Sword + sword + Fukuchi's body

I remember seeing your art on Deviantart when i was like 12 years old and thinking you were some kind of god bc i wanted to learn how to draw aesthetic dogs aswell so bad lmaoo

.

Bread I made a few years ago! 🌱

Ik I don’t usually share wips but this is more of me holding myself at gunpoint to finish this

#1 killer of toxic masculinities

𝐀𝐜𝐭𝐮𝐚𝐥𝐥𝐲 𝐅𝐞𝐧𝐠𝐱𝐢𝐚𝐧 𝐬𝐞𝐞𝐦𝐬 𝐭𝐨 𝐡𝐚𝐯𝐞 𝐭𝐚𝐤𝐞𝐧 𝐡𝐞𝐫 𝐫𝐢𝐧𝐠 𝐟𝐢𝐧𝐠𝐞𝐫, 𝐰𝐡𝐢𝐜𝐡 𝐬𝐲𝐦𝐛𝐨𝐥𝐢𝐳𝐞𝐬 𝐥𝐨𝐯𝐞

promises or even marriage. She cut off Maomao's pinky finger tip, which is more related to "Yubitsume".

The message can kind of be inferred that she was trying to remind Lakan of his promise and their mut Ual feelings, as

Well as her being desperate due to her situation = blaming

Maomao for ruining her value (even though she wanted that so she could end up with Lakan)

hello!! its me!! in your inbox again!! Ive gotta know: what kind of thought went into Starstucks design? do you have any beta designs, early sketches, or has she always been so cute?!

HELLOOoooooo yesssss quality asks from moonie!!!! i am always so excited!!! i'll pop this under a cut because it got long, but the short answer is: sadly i'm boring and predictable 😂

i am SO embarrassed to tell you that very little thought went into her design, at least on any sort of... cerebral level. the reason for this is because she is my sona, though she does now have a story of her own, and i personally have an extremely rigid set of personal iconography! both irl and online

i joked with my gf and some friends who know me beyond kirby that if you knew me outside of here you would spot me a mile off because my aesthetics for sonas or personal representation have been rock-solid consistent for almost a decade!

i'm always pink and cream and ice blue, always have star themes, always have grey-blue/pink eyes, always have freckles (often white constellations) over big pink cockatiel cheeks, and always have huge bows 😂 also often i have flower crowns but she avoided this by being All Head. i did accessorise her festive outfit though!

so really... she couldn't have looked much different to how she does. i did add the stars on the bottom of her feet (hidden stars are a typical design choice for me tho) and the heart shaped face marking after drawing her a few times on the blog! i just thought the heart shaped marking added a little interest at the time, especially above the eyes; maybe because i was used to drawing bandee who's bandana covers that top edge of his face marking!

now that some time has passed, of course parts of her design tie into her lore in fun ways ("oh she has stars on her feet!" "what makes the constellations on her cheeks move!" "wow her bow looks a bit like wi-!!"), but that was entirely unexpected when i designed her. i never intended to develop her as much as she has been because the interest from others was frankly so unexpected; but i'm having a total blast doing it!

i also chose a waddle dee rather than any of the other aliens on offer because i personally tend to just... feel pretty average! not impressive or significant enough to be a knight or a puffball or anything like that! waddle dees resonate with me, they're just easily spooked little critters with zero defensive mechanisms doing their best and i can relate to that

though i suppose that it's now rather clear that starstruck is not an average waddle dee, if one at all.. so i guess time will tell

sorry if this is a bit of a let down 😅 the unfortunate answer is that she's based on Me and how i look/feel/dress/etc irl. my hair is that shade of pink. i have an exceptionally comprehensive collection of flower crowns and comedically oversized bows. i am very small and very round. i do have intensive freckles in constellation patterns. sadly, alas, my eyes are only grey-blue. so there was only ever so many variations she'd be able to draw on from my rigid set of aesthetics haha!

Memory, Fairy Of Fossils- Winx Club "paleoart" OC

I like making weird crossovers of stuff I like, and I wanted to try out the style.

