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#if you or a loved one were born in the 2000s then you are entitled to GETTING A FUCKING JOB AND AN EDUCATION
falllpoutboy · 9 months
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too many “content creators” and not enough people with actual jobs…
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augustsappho · 3 months
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'Luxury Foods' in Medieval Islamic Societies by David Waines from World Archaeology, Vol. 34, No. 3, Luxury Foods (Feb., 2003)
"We may begin with the work entitled The Meadows of Gold written by the famous historian al-Mas'udi (d. AD 956). He was born in Baghdad and died in Cairo, having, in between, travelled widely in Persia and India in addition to Iraq, Palestine and Syria. The Meadows of Gold contains a number of anecdotes related to food. One involves the Abbasid Caliph, Harun al-Rashid (d. AD 809), of 1001 Arabian Nights fame. He was invited to dine by his brother Ibrahim b. al-Mahdi (d. AD 853), a noted poet and culinary expert, of whom more later.
Harun was served a dish of what appeared to be small and delicate slices of fish arranged in the shape of a fish. When informed that the dish was made from more than 150 fish tongues, the Caliph demanded to know its price and commanded that an equivalent of 1000 silver dirhams be distributed to the poor. This was in expiation, he said, for his brother's wastefulness. Moreover, he ordered a servant to take the fish on its plate, itself an expensive item worth five times as much as the fish preparation, and give it to the first beggar he met in the street.
A second anecdote involves another Caliph, al-Mutawakkil (d. AD 861), who was relaxing one day with his courtiers and singers beside one of the many canals that traversed Baghdad. He smelled the aroma of cooking drifting from a pot being prepared by a sailor on his boat. The Caliph ordered the pot - a beef sikbaj, a sweet and sour stew dish, brought immediately to him. The Caliph sampled the stew with a piece of bread, as did his courtiers and singers, until the pot was empty. He then ordered the pot filled with 2000 dirhams and returned to the boat; the coins that did not fit into the pot were placed in a pouch and given directly to the cook. In the Caliph's judgement the dish was the best sikbaj he had ever tasted."
I found this excerpt incredibly lovely and highly recommend you check out the whole thing on JSTOR (free to access when you make an account but also on scihub). Doing a short article review on it for my Global Connections module - covering Islamic history briefly has really touched me especially when I covered it quite begrudgingly as a child/pre-teen through Saturday-Sunday school. It was always a tug of war with my mother to make me go until at 16 I finally just refused outright and there was nothing she could do. Admittedly out of all the classes taught at the mosque Tahrikh and Seerah always engaged me. I'm glad I can revisit it with a warm heart and with no expectation to be something I'm not so I can love share and appreciate it with fresh eyes.
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moreleafedclovers · 5 months
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If you or a loved one were born before the year 2000...
...you may be entitled for financial compensation to run for Congress in 2024!
(Offer only valid for the United States House of Representatives)
(Offer only valid for individuals who have been citizens of the United States of America for at least seven years, and who are an Inhabitant of the State that they would like to represent)
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Suzanne Somers, of ‘Three’s Company,’ dies at 76
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LOS ANGELES
Suzanne Somers, the effervescent blonde actor known for playing Chrissy Snow on the television show “Three’s Company” as well as her business endeavors, has died. She was 76.
Somers had breast cancer for over 23 years and died Sunday morning, her family said in a statement provided by her longtime publicist, R. Couri Hay. Her husband Alan Hamel, her son Bruce and other immediate family were with her in Palm Springs, California.
“Her family was gathered to celebrate her 77th birthday on October 16th,” the statement read. “Instead, they will celebrate her extraordinary life, and want to thank her millions of fans and followers who loved her dearly.”
In July, Somers shared on Instagram that her breast cancer had returned.
“Like any cancer patient, when you get that dreaded, ‘It’s back’ you get a pit in your stomach. Then I put on my battle gear and go to war," she told Entertainment Tonight at the time. "This is familiar battleground for me and I’m very tough.”
She was first diagnosed in 2000, and also had skin cancer. She faced some backlash for her reliance on what she's described as a chemical-free and organic lifestyle to combat the cancers. She argued against the use of chemotherapy, in books and on platforms like “The Oprah Winfrey Show,” which drew criticism from the American Cancer Society.
Somers was born in 1946 in San Bruno, California, to a gardener father and a medical secretary mother. She began acting in the late 1960s, playing the blonde driving the white Thunderbird in George Lucas’s 1973 film “American Graffiti.” Her only line was mouthing the words “I love you” to Richard Dreyfuss’s character.
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At her audition, Lucas just asked her if she could drive. She later said that moment “changed her life forever.”
Somers would later stage a one-woman Broadway show entitled “The Blonde in the Thunderbird,” which drew largely scathing reviews.
She appeared in many television shows in the 1970s, including “The Rockford Files,” “Magnum Force” and “The Six Million Dollar Man,” but her most famous part came with “Three’s Company,” which aired on ABC from 1977 to 1984 — though her participation ended in 1981.
On “Three’s Company,” she was the ditzy blonde opposite John Ritter and Joyce DeWitt in the roommate comedy. In 1980, after four seasons, she asked for a raise from $30,000 an episode to $150,000 an episode, which would have been comparable to what Ritter was getting paid. Hamel, a former television producer, had encouraged the ask.
“The show’s response was, ‘Who do you think you are?’” Somers told People in 2020. “They said, ‘John Ritter is the star.’”
She was soon fired and her character was replaced by two different roommates for the remaining years the show aired. It also led to a rift with her co-stars; They didn’t speak for many years. Somers did reconcile with Ritter before his death, and then with DeWitt on her online talk show.
But Somers took the break as an opportunity to pursue new avenues, including a Las Vegas act, writing books, hosting a talk show and becoming an entrepreneur. In the 1990s, she also became the spokesperson for the “Thighmaster.”
Somers returned to network television in the 1990s, most famously on “Step by Step,” which aired on ABC’s youth-targeted TGIF lineup. The network also aired a biopic of her life, starring her, called “Keeping Secrets.”
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writelykeekee · 1 year
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The Writer, Me
Within the depths of my external hard drive, affectionately named Tara, awaits a folder entitled Scribbles. Should one open this folder, many others will be revealed, each with more folders and documents enveloped inside them. They all contain my creations: my poetry, short stories, and novels. All the relevant research I comb through for projects is tucked away in a Misc folder.
Back in the day (meaning the late 1990s to the early 2000s), I didn’t have a computer or laptop. I wouldn’t even get a Nokia Brick, my first phone, for a few more years. A plethora of notebooks, binders, and a variety of pens cluttered those years. Truly, it was chaos. It’s a wonder my mother never grabbed handfuls of it all to stuff in a barrel and burn.
My late cousin, Tabatha, was the one to ignite the passion for writing within me. She’d made the passing statement that I should write down the story I’d just finished telling her. Thus, I started my writing affair with the epic tales I was prone to telling. Knowingly running headfirst into a cliché, writing came as naturally to me as breathing.
It was the details that began to bog me down. I needed every last crumb to fall perfectly into place to feel satisfied with my stories. I needed to jot down every minuscule fragment of thought related to my writing lest it vanish into the void first. It was maddening, yet how could I stop?
As my interest in writing grew, I began reading more poetry volumes. The emotion and truth that went into the poems that I consumed were alluring and spoke to a deep need of my own. Having a history filled with trauma, I realized I could utilize poetry as an outlet. It was a way to pour out all the words my brain, heart, and soul needed to scream.
Poetry was my niche until I was almost out of high school. By then, I had begun dabbling in short stories and novellas. While I had successfully written multiple of each, none of them felt alive. None of them burned with that desire to be shared and devoured. None of them had that something that carried me from page to page without regard for the passing of time.
Over the years, many passion projects have come and gone. Some of them are cringy when I pull them from their cobwebbed compartments within the recesses of my mind while others fill me with regret and a longing for a completion that likely will never come. Of course, I keep them anyway. A writer should always keep their works no matter how cringy, dated, or atrocious they may seem. You never know when they can spontaneously become your next inspiration.
There are two main works that have encompassed the majority of my life as a writer. The first is a story for my mother, my beautiful and intelligent Mama Mattie. When I was in late middle to early high school a friend of mine gave me a stack of books that she no longer wanted. Among them was a book called Seven Tears Into the Sea by Terri Farley.
It’s an enchanting book about selkies, seal-folk who can shed their seal skins when they come onto land and become human. My mother loved this book immensely and wanted her own Selkie story. Thus, I began to research and write. Her selkie story, now with the working title of Torrential, has seen many transformations over the last 15 or so years but has never made it past the first chapter. Mama Mattie does her due diligence in reminding me that I still owe her a selkie story for the ages.
My second work is a story born of a dream, as most of my works find me. Another 15+ year project, it has been the most transformative work I’ll likely ever manage. Originally called Ensphere, the now-titled Shadowstrung trilogy is my all-encompassing passion project. It began as a simple story of fate, endurance, and companionship but evolved when I met my partner Galen and we discovered that the story he was working on seemed to fit together with mine rather elegantly.
Since then, we have gone rounds with this project. All the characters have been renamed countless times, their personalities tweaked, their relationships fine-tuned. The novel became a trilogy. Main characters faded into the background while supporting characters moved to the forefront. All these years later, only the bare bones of SST hold a resemblance to the original concepts of Ensphere.
In early 2022, I made an incredibly difficult decision to put both of these projects down. After 15ish years with little legitimate progress, I felt like I needed something fresh. I needed to see what lay beyond the boundaries of these stories in which I had so deeply burrowed. I spent the rest of the year compiling all of my notes for each so that when I return to them, it will all still make sense.
For the month of Dec 2022, I considered what type of stories I would like to write and I came up with 3 to work on over the next few years. My current work-in-progress is named A Hiss of Sparks. It has been unbelievably arduous to step into this new concept, to stay focused on something ultimately foreign to my mind. I also deal with Autism, ADHD, mental illness, and chronic pain, none of which help the creative process.
Here we find ourselves in May 2023, and I am no closer to having an organized concept of what to write for any of my 3 new projects than I did when they were conceived five months ago. Innately a pantser, I’ve even begun dabbling with plotting and structure to help me to organize. While so far it has been to no avail, I have faith that something will click into place. Until then, I will simply have to try and try again.
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takaraphoenix · 3 years
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Ship game!! What about Nico and Will?? It’s pretty popular, but I don’t think I’ve seen you write much of it…
That's an interesting one in that I have vocalized my reasons for disliking it way back when it first became popular but instead of just linking that, it has been years so I think it's time for an updated version.
Firstly: This post is gonna be properly tagged and not crosstagged so if any shipper comes across it and feels the need to bitch about it, just don't; your lack of curating your own tumblr experience is not my problem! ;D
Now, there are three key factors that play into my dislike of this ship: How it was written, what it represents, how the fandom around it acts.
1. It’s rushed and uncomfortable
In BoO, it was incredibly rushed. They had literally five sentences of interactions before they walked into the literal sunset together. Five. It was just entirely born from Riordan's Noah's Ark Complex, where he just can't let people be single. The series was ending and he needed Nico to have an endgame so he rushed into some random romance with zero build-up.
The way their interactions went down was also severely uncomfortable for me. Will was acting so offended by Nico not wanting to go to camp and be friends in an entitled way that he had no right to be, he downright guilt-tripped Nico about how he had wanted to be friends. Nico has been just so severely traumatized at such a young age and his coping mechanism, as unhealthy as it was, was to run away and hide. Will acted like Nico not wanting to form attachments to people who could potentially leave him again was somehow just an Edgy Emo Decision and not a direct reaction to his trauma. His entire approach to Nico was basically all these hippie posts of "Don't have depression!! Just go out into the sun and stop being depressed!", which is already a bad take with non-medical people but he's supposed to be a doctor (and let's not get into the shadiness of him technically being Nico's doctor).
There is also an inherent "I can fix him" angle to this ship and to me, only few ship dynamics are more uncomfortable than that. If you want to fundamentally change a person's behavior and personality, you... don't actually want to be with this person.
Now, here's where my points overlap, because the following parts of their writing that bothers me also stand for what this ship fundamentally represents.
2. Solangelo is a queer ship written by and for straights
I'm a queer woman and as a queer woman, I want queer wish-fulfillment, not what straights want out of queerness. I'm kind of tired of that, I've been sitting through it for enough decades now. That's, of course, not to say that no straight writer can give proper queer representation, but far too often do straight writers - even the most well-meaning ones - project straight desires of queerness into their queer representation.
Let me explain that closer through this ship.
Nico's been in love with Percy for years and I'm going to do my best to not hijack this post with some Percico agenda; that's not what this his about, this isn't some "my ship is better than your ship" ship-war nonsense. It's simply a canonical fact that Nico has had romantic feelings for another character for years.
