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thankskenpenders · 4 months

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Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

#tkp post

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janeaustenbrandysmuggler · 5 months

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The Hitchhiker (you can run...)

Apologies if someone has already pointed this out. I'm new to tumblr, and I'm still digging through all the amazing Good Omens metas!

Shax-in-disguise appearing and reappearing on the side of the road at the very beginning of The Hitchhiker felt really familiar to me, and I finally figured out why. I think we can add a Twilight Zone episode that's (conveniently) called "The Hitch-Hiker"* to the list of film and tv references we get in the season.

*I felt especially dumb when Google told me this episode literally has the same title as s2 ep4. In my defense, I don't know the names of any of the other Twilight Zone episodes I've seen, either.

Not sure you really need a spoiler alert for a 60+ year old tv episode, but I'll put a break in anyway. Go watch it if you can - it's properly creepy.

A brief summary: Nan Adams is on a road trip from Manhattan to Los Angeles. She's gotten as far as Pennsylvania, when her tire blows out and she runs off the road. The mechanic who comes out to put on her spare tire comments on how lucky she is to still be in one piece. (More on that in a minute.) As she follows the mechanic into town for a replacement tire, she sees a man in a hat hitchhiking on the side of the road and passes him by. She sees the man again at the service station after getting a new tire and mentions him to the mechanic, but the mechanic doesn't see him. Once she resumes her trip, she sees the hitchhiker on the side of the road again. And again. And again. And again. The farther she drives, the more she sees him, and the more frightened and paranoid she gets. At the height of her fear, she's convinced the hitchhiker is trying to kill her, and she attempts to run him over in order to make it all stop. She finally decides to pull over to a phone booth in Arizona and call her mother to try and ground herself back in reality, and we get one final big twist to end the story.

When I realized that hitchhiker!Shax appearing and reappearing in front of the Bentley reminded me of this episode, I decided to watch it again because I hadn't seen it in years. What do we hear almost right out of the gate?

So lucky! You could even say she dodged a bullet there. Oh wait...

(I think he says "Chalk up a win to the side of the Angel" here, but close enough.) Interestingly, "the side of the angels" really just means "the good guys" these days. In both these scenes, setting aside the fact that Aziraphale is actually an angel, it's used in the context of "you survived something that could have killed you."

One other thing I didn't know before is that the Twilight Zone episode is based on a radio play, also called "The Hitch-Hiker," written by Lucille Fletcher and first presented on The Orson Welles Show in... 1941. Probably just a fun coincidence, but really, why does it feel like all roads lead back to 1941?

As for the final creepy twist in Nan's story? Her mother isn't home when she calls. The woman who answers the phone tells Nan that her mother is in the hospital. She had a nervous breakdown when she found out her daughter had been killed in a car accident in Pennsylvania - caused when her tire blew out and she ran off the road. Nan goes numb and walks back to her car. She pulls down the visor to look at herself in the mirror, and she sees the hitchhiker sitting in the back seat. He says, "I believe you're going... my way?"

So there we go - a wink and a nod to a tv episode with the moral that you can't outrun your fate/Death, in a season that sure seems to have a lot of references to death in it. By the time Nan sees the hitchhiker for the first time, she's already dead, she just doesn't know it yet. She tries running, but it all catches up to her anyway. By the time Aziraphale sees the hitchhiker, Shax is just about ready to trigger the events that lead to where we are at the end of the season. The precious, peaceful, fragile existence of the last few years is already dead, and no matter how much Aziraphale tries to outrun that idea by acting like There's Nothing Wrong...

...it all catches up anyway.

I have a more nebulous set of thoughts about the "side of the angels" line being seen in the 1941 flashback, and if I can get them in any type of coherent order, I'll link to another post or put them here. Something about that line referencing a lucky escape that isn't so lucky after all for Nan Adams, and how 1941 so far looks like a series of narrowly averted catastrophes for Aziraphale and Crowley...and how it really feels like we haven't seen all of the 1941 story yet.

#good omens #good omens 2 #good omens s2 #good omens analysis #good omens meta #good omens the hitchhiker #1941 good omens #aziraphale #shax

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short-black-diamond · 8 months

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please could you do the characters rin sae oliver and kaiser for the ‘blue lock characters types’ ( female reader) thank you i really loved that post <33

love anon 💙

yes of course, I'm just a little mad at myself that I couldn't make the other post longer.. also thank you for including the gener my love💙

(Please call yourself 'love anon 💙' okay? ...or however else, it was just an idea :} )

Warnings: some have body types included, but these are just headcannons, okay?

Characters: Rin, Sae, Oliver, Kaiser, Karasu

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Blue Lock's types?! ...part two

part one

Rin:

Bro that boy is a simp.

correction: they're all simps.

I think we somehow forget that the only thing they can do good probably is play football, otherwise they look like normal teens with muscles to me

However!

I think Rin's type would just be a girl who takes stuff seriously, as in not being a person who jokes a lot but who focuses on her studies and stuff

I mean, he can speak english pretty good, so I think he'd also like a girl who is bi- or multilingual (I'm european, take me Rin)

but also a girl who is like-- I don't know, maybe a little reserved for herself? Who doesn't really give too much price about herself?

I think he read a little too many romance novels (headcannon) and these girls now intrigue him 💀

but yeah, all in all I think his type would be reserved and no-nonsence, booksmart girls

bonus if you wear glasses, it makes you look cute and intelligent in his eyes

...

Sae:

I think the spanish girls have him down bad for them

I think he likes fun girls? like, girls where it's not boring (to him)

Imagine you met him in spain and just thought he was a hot dude and you just wanted to have some fun so you just do sum weird shit and he enjoys that

like, I can just imagine him trying to be goofy just for the hell of it because I always see him so bored and gloomy and stuff like that so I feel bad

Yeah, I can definitely see him simping for girls who like to crack jokes left and right

also maybe (I'm putting in body types here) he likes girls with nice asses? He looks like an ass guy to me

when a girl walks in front of him, with the jeans beinf full with juicy cheeks, he stares at them

shamelessly

I said it and I'll say it again.

Sae looks like he'd enjoy the company of a funny girl with a nice ass

we all thank the spanish girls for that.

...

Oliver:

hhhhhhhhhhhhhh

anon 💙... why him...WHY HIM ????

he a runner he a track star (...is it the right lyrics?)

Bro he'd just fuck anything that's female and breathing in his eyes

he looks like a 30-something year old divorced alcoholic who can't keep shit together

but okay.

also he fucks random bitches and you want me to give him a type???

bro I think just girls in general are his type?

Elder girls?

Cuz like in that one karaoke scene, he wanted to hang with two grown ass women💀

so yeah there you have your answer, he likes older ladies💀💀💀

...

Kaiser

a german huh?

I bet he just likes blond haired girls who like to run after him sorry not sorry

ok but seriously.

He is pretty arrogant, a big egoist, and loves to misinterpret things

so I'd like to imagine him chasing after a girl who's "playing hard to get" (his words not mine)

no but seriously, he really thinks the world evolves around him💀

Ness this is all your fault

but other than girls who are not interested in him, I think he also likes girls that are pretty sarcastic and make him feel worthless, just so that he can prove it to them.. (I really don't know)

but other than that, I think he likes the idea of a one-sided crush, and wants to "make her fall for me."

like bro fuck off with your weird-cut, ugly-white-ass hair

Karasu

I really don't know much about him because I've been watching the anime until the last episode and then I read the manga but not from the start so I'm sorry if there were some canon events that I don't know of..

but let's think about his type

I'd say...a calm girlfriend? A loyal one as well? (*cough*Otoya*cough*)

But I'd even choose Shidou over Otoya tbh💀

okay let's get back to the topic at hand.

Karasu just wants himself a loving and calm girlfriend, who gives him the vibe of a nice forest or steadily flowing river where he can calm his nerves

He looks like he gets angry easily..

so he has a soft girl

he likes chubby girls, just imagining hugging one and resting his head on your shoulder as he uses your soft tummy/juicy thighs as a stress ball and sighs contently

I don't know but Karasu makes me feel stuff...😍😫

---

Hellyu, how was that? It was actually rather fun thinking about their types, and I think I did a pretty good job. If I didn't, tell me and I'll change that!

Read you in the next post!

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the-eeveekins · 10 months

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Why The Witch From Mercury is Important to Me

This will be a long, somewhat rambling and mostly personal thread. It's not about the show's quality or any issues I had about it (and YES, the show is flawed and has issues), but about why G-Witch's characters and themes were important to me and I think many others. Most of this I've already shared to a degree, but I wanted to expand my original thoughts, and put them all into one post.

I've been a Gundam fan for over 20 years, I got into the series with Wing on Toonami and have watched the vast majority of the animated series. As a woman, I longed for the day Gundam would have a female main character in the spotlight of a major show, but honestly at some point I'd given up on it. I just thought that if they hadn't done it by now, they never would.

