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#it’s like an honor to compare Byler to them
kiirotoao · 1 month
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“I didn’t say it.” “You didn’t have to.” breathes more than just communication. “It’s not your fault. I disappeared.” “No, you didn’t. I just didn’t look hard enough, okay? But I see you now, I see you.” breathes more than just communication. “Should I be dreaming about something else?” “You tell me.” breathes more than just communication.
That’s connection. One begins, the other completes. That’s chemistry. One experiments, the other reacts.
Byler is endgame.
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pandabyler · 20 days
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LONG POST AHEAD
hey pooks! this is a continuation of my post about byler songs, and someone asked me to explain these so here u go!
enchanted (taylor swift)
i put this one because it reminds me a lot about the shed scene. "it was the best thing I've ever done" vs "I was enchanted to meet you"
it reminds me of them as a whole, especially the line "please don't be in love with someone else, please don't have somebody waiting on you" and "I've spent forever wondering if you knew" which both talk about their feelings for each other, and will wondering if mike knows how he feels. beautiful song 10/10
2. you belong with me
this one is self-explanatory but its probably the most byler song ever. everything is just so them. will comparing himself to el and feeling like a mistake, and being the one to truly understand mike and his interests. mike wants and needs a lot of things that el cant provide, but will can. "cant you see that I'm the one who understands you? been here all along so why cant you see?" "I'm the one who makes you laugh when you know you're bout to cry" and we've seen will hear up mike when he's sad countless times. 10000/10
3. deja vu
this one reminds me a lot of the byler and mileven parallels. will and mike used to be so close, but now he's spending all of his time with el. "she thinks its special, but its all reused" 9.5/10
4. so american
this one is 10000% in wills pov. to me its about his love for mike. "I'm not gonna...fall in love" -will szn 3 and then season 4 will was just "think I'm in looooooooooooOOOOOOOOVE" (sry this song is just too good) 9.8/10
5. good 4 u
this one is more bitter. it reminds me more of season 3 byler, and how will felt abt mileven. will felt left behind and discarded, and to him, it seemed mike wasn't even fazed (he was) "good 4 u, ur doing great out there without me, baby, GOD I wish that I could do that" 100% in wills pov. 10/10
7. iris (goo goo dolls)
"i just want you to know who I am" will wanting to tell mike how he feels, and that he's gay. this song to me is about their longing for each other, and that they both have secrets they need to be open about. 9/10
8. hear my heart (midnight mantics)
this song is SO SO SO underrated likeee.... but this song is basically about miscommunication, which byler has when it comes to their arguments, and in the end they always sort it out. "my big mistake, was letting you leave when we weren't finished, talking it through" mike to will in s3 and will to mike in s4 9.9/10
9. heather
UGHHH THIS SONG!!! "shes got you mesmerized, while I die" s4 mileven at rink o mania leaving will behind, and all of s3 lollll this song is just so byler 11/10
10. traitor (olivia rodrigo)
def in wills pov, portraying that mike has completely left him once a girl came along. mike making him feel special in the shed, but then showing nothing towards him in season 3 to make him feel special again. not sure if that makes sense but 8/10
honorable mentions
right now (one direction)
"lights go, down and" (the ud being dark) "I hear you calling to me yeah" (will calling for mike in the ud) and "lets go crazy together" vs "crazy together right?" LIKE YOU CANNOT MAKE THIS SHIT UP 10/10
2. strong (one direction)
mike giving will the courage to fight on just for being himself. wills love for mike makes him strong. "so many words we're not saying" (feelings for each other) "but there's nothing I'm running from" (will coming to terms with himself and his feelings for mike" "you make me strong" also also will saying he's felt so lost without mike, and the song goes "but when I'm not with you I'm weaker" 100/10
3. lets hurt tonight (one republic)
"dont walk away, dont roll your eyes" and "you were rolling your eyes, you were moping" which basically is about their communication and needing to talk things out when they argue. "they say love is pain, well darling lets hurt tonight" painful because mileven is together, yes, but also because its going to be so hard for byler to be a couple in the 80s, and they may not be able to do all of the things they wish they could
4. moment like you (liamariejohnson)
ANOTHER UNDERRATED BANGER but to me this is about will not wanting to be replaced for left behind by mike, and coming to terms with his feelings. "please don't leave me here tonight, lonely on the dance floor. cause I've been waiting my whole life, for a moment like you" which could also be seen as the literal intimate moments between byler in s4, and will treasures those heart to hearts and is so glad to finally be close to mike again.
