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#im gonna go eat breakfast now
phantom-peachie · 19 days
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good morning fellow zelink lovers
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mawbwehownets · 2 years
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@bunnys-beetlejuice-blog​ @beejletuice-spooks​ THE DIP THE DIP THE DIP THE DIP THE DIP THE DIP THE DIP THE D
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avephelis · 10 months
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RISE TWITTER QNA! no major news or announcements, but here's a list of new information and confirmations:
S3 could be brought back as a retro show in the future, but it probably wouldn't happen anytime soon (focus is on mutant mayhem at the moment)
it was never decided whether capril would be friends or girlfriends (due to rise's focus on platonic relationships)
council of heads! they're in power, but a lot of influential yokai (like big mama) aren't easily controlled, and "game the system"
despite not having his dual katana, supposedly f!leo DOES still have mystic powers
ron corcillo would love to see a spin-off focused on the caseys (if rise were ever continued), and likes the potential of a raph + casey vigilante duo
the turtles got their names after splinter's love for renaissance art
big mama's henchman WAS planned to be the missing sister, and rather than venus de milo, she would've been named after a female artist (possibly frida kahlo)
for halloween: raph dressed up as a kitten, mikey as a lion, leo as a rockstar, and donnie as j. robert oppenheimer
the mystic weapons stolen from draxum acted as a conduit to help the boys unlock their innate mystic powers with a "little boost"
they didn't realise mayhem's potential as a character/force until too late, but it could've been fun to do some stories of him being an operative (a la perry the platypus)
there weren't any planned stories for side villains (aside from the foot's cupcake shop), most focus was on the turtles
not much on casey jr's backstory, just that cass and the turtles were fighting the krang and leo raised him as a warrior. casey jr only has brief memories of cass from when he was very young, and was mostly raised by leo
there were definitely six baby turtles (two sisters)! and the turtles were gonna split up to rescue the one with big mama and the one in "the dimension", but they never planned much of it out
there's most likely a time gap between the rescuing leo and the ending scene of the movie, as "after a fight like that, [everyone] would definitely crash and need some recovery time"
there would've been more big mama in future episodes, and stinkbomb was planned to return
since the turtles became known to the public at the end of the movie, they'd have to fight to retain their reputation. this and their reception to criticism/backlash would've become a major arc.
on brother rankings: mikey is definitely raph's favourite, and they all look up to raph
the stronger someone's ninpo is, the greater the drain on their energy is (as seen with f!mikey and karai)
there wouldn't be much threat on villains going after casey jr's future intel, because most of it would've been rendered obsolete
nickelodeon would never give up the rights to rise, but they could license it to a partner company (such as IDW for a comic!)
as previously mentioned, the 2nd sister would've been trapped in "another dimension" and venus/frida would have to be won over by "helping her see that she had been brainwashed [by big mama] as a child" (and redeemed)
given more time, the show would've fleshed out: the hamato story, the hidden city's origins (krang spaceship that crashed into the crying titan being the source of the ooze, its fuel being what gave the yokai mystic powers), and would've used the rat king (who ron corcillo would've liked to be a powerful yokai with rat-like abilities and some form of mind control, who could've threatened the council of heads for power in the hidden city)
as far as we know, the turtles (aside from leo's spanish) only speak english (and even their english is sometimes a bit off)
rise probably wouldn't have ever "gone dark", but after the turtles were publicly known and full-time heroes, it might've had more of an extended plotline
the turtle's casual clothes somewhat reflect their music tastes (r&b for raph, glam rock for leo, techno (and 80s) for donnie and boy band for mikey)
future heights: mikey grew a bit and then shrunk under mystic strain, leo was at least 6ft, donnie a little taller than leo, and raph at least 6'6
mikey's powers could get pretty intense, which could've resulted in some multiverse episodes (ron corcillo would be most inclined to do a 12 crossover, but any could work). while leo portals short distances, mikey's cross space and time (with great effort)
given more time, how the turtles met april would've been fleshed out
in terms of how they take after splinter: donnie and leo have a lot of his cockiness, raph his courage and sense of duty, and mikey senses him missing his family (which is part of the reason of why he tries to hold everyone together)
given more time they would've done more with the transfer of leadership from raph to leo (and originally the plan was to draw that out over S3, rather than the abrupt S2 ending). they would've been co-leaders for a while, and at times mikey or donnie would lead (they aren't really a group with just one leader archetype)
there were plans for april to have more time with the specific turtles other than donnie (like how the gumbus was focused on her mikey and leo)
the cast's mystic abilities would've increased over time, and splinter has a lot of power that hasn't been revealed (as he spent a lot of time in the hidden city in his past)
venus/frida would've been very disciplined and so serious that's she's funny, and the dimension sister would've been "a little kooky"
there weren't really any plans on how the turtles would look in cloaked human forms, just that they'd resemble lou jitsu and may be inspired by their VAs
mikey is the only brother who can fully pull all his limbs and head into his shell (being a box turtle)
any usagi appearances would be a rights matter, and depend on collaboration
on timelines: april is 16 at the start of the series and 18 in the movie, but exactly how much time passes isn't confirmed
ron corcillo would've liked to do more donnie + raph episodes, like one where despite how donnie considers himself smarter, raph ends up beating him in common sense and emotional intelligence
f!leo didn't go with casey jr to the past due to being mortally wounded in his bleeding side
given more time there would've been more flashback episodes with the turtles at various ages
though he'd never admit it, hueso has a close relationship with leo
in early S3 there would've been an episode of setting up the new lair
mystic warrior f!mikey is pretty old (maybe in his 70s), and is strong enough to use basically any mystic power, but at great cost to him physically
no major plans with bishop, but once the turtles became more well-known he could be a bit of a thorn in their sides (like j. jonah jameson to spiderman)
there might've been some redemption from big mama, but also some relapses into her "villainous ways"
given a full season, karai would've been alive for longer, and would've trained the boys for a number of episodes
confirmation that some of early s1 aired in the wrong order (which the writers weren't happy about)
in rise, there's always an unpredictability as to how sentient a mutant will turn out to be
raph probably wouldn't be super uptight about swearing, provided the boys weren't offending anyone
there weren't any plans for romantic relationships (and DEFINITELY never an april-turtles love interest), but if they had ever tried something eventually it would've been with the same species
there were no specific plans for alopex, rita, or rennet, but anything's a possibility
in terms of the 1000 years ago krang/mystic timeline, the spaceship crashed first (possibly spawning the yokai), and other krang followed it, drawing in the invasion
that seems to be about it but if there's any more i'll do a reblog with additions
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problemcore · 5 months
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like yea when i was. freaking 16. i saw buccellati as a very parental figure to the passione kids. but im 20 now and im overcome with dread at how the entire world is at his shoulders the entire season. its terrifying. and you reduce him to the mom friend? whatever is actually going on with him is much more intriguing
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aquared · 5 months
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ok here
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my die troll concepr ughhhg punches wall
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nytfythfhtyf · 1 year
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what’s your damage about “gifted kids”?? i mean, i was a nightmare in class but i don’t see any reason to have issues with them
please read this im begging you. i put off breakfast for an hour writing this bc i really care about it
i even capitalized stuff and did punctuation to make it easier to read.