Then, last March, they released this short 30 second trailer revealing The Witch From Mercury, and showing off Suletta and Aerial, and I was ecstatic! Finally, a female MC in a Gundam series, I was so excited for a new Gundam series for the first time since 00! I watched that short clip countless times over the months in anticipation of the series airing, I even grew addicted to the little song that plays during it.

youtube

Over time, the characters and key art were revealed and I saw some people float the idea that maybe Suletta and Miorine would be love interests. I didn't pay it any mind at the time. I was sure they'd milk their relationship for bait along the way, but there was no way they'd commit to Gundam's first female MC being gay. Even after the first episode aired I was still skeptical: There was the bait I was expecting, they're not seriously going to go through with it though.

And here we are, almost 10 months after G-Witch started airing, and Suletta & Miorine are married. It not only wasn't bait, but they committed to it in a way I never would have imagined coming from a franchise I loved like Gundam. It was done with care and respect for the characters, it didn't feel like it was exploitative or added just for fanservice, but was a very real relationship.

I'll admit, I was initially among those disappointed we didn't see a kiss or the wedding at the end, but my greatest fear was the ending would be as ambiguous as possible, or even worse, walk back what we'd seen, so as not to offend people. Instead we got the sister-in-law line, the matching wedding rings, how close they were and they way they looked at each other with love and talking about going home together. We didn't see them kiss or see the wedding, but we got to see them married, and I think that's incredible.

As a gay woman, and a Gundam fan of over 20 years, Suletta is an immensely important character to me. Suletta and Miorine's relationship, and it being a central focus of the story, is immensely important to me. They're things I dreamed of having in Gundam, but never really thought would ever happen. I've been so happy about them for a long time now, but these last two days I've been so unbelievably happy that I was given their story. I love them so much and I'm never going to forget these two.

And this ties into why I think G-Witch has been important to so many people, regardless of how they feel about it's quality, because of it's representation and themes. Suletta, the main character of the show, is a queer, neurodivergent, disabled woman of color. She was well written, and she got to have a happy ending married to the woman she loves, where she's thriving and happy despite her mobility. She's not treated with pity or remorse, and she's still pursuing her dreams of making a school.

And not just Suletta, there were so many characters belonging to different minority groups that got strong representation and happy, satisfying endings. If you're a woman, if you're queer, if you're a POC, if you're any sort of ND, if you're disabled, The Witch From Mercury not only gave you good representation, but also said you're deserving of love, empathy and happiness.

With regard to it's themes, I absolutely love how G-Witch stressed love, empathy, compassion, acceptance and forgiveness over hate, vengeance, punishment and karma. Suletta and Miorine made many mistakes during their journey that they could never take back, but they accepted each other, including their mistakes, and resolved to move on together and makes amends for them if possible. Suletta never got mad at Miorine, Prospera or Eri for the things they did to her and she never blamed them, all she did was understand and accept why they did the things they did, and move forward with her love for them. She accepts the people she loves, mistakes and all, because of her unrelenting love and compassion for them.

Even Prospera, the main antagonist, ultimately rejected revenge for the sake of saving her daughter. She was a less than stellar parent to Suletta, and her actions lead to a heavy death toll, but ultimately Suletta accepted her and her actions to save Eri. And rather than go for an easy karmic death, she was allowed to have a happy ending: Eri was saved, and she's living a peaceful life with her family. A life that was robbed from her 24 years prior.

And ultimately, those themes are why we had an ending where literally no one died, and nearly every character got to have a happy ending. Gundam has always said that violence is bad, but The Witch From Mercury was the first to say "Alright, then we'll solve the problem without violence." We got a big magic spell that was a Gundam Pride Parade in space, and combined with Miorine's actions, events were resolved peacefully.

That's why G-Witch is important to me. It gave me and many others representation in ways you almost never get from a major franchise like Gundam, and without feeling like it was doing it to just check boxes off on some executive's diversity list. It stressed themes of love, empathy and acceptance and rejected hate, revenge, karma and even death. And I think that's incredibly important in this day and age. Representation Matters. Love Matters.

I've been very emotional over this show the last two days because I've been loving it for a while now, and while I'm sad to see it end, I'm so grateful that it happened, flaws and all. I've been crying on and off since the last episode ended and I've had trouble sleeping, but I've been so unbelievably happy over what this one show did and how much it's meant to me. The characters may not be real, but the happiness Suletta & Miorine have brought me is very much real.

For me; Suletta, Miorine, and The Witch From Mercury were truly a blessing.

#gundam the witch from mercury #g witch #the witch from mercury #sulemio #suletta mercury #miorine rembran #Youtube

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infinitelyprecious · 4 months

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"About last night"

It's a 3 minute conversation and there is SO MUCH happening. There are so many details in body language, facial expressions and tone. Amazing amazing job done by Jimmy and Sea omg. I'm singing their highest praises. I wanted to write something about it, and this turned into a written portrayal plus some added thoughts. To relive the scene, but in a slightly different way.

Mhok enters the car and Day's eyes nervously flicker. A parallel to the first scene of this episode. The tension can be cut with a knife, but this time they're going to talk.

In unison they open up the topic and Day takes it away: "I've thought about it." As he's talking we see the tension in Mhok's chest, his eyes wide open, fixated on Day. A second later he releases his breath and shoulders and smiles. All soft he goes: "I've thought about it too."

Day shuts his eyes and squints his face. Knowing what he wants to say but finding it difficult to. Ofcourse, because what are the implications of this?

Mhok is his caregiver and though Day doesn't return Mhok's feelings, he doesn't want to lose him. He likes Mhok, trusts him like he does no other person and all of that is on the line now.

How is Mhok going to react to the rejection, can they move forward and still be the same they always were or does he need to start looking for a new caregiver? That's a lot of insecurities right there.

And he blurts it out: "I'm sorry Phi, but you are not my type." The tension still in his face after he said it. A deep breath out, a swallow, his eyes blinking rapidly. How is Mhok going to react?

And Mhok, Mhok needs a moment to process. This hurts. He bites his lip, his brows furrowed. But his face softens as he nods and accepts the rejection: "I figured."

The tension is still palpable as Mhok looks at Day and says: "I just wanted you to know how I feel about you." Day's eyes go back and forth, processing what Mhok said. And then the question follows. "Did you think we could be the same if I knew it?"

Again, Mhok needs a moment. What is the best thing to say here? This must mean that Day is uncomfortable and doesn't want him around anymore, right? Just like everyone else, right?

And he makes a decision: "Okay, I'll quit."

Not asking Day what he wants, but assuming he's not wanted around anymore. Like so many times before.

"Don't worry about it Day." An attempt to make Day feel comfortable, assuring him it's okay.

But this isn't what Day wanted. And Day is quick to let Mhok now. Firmly he says: "Hey. Though I don't have feelings for you, I still want to have you here..." and his voice trails off "...na." Once again choosing Mhok, keeping him by his side.

Mhok blinks, his face full of confusion as he looks at Day and smiles with disbelief and hope: "What do you mean?"

"I mean as my caretaker", Day stutters, quick to not let Mhok assume anything else. Mhok now turns his body toward Day, listening and watching intently. And Day continues: "If you can just act the same, I won't have a problem with that." His voice trails off again: "I guess."

More processing for Mhok. His eyes move back and forth, a finger pressed against his upper lip. "So... if I can do that, I'll get to continue taking care of you." Now using his finger to accentuate his words. "Right?"

"Right, but...", Day puts down a boundary, "if you cross the line and hit on me, you're fired." Instant smile on Mhok's face. And he laughs, relieved. "I get it now, sir."

"I'm serious." Day says. Needing to make sure Mhork really understands. "Yeah, I know", Mhok replies, still with a smile on his face. The relief visible in his entire body.

After this Mhok buckles Day up and there's some more details to be seen, but the part that really got me was the whole convo previous to it, so I'm going to leave it at this.

Mhok is happy and back to his teasing self. He continues to tease Day and find the exact boundaries throughout the rest of the episode and I love that. There certainly have been signs of Day's attraction to Mhok and I think Mhok realized there still was a chance but was also careful not to push too far.

I love them, I adore them. I adore this show in it's entirety.

#last twilight #last twilight the series #last twilight ep 7 #last twilight meta #mhokday #morkday #precious watches last twilight

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starryalpacasstuff · 4 months

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Last Twilight Ep 8; Thoughts

We're at the 2/3 mark of the show, and the episode honestly felt surreal. Last Twilight is continuing to parallel iconic moments of Bad Buddy, this time with running away and scenes on the beach. However, it never feels like it's boring or repetitive, because while the parallels are clear, the shows are also distinct. It's clear that the characters in the two shows are pushed by different things.

