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#im not sure why they upped the saturation on some of the art
turboemmy · 2 months
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graaahhh my 2001 sticker sheets looks like they got messed up during the design production somehow :-( they didnt show up in the proofs like this either, cries. i'll probably sell them discounted because of how its just not what i hoped for ..
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yeehawpim · 5 months
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HI UM i really admire you and your art and i was wondering --
so i really love the way you format your comics, its really straight-forward and lets the reader process every word with ease (which i think adds to the impact of the writing), and that one rue comic with the split colors for the parentheses... how do you do it without making it look so messy?? to bring up another example, the hide-and-seek comic- i love how subtle and genius the call back to hiding behind the door was, it blew my mind... i take a lot of inspiration from the way you format and lay out your comics but for some reason i cant wrap my head around how you do so much with so little (in reality this might just be the result of me wanting to add so many little details for others to find , while being conflicted on keeping it simple, and,,, AGH...) for context : im trying to make a comic about isolation, but i keep filling up the page because i want to add things - when really i know i should be keeping it simple... but other than removing unnecessary details, i want to know what else you do to make your comics so clean and simple yet it rips out the emotions from your heart and has you stare at it as it beats. like... i want that type of impact!! i want to affect others on such an intense level!! i want to induce emotions!!! but how?
(sorry this was long, HAHAHA i just want to drive my point home- again with the 'wanting to add a lot of stuff to prove a point' thing but i digress)
ok first of all that is a huge compliment and it means v much to me, thank you 😭🙏❤️❤️
tbh for me the answer of keeping things uncluttered is paying attention to spacing and eye direction. Spacing depends on timing, if you want an action to happen slowly for instance you can make the space between panels longer, or take more panels for someone to complete an action. There's tricks for directing your eye, if you ever read anyth about focal points (eg biggest contrast, triangular shapes pointing towards what's important), but really with comics I keep in mind you're reading left to right and top to bottom.
The ruehob comic is actually simpler than you think 😅 I already knew which text had to be on the left and right with august's text post. And after that the "lanes" were so narrow there weren't a lot of complicated things I could do, just make sure you still read left to right and saunter vaguely downwards.
when you talk about putting little details, that doesn't necessarily have to distract people. Like I honestly applaud you having the drive to do detailing. You just have to make sure your compositions allow for it. Like if you think about ghibli backgrounds, they're elaborate and beautiful af.
For smth about isolation, my first thought was that you can draw a person in a setting alone among a bunch of objects, for instance. If you keep the person small but surround them with a bunch of detailed objects, it could feel very lonely. Just make sure the person still stands out b/c they're what's important, so for example the background stuff is a less saturated colour, or the person is the least detailed thing on the page. I think that's the main thing, you just have to make sure the things important to what you're saying stand out. Clarity is rlly half the battle when I'm laying things out haha
In school our teacher called this "killing your babies" because it sucks when you work hard on a cool drawing and it just doesn't work out😂This also still happens to me, it's actually partly why I keep things simple so I can work fast and throw out less
Here is a timestamp from supereyepatchwolf's video about Chainsaw Man, which has some of the coolest fuckin layouts
He's got other stuff that talks about manga and how eye direction can work and what cool stuff has been done. Off the top of my head his vid about one piece and his vid about gantz have helped me understand how to cause Emotions. Also I think he has one about Junji Ito that specifically talks about how details can make you scared, if you're into that 😂
hope this helps!
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uniformbravo · 1 month
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since i've spent the past few days essentially staring at nothing but natsuyuu volume covers i thought it'd be so fun and silly to try and redraw them all from memory tee hee. all 30 (thirty) (三十) of them!!! wheee!!!!
i haven't actually looked at them next to the originals yet so guess what time it is!!!! LET'S COMPARE
starting with volume 1. iconic. show stopping. masterpiece. the mona lisa of natsuyuu SURELY i reproduced every single detail perfectly such that it kickstarts my career as a forgery artist RIGHT
well feast ur eyes
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(im using the english volumes for comparison btw they have a good clear view of the art)
CAN U TELL WHICH IS WHICH OOO THEYRE SO ALIKE BET U CANT!!! SPOT THE DIFFERENCE LEVEL 1000 WHICH ONE DO U SHOOT
all i remembered for this one was GREEN and it's not even the right shade of green ajgosugdjfkdgj i even made the fuckin. what do u call it. i'll just say yukata??? I MADE IT GREEN AND ITS SUPPOSED TO BE RED i stg if u held a gun to my head & asked if there was any red on vol 1 i'd be DEAD
but i remembered the book of friends is like. weirdly purple? ok well in this pic it looks p gray BUT ON OTHER COPIES...... IF U UP THE SATURATION GKSJKDNFKDG
why is nyanko sensei smack dab in the middle HUH i couldve sworn he was bottom left this is so fucked up and scary. haunted manga volume??????? i bought it from a grarage sale idk you guys-
at least natsume's pose is like kind of right but also that's most definitely a complete accident i can ASSURE u (im rereading this the next day and the pose isnt even CLOSE what are u TALKING ABOUT)
anyway can i just fucking point out the kanji on the book of friends bc that is from MEMORY YEEHAW here's what it's Supposed to look like: 友人帳
LIKE even tho i got the last one wrong ITS LIKE STILL PRETTY CLOSE??? i think i deserve 100 points for this objectively
MOVING ON THO....
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OK NOT AS BAD AS I THOUGHT SURPRISINGLY im actually like. i thought i bombed this one completely but liKE THE COMPOSITION??? KIND OF ON POINT. KIND OF GENIUS TBH
i remembered Blue and Madara and like what else do u need rly. butterflies are optional in all scenarios imo
also i NEVER have any idea what natsume's wearing in any of these so i always just like default throw him into his school uniform LMAO u will see a pattern
why is the book of friends burgundy in this one btw. it was GRAY i mean purple definitely purple aha
ok volume 3 im actually scared for i know i fucked up SOMETHING
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HGLKFKGLKFKGFN OK!!!!! OK NOT SUPER AWFUL!!!! just noticed i forgor to color the book of friends fukg
main thing i remembered abt this one was the color of natsume's... attire.... and which characters were present. whats sensei doing all the way up in the top corner tho 0/10
return of the school uniform lmaooooo hm. irrelevant who cares plus didnt ask. all things considered this wasn't as bad as i thought. THE NEXT ONE HOWEVER,
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hsngjfgnfjn okayyyyyyyyyyyyyyy
sensei's way cuter in this one than i realized wait wtf this cover's cute af how did i never notice. underrated cover -10 @ me. look at his lil BLEP >:O!!!!!!!
i knew there was some fuckshit going on w the yukata in this one ourhg i was just like hehe greeennnn also sensei's there. my work here is done
what is natsume's pose even hgnkg i was straight up making shit up at this point LIKE the first 6 or so covers are SO hard for me to distinguish in my head i should get a free pass for the poses in all of them like i can do whatever i want IM the artist now
oh god whats next vol 5
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OK!!!! like a straight 5/10 TBH i literally forgot i was planning on rating these LMAO
i remembered the like white v-neck shirt thing and his pose kind of??? i had NO idea what to do for the yukata tho i just made it orange and u know what?? close enough. my rule of thumb is just like pick a color and then throw flowers all over it u cant go wrong
taki looks so much more mysterious on the original and also wearing a skirt. i gave her a big stick bc i thought i remembered her having one in general but i think i made that up tbh wouldn't put it past me. got her hat right tho hee haw
cant believe i didn't get natsume's beautiful artwork tho look at that little shit sensei up there god hes so ROUMD literally moma material
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PROBABLY my best one yet uhhhh but i maybe cheated JUST a little for this one ITS LIKE BARELY CHEATING STOP BOOING ME
as i was toying w the idea of doing this redraw thing i was still working on collecting my Images and Pictures so i kinda started taking note of a few small things here & there and one of them was just. the general gist of this cover SO LIKE that's why it's so good LOL
forgor the flowers tho. i literally forget everything that isn't a character like immediately BUT OK CUT ME SOME SLACK like after a point the covers start being whole ass scenes which are SO much easier to remember shit abt than the fuckin Green Void (p sure this is the last green void cover tho)
8/10 composition is gr8 but details like the shirt & the yellow flowers are wrong, also the stick is backwards. i literally looked up what that thing is called and forgot already tee hee
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OK WE'RE NOT DONE W THE GREEN VOID I REPEAT-
fuck dude. fuck. i rly thought vol 6 was the last one LOL not to spoil but as i was grabbing these images i saw a Preview of what's to come and the green void lasts until fuckign volume TEN LOL collapses onto the ground and dies
so erhermrm this is vol 7 lolllll i remembered the bg flowers this time can u believe hahaha distracts u from the fact that LITERALLY everything else is wrong auhghg
u know what the green void turned into bushes and i think that's beautiful.... like points for creativity on my part tbh. like to be completely honest. 3/10 i got the characters right
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YO????? GATE CONFIRMED LET'S GO?????? it's definitely the school gate but i choose to believe natsume & tanuma r in jail for crimes and u should too
actually this is shockingly accurate for how much i goddamn struggled w this one gkjsldkg the CHARACTERS are right the OUTFITS are right SENSEI'S THERE urgh i knew one of these covers had tanuma holding sensei like that but i couldn't remember Which
i can't believe i actually got tanuma's pose that close i rly thought i was bullshitting w that one wtf. +5 points instantly
do u like how i just scribbled sensei wherever lmaoooo i drew natsume & tanuma & went like. i think sensei's in this one. PLOP
6/10 honestly closer than i thought
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OK........ I SEE........ literally dies
this one i was getting MASSIVELY confused w vol 4 bc i could remember nothing distinct abt either of them except Green and natsume w Big Doggie
i remembered the BARE essentials of the composition but not much else... since i thought the green void was gone i put the green i remembered into natsume's yukata (and then put him in the school uniform again LOL) and went WELP. GUESS I'LL DIE NOW
2/10 honestly one of the worst fucking ones lskdjflsdkg
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OK THIS ONE.... i almost died irl trying to remember this shit, even before i started and i was still viewing the covers i was like there is no way in HELL im remembering this shit for vol 10. and i was right
like. Purple. White Mask. Antlers. WILD layered clothing. at first i drew the mask as an actual deer skull but later had a straight up epiphany and redrew it like that which... still not correct but I MEAN.... IT'S PRETTY GOOD
i cant believe most of the purple is the bg oughgh his clothes are WHITE..... this is fucked up. i DID remember the stick tho, bells and everything!! actually bells and nothing else!!!
7/10 ok it might seem high but CONSIDERING this design..... i think i did shockingly well TBH
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NOT...... the worst...... one....... i could've sworn he was sitting on a pile of books this is so sad that woulda been so cute 😭
for a second when i saw the real cover again i thought he was sitting ON the bookshelf and i was about to RIOT but its okay it's a step stool. still physically possible
my version of natsume here is so much more like Proper gksld he looks like a school boy... studying in the academy's library... hardworking student.... but no the real one is just sitting there like a wet puppy orz he's not even READING i rly thought he was reading. this is such a huge L
cannot fucking believe i was right abt the window tho. like wrong shape but the fact that it's even there.... giving myself a whole ass point for that one
5/10 i rly thought i nailed this one gksgndfkj
also RIP TO THE GREEN VOID U WILL NOT BE MISSED o7
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ah shit ok. well one of them was in the school uniform at least fjgugjdkf
why is my natsume lying there like hes abt to start a therapy session, boy would NEVER-
also the plushie hmnmhnmhngnf i dont KNOW i knew there was some kind of prop there but like gun to my head i woulda died again. main colors that stood out to me for this were green and that bluish purple so i got those into mine but i mean. well u can see
once again a random window in the bg i got correct let's gooooo 5/10
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LMAO SPITS OUT MY DRINK WHOOPSIE!!!!!!
this is so fucking bad im choking im gurgling LOLLLL i was SO sure natsume's paper had an eye on it i was POSITIVE this is so fucked up. i mean obvs i picked that up from sensei but like i didn't even KNOW sensei was there. or that there were bg characters at all uuuuuououohghh (matoba ignored +5)
i was like. black yukata red flowers CHECK piece of paper w eye CHECK horns CHECK i even went back and edited the horns to be more accurate i was so proud of myself sobs
ok but i knew it was shit trasjh when those were the ONLY details i could remember bc obviously there was gonna be more going on I JUST DIDN'T REALIZE HOW MUCH MORE.....
straight up dookie/10 no jk fr like 3/10 @ me u need to use ur EYES
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OK..... I WAS VERY CONFIDENT ABT THIS ONE..... except for his outfit i knew i was bullshitting that BUT I THOUGHT I NAILED THIS ONE....... the one fucking time i didn't just default to his uniform LMFAO
even remembered the pink flower ball smh and for WHAT. i knew he was sitting in a pile of plushies & blankets or smth but no way in HELL was i even gonna attempt to draw them with a speck of detail. but HEY the plushie i drew for vol 12!!! i knew he existed Somewhere. he doesn't even have a horn tho thats so fucked up i thought he did
obviously the most striking thing abt this cover is the bg w that deep burgundy & the circular window so that was the main thing i nailed down right away (my palette was more muted tho). also natsume sitting there w paper in his mouth but i thought he was mid return when rly hes playing like keep-the-balloon-off-the-floor or whatever the fuck he's doing. i love u natsume
(if i thought he was in the middle of returning a name WHY didn't i include the actual book of friends flksglkd automatic fake fan/10)
8/10 this was like my ace in the hole i was like if i got nothing else i got U volume 14!!! and then
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NOT THE FAMILY PHOTO......... FUCKING DIES
man idk shit just end me. whats even going on in this cover im gonna deck u natori. dont ask why this makes me want to commit violence hes just so. URHGHGHnH
i dont know whats happening to me rn looking at this im losing my fucking grip dude who let this happen im gonna hurl this volume into the sun??? i think???