The biggest thing that bothers me is that there is so much content for and about ppl who are “gifted kid burnouts”. It’s literally everywhere on every website, there are thousands of posts and everyone on this site reblogs them. It’s inescapable. And because this subset of people gets so much attention, anyone who didn’t have the “gifted” experience who also wants to talk about their struggles in school gets. Basically ignored.
(Sorry this is long I just wanna explain it as well as I can) On tumblr the “gifted kid problems” thing is extremely popular bc this is the ppl-who-read-books-instead-of-talking-to-people website. Which is totally fine, and I wouldn’t mind it if it didn’t feel like I was the only person out of millions who wasn’t gifted. If someone makes a post about being a burnt out gifted kid it gets thousands of notes. If I make a post about how being the “stupid kid” my whole life fucked me up, it gets three likes from my mutuals and then dies and is never seen again.
I think it also has a lot to do with the idea that overworking yourself, and getting straight As (even if you’re not actually learning anything!), is highly praised in Society. Because schools need good test scores if they want to keep getting money. Bad test scores, while literally being part of the learning process because we learn from mistakes, don’t bring in the funds. So the “dumb” kids get treated like shit, and teachers have to teach kids how to pass tests, instead of actually getting the material into their brains in a meaningful way. If you skip meals and don’t sleep to cram for tests, you’re considered a better student than someone who prioritizes their mental and physical wellbeing.
So you get the culture of kids who brag about sleeping three hours every night and having an iced coffee as their meal for the day, and the less you take care of yourself the more cool and relatable you are. Which I don’t really blame them for. When the school system is this fucked up and you’re struggling this much, of course you want to tell people how much it’s hurting you. I think a lot of people just want someone to tell them that’s not okay, and they shouldn’t have to neglect themselves so much. But unfortunately, it’s usually impossible to graduate college without overworking yourself to the point of exhaustion and illness. So it continues.
I think it’s good that people are posting and sharing their experiences and trying to unlearn the bad habits and mentality. But unfortunately a lot of the “gifted kid” people still think or at least act like they’re the only ones who struggled in school. Because they worked the hardest, they deserve more attention. (I also think being constantly praised by teachers as a child and being the favorite plays a part in the attention seeking behavior).
So anyone who physically couldn’t overwork themselves to the point of earning the “gifted” label, because of disabilities or any other reason (don’t even get me started on the expectation that all autistic people are great at school (((non-gifted non-savant autistic kids are treated like worthless failures their whole lives)))), those people don’t deserve to have the whole internet feel bad for them. You couldn’t see them working themselves to exhaustion studying or doing homework, because their everyday lives were already exhausting, and they literally couldn’t spend any more energy on school.
So, if someone makes a post about how hard it is to do any schoolwork at all, and how their school experience was torture because the classes weren’t made to actually teach them and they weren’t good at test taking, you ignore it, because you “worked harder” and still struggled just as much. Or you comment and say “Oh same but I got all A’s and can write an essay in 5 minutes without even trying and I can read books at the speed of light” or “Oh and did you know how many gifted kids are autistic and adhd. I’m autistic and adhd and it made me so good at school” because you’re so used to having everything cater to you.
My goal isn’t to minimize burnt out gifted kids issues and trauma, it’s to get people to understand that they aren’t the only ones that deserve pity and sympathy. School fucked everyone up in different ways and it sucks no matter how good your grades were.
So no I don’t hate gifted kids themselves just for being gifted (although I will admit I absolutely have a grudge of burning jealousy bc I wish society liked me as much as them, which is where my urge to insult them comes from), I hate the way they act, on social media and in real life. You can post about your struggles and that’s totally fine, but if someone makes a post about how hard school was for them because they weren’t good at it, instead of commenting that your experience was different, or literally just ignoring it, maybe reblog it. Because school sucked and you both had it hard. Maybe even leave some sympathetic or understanding tags (without making it about you) if you’re feeling it.
but if they go on here and make fun of ppl who arent good at school or any academic skills and call them stupid then i hate them and im hitting them with my car
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halforcdad · 2 years
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Really loving how the show is exploring the beginning of Kate and Lucy's relationship and all the insecurities that still lurk in the shadows of honeymoon bliss. There's a lot to love in 2x02:
Kate blurting out, “I want to tell my boss we’re dating,” and Lucy being completely thrown off. It’s Kate’s version of “I want to be intimate,” and Lucy pointing at the coffee shop and going, “Here???”
Lucy being a supportive, stabilizing force for Kate only for us to find out she's equally as freaked out and worried later in her own time (says it to Jesse and then, as pointed out very nicely here, she punches her girlfriend's boss's arm then tries to recover by nervously complimenting his corny apron).
"No, no it's not fine, Lucy... You make it look so easy," is giving "You're always doing nice things for me... I just wanted to show my appreciation." (Both of them feeling like they're not doing enough/doing it as well as the other and trying to do something big to make sure they're reciprocating properly, resulting in them making "mistakes" they feel the need to apologize for.)
2x02 is likely an intentional callback/parallel to 1x07 to show how far they've come:
Kate hesitantly whispering in a dark corner about being compartmented  after Lucy invited her out in front of people vs. Kate, in public, outright saying she wants to introduce Lucy to her boss and coworkers and inviting her to the barbeque (and wanting Lucy's input)
Lucy being all hush-hush with Ernie in the empty hallway vs. Lucy rambling loudly to Jesse about her girlfriend possibly losing her position because of conflict of interest concerns while walking down that same hallway (and then the bullpen) now full of coworkers
Kate not wanting anyone at work, especially Lucy’s team, to find out about them (”Ernie’s not people”) vs. Kate jumping at the chance to ask Jesse for advice despite him giving her an out (in general, Jesse, who labelled Kate 'the Mean Girl™️' in the pilot, now watching her lament over her own incompetence because of a silly misunderstanding all while making silly faces and asking him how to not piss off his teammate/little sister/friend)
"You make it look so easy." "We don't have to do this today." "No, no, I want to, it's just—it's a lot for me,"
is a less combative version of,
"I'm trying to do this your way, you know, be all expressive and smiley, it's just—it's hard for me to be-" "Human?" "I'm trying here, Lucy."
They're both self-deprecating scenes for Kate. She admits she's embarrassed by herself in 1x07 and we see it in 2x02 after she confesses that this is the first time she's ever introduced a girlfriend to her coworkers. In 1x07, it's like Kate's begging Lucy to see her and understand her. In 2x02, it feels more like deep shame (especially when she looks down at "It's a lot for me") over disappointing and failing Lucy again after saying she’d do things differently this time. Lucy, who’s the most amazing woman she’s ever met, who’s crazy about her, who’s still trying to reassure her when Kate can’t even do something as simple as correct her boss when he assumes she’s dating a guy. 
A big difference is that in one, Kate knows she hurt Lucy and is delivering a necessary apology after a disagreement and in the other, Kate thinks she’s hurt Lucy, even though Lucy's tells her it's fine. Kate still insists that it's not, is quick to say “it’s my fault”, and is stressing out big time over a small mistake. It also feels like the difference between the two Kacy scenes is this feeling of Kate “has to” vs. Kate “wants to”. S1 Kate is sharing because she messed up and is trying to cling onto the potential this relationship has and S2 Kate already knows the pain of losing Lucy to her own bad choices and wants to be better (1x07 ends with Kate in that state because she was prompted, but in 2x02 she starts the episode already having decided on her own that she wants to involve Lucy).