I was yelling at the screen when I realized Mhok and Day were going off on their own, because ditching Night = recipe for disater (he'd obviously call Day's mom!?!)

But then this happened, and I had to pause and take a moment, now that my fears had been resolved. We know so little about Night, and yet so much. Understanding his character requires a lot of reading in between the lines, and until we know what happened between the brothers, the picture won't be complete. I did, in fact, breathe a huge sigh of relief when I realized that Night was in on it, because while Mhok and Day are capable of handling themselves, if Day's mother found out, we all know that it wouldn't make for a pretty situation.

Which calls in something else I'm curious about. Is Day really naive enough to believe that they can ditch Night with no consequences? Or is there some trust left in Day, that Night will let them go. Has he figured that Night is likely in on it, and is choosing to remain quiet?

There's a number of possibilities, and I'm curious to see how it plays out. It's highly likely that his anxiousness to get away from Night, and trust in Mhok meant that the though simply hasn't crossed his mind too.

On that topic, if we rewind to the beginning of the ep

I just love how much Day trusts Mhok. It's obvious, but I felt it was worth pointing out. Mhok tells Day that there's no one there, and Day accepts. Mhok having played the caregiver role for Day for so long is definitely the main reason for this, and it's beautiful to watch.

Speaking of transparency in their relationship, can I take a moment to talk about just how much I loved this scene? Mhok was upset about the prank, and Day wasn't taking it seriously. Mhok could have clammed up, creating tension between the two. It would even be expected, given his role as Day's caretaker and the 'put Day first' mentality that we've seen so far. But he doesn't, and oh my god, this calls for aplause. He calls Day out on it, and gives Day a taste of his own medicine. And, this is something that perfectly shows that things are not the same now that they're boyfriends. Mhok gets more agency, more say, because he's one half of the relationship. I've said thia before about the subversion of faen fatale, and I'll say it again; Last Twilight has a very strong identity as a show, and a very strong grasp on what it's doing. Time and time again, it has shown us opportunities that it could have taken to create drama, and veered in the opposite direction entirely. The subversion is intentional, and clearly so.

While we're talking about characters standing up for their feelings..

I feel like someone should create a masterpost of everything we know about Night, and we can add on every bit of new info we get and compare it to the rest, because everything tells us so little yet so much. It seems that Night is still willing to push against Day's hatred. But of course, he's more willing to allow Day to live happily, as we see him letting the two go off on their own. It seems that every time Night does something for Day, he prefers to do it anonymously, such as showing up to the race. We've seen that he's accepted the villain image. Is this why he seems keen on upholding that villain image in front of Day, while helping him behind his back? P'Aof isn't one to write conflict for small or petty reason, so I'm starting to be more and more convinced that Night genuinely did something wrong to Day. He regrets it, but he also knows he can't take it back or heal their bond, so he's simply keeping the status quo, helping his brother behind his back, while only allowing himself to be selfish on occasion, like this one. I'm so intrigued by Night and his mannerisms, his actions.

Back tracking a bit again, (this is a mess)

This scene was a pivotal moment. I've previously mentioned that Day was living in a fantasy, and I've also briefly touched on Day's sence of normalcy in a post, how he was relying on things to go back to 'normal' and how he's been able to build a new normal with Mhok. He'd get the transplant eventually, and things would go back to 'normal'. Mhok helped Day redefine his 'normal', but the hope that his sight would return one day was still present. Here, it's shattered. Up till now, Day was living his life as if he were biding his time till he got his eyesight back. Now he's going to be living as if he has to wrap up a lifetime of memories in three months. He's feeling as though time is running out.

I think this is one of the first times I've seen Day talk back to his mom, which is fair, because it's ingrained in asian kids to not talk back to your elders. Day is, in the end, a rich kid. On top of that, he has a single mom. 1+1=2, Day didn't get to see much of his mom growing up. @waitmyturtles talked about this a bit in a post, mentioning how Day's mom's career always came first. She didn't have time to attend a game because she had an event, she couldn't come to school for something because she had a meeting, etc etc. (I don't know how much of an age gap there is between Day and Night, but anyone thinking that Night had to fill in on occasion..?) He's making a jab at his mom, that she's far to busy to be there with him for stuff, and she's far too overprotective to let another be there with him for it. Again, typical rich family dysfunction. Day and his mother's dynamic will be an interesting thing to watch as the episodes progress, that's for sure.

Alright, onto the last one

When I'm not sure if there's a deeper meaning behind a scene, music is always a great clue that there is something greater behind it. As episodes progress, we've seen Day slowly reassimilate himself in society. This is such an important theme, because being a part of and engaging with society is a huge part of asian culture. I view this dance as a sort of culmination of the progress that Day has made over time with Mhok. Would the Day at the beginning of the series have danced with a stranger at a party while having worse eyesight that before? No way in hell. Also, paying respect and interactling with older people is, again, a HUGE part of asian culture, so this was essentially the perfect way to depict this culmination. When the first episode had aired, @twig-tea had first introduced in a post the theme of liminality in Last Twilight. One of the definitions given was "of, relating to, or being an intermediate state, phase, or condition : IN-BETWEEN, TRANSITIONAL". Since Mhok entered Day's life, he's been in a liminal (transitional) state, as he moves closer to rejoing society. In this scene, we see what I'd like to say is the end of this liminal state. Of course, this isn't to say that Day is no longer in a state of liminality. Liminality presents itself in various ways throughout the show. This is simply a culmination of Day and Mhok's efforts to reintegrate Day into society. While the battle is far from over; disable people often find themselves outcasted and removed from society; it's a sign of hope, a sign of growth, a sign that their efforts have a result.

#every week these posts keep getting longer #and i dont know what to do about it #this show is brilliant #last twilight #last twilight the series #last twilight meta

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monkeymindscream · 1 year

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ngl watched the toh ending and thought you would hate this

First of all, kind of honored I take up enough space in your mind for you to see something and think "wow, this person on the internet I know of ain't gonna like this." That's very sweet Anon, thank you for sharing this with me.

Secondly, I didn’t… hate-hate it. I had a fun time watching it! And if I ONLY cared about the protags, I would have been very happy with it!

Unfortunately, I overwhelmingly care about properly telling a good story. Like even if Belos hadn’t been my absolute favorite, I’d be kind of disgusted with how much of their own plot the show left to be inferred.

"It was just Belos's backstory, the plot didn't need to go into detail for him-" Belos is the reason there even WAS a plot. Quite literally everything of importance that happened in the show happened as a direct result of his actions.

He formed the Emperor's Coven → Lilith and Eda have to duel to get in → Lilith curses Eda to win the duel → Eda doesn't join a coven at all and becomes a criminal → while on the run from the EC she finds King → to make a living she hocks human stuff → Owlbert steals Luz's book → the show happens.

Leaving out the backstory/the deeper look into the motives of the guy driving the entire plot (after teasing the fuck out of it, might I add) is comparable to only hinting that Lilith was the one to curse Eda, but never elaborating on it. Because truly, why bother hinting at that stuff if nothing at all was going to be done with it? From a storytelling perspective, it's appalling.

And before anyone tries to use "it's because the show got cancelled!" as reasoning, don't. They had options for how to handle this. They wanted Philly to have the paper-flat character they seemed hellbent on giving him? Cut Caleb out entirely. "A single overzealous puritan stumbles on a world inhabited entirely by witches and demons and conspires to destroy them." There. Clean, simple, doesn't leave any holes. They wanted to keep the whole "good brother/evil brother" angle? (which by the way: still the most boring, bullshit angle I've ever seen) Leave out the Collector. Take the time used on him and put it towards Caleb and the Wittebane history.

And before anyone tries to argue about that, I'll leave you with the fact that Dana decided to add the Collector after she was told the show was being cut short. She KNOWINGLY chose to take the already very limited time she had left to tell her story and dedicate it to a flight of fancy rather than actually tie up the loose ends she set up.

That's what I hated about this last episode. Once the adrenaline of watching it for the first time wore off, there was really nothing left but disappointment and a sense of this could have been BETTER. And there's no real reason I can think of for why it's not better, which is. Infuriating.