Plus a tribute to an iconic italian animated series which I had an initially complicated relationship that can be described "oscillating between pretending to hate watch and admitting I liked.

Also we need more prehistoric themed magical girls in general.

July has been a pterosaur art moment.

What's Her Face Dolls

image sources:

Doll with red outfit and accessories

Markers

Stamps

Face Mask

Doll with green hair and accessories

Salty Ask List: 1, 5, 14, 22 ?

1.What OTPs in your fandom(s) do you just not get?

Dr/atc/het 100000%... I just don't understand what their chemistry is supposed to be together. It's partially ruined for me by Drift in MTMTE being an absolute mess of a character who got most of his planned plotlines cut or changed, and partially ruined by the fact Drift spends most of MTMTE straight up absent from the story, and then he and Ratchet meet up in Empire of Stone and come back during Dying of the Light and are just...together romantically now? I don't understand how they have any chemistry at all much less romantic lskdjflkds

I know a big one people talk about is "Ratchet saved Drift's life and then told him he believed in him" but... the way their meeting was written didn't come off as particularly romantic to me? Ratchet saved Drift the same way he's saved countless other addicts in the Dead End and then his parting words to Drift were to tell him to go to the Functionists so they could get him a job. Very "pull yourself up by the bootstraps" kind of advice that clearly didn't work since Drift stayed impoverished, his friend got killed by police brutality, he went into the underworld to be a hitman, etc etc. Like yeah in theory it's very romantic for an OTP's first meeting to be one of them saving the other's life and treating the impoverished person kindly for possibly the first time in their life. It's just that that moment in canon doesn't have romantic vibes to me at all, it's just a doctor-patient encounter in which Ratchet is nice to Drift like he's nice to everyone, except it's also kind of condescending/ignorant bc Ratchet basically tells Drift "oh just get a job and get clean and you'll be fine" as if it's that easy to stop being a homeless/jobless drug addict?? If an ER doctor did that shit to me I'd be more likely to see him as an asshole than to admire or like him at all sdklfjsd.

Then Drift was a Decepticon for millions of years, then he joined the Autobots on Earth and like... he and Ratchet sure existed on the same team together dlkfjldsjlkds there were zero interactions of worth b/t them in phase 1, their ship dynamic came entirely from JRO's writing and even then I feel like it's an informed romance more than an organic and believable one.

5. Has fandom ever ruined a pairing for you?

I actually used to like O/Pli/ta when I first came here, but as I stayed longer it became evident that the overwhelming majority of the fan content of it reeks of "we are very sorry for having a heterosexual ship, let us compensate for it by making the woman a Girlboss Xtreme and the man a weak simp so that you can be sure the woman isn't being Oppressed and Stereotyped by being in a heterosexual romantic relationship" which is one of my most detested types of fan content, so now I have the ship tag blocked sldkfjlsdkdskl. Literally it's just the same "the woman is a TOTALLY COMPETENT AND COOL ACTION HERO and her man is a TOTAL SIMP FOR HER" that's interchangeable with most het ships in other fandoms, where there's no actual personality or chemistry for them and instead it's just the same Fandom Approved Heterosexual Relationship Dynamic.

That and a significant amount of content I see for it is just like blatantly ripped off from Me/go/p dslkfjsdfsjl or like, taking the main MOP dynamic and just swapping OP and Elita's places so now Elita is the cool action hero who's rival to Megatron and OP just Exists as an emotional support husband I guess. Or like Elita is made into a daring action hero while Optimus is reduced to a meek little wallflower who's no one of any real importance and just follows in her wake. It reeks of insecurity and unoriginality, as if the fanbase is cripplingly aware that Elita was made to be the Token Girlfriend and instead of just making her a better character and making the romance she's a part of more equal and compelling for both characters, they have to violently overcompensate by having Elita steal OP's role and everything interesting about him. 😂Like I'm begging people to just be normal about hetero ships. You can ship a man and a woman together without having to diminish the man and girlbossify the woman to prove you're a Real Feminist.