why did i add the other two youkai i just thought they should be included but i played myself i had to draw them from memory and for WHAT. pls tell me i got them at least a little bit right i stg
it's the crossed legts dude if he was just sitting there like a board the way i drew him id be like ah shit it was just natori sitting not natsume too but he just HAS to cross his legs and the fucing elbow propped up holding the glasses im S MAD IM SO MADdestroy him
it's 1am i gotta go. i have to go. right now my mom is calling me i have to fukcng. 4/10 i got the couch colorr right. bye
---
tumglr...... only allows 30 pictures per post..... bc im not on desktop? or is that a site-wide thing now. in any case this is getting long so i think im gonna split it right down the middle into 2 posts so there u go, first 15 volumes. so far my score is ermmm
well i didn't rate the first few volumes.
vol 1: 6/10 decent
vol 2: 6/10 also decent
vol 3: 5/10 composition is Scramboled
vol 4: 2/10 it's SO BAD
so now my overall score is 74/150 fjggudjofjdkgjk doing gr8!!!!!!!!!
ok bye for real ✌️
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antirepurp · 2 years
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Do you have tips on coloring? Your art is beautiful!
everyone always mentions basic color theory and i will too because it's the foundation for most things, like understanding complementary colors and values and how colors interact with each other. googling "color theory" gives you like a million of those wheels and although adobe is a piece of crap they do have this online color wheel tool that lets you fuck around with palettes. screenshot those bitches when you find cool ones to play with
besides that i tend to shift the colors i use towards warmer shades as a general rule solely because i like warm colors. also, often times the color you PERCEIVE in an image is not what the color actually is, but rather the other colors around it make you think it's a different shade. like the green moss in this pic, for example. it's not actually green at all!
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another thing i do somewhat frequently is coloring the lineart some other shade than black. black definitely has its purpose and can be an aesthetically important in some styles, but colored lineart tends to help me approach the coloring process from a different angle. speaking of, i rarely use pure black or pure white in my art these days. again, they have their purposes but i save them for occasions where i want to emphasize a particular detail or draw attention to the other colors in the image
in a similar vein filling your background layer with a color that isn't white can also help you in the coloring phase, both because lighter colors will be easier to see on it but also for me it makes me try and tint the colors to something that fits in better with my chosen shade
there's also the shortcut of using multiply-overlay-screen layers on top of the flat colors to adjust them further and bring them together more. i don't do that terribly often these days but it helped me a lot in the past, like here:
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with multiply-overlay-screen
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without them
it's not the a perfect method but can help you towards the right direction
and don't be afraid of saturation, especially with skintones! im sure there are ways of coloring that omit a lot of saturation, but for my purposes i crank it up whenever i can to add more life to what im working with and make things pop out more. i do steer clear from straight up neon stuff generally though and tend to use those more as highlights if anything
that, and eyeball colors from reference images! whether those are colors other people have used in their art or stuff from photos, try to recreate them yourself and see what makes them work the way they do. and add things to them when you see fit! or remove colors from your art and try to work with as few as you can! that's how i ended up with the colors i use most often in my art these days, actually, i studied some night in the woods art and screenshots for a piece i did about a year ago and wound up with this selection:
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it doesn't cover everything and i do frequently add things to this when the cause needs it, but it's versatile enough for a lot of occasions and provides a base for me to work off of. and none of them were eyedropped!
also mandatory mention that coloring techniques used for traditional art are different from those in digital art. colors on a screen don't work the same way as paint does, hence why smudging together some primary colors gives you results like this
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but with the right layer effects you can get colors to behave more like this
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idk if this was helpful but i hope you got something out of it! ":D
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panlyv · 2 years
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Things don't have to have substance, bunch of straight shit has no substance and is still entertaining at the very least. BL should be allowed have masterpieces and... the direct opposite. Not everything has to be a work of art and it's fine for it to not be.
Not sure what the context for you hating KP is (I don't follow you and this showed up in the KP tag), but the actors can actually act and have great onscreen chemistry and that's why I personally enjoyed the show despite the flaws it has in addition to the Meta the fandom produced and the engagement the creative team allowed for the audience to have.
Can't say most of BL shows produced and their team + fandom can come up with the things the KP fandom has or had put in the effort/complexity the KP creative team has.
Most BLs have the most mediocre actors paired with the most lackluster scripts so, at least for me, it was a gem. Also, I'd been waiting for it for 2 years before it came out. *shrugs* It was different, it was mature, it stepped out of the university setting I was so mind numbingly tired of.
Sorry fandom ruined it for you. It was, for me, one of the most engaging fandoms since ITSAY and Not Me and for that, I personally liked it despite its various shortcomings.
hi anon! first of all! my main problem isn't that kp doesn't have substance per se. i agree wholeheartedly that bls should have amazing, complex, mind blowing shows but also allow room for more silly and turn-your-brain-off kinda series and everything in between. we as queer people deserve the same range of shows and reps as cishets get in their own television, but my issue with kp is that people keep acting like it was a revolutionary show. it was not! it could've been, for sure. i expected it to be, and i'll be honest and say i was completely let down by the end result because i, too, waited over 2 years for it to come out, i was really excited because i adore apo and the premise of the story seemed fantastic, but alas, amidst all the troubles this production went through, the final product did not survive and we ended up with a show much different from that very first 9 minute "teaser" that made us all enthralled in what apo and mile could offer.
to me, kp had so much potential to be a great, thought-provoking, mature show that completely deviated from everything we've been used to in thai bls, but what came of it was a contradictory plot with many many plotholes and characters that didn't make sense or added anything to the story. apo is a good actor, and so is mile, but none were phenomenal or oscar worthy as some of you try to make them out to be, and the rest of the cast was mediocre. the production crew had many issues too and the vp actors are two shitbags im not gonna waste my time on.
like. fine!!!! you can enjoy kp i don't mind!!!! just please stop putting it on this pedestal as if it was the best thing in the world. be realistic pls. it *is* exciting that it offered something totally new to the thai bl scene, yes, but that by itself doesn't grant it a gold star. the show *was* lackluster and we all know it could've been so much better had they followed that original teaser. or, hell, focused more on the actual story than on those saturated sex scenes.
as for the fandom. well. i have a lot of bones to pick with like 90% of the people who engage with kp content, but i do admit some beautiful fan work came out of it that deserves praise. but overall, a very much braindead fandom by the stuff i've come across. again, it's not like there was a lot to work with considering the changes they made to the plot (like the house porsche and his brother live in, which does not add up to the situation they are living in, when in the original teaser they lived in a very small apartment.) and most of the show was just a display of hot men that i was personally not interest in, but the lack of critical thinking and the will to overlook serious problems and situations for the sake of finding actors attractive was honestly baffling. when kinn >sexually assaulted< a drugged porsche, people thought it was cute. when vegas drugged porsche and attempted rape, he was a little meow meow. when vegas, again, kept being completely awful and disgusting with porsche and then proceeded to torture pete, it was a love story. when accusations came out that pete's actor had done terrible things, no one gave a shit because y'all are much more interested in seeing men fuck than in the wellbeing of those who he hurt. like wake the fuck up, what's wrong with you all? shows are allowed to be complex and problematic, my complaint is not that. i don't care that vegas is vile and that kinn is flawed, but i do care about how you people willingly excused their behaviours for vanity. i swear petev3gas girlies are the most repulsive people i've ever seen and i hate each and every one of them with a burning passion. it's fucking hilarious actually how many maaaaany of them are all very anti-th4rntype and m3w and "sexual violence is terrible!!!!" but were so very quick to turn the blindest of eyes to the countless awful things vegas did and have the fucking gall to root for petev3gas.
anyways. like kp if you want, but i'm sick and fucking tired of y'all holding the show to this high standard when many others are far better and more cohesive, with a much better message, characters and storylines. please develop some critical thinking skills that tiktok and twitter probably sucked out of your brains and learn to accept that not everything you like is a masterpiece and that's okay.
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meringuejellyfish · 2 years
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Hiya! May I ask how you plan out your color palettets? They're so vibrant and purple :3
i must start this off by saying that where ive gotten with art thus far has been mostly through bullshitting and just messing around. and i wouldnt have it any other way. like yeah its good to have a basic understanding of color theory and what not but ... heres what i do :^9
most of these apply to digital art specifically ... so keep that in mind
-one way that i sort of got an eye for picking colors was through creating a basic color palette, filtering it to my liking, and working from there.
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(layer modes here were ‘lighten’ and ‘saturation’ over that, but thats not really important + the names of layer modes/blending modes/what have you differ from program to program)
i found this to be a lot more enjoyable than coloring a piece with a basic palette and putting filters over it, and like ive said it gave me an understanding of how colors work together in ways you wouldnt expect. any of the colors in the filtered palette may look odd on their own but work well all together. this is just a really good way to start with working with more interesting palettes, and i still find myself doing this from time to time. since most of my focus has been on cooler palettes, ive been thinking about doing this method to get some warmer palettes to work with and attempt to understand those.
-on the topic of filters, theres absolutely no shame in using them to your advantage. filters are cool and fun to mess around with and i dont understand why some people are so stingy with them. even though i dont do the previous trick as much these days i still like messing around with filtering an otherwise finished piece. i drew something recently which looked so much more fun and vibrant after upping the saturation, and typically i like to put ‘brightness’ or ‘luminescence‘ filtering over a drawing. like i said ... just mess around from time to time and you’ll figure out some cool things you can do.
-never underestimate the importance of the color of a background/lineart/any other element of a piece. a colored background can heavily alter the mood of a piece. and if you do lineart, think about changing the color of it (typically i do a dark purple or blue because i think it looks nice :^9) and also consider filling in a subject in a piece with one color before coloring over it with the actual palette, your ‘underpainting’ if you will. even as someone who doesnt use this for painting, i find that this still helps me.
- substitutes !!! think about using blue in place of black, cyan in place of white, and so many other possibilities. and on another note, dont be afraid to use pure blacks and whites in palettes, not everything needs to be soothingly pleasing to the eye. there are no limits to what youre “allowed” to do with art. even though i typically use a dark purple and what not, sometimes i experiment with black lineart, and i find that it looks very striking. just dont lock yourself into a certain way of always doing things
-im sure this doesnt need to be any longer ... final general notes of mine are .. dont be afraid and hold yourself back from trying out “weird” palettes, sometimes an experiment turns out and sometimes it doesnt. the biggest mistake you can make is stifling yourself in fear of making something “bad”, just go crazy. and remember that youre learning even when you arent drawing, consider collecting artwork from others with palettes that inspire you and putting it all into a folder that you look at from time to time, and take note of how others go about things. every artist has inspirations, and mine are a huge part of where ive gotten with art and the things i want to continue to experiment with.
like once said in sonic adventure 2 .... live and learn everybody
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yinses · 3 years
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B R A N D E D
| he would make sure that everyone knew who you belonged to |
tattoo artist! sukuna ryomen
rating: t
a/n: this is going to be a three part series. it got too long because i couldn’t shut up. thank you to @teoran for beta reading !! 
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you should have never informed yuuji that you were thinking about getting a tattoo, because of course his first response would be hey, sukuna owns a shop. why don’t you stop there. as if you didn’t already known that. your other friend, unfortunately had not known how to be subtle about it.
its when you go to hand off your card that they gasp audibly, drawing the attention of both yourself and the woman behind the counter.
“you’re not going to ask for a discount? i mean you know the owner, right?”
she jumps back quick enough to dodge the errant elbow you throw her way.
you knew you would regret telling her.
the woman is undeterred as she take your card, looking bored with the news. “so you know sukuna, huh?” the way she said it implied that it wasn’t the first time it had been made known to her.
you had known the man long enough to know where her thoughts were going with that assumption. sukuna wasn’t only popular for his art. a shudder rolled through your body at the idea of being categorized as one of his flings.
it wasn’t as though you were intentionally shaming the women. but it was sukuna. the same guy who locked you and his younger brother out on the patio whenever he was meant to keep an eye on you. and then blamed you for hiding from him when the responsible adults got home.
in hindsight, maybe you should have chosen another location. but now your card has been charged.
you scribbled your signature on the receipt, “uh yeah, awhile now. im not requesting him or anything.”