#toh spoilers #owl house #muttering about owls #toh critical #the owl house

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williamrikers · 4 months

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Some Personal Favorite BL Moments of 2023

this is inspired by @lurkingshan's post, thank you for that 😊

Best Show

be my favorite, hands down. this show hooked me right from the very beginning, and each week it kept outdoing itself. the kindest, most compassionate storytelling mixed with some absolutely amazing character journeys and a strong message at its heart, bmf will stay with me forever (and not only because i managed to snatch one of the utterly gorgeous box sets for my collection). 12/10 puffball music boxes

Best Scene

alan and wen pre- and post-breakup at the start of episode 5 of moonlight chicken. i've rewatched these nine minutes more times than i can count. both first and mix do some incredible acting here, and it's such an utter joy to watch. 5/5 crying firsts sliding down a wall

The Scene That Came For My Life The Most

look, i've talked about only friends episode 6 [4/4] before. you all already know that i desire mew carnally for what he did with that audio tape. i have also rewatched this scene an embarrassing amount of times. 96/69 illicit sex tapes

Most Rewatchable Show and Best Main Couple

this one goes to a boss and a babe. i have already rewatched this show twice this year, and i love it more on every single rewatch. i regularly lose my mind about how much i love this silly little show and start waxing poetic about how much this love story means to me, how much i adore gun and cher's weirdness, their communication, their commitment, their gentleness, their mutual respect, the way they help each other and heal each other, the way they make each other feel safe and loved, which my friends from the bl besties server can attest to. maybe one day, i'll put all of my ramblings into a coherent format, but for now please trust that this show is absolutely wonderful and extremely special to me. 1000/10 gaymer friends sleepovers

Best Premise (That Was Utterly Ruined By The Show)

i've got to say dangerous romance, although step by step comes in at a close second. after the second episode of dr, i was out here writing hundreds of words worth of meta, and then... well, then the show became what it unfortunately is, now. i still want to see the show that i was promised (a thriller about two poor brothers who get into hot water because of money issues and end up having to turn to crime to survive, all while the younger brother slowly falls in love with the biggest bully at school, and over the course of the show the bully needs to learn to become a better person and help sailom overcome the trust issues he should have had from growing up constantly threatened and sometimes physically abused by members of the mafia.) -20/10 stupid fucking windmills for ruining something that could have been amazing

Best Side Couple

tiwpor, you will always be famous to me. my school president itself might just have given us crumbs, but i licked those tiny crumbs right off the floor with delight, and when our skyy 2 made it canon, i lost my entire mind. i could not have asked for more. 2/2 couples t-shirts

Best Date

yang and phumjai on their practice date in episode 4 of love in translation was probably the sweetest thing that happened on any bl in 2023. in the later episodes, they had many more beautiful moments together as well as some incredibly amazing physical intimacy (plus, in the extended iqiyi cut, one hell of a foreplay scene), but their sweet date before they had even confessed their feelings has stayed with me. 11/10 slices of pandan

Best Beach Scene(s)

never let me go wins this one. no other show was as devoted to showing off their beautiful beach locations as nlmg this year. watching this show made me yearn for the sea. 1/1 tattoo of your boyfriend's name

Best Rooftop Scene

despite the stiff competition in the form of bmf and cherry magic thailand, last twilight has this one in the bag. the pain, the pining, the heartbreak, the complicated feelings, the desperate kiss... they even lampshaded this trope in the dialogue. stellar scene. 12/10 sunflowers

Best Sensuality

we've had a lot of high heat bls this year, some of them still ongoing, and since billy infamously said "a lot and deeply", i feel like the next episode of the sign might just blow all of our minds. i'm not awarding a best sex scene here so i won't have to eat my words in a few days—however, i feel confident in saying that when it comes to raw sensuality, no one is going to beat ray and sand in only friends this year, no matter how hard the characters on pit babe, playboyy and the sign might be trying. truly, nobody embodies sensual attraction like first and khaotung do. 69/10 sausages that represent blowjobs

Best Minor Character That Stole The Show

gotta agree with the masses here and say nawin laws of attraction. what a guy. every day i miss him. ∞/10 unhinged ex boyfriends

Best Viewing Experience

this is not bl, but it might as well be: midnight museum still feels like a fever dream, i have no idea what the plot even was, i understood maybe 10% of what was happening at any given moment, and i've never had more fun watching anything. this truly is the show of all time. 5/3 roles played by gun atthaphan

Wildest GMMTV Moment

also not a bl, but the piploy pissing in the car scene as an act of revenge in wednesday club would go down in history, if, you know, people had actually watched this show. what can i even say. 3/3 gratuitous pissing scenes

Most Anticipated Show Of 2024

i just had to find a way to mention my golden blood in this post. i am yearning for this show with an intensity i cannot describe. i literally need to see joss bridal carrying gawin as much as possible, it is on the baseline of my hierarchy of needs. no matter whether this turns out to be trashy fun, high camp, an actually serious show, or all three, i win. gmmtv could not have given me anything better to look forward to next year 💖

#bl stuff #*mine #be my favorite #moonlight chicken #a boss and a babe #only friends #my school president #love in translation #never let me go #last twilight #midnight museum #wednesday club #my golden blood the series

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stagefoureddiediaz · 1 year

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Costume meta 6x12

Thank you wardrobe team - for giving me half a chance with the costumes this week 😂 After the insane costume levels last week, it was nice to have fewer costumes to talk about this week! Have to admit I did go off on a bit of a side quest while writing this - shout out to fridge and beer theory 😳😂🤓

I'm not going to go character by character this week because they did something really interesting with the colour palette this episode. So I'm going to break things down colour by colour and it means I'll be talking about Wendell, Tamara and Connor as well!

Firstly there were 3 main colour in use in 6x12 - red blue and grey, with a couple of secondary colours also in play - the army drab green, white and pink. There were also some very interesting parallels at play in the costuming as well - not only in relation to the text, but specifically to the shooting - we see a lot of costume references to that arc as a whole and I'll go into those as we get to them.

as always the rest is below the cut to save your dash!

Red

So in 6x12 we see red/maroon used 4 times and on all 4 occasions its being worn by someone in the role of advisor and or parent/carer.

First up we have Athena (her in a rare denim wearing occurrence!!) in a wine red turtle neck - she is filling the role of advisor for Bobby here - providing him with information pertaining to the investigation into Wendell's death. she is displaying her care for Bobby and his wellbeing - pursuing a seemingly impossible task to help him get answers - she fully understands Bobbys need to pursue the case - the potential for it to impact on Bobbys sobriety if he's unable to get answers. I've spoken before about red being an energetic and powerful colour, we see both those aspects at play in this costume - Athena has powerful information that reenergises the case for Bobby. This is Athena in supportive spouse mode.

Next up we have Maddie - very intentionally in her dispatcher uniform and this putting her in maroon/burgundy. The use of her uniform is an indicator of Maddie managing things - putting up a sort of boundary. She is managing Buck in the same way she would manage one of her calls at dispatch. I need to mention the fact that Buck is in navy blue here - that he is wearing a tee that matches his own uniform and we barely see the grey joggers because he is standing behind the kitchen island. It is important to recognise that both of them are hiding behind being 'in uniform' and we see that fact effectively erecting barriers between them - it is only when the are both out of those colours that they are able to talk and understand (I'll talk more on that later on!).

Wendell's costume here is such a choice!!! Even if we hadn't been told in the previous flashback that Wendell was ex military, we would have been able to reach that conclusion ourselves because of this costume. does it remind you o the way they've styled anyone else on the show? perhaps a certain someone with their own military background?? thats right - this costume is straight out of the Eddie Diaz costume book! long sleeve maroon henley, olive drab combat style trousers and smartish leather boots. they've given Wendell his own twist - with the metal watch and the necklaces, but the look is deliberately meant to look similar to Eddie. The general audience will subconsciously draw the association.

For me this costume and its use in this particular scene is super fascinating - a conversation about 'getting back out there' and dating around a bit and the concept of impulsivity compared with Bobby knowing that Athena makes him feel like he's on solid ground. the costume is very much helping to foreshadow Eddies story here - he's going to take the road that Wendell suggests here - date around a bit - before figuring out what Bobby already has - that he wants and already has someone who makes him feel like he's on solid ground. the show has been paralleling Bathena and Buddie for a long time now, this is just another example of them doing this, especially because Bobby and Buck have been costume paralleled a lot, as have Athena and Eddie. The fact that the show has chosen to use this scene as part of this episode where those costume parallels are especially loud is really telling, clever and shows they're having fun with the build up of this slow burn!

Eddie - Like I've said above this is some very intentional costume paralleling going on in terms of foreshadowing for Eddie in the rest of season 6. But there is also the parallel to Athena and Maddie (we can pull Maddie into the paralleling because they chose to put Chimney in blue when Maddie get's home from work). the maroon is in the red part of the colour wheel and shares many of the same attributes - mostly relating to power, passion and confidence, but also its brown undertones hint at stability and comfort as well as protection.

These are all things we see from Eddie in the two scenes - the comfort and protection Eddie offers Buck in the first scene that allows Buck to fall asleep on the couch, with those same traits combining with stability, power and confidence in the kitchen scene. Eddie is the epitome of stability from bucks perspective - the Diaz house is a stable and supportive place and Eddie is at the centre of that for Buck. The power and confidence come from Eddies knowledge of Buck, giving him the space he needs and knowing when to push, but also from Eddie himself knowing where the line is - know ing that Buck won't benefit from Eddies full honesty at this point in time.

