LMAO i love how stu is literally bleeding out and crying about the cops being killed and his parents who are gonna be mad at him but the moment he realizes sidney most likely killed his boyfriend best friend he’s like 😡😡😡
he wasn’t calm in any way but dude was crying and bleeding out and shit and he realizes billy’s probably dead and dude gets up just to kill sidney for that
he’s not even the type of person to be angry for most of act 3 he’s just excited and i guess kinda angry when he lowkey gets mad at billy but i don’t know?!?!?!??
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the way u write about rei and touya is just :( so heartbreaking and tender and GOD it just. buries myself into pillow. it makes me so soft
wow, thank you !! 🥺💕 i just have so many thoughts about them like sjfhwjwbq all my own perceptions on their relationship and what-not. i think that's his mama at the end of the day 🥺 and he'll always be vulnerable to her ?? which is why he's never sought her out, bc he knows he'd fall right away. sometimes i think about all his motives and stuff to go after endeavor — and he has plenty LOL don't get me wrong — but i imagine him like a little boy still, trying to protect his mom 🥺 and now he's a grown man with the ability and he'll never not see her like that ?? and another thing is like, the whole quirk marriage and rei's purpose to produce these kids for this powerful man; and touya was her first little bundle 🥺 his first little love 🥺 amfbeiehakqn i'm actually about to cry let me SHUT UP LOL
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1) WHAT THE FUCK IS GOING ON IN THE COMICS
2) yeah no, canon Riven behavior. Telling the authorities would never cross his mind, and of course he can't tell Musa! She'll get freaked out! She must never know that bad things™ exist if he can fucking help it. So obviously he has to infiltrate and deal with it himself, this is the only logical course of action <- He is very stupid
1)
The full title of all the winx episodes should be
Minors in Life Threatening Situations
2)
YEAH but the worst part is that he's COLLABORATING with the police on this operation.
What the fuck!!! He's a guy in military training but he's still a minor! Why is he being asked to help out in infiltrating a trafficking organisation with GUNS???? And why did he even AGREE to this???? Riven!!!!!!
Musa literally felt so alone that she BROKE UP WITH HIM!!! (bc Riven was neglectful for a while over this, and apparently bc Musa was tired of him being that way)
LIKE ARE U KIDDING RIVEN!! This is literally THE time to tell your girlfriend that you are part of the operation. She is so upset that she's breaking up with you!!!! And all he can do is tell her "its not the right time for me to tell you" and walk away quietly in shame after she storms away after the breakup
The fallout after the breakup also leads Musa to meeting this online person (who later turns out to be a kidnapped) bc she was looking for a rebound and felt vulnerable. Are you kidding me? This is just the S4 plot but WAY WORSE
The cherry on top is that after the kidnappers get arrested, they pretend like its all fine and as if it wasn't a horribly traumatic experience. They just get back together again and kiss. Truly buck wild.
This is comic issue 55 btw if u wanna read it.
Literally look at stella's face. She's like "this shit gonna happen again, isn't it?" She's so done with all this.
Stella does get nearly sexually harrassed by someone she met after breaking up w brandon at some point, but she transforms and nearly torches them with her sun beam and they run away. Good for her.
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https://www.instagram.com/reel/CxA3r6XOZQR/?igshid=MTc4MmM1YmI2Ng==
This is how I see Gale/Shadowheart btw.
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I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.
Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.
The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"
I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too
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for a second, you did the bad thing and bargained about it.
if it meant that you would never be numb like this again, what would you give up?
maybe it's the childhood stuff or the religious trauma or how your dad doesn't believe in medication, but this is how you are, right. you need to have a counterbalance. suffering has to have its own reward. there needs to be a point to it. and if you're happy - if you could just be happy, and the world could actually fill in enough space that the edges of your spirit actually meet the horizon of your body - you would need to pay for it.
your passions? that one seems fair, but how could you actually be happy without them. well, you'd never be numb again, so maybe you'd be able to find joy in the small things like you used to. gleeful, you'd make coffee and breakfast into an artform. you'd find a way to make it make sense, somehow. you'd move on. it'd be different, but it would be doable.
your lover? your friends? this would be hard. you owe so much to your community. still, you could maybe make yourself a small home in the woods. you could live a quiet life, one devoid of friendship - but also without this horrible grey mist. a life like bigfoot, then. you'd figure out how to make the most of it.
your hair. your teeth. all of it.
sometimes you are jealous of mental illness as it appears in media: a big stroke of a meltdown, a firestorm that resolves prettily in therapy. it is flashing lights and thin teenagers. you've absolutely had breakdowns that stole the show - but life after resolved into a pixel art of things you managed to piece together afterwards, not a tapestry of a heart made suddenly-beautiful. that people could pick up blades as if they weigh nothing, that the way it all appears is as a cry for help, not a slow backsliding.
you have to stop the thought: i'd give up everything.
but also - be real. you'd never give up your dog. nor your best friend. nor the way you feel walking while through deep fog. you'd never give up the last bonfire of summer, the reckless laughter of halloween. so you do still love things.
maybe that's the problem: you know it should be easier. you have everything you could possibly want. so how come you are still trapped? still yearning?
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I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.
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