“his appointment book is full anyway. he doesn’t take walk ins.” its not said snidely, just matter of fact. as if she was seasoned with dealing with these kind of customers.
the man of topic strides in then, carrying a few bags of take-out that he drops carelessly onto the counter. he doesn’t m look unlike any other day, a loose white sleeveless shirt with a low hanging v-neck that just invited attention to his skin. the swirls of black ink made permanent by his hand only. though that was the advantage of this field and owning your own business on top of it.
sukuna was prepared to ignore the clientele planted at front desk, until he did a double take. those vermilion eyes took you in, morphing from speculation, to shock, a pinch of awe, then back to postulation.
“what are you doing here?”
a small frown mars you face. you didn’t actually consider that perhaps sukuna wouldn’t want you here. it was one thing to know the guy, but whether you wanted to accept it or not, you weren’t just another customer. so you unsurely respond with, “getting a tattoo?”
the snort he gives isn't one of annoyance. in fact its almost comforting to see the minuscule curl of his lips until they start to part, “yeah, missing something aren’t you?”
you realize with a frown that he’s referring to his brother.
“i have other friends.”
that slow smile wides as he gives your friend a brief look of appreciation. suddenly all those years of witnessing him cart his flings around rise to the forefront of your mind.  really nothing rarely changed. “ i can see that.”
his gaze cuts back to you, “what are you getting? your boyfriends name?”
you cant tell if he’s teasing, fishing or a combination of them both.
he turns to lean over the counter, arms flexing at the action and pinches the fresh design still hot from the printer. you resist the urge to shuffle in place as he inspects the image with more interest than there were lines. it was hardly all that complex, just as you intended.
sukuna finally voices his opinion, to no surprise of your own. “yeah? kind of small isn’t it?”
“its my first sukuna,” you drawl.
you realize too late that the wording isnt best around him.
“no kidding.”
he tugs a styrofoam box free from the plastic bag before gesturing to you with a tilt of his head.
“alright, lets knock it out.”
you look to the woman expecting her to complain about his pending appointments but she only returns it with a pointed look. when it came down to it, what the boss wanted goes.
right then.
turning, you address your friend who seemed more invested in watching sukuna’s departure. “are you coming?”
her gaze snaps to you and she doesn’t even bother to pretend. she shrugs, “you may not be squeamish about needles but i am.” her hand waves vaguely towards the lounge area near the coffee station and stack of assorted snacks. “i’ll come running if you scream though,” she teases as you turn down the hall.
sukuna’s voice carries from the right in guidance where you find him setting his food off to the side. the room is neat. though you don’t know what you were expecting given the health expectations lining his work. then again, you’d spent the better part of the decade watching him cart week old pizza boxes out of his room so it was hardly a baseless assumption.
aside from the desk of tools and variety of inks the only other defining feature was the wall at the back. there was no rhyme or direction to the madness. the once white wall was littered with varying penmanships and messages. almost like an autograph book. some derogatory, others genuinely thankful for his work - you think you see a few numbers too.
the cushion of the seat protests under his weight as he rolls to the center of the room. he has the stencil of your chosen art held up in expectation.
“where is this pretty little thing going?”
“oh my rib- here on the right.” you think nothing of bringing up the hem of your shirt to expose the skin just under the curve of your breast.
he almost looks impressed, though there is some doubt. he wheels closer and gives no warning as his hand palpates the area. “over the bone? that’s daring for your first tattoo, princess.”
the name was nothing new, an accompaniment to yuuji’s ‘brat’.
part of you actually grateful that its sukuna. the entire shop had good reviews but it was best known for his talent. besides, the charge was already sitting on your card.
“i can handle it.”
he’s still squinting at your side, fingers tickling at your skin.
“yeah?” he answers absently. nimble digits you didn't think had any taste for delicacy carefully peel the plastic from the stencil. he doesn’t second guess himself in the slightest before pressing it to your skin.
when he pulls away, the chair follows him as he collects a hand mirror from his desk to reflect the design back to you.
“double sure?” he’s still rallying your resolve, but there is a hint of warning to his voice as professionalism seeps in.
with a firm nod you seal the deal,” yeah.”
“aright, pin up your shirt out of the way. tuck it into your bra if you want.”
you were expecting this already, given the location you’d decided on. with sukuna that action comes effortlessly without thought. it was no different than the times he’d seen you in your bathing suit, your brain reasoned. at least you still had your pants this time.
sukuna rests back into a lean against his small desk. absently you note that his eyes haven't left you once since you’d entered the room.
“eager little thing aren't you?”
but its sukuna.
you shrug.“ i guess. kind of been saving up for this one.”
the noise he makes is non-committal as he nods to the angled chair.
without your shirt there was no barrier between yourself and the leather. you expected the cold chill but the lack of stickiness kind of surprised you. once again you were reminded of the indisputable list of reviews at your fingertips.
sukuna goes about collecting the materials to disinfect your skin, angling the bottle and cotton over the trash can to catch the excess drops. satisfied with the saturation, he slides back.
you try to absorb the brief shock you feel when he applies the alcohol to your skin. it was hardly a substitute for actual bracing to come but it was good practice. when you look up, you catch his gaze again.
he’d been more observant in these last few minutes than you could ever recall sukuna caring before. maybe it was the job. though the thought of him excelling at customer service has you fighting a snort.
“cold,” you supply and he gives another grunt.
he chucks the cotton ball into the trash with all the efficiency of a man who has made a sport out of it and probably keeps score.
deciding on a solid color eliminated the need for him to break away to change shades, eliminating any surplus time keeping you in this chair.
a gloved hand braces your side, pinching the skin, while the other holding the gun rests against your sternum. when the motor starts you take a careful breath in. sukuna’s eyes raise at the sound.
“not nervous?”
you blink, expecting him to just get to it.
“uh, not really? i’ve never really been afraid of needles.”
he pauses. just when you part your lips to ask what wrong the buzzing starts.
its impossible not to tense at the first bite of the needle. but you fight the urge to jerk. it stings. the vibration of the motor is uncomfortable against your ribcage but it's not unbearable. you certainly wouldn't cry.
sukuna seems to notice it as well.
“not going to lie thought you’d be more of a cry baby? weren't you the one sobbing after you stubbed your toe.”
you latch onto the idle chatter even if it's a jibe.
“i was eleven and i sprained that toe.”
he gives you a quick glance. “sure, princess. completely called for the waterworks.”
you snort. “yeah well it made me stronger. im barely affected today.”
your words are followed by a shift of his hand as it turns to follow a line, the movement pressing firmly against the underside of your breast. you're too attentive to the needle pinching at your skin to take notice.
but sukuna does, eyes narrowing without your awareness.
“yeah, i can see that.”
rather than closing your eyes to block out the pain, you find a more comforting distraction in tracing the lines of his tattoos with your gaze. you can hardly make out the first tattoo he’d gotten at the age of seventeen after forging his parents signature. 
the abstract design had now branched out, interlocking with new styles to map out the formation of a sleeve. it was almost like his own branded language. a dialect of bold shapes and bands. you’d never thought to actually ask what his tattoos meant. nor did you expect an honest answer.  
sukuna works rather quickly and efficiently while your mind wandered. even if he hadn’t squeezed you in during his lunch break this felt like the usual pace for him. he looked so in the zone as he followed the pre-made lines to perfection.
you weren’t the model customer, still having your brief moments of weakness but he rolled with the interruptions better than you expected. sukuna was brash growing up and didn’t tolerate nonsensical people. you’d had your fair share of opportunities to be chewed out by him.
and earned a reasonable amount of them, though your returning attitude said otherwise.
but this sukuna was softer, if you could put it like that. he knew the right time to give you breaks but didn’t let your nerves settle too much. when he wasn’t adding a layer to permanency to your skin, an errant finger would smooth over the swelling flesh.
more than once you heard him throw out a quiet good girl. that you knew was meant to be encouraging but it came with additional implications that tickled your skin.
he tells you that you should be grateful that the artwork doesn’t need any shading. that it was never a good fit for beginners.
your chest expands the furthest it had in the last half hour when he finally rolls back.
“alright, princess, go ahead and take a look.”
you take the offered mirror again and angle it to take in the fresh piece. the reflection you get back is- amazing. you’d been so concentrated?? on micromanaging the pain that you failed to take in the little details he’d added along with the original design.
as if reading your thoughts, he snorts. “it's not my art if i don't leave my mark. you can tell me it looks good you know.”
if you didn't know any better, you’d say he was authentic in his attempt to bait your approval.
and you had no reason not to provide.
your legs are a little shaky but you manage to balance yourself before brining the eldest itadori into a hug. sukuna goes stiff for a moment before returning the embrace and doesn’t resist when you press your face into his shoulder. there’s an awkward pat before they release each other from the hold.
sukuna .. before he’s shrugging you off.
“god, what a noob. at least let me cover it up. you’re going to irritate the skin.”
when he turns back to rummage through his desk you note the hint of a flush creeping up his nape. you know better than to mention it, instead just smiling at his back.
there is a scowl on his face as he applies the cotton square to your skin and tapes it in place.
“please do not itch this shit. i don’t care if you feel like your skin is going to fall off.”
he presses a small tube of antibiotic into your hand.
“and apply this daily. you don't need it drying out. “
you’re grateful for the little slip of printed instructions that follow. you were able to remember the sensible directions but it couldn't hurt to have additional guidance when you started to question the progress.
“oh and no sex.”
that was definitely not on the list.
sukuna raises a brow in all seriousness. “what? if you get your blood pumping too much.”
you call him on his bullshit,” this small? hardly. “
he raises his hands in mock surrender. “alright, try it yourself if you want. i charge for touch ups though.”
the two of you size each other up. just like old times.
with a sigh you relent, “fine, no sex.”
“good, see me in two weeks.”
his words stop you short. it wasn’t as if you needed anything added and he wasn’t a physician checking on your progress. if anything, you would only revisit your artist if there was a problem.
“what for?”
the dawning grin would follow you for the next fourteen days.
“to make sure you didn’t have sex.”
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collisiondiscourse · 3 years
Text
my art process: a simple(ish) guide to how i (kinda) do things
okay!! so, i said i was gonna post my art process after i finished doing the danny phantom piece so... here it is! the drawing i used for a step by step process explanation is actually... simpler? less clunky than how i usually do things. i must preface this entire post by saying that i am fully self-taught for anything to do with art so if there are some things here that are exceeding no-nos... very sorry OOPS
The drawing took an estimated 4 hours total and for software I used FireAlpaca. My tablet is One by Wacom (aka the tiny ass red one). Without further ado... here’s my narrated guide on how i kind of do art!
1. Sketch Layers
sketches, are ofc, one of the fundamental steps in art. Some artists do them differently, whether they do color blocking/splotches first or silhouettes or your standard messy-lineart-before-the-actual-lineart
i personally do 2-3 different lineart/sketch layers, each layer specializing in different aspects. i took this technique from julia lepetit, a host from the drawfee show--a channel that i really recommend watching if youre an artist, like art, or just generally like having fun background noise while you work on something because... untreated adhd lol
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this is the first sketch layer! i color coded them for reference and i use the yellow sketch layer to figure out poses. i use this gesture sketch layer to figure out where i want limbs to go and how i want the body to twist.
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after i figure out the posing, i move on to my second sketch layer. the green layer is my refined sketch layer where i figure out the form and anatomy of the sketch. this is also where i start planning how expressions, special costume bits, and hands work!!
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the red layer is my last and final sketch layer. technically, the red layer sometimes also doubles as my final lineart! the reason why i do this final step instead of doing the final lineart simply is so i can work on details of the costume. i end up refining certain portions, or even stretching/free transforming the whole body. 
The red helps with the refinement of the drawing bc the ink being a color that isnt black kinda,,,, tricks my brain into not believing that its all permanent. its easier for me to go back and erase/change some parts when my brain doesnt think that everythings final. when im finished, i simply go back and change the color of the lineart to black with the protect alpha function.
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this is how the final lineart looks! be sure to close the lineart (aka make sure that everythings connected) so that the bucket tool can work and make your life 2000% easier. 
2. Coloring
my coloring process is kind of... a mess LMAO its super dependent on how i feel like coloring on that day, but this is the usual method i use when im not thinking too much about it.
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first are the flats! i use the magic wand tool to select all the areas around the lineart and reverse the selection so that all the areas inside your lineart is selected. color it with a base color, turn on protect alpha, and begin chunking in all the colors.
all of the flats excluding the pupils, background, ectoplasm rings, and danny phantom logo are on one layer. once that is done, we move on to shading!
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for shading, i use a combination of the normal pen tool and the airbrush tool to smooth out the edges of the cell shading. since all the flats are on one layer, i simply set this one to clipping mask so that i dont have to worry about coloring within the lines. I only use one color really for shading (here, i used purple) and then protect alpha and add splotches of other colors (pink, orange) in relevant areas.
once i finish doing that, i set the layer to multiply and adjust the opacity so that it looks softer and more attuned to the colors of the actual piece
its at this point that i fiddle with the hue/saturation/brightness settings on the flat color layers to my taste, seeing what works and what doesnt.
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i then lightly go over the piece with a bright color (very very very light cyan) and put focus on the areas i think should glow like his freckles, eyes, and ectoplasm rings from where he’s coming out of a wall.
i rlly rlly love layer effects, so i set that one to add and again adjust the opacity to how i want it to look. 