All of that is not the only thing that shirt is hinting at. I've spoken a lot about the use of maroon on male characters specifically as a symbol of fatherhood and parental responsibility and here is no different - Eddie making Christophers lunch in the kitchen scene (is this kitchen scene .3 or .4 ?) was a very deliberate choice for the simple reason that it connects to the shooting visually - right down to the choice of putting Eddie in dark trousers - mirroring Buck when he tells Christopher about his dad being shot. The Christopher of the equation remains relevant even now - as they actually talk about the shooting for the first time - he is not directly a part of the conversation, but he is still there in the background (in much the way the will still lingers in the background).

Blue

So fun overarching fact about the use of blue in this episode - it gets progressively lighter as the episode progresses! This is something the show has been playing with a bit this season - especially in connection with Buck. It's so informative as to the journeys of Bobby and Buck in this episode.

We do also see Chimney and Tamara in blue in this episode, but only once. Chimneys is in balance to the Red of Maddie - its playing into the colour trope of couples that we've seen the show use over and over to both draw parallels between the actual couples on the show as well as draw parallels with those couples and Buddie.

Here we Have Chimney in a shade of blue he wears a lot, I think this jumper is the same on we see him in when Maddie's kitchen floods, but the lighting is very different in the two scenes and that makes it hard to be sure. it is important to note that this blue doesn't sit in the same colour spectrum of the other blues in this episode - its much more of a green blue - having peacock or turquoise undertones. this is a deliberate choice - it still allows chimney to sit in the colour blocking of blue and red that we see in this episode and in the show more widely, but it also others him - he doesn't fit into the journey towards healing that we see the others go on.

Bobby goes through a spectrum of blue like I said. this first polo is really hard to define - its under a heavy filter which gives everything a greyish yellow tone - which the show uses in most of its flashback scenes. we can see its blue, but as to the specifics of shade, its hard to tell - it is definitely towards a navy colour, but not as dark.

This is a moment when Bobby is vulnerable, but is accepting of help - a darker navy wouldn't be the right choice here - bobby is in the darkness that navy hints at, but he is also accepting the help he asked for and this lighter slightly greener tone the filter gives the shirt shows us that - the greener tone suggesting growth.

Then we move on to the shirt we see Bobby in for most of the episode. The lighter navy with a bluish grey check pattern. The Check foreshadows (as always) the problems Bobby is going to face in his hunt for the truth of what happened to Wendell.

I loved the fact that they put Bobby and Tamara in similar shades of blue for this scene. its a brighter blue - much more of an azure or ultramarine blue - much more hopeful supportive and accepting. its meant to show us that they are in the same place emotionally, but also it ties the help they received from Wendell to the two of them - pointing out that because of him they are both on the right path .

Bobby then wears full dark navy blue when the Walshes are arrested (the picture of this is down in the other colours section of this post) with the same green jacket as the one he wears when he meets up with Tamara

Then we get this grey blue shirt when we see Bobby in full sponsor mode.

As you can see the blue gets progressively lighter as Bobby progresses through the episode and we end up with him a colour that matches the check from the first shirt. I think this is intentional - that we're supposed to read it as Bobby breaking out of things that have been holding him back up to now. The other thing about this blue/grey shirt is that it's almost the same colour as the knit polo that Buck is wearing . This is telling me two things - we are supposed to make the connection between where Bobby is at and where Buck is at respectively - that they are at similar points in their respective healing journeys - something made more obvious by the two costumes being worn at the same time in their respective scenes. The other thing it's doing is reinforcing the father son aspect of Bobby and Bucks relationship - visually connecting the two of them at the same time as the script.

Buck in navy - like I said above - this is very much about reflecting Bucks LAFD uniform - especially in relation to Maddie, Josh and to a point Hen. we get to see the grey sweatpants much more when it comes to Hen, because this is the person Buck has been most honest with up to this point and then Connor - once Buck establishes he's not part of Maddies schedule!

The navy is also an outward manifestation of Bucks internal struggles with the whole dying part of his reality post lightning strike. navy is often associated with depression and with avoiding confrontation (one of the reasons its used as a uniform colour so often) and attention. Here we have a Buck who is trying to do both - avoid causing confrontation and trying to deflect attention away from himself (the script also shows us this by is his leaving a note and running to Eddies) ad well as making it obvious that Buck is struggling with his mental health and over facing up to the reality that he died.

The final costume we see Buck in is this very light blue knit polo - which has grey undertones and connects in with crash and learn and the locker room conversation Buck has with Hen - about the secret to happiness. Having seen Buck in blue or grey for all of the episode, this bluish grey merges the two colours together and implies that the two different versions of Buck - the closed off navy blue one and the honest vulnerable grey ones have merged - erring more towards the grey version of Buck than the navy one. this is a clear choice - it shows Buck accepting and embracing that more vulnerable version of himself and we see that in action when he talks to Maddie about her over the top schedule.

The other thing with this pale blue is that it ties into a series of moments we've seen from Buck since 5x18. The blue suit of Hen and Karens wedding - representing the freeing himself of Taylor, the blue shirt from the locker room conversation with Hen when we see Buck really start to think about what it is that he wants/needs to be happy and when we find out that Kameron is pregnant, and now this one. All of these are moments when Buck is making progress in figuring out what he wants and how he can find his happiness - in some ways they are like the use of Bucks white shoes - where as those are a more general representation of his journey - the smaller steps as it were, these blue outfits are bigger strides forward.

Grey

I have so many thoughts about the grey of it all in this episode!! We only see Buck and Athena in grey.

Athena wears this grey turtleneck and waterfall front cardigan combo. Grey is a neutral colour, but it is also a colour of compromise and here we see Athena essentially compromising with bobby and giving him the information he needs to get in contact with Tamara.

The ribbed grey jumper that Buck wears to Eddies house along with the lighter grey sweats is such a choice. First thing to point out- this jumper has been put on over the navy blue tee - we can see a slither of the tee in the picture below - between the jumper and the sweats (costume department for the win on little details like these!)

Grey is like I said above a neutral colour, but it is also somewhat ambiguous - because of its place between black and white on the colour chart. it is also associated with wisdom and maturity. here we have a Buck who is being mature in his recovery - being wise

The fact that the ribbing gives the jumper an air of chainmail is also an interesting thing, it hints at the idea of protection - its not the full on protection of plate armour, but it is non the less a protective layer - in this instance it is Buck both protecting himself from Maddie's overbearing (but well meant) schedule, but it also serves as a barrier for the kitchen conversation - that in between stage we've spoken of, where Buck and Eddie aren't fully ready to talk about the full implications of the shooting. Eddie reads it and doesn't go into the full truth of what he remembers - the grey jumper is the visual representation of the fact Buck is still not fully ready to talk about it (even if Eddie is).

The use of ribbing also means this jumper fits into a theory i've been keeping an eye on since 6x01 with regards to Buck and vertical stripes - you can read it at the end of the 6x01 meta if you haven't already read it. Essentially though - Buck seems to wear vertical stripes when he is emotionally imprisoned or trapped in some way. this jumper is maybe stretching the metaphor a bit, but the theory works for this scenario - Buck is struggling - reckoning with death and the emotional trauma that has brought him. Its going to be interesting to see if this continues to play out in the rest of 6b!

The final thing to point out about this jumper is the long sleeves - and this ties into the costumes of all the other characters as well - when around Buck. If Buck is wearing short sleeves everyone else is wearing long sleeves and if Buck is wearing long sleeves, then the characters he interacts with (only Eddie) are wearing short sleeves. This is significant - Buck is his most open and honest about where he is at with his recovery etc when he's wearing long sleeves and his opposite is wearing short. Eddie wearing short sleeves appears to be concealing things from Buck - much like Buck has been doing with everyone else in this episode - not being completely honest with them. its a play on the idea of Buck being good at hiding his true feelings from others - in physical form and only making himself vulnerable when he has protections in place and he's with one of the few people who can understand his trauma (Chimney is the other one but we don't see them interact in this episode!).

Other colours

Hens costume is very much carrying on her costume theme from 6x11 - which is perfect - the orange brown and green place her in the same context as we saw her last week - its a form of continuity - she is still the representation of emotional strength and optimism through the orange, the brown is still the representation of stability and the green (which has gotten brighter) is still a reference to growth and security and health. The green being more obvious this epsiode is showing us the improvement in Bucks health - Hen is the most skilled medic on the show - her being in green is a show of that in connection with other characters when the scene is not about her directly - in this case - Buck and his health post death and resurrection.