In 1x07, Lucy’s hurt and upset, so even when Kate’s being vulnerable (after Lucy offered up some vulnerability first) and turning her assumptions on their head, she lashes out. Ernie’s advice earlier in the episode is light-hearted ribbing, but also coated in the fact that maybe Lucy was wrong to make assumptions from her own insecurities. She can’t be sympathetic towards Kate just yet. Eventually, she recognizes the effort Kate’s putting in and agrees to terms that’ll make her the most comfortable. Kate’s asking for a lot of things in this scene: forgiveness, understanding, another chance, time. 
In 2x02, Lucy can clearly see Kate's distress and realizes the big leap Kate's trying to make for her, for them. Sees the workplace stakes 1x07 Kate might have been worried about and spirals a little too before Jesse course-corrects her. When Kate admits how new this type of milestone is for her, despite it being something Lucy's wanted since s1, she prioritizes Kate's comfort and says they don't have to do this today. It's only when Kate makes it absolutely clear that this is something she wants to do, something they both want, that Lucy switches the type of support she offers.
Kate puts herself out there, lets herself be vulnerable, and Lucy meets her halfway: in 1x07 when she agrees to being a secret and in 2x02 when she's supporting Kate's decision to be transparent and open about them.
The first is a compromise in the dark, in the closed-door break room tucked in the corner of the office, after their coworkers have gone home. Lucy flirts and teases, but she walks away, leaving Kate to chase after her. It obviously means a lot to both of them, but they don't say that out loud, instead choosing to be all coy about it and deflecting. They probably spend the night together, Kate showing her appreciation in the comfort of her own home.
The second is a reminder and a promise that Kate isn't alone anymore because they're in a serious, committed relationship. Lucy reaches out, leaves no room for doubt as she links their hands together, and tells Kate earnestly that she's right there by her side, that she's here to stay no matter what. In the light of day, out in the open, on their way to meet Kate's coworkers. Then, she walks with her into the bbq, stands by her the whole time, and uses that Lucy Tara charm on everyone. And Kate repays all that by being brave, by being openly sweet, loving, and affectionate with Lucy in front of everyone.
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saintlesbian · 1 year
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god forbid a lil sheepy has a fun weekend
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seariii · 3 months
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Pretty people, prolonged fasting isn't good for you
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drpeppertummy · 1 year
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when ur trying to play m*necr*ft on a full belly
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[ID: a drawing of a pink and green anthro plush shark with long purple hair. they're sitting on the floor with a laptop on their lap, and their very round belly is bulging out onto the laptop, covering part of the bottom.]
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heartbrake-hotel · 1 year
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Lordy honey yall makin me wanna write my own damn prompt. I got some more little tidbits for ya:
Elvis was turned during his first appearance at the International. But who turned him? I'm thinking there's some sort of deal going on between one the old vampires who invested in the building, maybe even the International's owner and Colonel Parker. They want Elvis to play there for as long as possible, and he isn't getting any younger--so they make it so he can't get any older, either.
At first Elvis is in a state of confusion, because fledglings (at least in my thoughts) are in a sort of fog when first turned. It helps them to adapt to feeding; cue Colonel Parker shoving cigarette girls into Elvis's suite, which he drains dry, much to his own horror when the initial feeding frenzy lifts.
And Colonel Parker isn't exactly picky with what he feeds Elvis: whoever is easy to get up into the suite, and high young girls are the easiest. Elvis tries, when he can afford it, to not feed--he doesn't know that if he drinks regularly then the frenzy won't come, but nobody has told him much of anything. His Sire isn't there, there wasn't any sort of ritual to his Turning as there normally is. No, this was just business.
aLRIGHT WOOHOO SMITTY MY LOVE LOOK AT US !!! im finally getting to this lmaoooo oOOPS 🙈 AND i have some mf THOUGHTS,,
(the orig hc post is here btw) ((idk if yall could tell but it Wrecked my Shit))
also it's been Sooooo long since we discussed this that u now have some Other relevant supernatural!au lore to pull from . so,, i hope u don't mind if i conflate the two universes a lil but ur worldbuilding in you ain't nothin' but a overtook my conscious mind weeks ago and has yet to relent 💝 oh nooooo.. whatever shall i dooooo.. 😏
far too many words under the cut. i, uh.. i may have lost control a lil 🤭🦇 ft. a frankly excessive use of pet names and an e who has been babygirlified maybe more than is appropriate within the confines of the plot (shocking, i'm sure).
right ok so !! vegas as a hub for at least some of the supernatural bc of its transient nature, high tourist volume, and seedy reputation. obvious check
for the most part, unaffiliated vamps stay out of vegas. like you said- it's too hard to monitor their blood concentrations when everyone and their dog is doing truckloads of party drugs well into the night.! but there are, of course, some Old Ones, who saw (or perhaps even built??) the city as their own personal playground btw this blends so seamlessly into the irl high-level mob ties its crazy lmao. marina's bringing up elvis is literally never not on my mind 🙏
if you're rich enough, or powerful enough (or have friends who are enough so), you don't have to fend for yourself the same way, so it's less of an issue. sucking out some rando party girl off the street is faaar beneath the pay grade of the handful of guys at the top, who have their meals carefully cultivated and hand-procured thru what is almost certainly a human trafficking ring
kirk kerkorian [or meyer kohn - u can pick ur universe, here] and the entire board of the international is of course among this group, exerting their power and influence (and perhaps Compulsion) to keep the flow of money running smoothly from the casinos below directly into their cash-lined pockets.
colonel tom parker [a demon again? or perhaps nobody in particular - either way he ends up hellspawn lmao whether literally or figuratively] is acutely aware of this when he first signs elvis on for the hotel's opening season - how could he not be? and of course everything goes perfectly smoothly for those first six weeks in 1969. **ik im twisting ur original idea just a tad but bear w me
but the longer the engagement goes, the more trouble colonel has reining elvis in. he had agreed heartily to those first fifty-eight appearances - purely to fund his upcoming world tour, you understand ("the snowman strikes again!"). but no matter how much colonel wheedles, he's not budging; elvis simply will not sign on for the next year.! he's finally holding his ground... and that's his undoing
coming off the back of his comeback special and last movie, e finally feels like he's got his mojo workin' - the king is back on top! after a looong decade stuffed fit to bursting with his botched movie career, he never thought he'd wrest any semblance of creative control away from the powers that be. but the last year or so has really made him see the value of his own opinion, AND the dangers of continued complacency. so with the backing of his family and extended entourage, he's heading halfway across the world just as soon as he gets off that stage for the last time.
colonel can't have that, not with the remainder of his hefty personal debt hanging in the balance. and with all the dough the hotel is raking in during the first dregs of their opening season, nobody up top wants their prize little cash cow flying away to london or japan or the rock of eternity or wherever he's fixin' to go - not if they have anything to say about it !
and so a plan is devised, swiftly, mercilessly, and without any pesky sense of remorse. after all, what do they have to feel bad about? they're just taking care of business
just after elvis' last performance, he's heading to his packed-up suite to shower and change for what he thinks will be the last time.. the boys are downstairs getting the last of the stuff in the cars and then they'll all head to the airport. he's got just a couple minutes to spare, and he assures them he'll be fine alone. just gonna run on up and change real quick, y'all don't needta worry about me none. [*evil colonel voice* wanna bet?]