3. Finishing Touches
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...yeah i know it looks like a hot mess but hear me out.
on a new layer, make a CRAP TON OF GEOMETRIC SHAPES. ALL OF THEM IN NEON OR PASTEL. i get comments about my coloring methods sometimes and honestly im pretty sure its all due to this step. i make all these goddamn weird shapes, colored according to levels of lighting (yellow in lighter areas, turquoise in areas affected by the glow, purple in shaded areas etc. etc.) and also clip this layer. 
i then set the layer effect to either hue, overlay, or add and set its opacity really low to make it unobvious and cleaner to look at. this is a method that i learned from tumblr user zephyrine-gale who is... exceedingly talented and pulls this off way better than i can WKSDJSKKS
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after that... ur basically done!! i add a few more layers like the noise layer for extra texture and sometimes some very light gradients (usually yellow to purple bc of something something color theory)--but after that, the piece is basically finished!
thanks for sticking around and reading this monstrous thing!! i might do more posts like this in the future, so who knows?
if you enjoyed this tutorial, want to support me and my art, or just wish for a way to pay for me to shut up... you can tip me 3 dollars or commission me here at ko-fi
(also reblogs are much appreciated. thanks <3)
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tobiosmilktea · 4 years
Note
Hello! I really love your writing and I just saw your requests are open yay 👏🏻 So my idea is that the reader (female or neutral, as you prefer it) is a third year who takes art lessons as an extracurricular subject or something and the teacher ask their students to draw posters of the sport teams, and the reader got the volleyball team. The thing is the reader knows the third years but they're not really close, so they talk just a bit. (Part 1)
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paint the clouds — tendou satori
4.7k words | genre/s: fluff | warning/s: possible ooc on everyone tbh | pairing: tendou x f!reader
↪︎ in which you painted a muse who always wanted you too
a/n: definitely not my best work and im super sorry for that, but i hope you still enjoy it 👉🏻👈🏻
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a warm spring breeze blew strands of your hair in front of your face, laying against your rosy cheeks as you watched the horizon. the bright yellow sun teased the sky with hues of pink and orange, bound to mix into the darkness of the sunset. school had ended a few hours ago and now you were sitting in your art club waiting for your teacher to dismiss you. she was in a middle of a spiel explaining your next art project, but your brain struggled to follow.
your hand ached from drawing for hours, your wrist tender from constant pressure, and now you could’ve sworn you were going to get carpal tunnel sooner or later. it was worth it, anyway, you were doing what you liked doing as you honestly felt being an artist was your only talent. it was merely the only thing you focused on besides your academics. dating was certainly out of the question.
instead, you watched the birds fly past the open classroom window as your teacher explained the assignment something along the lines doing sports teams posters.
“i will be walking around the classroom with a box filled with names of sports clubs,” the teacher starts, pulling you out of your train of thought as your attention was finally set on her. “you will pick a random piece of paper from the box and that will be the sports team you will be making a club poster for.”
whispers erupted in the room as others verbalized which team they wished to get.
“i hope i get the volleyball team, they’re literally iconic.” you heard one girl say.
another voice exclaimed, “drawing the equestrian team sounds super fun too!”
the murmurs continued to the buzz even after the majority of the class had already picked out their sports team from the box. you were the last one to choose as you opted to sit in the back of the class.
“and last but not least,” said your teacher as she serpentine through the desks towards your sitting figure.
your hand dug into the small cardboard box only to feel one last piece of paper. you wanted to scoff slightly, but you stopped yourself the moment you grabbed the last slip of paper and read the messy handwriting. it took you a good second to even understand what it said as it was complete chicken scratch (no offense to the teacher).
“(y/n), what did you get?” your friend who sat in front of you turned with a smile on her face.
"i got the volleyball club,” you answered, eyes widening when your friend gasped.
“that’s literally the best one to get! i’m so jealous,” she sighed as if she just inhaled a rose scented breeze.
perhaps you were lucky to get such a sought after sports team as your main focus for the assignment, but you couldn’t help but feel an overbearing weight suddenly falling upon your shoulders. shiratorizawa’s volleyball team was the epitome of the academy. they were the ones who brought a significant name to the school with only the smartest of intellects but one with the best athletes. depending on how well you created this poster could potentially make or break your reputation. it was a visual representation of the team, anything less than iconic would dig a deeper hole for you.
it certainly doesn’t help the fact that you actually had to talk to the volleyball team now that you were in charge of their school poster. you internally groaned. you barely interacted with the third years, let alone being completely enamored over a familiar red-head.
your after school activities had ended in the midst of your running train of thoughts as you absentmindedly gathered your things and walked out of the classroom. you gripped the handle of your bag as you strolled through the near-empty hallways of the academy, your mind in a complete spiral as you had already tried visualizing what the end product might look like.
it was common knowledge to everyone who had known about you was well aware how amazing you were at art. no matter what medium you were given, you were known to be the girl who had magical hands that could create even the most beautiful things out of ash and smoke. you had this some innate, almost magical ability to have others stop in their tracks just to admire your works.
perhaps that you were too caught up in your own thoughts and the hypnotic tapping rhythm of your loafers clicking against the school floors that you hadn’t even notice your arrival towards the gym.
even the loud shouts of volleyball players from the ongoing practice wasn’t enough to pull your gaze away from the ground and towards the flying volleyball hurdling towards you.
“(y/l/n), watch out!” you heard a familiar voice shout out, immediately pulling you out of your own jungle-like psyche and into the real world.
everything had happened so quickly, all you knew was a blur fly past you to retrieve the ball before it knocked out of conscious. semi eita quickly turned to you, his figure greatly towering over you as he gave you a reassuring smile. “are you okay, (y/l/n)?”
you gulped, nodding almost too quickly. “yeah, i’m okay.”
“good,” he mutters as his brows slightly furrow in confusion. there was a thin blanket of awkwardness hovering above both of your heads as you both stood there in silence for a good five seconds—five seconds too long that is. “so what brings you here?” he finally breaks it, scratching the back of his head in the mean time.
right, you had almost forgotten why you were here in the first place.
“it’s about the art club, we’re doing sports team posters and i was wondering if i could talk to the third years for ideas.” you asked gently.
semi’s eyes immediately widened, the already prevalent smile on his face only increased at the statement. “that’s cool! come with me, i’ll show you to them.” he quickly motioned you to come inside the gym, feeling the brisk air difference of the air conditioned gymnasium to the warm spring breeze outside.
a shiver flowed down your back. not from the sudden influx of cold air surrounding your body, but the fact that towering volleyball players and their ever-so-intimidating nature causing nervous habits to take over you. soekawa jin, the vice captain of the team quickly flickered a look towards you before tapping ushijima’s arm for his attention. turning to see what his teammate wanted, soekawa swiftly pointed at you and semi approaching.
“it’s a surprise seeing you here, (y/l/n).” ushijima greets you in his deep, guttural voice. it caused you to gulp nervously, struggling to even put on the tiniest of smiles as you meekly muttered a ‘hi’ to the rest of the third years. however, it seemed as if the one you were most familiar with was not in sight. it did seem a tad bit quiet in the gym now that the practice game was on a time out.
“um,” one of the wing spikers approached you, ohira reon was it? “sorry for almost hitting you, by the way.”
you swiftly shook your head, “no, it’s okay. i was the one who wasn’t playing attention, so that’s on me.” 
“so, you’re here for the poster?” ushijima cut into it like a sharp knife, bold and straight to the point.
“yeah, um, i just stopped by to ask if you guys had anything ideal you want to see on your club poster.” your voice was softer than you hoped it would be when you spoke. 
eyebrows furrowing, ushijima glances among his teammates as provocation for an option saturated his hums of curiosity. 
semi then clears his throat, “we’re not really sure if we have any input for you, (y/n). besides, i think your poster will be amazing nevertheless.”
“that’s still a lot of pressure,” you mutter, “considering i would be mauled to death if this poster isn’t amazing.” sarcasm drenched your words like saccharine, hoping that the tall athletes would at least get your banter and share a laugh with you.
but they didn’t. instead, they stared with wide eyes at you in a mere worrying glance. perhaps the joke didn’t exactly translate well.
god, this is so awkward.
however, it wasn’t like you were exactly lying. as the face of shiratorizawa academy, you were aware that they needed to look good and if it were any less than that, you might never see the light of day ever again. not to mention you always liked adding twists to your artwork, which was technically the only reason why you were so infamously known to have such amazing works. but in the past half hour, you’ve came to the conclusion that it possibly isn’t the best option in this case.
“i’m kidding, by the way,” you let out a light huff.
“well, if it helps you in any way, you could always focus on ushijima as he is our ace.” soekawa cuts in, patting the captain’s back the moment he braided his arms over each other.
any form of leftover conversation (or lack thereof) was sliced—cut off from the sudden opening of the gymnasium doors and the (quite obnoxiously) loud middle blocker. tendou satori entered the giant gym with a bright beaming face of glimmering lights and cherries. tendou was perhaps one of the first people to talk to you the moment you entered this academy, eyes glazed in a honey-like optimism with every bright ‘hello.’ you always tended to be the quiet and secluded one in your classes with him despite being known to be infamously sardonic, you seemed to be the only one to which his overly comic ways of banter didn’t annoy you like it did with others. he, himself, was a sunray, and yet you couldn’t bring yourself to expose that thought as your eyes fall onto the approaching boy.
out of all the third year volleyball players, you and tendou had talked the most, yet considering you two as more than just mere acquaintances was a bit of a reach.
“yo!” the redhead’s loud voice thundered throughout the gym and you could already feel it echo within your heart.
“you’re back,” mused ohira with his hands on his hips. “are you okay?”
“yeah,” tendou says, fixing the loosened athlete’s tape over his fingers. “but the school nurse was already gone by the time i got there, so i had to fix myself up—oh hey, (y/n)!” he had cut himself off the moment his eyes fell upon yours.
your breath had hitched the moment he greeted you. it was as if your heart had immediately jumped into your throat and prevented you from even muttering a word as you can already feel your palms getting clammy. “hey,” you mutter almost in a whisper.
“so what are you doing here?” questioned tendou as his eyes suddenly widen the moment the words came out of his mouth, “uh-that sounded really rude, um—i actually meant that in the nicest way possible, by the way.”
you couldn’t help but chuckle at his sudden burst of scattered thoughts, noticing a faint flush of pink upon his cheeks. 
“she’s here for the club poster,” ushijima answers in your place as you seemed to not answer even after a beat had passed.
“oh nice! i’m sure it’ll look really cool!” the middle blocker grinned at you to which a sudden wave of monarch butterflies attacked your gut. you could even feel the heat coursing through your cheeks and all the way to the tips of your ears until they were as red as tendou’s hair.
“hopefully,” you modestly commented, eyes then falling upon tendou’s wrapped wrist and couldn’t help but be filled with curiosity. “what happened to  you?”
the middle blocker shook his head dismissively. “i tried blocking one of ushijima’s spikes again, but as you know, it is a bit impossible and i ended up hurting myself. it’s no biggie, though.” he shrugs.
“t-that’s amazing.” you breathed out before you could catch yourself. and you swore, you saw the light pink hues of blush upon tendou’s face had darkened.
how cool, you thought with the stars in your eyes. the thought was a bit controversial, but you couldn’t but find tendou satori cooler than ushijima at that very moment. the fact that he knew very well how difficult and painful it was to block his spikes, tendou still attempted it to the point at the cusp of being injured. you began fiddling with your fingers for far too long as you’ve come to realize how long you were standing there for no more reason. you mentally face palmed as you cleared your throat, “anyway, if you guys do have any preferred ideas let me know before friday.”
before the boys could even say a proper goodbye, your legs were already carrying you towards the exits of the gymnasium as if it was running on autopilot. she did hear their shouts of good lucks from across the room as your long strides pushed you to quickly leave.
why was i so awkward for?
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in retrospect, perhaps you were more nervous than you thought. it had been an entire week since you had received the assignment to create a club poster for the volleyball team and there hadn’t been a night filled with peaceful sleep. instead, they were brimming with 2am moments of inspired antics. working on the large poster filled you with nothing but utter confidence even after it was finished, but now that you were actually at school with the rolled up poster of the incredible volleyball team, you couldn’t help but feel waves of reluctance and insecurity.
it was always like this with you. where everything was fine and your confidence within your works were expected, but the moment you did have to present such things, you couldn’t help but think of what you should’ve done differently. you assumed that you could’ve improved your mixed media skills by a little bit as there wasn’t much you could’ve done either way in that murky little head of yours that obviously lacked sleep.
the hallways of shiratorizawa were still pretty empty as it was still quite early in the morning. most of the students were outside anyway, so you quickly took this chance to unroll the large poster. taking some push-pins from the side pocket of your school bag, you hung the poster up in it’s place. 
you breathed out one last sigh of ichor before picking up your bag and walking away from the masterpiece.
throughout the entire day, you had come across dozens of stares of others as you walked through the hallways, bringing your endless sea of nerves to heighten until you were dragged upon its tides. there were whispers everywhere. they were probably talking about your poster for the volleyball club and immediately you felt drowned in sorrow.
within a snap, had already thought of the worse possible outcomes that others were talking about how terrible of a job you did. perhaps that leap of faith, that tiny step out of the box when creating your poster was too much of a risk that you ended up falling to your own demise.