well thats a wrap so lmk what yall think!! dt @skyewaytohell
sry if theres typos guys its 2am and I'm sitting hunchback at my computer
BYLER ENDGAME
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in honor of me starting my 2947829184th glee rewatch i wanted to post a light analysis of finn hudson vs mike wheeler that i was reminded i wrote down in a time i was (sadly) much more convinced of a byler endgame than i am now,, cuz i kinda had a point
here she is:
i would love for someone to do an analysis of byler vs kurt hummel and finn hudson (would like to interject here to say someone should definitely do this and do it better with like actually siting stuff) like how a show (also explicitly about outsiders) purposefully creates an unrequited gay man to straight dynamic and how entirely different that is from how stranger things sets up mike and wills dynamic.
i mean they’re completely different shows and glee is a satire so it might be hard to compare them 1 to 1 because glee doesn’t tend to give that much weight to any relationship in its like first twoish seasons but i think its a good example for how it would be so easy to just make mike so obviously straight and not at all into will (it wouldn’t even have to be about el, with finn its not about quin or rachel, its just that hes not into men and is into women) and they’re choosing not to, they are choosing to lean into that dynamic and (this is important for this comparison) NOT in a brotherly way, not in a familial way, their relationship is never once compared to that (mike and el’s is but thats not entirely relevant here). In glee kurt liking finn is much more about his identity than it is about a romantic relationship with finn, they explore their relationship in depth in seasons 1 and 2 (and never again we dont have to talk about it yes i am bitter) but it is never not once implied that kurt’s feelings could be reciprocated, no lingering shots on finn’s face while hes watching kurt, nothing flirty, finn shuts him down multiple times, finn knows kurt likes him, its not used as a big reveal because that is NOT WHAT IS PLOT RELEVANT!!
what is relevant is kurt coming out to his dad and kurt’s overall identity and learning to stick up for himself and finn helping him do that in a BROTHERLY way (by the end of season 2 their parents are married and they are literal step brothers, there is no way to misconstrue their relationship) if wills feelings for mike were not reciprocated or at least impactful on their relationship there is no reason to make the audience anticipate mikes reaction to them, to save them for a reveal with an incredibly plot relevant lie that has to be uncovered, this has to alter their relationship in some way and literally what purpose would it serve if it was just a rejection?? why would you wait to reveal that if its only purpose is then essentially will’s identity? if the point of season 4 was to build back up mike and wills friendship, why not use that is something they have to overcome in the beginning of that season? why save it as a reveal? the actors have harped on the fact that mike doesn’t know about wills feelings so when they are rebuilding their friendship this is at least not a factor for him. (back to glee) when finn and kurt were building their relationship as brothers and friends, kurt’s romantic feelings were acknowledged as something they had to work through, they were not saved as a big aha moment because they wouldn’t have changed things. bottom line is that the reveal of wills feelings will change the nature of mike and wills relationship and there is no reason (besides like a villain origin story? thats all i can think of. cuz his arch isn’t about figuring out he doesn’t need romance or that he has the love of his family and boys arent important, he doesn’t have romance and the entirety of seasons 1 and 2 were about how much his family love him and the whole boys are stupid thing is for el) for that shift to be in the form of a rejection
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scheodingers-muppet · 11 months
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in honor of speak now tv about to drop, im bringing back my stranger things taylor song casting. i wrote a lot of this on my phone after listening to the album so apologizes for grammar errors or anything
mine: ronance, from Nancy's POV. Careless man's careful daughter. Sitting there by the water mirroring the boat scene. You learn my secrets and you figure out why I'm guarded. In the music video, we see the couple fighting when things get tough outside of the relationship, which we've also seen Nancy do, both when she was struggling with Barb and fighting with Jonathan when dealing with sexism from her job.