Connor is an interesting one this week, the tan/beige jacket combined with the baby pink and blue pinstripe shirt is telling me a lot of things! Firstly the beige - beige is considered a 'boring' colour and as such it is often used to mask other things - its a colour that 'blends in with the crowd' and it being worn as an outer here is very much playing into that as a concept - outwardly Connor is deflecting attention away from himself - from his own internal struggles

The pink and blue pinstripe shirt however is saying a whole lot, firstly the use of pale pink and blue - colours that often have 'baby' placed in front of them as a denotation or the specific shades - baby pink and baby blue. This automatically and subconsciously encourages the brain to think about babies - the central theme of Connors arc on the show - pregnancy, babies/children and fatherhood or pending fatherhood.

Pink has lots of meanings attached to it, but pale or baby pinks are generally considered to represent immaturity and or naivety and I think that is what its use is trying to suggest here - it is foreshadowing and hinting at Connors actual feelings around Kameron's pregnancy.Its telling us that Connor hasn't actually thought through (not necessarily intentionally) the full reality of being/becoming a father when the child is not genetically his - its hinting that that is his journey (and Bucks) for the remainder of the season and pregnancy.

Again there are lots of meanings that can be attached to blue and it comes in a myriad of shades (probably the most wide range of shades of any colour to be honest) which also impacts its meaning. The blue pinstripes here are very much of the baby blue variety there are a couple of things that I think the use of blue here is trying to tell us - firstly blue at the lighter end of the spectrum tends to be positive, it also tends to be responsible and reliable. the fact that the blue stripes 'run through' the pink - the implication being that it runs through that naivety that I spoke about a moment ago - thats essentially a good thing - its telling us that the outcomes of this arc will be positive - I'm guessing that Connor will get his head around being a dad - learning and understanding that genetics don't necessarily make a father.

The other thing we need to talk about with regards to Connor - that I spotted and I think hints at things to come is his wedding band. in the above picture he is wearing it on his right hand rather than his left - as he has done all the way up to this point. THis can only be an intentional choice - in America the most common finger to wear a wedding band on is the left ring finger (its not something that would get missed or that would be put on the wrong hand by accident). Connors wedding band changing hands is pretty telling.

Interestingly there are a few things about wearing a wedding band on the right hand instead of the left - it is common in many countries - including Peru (👀) but it is also symbolic - before gay marriage was legal, it was (and still is) common for same sex couples to wear rings on their right hands as a show of commitment. The other (and possibly more relevant reason here) is that it is a fairly common thing for people cheating on their partner to do - it can be a signal of availability. Now I'm not saying Connor is out and out cheating on Kameron, what I am saying is that his wedding ring changing hands may be a visual signal that he is struggling with his relationship and is emotionally not al in it at the moment - that he is perhaps not feeling connected to his marriage because of his struggles with the baby and not being able to emotionally invest in that aspect of his relationship at this moment.

Its going to be very interesting and telling the next time we see Connor and Kameron on screen together if the ring changes back - and if we see it on the right hand again!

Maddie in black and pink when Buck and her have an honest conversation about their individual trauma and the way its interconnected is an interesting choice the black and pink has similar vibes to the maroon and black of Maddie's uniform, except its dressed down, its more flow-y and as a result more inviting of Bucks honesty and Maddie's own admissions. The pink is representing Maddie's nurturing tendencies, but also her unconditional love for her brother. I've said before that black is a colour of power and sophistication - here those traits are showing the power of growth and sophistication is both Maddie and Buck developing and understanding the complexities of their traumas and developing better ways of dealingwih them.

I've included the picture of the shooting below at this point because I want to highlight a couple of things. I've used this picture because its the only time we can see all of what Buck is wearing - White high-tops, black socks, grey trousers and the infamous white shirt with grey pinstripes.

Tamara is the first costume hint at the shooting arc we get in the episode. the white pinstripe shirt and the white high-tops are very much a direct reference to Bucks outfit. If we look at the bigger picture here and look at both the arc and the characters as a whole then we can see clear similarities between this arc and the shooting arc.

We have an 'overdose' as the catalyst in both arcs. Charlie both being dosed by his mother and his act of overdosing her, which leads to Eddie being shot as he tries to help. Then we have Tamara - in the same position as Charlie - she's being controlled in a similar way by the Walshes through her previous drug use etc. Wendell fills the role of Eddie in this arc - he is the one that goes in to help Tamara and ends up 'shot' (read shooting up as a metaphor for being shot!) as he tries to help. Only unlike Eddie, Wendell does actually die. Tamara also fits into the same roll as Buck - she is there when Wendell dies - in the same way Buck is there when Eddie gets shot.

Bobby and Athena placed in essentially the same roles (more on Athena in a moment) as in the shooting - a bit more of a lean into Bobby solving things where as Athena was more filling that role in the shooting arc, but the outcome is the same.

The arrest of the Walshes shows Athena back in her usual colour ways of black olive drab and white, which is an important touchstone for us as viewers (especially after we spent so much time in a coma world last week), but it also plays into the shooting arc throwbacks with her costume - the leather jacket is not identical, but its almost the same as the one she wears for most of the investigation into the shooter in the season 4 arc.

Finally we get Athena in this amazing purple jacket - dark purple being a colour of magic, spirituality enlightenment and wisdom. this jacket is in its own way connected to the shooting arc - the fact that Bobby didn't let Athena in that time - when he was trying to sponsor the drunk driver from blindsided (4x09). It shows us just how far they have both come since that moment.

Finally I have to talk about Bucks white high-tops because they were very prominent in this episode. I've had the theory for a while that they represent his journey towards happiness (there is a post on my pinned post all about it if you haven't read it or want a refresher!).

He wears them all the time he's not at the loft in this episode - their most prominent appearance is on Eddies Coffee table (buck I love you but you're a heathen!!) - literally the only time you should put your feet up on the coffee table is when you are at home - never at someone elses house - this plays into the whole 'this is Eddies house, I'm not really a guest' of it all. the fact that he does so in his white high-tops is actually really important - we've never seen those shoes anywhere except the floor up to now - Buck putting his feet up while wearing them is a symbol of both him being at home/ coming home, as well as a symbol - its foreshadowing that Buck's journey to find happiness ends here - at home in the Diaz house and as a part of the Diaz family!

we also see him wearing them at the park when he is contemplating the fire that lead to him being hit by lightnin after his appointment with Dr Salazar - again this is Buck very much on his journey - he is contemplative and making progress!

And there we have it 6x12 costume meta done!! Thank you as always for reading - it really does mean the world to me that you're interested in the costuming of our wee woo show!!

As always tagged people below - if anyone wants to be added to (or removed from) the list please let me know in the comments and I'll add you to the next one! Same goes if your url has changed and the tag is no longer working 😎

Until the next episode! 💜💜💜

@mistmarauder @theladyyavilee @loveyourownsmiilee @leothil @girldadbuddie @kitkatpancakestack @buckscurls @lemotmo @trashendence @elishareads @clipboardsandstethoscopes @comfortbuddie @fiona-fififi @callanee @calyssmarviss @pbandjeremiah @batgrldes @spotsandsocks @livingwherethesidewalkends @idontshitpostbuttheolympicpark @diazboysbuckley @sweettsubaki @shortsighted-owl @sherlocking-out-loud @dickley-buddie @favouritealias @hearteyesdiaz @ktinastrikesback @princesschez75 @bucksbuddie @oneawkwardcookie @leatherat @moniquekatie @wanderingwomanwondering @trickster-archangel @outrunningthedark @asharadaine @ajunerose @talespinner230 @pop-kam @swiftiebuckleys @xxfiction-is-my-realityxx @butchjerry @mandzuking17 @yelenascowboys @copyninjabuckley @name-code-black-widow @rogerzsteven @bi-moonlight @wandiinha

#kym costume meta #911 costume meta #6x12 costume meta #911 costumes #911 on fox #911 fox #911onfox #evan buckley #bobby nash #athena grant #maddie buckley #eddie diaz #hen wilson #chimney han #911 meta #911 season 6

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professorhayforbreath · 4 months

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so episode 5. all my thoughts

we picked up where the last one left off, good start

annabeth saying she knows percy isn't dead... how. to annabeth and grover there should have been no way percy was alive and finding out he was should've been so emotional but instead she was like dw i know he's not dead lol. it's kind of... lazy writing? like how are you gonna write a scene as gut wrenching as percy trapping himself with a monster and telling his friends to complete the quest without him because he's actively dying and has no reason to believe he'll survive, and then make the fallout of that so... nonchalant? idk if it's a time limit thing but that was so underwhelming to me

annabeth being the one to see the fates... no

fugitive percy enjoyers at least we won!!!!