A character who, in this medium, is heterosexual. And if you're queer, you've been there. In love with your straight best friend. It's a cliche, but it's a cliche for a reason.
We have also all been well-meaningly rejected by said straight friend.
And here's the straight desires for you: The queer person who was in love with a straight person just immediately stops having those feelings and will then as quickly as possible fall in love with the next queer person they meet to be happy and no longer uncomfortably in love with a straight person, because that thought makes the straights uncomfortable.
Queer wish-fulfillment would be for Percy to return those feelings, for the queer character to get his first love, to not be rejected. That thing queer teens always dreamed about for themselves.
Aside from the wish-fulfillment angle, the pacing is another problem. Let me repeat, Nico was in love for years. But a five sentence conversation with Will once causes a crush on Will and we see him physically turn away from Percy and toward Will just immediately to rebound and actually fall out of love with Percy and in love with Will. Anyone who's ever been unlucky in love will attest to just how unrealistic and ridiculous the pacing here is.
It's also straight queerness in another respect; Nico has been the first ever queer character we meet in that world. He loves a straight guy - and to get over that, we introduce the second queer character. Because heaven forbid there are multiple queers to pick from. No, in straight-written queer romances, there is always that one main queer and then they introduce a second one and the two just immediately hit it off and develop a romance like all a queer person needs to form attraction to someone is the confirmation that the other person shares your sexuality.
Also the notable gay guy on gay guy ship here, whereas the more queer-wish-fulfillment option would have also included more nuance to the queer experience, because Percy doesn't have to be heterosexual just because he has only been with girls so far. It's a very old-fashioned - think 90s and early 2000s - kind of straight-written queerness that there are only exactly two homosexuals and that those two homosexuals then pair up.
And, listen, I'm not immune to these outdated straight-written queers entirely, I have many such ships that I grew up with that I am still fond of because they were groundbreaking at that time and they weren't outdated yet back when they happened in said 90s and early 2000s. I am however a grown woman now and just like I have grown, so has queer rep so I am not as easily baited into falling onto my knees in gratitude for canon rep. You have to go with the times. And this ship, by all that is given to us, is just entirely outdated straight-written rep.
Which, I mention earlier that even straight-written rep can be good. If the author tries. Riordan doesn't really try though; he does the bare minimum when he writes any of his rep - and there have been many, many more qualified voices being very vocal about his depiction of people of color and, as a woman, I've been vocal about his depiction of women. I don't want to derail this post with all of that, but I do think that it bears mentioning that Riordan doing rep but only doing a bare minimum and not putting in the necessary work to deepen the representation he wants to give is a repeating pattern that has been pointed out many times by now.
(I’d also like to point out that no, it is not just the ship and not just the listed instances that make it straight-written rep for straights. It’s Nico’s entire queer arc, starting with his forced coming out. A severely traumatizing event that is completely brushed over because the straight author doesn’t understand the impact this has on queer people. Not to mention the framework; Nico’s coming out isn’t Nico’s story, it happens in Jason’s POV, it is given to us through the POV of the straight bystander who gets to be Best Ally by assuring Nico that being gay is okay. This kind of coming out is not a queer wish-fulfillment, it’s a straight wish-fulfillment of getting to be the straight savior, the ally to show the gay the light of acceptance. And, additional to the ridiculous pacing of how fast Nico gets over his love for Percy, Nico also gets over years of internalized homophobia just because of, I don’t know, Jason’s few encouraging words and the fact that Will paid attention to him? For a gay kid who was in the closet all his life, the nonchalant way in which he publicly confessed his crush to Percy at the end made absolutely no sense and was written as basically a joke, finished off with Nico literally high-fiving Percy’s girlfriend despite those two never having seen eye to eye before but this is straight wish-fulfillment so all straights are Super Allies, because that’s the way straights want to see themselves, even though Annabeth has shown before just how jealous she can be and she most definitely wouldn’t go around high-fiving people who confess to her boyfriend. Nothing about Nico’s queer arc in HoO felt natural or queer or satisfying.)
Sure, Solangelo on a surface level is big because it's a canon queer couple in a YA book-series and kudos for that and yay for the kids who get to grow up seeing queers in YA books, but I actually do think that kids growing up with books written in the 2010s shouldn't grow up with 1990s levels of representation, because the 2010s overall are actually at a far more nuanced and better level of representation when it comes to queerness. And I do reserve the right to quit on too straight-written and too outdated queer rep in a landscape where I can get more satisfying representation elsewhere; we don’t live in times anymore where you necessarily have to love every bit of rep because it’s the only one you get.
Now that we've gone through my first two gripes, let's wrap this up with the final point, because it also directly ties into this.
3. The new wave of antis hiding behind this ship
A huge part of the fandom is so busy kissing Riordan's ass solely for giving them queer rep at all they think that both the author and the ship are beyond flawless and that kind of attitude is not good. Just because an author includes rep doesn't make either perfect. Absolutely no one is beyond critique - especially not when said critique comes from the very people the author is representing. And even beyond any "valid" critique on the ship, quite frankly, someone should also be allowed to just not like it, without any reasons given at all.
But there is a certain... protective obsessiveness about this ship that doesn't allow a not liking. Very similar to how PJO bore this mindset around Perc/abeth already. It's okay to have OTPs, even OTPs that you have a blindspot for and just don't want to see any flaws in. It is however not okay to then go around attacking people who don't like the thing and mind their own business.
Solangelo's bred a new generation of antis in this fandom. And, particularly with the fact that this post too receives an "anti" tag, I feel like there needs to be a clarification (because tumblr likes to forget what actually makes an anti). Not liking something doesn't make you an anti, venting in properly tagged posts doesn't either; it's the people who harass others, who seek out the content they dislike to then complain that it even exists and who actively try to make others stop creating for it - those are antis.
And with Solangelo's popularity, there was a high rise in Percico antis, who sought it out, were unnecessarily nasty about it, harrassed creators and tried to enforce some kind of "Solangelo supremacy" that won't allow other ships for the characters.
I've been in fandom long enough to be perfectly aware that not all Solangelo shippers count into this category and that there are completely normal and nice Solangelo shippers, but this is a Venn diagram where the overlap between Solangelo shippers and antis is too large to not widely associate the nasty people with the ship itself. (I've been there myself, shipping the very ship behind which a fandom's antis all hid. The second-hand embarrassment of having these people give the ship a bad name is horrendous and I do feel bad for all the normal Solangelo shippers.)
The more often I encountered these people, who made Percico bad (sometimes in wildly ridiculous manners that bent and deliberately misinterpreted canon) and who in the same breath praised Solangelo high, the more tired I grew of that ship. It's a simple game of association, really. You see that linked to the gross and nasty behavior and you start associating the ship itself with that gross and nasty behavior - and with all the things I said before that already weighed into my dislike of the ship, this just was the final tipping point, really.
And that's it. That sums up why I dislike Solangelo. It was hastily rushed, uncomfortable in its execution, it is outdated rep that very much feels as straight-written as it factually is and it does not feel aimed at me as a queer person but rather at the straight audience and it has gathered a cult following of quite uncomfortable people who on their own would be reason enough to avoid it so you can avoid them.
Send me a ship and I will explain why I do or don't ship it
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Monopoly so fragile
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A big boat stuck in the Suez Canal, catastrophically disrupting global logistics - it wasn't just predictable, it was inevitable. For decades, the shipping industry has consolidated into just a few companies, and ships got bigger - too big to sail.
As Matthew Stoller points out, in 2000 the ten biggest shippers controlled 12% of the market, today, it's more that 82%, and even that number is misleadingly rosy because of alliances among the megashippers that effectively turn them into one company.
https://mattstoller.substack.com/p/what-we-can-learn-from-a-big-boat
The Suez crisis illustrates one of the less-appreciated harms of monopoly: all of us are dunderheads at least some of the time. When a single person wields a lot of unchecked power, their follies, errors and blind-spots take on global consequence.
The "efficiencies" of the new class of megaships - the Ever Given weighs 220 kilotons and is as long as the Empire State Building - were always offset by risks, such as the risk of getting stuck in a canal or harbor.
Despite this, a handful of executives were able to green-light their deployment. Either these execs didn't believe the experts, or they didn't care (maybe they thought they'd retire before the crisis) or they thought they could externalize the costs onto the rest of us.
Running a complex system is a game of risk mitigation: not just making a system that works as well as possible, but also making one that fails as well as possible. Build the Titanic if you must, but for the love of God, make sure it has enough life-boats.
Monopolies are brittle. The ideology that underpins them is fundamentally eugenic: that there exists among us superbeings, genetic sports who were born with the extraordinary insights and genius that entitle them to rule over the rest of us.
If we let nature run its course, these benevolent dictators will usher in an era of global prosperity.
This is catastrophically, idiotically, manifestly wrong. First, even people who are very smart about some things are very stupid about other things.
Charles Koch took over his father's hydrocarbon empire and correctly concluded that the industry was being held back by a focus on short-term profits. He made a series of long-term bets on new production technologies and grew the business a thousandfold.
Being patient and farsighted made Koch one of the richest people in world history - and one of the most influential. He pioneered a kind of slow, patient policy entrepreneurship, investing in a network of think-tanks that mainstreamed his extremist ideology over decades.
And yet, this man who became a billionaire and changed the character of global politics with his foresight has managed to convince himself that there is no climate emergency. That patience, foresight, and cool weighing of probabilities have gone out the window completely.
Smart people are often fools (so are regular people). History is full of them. Take William Shockley, the Nobel-winning inventor of silicon transistors who failed in industry because he became obsessed with eugenics and devoted his life to a racist sterilization campaign.
Moreover, fools sometimes succeed. Take Mark Zuckerberg, who justified his self-serving "real names" policy (which makes it easier to target ads by banning pseudonyms) by claiming that any attempt to present yourself in different ways to different people is "two-faced."
That is a genuinely idiotic thing to believe: presenting yourself differently to your lover, your parents, your toddler, your boss and your friends isn't "two-faced," it's human. To do otherwise would be monstrous.
But even when monopolists aren't idiots, they are still dangerous. The problem with Zuck isn't merely that he's uniquely unsuited to being the unaccountable czar of 2.6 billion peoples' social lives - it's that no one should have that job.
Monopolists all have their own cherished idiocies (as do the rest of us), but they share a common pathology: the ideology, popularized by Thomas Friedman and others, that "efficiency" is the highest virtue.
The whole basis for 40 years of tolerating (even encouraging) monopolies is the efficiencies of scale that come from consolidating power into a few hands, and the shared interests that arise from a brittle interdependence.
Who would go to war with the trading partner that controls the world's supply of some essential item?
This was always, predictably, a system that would work well but fail badly. Clustering the world's semiconductor production in Taiwan made chips cheap and plentiful, sure.
But then the 1999 Taiwan quake shut down all the world's computer sales. There are plenty of examples like this that Stoller lists: a single vaccine factory in England shuts down in 2004 and the US loses half of its flu vaccines.
Despite the increasing tempo of supply-chain crises that ripple out across the world, we have allowed monopolists to "take the fat out of the system at every joint," setting up a thousand crises among us and yet to come.
Bedding makers can't make mattress for want of foam. RV manufacturers can't get enough "air conditioners, fridges, furniture" to meet orders. Often, the pivotal items are obscure and utterly critical, like the $1 "flat steel form ties," without which home construction halts.
"For the want of a nail, the shoe was lost." We've understood that tightly coupled systems have cascading failures since the 13th century. "Resiliency" is inefficient - but only if you ignore what happens when brittle systems fail.
Every monopolist *necessarily* shares an ideology that elevates brittleness to a virtue. They must, because monopolies are brittle. One foolish mistake, one ship wedged in a canal, one delusive denial of climate change, and we all suffer.
Every monopolist believes in their own infallibility. They must, because to have someone as fallible as me or you in charge of the world's social media or shipping or flat steel ties is otherwise a recipe for disaster.
Of all the dangerous things monopolists are wrong about, this belief in their own inability to be wrong is the most dangerous.
Image: Copernicus Sentinel (modified) https://commons.wikimedia.org/wiki/File:Container_Ship_%27Ever_Given%27_stuck_in_the_Suez_Canal,_Egypt_-_March_24th,_2021_cropped.jpg
CC BY: https://creativecommons.org/licenses/by/2.0/deed.en
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boop-le-snoot · 4 years
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PARTY FAVOURS | CHAPTER 2
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Rating: Explicit. 18+
‼️TW: Reader is EIGHTEEN! Recreational drug use, smoking and alcohol consumption, deeply internalised self-loathing, very questionable moral standards. Daddy kink taken half-seriously. BDSM themes in later chapters - explicit content will come with it’s own TWs. FIRST PERSON POV.