sparks fly: lumax. Max is the rainstorm, Lucas the house of cards. "I'm on my guard for the rest of the world, but for you, I know it's no good"
back to december: stancy; but just Nancy apologizing for how things ended, not them getting back together. "that night" not just being the Halloween fight but her cheating on him. I think she would feel bad about how things ended and I really want them to talk everything out in season 5. Plz. Also the line, "I miss your tan skin, your sweet smile...how you held me in your arms that September night, the first time you ever saw me cry" Obv with the tan skin and smile, but I hc that after Nancy told Steve what happened to Barb, he held her while she cried
speak now: byler, from Will's pov. Not in a literal wedding sense (though that might make a fun fic...) but more of Mike asking Will for advice about El and Will just finally coming clean. Maybe it doesn't go great and he doubles down with El and it causes some tension or maybe the roles are reversed and Mike comes clean then panics and doubles down and Will is trying to get him back
dear john: Joyce about Lonnie. I hate this man.
mean: El about Angela. Imagine if before the roller skate incident, she confided in Joyce and she told her to just confront her with her words, ya know? Like just call her out for being mean. Then when that doesn't work, she thinks, "well, what would Hopper tell me? Gotta fight back." Makes my heart melt
the story of us: Mike and El, from El’s pov. I just really feel like El would use story tails and romance stories, etc. to compare love to. This song to the letter fight just... ugh.
never grow up: Nancy. First verse to Holly, how she knows what's ahead, both in terms of alternate dimensions and being a teenage girl. She doesn't want her to have to deal with either of the two, just to stay little while she can. Second verse to Mike, seeing him start to become more of an adult and secretly missing her annoying kid brother. (brings more punch to the line “all your little brothers favorite songs”) Third verse takes place after she graduates, moving for school. Her night light mentioned in the verse was her graduation/farewell present from Holly, who says she's a big girl now and doesn't need it.
enchanted: elmax! From Max's POV. Imagine the second verse is them having a sleepover, playing truth or dare. I also love the use of referencing the story tail love metaphor again
better than revenge: stommy; Tommy singing about Nancy. idk it’s the closest I could get.
innocent: Steve and Nancy. First verse is about Nancy (lost your balance on a tight rope, lost your mind trying to get it back. wasn’t it beautiful when you believed in everything and everyone believed in you. , second about Steve. bonus points if you imagine them singing this to each other (not in a romantic way)
haunted: lumax (I’m sorry) Lucas begging for her to come back after her attack. Trying to move on and be happy but he can’t get over her. the chorus too, “somethings gone terribly wrong” “your eye’s gone cold” the bridge too “you’re not gone, you can’t be gone” you can also imagine it as like, she lives but can’t face the party without thinking about what happened too
last kiss: stancy / mike and el (parallel!) I think I’m gonna write up a post about all the parallels I see in the characters and dynamics, but I really love this one. Steve being El and Nancy being Mike. The Wheelers having severe issues with love (specifically saying the word) and hurting those who are head over heel for them. I see this from all of their perspectives, switching based off the lines. first verse is mileven (the plane line, “sit on the floor wearing your clothes” we’ve seen El wear clothes from pretty much everyone in the party) the second verse is stancy from Nancy’s pov (life of the party, “i’m not much for dancing, but for you i did” listing things he did she loved without saying “i love you”) bridge is rapid fire switching. “so I’ll watch your life in pictures like i used to watch you sleep” mike (bylers take a lot of family photos; i can imagine him seeing her in photos will sends) “i feel you forget me like i used to feel you breathe” steve “and i’ll keep up with our old friends just you ask them how you are” el “i hope it’s nice where you are…it’s a beautiful day” nancy (i think she feels bad for how things ended)
long live: the whole party. they deserve to feel like hero’s and royalty after everything they’ve been though. i desperately need to find an edit to this
ours: Steddie. the town hates eddie atm and would probably not take well to king steve dating him. the lines “i love the riddles that you speak” and “any snide remarks from my father about your tattoos will be ignored” i can also see lumax, but this is just such a light hearted song to me so i didn’t want to compare it to the racism we’ve seen be thrown at lucas and his relationship
superman: jopper. i love the idea of joyce hyping him up as her superman. also based on my parents (my dad was a first responder and this song always made me think of them for the “saving the world” aspect) “he’s not all bad like his reputation” i’m ignoring the sad parts and just focusing on the “go be a superhero, i’ll be here when you get back”
electric touch: steddie. eddie’s taylor, steve is patrick. “this could either break my heart or bring it back to life” “got a history of stories ending sadly” (eddie) “everytime i tried for love, it fell apart” (steve)
when emma falls in love: robin. i have no real proof, it just reminds me of her. i love the image of steve saying all of this about her ❤️❤️ (obvs pronouns change and stuff)
i can see you: steddie (it’s a very steddie coded album, leave me alone) from steve’s pov, talking about how he’s always had a crush on eddie and always noticed him but it breaks eddie’s brain fhat king steve has a crush on him
castles crumbling: steve angst time. talking about his “fall from social grace” and how he lost everything, both in terms of reconciling what he lost from being a jerk as king steve and what he lost when he was dethroned
foolish one; byler. “stop checking your mailbox for confessions of love” “it’s delicate but i’ll try my best to seem bulletproof” “maybe someday when we’re older this is something we’ll laugh about” “you haven’t written me or called” “i’ll get your longing glances but she’ll get your ring”
timeless; jopper. soul mates for real
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noitsnote113 · 10 months
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2 Reasons why I think El wouldnt be “heartbroken” because of Byler