“(y/n)!” a voice called from behind you.
turning over your shoulder, you saw a familiar redhead making his way towards you in a bright amble. you immediately felt your heart drop as you whip your head back around and started to walk away. 
shit, shit shit. you thought, tendou was definitely not the first person you wanted to talk to you when the possibilities of what he had to say to you was tangling in your psyche. as if they were tangled vines yearning to be untangled for his closure and yet, you refused.
your shoes clicked rapidly against the floors of the school when suddenly your wrist was pulled back, turning towards his familiar tall figure.
your direct gaze was on his chest, but you couldn’t bring yourself to look up upon his eyes. you couldn’t, at least. as if you were, your face would resemble something similar to a tomato.
“listen, tendou.” you muttered, still not attempting to meet his gaze. “i’m kind of late for class, but if you want talk later then we can—”
“no, i want to talk now,” he stated seriously, almost too seriously as it caused you to look up to him in surprise.
your mouth gaped to say something, yet nothing seemed to come out.
“i just wanted to say thanks for the poster.” tendou says as his breath almost hitched from the mere sight of you. he could recall the rushing feeling of blood coursing towards his cheeks and ears the moment he stepped upon school grounds and saw your poster. there his painted figure was, stood more prominently than the rest of his team. it was as if he needed the taste of sweet-tongued cough syrup just to ease his aching cheeks from smiling so hard.
the feeling was amazing. that from the smallest little action of you focusing on him rather than what he thought was going to be ushijima (like always) it was you who chose him. the loud middle blocker over the incredible ace of shiratorizawa. he knew validation wasn’t everything, and yet, his immense feeling of being at the top of the world certainly didn't help the fact that he had always been in love with you. you and tendou had the same class each and every year, that each first day of school, he would always sit giddily at his desk just so he could watch your angelic figure walk in.
in spite of it all, from his loud and upfront nature, he could never bring himself to even talk to you everyday besides an occasional ‘good morning’ whenever you would walk in. perhaps seeing this poster of himself was a little push into the deep end—to finally grow the guts to spill his unspoken epiphanies of built up feelings for once.
“usually, it’s ushijima who’s the face of the shiratorizawa team, but it’s nice seeing a change.” continued the middle blocker on the cusp of rambling, “i really didn’t expect you to focus it on me though, so that was a surprise... which by the way,” he hesitates as if he was do embarrassed to even ask. “why did you choose me?”
you pursed your lips the moment your breath was snatched from your lungs. “um,” you sighed, your mind speedily trying to come up with a plausible answer—something other than perhaps inevitably revealing you feelings for him, “i just think you’re really cool.” was all you could come up with and quite honestly, you wanted to face palm yourself for how stupid it probably sounded.
but to tendou, it was an absolute godsend. his heart thumped rapidly against his rib cage as his cheeks reddened into crimson wine. he didn’t know what else to say afterwards as that was his final push. it was then the idea popped inside his mind. a cheeky smile melted upon his lips as he patted your head gently.
“you’re an amazing artist, (y/n).” he complimented, amused by the fact he was the one who caused your reddening face before turning his heel and waving, “see you tomorrow!”
“u-uh, see you?” you stammered over his sudden departure, briefly waving before hold your hand to your chest. you felt as if your heart was to inevitably combust at the sudden overflow of ardor and vehemence of tendou satori’s actions. 
a sigh left your peachy lips, why am i feeling like this?
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tendou could’ve sworn he had enough time to make it back to practice before stirring up any suspicions from his team, but the unfortunate tides have come across and drenched him in ill-fate—all gross and sticky.
ever since seeing your poster of him the day before, the thought of you had been on the middle blocker’s mind enough that even ushijima noticed his change in demeanor.
“what’s up with him?” the captain asked semi as they watched the redhead stumble into the gym.
“i think it’s about (y/l/n),” he answers in a hushed voice in case the disorganized tendou somehow heard. “he’s been in love with her since first year and seeing the poster of him is finally forcing him to make a move.”
ushijima refrained from chuckling, “so all it took was a poster with him as the center instead of me?”
“yeah, pretty much.” says semi.
tendou had been non-stop running back and forth between his classroom, the gym, and the art room after that burst of serendipitous ideas clouded his brain until it was all he could focus on. he had already missed the beginning of practice just so he could do something special for you for when he does muster up the courage to confess.
it was something along the lines of returning the favor of what you did to him, but he was well aware of the fact that he was a volleyball player for a reason and not an artist. honestly, most of the work was done with the help of you friend from the art club to which she basically did the drawing and tendou just colored it in. however he liked to think that it was the thought that counted, either way.
“sorry i’m late,” the missing middle blocker finally appeared. he was trying to catch his breathe as he rested his arms upon his bent knees. perhaps he quite disliked how gigantic the shiratorizawa campus was when it came to this. “i had to take care of something.”
ushijima gave semi an amused look before hardening his gaze on tendou, he tried not to laugh as he cleared his throat to hide that fact. “what’s more important than volleyball practice?” perhaps in the ace’s rarity, he was in the mood to tease the guy. “a girl?”
and immediately, the look on tendou’s face—of complete and utter fear that his captain would potentially punish him with extra conditioning was going to be the death of him—was instead replaced with chuckles him ushijima and semi.
“i’ll leave you off the hook as this was your first time missing a practice, not to mention you missed it for a girl you’ve liked for three years now.” said ushijima surprisingly out of character, than even he found himself shocked by saying it. “but if you miss another practice for (y/l/n), you’ll have extra conditioning everyday before and after school.”
tendou nods rapidly, “yessir!”
the rest of the day was filled with the sound of firm volleyballs being hit and slapped across the gym before falling to the floors with a coupled thud.
and despite trying his very hardest to focus his mind upon the practice game, he couldn’t help but let his thoughts wander to you in your bright enormity. his mind was on you, and yet he was playing the game harder than ever with each and every block he endured. perhaps it was the nerves, the aching adrenaline that flowed through his veins at the mere thought of  confessing to you by the time practice ended fueled his fire.
even if this was just a practice game against his own teammates, he was going to win for you and leave the gym with a confident aura enough to give him the guts to walk up to you.
the thing is, the game had already ended before he knew it. his side of the court had won and reached 25 points before he could even blink with the fact that he was in a ready stance even after the whistle had been blown.
“tendou,” ushijima called out to the redhead. “good luck.”
with that, the middle blocker’s head had cleared as he gave a smile to the setter. he walked over his bag, snatching it up and over his shoulder as he grabbed the rolled up poster within his clammy hands.
god, i’m was nervous. he thought to himself as he walked out of that gym.
the loud, boisterous guffaws from the rest of his teammates faded and echoed into oblivion as he walked the opposite way from everyone else. as the rest were going home, it was him who was on his was to your classroom. he had heard from your friend that you had cleaning duties today after school and it was the perfect time to just swallow his pride and just say.
but his actions were definitely faster than his thoughts as he had impulsively slammed the classroom door open without thinking.
you had thrown a shocked glance at the redhead at the sudden harsh action as he had thrown an embarrassed smile at you. chuckling at that adorable look on his face, you quickly set you mop aside. “tendou? what are you doing here? is your practice over already?”
the redhead nods, “yeah, just a couple minutes ago—um, i-uh just wanted to uh—”
he sighed frustratingly. this was the first time that the tendou satori—the third year infamously known for his innate way of speaking to others in such bright confidence for once, had his tongue tied. the reason why was obvious. it was because of you and your beaming eyes and that godforsaken smile of yours that made him go utterly crazy.
he was still trying to find the right words to say when your gaze fell upon the rolled up poster within his shaking hands. “what’s this?” you asked innocently as your hand reached for the poster and took it out of his hands without much force.
“w-wait! that’s—!”
you unrolled the poster, honey glazed your irises as your mouth gaped slightly.
it was you. a painting of you sitting under one of the large trees on one of the campus’s courtyards, sketching who knows what along with tendou’s large handwriting sprayed at the top:
WILL YOU GO OUT WITH ME, (Y/N)?
you breath was snatched out of your throat as you flickered your widened eyes up to him. red and pink hues adored tendou’s cheeks and ears, scratching the back of his head as his chestnut eyes refused to meet yours. if he were to look at you then and there, he would immediately melt into a puddle of blossoming cherries.
“did you make this for me?” you asked gently, still absolutely moonstruck at the poster. it was a simple painting that was definitely not drawn entirely by tendou as you could tell your friend had something to do with it, but you couldn’t help but be absolutely astonished that he even went out his way for this. “i love it,” you whispered, capturing tendou’s attention.
“y-you do?” the redhead huffs in disbelief.
tendou was closer to you, more than you were comfortable with, but you didn’t fight it off. you didn’t bother giving a little space between you two. “i was serious when i always thought you were cool. you were the only one out of that group of popular kids to talk to me and was actually nice about it.” you suddenly professed. your consciousness mentally slapped you over and over again from the embarrassment of saying such a thing. and yet, the signal in her mind didn’t releasse itself until the moment you felt your eyes fall upon tendou’s chamomile lips. and to your peachy ones, did tendou even dare to think of the impossible, of the serenity that filled them under your blushing cheeks,
“i really like you, (y/n)... and i have for a while now.” he muttered.
you bit your lip at the sudden downpour of feelings that you didn’t even notice yourself clutching and perhaps accidentally crumpling the poster he made. “me too,” you said in a mere whisper, your gaze flickering back down to the floor. “and to answer your question... yes, i will go out with you, tendou.”
the redhead felt his breath hitch in his throat, pausing with his eyes almost wide and doe-like when he looked at you underneath the last rays of the setting sun. he let’s out a bright chuckle, “cool.” he attempted to act casually only to break the moment he found your embrace.
you gently laughed as it muffled within his chest, “cool.” you repeated.
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blueskittlesart · 4 years
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Can you walk us through the prossess you go through when drawing backgrounds?
yes but i talk too much all the time so click the readmore if u want bad advice :)
hmm im not entirely sure that im the best person to go to for advice on this lol. i consider myself a character artist first and foremost, hence why a lot of my art doesn’t have real backgrounds. 
when i draw backgrounds, i’m always thinking mostly about how they affect the character, who is usually the focal point of the drawing in my case. how am i planning to light the character? would this lighting make sense with my background, or do i have to adjust it to allow for the affect i’m going for? I also try to think about composition, which usually involves arranging the background so it leads the viewer’s eye to the focal point of the drawing. a lot of this comes naturally to me now, but if you’re having trouble with background composition i would recommend reading up on the elements of composition. i had them drilled into me in 8th grade and my art is definitely better because of it!
when i sketch out backgrounds, they are usually only gestural lines to give me the idea of the space. where the character needs to be fully rendered to be recognizable, i can easily fill in details that aren’t in my sketch with color later, and since the background is usually secondary to the character anyway I don’t need to go into as much detail with it. i don’t have any examples at the moment because i usually delete my sai files to save space once theyre finished, but hopefully you get the idea. after that it’s just a matter of defining the space with color. I work very sequentially which every art teacher in the world will tell you is Wrong And Bad, so don’t take this as the best way to do things in any way, but i usually fully color my backgrounds before moving on to the character on top of them. this tends to help me because with the background fully rendered i can see how light and shadows would fall on the characters more easily, but some people find it easier to block in flat colors and then shadows for the whole drawing at once. 
like i said, i rely on color a lot to make my backgrounds look less like messes. I usually use a LOT of references for both color and light, because coming up with pleasing color schemes is not really something i can do on my own yet lol. I also abuse the hell out of sai’s filter tools to adjust the color until it meets my qualifications. once i have the whole drawing colored, I adjust the colors of the lines with clipping groups so that they seem more seamless with the background. at this stage, i usually merge all my layers, which is a bad habit i picked up when i was first doing digital art and my shitty pc couldn’t run with a sai file open that had more than 5 layers. you really don’t need to merge all your layers. then i choose what i call the Extreme Highlight Color, usually white or a very light yellow or blue, and, using the same brush i used to sketch, I add a few especially bright hard highlight lines over my soft shading. if there’s anything I want to highlight in the drawing at this point that isn’t standing out the way I want it to, I can use these highlights to draw the eye to it, because they’re the lightest color in the drawing so they’re what the viewer will be inclined to focus on. the extreme highlights can also be used to seperate background elements that are blurring together, etc. 
the final step for me is to overlay! i choose my light color, almost always yellow but occasionally a blue or pink. always very light and not super saturated. on a new layer, I create a gradient from whichever direction the light is coming from in the drawing and fade the light color out to transparency. then i go to the layer’s mode and change it to overlay, and adjust the color and opacity until i get the desired effect. I do the same from the shadowed edge of the drawing, but with a dark color, usually a blue or purple. That explanation barely made any sense so here’s my best image reenactment:
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and that’s pretty much it! i realize this probably wasn’t super helpful but that’s how i do it lol
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please go into detail about the graphic novel. like all those CATS reviews going around? PLEASE im begging you
Okay so like- tbh I’m less mad about that it’s bad and more about that it had the POTENTIAL to be good and was hot garbage instead
Like here’s some of pinky’s art(source because art stealing is bad):
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and OF COURSE I’m not expecting the graphic novel to look like this. That’s ridiculous. When you need to draw so many pictures for so many pages, of course there’s going to be a sacrifice in quality. Things will look much more simple and rough.