Summary: You’re Peter’s classmate, a child of rich and famous but uncaring parents. Getting paired up for a lengthy project with the boy was an interesting turn of events and you don’t know whether to feel blessed or cursed when you develop, seemingly, a perfectly normal, harmless crush on Tony Stark. Fueled by feelings of inadequacy and boredom, your life spirals out of control - and you’re lucky your newfound friends are there to pick up the pieces even if you cannot find it in yourself to believe these amazing human (and not so human) beings voluntarily give you more than a fleeting glance and an offhanded thought. And they brought cake!
A/N: Bad girls are sad girls! Always wondered what goes through the mind of a spoiled, rich but intelligent and perceptive teenager? Have you found yourself craving that adrenaline rush, the danger of a forbidden fruit? Okay. That was cheesy as hell. Gross.
Let’s try again. Sarcasm? Check. Vine references? Hell yes! Crude humour? Check. Blunt honesty? Double check. We’re living in a Lana del Rey song, ladies.
The author doesn’t actually condone codependent relationships in real life. This is a filthy little fantasy. Enjoy, deviants.
THE TAG LIST IS NOW OPEN! @vozit​ @another-stark-sub ​ @mostly-marvel-musings​
Beta read by the lovely and patient @miscmarvelwritings  ! She deserves all the love 💙
Peter woke me up at eight AM the next morning like the little shit that he was, demanding I make him pancakes. It wasn’t the first time I’ve had the joy to experience him in the morning and he knew exactly how to antagonise me enough to make him the special pancakes he liked so much. They had become kind of a ritual whenever he stayed over at my house, which was quite often - teachers liked me enough to pair me up with one of the most sensible kids for any projects that couldn’t be done alone by yours truly on her own.
I put on my yesterday’s dress, applied moisturizer and obediently trotted behind an excitedly mumbling Peter. The kitchen was large, beautiful and delightfully empty of any resident superheroes. I’ve indirectly crossed paths with all of the tower’s residents hanging around Tony, but I’ve yet had to speak more than polite niceties to any of them. 
Spying a bowl of boiled eggs and some sort of weird salad alongside half burned toast on the counter, I suddenly understood why Peter demanded his pancakes. I strictly instructed the disaster child to stay away from my cooking process and set to work with one ear listening to his ramblings and a headphone in the other. 
A set of thumping footsteps appeared behind me as I was pouring the batter for the first pancake. Their owner loudly sat down next to Peter, sighing, groaning, generally making “I’m not a morning person” sounds.
“Good morning, Mr. Barnes,” Peter’s tone was way, way too chipper.
“‘mrng,” The Sergeant grumbled. “Who’s this and why is she making pancakes?”
I turned around, spatula at the ready. “It’s me,” We’ve actually met before, but Barnes had left before I could even come over from my side of the work bench to say hello.
He nodded in acknowledgement after giving me a suspicious once-over. “One of Stark’s science children. I’m James but you can call me Bucky,” His voice sounded rough and gravely, and he clutched a coffee cup half the size of my head.
I snorted. “Science child, sure,” It wasn’t half-bad actually. I wisely choose to ignore the part of being Tony’s. No matter how hot the man was, I wasn’t anybody’s but my own, thank you very much. “Go get the bananas, Nutella and maple syrup, fellow science child.”
Peter scrambled to follow instructions as I plated the pancakes and cut the bananas into neat little rings to fill the sweet circles with. A tablespoon of Nutella, half a sliced banana, wrap, garnish with powdered sugar and pour maple syrup generously on top. I really didn’t see how this could be difficult but any and all attempts to teach Peter how to recreate my masterpiece always ended up in an absolute mess. I turned around to ask Bucky if he wanted any. The look of a man starved answered all my questions.
“You’re a goddess,” Peter moaned around his mouthful, nose smudged white with the powdered sugar.
“Gross, chew first then talk, you neanderthal,” I scoffed, prepping more batter for the second batch of pancakes. I wasn’t sure if everybody would show up but figured it would be rude to exclude them from the sheer magnificence that were my pancakes. I was just that good.
The music in my ear drowned most of Peter’s disgusting chewing noises, thankfully. My second batch vanished into thin air, inhaled by the two males like the garbage disposals that they were. Peter, in particular, ate an alarming quantity of food and I was surprised how he managed to stay so skinny. His daily eating schedule resembled the Hobbits.
More people appeared, this time acting less surprised regarding me standing at the stove. Hawkeye, Black Widow, Scarlet Witch and her brother, all of them wandered in wearing sleep attire with various amusing prints. Thankfully, they mostly kept quiet or chatted with Peter - I would have definitely grumbled if someone tried to talk to me. As far as my body was concerned it was still the middle of the night.
“PANCAKES,” A booming voice announced and I shuddered at the sheer intensity and devotion contained in that one word. Thor.
“Please use your indoor voice,” I snapped reflectively. My brain caught up with what I just did so I hastily backtracked. “Sorry, I’m a bitch in the mornings.”
The blonde man chuckled, coming over to poke his nose into my flurry of pour-flip-fill sequence. Then, with all the grace and manners of a prince, he dipped one (1) large finger into the jar of Nutella and wandered off with it stuck in his mouth. With this turn of events the Nutella was bound to run out sooner than expected.
I turned around, annoyed confusion in plain sight. “The fuck?.. That’s gross, don’t do that,” Finding his brother (adopted!) sitting next to Thor, wearing a haughty smirk, finger still in his mouth. So Loki turned into his brother to steal Nutella from a jar. I sighed. Nobody even batted an eye. “Your alien germs are in there now, double ew.”
“Alien germs? Where?” Bruce entered the kitchen with a tablet under his arm, wearing Hulk themed pajamas, Captain America in tow. I was honestly on the verge of breaking down into hysterical laughter. Domestic Avengers wasn’t something I’d expected to see or experience, ever, much less be a part of. It took a moment for me to remind myself that they were people, too, and each of them was entitled to their own quirks. 
“America, egg-splain,” Peter muttered under his breath, giggling. “Loki stuck his hand in the Nutella jar,” He pointed at said jar. “She got grumpy,” Peter pointed at me. “Don’t make her grumpy, please, I want more pancakes,” And turned his pleading puppy eyes in my direction again.
“This is indentured servitude,” I pointed my spatula at the little shit. “You just had, like, ten.” But I made more batter nonetheless. I must admit it was kind of cool, seeing the earth’s mightiest defenders so relaxed. And Pete being happy, that was just… The best. I don’t know how to explain it. His eternal cheerfulness was highly contagious.
Chuckles filled up the room, the adults chatting and bickering amongst themselves while they patiently waited for their own breakfast. 
“Do you need some help?” Bruce approached me after stopping to fetch himself a cup of tea. It smelled strongly of tangy herbs and honey.
“I need more Nutella and bananas,” I admitted, surveying the sheer amount of people I had to feed. I didn’t doubt the Captain and two Asgardians had an appetite to match Peter’s which meant a literal extra set of condiments was required. Thankfully, Bruce fetched them for me, coming to a stop next to me. “Anything else?”
“You know, I tried making these with Peter and he just ended up with powdered sugar and chocolate all over himself,” I mused, noting the way Banner was carefully observing the assembly of a pancake. “You think Doctor seven-phds can manage to add a few toppings to a pancake without causing a disaster?“ 
Bruce rolled his eyes fondly, bumping me with his hip. "I’m no Clint Barton when it comes to cooking but at least I don’t burn my toast like Steve,” True to his word, his hands made swift motions of filling, wrapping and plating each individual pancake. They were almost as good as mine albeit more messy. I had lots of practice though. We finished off a batch in companionable silence, sounds of the team and my music playing in the background. 
I didn’t notice when I started swaying to the rhythm, catching a confused look from Bruce. I brushed back my hair, revealing a wireless headphone in my ear and he chuckled in understanding. “What are you listening to?”
“Right now? Kings of Leon,” I said, leaning towards him so he could hear the chorus “Use Somebody” currently occupying my right ear. 
“I like them, too,” He said, his cheek gently touching mine. His hands slowed on the pancake, a soft hum vaguely reminding me of the song’s melody emanating from his throat. “What else do you usually listen to?”
“Mostly heavier stuff, but I have a whole separate playlist dedicated to mid-2000s bops,” I answered. “I’ve heard I’m quite old school when it comes to music.”
“Well, I am an old man, so…” Bruce grinned mischievously. “But my guilty pleasure is Lady Gaga,” He admitted with a laugh.
I laughed, too. The image of his dancing in his lab to Born This Way was too much for my brain and I hung my head, fighting giggles. Bruce bumped me with his hip again, faking a pout. “Okay, okay, that was a fucking hilarious image, you go dude,” I finally powered through my struggle to contain laughter. “My own guilty pleasure would be… Umm… Lana Del Rey, I guess.”
Bruce made a vague noise of confusion. I took a brief break from mixing the batter to dig out my second headphone, presenting it to him and switching to a song. “This is what makes us girls”. Despite the fact I have never stolen a car or had a close female friend, the nostalgia was real. “Carmen” followed after the first song and I silently thanked whatever deity that “You can be the boss” was taken out of Spotify - I don’t think I was prepared to share that kind of information with a lab partner. An older, handsome lab partner. Wait… Where did that come from?
“I like it,” He said after the song ended and my more usual stuff began playing. “It suits you, I think.”
I groaned. “Really? I think it’s edgy,” Hiding away the embarrassment, I passed him a tray of freshly baked pancakes, occupying his immediate attention.
“You’re an old soul,” He gave me a lopsided smile. I saw a very faint blush tinting his cheeks, the kind of blush that had me wondering about the meaning behind his words. 
I gave an attempt at a smile in response, the left corner of my mouth barely tilting up. We talked some more about the rock music we shared in our earphones. I had a lot of 80s hair metal and 90s grunge in my playlist. Bruce was not a Curt Cobain man but enjoyed the works of his legacy, Marcy Playground. 
A tan hand wormed its way between me and Bruce, snatching a handful of banana slices and disappeared just as swiftly. “Tonyyy,” Bruce groaned, picking up another banana to replace the stolen pieces.
The spatula in my hand became a weapon as I blindly aimed at the target behind my back. A loud “ow” indicated I hit it. When I turned around, Tony was clutching the side of his face, a hurt look in his eyes and cheeks stuffed full of stolen goods. I stared him square in the face, absolutely refusing to acknowledge the fact that he was shirtless - the arc reactor glowed brightly in the middle of his toned chest. Fuck.
His chest was honestly what I was aiming for. I constantly kept forgetting how short he actually was. There was this one time when Tony had to put his arms around me to steady a piece of tech - he felt huge, hard and enormous around me. 
“What’s that for, Princess?” He finally chewed through his food and found his voice.
“For being a Tony,” I retorted. “Stay away from my workspace and wait for your breakfast like everybody else.”
“Hey! This is my kitchen,” He whined immediately, like the adult man that he was. I nearly cried from how adorable his face became, eyebrows scrunched up. “I don’t want to wait! And why does he,” Tony’s finger accusingly pointed at Bruce, “Get the bananas?!”
“Because he’s Brucie-bear,” I stuck my nose up in the air when Bruce’s arm wrapped around my waist. “He’s my science father,” I stuck my tongue out at Tony, seeing Bruce’s triumphant smile. Banner used every opportunity to get back at Tony’s incessant sass. 
The gleaming in Tony’s eyes should have alarmed me. “But he’s not your science daddy,” Tony’s flirting was accompanied by a salacious eyebrow wiggle and Peter’s screech of “OH MY GOD!" 
It took me every ounce of willpower to not flush. It was one of those rare times that I was at a complete loss of words. Thinking on the spot, I gave a very meaningful look to Bruce - thankfully, he got the gist and returned an equally filthy smirk back. Tony gaped.
"Is this how they are in the lab?” The Captain’s quiet voice leaked horrified amusement.
“All.The.Time.” Peter’s resonating groan was followed by Romanoff’s laughter.
We went up to the lab after breakfast. Thankfully Tony stopped his dramatic bitching when I served him my pancakes, scarfing them down much like everybody else. So me and Pete were accompanied by one (1) happy engineer, all three of us tinkering away on a robot that we were supposed to present in our science class in a month. The focus that was required to solder was immense and our usual banter was missing, replaced by an occasional request for a specific tool or a water bottle.
It took a few hours to get the dirty job done even with Tony’s help (technically he wasn’t supposed to but neither me nor Pete had the heart to forbid him from it when the man looked so content and happy soldering away). By the time I uncurled from my spot on the bench, my back was in knots and my dress had oil stains and holes all over it. I immediately went to the nearest water bottle, finishing half of it in seconds, picking up my phone to see if I had any important messages from my mother.
None.
Just a message from Bruce.