1. EL IS ALREADY MOVING ON FROM MIKE.
I would worship the argument “El would be heartbroken if BYLER happened” IFFFF only El wasn’t shown actively by the end of s4 knowing her worth outside of Mike (picking up, again, on her independence arc that has always been there since s2.)
By this point, El already knows what she’s capable of.
And why does she start moving on from Mike you may ask? Because she’s already disappointed in the relationship. Mike has already let her down. Prior and after the “I love you” monologue (but we’re talking about the before here.)
She already has been heartbroken. Obviously, it isn’t Mike’s fault that he can’t say I love you to her, but obviously this is gonna make her upset. And the “I love you” monologue was the last thing she needed to know that this isn’t how she wants to be loved. She does not benefit anything from this relationship, because Mike too (unknowninly) makes her feel as inferior as she makes him feel (again, unknowingly.)
So why would she be heartbroken if byler happens if she was already heartbroken/upset with mike prior to her being by herself?
This is a seed of a problem that has been sprouting for some time. And if we’re forgetting, Eleven has all of those letters from Mike to prove it. And she has been counting them. And what does that tell us? She has been upset about this for a way longer time than we were introduced this as a problem.
2. EL IS AS SELFLESS AS WILL
“Will is so selfless” Yes, I Agree! But what about Eleven? Are we forgetting that this is the same girl that stopped herself from seeing Mike because she knew he would be in danger? (Yes, Hopper made her, but she agreed, not fully but she knew staying away from him would keep him away from danger.) And the girl that smiled when Mike was happy with someone else in s2? <- (if ur gonna compare max and will in the comments in that scenario, keep in mind that el didn’t know max when she saw her with mike.It’s different with Will because they do know eachother and they love eachother.)
And what makes you think that El won’t be happy for Will knowing that he did the same for her? She won’t throw him in a wall or do something that could potentially hurt him in cause of jealousy. You might think that sounds like her because of what she did to max in s2, but he is her brother. They love each other. And by the time she finds out about Will’s feelings for Mike, I believe she would already be over Mike to help out (This would parallel Will trying to fix Mileven but not being over him and El helping byler but BEING OVER MIKE!!) <- I think that it would be such a cool parallel.
And with that your honor, I rest my case.
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demadogs · 1 year
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what is your genuine opinion on byler rn do you think they're actually gonna be endgame? I doubt all the time this show has never been great when it comes to their queer characters
i completely believe its gonna happen for so many reasons but ill just tell you a few big ones.
will canonically loves mike. i cannot think of a single other fictional media where someone was revealed to be in love with someone else THIS far into the story and it ended up being unrequited. when stories are written about an unrequited crush and how they move on, they reveal that crush early on so we can see their character development over the course of the story. but with only one season left they missed the opportunity to tell the story that way. if they wanted will to just have a crush on mike and then find someone else, we wouldve known about his feelings probably by season 2.
they showed the worst of mike and el’s relationship in the same season that they revealed wills feelings. those two dont just happen simultaneously if its for nothing.