14. Unpopular opinion about your fandom?

Continuity soup is boring and for the most parts creates purely fanon plots/ideas/characterizations that have tenuous relationships to actual canon. It's nice that people have the creativity to make their own AUs, but I also want to read about the actual continuity in question and not someone's mishmash of it.

Like UGH when I read a fic tagged IDW1 I want to see cop Orion not archivist or dockworker Orion. When I read a fic tagged IDW1 I want to read about the Senate led by Proteus and the reigns of Nova/Nominus/Sentinel/Zeta, not about the Council from TFP. When I read a fic tagged IDW1 MegOP I want Orion being a simp for Megatron after reading his stuff/meeting him one (1) time sdkflsdkf not yet another iteration of the tired "one day an archivist and a gladiator became great friends! then they broke up."

It's not hate for other continuities, I'm just tired of the fact that continuity soup is so prevalent that even when I'm specifically filtering for content of the one continuity I want to read about, the fics I find keep having random shit from other continuities interjected into it. I think each continuity has really interesting takes on lore that have potential to be wholly unique for each one, so it's really frustrating when the average fic I can find is just a random mishmash of continuity elements, or more often than not just an IDW knockoff taking place in a separate continuity. Like guys, I'm an IDW stan myself, but wouldn't it be cool if we got more fics that explored ideas that only happen in G1, or only happen in Animated, or Aligned, etc?

Doesn't help that when I AM looking specifically for IDW stuff, most of the content I look at (MOP) does continuity soup for the sake of replacing IDW OP with some sort of aligned/g1 lite OP which makes me salty as hell

22. Popular character you hate?

Drift for sure sdklfsdlk. I mean when I first read about him in the comics (the Drift miniseries) I was like, he's fine I guess he's an action hero whatever. But then literally the more of the comics I read the more his personality and story were just incredibly corny, stereotypical, or boring as hell no matter what writer was controlling him. And he got bounced around between writers a lot, and then even the "main author" people know Drift from (JRO) kept changing his plans for what Drift was supposed to be (and cutting plots related to him) so any hints towards a storyline went nowhere. And then Drift spent basically all of MTMTE gone elsewhere on some exile-adventure, and then during LL he just kind of. Is there, existing.

So like, honestly Drift is a victim of getting bounced back and forth and having his writing changed so often he doesn't reach his full potential, which isn't really "his fault" as a character. It just so happens that I also think the bits of his character that exist are either boring or overhyped or in one case (portrayal of his religion/religious worldbuilding in general) outright offensive. He's basically written like some hippie stereotype with vaguely Asian/Japanese flavoring (the extent of which is basically his name + fighting style) and then he barely like... does anything in the plot? I think he's supposed to be like, ~mysterious and shifty~ but then all of the plotlines that involved him being a secret traitor got cut, so Drift basically just became Weirdly Suspicious For No Reason and his genuine personality/motivations felt indistinguishable from what he was faking and what plots got cut from him. Absolute mess of a character that got almost no payoff for any of the things planned for him, and all that's left is some kooky hippie personality of "hee hoo I believe in auras and mystical vibes and magical colors, also I'm dating an atheist who's openly dismissive of most of my religious beliefs (that I do or don't actually believe in depending on what part of the story I'm in) and this somehow doesn't get in the way of our personal/romantic chemistry

But then the fanbase are basically making him some kind of Gary Stue, obsessed with making headcanons like "Deadlock wrote/edited Megatron's speeches for him too!" and "Drift defected from the Decepticons to try and make a point to Megatron!" and generally trying to make him the Decepticons' Specialest Boy Ever and it's just. Ugh I get that he was under-written in canon, but every bit of fanon I've encountered doesn't make him interesting either. They just kind of make Drift the center of the world where he's actually the coolest, most talented and interesting person ever where other characters owe their accomplishments partially to his influence and I'm just. I don't get it, I don't understand the appeal of fanon and I don't even understand the appeal of canon either. I think part of it is for representation reasons (e.g. Asian, lower class, former drug addict) and it's nice that people can pull something meaningful out of the mess that is canon. It's just for me, canon Drift is so mediocre I don't get why anyone would even WANT him as representation sdlkfjsdlkf. I guess fixing what the writers failed to explore the potential of is an understandable motivation though.

