Posting in this blog after an eternity because I feel like I'm going insane here and my friends are asleep so I need to dump my brainstorm SOMEWHERE (SPOILERS FOR ARLECCHINO'S BACKSTORY/SHORT ANIMATION!!)
The TLDR is basically I think that the whole story with Arlecchino and Clervie is foreshadowing for whatever is about to happen with Lyney and Lynette
I think the parallels between Lyney and Arle don't need to be too explained for the most part. Pyro Visions, Arle wants him to be the next "king" while he doesn't seem to be too into that idea just like her younger self didn't want it, both are associated with Rainbow Roses (they both use them as ascension materials)
Plus, I'd argue they look kinda similar here. I'm not sure exactly what is that makes the resemblance, maybe a bit of the hair, bowtie and shorts and you could say it's something she has with the others too (her kid design resembles Freminet, current one Lynette) but I thought it was good to mention anyways
Meanwhile, Lynette and Clervie are the two closest companions to their respective pair
Lynette's has Lumidouce Bells as an ascension material. Clervie is very clearly represented with the same flower (if her necklace wasn't enough, there's this)
Plus, a bit of a smaller connection, but they both have clear sweet tooths
(Lyney saying "we talked about this" implies this is a frequent event. The animation showing Clervie with cake twice while it only had 7 minutes to tell the whole story has a similar effect)
So, if Lyney is a parallel to Arle while Lynette is a parallel to Clervie, where does this leave us?
Well... Not exactly in a good spot-
To be fair, I don't think Genshin would actually kill a playable character (or at least, so I hope), but it's very possible Lynette gets really hurt, either directly by Lyney or by being close to him
Arlecchino swore to be nothing like her mother, but in the end, the way she's acting towards Lyney by wanting to make him the next king may be very similar to it
Once upon a story quest, Lyney said similar words to a woman who claimed he'd end up all alone. I can only pray that the writers will have mercy at my soul and that they wouldn't go that low with a playable character
If I were to make a mildly self indulgent guess, as the Freminet main I am, I'd say that he may be the key that's going to make things turn out different for the twins. His presence is the biggest difference between the twins vs Arle and Clervie, who seemed to have no one else that was even mildly close to them. From the 4.6 trailer we know that he's the one that has been hiding stuff and we do see him blocking out Arle's attack, so I don't think it's a stretch to say he'll have a really important role in this whole thing
So yeah! If you read all my rambling, thanks I guess, hope you enjoyed it. In the end, all I can hope is that the Fontaine siblings all turn out fine for the sake of my own mental wellness because God knows these 3 stay all day spinning in my head as if it was a microwave
Also, for the record: No, I don't have a clue about what the hell is going on with Freminet apparently finding "Clervie" (ghost?? Illusion??) and hiding her from Arle. Until this short my best shot was that she was some sort of mermaid creature, but that idea is out the window so it could be anything really
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Ryne and Gaia are like. Such good parallels and foils to each other it makes me just a little insane.
Like Ryne is sweet and caring and she always wants to help others and make them feel better even to the detriment of herself because she has seen and known suffering and doesn't want others to have to live like that too. If she can make someones life better, even if just a little bit, then she will. But she also puts everyone elses well-being and feelings so far above her own that she often ends up trying to help in a way that doesn't actually solve anything because it still ends up with someone hurt (such as trying to properly fuse with Minfilia knowing it might end up with herself disappearing). She's not a doormat, but she does have some people-pleasing tendencies.
Gaia, however, is the exact opposite. She's prickly and sarcastic and thinks of herself and her needs first and foremost, everyone else is secondary. It's not that she's cold or uncaring, she doesn't ignore people's problems, she just doesn't see them as her business most of the time (A product of being raised in Eulemore most likely). She doesn't consider the long-term outcome of what she does or says, she lives solely in the present and the future is a problem for when it happens.
These opposite traits also play into each other. Ryne inspires Gaia to care more about others and Gaia inspires Ryne to prioritize herself more. Gaia makes Ryne live more on the moment without thinking solely of what the future will bring, and Ryne makes Gaia think more on what her life will be going forward and to actually consider what she does and says and how that affects things. They feed into each others good traits (Ryne's caring nature and Gaia's sense of self) while also helping them deal with the bad traits (Ryne's people-pleasing and Gaia's aloofness).
Their pasts are good paralells too. Ryne was isolated and lonely until Thancred took her away but even then, he was distant and emotionally neglectful, so she ended up lonely in an entirely different way. Gaia had a family and caretakers that she wasn't particularly close to, but after the 'Fairy' started talking to her they got even further away until she couldn't even remember them, and the 'Fairy' was the closest thing she had to a friend even though it was what isolated her to begin with. Ryne had constant companionship but no support, and Gaia had 'support' but no companionship.
Even just. Regarding the whole identities thing they are just. Perfect. Ryne has lived with Minfilia's shadow on her shoulder her entire life and never got to learn who she actually is. She thought that she had to become Minfilia for her life to be worth anything, that it's the only way her existance is justified. The person closest to both her and Minfilia(Thancred) indicated(in her mind at least) that he wanted Minfilia to be here in Ryne's stead(which wasn't really the case but she didn't know that). The only way to get her out of that shadow was to remove her from the identity of Minfilia, hence why her new name is so important(as well as the hair and eyes being her natural colors instead of Minfilia's all too recognizable ones).
But Gaia didn't even know about Mitron or Loghrif until Eden. She had the 'Fairy', but to her it was just some voice in her head which was nice enough to her. To her, Loghrif is just some lady Mitron loved, she has no real connection to her. She has a connection to Mitron, both as the 'Fairy' and as remnant feelings from Loghrif, but none to Loghrif herself(aside from the obvious reincarnation stuff). Gaia has always been her name. It may have been Loghrif's originally, but she is so far removed from that identity that even for all of Mitron's effort to 'return' her to Loghrif, it'd never work. Loghrif is Gaia, but Gaia is not Loghrif. Simple as that.
Eden's story works so well because Ryne and Gaia are opposites in that specific way that compliments each other, rather than pits them against each other.
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rambling for a bit here about my “luigi gains some of dimentio’s mannerisms as a result of fusing into super dimentio” concept, because im fucking insane and need you all to understand my agony
ok so after writing all that this accidentally turned into like a kind of oneshot/drabble of 309 words. ur welcome everyone
he doesn’t even notice at first. he acts as if he’s always had these quirks, never notices anything out of the ordinary. but everyone else does. everyone else notices how his laughs now have a tilt to them it didn’t have before, how he poises his hands to his sides differently now, how he snaps his fingers before a battle.
what he does notice, is everyone’s stares when it happens- not that he knows what it is, yet. but most of all, he notices mario. and how he looks both horrified and sad in the strangest of moments, after telling a joke, or waiting in line at the store, or journeying off to fight bowser as their routine slowly resumes to normal.
and it’s the strangest thing that clues him to what’s been going on, that his friends have been dancing around. he’s making spaghetti with mario in the kitchen, a simple meal for a simple day- and the spices are on the counter behind him, so when his brother asks him so simply to reach behind him and grab some oregano-
his nearly pulls his arm out of his socket, he’s sure, from how fast he spun it backwards without even turning his head. and in his mind then, as he flinches his arm back with a hiss of pain, he realizes the error, then; a single stray thought in his head that said: “aren’t my hands supposed to float?”
the connection is easy, after that. and mario sits him down and turns off the stove and pulls their chairs closer together, so that their shoulders bump as they sit. and they rest their heads on eachother, and wish in complete silence that things weren’t the way they were, that maybe he could have left the end of all worlds in tact.
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