THEY ARE SO VERY CAPABLE OF WRITING AN ADORABLE AMAZING REAL COUPLE WHO LOVE EACH OTHER!!!!!!! SO WHY ON EARTH WOULD THEY CHOOSE NOT TO WRITE THAT FOR THE CENTRAL COUPLE OF THE SHOW IF THEYRE ENDGAME????!!! i would eat mlvn up if they wrote it in the dynamic of lumax but instead they had him struggle for literally HALF THE SHOW to tell her he loves her. and we see how painful it is for both of them to maintain the relationship.
mike suddenly becoming an asshole and the audience having no insight as to why hes treating el or will the way he is. mike was a lot of peoples favorite characters in s1 and 2 and then in s3 he was kinda a bitch. he lied to el instead of just telling her about hopper and then the rain fight with will. and this continues in s4 and gets even worse, especially with el. if the reason for this isnt internalized homophobia then its just a genuine plothole in the story and character development.
the lack of finn/noah interviews. this is mad suspicious. they are in almost every scene together this season and theres definitely stuff to talk about relating to their characters but they chose to separate both of them and not let them answer any of those questions together. but for the other “will they/wont they” couple, stancy, those cast members were often paired together (with maya and joseph but still). i also think its interesting that theres barely any finn and millie interviews from this season as well. i dont think theyre as strictly separated as finn and noah but most of millies press is either alone or with noah.
some honorable mentions:
perfectly framed mike in a closet during the mlvn kiss at the end of s3
the one way sign to the closet while hes reading her letter
track called “in the closet” playing over MIKE talking, not will
track “on the bus”, which played for lumax’s first romantically coded scene, playing during a byler scene
how mike and els breakup in s3 was shot compared to the rain fight (colorful, sunny, whole party watching, and comedic vs dark blue, pouring, alone, and emotional)
zero closure or insight on els thoughts of the monologue
first season that doesnt end with a mlvn kiss
and like ya know theres all these too
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mike-el · 2 years
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First of all I want to say that its not really my place to discuss an issue like this because it’s partially something I’m not a part of, BUT: we need to establish and clarify as people that WOMEN struggles (anyone who identifies as a women) are much greater than homosexual white men struggles. Gay men have struggled and continue to struggle every day, I’m not denying that. However, we need to (as people who respect both gay men and women) recognize that gay white men are still white men. I am so sick and tired of seeing women in this show fight for their lives to be recognized just for yet another white man (regardless of orientation) to come and suck all the viewers’ sympathy. And YES I am speaking about el and will. I love will dearly he’s one of my favorites (and bylers will never ruin him for me) but to say that his struggles “as a closeted teenager in the 80s” are more real than “a disabled abused girl” who’s been experiencing misogyny pretty much since the day she was born is fucking insane. I’m sorry that will is struggling but he’s gonna be fine, I promise you that he will be fine, it’s still sad but he’s fineeee. Yes el is privileged in the sense that she can express her feelings towards the person she loves freely but please tell me how that makes her life so much easier than will when she’s a fucking women in the 80s that should be enough, but even then that’s not even why she’s had it worse and you know it. Give me a fucking break. Will (one of the most well written characters in the show) continues to be the most selfless person on this show and his fans somehow make up for that by making every fucking thing about him. Ask any gay person in the 80s about wills story arc and I promise you they will relate. And I’m saying all of this because once season 5 comes out and El gets her happy ending with mike you best believe that will fans are going to invalidate her happy ending for will not getting his. I know they will give him his happy ending, but if they don’t for some reason I want everyone separate their own frustrations with their blatant misogyny. Please stop being misogynistic towards El, please.
OK, I think this ask deals with 2 completely separate issues and it is important to clarify the separation.
It is not my belief that LGBT people don't experience oppression nor is it my belief that gay men do not have a history of oppression. To say "Will is going to be fineee" is understating not only the character's experience, but the experiences of all those who lived in this time period. The AIDS crisis happened in the 80s; a lethal disease came out of nowhere and wiped out entire communities of LGBT folks, majorly gay men, while the government watched and did nothing. To have LGBT rep in a show about the 80s is actually super important considering the historical context, and it is actually why I understand the Duffers' decision to hold off on official coming out moments for Robin and, especially, Will. It is an authentic representation of the time period, and it honors the struggle of self-acceptance that was most likely a lot more difficult 40 years ago. In my personal opinion, it would be insulting to the experience of those people who identified LGBT in the 80s (some who married and lived lives in heterosexual relationships in order to protect themselves) to have romantic relationships come easily to Will and Robin or to have them not experience fear or shame. Only by authentically representing something can we shine light on the truth and learn from it.