thinking about what a kensa squiffer would've been like...

it’s honestly kinda wild to me how obsessed with japan some people [in the west] are while seemingly also knowing very little about the actual culture and history there. like my knowledge base is one year of mandatory japanese in highschool that i didn’t really care for because i was 13 and hated everything + the like 5 anime i’ve watched chunks of so i’m not gonna claim to be an expert or anything but like. generally speaking you’d think if you were super into something you’d like. know stuff about it beyond a surface level. unless you think surface level is all there is

✨⚠️ Looking for friends! ⚠️✨

it's interesting, a few people on my post yesterday about the dandelion dynasty told me they were taking it as a rec for the series, but i didn't actually recommend the series in that post. it's making me think about whether i would rec it to people, a question i hadn't fully considered yet (as it is a very different question from "do i like this book?"). so this is me figuring out the answer to that question. i'll keep it spoiler-free (though i make no promises on brevity).

i just finished book 3 (of 4) and each installment has left me more invested than i was before, but the series started out very slow, and i didn't really get into it until halfway through book 2. i wouldn't be surprised if a lot of people bounce off the first book; i didn't, but only because 1) i almost never give up on a book that i've started (it's a character flaw of mine ���) and 2) my trust in ken liu is ridiculously high because the other stuff i've read by him is so beloved to me. so my reaction to feeling kind of meh about book 1 was "okay, let's see where he's going with this" rather than "i guess this just isn't my cup of tea."

i should say that the problem might just be my own ignorance/lack of familiarity with the form. i don't read a lot of epic fantasy - in fact, lord of the rings is the one series that i have given up on reading a couple of times because it just left me totally indifferent. so if you like epics, you are starting out way ahead of me and can maybe just ignore the rest of this post lol, but i think i had to adjust to what the form is asking of me and what it's best suited to accomplish before i could get fully on board.

the main thing i struggled with is the writing, like the actual sentence-level mechanics of voice and style. this surprised me, because i usually find his writing very beautiful, or, when not beautiful, i can get a sense of the effect he means to achieve by employing a certain style. but in this series, the writing came across as kind of awkward and one-note to me at first, and i couldn't see a reason for it to be that way.* the dialogue especially - different characters don't really have different ways of speaking, they all feel pretty much the same. this was one of the main things i had to adjust to, but i do get it now. i don't just mean that i got used to the style and it doesn't bother me anymore, though that is true; i mean that i now understand the effect he means to achieve by employing this style, which gives it purpose and inextricably ties it to the story he's telling (this becomes especially clear in book 3, as it's directly related to a major theme of that book). if the style were different, he would be telling a different story; that's the sign of a successful execution, i think.

i said in the tags on yesterday's post that one reason the series doesn't have much of a fandom on here might be that the characters aren't natural blorbos. of course every character is probably the blorbo of somebody somewhere, but i don't know that these characters were designed to be blorbos, if that makes sense. not that they're plot devices either! every single one of them is conflicted and complicated and compelling, and most of them are followed over a period of many years, so we see them develop as people over time. but there is no protagonist, for example. you could also say that every character is a protagonist. the "list of major characters" at the beginning of book 3 is six pages long, and there are stories to be told about each of these characters, and none of them are told in isolation. but in a way, the characters themselves are not the point, or if they are, it's in aggregate - it's in the ways they're all complex, the ways they all have motivations that make sense to them (and that make sense to us, once we get to know them). and it's about power and the roles that the characters play in their society, rather than the roles the characters play in the story. or maybe those are the same thing! because ultimately, the main character of this story is the society. and the plot is the history of this society, rather than the journey or life of a single person or handful of people.**

(sidenote, there will be a period during book 1 when you will think to yourself, "wow, all the women characters are super one-dimensional and the narrative doesn't seem to respect them." this is on purpose. just keep going.)