the trio peeking over the road barrier at ares was cute goofy silly i liked that :)

gabe on the news shit talking percy i'm hooting and hollering!! "i really-- WE really loved that car" and "i'm gonna kill him". excellent. now put percy on the news fake crying about his "loving" stepfather i believe in you

i did want them to acknowledge annabeth's lack of experience with the world outside camp but having her say "i've never seen any kind of movie" has gotta be one of the weirdest ways they could've done that

the turnstile scene was cool i guess but as we go on i'm more and more conscious of how many episodes are left and how much plot there is to get through and idk i feel like this scene could've hit the cutting room floor and we wouldn't have lost anything

i do love the ambience of the park though. maybe i'm easy to impress because the aesthetic of an abandoned amusement park is just fantastic on its own but the set was very cool. wish it wasn't so dark so i could've actually seen it ❤️

percy and annabeth having a serious conversation with 'what is love' blaring in the background is sending me

first ever seaweed brain dropped! i liked the way they did it, it felt natural

actually back to the "i've never seen a movie" thing. you're telling me that in this version of the story, in which frederick chase was apparently a great dad who treated annabeth like a gift, he never took her to the movies? or she never watched one on tv? she had a whole seven years of life in the real world before going to camp and she's never seen a movie

annabeth isn't allowed to have fears she's too smart for that apparently

i think the scene with the chair was overall well executed with some great lines and fantastic acting but... idk. they really scrapped the original scene just to do what they already did last episode. i miss the spiders i miss hephaestus tv. it felt redundant to have percy sacrifice himself again. percy this is the second time today you've been like "no dw i'll just die" do you need to talk to someone

annabeth disillusionment arc complete already? calm down guys this is season one

ZOO TRUCK ZOO TRUCK ZOO TR

so it's confirmed the reason they go into the lotus casino is BECAUSE hermes is there :/ they said these literal children cannot fall for tricks and traps it's too unrealistic

not much to say about the grover and ares scenes bc i don't know what to make of them. i didn't mind them. ares had some funny lines. i guess my only complaint is that the grover i know would not have been so calm talking to the god of war. i'm curious to see where that cliffhanger leads

is it just me or did the pacing improve a little bit this episode?

despite how negative i sound i enjoyed episode 5 a lot more than episode 4. there are still so many weird changes, additions, and omissions though. honestly i think a big part of the reason i enjoyed this one is because i'm not expecting anything anymore. i'm not getting my hopes up about them adapting the book normally i'm just intrigued by this thing like a scientist observing an experiment. like hmm what are they doing now? fascinating *takes notes*

#sorry this is so long lol #pjo #percy jackson #pjo series #pjo tv show #percy jackon and the olympians #pjo tv spoilers #pjo spoilers #percy jackson show #pjo tv crit #pjo adaptation #pjo tv series #pjo show

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rescue-ram · 7 months

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Why The Joker Is Wild Hits Different

I was thinking about this last month when I wrote 'The Time Has Come For Us To Say Sayonara', and I'm feeling motivated to write up my thoughts tonight. I'm going to list my reasons why this episode in particular rubs people the wrong way roughly in order of importance.

1) Timing This is the most obvious reason but it bears mentioning. Because yeah, the episode where Hawkeye's friends team up to drive him crazy in the same season that ends with Hawkeye having a serious Mental Health Crisis definitely changes the impression this episode leaves, especially in rewatches. I've seen theories that it was intentional foreshadowing, as well as that it was meant to be a lighthearted throwback episode that's just squiffy in execution; both seem plausible. But regardless, I think the timing increases negative feelings towards this episode among people for whom it doesn't land.

2) The Pranks Are Lame This might seem petty or subjective, but the more I thought about it the more important it seemed. Because MASH has a lot of pranks, and the ones people remember and like the most are the most outrageous ones- there are a lot of creative set ups, and some opportunities for great prop or physical comedy. But the pranks in TJIW all happen off screen, for punchline reasons, and with the possible exception of Klinger blowing himself up are all very tame and unremarkable. The "victims" reactions are not particularly hilarious either. This means there's little entertainment value in the pranks themselves, so all of the focus stays on Hawkeye's reactions, and his reactions are "increasingly irrational intense distress" which obviously some people will find very difficult or upsetting to watch.

3) No Back And Forth Other "prank war" episodes are just that- a war. There's retaliation and escalation and often a final twist to the conflict that keeps the action moving. Hawkeye never gets to retaliate or take the upper hand until the very very end of the episode- he's not even really fighting for it. He's consistently put in a reactive and vulnerable position throughout the episode, so it feels targeted in a way that's usually reserved for characters we're meant to dislike and not empathize with- but Hawkeye is our charismatic protagonist, we're constantly invited to empathize with him! So seeing him get picked on and not fight back kind of sucks for a lot of people, especially if, in putting yourself in his shoes, you would find this an insanely upsetting scenario to find yourself in.

4) No A-Plot Other "prank war" episodes are usually paired with a much more serious dramatic story line. Even "April Fools", one of the silliest, has the characters seriously thinking they're all about to be court-martialed. "An Eye for a Tooth" has Mulcahy fighting for a promotion, "Bottoms Up" has Margaret reckoning with her friend's alcoholism- even "The Smell of Music", which has one of the meanest things they do to Charles, has an A-Plot where Potter tries to help a suicidal soldier. The pranks are a welcome break in tension, and the more serious subject matter means they don't get as closely analyzed by the audience- they are straight up comedic relief. But in TJIW, there is no other plot- our focus stays, relentlessly, on Hawkeye losing it. There's no break from the tension, and as already established the weak pranks mean they don't provide that release in themselves. It is very easy to get stuck stewing in Hawkeye's distress.

5) Bad Casus Belli I really think, if Hawkeye had been the one to issue the bet- "Yeah, I said your prank was stupid and I'll say it again, Trap and I coulda pranked all of you in 24 hours or less and you'd've never seen it coming"- that A LOT of this episode's problems would decrease. His come-uppance would at least feel earned- Hawkeye has hubris, gets punished, punchline. But that isn't what happens!! BJ is exhausted and in a bad mood. He takes it out on Hawkeye in a petty destructive prank. Hawkeye is annoyed, and BJ gets mad at him for being annoyed, and then cold bloodedly manipulates him into a bet he fully intends to cheat, in order to punish him for... not finding having his boot ruined funny? For talking about Trapper? There's no explanation given for why the other characters go along with it, especially a character like Mulcahy who not only participates, but is gleeful about it to an extent that's kinda OOC. Hawkeye's punishment feels more like the sort of thing dealt out to Frank, who we expected to deserve it because he was so consistently awful. Why does Hawkeye, our loveable hardworking part-time prankster full-time doctor, deserve to get humiliated? It's charitable to say it's a lack of inciting incident causing problems- to be uncharitable, we'd have to say the inciting incident is BJ taking out his temper on Hawkeye in an honestly pretty cruel way. I say cruel especially given his reaction to seeing Hawkeye lose it in the ward was to make it worse by deliberately feeding Hawkeye's paranoia after Klinger's prank. If you are not a fan which finds BJ's fits of "evil genius" funny in themselves then yeah, the unearned targeting feels infuriating.

#mash

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thatgirl4815 · 7 months

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OF Favorites Rankings

I did this once before the series aired, but I thought it’d be fun to rank the core characters in OF in the middle of the series’ run and once more at the end.

I’m gonna tag some of my active OF moots here (and some new OF friends as well!) if any of you want to play too—no pressure at all! And of course, even if you aren’t tagged, please feel free to play along! I’m super curious to see how opinions have changed from the beginning to the middle to the end. :)

@abstractelysium @nihilisticcondensedmilk @just-gm @firstkanaphans @prapaiwife @dreamedofyou @sandrayy @fanfictionroxs @khaopybara @tiedankelstotheocean @thegalwhorants @autisticbokutoenthusiast @itsmelb @way-too-indecisive @k-white @waitmyturtles

1. Sand

Of course it was going to be Sand in first place (get it…First place?)

He might be morally dubious in Ep6, but if anything, that makes him more endearing to me (don't ask me how). If they all play dirty, he can play dirty too. Plus, he's just got the vibe. The t-shirts, the jackets, the boots, the independence. The superior music taste? Mans has it all except for money. Though tbh, the moment that solidified Sand as my favorite was when he ran after Ray at the end of Ep6--he was just dealt a personal attack by Ray in front of everyone, but he doesn't even hesitate to go after him. And that is the marker of a ✨ favorite character ✨

2. Ray

Naturally, both Sand and Ray have taken the top spots (pun intended), and it's because I have a special place in my heart for "woobified" characters (did I use that right @waitmyturtles? 😂)...and Khaotung executes his layers so beautifully. Ray did go in for a nonconsensual kiss (which he later apologized for, but I digress) and he did hash out some pretty brutal insults last episode. Irrespective of his feelings for Sand, it's indisputable that he has used him in some aspect to distract himself from Mew. So for all that, Ray is also morally dubious--but I'll use the term realistic instead.

I just want to give him a hug and tell him that he matters. Because clearly that is something he's heard only a few times in his life. And maybe if he heard it more often, we could avoid situations like the one at the end of Ep6.