... It shouldn’t be this bad, though.
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i just... everything is so unpolished. Maybe it would’ve been cleaner if Pinky had more time?
I’ve spoken about my issues with Pinky’s designs before. She draws animatronics just fine, but... The humans? ... They exist... Most don’t look bad, they just have same face syndrome(Will and Hen look related). Jessica’s design was just a “haha hot blonde” caricature and wasn’t thought out much more than that. The style is trying too hard to be Disney but falls short- especially because this is a HORROR SERIES and not a FAIRYTALE... MIXED WITH SOME ANIME ELEMENTS FOR REASONS?????
I don’t know if it should be in a different style or maybe if Pinky had mastered this style better it wouldve looked better, but it’s just choppy. She’s clearly out of her element and it shows, which sucks because like she’s a really good artist! ... I should also add that if this was done by just some random person I’d give it all the credit in the world, but because this is the official artist getting paid for this- and I KNOW she can do better- that’s why I’m being so hard on her. Because I know this work didn’t live up to her full potential.
The colors were done by a “Laurie Smith”, not Pinky, and it’s... embarrassing. 
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Jason got whitewashed... why tho? Keep him white or keep him POC, don’t do... whatever this is.
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You can see the fill tool on the lighting here. It’s so choppy, it’s jarring instead of highlighting, and... just... awful. If Laurie spent just... literally one extra minute fine-tuning this it would’ve been so much better. But instead it looks like I took this to MSPaint
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F... Fully saturated... bright red... “blood”. ... Someone got paid for this. I- this actually hurts my eyes, I can’t look at it for too long, it’s too bright and contrasted. 
Many of my friends have said that toning down saturation for the whole novel would be a HUGE fix, and I agree. It’s too bright and colorful for a horror novel, and could really use a lot more color theory(not just RED GRADIENT BECAUSE SOMETHINGS SHOCKING and OCCASIONAL GREEN LIGHT FROM NOWHERE, im talking overarching color theming, which is a whole long topic on its own)
I’m sure Laurie is a fine artist... maybe she needed more direction. Maybe she’s just a colorist, not in the fnaf fandom, so maybe she doesn’t usually work in the horror genre? Maybe she was just given “here’s what the character’s color schemes are” and had to figure it out on her own? I’m not behind the scenes, I don’t know the full story. I’m gonna give her the benefit of the doubt... but my God, this is awful compared to how good it would’ve looked with proper coloring.
As for the actual writing/pacing/layout
... eh.
Idk whose hands this was in: Scott’s, Kira’s, Pinky’s, some combo, so I don’t know who to be pointing at for this but. Eh. It’s okay, nothing insulting or cringey, at least. 
The pacing is rushed, but I expected that. You have to rush the story in order to fit a 500-page novel into a 200-page graphic novel. I won’t get upset at anyone for this.
But... the layout... eh. I think the problem is that Scott, Kira, and Pinky- none of them are graphic novel artists. Yes, Pinky is an artist, but making single illustrations(like the amazing ones up top) and making a graphic novel are two extremely different arts. Graphic novels aren’t just pictures with text added, you’re telling the story through the images. There are a lot of “1 hour later”s and “...”s the like, which is a super amateur thing to do. You can convey emotions, time skips, mood, etc without having a text bubble for it. Again, nothing against Pinky, but she’s clearly out of her element here and the novel is suffering as a result. 
Honestly, I feel like hiring someone with graphic novel experience instead of hiring Pinky would’ve been a much better call. She’s a good artist, but just... not a good graphic novel artist yet, y’know?
I mean, I got a lot of laughs and memes out of this! ... Only it’s supposed to be sad and scary rather that hilarious and meme-tastic. So... props for ironic enjoyment, at least?
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makeupaddict2012 · 4 years
Text
A New Wave of Beauty Influencers!
Welcome to article number 1 of my new series where my goal is to cast some light on new and upcoming beauty influencers. We all know that there are the same few LARGE beauty influencers that seemingly have taken over the beauty space. What if I told you that new and much better wave of influencers are on the rise?? Well, today in my first blog post, we are talking about Cody Jay! Cody Jay is an Ohio based professional makeup artist with such an incredible vibe. I had the opportunity to speak with him on a few topics and also got some input from him on the beauty community as a whole. When I say this man is a breath of fresh air, I mean it!! For starters, his approach of being a beacon of light, encouragement, love, and support is on another level. Through my own personal interactions and observations, I have seen Cody Jay constantly sharing other artists work, incorporating them into his youtube videos to help them get exposure, give up PR spots so others would have a chance to finally be on one, make videos exclusively to uplift other creators and artists, and most importantly I have have seen him use his platform for good. It’s rare to see someone with such a good head on their shoulders. Now if we are talking about work ethic.....man does he ever sleep?? Cody uses Youtube, Instagram, Twitter, Snapchat, TikTok, and Facebook to upload his content, engage with his audience, and create friendships and connections, Cody literally engages with EVERYONE, unlike most who ignore their fans. He has dubbed his supporters as Jaybabies because he says
 “I never want my followers or supporters to think they are just a number. I call them Jaybabies so that they know they are special and mean the world to me. I wouldn't be where I am already without every single one of them.” 
That’s enough for me to support him off of that statement alone! In addition to makeup, Cody Jay also has a passion for skin care. He regularly creates skin care content that is for every type of skin. He always makes sure that his content is inclusive and can be helpful to everyone. I think what will make Cody Jay a contendor for success in this saturated space, is his true passion and love for beauty and his naturally kind and supportive demeanor. Based on his actions, it’s clear to me that he wants everyone to succeeed and he already has showm that he ususes his platform to help others succeed. 
When asked what his biggest accomplishment thus far was, this is what he had to say: 
“Honestly i have had so many dreams and goals and to be honest, I have accomplished half of them in the last year. I have been working my absolute hardest and I try to make sure everything is done the right way. I have a few really big accomplishemnts so far. I would say my biggest accomplishents are being added as an affiliate for Makeup Geek because I love everything about the brand, as well as the owner, Marlena Stell. It’s a globally recognized brand and it still shocks me to see my face on their website haha. I’d also say that being able to monetize my Youtube channel was something i never thought i could do, so that was pretty exciting for me. And lastly, I would say that just having people tell me that my videos or content has helped them learn somthing, or feel better is the biggest accomplishment out of them all”
I applauded Cody Jay for his accomplishments and I believe they dont go unnoticed. I truly believe he is a force to be reckoned with. Towards the end of our interview, I asked Cody what his goals are for the next year as far as social media, Youtube, and overall growth. He had this to say:
“I have a ton of goals for the next year. I of course want to continue growing my platforms, because thats more people I get to connect with and ultimately become friends with. I would also like to join a few more PR lists for brands that i love because being able to be supported by those brands and also be one of the first people to review new products would be very helpful. I want to meet some more of my Jaybabies this year and would also like to collaborate with a brand on some type of limited edition version of a product. I dont know what kind of product that would be yet, but i think it would be amazing. And lastly, i REALLY want to figure out how to make my Youtube channel just become a huge hit. Im working very very hard on that, so i hope to make that happen soon. 
My final question to Cody was, “ What are your thoughts on the beauty community as whole, and what changes would you like to see? His response was as followed :
“That’s actually a huge question hahah. For starters, i feel that the beauty community has lost sight of why they are there. There is so much drama and cancel culture is huge right now. It creates so much division, hate, and bad behavior. People need to get back to loving makeup, celebrating the art, and lifting up each other rather than tearing people down. Of course the problem isnt with everyone, it’s typically with larger influencers and then everyone gets super opinionated and they start going after eachother, it’s truly sad to see. I would like to see everyone learn to love eachother again, support eachother, be happy and kind, remember that the beauty community is supposed to be a BEAUTIFUL place, and i REALLY would like to see SO MANY more smaller creators be given the sptlight. It would be life changing to have these larger influencers or brands use their audience to help smaller deserving artists grow. Look at my friend Marly (LVNDRBEAUTY) for example. She was given a gift from a large influencer and she took that gift and turned it into a HUGE empire in a matter of months. Shes thriving right now with her own business and it literally changed her life. We need more of that.”
So, if you are in the beauty space and are looking for a new up and coming artist to support, i would definitely recommend checking out Cody Jay. I wish him the absolute best and cant wait to see his face in a sephora one day! You can find him on:
www.youtube.com/codyjayy
www.Instagram.com/Codyjayartistry
www.twitter.com/Codyjayartistry
Snapchat - Codyjayartistry
Tiktok - Codyjayartistry
I hope you enjoyed part 1 of my new beauty community “Who You Should Know” and if you have any artists you feel should be featured next, PLEASE let me know! Have a blessed day and remember, Stay Beautiful!
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ddd09ish1 · 5 years
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A couple of iimprovement memes, tracking my sketch work, colored pencil, and digital colors work. 
i think... the biggest JUMP in quality is from 2013 to 2014. which makes sense, because 2 things happened then: 
1) i stopped being an idiot and made sure to use a few references, 
2) i got a hold of the dragons crown artbooks and they inspired me to push myself The smallest change is probably from 2018 to 2019...which kind of makes sense. I am focusing on my colors a lot more now. As you will soon see!
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Realistically you can describe colored pencils as where i REALLY got started as an artist, where i progressed the most, aaaand where you can sum up 50% of my progress with :
FIGHTING THE GOD DAMN SCANNER
God its so silly. 
As you go down on the scale, saturation goes up! some nonsense i swear and uhhhh. 2014 is blank because most of what i made that year went straight to customers. I didn't really...KEEP anything from that year. At least nothing i colored by hand. Most of that went to conventions as commissions....
yeah..
its why like, during that year, a LOT of the papers that im drawing on are colored :V i am using all my GOOD paper for commissions and what i had left was basically scratch paper
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Didnt really...USE. Digital colors for a while. I didnt have access to a tablet (or even a computer reliably. If i was on a comp, it was to do homework or play dota ) and i was SO much more comfortable with colored pencils.
 2014 is when i finally got a tablet/had time open up , and 2015 is when things REALLY took off, after i did a painting class. Most of my color work is actually fairly recent though, especially the digital stuff.. A LOT of my recent works have been digital art, and many of them are fairly solid, to the point where it was tough to choose what i should represent them all with. 
The decision was mostly made by “wait...this one is vertical. it fits the meme!
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genderfreezone · 5 years
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Do you like the Evil Within 2?
Yeah! Certainly not as much as the first one (i was not immune to being sad they left out fan favorites Jojo and Ruvik's Cube)
The rest of this post is me rambling about things i didnt like about the game, and then things i did like (most of my issues are how they treat the female characters tbh)
Its missing kind of the action-noir-gone-horrifically-wrong feel of the first game. The scare factor also suffers bc our player character has been through this before, hes a veteran at dealing with this crazy shit, it doesnt phase him anymore and by extension it doesnt phase the player. They really like tripled down on the Evil Corporation thing and both the intrigue and horror suffer for it.
This game did not drink its respect women juice (the first one didnt really either, case in point: Everything About Kidman) Sebastian is surrounded by 5+ female characters and only 2 of them survive (and one of them is his 7 year old daughter hes spent the whole game trying to rescue... and yet they never bothered to give her any kind of characterization or agency. A highly empathetic and supernaturally powerful little girl in a monster-infested hellscape?? HELLO???? Lily really had the potential to be the most interesting, sympathetic, and complex character--especially as she slowly lost her innocence--in the WHOLE GAME, but she was just sort of relegated to Plot Device McGuffin) The rest of the female supporting cast are killed off for Sebastian's Man Pain. In fact, THIS ENTIRE GAME IS CENTERED AROUND SEBASTIAN'S MAN PAIN. Torrez is a walking stereotype, shes literally just Vasquez from Aliens. Hoffman was the most likeable and believeable, except when it Turns Out She Was In Love With Liam Or Whatever (psst, guess what, i dont care. Also O'neal was kind of a dick anyway? I dont care x2)
And you know who i SUPER dont care about? Bland-White-Bread-And-Mayo-Sandwich Myra. Where's the no-nonsense firecracker of a police lieutenant Sebastian married? Not here, thats for sure. Her entire personality is "mother" and "worries about stressed-out husband". We got more characterization of Myra in seb's jornals from the first game, where she never even made a physical appearance! Horror media does this SO MUCH, women are either A. Sexy Lamp B. Hurts Men (Sexily) C. Mother or D. Innocent Virgin. It sucks. Do better.