he steps into his unusually empty suite, but before he can even shuck the towel from around his neck, his throat is being wrenched to the side in a vice grip as an unseen assailant steps from their hiding spot behind the door. he yelps, tries to throw them off, goes for the gun in his boot, but their grip is like steel, solid and unyielding, and before he can move much of anywhere there's a sharp prick in his neck and a sudden heaviness in his muscles he can't quite shake.
he assumes it's a syringe - he's not wholly unfamiliar with a needle, after all, and why would he suspect anything else? he guesses he's been drugged on account of... well, on account of bein' elvis presley. goddamn sonsabitches don't need any more reason than that. 'course, the sensation is a little different than he's used to - the gauge is unfamiliar, and he could swear he feels two distinct track marks - but by then his head is spinning too much to be certain of anything.
the last thing he feels is a rushing sense of complacency as his legs give out. his vision is swimming too much too see his attacker's face, but they let him go down, hard, and he crumples to an undignified heap on the floor helplessly as they turn to... leave? huh. not what he expected, but he supposes beggars can't be choosers
his sluggishly disjointed musings are broken only by the shadowy figure melting back into the shadows... his increasingly-addled mind knows he should be glad at their sudden departure, but all he can concentrate on is the inexplicable swing out of the vague sense of euphoria that had been the "drugs" kicking in, and a sudden accompanying feeling that he didn't like one bit. he could only describe it as a crawling fear, an absence, a kind of ripping deep in his soul... a pervasive sense of distance, of wrongness so festering he feared it was about to tear him apart from the inside out. he's suddenly certain he's not meant to be alone right now.
he gasps in the worst pain he's ever felt, and at the same moment, he's aware of a rush of footsteps in the hallway outside - he barely manages a wobbly gesture to the door and a slurred request to rip his goddamn tongue out b'the roots to the panicked faces of his boys crowding around his supine form before his vision finally goes dark.
when he wakes up, he's in an all-too-familiar bed. before running for the doctor and his daddy, a frazzled jerry sitting vigil at his side hurriedly explains that without him conscious enough to fill them in, all they knew is he wasn't fit to travel, so they'd unpacked his suite again while waiting for him to return to the land of the living. he's grateful, but assures him that as soon as he's feeling better they'll be heading out again.
he asks jerry to turn down the thermostat and flip off the light on his way out. the heavily-drawn drapes had already ensured it'd been near-pitch dark and freezing, just how he liked it, but he murmured it felt like he was burnin' up from the inside out, and his eyes were too sensitive for even the ambient glow of his bedside lamp. jerry does so and also fetches him a pair of big ol' sunglasses, without a word.
the doctors (who'd been summoned to the hotel; despite protests from the mafia, colonel had suggested that moving elvis to a hospital could be even more dangerous, what with this criminal still on the loose, and vernon had reluctantly agreed) hadn't been able to tell what he'd been dosed with - it'd metabolized too quickly to detect, apparently. all they can tell him after the last four days of monitoring his comatose form is that his vitals have been almost astonishingly strong. the only symptom he's had has been a high fever, but it breaks as soon as he's awake again- and actually, his body temp has overcorrected and is a little low now, is he feeling chilly?
they joke that whatever he'd been given seems to have actually helped him, and he's inclined to agree... despite the fact that they hadn't administered anything to him except an IV drip, in case it had any adverse interactions with whatever he'd been on, his chronic pain has mysteriously vanished. and since he's been awake and in recovery, he's only seemed to get more handsome and charming, no sign at all of being out of it and on fluids for so long. you sure wouldn't have known his recent predicament by looking at him !
he's got a host of baffling new symptoms as well, but nothing that seems dangerous or that points to any kind of diagnosis. he's growing increasingly thirsty, but the buckets of water he's drinking aren't quenching him. he seems to have lost his sense of taste (this one hits him the worst) - at first, the smell of food made him nauseous. now he can keep it down, but it feels like ash in his mouth. his light sensitivity lingers, though for the most part it's limited to natural light, and he takes to wearing the sunglasses often. he seems to have developed a sudden allergy to some of his jewelry - his silver rings and pendants now cause a burning rash. he has them remade in gold and doesn't give it a second thought.
he tells and retells his story to the cops, but they're left scratching their heads; it's widely assumed the panicked arrival of the mafia scared off the creep before they could pull off the rest of their plan. kill him, kidnap him for ransom... seemed like they'd never know for sure, but either way everyone agrees he narrowly escaped a much worse fate. colonel doesn't think it wise for him to be on the road, what with this continued threat hanging over his head, but jerry argues it doesn't seem any better to stay in vegas with this freak at large. and elvis points out that if the bastard follows him overseas, they have bigger fish to fry.
the boys seem confused that the attack doesn't appear to have played into his usual paranoia in any way; he doesn't know quite how to explain it, he tells them, but he feels stronger, somehow. more settled. like if it ever came to it again, he could handle himself. it might just be relieved cockiness, but what didn't kill him made it so he's at least not afraid again. he's been reflecting deeply on psalm 23, apparently.
and so the suite is once again packed up, despite colonel's protestations- this time with elvis under constant supervision, much to his good-natured amusement. it goes without incident, and they make it all the way to the runway before elvis is suddenly doubled over in pain in the back of the limo, sweating and shaking like a leaf.
he's groaning that it hurts, hurts s'bad, but can't say anything more than that, and within seconds the whole caravan has whipped around and is careening back to the relative safety of the hotel. by the time he's being ferried hurriedly up to his room, he's improving steadily, and by the time he's settled in bed and the doctors once more fetched, he's weak and badly shaken but seems no worse for wear.
the doctors can't explain this apparent relapse any more than the first, but tentatively give him a clean bill of health, and two days later they try it all again. this time he makes it within a couple miles of the airport, and it takes him four days to recover. the last time they try, he only makes it four blocks away from the Strip and is bedridden for a week. nobody has any sort of explanation, and the tour is put on hold indefinitely while they're seemingly stranded.
the colonel is the one who offers a possible solution. he'd been hovering around elvis' room the whole time (like a bad smell, sonny mutters when he's out of earshot), fluttering around with assurances that the hotel would gladly host them as long as they needed, maybe even sign them on for another season if elvis so wished...
when elvis finally roars that he just wants OUT of this place, goddammit in response to vernon's suggestion that he stop working himself up with leaving, colonel finally pounces.
he must put his foot down, he says. his boy is clearly in no condition to travel- no, no, not physically, he hastily amends, when elvis opens his mouth to remind him what the doctors said, but clearly mentally. something about the attack has left him emotionally unstable, it appears, and the idea of leaving, even though he's so sure he wants to, is clearly triggering some kind of psychosomatic attack. why doesn't he make up his mind to stay- not forever, just until his head is screwed on right. he can keep playing the international, and they can find him some head-shrinkers to fix him right up, eh? elvis doesn't see any choice but to glumly agree.
of course, unbeknownst to elvis, the real issue is that his Maker won't allow him to leave vegas city limits. he's been kept totally in the dark as to his situation and is thus totally suggestible, so when the vampire who Turned him (continually employed by the Ancients for just this kind of dirty work) uses their mental connection to Compel him to stay within a certain radius, elvis doesn't even know he's feeling it, much less that it's possible to fight it. his Bat simply obeys without question, to the confusion of his body and conscious mind.