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I tapped on my phone, idly scrolling through the Instagram app, liking some pictures of people I barely knew and keeping up a general appearance of being very busy. When the ringtone started playing, it took me a whole five seconds to understand it was, in fact, coming from my phone - I certainly wouldn’t put something so… Outrageous as my main tone.
Banner had discovered the power of the internet. You Can Be The Boss played loudly, and it played from my phone and Bruce was calling me. I picked it up, turning around, fighting the incoming laughter. “Yes, Brucie?" 
To say that Tony’s and Peter’s faces were scandalised was nothing. The boy’s face was such a deep shade of red, I started worrying about his blood pressure and Tony’s mouth hung open limply, like he was witnessing the second coming of Christ. 
"Is Tony sufficiently traumatized?” Judging by the breathless tone of his voice, Banner was resisting a mighty laughing fit of his own.
“Oh, absolutely,” I happily chirped.
“Good, keep it up. Come to my lab before you leave,” Banner snorted and then, realising what he’d done, promptly hung up, the tell-tale beginning of a giggle fit abruptly interrupted by a dial tone.
I put the phone in my bag, gathering the rest of my things with a look somewhere between innocence and indifference. At least, I hoped it was - my mind kept jumping between the engineer’s ridiculously scandalised face and the way his mouth went slack, lips moist and soft and plush. That’s a very dangerous trail.
A very dangerous trail I couldn’t resist exploring in the solitude and privacy of my own bedroom, at home.
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kicksaddictny · 3 years
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Kicksaddict Sneakerhead PROFILES Interview Series: @CakedaGawd
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After a long Hiatus, we’ve returned! Our popular Profile series has been requested almost on a daily basis (Thanks for the tweets, dms and emails). We were even threatened! (Thanks by the way).
Cake The Gawd! This one was so much fun. Tap in.
Where are you from? Brooklyn, NY born in Crown Heights raised in East Flatbush.
How long have you been collecting sneakers? I was introduced to sneakers in 1991 but I started collecting for myself in 98.
What’s your favorite sneaker and why? Air Jordan 6 Infrared. It's the shoe Michael was wearing when he won his first championship, and to me just it’s just the most beautiful Jordan shoe to date! The silhouette is unmatched, it is timeless, and no matter how many times it is retroed I will buy it!
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Besides your hometown, what is the best city for sneakerheads that you know of? Why? I would say LA 100% !! It is a vibe out there. I am part of a sneaker group and 75% of the people in there are from LA. They really about the culture they know their shit and they are fresh as fuck too.
Do you collect just for collecting or do you collect and rock? I collect and rock. That is why I double up on certain shoes.. Some kicks you gotta have for store and show but some you just have to rock them!
What sneaker got you into the sneaker game? I cannot pinpoint one thing, it is so many things. It was Music, my parents introducing me to Nike, my older cousin, basketball, the dope boys around the way, and my 3rd grade crush and her cousin who both had Aqua 8's. (LOL) I cannot just say 1 thing because they all had a significant part in it.
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What are your thoughts on these fake celebrity sneakerheads? I hate them all! All of these dudes just get perks, some of them do not even know the shoes. That shit really gets under my skin. Showing off shoes that they get and not even knowing the name or numbers of the shoes, creating their own names. Shit is sickening. S/O to the Sneaker Gawd Wale !
How do you feel about the Off white collabs? I liked the first round of the collabs. With the Presto's, Air maxes, Blazers, and Jordan 1's. I think after that it should've been left alone. But I can respect what they are doing over there. I just won my first pair of Off-White's with the Lot 50 joint.
If you could wear only one sneaker for the rest of your life, what would it be? Air Jordan 3 Black Cement. Yes 6's are my favorite of all time but the Black Cement 3's just go with EVERYTHING!
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What advice would you give as far as storing and preservation of your sneakers? Wear your kicks man. I store and rock! I get it, wanting to save shoes but putting them away and never rocking them, when you finally do ya it’s separating and crumbling. In order for your kicks to last they gotta be worn anyway. Unless you're truly just on some collecting only for show vibes.
What is the most you’ve ever spent on a pair of sneakers? $900... I was able to land Black and Red and Royal 1's from 2001 together. A friend of mine had them and said he couldn't think of anyone else. I had literally just started my new job. A chunk of my first check went to that pick up.
Have you ever waited in line for a pair of kicks? I waited in line once in my life for shoes and swore I would never do it again. It was for the 2001 True Blue 3's. I waited online at like 7 in the morning at Kings Plaza. LMAO I said this will never happen again. I didn't have the patience for it. I do not know how ppl used to do that shit or camp for kicks. I was there for 1 hour and I was like this is ridiculous.
You're also a photographer, how long have you been taking photos? I have been taking photos since 2011 but officially became a photographer in 2013.
How do sneakers play a role in your photography? That is a great question because I didn't want the 2 to mix at all. Because I'm a scenery and landscape photographer. But I got into photography because of sneakers. No offense to anyone but a bunch of these  "influencers" get on IG with their DSLR cameras, take some on foot shots and call themselves "Photographers". 90% of them do not even understand lighting. I didn't wanna be one of those guys because I actually live this and study it. But recently I just started letting it be that and owning it. I am nice with this photography shit when it comes to sneakers. I have a deep connection with shoes and I love incorporating that into my art. I thank my wife for that. I told her I don't wanna be just another sneaker photographer and she said to me who said you have to be ?! I took that and ran with it. Off-White just recently featured some of my pictures on their Instagram.
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I remember you saying you're a sneaker enthusiast, what is the difference between that and a sneakerhead? An enthusiast really studies sneakers. Sneakerheads just love sneakers like it ain't really about the history and all that for them. They just love shoes because it is cool and makes them feel good. Us Enthusiasts are invested. Things matter like knowing years of a shoe. For example, an enthusiast would look at a pair of Jordan's like Taxi 12's, We know Michael wore those in the 1996 - 97 season, but we also know that Martin gave away a pair on his show for the Christmas episode to the kid who had holes in shoes. They are tied to iconic moments. A sneakerhead may love Bordeaux 7's because they are dope looking shoes. Where for me it's that Michael Jordan wore those in a video with Michael Jackson and Kris Kross in the 92 Jam video. MJ and MJ in a video with Kris Kross, do you know what that did to my childhood?! Give you one more example that is not even Michael Jordan related. Piggy backing off of Kris Kross,The Patrick Ewing’s were one of my favorite kicks growing up besides seeing Pat play in them one of my favorite Hip Hop covers of all time is "Totally Krossed Out" and Kris Kross is wearing both colorways. So you see what I mean there is so much tied to it with being an enthusiast. This is just my opinion though some may not agree so don't shoot me! (Ha)
From the time you started collecting up until now, would you say that the sneaker game changed for the best or the worst? I have been collecting for 20 plus years now. I have seen the game at it's best, I have seen it die, I have seen it revive, and now I am witnessing the death of it again. The sneaker game is disgusting right now, and I honestly do not think it will ever recover. It really saddens me. It is a popularity and money contest right now.
Does pricing affect your collection? Hell No! And I hate that some people are trying to make this the norm. IDGAF if you paid $500 - $2000 for a pair, It doesn't mean shit.  The narrative is getting outta hand.
What does the word “Hypebeast” mean to you? Hypebeast is a person that only buys shit for status and popularity. They cannot form their own opinion about shit. They have to wear and cop items based on what every celeb is wearing or whatever these Social Media "Influencers" are saying is hot! It is not only sneaker related either. N*ggaz were hypebeasting for PS5 last year..
What are your thoughts on the females in the sneaker game? They are the best! I wish we had a Sneaker union and it was only run by females! The men in this game are annoying and so over the top. It is so bad that they feel the need to compete with women. The men get shoes just to show off to one another. Like what type of shit is that? The females are cool. I had a dude on twitter tell me women don't know the value of a shoe let alone about the shoe. The men feel like they always gotta try to shit on the women. The women are just trying to be part of the culture and enjoy it. And they shouldn't have to try to be part of something that is open to anyone who is willing to be invested and understand the culture.
Any advice for a young kid coming up in the sneaker game? Wear what you like! Respect the game and the people who have been doing it before you. Because this new generation of sneakerheads are little entitled dicks. No respect whatsoever!! I don't care about Travis Scott shoes. Without Jordan being who he is Travis wouldn't have a Jordan silhouette to collaborate with! Same with Off-White. These silhouettes were here before these guys. Say know your history and pay homage!! BUT STAY humble.
See I follow you and I'm loving the way you include your daughter in your work, what does that mean to you? Man, it is beautiful!!!! Without even trying she is invested in the culture. Both photography and shoes. Myself and my wife are both heavy into photography, art, music, sneakers, and clothes. My daughter is into all the same things but we are letting it be her own experience. We are not forcing anything on her. We want her to enjoy being a child and whatever things she picks up from us along the way is just a bonus. But I love shooting her, and I love when she asks myself and her mother "do we like her fit". It is truly a blessing man!
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All photos by CAKEDAGAWD
Follow : https://twitter.com/CakedaGawd 
https://www.instagram.com/whatsinthesyrup/
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jt-artsandfics · 3 years
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So I don't knwo if anyone will actually ever read this. Maybe if I post it one day but who knows. But hi.
I'm Julian. T in a 21 year old transgender aboriginal guy. from the small town of G.H.M Austraila. And this is my life story.
I was originally born Tareena with a different middle and last name. July is my birth month. And I was born in 2000. I was a very sick baby my mother was in labour for 36 hours with me. I am her first born.
I got really sick becuase I had fluid in my lungs, I was lucky that I survived, But I did. I don't remember much of my younger childhood other then my parents fighting. My father was my mother's drug dealer back in high school. And she was daughter of the local police chief.
I remember my first ever day at school. I was bawling my eyes out and I had the most horrendous shade of red lipstick smeared on my lips.
That was the year I met my best friend for life/my brother from another mother. His name is Ben. He was the only one I really liked at school most of the other kids didn't get along with me. But I had him.
He has been there for me thought everything. When I had just turned 7 my aunt and uncle got married. It was a beautiful wedding. But if only I knew what it entitled. That was the same year my parents broke up and more.
That was the year alot of stuff started. The sexual abuse and molesting from my uncle. I still remember it all very vividly to the point I can walk though one go the buildings today and point out exact spots where he would hide with use to touch us.
I was lucky, my cousin walked in on us when my uncle was going to go further then he normally did. If it was for him at that time I most likely would have been raped.
I didn't really understand but I knew something wasn't right. He use for make us watch porn with him and it still makes my skin crawl.
I like to think things work thought karma and luck. One day I stayed home from school becuase i wasn't well had. Avery bad fever. And mum had to work. (She worked 6 jobs to support three kids after her and my father divorced.) She had left the Tv on for me and I was skipping thought channels. A really pretty actress who I don't knwo the name of came onto a talk show, and I watched it. She takes about what had happened to her when she was 10 playing as a child star of a show.
She shared what had happened with her producer. How he black mailed her and sexually assaulted, abused and raped her over the years she was their. She talked about she wish she had the courage back them to tell someone. And that if she could be the courage for someone else suffering then it means what she went thought would mean something.
It hit me hard and I believe she gave me the courage to do what I did. It scared the shit out of me. But one day I was told by my mum I had to go and stay at my uncle's for the night and I was terrified. I tried talking my way out of it by asking to go to friends places but in the end I couldn't.
My mum asked me why I really didn't want to go and if something had happened. I told her not to be mad at me and told her what my uncle had been doign to us. I told her about how he's make us strip down and lay on a bed so he could look over us like we were fucking meat. And I let it all out to her.
She was horrified. Had to calm me down and ask me if what i was saying was true. I told her it was and front there alot of shit happened that day. My mother nearly killed 'Darren' she had to be locked with us at the police department while they talked with my sister and I.
But we were too young and didn't know how to explain everything. If their is one thing I can tell you is teach your children the real name a of their genitals otherwise police won't do anything.
It was a big battle trying to get him charged my mother wanted him locked away. But sadly nothing every came of it.
We got older and I ended up spending more time with my great grandparents. My great grandfather was my world we shared a birthday of a sort with his a few days before mine. I'd see him when ever we could.
School got harder after my nana passed away. And I took up Catholicism. (Not the best choice on my part) I was 12. I did my communion and such. But after that mygrandfather moved closer and I used to spend every school after noon with him watching old john Wayne and black and white movies.
He would tell me stories of his child hood and it some something I loved.
Once I got to high school my mental health and physical health deteriorated quite quickly. I had a really creepy boyfiend who was year 11 when I was year 8. After i broke up with him he started stalking me until my younger brother and mum got involved.