The story lacked the "digging up old buried memories" and "theres more to this than meets the eye" of the first game. It felt too...... Straightforward. Everyone told Sebastian the truth. EVERYTHING WAS EXACTLY WHAT IT SEEMED. It all felt too simple, too easy, like there SHOULDVE been something else beneath the surface. And yet there wasnt. (I watched markipliers playthrough and i loved his theory that Kidman was actually Lily. It had such potential. Kidman's entire resume for the police station was fabricated, who's to say the rest of her past wasnt fabricated as well? It would retcon a lot of stuff and like 80% of her backstory from the DLC, but you know games like this arent above retconning important shit, and at least it wouldve been sacrificed for something with actual intrigue. Maybe it wouldnt even retcon anything! Consider: tiny Lily is taken by Evil Corporation and dropped off in a non-nurturing environment that would lead her to become the kind of person who would willingly join & work for an organization like Mobius. At least wouldve been a nice excuse for why Kidman and Lilys face models looked so similar... other than... yknow.... "WomEN ARe hArD tO DRaWwwwwee")
Okay okay ive been ranting for long enough. It probably makes it sound like i kinda hate this game, but i dont! It certainly doesnt hold the same place in my heart as the first one (which i still have very glaring issues with lmao Kidman deserved WAAAAAAY better), but i do like it! It brings back salty, grizzled, tsundere Sebastian Castinellos. It brings back spooky monsters that kill you dead. It brings back having a fun theatrical over-the-top villain who takes himself a litte too seriously.
I love Stefano. Probably not in the way some other fans do, but i love him as a ridiculous theatrical over-the-top villain. He sucks! And i love that he sucks! I love him BECAUSE he sucks! Hes terrible and exaggerated and completely up his own ass and ITS GREAT. He isnt as ACTUALLY THREATENING as Ruvik was (even in his bad assassin's creed cosplay. I could go on and on and on about why Ruvik is simultaneously a ridiculous AND frightening antagonist and how much i love it but uh..... maybe later) but hes such a FUN villain! Hes the kind of pretentious art snob shitheel i cannot STAND irl, but in this game i LOVE to HATE him. Hes just SO over-the-top you kinda wonder if he actually subscribes to the pretentiousness he spouts, or if hes just being Exceptionally Extra.
The other villains? Theodore was.... forgettable. His monsters were forgettable. (Its like how i completely forgot that Frank Manera was a character in Whistleblower for like... 5 years lmao i guess this game also kinda followed that "having multiple named/characterized antagonists in one game" thing that Outlast did) Myra, i just didnt care. Her final design was kinda cool, i liked the red clusters of insect eyes. Her monsters werent really gross enough to be memorable. The only reson theyre gross at all is bc they kinda look like theyre made of semen. (I checked the wiki and apparently Myra's white goo is "psychoplasm" and her monsters lost 99% of their gross factor. I just dont care.) The Administrator literally just looked like a 3D human model of Maxwell from dont starve, and i have to laugh every time i see him. Hes not terribly threatening, all he does is threaten characters to work faster and doesnt actually follow through on those threats. He doesnt even make fun threats like HABIT or anything. He thinks hes so powerful and ominous that his mere presence will frighten the player but hes just kinda all bark and no bite. Hes The Big Bad Company Man so you know hes gonna get whats coming to him, and you know Kidmans gonna be the one to do it to him, so hes not even that much of a threat. Hes whatever.
Stefano definitely got all of the coolest monsters. Many Arms Buzzsaw Lady was terrifying and i love her. And OBSCURA was just *Chef's Kiss* Anima was cool, she kinda looked like a mix of Laura and Samara. The Harbingers were neat, but really only bc ive got a thing for gas masks. The rest of the monsters werent really unique or weighty/threatening enough to be memorable. Now the first game is a fucking TREASURE TROVE of unique monsters *muah* you got Sadist, Sentinel, Keeper, Amalgam, Heresy, Laura, Shigyo, the Twins, Alter Egos, and im probably forgetting some!! But holy FUCK!!!!! And if we're includong the DLC?? MOTHER FUCKING SHADE. SPOTLIGHT LADY. LIGHT WOMAN.  SEXY LEGS.  Whatever you call her, i fucking love her. Her design is so simple. Helmet. Sheet. Legs. Her voice? Unnerving as hell. Love it. (Also i just personally love the diving helmet. Also like you know how a lot of games have a spotlight mechanic where you have to avoid the light and if it lands on you, you're fucked? LET'S MAKE AN ENTIRE MONSTER OUT OF THAT. She's PERFECT.) Oh and also those weird crawling exploding dudes. They made gross sounds and it was great. (Tbh Keepers still probably my favorite, if only for horny reasons)
TATIANA HOW HAVE I NOT FUCKING TALKED ABOUT TATIANA. Shes like the ONE female character that i fucking LOVE in the sequel. I love how they finally gave her a personality, and that personality is literally just "fuck you, Sebastian" Oh GOD its great shes SO FUNNY. I just.... god i love Tatiana lmao. I love how she makes you kinda uncomfortable too, like she knows something, but she wont tell you bc youre stupid. I didn't like the kind of "all-knowing guide" thing they did to try and make her creepy (like she's a "guide" but then also turns around and is like "no i wont tell you what you need to know bc you """have to discover it on your own""" or whatever") it serves no purpose since she never gave you any actual information, and it didn't succeed in making her creepier, all it did was frustrate me. She was at her creepiest when she IMPLIED she was doing something behind the scenes or knew something you didn't know and then didn't elaborate (not REFUSING to elaborate, just... stopping talking and leaving the statement to hang in the air, like the "getting her nails done" and "its been a long time, detective" and the "now what makes you say that" from the first game) and she was at her funniest when she was interacting with Sebastian from the sidelines, her snide little comments and sarcastic clapping cracked me the fuck up. Tatiana not treating Sebastian seriously was a fantastic touch for a game that otherwise would probably take itself so seriously it would double back around to being silly. Without Tatiana, it would've been just another male-centric gun-toting "survival horror" game, and for the most part, it was just that. She was definitely a much-needed source of slightly derisive comedy and a definite high-point for me, even if they didn't so a great job of making her creepy or fulfilling her "purpose."
Oh I also really love the COLORS in TEW2. The first game fell into the trap of having the colors be totally washed out that a lot of horror stuff does, but it also kind of worked for it. Especially with the color pallette of our main villain and how the whole thing was His World. The saturation of the colors in the second game is a breath of fresh air and gorgeous to look at, and you can even see the color motifs of the game change with each new villain: the game starts out with Stephano has lots of blues and purples and dark reds, when Theodore takes over we get bright orange and yellow contrasted with black and brown, and in the climax with Myra the game goes back to having washed out colors and white (and with her villain design? Let's face it: they were kinda just trying to do Ruvik again) We did get portions that were still kind of wahed out whites and greens and greys, but it wasnt the ENTIRE game, even the big blood-and-brains splatterhouse sections of the first game kinda had their colors weirdly muted for that "Horror Aethetic."
In conclusion, i do like the evil within 2, but i also had a lot of problems with it. And i complain about these problems because i like the game and know it couldve done better, tried harder, and been a LOT more than it was (the wasted character potential is my real overarching pet peeve, probably becuase i loved the characters in the first game, and character development is kind of my whole jam) . But all in all, it was still a fun monster-zombie romp with at least one entertaining villain and fun-to-look-at designs and environments. It wasn't character or horror or even REALLY story driven in the way I know it COULDVE been, but i still had a fun time and enjoyed myself.
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comicteaparty · 5 years
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May 27th-June 2nd, 2019 CTP Archive
The archive for the Comic Tea Party week long chat that occurred from May 27th, 2019 to June 2nd, 2019.  The chat focused on SUPERPOSE by Joe (or Seosamh) and Anka.
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Featured Comment:
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Chat:
RebelVampire
COMIC TEA PARTY- WEEK LONG BOOK CLUB START!
Hello and welcome everyone to Comic Tea Party’s Week Long Book Club~! This week we’ll be focusing on SUPERPOSE by Joe (or Seosamh) and Anka~! (https://superposecomic.com/)
You are free to read and comment about the comic all week at your own pace, so stop on by whenever it suits your schedule! Remember, though, that while we allow constructive criticism, our focus is to have fun and appreciate the comic. Below you will find four questions to get you started on the discussion. However, a new question will be posted and pinned everyday (between 12:01AM and 6AM PDT), so keep checking back for more! You have until June 2nd to tell us all your wonderful thoughts! With that established, let’s get going on the reading and the chatting!
QUESTION 1. What has been your favorite scene in the comic so far? What specifically did you like about it?
QUESTION 2. When it comes to the themes of feeling lost and finding your place in life, which character do you connect with the most? What moment of their internal struggle regarding this topic really captured your imagination and why?
ErinPtah (Leif & Thorn | BICP)
Only a couple scenes in at this point, but wow, I can't let the coloring technique go uncommented on. It's gorgeous. Changes for every environment and every time of day, presenting them with rich palettes and exquisite lighting.
RebelVampire
QUESTION 3. At the moment, who is your favorite character? What about that character earns them this favor?
QUESTION 4. Do you think Kas will eventually adjust to life in Port City and get out more? If so, how might that change them? Overall, how do you think the nature of Port City will shape the characters as the story continues?
RebelVampire
QUESTION 5. What has been your favorite illustration in the comic so far? What specifically about it do you like?
QUESTION 6. How do you think Royal’s father will react to Royal’s plans with the company? How will this personally affect Royal? Further, will Royal’s father be as cool about who Rafael is related to? Also, how will Rafael’s relationship with his father affect the story?
RebelVampire
1) that scene where Royal is in the arcade teaching the kids the glitch in the game. this was the first time where i felt like we really got to see royal's soul. previously he just felt like kind of a smart air-head, but this scene made me see him in an entirely new light. there deep thoughts and grave ambition hidden under there, and the way he explained the glitch really just made me want to play glitchy games and marvel at them. plus, for comedic reasons i like the juxtaposition of the kids basically just not giving any damns about what royal is talking about. they just wanna win their game https://superpose.superposecomic.com/post/161303418270 2) its a tough choice between royal and rafael, but im gonna go with rafael. i think my favorite scenes with him in regards to being lost are when we see him in the ocean. to me those scenes are physical manifestations of what hes feeling internally, which is like a small speck alone in a vast ocean trying not to drown in everything. and honestly, what a great way to put feeling lost, because sometimes that is exactly what it feels like. plus, for me personally, i can connect with rafael's seeming lack of ambition a bit more than i connect with royal. since it's not like rafael doesn't have skills, rafael just doesnt seem to know what to do with those skills.
RebelVampire
3) Royal. I love how hyper excited Royal is about everything and just the sheer amount of ambition he has. Like, I can't not admire someone who is so sure of their own damn idea that they pursue it like their life is on the line. That being said, I also like that Royal can be a bit of a doofus and also that he still has internal struggles of his own. Like trying to find a place in the world with his dad being pretty stern and detached emotionally. 4) I do think Kas is gonna get out in Port City more, mostly probably cause Royal and Rafael will drag them around whether Kas likes it or not. Which I'm sure there will be an adjustment period, but I think eventually Kas will kind of get used to everything if only out of necessity. Plus, I think Rafael will show Kas the good spots where Kas doesn't have to be bothered by jerks. I do worry though that in the long run, the city is kind of going to continue to amplify all their internal struggles and will continue to bring those to the forefront of the story. Port City strikes me as sort of a backwater city. Like the sort of city that isn't cool enough to intense tourism but is large enough that it devours everyone into the crowd. And that's the exact sort of environment that can breed feeling lost. Plus, a lot of the random people we've seen have been kind of shitty, like drug dealers.
5) I've gotta give it to the beam https://superpose.superposecomic.com/post/183664963457 the lighting on this page takes my breath away, and the pacing leading up to the illustration is really perfect too. Especially, though, I like the little intense beam of blue at the top. Not only does it visually show off the intensity of the power, but it add that nice level of contrast that draws your eye to it. plus, great composition for this page in my opinion and a well-chosen angle. 6) Royal's father is gonna be super, duper pissed unless it makes him a lot of money. I assume he will find out before it reaches that point and immediately pull Royal out and fire everyone. Cause I do not believe Royal's father has enough faith in Royal. Which this would obviously damage their relationship, and I think Royal will have to confront the feelings of insecurity he has because of his dad and how his dad has a lot of faults. Thankfully for Rafael, I don't think the dad will care about his dad. At most, I think there will be snide remarks. As for Rafael and his dad, I think their relationship is gonna drive a wedge at some point in Rafael's plans and kind of make him have to take a step back from the project maybe. I think Rafael is taking on a lot of guilt for what his dad has done, and I think he'll need to work through that before he can truly be happy.
RebelVampire
QUESTION 7. Which characters do you enjoy seeing interact the most? What about their dynamic interests you?
QUESTION 8. What do you feel the comic has to say about family relationships and how they help define who we are? What moment in the comic stuck out to you where this theme was at the forefront?
varethane
Royal and Rafael's interactions are always engaging, though I find them also very tense most of the time haha-- they're both very intense people
RebelVampire
as much as i like Royal, I would probably be more like Kas when interacting with him. where im just kind of internally like "royal slow your roll dude"
RebelVampire
QUESTION 9. What sorts of art or story details have you noticed in the way the comic is crafted that you think deserves attention?
QUESTION 10. Given how different Rafael, Royal, and Kas are, what obstacles do you foresee in the three getting along? How will their personal lives affect their professional lives in this regard? Alternatively, what ways have their relationships improved that you liked?