the plotting is intricate while also feeling very organic. he's got dozens of plates in the air at once, he's maintaining them over a long period (these books are MASSIVE), and he's somehow making it seem like a real history, not like an author pulling strings. i haven't finished it yet, but my guess is that he's going to pull off a very satisfying conclusion that's at the same time very open-ended. definitely looking forward to it.

and the worldbuilding. oh, the worldbuilding. this is some of the most detailed, complex, realistic*** worldbuilding i've ever encountered, and he covers SO much ground. you want linguistic worldbuilding? you got it. philosophy? it's here. psychology of empire? coming right up. the nitty-gritty of everyday governance? buddy, pull up a chair. mechanical engineering? how much time you got?? (it better be enough time to read 3504 physical pages, because that's how long this series is.) and he's drawing on chinese history and cultural narratives rather than slapping lipstick on a tolkien clone (see his comments here, but stop reading at "In this continuation of the series" if you want to avoid spoilers). he WILL go on for a hundred pages about a single invention, but it's SO interesting that he is allowed. this is a story about how technology (including language, and schools of thought, and agriculture, and...) shapes, and is a product of, its time and place and people, so again, this is all to purpose. but it's also just. really cool.

the last thing i'll say, and this is mainly for other ken liu fans, is that one of the things i most love about his short stories is how they tap into emotions i didn't even know i had, as though they're reaching inside of me and drawing to the surface ways of experiencing consciousness and love and mortal life that i had no idea were in there. this series is not causing emotional revelation for me in the way his other stories do, which isn't a bad thing - i don't mean to say the series is not engaging or that it inspires no emotions! i just mean, iykyk. if you've read the paper menagerie and are expecting that experience, you will have a better time here if you leave those expectations at the door. i am invested in this book because it's engaging my intellect, curiosity, sense of wanting to find out what else the characters will learn and what's going to happen next...less because it's turning my heart inside out inside my chest. and like thank goodness, because i don't think i could survive four entire 900-page books' worth of that! but anyway. word to the wise.

tl;dr: yes, i recommend it, especially if you like epic fantasy. if you're a fan of ken liu's other work, this is quite different, so just know that going in!

*this opinion is of course subjective and not universally shared. for instance, see this review of book 3 (full of spoilers, so don't actually read it lol) which says "There's Liu's voice to hold onto, though — beautifully deployed here and fully in command of the language of his imaginary universe." so ymmv. maybe it's an epic fantasy thing.

**this is making me realize that the story is commenting on this very thing through a tension between bureaucracy (founded on interchangeability) and monarchy (informed by a specific personality). dude. that's so meta!

***though sometimes i'm like, "really? you scaled up that invention to use untested on the battlefield in the span of like two weeks? sure, jan." so sometimes he falls down a little on translation of ideas into logistics, but it makes for such a great story that i'll allow it.

paltech tent!

I've had this account for a long time, and I love it a lot, and I really really appreciate my mutuals and long time followers here. I get such joy from the familiar faces in my notifications, and I don't want to leave, so I'm not going to. That said, this account is currently really bad for my mental health. I'm exposed here to a lot of anger and political content and discourse and current events and bigotry (mostly from people fighting said bigotry but still) and it's just really getting to me. The antisemitism in particular has been really rough for months, and I feel like I've reached a bit of a breaking point. So I'm going to try taking a break for a little while. I'm going to hang out on C's account, which is a much happier and softer place with pretty much all potentially upsetting content filtered. If you're interested in following us there you can, but it's a super different vibe from this account; it's pretty much entirely pink and green aesthetics and some cottage core type stuff. It's literally just pretty pictures that make us happy and occasional encouraging text posts. I might sometimes start posting personal posts there if I stay there long enough but I also might not. So if that sounds like your jam feel free to follow but no pressure, and I probably won't follow back even most mutuals from here there bc it's a very specific account with a specific purpose. Anyway. The point is. Taking a break from this account, not leaving permanently, in the meantime we can be found @cherry-alive