if his Turning had been accompanied by proper ritual, if his Maker had explained any of his new life to him, if he'd received any guidance at all, he'd know he could override this instinct, break the Bond they shared (especially as ill-cultivated as it is), and be on his way. as it is, he's like a dog with a newly-installed invisible fence. a dog who's also growing steadily weaker since his Turning because of his lack of sustenance, mind you.
the colonel knows all this. he also knows that any doctors or psychiatrists that see elvis from this point on will be in the know, be provided by the hotel, and be payed handsomely to tell elvis exactly what the colonel wants him to hear. he send word to the Council that they've got him at last. they rejoice at the prospect of chaining elvis to their stage for an eternity, elvis begrudgingly signs the contract for another engagement, and this is where the real trouble starts...
it's been three weeks since he was inadvertently Turned, and elvis is feeling the affects of not having Fed, though he doesn't realize it. he's weak, he's thirsty, he's snappish, and can somebody turn off those godDAMNED lights !!! the mafia assume it's due to his mental slump and are at a loss except to wait it out, but the colonel thinks he has something to cheer him up. he winks and tells red that elvis will have a few, ehem.. lady visitors tonight, and surely they shouldn't be disturbed. the boys get the hint.
colonel sends up the ditziest cigarette girl he can find downstairs, a perky little blonde, so doped-up out of her mind she's wobbling in her heels. she gasped and flushed darkly when he told her that mr. presley was in need of her services; he hadn't even needed to slip her any cash to incentivize her troubles. he chomped on his cigar and grinned darkly as he watched her giggle her way to the elevator.
elvis, for his part, almost makes it. he'd answered the rhythmic little knock in his robe, loosely tied, and didn't miss the way the sweet young thing at his door gaped at the sight of all that chest on display. before he can even say anything, she's slipped under his arm and further into the room, and he raises an eyebrow and grins as he eases the door shut. he peruses her wares (the CIGARETTES !! im talking about the cigarettes..) more for show than anything else, and hands her a $20 in exchange for a pack he doesn't plan on smoking, telling her to keep the change.
she bends over far more than necessary while stacking boxes back in her tray, and flutters her lashes when she asks him if there's... anything else she can get him. flattered as he is, he tells her, he isn't sure he needs anything just now, but thank you kindly anyways, honey. truthfully, he's not sure he's feeling up for it, but she pouts so prettily as she swings her hips sadly over to the door, and turns back to ask if he's really really sure... the colonel had sent her up with express instructions to give him anything he wanted, she explains, sultry little whine in her voice, and he finds his resolve crumbling.
surely a little kissing wouldn't hurt, he reasons, might even make him feel a lil better, and her eyes light up in glee when he beckons her back over. but the minute she's in his arms, easing her way up to his lips as her eyes flutter shut, he isn't sure what comes over him. they're so close her heartbeat rushes in his ears, and without a thought he's effortlessly snapped her neck (with strength he didn't know he had) and is lapping frantically from her torn throat (pierced with the aid of sharp fangs he's never felt before). she never even saw it coming.
he moans as he sags to the ground, clutching her limp form and still slurping desperately as, for the first time since his attack, his thirst is quenched. he dimly realizes he's done something unforgivable, but his head feels like it's been stuffed with cotton, everything around him distant and foggy. the sense of panic he knows he should be feeling is a far-off twinge, all but muted by the combined cocktail of ecstasy running through him: fresh blood, dope, and a brain fog he can't quite attribute to either.
when she's dry he's sated, the sense of woozy relief hits him so strong that he barely manages to stagger to his feet and stumble over to the couch, chin and hands still covered in blood, before he's passing out for ten hours of the emptiest sleep he's ever had. when he wakes up, all traces of what happened are gone, and with a mind that finally feels clearer than it has for weeks, he almost manages to convince himself it was an incredibly fucked-up dream, so potent that the sweet metallic tang is still blooming on his tongue...
...until of course, the next time it happens. it goes much the same way: the colonel has no trouble locating a girl who'll never be missed- this is vegas, after all- and sends her, high as a kite of her own volition, up to the penthouse to keep company with a disgruntled and starving elvis. he drains her dry before he can even blink, but stays awake this time to spend the next few hours totally blissed out in an uncomfortably drugged haze. the more he comes down, the more he hates not only what he's done but also the way it makes him feel.
thus starts a vicious cycle: elvis, terrified of feeding, swears off blood, until he's half-starved but fighting himself at every turn. the colonel intervenes, sending throngs of low-risk girls up to the suite, where e simply can't help himself anymore, and enters a violent blood-crazed frenzy. he spends the hours after staggering around half-lucid, waiting for the effects to fade so he can convince himself he'll never do it again.
the stronger he maintains his tenuous mental fortitude- the longer he goes between feeds- the more girls he needs in a night to fill him up, and the higher he gets afterwards. he doesn't ask where colonel finds them or what he does with the bodies. he thinks dully that he doesn't much want to know.. it's hard enough on his conscience already.
of course, yet another thing nobody's bothered to explain to poor frightened fledgling elvis is that every time he refuses to feed when he should, every time he feels the welling signs of that dark hunger within himself and shoves them down in distress, every time his instincts are forced to take over and quite literally make him feed, that it exacerbates the mental fog he's feeling.
vampiric lore (which of course he doesn't know) attributes it to a sort of easing-in countermeasure; it's only newly-turned vampires, not fully in touch with their desires, that attempt to starve themselves so, clearly suffering from a mental block regarding the morality of preying upon their former species. to smooth their transition into acceptance of their new form, every time they're forced to feed rather than do it willingly, a potent release of hormones and neurotransmitters floods their system, both to combat any lingering guilt and to make them crave the mental release of feeding just as much as the physical.
if he were to feed normally, if he were to provide his body with the nourishment it needed on a regular basis, his instincts wouldn't have to override his mind this way. he wouldn't be forced to feed so violently or so much, he'd be able to control himself such that he could select his own victims preferentially and even bring himself to stop before killing them, and he wouldn't feel so overwhelmed afterwards.
elvis thinks of his... condition as an affliction, a temptation he lacks the strength to overcome, but really, it's his body's desperate attempt to stay alive when his mind insists on thwarting his ongoing survival at every turn. the bloodlust isn't a punishment but a protective measure, and one he could prevent if he'd take consistent care of his new needs.
and on top of all that, the particular way his intake is chemically tainted only adds to this anguish, because now he's unknowingly also developing a dependency on the drugs- the painful withdrawal symptoms of which serve to strongarm him into feeding even more frequently.
things are only exacerbated by his performance engagement starting back up; of course, it's even easier to find girls- hordes of them batter the doors to the showroom after every show, desperate for just another glimpse of him- but it also means he's got a responsibility to be right there on that stage twice a night, able-minded or no, and he takes that very seriously.
he's got people to support, after all, so he gets very used to functioning while highly intoxicated, whether that means performing, schmoozing the high rollers in the casino at the behest of his hotel benefactors, or smiling through a never-ending stream of reporters and photographers during every interview and press conference.
this is where the reader steps in !!!