3. Nick

I’m having a bit of an inner battle with myself over this one because Nick came out of the gate with some very immoral behavior, and yet I’m still putting him above Mew, because something about him is just so…pitiful. Admittedly, I've been growing more and more frustrated with him as the series goes on and he still fights for Boston's affection when Boston has proven time and time again that he just doesn't care. Boston keeps him on a rope, and in some ways I sympathize with Nick's struggles, because it isn't easy to turn the feelings off once they've already been cemented. But alas. He's digging himself further and further into this hole.

4. Mew

A lot of my gripes with Mew have been in respect to his treatment of Ray, but I go back and forth because I do understand the mental toll it must take on him. Regardless of whether or not he's responsible for helping Ray through his mental issues, as his closest friend, I think it should've been him running after Ray at the end of Ep6. Yeah, Ray said some shitty things about everybody, but Ray has only ever wanted what is best for Mew. And Mew was going to watch him run off and potentially get himself killed, even after Ray admitted what Top had done. Something about that just doesn't sit right with me.

Despite all of this, Mew does appear to be the most level-headed of the group (alongside Sand, though that was put to the test last ep). And the moment he played TopBoston’s sex audio right in Top’s ear? Phenomenal. He nailed that execution. I will laugh when he's on his revenge kick next week.

5. Cheum

Cheum is this low firstly because she doesn't get a lot of screen time, and secondly because she's made some comments that are a little questionable too. I can't remember who said it, but someone pointed out just how often she references how lucky Mew is to be with Top--which is a little strange, looking at him like he's some big prize. Also, not to bring everything back to Ray but...she contributes to the "burden" discussion quite a few times.

I do really enjoy the small snippets we've gotten of her with April. I like that they finally gave their relationship a little bit more context in Ep6. They do seem to have some pretty solid communication (at least compared to the others) so I'm pleased with that.

6. Top

I know a lot of people have felt sorry for Top. And I understand that completely. I struggle to given that he not only cheated but lied about the cheating--and likely would never have admitted to it. For Mew, someone who values communication and honesty so strongly, it's like a punch to the face. I hope Top gets what's coming to him. (Also, stealing Sand's boyfriend? Wtf dude.)

7. Boston

Not much to explain about this one--I can understand why he is some peoples' favorite for the sole reason that he is the one creating all the conflict in the first place. But he's so twisted, manipulative, and careless that I just want Mew to kick him into that pool a hundred times over. I don't expect him to rise from last place by the end, but if he does, it'll be a miracle.

#only friends #only friends the series #ofts #only friends favorites game #sandray #raysand #topmew #bostonnick #only friends episode 6 #firstkhaotung #forcebook #neomark #only friends series

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the-cat-and-the-birdie · 10 months

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idk about u but i nEEEEEED to know more about hobie & miguel's relationship. cus like. it's clear that hobie REALLY distrusts the society, right? from the second miles and him start interacting he's trying to push miles out from it, right? AND YET HE'S STILL THERE !!!!! and you could argue that that's because of gwen, right, and i'm sure that plays a part, BUT !!! him and miguel are STILL ON GOOD TERMS. they BANTER !! he, in some part, likes miguel, despite distrusting the society he leads. WHY !!!!! WHAT HAPPENED BETWEEN THEM i gotta know.

I KNOWWWW!! It's such an interesting dynamic!!! And I have a little story in my head of maybe why

Also this is SO LONG sorry

Hobie and Miguel's (working) Relationship -

[a breakdown of my interpretation of Hobie's experience and ranking within the Society]

First for context let it be known that according to the wiki, there are only 280 members of the Society - 90 of which are named so far. 280 out of millions of universes is a SMALL number - Gwen wasn't lying when she said it's a small team, technically that's the truth.

So that could be why the society is so varied - Miguel genuinely only picks Spiderpeople he considers to be either trustworthy, unique, talented, or all three.

He had to have specifically picked Hobie and said 'okay we have to recruit him' KNOWING who Hobie was. So already from the get-go I'm assuming Miguel knew what he was getting into with Hobie but he did it anyway!!!!

Which - is completely understandable. Objectively speaking on-screen we've already seen Hobie display:

Loyalty, Forethought, Technological Ability, Stealth ability, Planning, and Emotional Preparation (of Miles) and Communication.

[Like, his emotional swaying of Miles throughout the movie is..really impressive. I could write a whole thing on that. All I'll say rn: He could have broken Miles out himself, but he didn't. He let Miles free himself. He did that for a reason and that detail shows a lot about his fight against oppression and views.]

I mean - If Hobie is sent on a team mission with people who like him, he is very good at managing team dynamics, encouraging others, mentoring/teaching teammates, and leading others along plans, without being a 'leader'.

(And need I remind you - Hobie also broke a barrier 3 other spider-people couldn't take down, even with their collective strength.)

That implies Hobie is really valuable and really worth the stress to Miguel. Even moreso, knowing about Hobie's beliefs and doubts. Miguel probably knew he was a risk, but saw his work as too good to pass up.

So that means - Hobie had to prove his worth to Miguel at one point!

Which is really interesting, considering the show I've been watching lately (bear with me - pun intended)

So I've been watching The Bear on FX - and there was a scene in the last episode I saw that I think sets a good example:

Long story short - A new trainee chef named Sydney becomes the leader of the kitchen line, and an old time employee, Tina isn't happy about this and tells Sydney to fuck off. Tina's been there decades, and Sydney is now her boss. So the whole episode Tina is cold to Sydney, but she ends up taking on too much work, stressed with Sydney and her new work procedures that seem 'uptight'. But a sauce gets fucked over, and when Tina comes back from putting it in the trash, she sees Sydney has already started the sauce again for her, knowing this would happen when Tina didn't work with Sydney's work flow. And even worse, when Tina puts the sauce in the mash potatoes and tries it, she's like 'Fuck. This is good. This kid is good.' Not only did Sydney think ahead, but she also backed it up by improving the outcome, not just fixing it. And in that moment Tina has to check herself and accept that Sydney is on her shit, even if she's young and a bit abrasive at times.

Do you see what I'm getting at here????!!!

Hobie is Sydney here! The forward thinker!

I could absolutely imagine a situation where everything is going to shit, the society has exhausted all options - even Lyla has no clue what to do. And Miguel opens the floor up to anything, any solution someone can come up with.

And finally Hobie is the only one like 'You have to do X,Y,Z'.

Miguel may ignore him at first, or tell him he can't do Hobie's plan for whatever reason. But in the back of his mind he knows 'shit, that plan is airtight and it's all we've got'. And in the end it just works.

Super realistic to think that maybe the society had an issue or bug at one point with the watches, one tech was trying to fix for weeks. Only for Miguel to find out that not only did Hobie find a solution, but he'd fixed the problem weeks before it'd been on Lyla's radar.

Why? Because he deconstructed the watch the moment he got it. Why didn't he tell them he fixed it? Because Miguel didn't ask.

And it's not because Hobie is smarter than any other Spider-person, they're all smart as hell, it's just he thinks different. Especially in a way Miguel needs.

Maybe sometimes he plans against Miguel, which sucks, but when he's planning FOR Miguel, it's such a valuable asset to the society.

And Hobie doesn't even need thanks because he's fine knowing Miguel knows he's simply that good.

And I think it's pretty known in the Society too.

Interesting side thing: In the scene where Miles gets trapped. The people standing within the circle - Miguel, Jess, Hobie, Gwen, and Peter B. Gwen and Peter B. are there because they know Miles. Miguel and Jess are there because they're the Society administration. Hobie - in contrast, has only met Miles maybe an hour or two before. Why is Hobie there, and why no one is like 'why tf is he in the circle?' - My guess is that no one questions Hobie being there the same reason they don't question Jess being there. They see them both as high ranking, seasoned members, members who are use to putting in input to some degree, unlike say Ben Reilly who is kinda just there as administrative muscle. I think that says a lot about how valuable Hobie is seen - not just by Miguel - both in the field and in the societies ranking.

After a while Miguel probably realized that he needs Hobie and his thinking. He needs someone different. That's why he chooses people like Pavi or Jess, or seemingly random additions like Lego-Spider-man.

Cause they're unique and offer something that the Society could use and out of all the Spider-people out there, Hobie is inarguably one of the most unique - hands down.

I love that at the very least there seems to be a sort of respect there. Miguel isn't all rage. He's a planner too, he manages a whole multiverse and society. He's dedicated to keeping order, and he can see that Hobie is just as dedicated to keeping disorder.

Miguel knows that Hobie may not always do what he wants, but whatever Hobie does do - goddamn he does it fucking well

#AYOOOO new overanalyzation of five minute scenes just dropped #Hobie Brown #miguel o'hara #Spiderman 2099 #Spiderman #atsv #spider punk #spiderpunk #atsv analysis #marvel

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