After that I cut ties with alot of my friends. I only had a small group. I picked up smoking with the stoners behind the science block and hall. They were chill and let me be me. But weed only helped so much. At first I thought I wa broken. All the other 'girls' were talking about how they were having sex, had boyfriends and such and I felt so out of place. At friend I thought it wa becuase of what 'Darren' did to me.
But then I met the coolest girl at school and my first girl crush. She had dark black hair cut almost buzzed she work rings and necklaces and didn't give a shit about the school code.
She was the one who taught me girl can like girls same as guys can like guys. I hung out with her all the time. And then one day she just stopped to school I felt like I didn't belong.
I got really depressed in my next few years. Alot more smoke. I lost 3 animals I had since childhood in 3 months. It messed me up bad and then we moved again.
I was still at the same school. And that we sheen I started my friendship up wirh a girl called 'Sam'. She was my best friend for long time. Becuase at that time Ben had gotten a girlfriend. One I didn't get along with at them time but it wa becuase I thought she was a popular kid and that she was going to take my best friends away from me.
I was very unstable. I just selfharmed but not in ways that people could tell. I used to smash rocks into my head and burn my hands and feet with lighters. It made me feel more alive at the time.
It got worse once I came home with my now cat. He was 3 weeks old and I was feeding him milk off my pinkie. My step dad at the time lost his hair and fucked my mental health up even worse. I told my mum to get rid of the Cat and that when she ended up finding other newer injuries on my. I.. I had tried to rip my arms open with the sharp end of a potato peeler. Not my best moments but I can look back on it husband laughs nd how stupid I was.
Alot of stuff went down from when I as 13 to 14 wobbly step dad. But mum loved him and he never raised a hand to hurt up just he would tell alot, drink and do lots of drugs.
When I was 14 I had my first kiss with a girl. My first girlfriend and it was the best thing ever. Until she broke up with me over text.
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gayenerd · 3 years
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An interview with music journalist Paul Zollo. I believe this is from 2000. I’m a sucker for Billie Joe talking about his songwriting process.
By PAUL ZOLLO
SEVEN STORIES ABOVE THE SUNSET STRIP in Hollywood is the Chateau Marmont, an old hotel rife with the ghosts and scandals of Hollywood’s recent and not-so-recent past. Famous for the elegant, old-world discretion it affords all its guests, for decades it’s been a safe harbor for stars seeking to circumvent the squall of media surveillance. It’s where John Belushi died, sadly, back in bungalow three, and where Jim Morrison wrecked his back by swinging Tarzan-like from the roof, using a drain pipe as a vine. Every star, it seems, from Chaplin and Bogart to Dylan and Lennon have hidden out here while in Hollywood. “If you must get in trouble, do it at the Chateau Marmont,” Harry Cohn, the first boss of Columbia Studios, once told William Holden.
So it’s an appropriate setting for Billie Joe Armstrong, the lead singer, songwriter and guitarist of Green Day, to be holding court. Armstrong and the band are no strangers to scandal – they’re the ones who started a mudfight that bordered on insurrection at Woodstock II; they’ve been outspoken about their fondness for drugs and alcohol; they’ve been especially harsh in their expressions of scorn for many other bands; and they’ve frequently “redecorated” hotel suites, bars and Tower Records stores alike with a flair for creative demolition that brings to mind the heady decadence of the Doors and others.
           In fact, parallels between Armstrong and Jim Morrison abound. Like the leader of the Doors, Billie Joe is the creative catalyst of his group, but only writes within the fold of his fellow musicians. Like Morrison, Armstrong has been known to walk on the razor’s edge of life, bringing an authentic, expansive passion to every song he sings. He’s also been known to match his inclination to strip his soul bare in song by taking off his clothes in concert. The difference is that when Jim Morrison did it, all hell broke loose, the country was shocked and the singer was arrested. But when Billie Joe does it, he gets acknowledged on the MTV news, Kurt Loder smirks, and that’s about that. Being shocking these days is just not like it used to be.
‘It’s something unpredictable,
But in the end is right
I hope you had the time of your life.”
From “Good Riddance (Time Of Your Life)”
By GREEN DAY
           Few things seemed more unpredictable than the thought that Green Day would have a Number One hit with a pretty ballad of all things. Even more unlikely would be that the song, officially entitled “Good Riddance” but better known as “Time Of Your Life,” would become as ubiquitous in the American consciousness as the Star Wars theme. Used on “Seinfeld,” two episodes of “E.R.,” and extraneous sporting events (as when Mark MacGuire became the king of baseball’s home-run derby), Green Day’s ballad quickly became more famous than Green Day itself.
           “Good Riddance” now stands alongside Springsteen’s “Born In The USA”, Randy Newman’s “I Love L.A.” and Sting’s “Every Breath You Take,” as one of the nation’s most misappropriated hit singles. Like all of those songs, which are much darker if you examine their core than the mainstream ever seemed to recognize, “Good Riddance” actually comes closer to condemnation than the kind of nostalgic celebration for which it’s been used:
“Tattoos of memories and dead skin on trial
For what it’s worth, it was worth all the while
I hope you had the time of your life. “
From “Good Riddance (Time Of Your Life)”
By GREEN DAY
Though Green Day’s presence on the world stage shifted from popular to astronomical because of this song, many of their old fans felt alienated by their secret heroes’ injection into the mainstream. “[`Time of Your Life’] was a drastic change for us to record,” Billie Joe said. “We knew that there were going to be some people that weren’t going to like it because it’s not a 1-2-3-4-Let’s-go-punk-rock tune. Mike [Dirnt] said, `This is a real beautiful song, who cares what people think?’ So we just went for it. Long term thinking, you know. Punk is not just the sound, the music. Punk is a life-style. We’re just as much punk as we used to be.”
           Of course, definitions flow fast and fluid, as purveyors of punk, such as Armstrong, play along the borders of pop. “A lot of punk rock bands are always trying to be so hard all of the time,” he said. “Macho brutality doesn’t necessarily mean you’re a good songwriter. I think that some of the Beatles’ songs are way more punk rock than most punk songs written today. Like the song `Yesterday.’ It’s such a bittersweet song. “
           Billie Joe was born in 1972 and grew up in Rodeo, a little Californian town just outside of Berkeley. His father and uncle were both jazz drummers. “I was a guitarist in a house of drummers,” he said. His father died when he was ten, the same year he met a neighbor named Mike Pritchard who shared his passion for making music. Together they decided to drop out of high school to start a band, which they called Sweet Children. It was a decision Billie’s mother encouraged. “My mom sort of let me do whatever I wanted,” he said. “When I quit school, she thought that was a good idea because I was really ambitious to play. So I started touring when I was seventeen.”
Pritchard changed his name to Mike Dirnt, Tre Cool replaced Al Sobrante as official drummer, and they called themselves Green Day, a Bay-area euphemism for a day spent smoking pot. Their first release was an indie EP called 1000 Hours, after which they signed with Lookout Records to make 39/Smooth and Kerplunk. In 1994 they ascended to the major leagues, signing with Reprise, and released Dookie. They soon  became an MTV mainstay, and their mudstorm performance that year at Woodstock cemented their reputation as a band on the edge. Three more singles followed, as did sales of more than eight million albums worldwide, and a Grammy Award for Best Alternative Music Performance.
           Insomniac was released in the fall of ’95, but instead of going on a European tour as planned to launch it, they elected instead to stay home and write and record more songs. The result was the most popular, and most critically acclaimed album of their career, Nimrod, which included “Time Of Your Life.”
Warning was the new album at the time of this interview, and the impetus for Billie to talk. Inspired by the rich lyricism of Springsteen’s The River and Dylan’s Bringing It All Back Home, Green Day went away for a while to write and play the songs before recording them. It’s their first self-produced and most sonically adventurous album to date, blending layers of acoustic guitars in with the electrics, and with some unexpected detours, such as the German beer-hall stomp of “Misery,” and the Clash-meets-Kinks pop-punk of the title song.
“Caution police sign you’d better not cross
Is the cop or am I the one that’s really dangerous?
Sanitation expiration date question everything
Or shut up and be a victim of authority
Warning, live without warning…”
From “Warning”
By GREEN DAY
Today Billie Joe is ensconced within an overstuffed burgundy couch in his hotel suite. Although he’s drinking coffee from china cups, and eating fresh fruit and croissants from a silver tray, he’s remained loyal to the punk lifestyle, and is wearing a black t-shirt and baggy jeans. Prior to our talk, rather than linger in the luxury of his suite, he ducked down into the hotel’s bleak back stairway for a cigarette. Though he’s undeniably a star of the first degree, he’s uncomfortable with such designations, and shuns all the trappings of stardom. As opposed to the Ferraris and Lamborghinis driven by his peers, an old Ford Fairlane remains his vehicle of choice. He did admit to one extravagance, however, which he revealed somewhat sheepishly. “As soon as I could afford it,” he confessed, “I went out and had it primered.”
BLUERAILROAD: You write all the songs together in the band. Do you start songs on your own and bring them in?
BILLIE JOE ARMSTRONG: Yeah, sometimes. I’ll come up with the song with the chord changes and the lyrics, and then I bring them into practice, and then we sort of restructure them together. I like to come in with a tune. I’ll just play guitar and sing it for them, and then we start to learn it. And as soon as we start to learn it, we can make changes and come up with a different structure. Move the chorus around, make the verse a little longer. That kind of thing. I definitely like to think of it as a collaboration between the three of us.
           Do you always change the songs?
Well, we have a lot of songs. There have been some that I have brought in and nothing really needs to be done. Sometimes I’ll suggest a part that needs to be worked with, and we’ll try some different things. And then they’ll write their bass-lines and drum parts around it.
           Do you ever have a problem sharing credit on songs you wrote alone?
Well, we’re a band. We’ve been able to stick through a lot of years because the three of us support each other. The songs come from Green Day, and I like to stick by that. We like to just keep things equal in the band, and I think it’s what has made our band healthy over the years. We give each other respect. There is no one who stands out more than the other one in this group. Especially since we’ve known each other for so long.
           These days do you write on electric guitar?
No, on acoustic. I have a Silverine Harmony. But it sounds good. I just have it around the house, so I’ve written most of the songs on it.
           Do those songs then shift a lot when you bring them to the band, and play them on electric?
No, because I always have it in the back of my head about the dynamics of electric guitar and drums and bass. Between me and Mike and Tre, I always have that dynamic in my head – what am I going to bring to the table that they’re going to be able to play, and which will have our certain energy. I always keep our energy and our music in mind, sort of subconsciously. But I think that’s the beauty of this. That not only can I play these songs with a band at full volume, but also that I can play them on a cheap, acoustic guitar. And it can have the same kind of impact.
           “Warning” would work that way.
Yeah, it does. That kind of came all together at the same time. I think lyrics on this record were really important to me, and to have a well-rounded record as far as what kind of topics I wanted to write about, and sing about. That was one of those songs that seemed to just write itself. It just came really naturally.
           Is that unusual for you, the feeling that a song writes itself?
Well, I try to go for inspired moments. But if I want to write a song that sounds like it has a pop kind of edge to it, I really want to be able to say something. I have to say something – it’s vital for me. I can’t just write something that would be sugar-coated, and have a pop song with nice lyrics that go along with what everyone is doing on the radio these days. It’s very important for me to have a message that goes along with the writing. So, you know, what comes to mind for me is a song like “The Ballad of John & Yoko,” where [Lennon] had this really nice sounding song. But the lyrics penetrate like a knife. “They’re gonna crucify me…” That’s kind of nice way — nice, I mean, in an oxymoronic sense – to put forward something you want to attack.
           You’ve done that in many songs.
Yeah, I think it adds a sort of demented side a little bit, sort of like a clown in a circus. But it also makes the lyrics a lot stronger. If you take a band like Rage Against The Machine, the music is aggressive, and the lyrics are aggressive at the same time. And I love Rage Against The Machine, but sometimes it feels like you getting bombarded by someone’s else’s point of view. The person is not telling you to think, but what to think. And that’s one thing that I really wanted to come across in the music and the lyrics. To think about the world around you, and not what to think, so to speak. And at the same time, to have my opinions coming through at the same time.
           Are you always clear about the meaning of a song while writing?
No. That’s hard. I mean, sometimes I’ll have things in the back of my head that I want to write about. But I never want to come across as pretentious or preachy. So I just wait for my thoughts to settle. To a certain extent, you have to be a little self-righteous and I think it’s healthy. Especially when, nowadays, there’s so much stuff that is about decadence. And when it comes to rebellion, a guy who has a Rolex watch and is driving around in a Porsche, talking about that he really wants something to break, I don’t really think of that as rebellion, I think of that just as a decadent rock star.
           Do you have any kind of routine for songwriting?