It is also not my belief that we should be in some weird oppression war of who has got it worse. And I certainly hope that my blog does not come across in this way. Gay men and non-LGBT women both face different hardships in modern society, as they did in the 80s, and I don't think it's necessary to compare the two. Both can, and do, exist simultaneously, and we should be supporting one another.
All of this is separate from fandom discourse regarding El, Will, and B*ler.
It is my belief that El is perceived by many members of this fandom from a (majorly internalized) misogynistic lens. And, it's been my personal experience, that the members of the fandom who discuss el in this way tend to also strong supporters of b*ler. However, there are many important things to remember. First, being a b*ler shipper and identifying as LGBT do not go hand in hand. Second, that b*ler does not serve as the only LGBT representation on Stranger Things. And lastly, the oppressive experiences of being LGBT are not erased by having bad takes on El.
The only point I have ever tried to make is not that Will's story is less important than El's, nor that being a woman is harder than being gay (I wouldn't even know how to quantify those experiences into a value that is measurable for comparison), but that El's story is important, as is the storyline of her relationship with Mike. No more or less, it just is. And to erase that story that has been fleshed out over the course of four seasons to make room for a story that was never planned (Mike & Will), just to service fans, would be a misogynistic act, yes. As you say, it takes the light off of the main female character and shines it on two white boys. But, also, to do this (go Mike & Will in the final season) would also invalidate the experiences of those of any gender or sexual orientation who have been watching and see themselves represented in El, those who have been affected by abuse and trauma (especially women), and deserve to to see her find happiness and healthy love.
Those who identify with Will or Robin also deserve that representation, and it is also important. However, b*ler is not the only path to representation, and to actually go that route in canon would be disrespectful to the story that has already been written and to those who see themselves in El. It is absolutely possible to honor the experiences of Will and Robin and those who identify as LGBT by writing good story and character arcs for those characters and have them end the show in happy and fulfilling relationships, without making b*ler canon.
So, this is my long-winded way of saying it is unwise of any member of this fandom to mistake our personal feelings and opinions of a show with real life experiences. In order to honestly evaluate if something in this fandom or this show is problematic, I feel like we have to remain as objective as possible. I know firsthand the difficulty of that; I am not perfect and I am not shaming anyone for holding this show and certain storylines/characters close. I certainly do. But I don't think we should be dismissing real life oppressions and hardships, and history, so freely in the name of supporting a fictional character and/or relationship.
PS: why do I have these super long asks in my ask box about how this fandom disrespects women and gay people but never once has anyone brought up the blatantly fucked up way this show and fandom handles the representation of Black people and POC on the show? Just a thought.
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kaypeace21 · 5 years
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I have a question but I just want to say first that I love your theories. They’re very well thought-out and interesting. Anyway, I wanted to ask if you could explain how Mike is queer-coded? I’ve seen you mention it and I’ve seen others talk about his attraction to androgynous El, but is there more? Thanks!
ALOT MORE! I talked about it here in the past- but without getting too much into s3 (since I’ve already talked about s3 byler extensively).I’ll just have links for everything I noticed in s3 at the bottom of this post. In regards to s1 and 2, Mike was heavily coded as queer. But most significantly this was done in s1- arguably he was more queer coded than Will ever was. I won’t get into all the details (we’d be here all day) but the highlights, at the top of my head are-
s1
- Mike in his his basement has a red heart being propelled by a rainbow.
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- 4 separate characters said El looked like a boy, but Mike doesn’t care! Even one of the men thought El might be the missing ‘Byers boy’. When El loses her wig , Troy said “she doesn’t even look like a girl” to the cops. But Mike just calls her “really pretty”
-Nancy says “I thought you were acting weird, but I thought it was because of Will” And Mike responds “I thought you were acting weird too I thought it was because of Steve … Do you like Jonathan now”?” Nancy: “No, do you like Eleven?”. They literally compared the explicit love triangle between Steve/Nancy/Jonathan to the Will-Mike-El dynamic!
- Mike literally uses gender inclusive pronouns when talking about crushes using the word “someone” (3 times), and embarrassing himself because he can’t articulate the difference between friendship and romance. When he could of simply given the 80s heteronormative  answer of ‘when a boy likes a girl’.
Mike: “ you go to school dances with someone. 
You know someone that you like” 
El: “a friend?”