you're one of less than a handful of vamps, just two or three, really, who manage to stick around vegas (and consume healthy blood) without the influence of the Old Ones, a feat you manage by staying off the Strip almost entirely. you stick to the suburbs, both as a way to ensure you're not tripping out after every meal, and to (hopefully) stay out of sight and out of mind of the powerful Ancients who don't want anyone infringing on their territory. this is very fright night remake vibes btw if anyone remembers that
but there's very little to do in the dusty, sprawling desert neighborhoods that isn't centered around maintaining the tourism industry downtown, especially for an immortal with nothing but time (and the occasional meal) to kill. you're nowhere near as experienced as those you seek to avoid, but you've been around the block quite a few times yourself, and sometimes the neon glow of the city lights overrides the quiet boredom of your safely-maintained little perimeter.
tonight is one such night: elvis presley had been headlining the international hotel for what felt like ages, or maybe just a blink - it was hard to judge that pesky human time, when their lifespans were so much shorter than yours. either way, he'd been this era's answer to jesus for a few decades now, and you had to admit you were curious to see him in person at last.
you decide on the midnight show- maybe if you're lucky, you can scrounge up a snack on the way home. you don't bother with a ticket- though you have more than enough human money stored up over the years, you're sure it's no use for what promises to be a sold-out show. the bouncers aren't any deterrent, either- you simply Compel them into checking the list for your name another time, and they let you in without a murmur. the showroom is packed so full, you notice as you survey the area, that nobody could ever notice one more.
you slip into a vacant seat at the end of one of the long tables that line the stage, with a group of screaming fans who don't seem to notice that they don't know you. you can't tell if their distraction is borne more from excitement or alcohol, but either way, you're grateful for the cover. you order a bloody mary as your own personal joke and bide your time until the show starts, perusing the booths that line the floor behind you. you recognize a few familiar Old Ones, by face if not name- no surprise, considering who runs the casino just outside.
eventually, the lights fade and the orchestra bursts into an opening riff. you clap with the rest when elvis struts out on stage, looking resplendent in a white jumpsuit, grinning wide and boyishly and practically glowing under the stage lights. his rings flash as he waves to the audience, courteous and attentive even as he starts singing. when the song's over he introduces himself and some of the VIPs, including the owner of the hotel (now there's a vamp who's been getting himself a lot of press lately), and the heavyset man next to him, apparently elvis' own manager. the man gives a simpering smile and wave to the crowd as the spotlights illuminate the booth, and you wrinkle your nose as you turn back to the main stage. you haven't placed it yet, but something seems off about that one.
elvis puts on a good show, you'll give him that, but the longer you watch, the more puzzled you become. he's slurring just a bit when he jokes with the band in between numbers, and more clumsy than you'd expect for someone so flexible; you'd say it was just another hollywood star using and abusing drugs if he didn't look so... panicked every time. he's twitchy, too, keeps getting down toward the edge of the stage like he's about to move out into the crowd and start planting kisses on his clamoring fans, like you've heard he does, but he keeps jerking himself back at the last second. they seem to think he's teasing, screaming louder every time, and he plays it off with a slow grin, but it's almost like... like he's afraid he won't be able to control himself, like...
ah. there it is
you zero in on just the barest flash of fang in his smile, and immediately suss out what's going on. elvis presley, a fledgling vamp in what is indisputably the worst city in the world for fledgling vamps... strange things are happening every day, aren't they?
that leaves you with more questions than answers, however... questions like where's his Master? why isn't he feeding properly? who's keeping him half-starved and strung-out? and most importantly, does he even know what's going on?
you narrow your eyes contemplatively as you watch him fool with the microphone before prompting the band to start the next song. all it takes is seeing his hands tremble around the cord to make you nod decisively and shoot back the rest of your drink. you suppose you can stick around a little longer than originally planned... after all, it seemed like elvis might need a little help fixing this, whether he knew it or not.
you lingered just a little after the show ended, waiting until the throngs of frantic women had pushed their way back to the lobby before heading after them yourself. you glanced around surreptitiously, locating the nearest elevator bay... and near it, a familiar older man with a cane whispering furtively to a clearly-tipsy young woman, one you recognized from your table during the show. she had caught a silk scarf fluttering down in front of her from the man himself and hadn't stopped screaming until the lights came back on. bingo
you ran one hand through your hair haphazardly, tousling it slightly as you stumbled your way over to them. "oh, there you are! i was looking for you," you chirped. she gasps and waves excitedly in the earnest way only drunk girls do, but your mouth is open again before she can speak and do something incriminating, like ask your name. "who's y'r friend? s'he coming upstairs with us?" you giggle, leering at... what had his name been again? ah yes, colonel parker. you silently gave a sigh of thanks for your heightened senses- you might not have recognized him just from your brief glimpse during the show otherwise.
the colonel glanced you over dismissively, clearly writing you off as another inebriated fan - his mistake, but exactly what you wanted him to think all the same. he gave you a leering grin and tapped his cane as he said "ah, i was just asking your friend here to do a simple personal favor for me..." you hummed disinterestedly until he continued "...on behalf of mister presley, of course." you gasped exaggeratedly and willed your cheeks to flush- lucky you had fed recently.
he seems to buy it, from the way his eyebrow ticks upwards when he sees your reaction "perhaps you would like to... accompany her to his suite, no?" he teases. you nod raptly, artificial stars in your eyes, and he snorts as he pushes the call elevator button for you with the top of his cane. "top floor. you two enjoy yourselves," he chuckles. the two of you giggle as he saunters away, towards the casino entrance.
as soon as the doors slide shut behind you, you straighten up and tidy your hair in the chromatic reflection until you're once again presentable. you brush off your outfit, fiddling until you're satisfied, then take a deep breath. snapping once to get your lightly confused companion's attention, your turn her shoulders towards you so she's making woozy and bewildered eye contact with you.
"hi honey. having a good night? good. this is how the rest of it is gonna go, ok? now you listen to me-"
when the doors opened again at the thirtieth floor, the girl (tracy. she had told you absently her name was tracy) waved distractedly over her shoulder as she walked straight out of the elevator bay and into the nearby stairwell, head filled with what she believed to be an immutable truth about the elevator being out of service. she'd walk back to her room (on the off chance there was anyone downstairs monitoring the floor indicator dial), wake up perfectly safe in the morning, and think nothing of it.
meanwhile, you let yourself into elvis' suite with the key tracy had handed over, a parting gift from the colonel. you left the lights off, made yourself comfortable on the couch facing the door, and waited.
you didn't have to wait long- just minutes later, there was noise outside, multiple male voices speaking over each other as they all piled out of the elevator and headed for the door, elvis' the loudest. "yeah, yeah, i said i'd meet you down there, didn't i? doin' my damn head in... i'll tell ya what, y'all g'head and i'll call down there when i'm done. yes i swear, now git!" laughter and good-natured ribbing faded as the elevator doors presumably closed behind the crowd once again, punctuated with a sigh and the click of the door lock disengaging another time.
elvis didn't seem to notice you as he walked in, leaving the light off as well as he patted his face dry with the damp towel looped around his neck. he leaned against the wall with one hand to brace himself as he toed off his boots, then whipped his dark shades off onto a side table and gripped the bridge of his nose with another deep sigh.
"are you in any pain, mr. presley?" he yelped in undignified surprise and whipped around with a touch of vampiric speed, dropping the towel in his fright to discover the source of your voice. despite the pitch blackness of the room, his eyes locked onto yours immediately through the dark, without needing to scan the empty space around you- another sign of his transition. no mortal could see as perfectly well in this scenario as the two of you could.