Last record I was just sort of pounding songs. Anytime I had any inkling of an idea of anything at all, I would just grab my guitar and play it and work on it no matter what the song was like. Whether it was inspired or I just got drunk and started playing. But this time I waited for inspired moments. And I think it took me a long time just because of that. I wanted everything to sound refreshing, and something that would make you want to turn it up a little more.
           Did you have times when you tried to work and nothing would come?
Oh yeah. You get frustrated. You feel, “Man, I just want to write a fucking song.” And sometimes it’s just not there. And you can’t dwell on that when that happens. You have to just let it go.
I don’t ever want to try to outdo myself. I feel like if you try to outdo yourself from the last thing, instead of just working on your inspiration, I think the music kind of suffers a little bit, sometimes. Sometimes I’ll just get a very general idea about the kind of song I want to write. And I’ll just sort of store it in the back of my mind and see what comes out. It can come out in five minutes, it can come out in five days, five years, five decades.
           Are there songs you worked on for years?
Yeah. “Longview” was one that we worked on for years. We knew what we wanted to write about. I told Mike to write a bass line and one day I came home. This is when we lived in the same house. He had just dropped some acid (laughs) and he said, “Listen to this.” And I said, “Okay, I guess it sounds good.” He came up with this bass line that really worked well, so we ended up practicing and came up with the song.
           Are there many songs you start that you don’t finish?
Yes. And I’ll just wait for the right time and the right place for it. There are some songs I finish but then I think it’s not right for the record we’re working on. There’s a couple of songs like that off of Nimrod. “Time of My Life” had been written a couple of years before.
           That song resounded in enormously with the public. Was it just a fluke, or did you sit down with the intention of writing that kind of song?
Both. I think that anyone can sit down and write a song. Whether or not it’s any good is another thing altogether. You know, there’s no school you can go to that will help you learn how to become a songwriter. But you can sit down and do it. Especially with rock & roll. But to put something down that is actually really great, it does go beyond you a little bit, and sometimes it takes patience.
           Do you write all the time?
Yeah. Whether it’s good or bad, I don’t know. Or if it’s appropriate for what kind of idea or sound that we want to get across on the record.
           Where do you think the great songs come from?
I don’t know. I really don’t. It comes from somewhere deep down inside of you that you didn’t even know existed. It’s kind of like seeing a shrink or something. (Laughs) There can be a lot of anger, or sadness, or joy, that you had but you didn’t even know you really had – but it can all come out. You feel a connection with it, and so other people can, too. You strike a nerve.
           Does songwriting get easier the more you do it?
I think so. I think you definitely learn more as you go. I think you find new ways to motivate yourself. You test yourself a little bit more and see what comes about. And you challenge yourself in new ways to see what comes out. You learn new ways to get the engines going. But whether or not it does get easier, it’s what I do. And I love doing it.
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prinzessinlouise · 3 years
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hi welcome to my first ever blog lmao..Today imma write about my favourite.. Billie Eilish🐍. So enjoy lol.
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Billie Eilish is know to be a songwriter, model, and most known as a singer. She was homeschooled when she was younger and so was her brother Finneas because their parents wanted them to have a creative life and let them kind of do and choose what they were interested in. They also had actor and musician parents so it was a really creative life for them. When Billie was only 6 years old she said she wanted to sing “Happiness is a warm gun” in a talent show and she also joined the choir at 8 years old because her brother was in it and she thought that was cool and it actually helped Billie control her voice without hurting it, she was also in a songwriting class taught by her mom. Billie was 10 years old and she told her parents that she wanted to ride horses but they couldn’t afford it so for 2 summers she worked at the stables all day to get the money she needed to ride. O’Connell was Billie’s real last name but she didn’t like it when she was younger so she changed it to Eilish. She didn’t like her first name either, she said that she would try anything to change it. When she was younger she loved to take pictures and make music videos to random songs she liked. When she was just 11/12 she wrote her first song that was posted on SoundCloud and YouTube, it was called “Fingers Crossed” and it was about the walking dead. HOW SHE GOT FAMOUS When she was 14 she made another song and it was called “Ocean Eyes” for her dance teacher and it blew up of views and listens and she basically got famous overnight. In 2017 she put out her first album called ‘Don’t Smile At Me’. In 2019 she became a lot more popular and put out a album called ‘WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?” and then she became the first female artist born in the 2000s to have a #1 album.
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I personally love Billie eilish so much, her music is great, it’s calming, and when you listen to it you know what it means straight away..? Ygm?
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The song as you know “ when the party’s over” is about Billie eilish falling in love with a guy who is still recovering from his past relationships, and that he knows he has feelings for Billie but he’s broken, and Billie likes him aswell but she knows she can’t be with him. The video she made for this song portrays her as being locked in a painful cycle of self destruction. She continues to willingly engage in a toxic relationship until it utterly consumes and destroys her.
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In the song “xanny” Billie is explaining in her song that Billie found herself with some toxic friends. They are always high and drunk and she wasn’t into that kind of stuff. Most people would say that they are just high but she says, “bring ashtrays to the table, and that’s about the only thing they share”. They mostly were probably rude, and would never communicate with her.she was always the one watching over them taking care of them and watching them make their mistakes The song title was meant to kinda sound like the drug Xanax. Like the mood keeps changing you. Billie probably was being suggested to have it and kept saying no.
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The song “ wish you were gay” as Billie eilish says “I wrote this song about a guy that really was not interested in me and it made me feel horrible, so the song is called ‘Wish You Were Gay’. Some people find this song very offensive which I don’t know what there is to be offended about the song. The song itself is about how Billie has an interest in a boy who doesn’t feel the same way. She wishes the guy was gay so she wouldn’t think it’s something about her that's preventing the guy from liking her back. If others find it offensive, I don’t necessarily understand how, but I mean everyone is entitled to their opinions.
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The song “You should see me in a crown” was about Sherlock.. tbh I thought there was going to be more meaning about this song but it was just a sentence in a movie from
Jim moriarty saying “ you should see me in a crown”I like the way they all scream
billie eilish explained that she thought the line was dope/cool because if you heard it in a dark room, it'd be terrifying and her goal is to freak the people out who’s going to be listening and hearing.
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when she said “Cause even God herself” why use the term “herself” who is this ‘she’ she speaks of? Does she speak of herself ?? Or maybe She is refering it to the Mother Earth. Woah, big brain moment now i understand/see the song in a different way now… so Billie prob. meant in the line “once the water starts to rise and heaven’s out of sight, she’ll want the devil on her team” that mother nature is going to begin punishing humans or that she’ll (mother nature) will want to get revenge on us humans for how we have been causing this planet to begin die slowly… Hm..or maybe it also makes me wonder if Billie eillish takes part in the occult,(the selling your soul stuff) I don’t really believe it but I am open to the possibility that these supernatural entities might exist. In the end she says my lucifer is lonely my God is gonna owe me, which indicates that she believes lucifer to be God, I don’t think she is a devil worshipper but yeah it all tells that this song is definitely not only about climate change. I don’t know we all have different opinions..😁😁
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lastly.. I have so many other songs to write about but these ones more catch my eyes and ears. Billie is a physically-abusive relationship. However, she is not alarmed. Rather she is just going along for the ride because ultimately she knows that she is in control. In fact whereas he partner likes to play tough, in the end Billie is actually the “bad guy”, and not him. You think the song would be all about the guy.. no no the song is about her. In fact Eilish is so bad that she says if her mother were to actually hear this song she would feel “pity” for the men in her life.
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Pamela Suzette Grier (born May 26, 1949) is an American actress. She achieved fame for her starring roles in a string of 1970s action and blaxploitation films for American International Pictures and New World Pictures, most notably Coffy (1973) and Foxy Brown (1974). Her other major films during this period included The Big Doll House (1971), Women in Cages (1971), The Big Bird Cage (1972), Black Mama, White Mama (1973), Scream Blacula Scream (1973), The Arena (1974), Sheba, Baby (1975), Bucktown (1975), and Friday Foster (1975).
Described by Quentin Tarantino as cinema's first female action star, she starred as the titular character in Tarantino's crime film Jackie Brown (1997), for which she received Golden Globe Award, Screen Actors Guild Award, Satellite Award, and Saturn Award nominations for Best Actress. Grier's subsequent films included Jawbreaker (1999), Bones (2001), Just Wright (2010), Larry Crowne (2011), and Poms (2019).
On television, Grier portrayed Eleanor Winthrop in the Showtime comedy-drama series Linc's (1998–2000), Kate "Kit" Porter on the Showtime drama series The L Word (2004–2009), and Constance Terry in the ABC sitcom Bless This Mess (2019–2020). She also received a Daytime Emmy Award nomination for her work in the animated series Happily Ever After: Fairy Tales for Every Child (1999).
Grier was born on May 26, 1949, in Winston-Salem, North Carolina, the daughter of Gwendolyn Sylvia (née Samuels), a homemaker and nurse, and Clarence Ransom Grier, Jr., who worked as a mechanic and technical sergeant in the United States Air Force. She has one sister and one brother. Grier has stated that she is of mixed ancestry, namely of African-American, Hispanic, Chinese, Filipino, and Cheyenne heritage.
At age 6, Grier was raped by two boys when she was left unattended at her aunt's house. "It took so long to deal with the pain of that," she says, "You try to deal with it, but you never really get over it," she adds. "And not just me; my family endured so much guilt and anger that something like that happened to me." Because of her father's military career, the family moved frequently during her childhood to various places such as England before eventually settling in Denver, Colorado, where she attended East High School. While in Denver, she appeared in a number of stage productions, and participated in beauty contests to raise money for college tuition at Metropolitan State College. While in college, she was date raped.
Grier moved to Los Angeles, California, in 1967, where she was initially hired to work the switchboard at American International Pictures (AIP). She is believed to have been discovered by director Jack Hill, who cast her in his women-in-prison films The Big Doll House (1971) and The Big Bird Cage (1972). While under contract at AIP, she became a staple of early 1970s blaxploitation movies, playing big, bold, assertive women, beginning with Jack Hill's Coffy (1973), in which she plays a nurse who seeks revenge on drug dealers. Her character was advertised in the trailer as the "baddest one-chick hit-squad that ever hit town!" The film, which was filled with sexual and violent elements typical of the genre, was a box-office hit. Grier is considered to be the first African-American female to headline an action film, as protagonists of previous blaxploitation films were males. In his review of Coffy, critic Roger Ebert praised the film for its believable female lead. He noted that Grier was an actress of "beautiful face and astonishing form" and that she possessed a kind of "physical life" missing from many other attractive actresses.
Grier subsequently played similar characters in the AIP films Foxy Brown (1974), Sheba, Baby, and Friday Foster (both 1975). With the demise of blaxploitation later in the 1970s, Grier appeared in smaller roles for many years. She acquired progressively larger character roles in the 1980s, including a druggie prostitute in Fort Apache, The Bronx (1981), a witch in Something Wicked this Way Comes (1983).
In 1985, Grier made her theater debut in Sam Sheppard's Fool for Love at the Los Angeles Theatre Center.
Grier returned to film as Steven Seagal's detective partner in Above the Law (1988). She had a recurring role on Miami Vice from 1985 to 1989 and made guest appearances on Martin, Night Court, and The Fresh Prince of Bel Air. She had a recurring role in the TV series Crime Story between 1986 and 1988. Her role in Rocket Gibraltar (1988) was cut due to fears by the film's director, Daniel Petrie, of "repercussions from interracial love scenes." She appeared on Sinbad, Preston Chronicles, The Cosby Show, The Wayans Brothers Show, and Mad TV. In 1994, Grier appeared in Snoop Dogg's video for "Doggy Dogg World".
In the late 1990s Grier was a cast member of the Showtime series Linc's. She appeared in 1996 in John Carpenter's Escape from L.A. and 1997 with the title role in Quentin Tarantino's Jackie Brown, films that partly paid homage to her 1970s blaxploitation movies. She was nominated for numerous awards for her work in the Tarantino film. Grier appeared on Showtime's The L Word, in which she played Kit Porter. The series ran for six seasons and ended in March 2009. Grier occasionally guest-stars in such television series as Law & Order: Special Victims Unit (where she is a recurring character).
In 2010 Grier began appearing in a recurring role on the hit science-fiction series Smallville as the villain Amanda Waller, also known as White Queen, head agent of Checkmate, a covert operations agency. She appeared as a friend and colleague to Julia Roberts' college professor in 2011's Larry Crowne.
In 2010, Grier wrote her memoir, Foxy: My Life in Three Acts, with Andrea Cagan.
Grier received an honorary Doctorate of Humane Letters from the University of Maryland Eastern Shore in 2011. That same year, she received an honorary Doctorate of Science from Langston University.
She founded the Pam Grier Community Garden and Education Center with the National Multicultural Western Heritage Museum. The purpose is to teach people about organic gardening, health and nutrition among other things. The museum named its first garden in honor of Grier in 2011.
