anti-curse
pairing: percy jackson x daughter of apollo!reader
summary: whether he knew it or not, percy jackson made the world a better, brighter place — and you intend to protect him, no matter what path the fates leads you down. fuck prophetic dreams. the future wasn't written in stone.
warnings/disclaimers: mentions of typical demigod things (battles, weapons, etc.); this is set during the heroes of olympus series so roughly follows that plot + features the seven demigods; mainly inspired by book!percy (dark hair, sea green eyes) bc that's the one i fell in love w growing up; characters are aged up from the book (reader + percy are meant to be 21-22 y/o) bc i imagine there was more time between prophecies/series....anyways, please enjoy <3
when you first met percy jackson, he almost shot you through the chest with an arrow.
given that apollo is your godly parent, you often found yourself at the archery field, which happened to be one of the first stops on percy’s tour of camp half-blood. after that first mishap, your other half-siblings were, understandably, too scared to let percy try again — frankly chiron seemed a bit hesitant as well — and you could sense that percy felt disheartened. so, you flashed the boy a reassuring smile before giving him a few pointers and a second chance. when he smiled back at you, you felt a fluttering in your stomach that told you percy jackson would be more than a little important in your life.
archery still wasn't percy's strong suit, but your gut feeling turned out to be true. you and percy had dealt with a lot since then — a handful of quests, several prophecies, more than a few near-death experiences, a titan war, and, maybe worst of all, high school. you couldn't imagine getting through any of it without him by your side, and you knew the feeling was mutual.
so, you were entirely anticipating that percy would be hurt by your announcement during dinner.
“no way that’s happening.” percy laughs, as if he can’t believe you’d suggest something as ridiculous as not having him accompany you on your quest. he remains unfazed, takes a sip of his electric blue coke before gesturing to the empty seat next to him. “come on, sunshine. have something to eat.”
the nickname sends your heart into a frenzy as you sit next to him. you and percy had never been anything other than friends, but sometimes....sometimes you look at his dangerous ocean eyes and wind-swept dark hair and it makes you blush. sometimes you consider the way his laughter fills you with warmth and his smile holds a thousand memories, the way he teases and winks at you and you decide that he makes your world so much brighter. sometimes you remember how sarcastic and thoughtful and loyal and reckless he is, his heart of gold and unpredictability of the sea. and you start to think that maybe possibly you'd fallen in love with your best friend.
that was not the issue at hand, though. you summon your favourite food and drink, but don't particularly feel like having either. percy returns to his conversation with hazel about how the two of you would drive up to montauk after you finally got your license, any time either of you needed to escape your reality, even just for a night. you'd sit on the beach, stargazing and roasting stale marshmallows and wishing to stay there forever. hazel seems to think that sounds like a nice escape, and percy promises that once the eight of you fulfill this prophecy, you'll all go to the beach house together, which makes hazel break out into a grin.
you can't help but smile at percy who loves his friends, who has loved you for so long. that feeling is quickly replaced by a pang in your chest that reminds you what's at stake. from the corner of your eye, you notice annabeth across from you, who looks at you like you’re a puzzle she can’t quite solve. you're trying to hide it, but if anyone can read you better than percy, it's annabeth. she knows something is weighing on your mind. you briefly lock eyes with jason, who you had gone to earlier for help, from the other side of the room, where he sits between piper and frank.
if you weren’t so distracted, you would have been able to enjoy dinner. the eight of you — all demigods of the current great prophecy — hadn’t been all together in a while, and it was nice to share a meal aboard the argo ii despite the reality of why you’d all been traveling together. leo had equipped the ship with magic plates and cups, and with the lively jokes and stories filling the air, you could almost imagine it was an ordinary summer evening at camp. you could almost forget that tomorrow, you had to go on a quest to rescue apollo and artemis from python, a monster so powerful your father barely defeated him thousands of years ago. you could almost ignore the impending war with gaea and the giants, and the doomed fate of the world if you were to fail. the one thing you could no longer ignore, however, is the gut feeling you have about the fate of the boy sitting next to you if your quest is to unfold the way you had first planned it.
you clear your throat, an attempt to interrupt the group's conversations.