Mike: ‘not a friend uh … uh someone like a” (gives up and kisses her)
-Mike’s mom said “ What’s been going on with Will, I can’t imagine what it’s been like for you. I just … want you to feel like you can talk to me. I never want you to feel like you have to HIDE anything from me” (she even emphasizes the word ‘hide”  (which is heavily queer coded)
- when Will ‘dies’, “we can be heroes” by David bowie (a bisexual singer) plays,   “And we kiss as though nothing could fall and the shame” is the lyric that plays when Mike returns to his house and cries in his mother’s arms over the ‘death’ of Will. Do I have to explain how ‘kissing and shame’ are queer-coded . And how such a lyric is oddly romantic- if we’re supposed to see their bond as nothing but platonic XD
-his dad jokes “Absolutely not” *turns to wife* “our son with a girl?”.
- when Lucas makes fun of his crush on EL, Lucas gets down on one knee  and says “ I love you so much, will you marry me?” and literally 1s later, we’re introduced to the bullies and the idea (for the first time) that Will is ‘gay’, and Mike is in the forefront of the scene and unlike his friends he is THE ONLY ONE physically assaulted (like a gay-bashing) .  They leave Lucas and Dustin unharmed. Even though Lucas just proposed to another guy- which should have gotten him a beating by the homophobic bullies.
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It’s supposed to subconsciously hint Mike is queer like Will, and likes Will. The first interaction with the bullies, they mention Will being ‘gay’ right after they mention Mike’s crush on androgynous El and have a guy propose to Mike. Mike says to “ignore them” ( the homophobic remarks) but is assaulted anyways. And when asked what happed he doesn’t want to tell El the details cause he’s ashamed . 
2nd time the bullies talk about Will, Mike is once again in the forefront, unlike his straight friends who are in the background . But this time Mike initiates the confrontation), as the bullies say Will is “flying in fairyland with all the other little fairies. All happy and gay”. Mike was literally on the verge or tears at this comment (despite being happy a few moments earlier , telling the others to ‘act sad’ because they’d look suspicious other wise). But this is the comment where Mike snaps and pushes Troy back (because he took it personally/wanted to defend Will). 
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The framing of Mike once again being in the front and snapping at the homophobic remarks (these gifs don’t do it justice, just rewatch the scene -Mike eyes water at the remarks). Then the last time the bullies appear , Mike jumps off the cliff and “flies like a fairy” (like Troy said) thanks to El . Troy at the police station even uses the word “fly” not levitate.
- Mike proclaiming “I’m the only one who cares about Will!” Seems like something a kid with a crush might say ( because obviously his other friends care about Will). But he thinks he cares the most.
-Mike sneaking out to find Will, as Steve sneaks in to Nancy’s. They both even make eye contact (and pretend not to have seen each other).
- they share dinosaur toys , in s1 and 2 they appear to be the only ones with dinosaur toys.
- The s1 mom hug scene where Mike feels he lost Will is paralleled in s3 - signifying how he lost him a 2nd time.
- Mike in the 1st ep being the one to insist on looking for Will in the rain (callback to s3). But he never went looking for El when he saw her through his window? Even when Mike saw Will’s dead body, the second he heard his voice he convinced his friends to help rescue him!
- You remember the binder (from s1) that Mike keeps, filled with 100s of Will’s drawings, and how he caresses the drawing after thinking Will was dead. That’s totes platonic.
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s2
- Will in all 3 seasons identifies as a wizard. But in s2 Mike (the paladin) says Will is a cleric. Meaning this reflects how Mike actually feels about Will. In d&d, they have similar moral values, powers, and generally need and depend on each other in the lore of d&d. Paladins have similar healing powers to clerics, but clerics have stronger healing abilities - which is interesting since Mike has always been viewed as the protector. But to Mike Will has helped him (maybe deal with the loss of El and other trauma) , just by being there. And if Mike says Will is a cleric,despite Will still identifying as a wizard in s3, it shows how deeply Mike actually feels about Will. It shows he views Will as one of the only people who understands him and views him as a healing presence and his moral compass.
“ strength of conviction gave many paladins a sense of common fellowship but did not always endear them to others. In many cases, paladins did not get along quite as well with other non-paladin adventurers, with the exception of clerics with similar beliefs.”