"wh- who-" he stuttered some, regaining his bearings, as you cocked your head in evaluation. "i'm sorry to startle you, mr. presley," you say evenly, but pleasantly. "you can drop that shit straightaway, honey, that's my daddy. can jus' call me elvis." he murmurs absentmindedly, as if it hadn't been what he really intended to say but came out by habit. "and now that you know me, may i ask who you are? and better yet what the hell you're doing in my room?" he doesn't sound angry, per se, more resigned than anything, and you smile wryly in response as you introduce yourself. "real pretty, honey, but i'd like an answer to my other question, too." he raises his eyebrow, and you wonder if he's even aware of how much charismatic mental energy he's leaking right now. it was even more apparent to you now why humans throw themselves at him left and right.
"sorry, m- i mean, elvis. the colonel sent me up. i saw your show- you were fantastic, but i had a couple questions." "he did, did he? just wonderful," he almost growls, squeezing his eyes shut. "and some questions, you said? you a reporter?" his voice sounds hard-edged for the first time tonight, but he seems to relax again when you answer with a simple no. "just concerned, i guess." he hums tiredly at your response, vague though it is. "concerned about what, 'bout the show? i'll do my best to answer your questions, honey, but i really don't think there's all too much to be concerned about-"
"elvis, when was the last time you fed?" you can hear his breath catch from clear across the room. "i-i had lunch after rehearsals, but i ain't had dinner yet, if that's what you're askin'... pretty forward way to ask me on a date, but i-" you put a hand up to cut him off. "i think you know perfectly well that's not what i'm asking, elvis. when was the last time you fed properly? on blood?" "...ha! been watching a little too many dark shadows reruns, honey?" his words trip over themselves getting out, and eventually he gives up to just blink at you, speechless, owl-eyed, and afraid despite his frankly pathetic attempt at a cover. he looks like a little boy caught with his hand in the cookie jar only this time the metaphorical cookie jar is a number of very literal human corpses lol
you bite back a sigh- perhaps you pushed too hard there. poor thing is wringing his hands like he thinks you're gonna put him in cuffs any minute. "maybe we should start over- i'm here to help, ok? i wanna make sure you're alright, cuz i think you might have a lot of questions nobody's explained to you yet. c'mere and sit next to me, baby, and we'll just talk" you pat the seat next to you, flipping his casual pet naming back on him effortlessly. to be fair, he is a baby to you- only, what, a couple months old? that's nothing compared to your few hundred years.
he eyes the spot next to you but shakes his head, still looking like a lost puppy. "n-no, i- m'fine over here," he manages. you furrow your brow; he's gonna need to start trusting you if he wants your help, and this is a bad way to begin. "i promise, i'm not gonna hurt you, elvis-" that sure does it. "i'm not worried about that!" he exclaims. "m'worried about me hurting you!"
you breathe out a surprised little oh, suddenly understanding. "is that what you're so worried about, sweetie? i'm not afraid of you." you try to placate him. "y-you should be afraid of me, honey. i am."
and that's the crux of the matter, isn't it? it breaks your heart a little to know that this is what he's been grappling with alone. it's not meant to be like this- with time and acceptance, he was meant to gain eternal companionship (your semi-loner status nonwithstanding). and whoever heard of a scared vampire?
but you put that aside to focus on elvis- and quickly realize there's one more... little thing you might've left out.
"you don't need to be anymore, ok? i'm gonna help you learn to control it." you beckon him over again, and this time he makes it halfway across the floor before you realize you're not sure if you're Compelling him or not. he'll need to learn what it feels like eventually, in order to both use it and combat it, but now's probably not the time. you break eye contact, just in case, and he falters slightly, but keeps coming, putting you at ease.
as he gets close enough to hear your heartbeat, though, his eyes suddenly turn frantic, and he backpedals, once again in the grip of that familiar terror. "you- you have to get out of here, i can't-" you shush him, not unkindly. "oh, sweetheart. that one's my bad, ok? i guess i haven't been very good at this so far," you grin apologetically. "but you couldn't hurt me, even if you tried"
you use your superspeed to whoosh over to his side and back, the only sign you'd moved at all the slight sway of your hair in the breeze it creates- and the golden ankh pendant now swinging from your upturned palm. elvis gapes, hands reaching up to feel the now-empty space around his neck where the necklace rested just moments ago. "how...?" listen i really can't be assed abt the fact he wasn't wearing necklaces this early ok. it was a cool move
"forgot to tell you - i'm souped up, too." you wink at him, flashing your pupils the deep red they turn when you're Feeding. "and also i think a little stronger than you, given what i saw on stage tonight." this is soo cliche im sorry but Spooky Eyes HAWT. i don't feel bad about it actually
the immediate sense of overwhelming relief on his face almost aches to see, and he's crossed the remaining stretch of floor to practically collapse in your arms sobbing before you can blink. it's... very surprising, you'll admit, but not unwelcome, either, and you're sure the uncertainty lingers in your voice as you gentle him softly, petting his hair and rubbing his back and trying not to overthink the fact that you've known elvis presley for all of ten minutes and now... this is happening. whatever this is.
"woah- woah, hey, what's happening? what's the matter, baby?" he's shaking like a leaf as you hold him, trying to work out in what universe this makes sense. "i-i-i ain't-" he manages through tears. "i haven't been able to touch any-anyone this whole time without b-being so goddamned afraid i'd hurt 'em... and i just- i..."
your worst fears for him, first materialized as you watched him onstage and puzzled about the identity of his Master, are confirmed. "baby... have you been alone this whole time?" you whisper. he just nods from his resting place, face buried in your shoulder. IS this a weird level of intimacy for 2 virtual strangers? totally yup. DO i still think its arguably valid considering how desperately lonely i have decided to make this bitch? uh huh :3
you suck in a breath through your teeth, suddenly filled with the fiery emotion you've been tamping down all night- rage. rage at whoever organized this hit, at whoever must be profiting off it while elvis suffers and innocent girls die, at the colonel who's been shepherding bodies in here endlessly and apparently without deigning to give elvis any proper help or training- yeah, don't think you forgot about him.
but before you can do anything about that, you have to do something with the king of rock 'n roll, who's finally quieting down in your lap. you shove the anger back down, the same way you do your bloodlust- the same way you'll teach elvis.
he sits back up, furiously wiping his tear-stained face. "sorry, honey- i don't know what came over me." he barks a laugh but his eyes tell you it's for show. you tut at him, standing up to fetch him a tissue and maybe a bottle of water, if you can find it- you're sure there must have been one waiting for him after the show. his eyes widen again, but before he has time for concern you cup his cheek to brush the last of his tears away with the pad of your thumb, accompanied by a gently chiding look that says i'm not going anywhere
he has enough time to look sheepish before you putter back over to him with your spoils, talking a mile a minute to distract him. "tch, enough of that! that's part of the change- everything you felt before is doubly strong now. it can be hard to separate your emotions sometimes, especially when you're not used to it. you'll feel everything differently now, and twice as hard."
he takes a moment to mull that over as he mops his face and chugs the water bottle, then nods as he meets your eyes again. "i didn't know that, but it sounds- it feels right. what else can ya tell me?" you chuckle darkly, stretching out on the couch. "oh, just bunches, baby. get comfortable, cuz i know you've got questions- and i've got your answers."
over the course of the night, you explain everything to elvis- how he was Turned, the changes his body's going through, all the symptoms and abilities he'll experience now, why he's feeling the way he is, his options for feeding, how his habits need to change if he intends to keep going like this... it's a laborious process, given how little he knows and how much he thinks he does- he's already got a lot of misconceptions to retrain.
