TO ATSUMU

The couch seems to shift with his weight, and you swallow hard, staring straight ahead at the same cement wall you’ve been staring at for the last ten minutes because you’re still too much of a fucking wimp to navigate this area by yourself.

Despite the two of you sitting at opposite ends of the couch, there’s only about one foot of space separating his knee from yours. You suppose that he gets away with the manspreading since he probably has no qualms with punching anyone who voices their offense. After witnessing just how brutal the infamous [ring name nickname] can get, you know that you’re definitely not going to be the one to say shit to him. You can’t even look at him.

Where the fuck is your sister? You have your arms crossed, covering your torso, and you think you must have subconsciously pressed yourself as far back into the couch as you possibly could. Everything about you must scream out “she wants to disappear!!!”, and the worst part of it all would be the fact that it’s the truth. You knew coming down here would be a bad idea, and the sinking feeling of regret is practically solidifying itself into your stomach. You think you could throw up.

“Hey,” a voice — a deep voice, scratchy and low and so scarily close to you — breaks the silence. “You must be…”

Of course, you’re used to it by now. Always being referred to as “Akemi’s little sister” no matter the situation, the person, the setting. It makes sense, you rationalize. Everyone knows Akemi. And so, by extension, they must know you — her shadow, her little sister.

“...helped out Sakura.”

“What?” You don’t know anyone named Sakura, but you finally turn your head to properly look at him as you answer. He’s got on a white shirt now, incredibly form-fitting, and he’s staring right back at you. You're quick to meet his eyes before getting too nervous and focusing on the space just below his eyes. Then, that becomes too close to eye contact for comfort, so you settle for staring at his jaw. It’s a nice jaw. Sharp. He could probably cut you with it if you contradict any of his statements, so maybe you should pretend to know this Sakura girl.

“You must be the girl that helped out Sakura.” He repeats. He says it slow and almost carefully, like he thinks you must be some sort of idiot who can’t comprehend the most basic of statements. “Gave her your jacket.” He clarifies, and it makes sense. The girl with the hot pink colored hair must have been Sakura.

“Yeah.” You nod.

“So why are you here?”

“Huh?”

“Y’know… Pretty girls like you don’t normally end up here without a reason. So what’s your reason?”

He says it so casually, throwing it out there as easily as a punch. He probably means nothing deep by it, probably doesn’t even realize the fact that it is a compliment.

He called you pretty.

“My sister.” You answer, finally looking away at him to look down at your hands that have settled nicely into your lap. Your cheeks feel a lot warmer than they did a second ago. You decide to blame this as a result of too many sweaty people in one basement.

“She a ring girl?”

“She’s dating a fighter here.”

“And you?”

“What about me?”

“Are you dating a fighter here, too?”

You look him properly in his face after that comment, almost resisting the urge to laugh. Fear that he’ll get offended and smack you into the floor stops that reaction. Instead, you stare at him, slightly surprised, lips almost curled up into an amused smile at just how unbelievable it would be for you to date anyone like him.

“You finally did it.”

“Did what?”

“Look at me.” He holds eye contact, almost as if he’s trying to challenge you into looking away. “I don’t bite, y’know.” He smiles, showing off a surprisingly straight row of white teeth, not a single tooth missing despite the nature of his… job. “It’s against the rules.”

Yeah. Because [character], the fucking [ring name nickname], looks like the type of man who follows the rules.

#atsumu miya x reader #naoya zenin x reader #satoru gojo x reader #keiji akaashi x reader #sae itoshi x reader #tobio kageyama x reader #UGH i hate going thru my drafts #bc im like damn why didn't i finish writing these #anyway lmk ur thoughts. i have to work on comms so no plans to release these this month but perhaps june

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