In January 2018, Grier revealed a biopic based on her memoir is in the works, entitled Pam.
Grier lives on a ranch in Colorado.
Grier has never married but has had several high-profile relationships.
She met basketball player Lew Alcindor before he became a Muslim. Soon after they began dating, he converted to Islam and changed his name to Kareem Abdul-Jabbar. Abdul-Jabbar proposed to Grier, but gave her an ultimatum to convert to Islam. He said, "If you don't commit to me today, I'm getting married at 2 this afternoon. She's a converted Muslim, and she's been prepared for me," adding, "once you become Muslim, you might appreciate another wife." Grier declined, so he got married that day.
Grier met comedian Freddie Prinze while promoting her film Coffy in 1973. They began a relationship and considered marriage. Prinze wanted her to have his baby, but she was reluctant due to his history of depression and drug addiction. They remained in touch after she left him. She was one of the last people Prinze spoke to before he fatally shot himself in 1977.
Grier met comedian Richard Pryor through her relationship with Prinze, but they did not begin dating until they were both cast in Greased Lightning. She helped Pryor learn to read and tried to help him with his drug addiction. After six months of sobriety, he relapsed. In her memoir, Grier described how her sexual relationship with Pryor caused cocaine to enter her system. During an appointment, she was informed that she had a "buildup of cocaine residue" around her cervix and vagina that her doctor called an "epidemic" in Beverly Hills. He asked her if Pryor might have put cocaine on his penis to sustain his erection; she was unsure. He then asked if her mouth went numb while performing oral sex on Pryor, and she said it did. The doctor linked it to the Novocaine-like effects of cocaine. Grier confronted Pryor about protecting her health, but he refused to use a condom. Pryor married another woman while dating Grier in 1977.
Grier was formerly romantically linked to Soul Train host Don Cornelius and basketball player Wilt Chamberlain.
In 1998, Grier was engaged to RCA Records executive Kevin Evans, but the engagement ended in 1999.
Grier was diagnosed with stage-four cervical cancer in 1988, and was told she had 18 months to live. Through vigorous treatment she made a recovery and has been in remission.
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We’ll Go Down in History - Alistair x Me
A/N: Been feeling really sad and stressed today because of some big news, so what did I do? Ignored all of my responsibilities and wrote 2000 words of Alistair x Me fanfiction in one sitting! Figure some of y’all might enjoy seeing it as well, so here you go! This is a continuation of a little later after that piece I wrote last week :) Also this concept is HEAVILY inspired by an imagine I saw that I reblogged a little while ago!
Word Count: 1926
Warnings: Light, light, light allusions to violence and character death
Tagging: (Some who asked to be tagged, and others I thought might be interested! Anyone else lmk if you’d like to be tagged in future works!)
@sacredempressnatlyia
@nekociapek
@imagine-your-love-story
~~~
I always hated being around for royal business, but as long as Alistair had to attend to it, I would be there to support him. I could hate having to stand there and watch him dealing with rude people who felt entitled to his time and energy, but of course he had it worse in that situation, and I would do just about anything to help ease his discomfort over it; even if it meant just standing to the side and watching.
On any normal day, I would be out around Denerim on my own, finding jobs to do, helping people, keeping myself occupied. It's not as if I technically needed the work anymore, I lived in the palace now, officially an advisor to the king. I did advise him from time to time, but it was far less professional than most thought. While most assumed that the king had taken on his old friend and war time companion to advise him in a time of dire need, the truth was that we had finally been reunited after nearly a decade, when we went on an epic quest to find the truth about Alistair's long lost father, and had finally admitted that we loved each other along the way. He had asked me to come live with him in Denerim so that we could be together, and despite the stresses, of course I agreed. I tried to retain some of my old adventuring life, where I traveled all across Thedas, with the daily outings, and Alistair encouraged it, but of course I had to forgo that sometimes to keep up the front we had invented for ourselves in the effort to keep our relationship a secret. Which led to days like this one.
The king was due for a royal outing, to check on the well being of his subjects. He tended to enjoy this responsibility more than most of his other ones, although it still made me nervous. Who knew what random person would be horribly rude to Alistair in some way, shape, or form, leaving me to watch his discomfort helplessly? Or worse, what if someone attempted to harm him? He could defend himself, and had an insane amount of guards ready at every turn, I knew this, but still, the thought of someone trying to hurt him made me sick. Still, whatever my worries, I would stand there, and observe, so that every few minutes, Alistair could look over at me, see me smile, and strengthen his resolve to continue with his responsibilities.
So there I was, watching him talk to some of his subjects in the street. He glanced over at me and I did my best to smile lightly, as I was finally beginning to accept that nothing horrible would happen. He smiled in return, and if his smile didn't set my stomach to fluttering and make my heart squeeze almost painfully, I would almost have to scold him for his lack of subtlety. I was sure any person paying enough attention would be able to tell that the exchange wasn't a platonic one.
"Are you the king's advisor Ser Wallace?"
I was shaken from my thoughts when one of the ladies that had been talking with Alistair addressed me, "Oh, yes, that's me."
Immediately, much of the crowd turned to look at me. Well that was just fantastic.
One of the younger adults in the area stared at me in awe, "It's so incredible that you've returned to Ferelden to advise the king! Given your history, you must make such a fantastic duo!"
"Our history?" I panicked for a brief moment.
"You two do seem to be the best of friends, and what with your shared history of fighting the Blight and all! We've all heard the stories of the part you played as a team to help bring down the Archdemon!"
It was Alistair's turn to speak up in confusion now, "Stories? I wasn't aware of the tales of Ser Wallace and I still get told so frequently.”
Many in the crowd nodded eagerly. The young individual who had spoken up spoke again, "Of course they do! Even if you weren't king, Your Majesty, the two of you were an epic duo during the Blight! National heroes, you are! All the children that have been born since the Battle of Denerim have been told the tale of how Ser Wallace pledged allegiance to the Grey Wardens after they saved her from some nasty hurlocks in the woods, and spent the next year fighting with you to eradicate the evil from this land! Or how the two of you defended the gates of Denerim in the final battle, leading the troops in battle! You two are like heroes of legend!" Many of the children around had worked their way to the front of the crowd now.
I remembered both those days so clearly. The day my life had changed forever, when I'd been gathering some herbs in the forest near Gwaren for the apothecary, and had been attacked by darkspawn. They'd been so terrifying, such monstrous creatures, and even as I wielded my daggers, trying my best to force them off, I had been certain I was going to die. Brosca and her team, including Alistair, had burst forth from the woods, then, and had surely saved my life. It wasn't hard to see that they were Grey Wardens, but even with all the nasty rumors Loghain had spread about their involvement in the death of King Cailan, I didn't really care. I knew then and there that if the Blight truly meant an army of those monsters were coming, I had to do what I could to stop them. I wouldn't say I pledged my allegiance to them so much, but I vowed to help them from there on out until the Blight was over, and I changed my life forever in doing so.
And the Battle of Denerim. Oh, how could I forget it.
"Your Majesty, Ser Wallace, will you tell us about the Battle of Denerim please?" One of the children spoke up, once again shaking me from my reflection. I turned to Alistair, waiting for his response.
He raised an eyebrow teasingly, "What do you say, Ser Wallace? Up to tell some old war tales?"
I had to refrain from rolling my eyes at him and smiling, "At your discretion, my King."
He grinned and immediately turned back to his audience, beckoning me closer at the same time, which I complied with, "The sky was red as blood that day-"
~~~
I thought that I was surely going to die, along with everyone I loved, as I looked up at that sky. Murky, cloudy, blood red, it signaled my doom, along with all of Thedas. As much as I hated to say it, I was angry at Brosca for leaving me at the gate. The darkspawn only came in waves here, and at least if I was inside, constantly fighting, I wouldn't have the time to contemplate the sky. But instead, she had taken Morrigan, Leliana and Zevran, and I was left behind to hear the Archdemon die from afar.
I didn't know at the time that I would never see Brosca again.
"Next wave!" I heard Alistair yell, and I readied my position. When I saw the darkspawn coming, all I felt was anger. What a difference from one year ago, when just seeing a darkspawn had scared me enough to make me change the course of my whole life.
When that wave was over, Alistair approached me. "Is everything alright on this side?"
I grimaced, "We're hurting, but it could be worse. Just need Brosca to hurry up and kill that overgrown lizard."
Even with all the destruction around him, Alistair smiled at my ill-timed joke. Oh, how I had wanted to kiss him then.
"With any luck, it will be over soon. For good."
"And then you'll be king."
He frowned. "And then I'll be king."
"Does it scare you? I thought you said once that you preferred to follow. As compared to leading."
"It does. I do."
"You'll be good at it anyway, you know. Just look at what you've helped make happen here to day! All these soldiers trust you."
"That doesn't mean I won't still need help. Support, that is. Wallace, when this is over, woul-"
"Your majesty! Another wave incoming!" One of the generals shouted from the walls.
I smiled at Alistair, "Ask me later, yeah? When everything is good."
"When everything is good."
~~~
"-and then we saw a big explosion coming from the top of Fort Drakon, a light that blinded us all, and as it cleared, and the remaining darkspawn began to flee, it became clear that we had succeeded, and the Archdemon was dead!"
All the kids in the crowd echoed little sounds of awe, while most of the adults shuddered, remembering the day.
I chuckled lightly at Alistair's dramatized telling, the details of which varied slightly from mine, "As exciting as it was, it's getting late, my King. We should probably be headed back to the palace." All of his guards and other members of his entourage sighed in relief.
Alistair pouted slightly, and all the kids made sounds of disappointment, but he still straightened himself and began to bid his farewells to the crowd anyway.
~~~
Later that evening, we sat in Alistair’s study, as we do every evening, and he went over his papers that needed to be reviewed and signed, while I read on the couch, in front of the fire. I had recently picked up a history book from the library. As I read about all the epic feats these people had accomplished, I couldn’t stop thinking about what had happened earlier in the day.
Soon, I heard Alistair’s quill get set down on his desk.
“So I suppose we’re a duo worthy of legend to the people, then?” I turned to him to find him grinning mischievously. I rolled my eyes at him and smiled, freely this time.
“Who would’ve thought, huh?”
He laughed a little, “Is it so hard to believe? We do make a pretty awesome pair.”
I found myself laughing now, "We do, honestly. Still, I never saw myself as the legendary type."
"Neither did I, to be fair."
I scoffed dramatically, "You're the King of Ferelden!"
"And you left behind everything you knew of a basic village life to fight in a war and protect your people. That's pretty epic all on it's own, wouldn't you think?"
"I think being a king and Grey Warden is more cause for stories and celebration than some 19-year-old who decided it would be beneficial to me to fight monsters I was scared shitless of."
"If I was to go down in history for anything, I'd much rather it be because I was fighting beside you than anything else."
Once I had registered his words, I had to fight to hold back my tears, "Alright, you big sap, you can reign it in. Since we're legends and all, how about we head to bed early tonight? I think we deserve that much."
Alistair smiled softly at my deflection, "You're right. We deserve the rest." He moved to put away his things and stand.
"Hey Al?"
"Yes, love?"
"The day of the Battle of Denerim, you were going to ask me something, when we were at the gate, but you got interrupted. Do you remember what you were going to ask me?"
I found him biting his lip, thinking about it. Soon enough, his eyes found mine, "I was going to ask you to stay with me. In Denerim. Like you are now, I suppose."
I was a bit shocked, "Even then?"
"I always knew you were the only support I wanted or needed."
I found myself fighting back tears once again, "I'm glad I can be around to help. I'm sorry it took so long."
"I'm just happy you're here now."
"So if you've finally asked, I guess that means everything is good now?"
"Everything is good now."
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littlemisssquiggles · 4 years
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how do you feel about the idea that all the oscar as the little prince and ruby as the rose allusions and whatnot are correct, but ruby/oscar aren't reunited as a romantic pairing? i totally agree with all the points about oscar being the little prince, but the idea of him and ruby being together romantically has personally never really made sense to me based on their interactions and it feels a bit icky because of the age gap. just curious about your thoughts, thanks!
“…but theidea of him and ruby being together romantically has personally never reallymade sense to me based on their interactions and it feels a bit icky because ofthe age gap…”
“…and it feels a bit icky because of the age gap…”
…It feelsicky because of the age gap? To quote CRWBY Writer: Miles Luna himself,it’s just two years? As far as theaudience are aware, Ruby Rose is roughlyabout seventeen years old (more or less) while Oscar is fourteen probably goingon fifteen years old (more or less).
