Ahhhhh hello!!

You can commission me to draw stuff for you now!

doodles based from that summer art

listen a friend suggested to me. a concept for a fic/au. that i do not know enough about qsmp to create so i am handing it here into the world in case someone DOES know enough and is inspired by this.

anyway so for those who aren't aware, iskall and tubbo have a vhsmp bit where iskall insists that he is tubbo's dad, a thing tubbo originally agreed to in order to get resources, lol. he is also son of captain sparklez by these means, but it's iskall who doesn't let the bit go; basically every interaction they've had on twitter since iskall refers to tubbo as "son", and even sometimes just like, randomly when iskall is otherwise talking about tubbo. it is my favorite silly family dynamic out there, i love it dearly.

the thing my friend suggested was: what if iskall finds out this means he has a granddaughter?

so my qsmp mutuals and followers PLEASE tell me what that would be like, as angsty or as silly as you'd like (i've heard Something is going down with tubbo on qsmp??? i think???), i just think this would be fantastic. i don't even know which egg tubbo has i lost track. or what that egg is like. i just. need this to exist in the world i can learn.

just. picture. iskall, bursting into tears: MUMBO I AM A GRANDFATHER. MUMBO I DO NOT KNOW HOW TO BE A GRANDFATHER. mumbo, a little panicked: i didn't know you were a father-father.

that's all,

I had a dream the other night

Whenever people bring up shit like "in like 1977, a small subset of people called themselves bisexual lesbians," they miss the point that bisexual and lesbian both existed in entirely different contexts and had different meanings... for a group that loves to bully lesbians by claiming "words can change meanings, so we can change lesbian to include fucking men," they sure don't understand that both bisexual and lesbian have... changed meanings... to become separate identities with some overlaps in experience while still being mutually exclusive. To the benefit... of both lesbians and bisexuals.

Like both bisexuals and lesbians benefit from having specific terminology for their experiences, to express and respect boundaries and create expectations. There's a reason why we split off--and, yeah, sometimes it was fraught--but acting like it's regressive to want to respect that split and all the good it has brought is insane and, ultimately, biphobic and lesbophobic as well as spitting on our shared history.

And shows a lack of understanding of said history. I get it, you read a tumblr post in 2018 written by someone who skimmed a book once. Try again in forming a foundational knowledge because you fucked it up the first go around.

Sonia redesign + Zelda (ancient)

she is the one to seal ganondorf in an intentionally cruel way to take revenge for him killing rauru

she also had a daughter from a previous marriage that she named Zelda after an ancient legend from long forgotten times; while she technically had both time and light powers, she could only take ahold of one (struggeling to grasp a certain power you are pressured to awaken reference ;) ) which is time, it was not the one she was supposed to manifest as her status was always associated with light, in her younger years she was often looked down upon but despite that later proved to be a capable leader

shortly after her first marriage was ended rauru and the rest of the remaining sonau (engl zonai) came from the underground to warn the folks living on the surface from a great evil that was told about in ancient texts they had found while mining desperately for the stones they had grown reliant on for survival

this warning later evolves into the plan to seal ganondorf away before he could even become a threat, through all those discussion and planning sonia and rauru grew closer and eventually married; the plan was to be executed in secret to give ganondorf no time to even consider to reveal what demon they believed he really was, but the secret got out and ganondorf enacted a counterattack in the form of stealing one of the enigma stones in order to put pressure on the hyrulian kingdom, but he gets betrayed by the gerudo that will be their sage in the last confrontation, however in the time that the gerudo sage takes to warn sonia and mobilize to save rauru ganondorf has already confronted him and though he did not plan to kill him he does so, more on accident really, as rauru did not listen to a single word he said but instead acted erratic like a helpless man trapped in a cage with a hungry bear, essentially starting a fight of life and death

when sonia arrives at the scene it is already to late; thanks to the enigma stone ganondorf can escape her grief-striken rage but sonia is out for revenge and sees him killing rauru as proof of the warnings of old, she wages war and at the end seals ganondorf in a cruel cage between life and death, even at the cost of her own life

her daughter, having witnessed it all, grows up bitter and determined to make hyrule a kingdom that will never fall again

(totk rewritten project)

my mood lately

I CHANGE MY PFP FROM THIS AFTER HAVING IT SINCE JAN RIGHT BEFORE IT BECAME RELEVANT LMAO RIP TvT

You raised a child together Thancred what did you expect

+ a bonus I came up with while drawing this lol

day 281

ill be honest w yall i dont remember most of hs2 or the epilogues and i will not be rereading to refresh my memory but i DID read today's upd8 specifically because i saw my guy and you know what

callin this one a win for the sollux enjoyers

"are you a vampire queer or a werewolf queer" I'm Frankenstein but not the doctor; I'm Frankenstein but not the monster; I am a hideous creature but I have conceptualized and created my being all by myself !! I am both the mad scientist and the experiment !!

Could you explain your position on Shallura? Since Allura was established as a teenager when she started dating Lance and Shiro was very clearly an adult. I can understand the bi shiro headcannon but the shallura thing worries me

i am going to remind yall that i have been in this fandom since 2016. and in the early seasons, allura was not established as a teenager. in fact she was coded as older, as closer to shiro's age -- there was a specific divide between her and the younger paladins that she did not have with shiro. they made her younger (both explicitly and in mannerisms) as the show went on. and i do not give a fuck about voltron like...post s4 and i didn't even watch s7-8. so like. especially with older fics, im going to enjoy shallura.

It's always "Shou and Ritsu need to blow stuff up with their minds for mental health reasons" or Ritsu and Teru or even Shou and Teru!

But what about Mob? When does he get to blow stuff up with his mind for funsies? For shits and giggles? He didn't go through all of those meltdowns and character development for nothing, let him go ham on a junkyard car or something smh

I believe in Mob's narrative given right to fuck shit up sometimes

duality of cat

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

His bullfighting days aren't over quite yet.

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