"hey, maybe you're the one who's been watching too many dark shadows reruns lately!" you mean it as a joke, but he flushes. "well, s'not like there's a, a handbook or anythin'! i've been tryin' to study up!" you burst out laughing, and he laughs with you.
at one point he orders up dinner for the two of you, which provides the perfect opportunity for you to offer him a creature comfort- "food? yeah, you can eat food. it won't sustain you, but you're free to eat for pleasure." at his pained look, you give him a knowing smirk. "i bet it tastes nasty right now, doesn't it?" he nods glumly, eyeing your super-rare hamburger, and you chuckle, eyeing him as you take an exaggerated bite. he groans in annoyance, and you laugh as you lick your fingers clean. "don't worry- that'll pass. it's your instincts' way of telling you that you're malnourished- kind of a deterrent from stuff that won't actually keep you alive. you'll be back to your peanut butter and banana in no time, promise." he cheers, and orders up a bottle of champagne, just for that.
"that's another thing- we metabolize differently. your system can tell the difference between the liquid calories it needs and the solid calories you're feeding it just for fun. you won't derive any energy from human food, so you can't gain weight. no reason to store fat," you shrug. "but it also means-" you clink your champagne glass with his in a mock toast, "-you can't get drunk." he sputters, "well, why'd you even let me order the bubbly then?? this shit's expensive, so they tell me!" "i like the way it sparkles! it tickles my nose!"
the hours come and go, but the two of you barely notice, so wrapped up in your conversation. that's another thing you explain- how he'll need much less rest now, if he keeps himself healthy, but that until he's being nourished properly he'll be fatigued and need to sleep pretty much like before. he admits that he was practically nocturnal beforehand, anyway- he hadn't even noticed this one change among so many more pressing.
his drapes were heavy-duty, but you could see just the barest sliver of skyline out the window as the sun began to rise. "it's almost dawn," you whisper, conscious of the fact that the vampire before you is very young, and has had a very long night. a very long month, to be perfectly honest. he hums from where his head is resting on your thigh- you'd encouraged him to lie down an hour ago when he kept breaking off his sentences to yawn hugely. actually, you'd encouraged him to get some rest and you'd talk more later, but he'd refused to go to bed, assuring you he wasn't tired 't all, just sore from the show- he got muscle aches, you know, and he needed to stretch out. you hadn't been convinced then, and you were even less so now, keeping a fond eye on him (fond?? when had that happened) as he drowsed in your lap.
his end of the conversation had started lagging about the same time you started running your hand through his hair, until he was practically purring in contentment. you huffed in amusement. "more like a kitty cat than a bat, i think." he cocked an eyebrow and grinned salaciously, though he didn't open his eyes. "oh honey, i'll show you a cat... a pussycat, to be precis-" "HEY!" you swatted him teasingly and he snickered, settling down again. "keep it clean, presley." "yes, Master." you paused in your ministrations at that, just long enough for his brow to furrow. "you don't have to call me that." "yeah... but can i? i mean, would'ya mind if i-?" his voice was quiet, but sincere. "...ok. but only if you want to." he can hear the smile in your voice without looking, and it makes him smile, too.
"you do have a real one out there, y'know." "i know. but they ain't ever helped me none- all they've done for me is turn my life upside down and leave again. but you... hell, honey, i've only known you one night, and already things are starting to feel right side up again." you sit with that for just long enough to feel pleased before you reach down to tweak his nose. he giggles, and your bid to give the both of you a break from being so fucking earnest goes off without a hitch. the tension stays broken, but the tranquil mood remains.
"guess you're stuck with me again- i can't make it all the way home in that," you venture eventually, nodding at the lone streak of sun making its way past the blackout curtains to pool on the floor behind the piano. luckily far out of the way, or he might've had a particularly unpleasant awakening of his own, had he stumbled through the patch accidentally. he shifts minutely, well on his way to sleep by now. "mm, sounds jus' awful," he drawls, answer delayed only slightly by the fact that he's snoozing, his voice is so quiet that without your enhanced senses you'd have to strain to hear it. "can't imagine quite how i'll make it through if you've gotta stick around s'more." "even dead to the world, you maintain your sense of humor, huh, baby? and those lady-killer tendencies, i see" "yeah, well, i have killed quite a few lad-" "elvis!" you laugh, scandalized, as he huffs a laugh as well as he leverages himself up to sitting.
he rubs his eyes as he tries to get his bearings. "s'pose that's my way of asking real tactful... what happens next?" "well, first we've gotta detox you." "what, from the blood? i thought you said-" "nope, not from the blood. from the drugs in the blood." "from the w-" he gapes, looking shocked and hurt, and also a little appalled at himself. "i really am sorry to break it to you, sweetheart- there's a lot going on with you right now, and only some of it is due to... this," you reach up a hand to thumb at one of his fangs, which had slipped out as soon as you started talking about blood. "the rest of it is a combination of the vegas lights and whoever up top orchestrated the whole thing." he nods slowly, expression inscrutable. "we'll take it slow, i promise. ok?" "yeah," he nods more steadily now. "yeah, i trust you."
"well, then, mr. presley- are you ready?" he nods his head as if on instinct, then has the decency to look confused. "ready for what?" you smile, fangs out. "to start getting you fixed up... so we can take down those bastards responsible for this." he just stares at you a moment before a slow grin starts to take over his face, eyes darkening to match the quite literally bloodthirsty expression in yours.
"let's get to it."
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piplupod · 1 month
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one more post while i am insane but i do think maybe Wanting to live should be ... enough to live. like can it just be all that is needed maybe. instead of [gestures vaguely at capitalistic society] all of that. a person should just Want to be alive and be allowed to live and given what they need to live. i dont want to have to beg and grovel for the ability to keep myself alive, i already did that (and continue to do that!) with my parents and now apparently i have to do that with the govmt and just... Everything.
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prosebushpatch · 1 year
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Alright, I knew it in my heart to be true because I write it all the time, but I was just reading a story and literally went “Ah!” out loud when it occurred, and have truly realized that the best trope is when a love interest finds out their crush isn’t eating enough for what ever reason and then Make it their Job to ensure this person eats well. It’s top tier trope of all time.
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the-kipsabian · 9 months
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i thinkkkkkk ive done everything??
just took out the trash about to have a lil snack and chill until sleep consumes me for like. six hours lol
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officialjamesflint · 1 year
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7 18 and 29 :)
7: A song to drive to
"Call Me Maybe" by the QUEEN Carly Rae Jepsen
18: A song from the year that you were born
Apparently "Harder Better Faster Stronger" by Daft Punk came out that year and I don't necessarily love Daft Punk but I think this is funny
29: A song that you remember from your childhood
my very very favorite song of all time is "The Flyer" by Nanci Griffith!! it's on my mom's country music mixtape and we used to to listen to it in the car (when we had a car with a tape player) all the time
Music Asks!
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local-magpie · 1 year
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you ever just smile to yourself like "fuck"
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