Regardless, going off of what Miles once confirmed, no matter how much olderRuby gets, Oscar will always be just two years younger than her. So evenif Ruby is currently 17 years old in the main series, Oscar is probably on thecusp of turning 15 soon since as, confirmed by Miles, the age gap between Rubyand Oscar is 2 and ONLY 2 years. How big of a gap is that really?
Riddle me this anon-chan, what is so weird or to quote your own words, “icky” about a prospective relationshipbetween two kids that are only two years apart? 
Because you’re not the first person I’ve hearduse the whole age gap as a means to imply why they don’t favour Rosegarden. Asa matter of fact, the age difference thing is a common argument amongst theAnti-RG shipping community and I’m sorry but I find this reason to be rathersilly to my ears.
Don’t get me wrong. I’m not trying to make you oranyone with this type of mind-set feel bad for having this opinion since you’reentitled to have it.
However, since I am giving my own opinion here, thissquiggle meister honestly finds this rationaleto be silly; to put it nicely. It’s even more ludicrous when Ihear people use it in debates against Rosegarden.
Maybe it’s because I was born in the 90s and grewup during the 2000s when times were certainly different than it is nowadays ormaybe it’s because I’m the youngest child of parents with a five year age difference or maybe it’s because I’m from a culturewhere this type of stuff is considered “smallting”---either way, I find it really ridiculous when people make a big dealover something like a measly two year age gap between two fictional characterwho are essentially both teenagers.
Realistically, two years is not that big of anage gap. Even at 17 and 14 respectively, Rubyand Oscar are still the two youngest members within our hero team whichputs them at being closer in age than any of the other characters. Not tomention that, 2 years is a common age gap used within the RWBY series. Ruby andYang are two years apart as far as siblings go. Not to mention that the twoyear age gap is shared not just by Rosegardenbut also with other more commonly known Ruby ships like Lancaster, Whiterose andNuts and Dolts.
That being said, I’m going to safely assume thatyou’re probably someone who feels uncomfortable shipping Ruby with anyone atall anon-chan, Oscar included, since if you take issue with the age gap betweenthe Rosebuds then I’m assuming youprobably don’t favour the rest of the Ruby ships for that same reason, right?
I hope you’re not one of those hypocrites whoonly find the 2 year age gap problematic for Rosegarden but not for Whiterose,Lancaster, Nuts and Dolts, etc.
But to each, their own, I suppose.
Anyways, to answer your main question---as I’ve voiced before, part of the core reason I started shipping Ruby and Oscar together was actuallybecause of their interactions from V5 and how strongly the series placedemphasis on it from the start of that season. Since their first meeting inV5, the CRWBY Writers have delivered well on showing a need to push Ruby andOscar closer together by having them naturally develop a friendship and strongsense of trust and respect in one another. On that part, all things considered,the show has down well on developing the rapport between the Rosebuds.
Oscar’s bond with Ruby gave me a much differentvibe than any of her other connections and vice versa. One thing I’ve talkedabout with Rosegarden is that I always liked how the show portrayed Ruby andOscar as showing a mutual level of interest in each other. Not necessarily inany kind of romantic way.  But it has been very evident since the firsttime they met that Oscar and Ruby do like each other.
Despite only being friends for a short space oftime, Ruby and Oscar share a comfort and sense of trust with one another moreakin to people who have known each other for years and I like that element totheir relationship.
From the get-go, the two have shown to get alongreally well and their friendship has only grown over the passing seasons.
I understand that you don’t get romance fromtheir interactions and you’re right about that---nothing regarding the pastRosegarden interactions has been all that romanticallycharged. While it’s been highlighted that Oscar and Ruby definitely care forone another and are willing to go above and beyond to protect each other, as aRosegardener, I’ll admit that nothing truly grounding has been dropped in ourlaps as yet. Like with any ship in RWBY, us Gardeners have gotten a couple ofcute and meaningful moments shared between the Rosebuds that has helped withtheir respective character development and mayeven hint at a possible futureromance between Oscar and Ruby. But nothing to really nip it in the butt asyet.
However, as I said, the potential for a future romance is there. You might not see itthat way anon-chan but for me, I can’t help but feel like the Writers have beenslowly setting something to happenbetween Ruby and Oscar for a while. Since V5. Will it be romance? I can’t really tell you for sure. Hence whyI’ve beem following the pair closely over the seasons, patiently waiting to seewhether or not the Writers will actually make that leap with these two.
As I’ve said in the past, I’m riding the Rosegarden hype train mainly because I really, really likethis ship. It’s the only Ruby and Oscar pairing that I honestly believe has thepotential to become canon and because of that, I genuinely wish to see where itgoes. If a love story is what the CRWBY Writers wish to do in the long runfor the buds then obviously I am all in for that. Oscar and Ruby are my twoall-time favourite characters in RWBY and personally, I think a romance betweenthese two kids can work and will be nothing but adorkable and sweet sincethat’s how the show has always portrayed them together.
However if romance isn’t in the cards for thesetwo then that’s fine as well. While I’d be totally lying to myself if I said Iwasn’t heavily rooting for a romantic endgame between these two smaller, more honest souls, at theend of the day, I just want to see Rubyand Oscar share a strong meaningful bond with one another that’s important tothem as part of their own individual stories and arcs since it would be thefitting payoff to the build-up between them from the past few seasons.
Why draw attention to keymoments and interactions between these two kids if the takeaway wasn’t going tobe something important like the two of them coming to terms with how much theyvalue each other in their lives or something along those lines?
Either way, I’d be happy with any kind of close bondbetween Ruby and Oscar, be it platonic (best friends/most trustedconfidantes much like their Oz counterparts) or romantic (lovers; strongly devoted to one another and responsiblefor each other; much like their Little Prince counterparts). For me, Rosegardencan go either way and still work tremendously well. Heck I’d personally love itif both were done since I’m a sucker for the strangers to close friends to lovers romance trope.
So long as Rosegarden continues to be a goodrelationship that the Writers continue to handle it with the respect that it’streated the two thus far then I’d be cool either way.
Personally I think it would be pretty sweet ifOscar and Ruby end up falling in love with one another and sharing a romancesince I’d imagine it’d be just as adorably awkward yet sweet and wholesome asthe show has always portrayed their relationship up until this point. Itdefinitely makes me excited to see how their relationship blossoms movingforward especially now that they are separated and unaware of each other’sfates, much like their Little Prince counterparts. If romance is in the cardsfor these two kids then the conclusion of V7 going into V8 presents theWriters’ with a golden opportunity to explore it if they so desire. But at theend of the day, it’s their call.
I’m just curious and of course, beyond excited tosee it all play out. To be honest with you anon-chan,I’m not quite sure what kind of answer you’re probably expecting me to givefrom this. If you were expecting me to respond like “If Rosegarden doesn’t become endgame then I will drop RWBY and I willhate the CRWBY Writers forever” then no.You’re not gonna get that type of response with me.
I do strongly believe that there is going to besomething to go down between Ruby and Oscar. I feel like the show has beenslowly building up to something significant to go down for these twokids---something that is unique to only them. A type of bond the two will sharetogether that will differentiate their bond from others within the series.
But as much as I adore Rosegarden as my favouriteRWBY pairing and even as much as I would love to see them end up together inthe end, I also firmly understand and RESPECTthe fact that by the end of the day, these characters belong to RoosterTeethand the story that I’ve been following with them and their allies are being controlledby people who have their own plans for them.
What that plan is, is what I, as the audiencemember, await to see with each passing volume; whether I end up enjoying what Isee or not.
 Will it be a love story? Will it be somethingelse? That’s the thing. I really don’t know what it will be and that’s where mycuriosity has mostly been peeked. I REALLY, REALLY want to see where theseWriters take these two.
 Hence why I jumped on the bandwagon of the LittlePrince. Through small moments that I can see were inspired by the story, I canget a small sense of where the Writers might be taking the Rosebuds. It’s whyI’m very excited for Oscar’s story for V8.
In the Little Prince story, the Prince had lefthis rose to go on a journey from which he was able to mature further and ultimatelycame to realize the true meaning behind his relationship with his one true rose.This is what I’m hoping for with Ruby and Oscar. I’m expecting this separationbetween them to force to them to see how much they truly value each other.
But it’s not just the Little Prince connectionsthat made me excited for the future of Rosegarden. There’s also the connectionto the God of Light. Right now, outsideof Salem, Ruby and Oscar are the twoother known characters within the series who share in the power of the God ofLight.
With Oscar, it is the God of Light’s power thathas fuelled Ozma’s reincarnation cycle. Not to mention that like many magi duringFirst Remnant, Ozma could wield magic which was known throughout the lands asthe “gift from the Gods”. That poweralong with the knowledge to command it has now been passed down to Oscar as wesubtly saw displayed in the V7 finale.
As for Ruby, she too possesses the power of theGod of Light through her Silver Eyes as hinted back during V6. And as far as weknow, Ruby is currently the only livingSilver Eyed Warrior in existence which makes her a very unique rose.
I would count the Maidens but the Maidens were a creation of Ozma’s magic---amagic that Oscar will ultimately inherit and could potentially take back shouldhe need to challenge Salem on his own again like Ozma once did during his lifeas Diggs.
Basically what I’m trying to say here is thatRuby and Oscar both share a predicament unique to them and only them.
Oscar is Ozma’s current incarnation. Ozma was thechosen champion of humanity, selected by the God of Light himself in the hopesthat he would help repair Remnant by stopping Salem. Ruby is a Silver EyedWarrior with the God-given ability to smite the Grimm whose current master isSalem.
Ozma fought Salem in the past and failed to stopher on his own (he managed to kill her but her immortality curse resurrectedher). Summer Rose, Ruby’s own mother and the last Silver Eyed Warrior toconfront Salem faced her on her own and much like Ozma once did, lost her life.
The only thing that hasn’t been tried is an incarnation of Ozma working togetherwith a Silver Eyed Warrior with the two fighting Salem together.
During his lifetime with Norman, when Ozma first asked Jinn about how he could stop Salem,he was told disappointingly that he couldn’t stop Salem. Perhaps, this was Jinn hinting to Ozma that his role was never tostop Salem. Perhaps ultimately,Ozma’s true purpose was to survive long enough to the lifetime where he wouldbe able to protect or more or less support and fight beside the very person whois destined to stop Salem once and for all.
What would be interesting is if ultimately,maybe…just maybe---Oscar and Rubyworking together; supporting each other as one with the light of God that theyshare; might be what can turn the tides against Salem. Maybe their union will the key in some shapeor form. Then again, this is just me spouting my theories as usual.
Overall, if Rosegarden as a fated pair is a direction that the Writers (particularly Miles andKerry since they are the two seniorwriters who sparked this bond in the first place back during V5) wish totake these two kids then that’s awesome. Brilliant even.
Obviously I’m more in favour of them falling in love andending up together-together. Hand over my kingdom of hearts, this squiggle meister is definitely rootingfor Ruby and Oscar to have their own fairy-tale love story (that would have ahappier ending than the first one) and I am unapologetically biased aboutthat.
I’m not even gonna try and deny my bias. Shoot,my bias has probably been showing since I started typing this response XD Whatcan I say? I love me a good, wholesome, fluffy lovey-dovey romance and I thinka puppy love story or union between our twosmaller, more honest souls would be…well…a match made by the Gods (y’see what I did thar? 8V)
Hoooooooooooowever…, for whatever reason, shoulda romance NOT happen for Rosegarden and in the end, they just end up being two equallygod-tier characters who support each other dearly and share one of the bestestfriendships in the whole series, then… I’d be fine with that too.
Not as flamboyant as “a match made by the Gods” but still sweet because it’s these twobeans.
Disappointing, yes, but not as catastrophically devastating as I’veseen other shippers react to not seeing their favourite pairs come to fruition.
Basically what I’m trying to say here bottom-lineis that I’m not going to lose my shit ifthe CRWBY Writers don’t make Rosegarden endgame.
Yes, my Rosegardening shipping kokoro would bebrokoro buuuuuuuuuuuut….that wouldn’t really stop me from adoring RG orshipping it any less than I always have. 
In the end, I’ll respect whatever direction the Writers decide to take thisfavourite ship of mine; platonic, romantic, somewhere in between or otherwise.
I’ve been in enough fandoms to know that canon endgame DOESN’T necessarily mean THEEND OF A SHIP. There are a lot of ships that I’ve seen survive and thriveregardless of the canon (for example: Zutarafrom Avatar the Last Airbender , Sheith from Voltron: Legendary Defender and Kachaako from My HeroAcademia).
So even if Ruby and Oscar doesn’t become a couplein the canon, it won’t really change my feelings toward their ship. The most Ican say is the same that I’ve always said about RG:
I’m here to see where Ruby and Oscar go in their current relationship with each other andI’ll support it regardless of whatever happens.
I hope this answers your question anon-chan.
~LittleMissSquiggles(2020)
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