“A Paladin tries to hold to the highest standards of conduct, but even the most virtuous Paladin is fallible. Sometimes the heat of emotion causes a Paladin to transgress his or her oath (of honesty, courage, compassion, honor ,and duty). A paladin who has broken a vow typically seeks absolution from a cleric who shares his or her faith or from another paladin of the same order. After a rite of confession and forgiveness, the paladin starts fresh.
-Mike stands next to Will under the rainbow poster
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- Mike forces Will to dance with a girl, but you literally see Mike’s shocked expression like  ‘what,why’d I do that ?’ And after this, they show Dustin looking sad about Max/Lucas dancing and then they have Mike get into the frame (next to Dustin) and look sad when Will/girl are dancing in the same exact frame as Max/Lucas. As they switch between these 2 shots.
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- All the mileven byler parallels or byler scenes were almost ALL initiated by Mike. If the parallels were meant to show a one sided love triangle (on Mike’s end). They would of made Will the instigator not Mike! Parallels can be watched here , start at 6:50)
-Mike initiated the “crazy together’ line- and in s3 he said ‘blank makes you crazy’. So subconsciously he knew the line had romantic connotations.
-Mike initiating the hand hold (with a zoom in shot) and in the show this is only done for romantic pairings. Also Mike being the one to initiate the ‘arm thing’ which is generally romantic. But in s3 , Lucas also does this, saying “I am spending quality time with my girlfriend’
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-Mike saying, asking him to be his friend was the “best thing I’ve ever done”
-Mike constantly following Will around, asking if he’s okay or biking to his house to check on him. In s3 running out to chase Will to the garage and apologizing, and running into a storm to apologize a 2nd time.
YOU SEE A PATTERN! Mike is whipped! And is the one constantly chasing and pursuing Will, not the other way around! Before s3, people always portrayed Will as the (stereotypical- problematic trope of ) a sad-pinning-gay in a one sided love with Mike. It’s like people didn’t even watch the show (and just assigned tropes/stereotypes they wanted, that weren’t actually there). Will (probably too shy or scared to- because of homophobic taunts) never initiated a single byler moment- it was ALWAYS Mike!!! If people were actually objective, they would of thought it was Mike who was the one pinning! I talked about it here. 
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We literally only saw Will pine or be jealous in s3 when Mike was in a relationship with El/when they fought.  
The cannon Spotify playlists
called ‘Mike’s basement beats’- These are character playlists that Spotify and St worked on together after s2.
-his first song is “small town boy” an 80s LGBT anthem about living in a small town and being queer and bullied. Every band member was openly gay.
-his 11th song is ‘don’t you want me’ from a “celebrate your gay pride” album
S3
I’m not repeating my literal essays so here are the links to pretty much all my s3 byler meta.  (x) (x) (x) (x) (x) (x) (x) (x)
- brief s3 mentions) it’s implied Will and Mike go on movie double dates all the time (right after he makes out with El). He celebrates the holidays (generally associated with introducing s.os) with Will/El. The breakup with El is treated comedically - and all Mike does is complain and burp on the couch. The byler breakup is serious (with the backdrop of rain)while Mike was visibly upset he hurt Will and apologized twice almost immediately . Running to the garage and then into the rain and banging on his door (s2 callback). The “it was the best thing I’ve ever done “ shed scene was shot purposely more romantic than the pool shed scene of “you’re the most important thing in the world to me”. The fact he think “blank makes you crazy”,and he used a similar line on Will in s2. The fact that Mike equates falling in love with girls as a part of growing up and his love for El as something “old people” say. While his affections for Will , he believes are childish (like d&d) and something he has to grow out of. The “I love her” scene was treated comedically. The last Mike/Will exchange vs Mike having his eyes open and not kissing El back . Not remembering he said “I love her”, and dismissing it as something he said in the heat of the moment. Mike looking back at the Byers house , then flashing to Will crying, than flashing back to Mike hugging his mom. Then those scenes having a monologue about not wanting feelings to change but how it’s inevitable.
Also we see in s3 (in El’s room) the return of the heart being propelled by a rainbow.
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No hate, but I’m honestly flabbergasted when people think Mike is straight when he’s literally MORE queer coded than Will. Is it just my autistic brain seeing things as obvious, that others easily miss- or just people refuse to see it … or heteronormativity getting in the way?
gif credit : (not sure about the first 2, tell me if they’re yours so I can give credit), last 3 by  eggogorgon , the last gif by cath-avery
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