“i was serious earlier,” you declare. “you’re not coming with me, percy. jason is.”
the smile percy had on his face fades. his eyes are filled with concern and disbelief, as he glances at you. “i – i don’t understand.”
"percy,” jason jumps in carefully, aware that he’s treading through dangerous waters like you had warned him. “y/n and i were strategizing earlier and it seems to make the most sense, given our powers combined."
percy shakes his head. “but — but you can’t just make last minute changes. we’ve already got everything set. right, valdez?”
leo shrugs, swallowing a mouthful of chicken before responding. “i don’t know, man. i’m no expert in quests, but it seems like i’m not the one who should be deciding this.” leo looks at you, and you nod gratefully.
you've been on edge since last night, and to calm your nerves you fiddle with the gold chain around your neck. it was a gift from your father: a necklace with a music note charm that can transform into an electric guitar or a bow and quiver. thankfully, you hadn't had to need both at the same time.
“it's up to me. and i want leo and jason to come with me.”
“then i’ll come too,” percy's voice remains calm, but insistant.
“isn’t there that thing about quests usually being done in threes?”
“that is true, piper,” percy agrees. he tilts his head towards you, like he's calling on you to remember. "exceptions have been made, though. like that one time with zoe." that had been years ago, when demigods from camp half-blood and hunters of artemis joined forces. five had been sent out on a quest, but only three came back. you shiver at the thought.
"or my quest through the labyrinth," annabeth recalls.
"but won't that also change our other plans, though?" hazel asks.
"not necessarily," you pipe in, your voice more assertive. "if jason and percy just switch. no harm done."
"we're not interchangeable," percy grumbles.
"hera sure seemed to think so!" leo searches the room for positive responses to his joke, but the most he gets is a half-hearted laugh from frank. "too soon?"
you take a deep breath. "it's not a big deal, really."
"it kind of is," percy counters. "you've never gone on a quest without me."
"you've gone on quests without me," you point out.
"that's...that's different."
"why? because i'm so weak that i need the son of the sea god to protect me at all times?"
you're giving percy the coldest stare you ever have. he hesitates to hold your gaze.
"you know that's not what i meant," he sighs.
"then what did you mean?"
percy looks at you, his eyes and tone softer. “look, sunshine, let's just stick with the plan, alright? we can just —”
“gods, you never listen, do you?" you finally snap. "you're not coming! i don’t want you there, percy!”
percy stares at you, stunned. you look around the table, and everyone looks back at you, wide-eyed. they weren’t used to this side of you, your sudden outburst not fitting in with your usually sunny disposition.
“well, someone woke up on the wrong side of the bed,” leo jokes in an attempt to lighten the mood, with less than ideal results.
“you saw something in your dreams, didn’t you?” annabeth realizes.
her conclusion makes you freeze.
demigod dreams are always significant, carrying vivid images of monsters, messages from friends or enemies. some children of apollo like you had visions of the future — pseudo prophecies that are supposedly set to unfold given the path you’re on. technically, you weren’t supposed to share your visions, something about messing with fate or destiny, but that didn’t mean you had to accept the way things were.
what you saw in your dreams last night, what might happen to percy, made your blood run cold.
you would defy all the laws of the universe and divine rules if it meant you could protect him. so fuck the path the fates are attempting to lead you down, and fuck prophetic dreams. you refuse to let percy die. no matter how frustrated you’re acting towards him in this moment, you know he would still do the same for you.
you figure that the future isn't written in stone, right?
either way, you're willing to challenge destiny for percy jackson.
without answering annabeth, you get up from the table and take a deep breath, carefully avoiding percy’s gaze.
“i go with leo and jason, or i go alone.” your voice is steady, fighting the heavy beating of your heart and tears caught in your throat. “either way, i leave in the morning.” you exit the mess hall before anyone — before percy — can protest.
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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