RebelVampire
7) Probably Royal and Kas. They have such opposite personalities that I'm always interested to see how they make their relationship work, both professionally and personally. There's also just something deeply relateable I find in their struggles to communicate while both being immensely self aware that they are ill-matched in regards to their socialization styles. 8) I think the comic shows both the good and bad ways our parents morph who we are. Like Rafael is a great dude, but he clearly has some deep-seated issues that I think are largely tied into the crimes of his father and feeling like he cants escape them. But I think that is something else this comic is saying as well. That regardless of what our relationships with our families is, sometimes we need to escape and forge our own path in spite of them. For me the largest moment where this stuck out was when Royal was in the meeting in the beginning and voicing his opinion. Cause Royal seemed to understand he was in the shadow of his father, yet at the same time was desperate to break free
RebelVampire
9) I'm gonna second @ErinPtah (Leif & Thorn | BICP) and say the lighting for this question. there is just so much damn atmosphere is every scene. especially when its dark. i find a lot of comic's get really scared of making scenes too dark and worry if its not bright enough people wont see. but i feel this comic just boldly says nope and does it anyway, creating some really beautiful night scenes with dynamic light sources. <3 10) I think theres gonna be a lot more conflict with Royal in regards to Royal just being so energetic. I think Rafael and Kas will find him exhausting after a point. not to mention I get the impression Rafael and Kas are getting closer, and I think there's a point where Royal will feel like a third wheel. The largest conflict I see them having though is what to do with their project if they succeed and what to do with themselves after. Cause while at the moment they have a joint goal to focus on, once that goal is gone i think the feelings of lostness will return. As for relationship improvements, I really like Kas was able to tell Royal that Royal's friends were asshole and Royal apologized. I was sure Royal was gonna kind of try to write it off. But nope, the two came to a mutual understanding, and Royal got to grow as a person.
varethane
I love that the lighting approach is derived from film compositing and photography techniques, it gives it a richness of value and saturation that's very intense but still feels realistic
RebelVampire
thats a super eloquent way to put, @varethane
varethane
I, uhhhh, am very nervous about what's going to happen when Royal finds out that Raf stole his dog.
RebelVampire
oh good its not just me then
although im worried whats gonna happen to Royal when Raf finds out Royal's dad was responsible for why the dog was in such bad shape
RebelVampire
QUESTION 11. What do you think are this particular comic’s strengths? What do you think makes this comic unique? Please elaborate.
QUESTION 12. Ultimately, do you think Royal, Rafael, and Kas will manage to bring Royal’s project to fruition? Whether success or failure, what do you think it will mean for the three of them, for the future of the company, and for the world?
RebelVampire
QUESTION 13. What are you most looking forward to in the comic? Also, do you have any final thoughts to share overall?
QUESTION 14. Do you think any of Rafael or Royal’s past actions seen throughout the comic before they officially meet will have future consequences? If so, how will they affect their working relationship, and how might the two find a way to work past them?
RebelVampire
11) Once again, definitely the lighting and also probably the composition. These aspects together give the comic this really unique, movie-like tone. And again, there's just so much atmosphere with these illustration techniques that it really works for what's going on with the story. 12) I think it's gonna be a partial success. I don't think they'll manage a true teleporter, but I think they'll manage something close enough that they can use it to revolutionize something? Cause what I forsee happening is that they'll run into a kink and Royal's dad will find out and say "no my dudes make this profitable." i think regardless of success or failure, the experience will still teach them all about themselves, and I think that's more important than any affect they might on a more global scale. 13) Seeing Royal and Rafael hang out more. We've seen Kas with both of them a lot, and I'd like to see those two together more. Cause I feel there's a lot of misconceptions both can work through and apologies to be had. And I think it'll be real interesting. Also, the issue of Royal's stolen doggo. 14) Yes. There is no way that doggo is not gonna be a thing. That's gonna be a hell of a confrontation. Not just cause it's understandable Royal would be mad, but I think Royal is gonna have to face some hard truths about how his dad might be an asshole. I think inevitably the two will work things out, but each is gonna have to accept that some of the people they know are assholes.
RebelVampire
COMIC TEA PARTY- WEEK LONG BOOK CLUB END!
Thank you everyone so much for reading and chatting about SUPERPOSE this week! Please also give a special thank you to Joe (or Seosamh) and Anka for volunteering the comic and creating it! If you liked SUPERPOSE, make sure to continue to support it via some of the links below!
Read and Comment: https://superposecomic.com/
Joe and Anka’s Patreon: https://www.patreon.com/superpose
Joe and Anka’s Store: http://superpose.storenvy.com/
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floralkittygambler · 3 years
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Return of The Thing
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Sort of. By thing, I mean me. But I love this movie and the meme. Ok, context for this post: - Where I’ve been - Why I left - Whats hip happening -  Where I’ve Been:
Long story short, I’ve had real life matters to deal with. Firstly, my entire household contracted COVID. Well, *almost*. We’ve been through constant testing, quarantine zones, and had the ambulance up numerous times. My parents and 2nd oldest sister were hit the hardest. My 3rd oldest sister was positive and asymptomatic. Now something none of us could predict that I would be completely COVID free despite my compromises. Despite that I was in close contact with them all, including the 2nd oldest who contracted it first and accidentally being coughed on a few times lol. I went through the exact same testing and yet nothing. No symptoms. No presence of COVID. And I took no precaution to isolate from my family as I presumed in our small house we’d all get it, so I was more preoccupied with caring for the sick. Ultimately, I’ve either gotten off scott free this time or there’s a chance I may actually either be highly resistant or even immune. Even then, I WILL be having the vaccine as and when my family are eligible. And we all still follow regulations set.  I’ve also had other real life obligations, much of it either mundane fixing up my living circumstances to more personal matters. Overall, I have been extremely preoccupied.
A mini update, the stray cat Big has been in our porch a lot more in recent times due to the snow as well as being even more affectionate. And Queefster passed away after a good life and a full tummy. Why I Left:
Aside from COVID, business, and my own health declining, I’ll be blunt. I left because of how disgustingly toxic most fandoms are nowadays, but Hazbin is one of the WORST for it. That includes harassment, death threats, mocking MI and triggering an ED. In fact, I’ve even seen others get rape and death threats. So yes, even if YOU are a decent fan, collectively most of you arent doing any favours. Even some critical blogs seem to be overtly catty in ways no one else seems to pick up on under this ‘look how blunt I am’ look and it’s just... You dont have to be a prick to have your say, to be honest and to disagree with the trending. That’s a few on and off of tumblr, and no one I follow anyways. 
In regards to my ‘sensitivities’ - two things: 1) Of course trauma is going to hurt, 2) Im fully aware of kids doing and receiving much of this, which hurts MORE. I have my own lil squids and Im worried of them eventually having to deal with this shit. And no, no one SHOULD have to put up with such rude and poor behaviour. Agree to disagree doesnt live in some people’s realities, but by God harassment and bullying seems ok if YOURE doing it or enticing it. That ISNT ok. Even if it seems like nothing to you it could kill another. I certainly will not take your shit. 
On huskerdust I STAND by my words. It’s fucking creepy and there is sexual harassment and obsession. And there are large triggers. I will not go into detail here because Ive done that dance before and I’ll be refining it again. YOU may like it, however it triggers my very real traumas as well as those in my bloodline. Be respectful and keep that shit away from me. And for goodness sake, parents PLEASE dont raise your children to behave as such online. And no, being anon isnt actually fully anonymous. Also to send hate and threats anon is not only traceable but also cowardice. Grow a pair and find a hobby. I avoid my traumas for the most part. I will not allow you to weaponise or diminish my own or others experiences for your fictional based gratification. Likewise, if it becomes canon, I’ll just make an AU where it is not. Simple. You can hate it but Im not your personal circus so go be toxic elsewhere. IF you like HD and follow me, honestly... Youre probably better to unfollow as I am deeply and passionately against it and stolitz, and valvox, and am very vocal on that. Dont mistake my traumas and discomfort as a personal attack - and dont personally attack me over it either. And before anyone claims homophobia, no. This is nothing to do with sexuality. You arent the victim. If you love these pairings with your soul to the point of a ‘stan’, then youre best off unfollowing because I really am too old for extremists and rabid fans more crazed than the infected in REC. Also I never used to hate angel but now... Fans behaviour is abhorrent and hes so over saturated that I honestly really dislike him now. Doesnt mean you have to hate him too, but just bloody respect that angel isnt loved by all, he can be triggering to some as well as toxically enabling [incl. past addicts], a vile homophobic gay stereotype and just overall a lack of knowledge and respect of sex workers as a whole. When you know a lot of the ins and outs and victims, it’s hard to overlook. I respect your triggering ships by avoiding that mess. Respect others.  The problem with Viv - and I will elaborate in the future - is that your audience is often a reflection of your work and it’s message/presentation. And most of the fandom Ive met are awful. Honestly, though lonesome I find more comfort keeping distant from fandoms because yall often extremely toxic and petty. Perhaps others have had better experiences than I however Im drawing a line in the sand. For MY sake. I’m annoyed with virtually anyone I sense great potential in that becomes wasted. Im angry at Viv because she can do so much better but is blocking HERSELF. This is from a creative and business mindset. When someone has potential that gets wasted - especially creatively - it burns me. Im just passionate on artistic fields. It doesnt mean I hate them. I hate the waste of full potential.
I’ll state things here people disagree with but encouraging harassment, hate or just being an overall cunt just aint on- It’s like people charade as being this fair being but its all bullshit. Self improve and sod off, I do NOT have time to parent you online. 
And obviously there are RL duties I must fulfil. Some in which I will need the publics assistance for if you can spare it. Overall, Im just... Fandoms behaviour generally disgusts me. Disappoints me. We SHOULD be better than this. It’s like listening to bloomin incels rant on fuckin chad or some bullshit pill theory instead of looking to improve themselves too. Honestly... I do mostly acknowledge my own flaws and faults and try to improve each day. It just feels fewer folk see that in themselves and do the same. And that’s coming from an old cunt whos far from fuckin perfect. Also, my fuckin laptop broke so I waited a week for a bloke nearby to fix it. What a fuckin lifesaver, he’s the real mvp!
Also Also, one of you did privately apologise and I appreciate that. I certainly hope we agree to disagree and continue to grow as people on our separate ways. Trust me, I dont forget small acts like this. Even the trauma that caused and the aftermath, please dont think I dont appreciate the apology. However you’re also entitled to know that the forgiveness and healing side may take longer for me due to various factors that occurred - much that few are aware of, including yourself especially. I wish you well and safety.
Hip Happenin Now:
Still busy but slowly visiting. I’ll reply and reblog soon, be patient please. Ive still many things to sort which take priority as well as other things. Im trying to get money n shit for a future and whatnot. Health issues are strong in the blood rn and Im spending extended time with both Big and the other pets to keep up harmony, especially now that Big is accepting slowly that our porch is a welcome shelter for him and he’s free to leave and stay whenever. Trust me, overloaded isnt even the word. Im prepping shit early this year and from now on. Also, my God Ive been dealing with more physical issues as well and had to play doctor. May even need medical interference but holy shit I could never see this coming. Still... It’s... An experience- If you could call it that. Staying more active and healthy. Cat’s nearly clawed my eye out in my sleep (to which I can only presume Billy got too close or hyper) but it’s fortunate placement so Im alright. Most of my body is in pain to the point of absolute normality at this rate. And I plan to make space for a better altar. Future of the Blog: 
Errr, it’s my fuckin space so it’s whatever I want really. Ill still have my Viv rants (ie, pros and cons of her work, HH/HB, other shit like that) however I just really dislike most the fandom at this point as well as the poor management and lack of professionalism and attitudes of staff. It’s just draggin me down and making me ill. I also want to showcase more of MY work (from redesigns to projects to some dumb 2am shit), cosplays, fashion, hobbies, spiritual practises - MY. SHIT. I feel like Ive strayed slightly. But I WILL be honest. And damn well will it upset people. And if it does and I’m genuinely ding something wrong/harmful - guide me patiently. Educate me. If it’s like this HD shit where Im not only allowed my opinions but justified on my traumas or mocking my disabilities or features, then just yeet yourself elsewhere. Also some of my gaming shit too. Getting to know folk who interact with my stuff and just... Create my space. For me. Something hopefully others can enjoy. Something that can function as a bit of an art portfolio as well. Critiques and whatnot.  But I will continually not stand for anyone’s shit or poor handling of serious matters. You will not cause me to doubt and invalidate my experiences like you have to others.  For now, Im tottering but slowly returning. For those who I previously and daily interacted with, I will get back to you. And Im sure you’re patient and understanding of my situation - it’s appreciated. But in terms of any fandom, more so if it’s known to be as hostile, I’d rather keep a healthy boundary between us. That’s for newer folk. Perhaps we may bond further and you’re welcome to try, however I do feel far safer not getting involved into other people’s shit any longer. I will put anon back on but any toxic shit will be reported as well as compiled so at least I have a reference on the actual toxic nature of fandoms. Likewise, Im slowly getting there but god theres a lot of fuckin work. So much that not even my closest friend has heard too much from me until recently. I’ll be returning to the grind for now as I have duties, as well as many demanding felines for my attention. Alongside some physical medical concerns which require additional care, I’ll be popping off now.  Im thankful for those who have checked in on me. I will reply shortly. Take care
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