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fryingpan1234567 · 10 months

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some CHB headcanons

every cabin has LEDs around the inside, but there’s a constant battle over what color they are

Percy has his rippling back and forth from teal to blue and it looks like light dancing through water all over his walls and floor

the Apollo cabin can usually settle for orange and yellow as a common ground

the Aphrodite kids have a different color for each time of day and sleep with pink on the lowest brightness setting

the Hermes cabin has like ten different strips and they’re all constantly shifting

Demeter cabin’s shifts with the seasons

ANYWAYS MOVING AWAY FROM THE LEDS

they have movie nights, which I will talk about in a different post

before everybody goes back to school, the Aphrodite and Hecate cabins have a massive salon at the end of the summer with new haircuts and magic hair dye and outfit recommendations and fake but enchanted sturdy nails and a whole bunch of other stuff and basically it’s a week straight of spilling hot tea between everyone in camp

if someone asks where a camper got their hair done when they get back to school they just go “oh, um… summer camp.” and their friends will snort and be like bro isn’t summer camp the opposite of a makeover?? but they get no argument, just a shrug and a half smile

when I tell you pride month over there is a fucking riot

because Mr. D is in on it, right?? because he’s the god of gender?? and Chiron is aroace and has been raising dumbass gay heroes for literal centuries?? PLUS the sheer fucking amount of queer peeps up in there?? dude yeah

cabins competing for who shows the most pride

Demeter’s roof is covered in rainbow flowers

Hecate’s is enchanted to emit actual light in whatever flag colors of whoever uses the front door, even when they’re straight (it’s just a rainbow)

Percy collects a bunch of shed scales from the hippocampi at the bottom of the lake and then puts them all over his cabin

I could make a whole post about CHB pride but

every single Apollo kid is also a theater kid fight me

Rachel Elizabeth Dare painted a skateboard for Percy’s birthday and he brings it everywhere now, it even sits in his backpack at school

Leo, Annabeth, Percy, and Piper fucking love horror movies. Frank, Hazel, and Jason fucking hate them. They watch through their fingers, if at all

Piper loves the band Surfaces with all her heart, but she also is a die hard Green Day and P!ATD fan

Jake Mason is covered in burn scars up to his neck, just like Deadpool, just not bald lol

Hephaestus and Apollo kids faintly radiate warmth (like more so than a normal person)

the Stolls sometimes stay at camp year-round because their mom is off on international missions that are too high-risk for them to help with

the seven are AVID Smash Bros players

really everyone but

not as many people go to the Athena campers for help with homework as you might think, but whenever anyone does, they’re happy to help

the sun chariot blasts music at a frequency only the Apollo kids can hear, so their life kind of has a shitty soundtrack that consists of a mix of Broadway, Queen, modern stuff, and random bits of Beethoven every now and then

the Romans swear on few occasions

the Greeks know when to swear and when to be polite

the Valhalla peeps swear unbridled and all the time

the Egyptians never swear (in English)

for the longest time, Will Solace thinks the only gift from his dad is his healing prowess— which is obviously great, but he expresses being upset over the fact that he’s not very good at archery

well, considering this is the dumbass who didn’t bring a weapon to actual fucking Tartarus, Nico drags him to the weapon shack thing immediately afterwards and made him pick something out

he's immediately drawn to the Celestial Bronze shotgun.

Nico’s just like “what in the redneck shit did you just pick up” and Will jokingly aims it at his chest and grins and says “you know I’m from Texas, right?”

that’s how they find out Will is one of the damn best marksmen in Greek demigod history

some of the Disney nerds in the Apollo cabin sing What Once Was Mine to the little ones who need bandaids for knee scrapes and give them lollipops afterwards

Percy Jackson absolutely used to make poverty and struggle meal jokes all the time, but he got weird and concerned looks for it at CHB, so he kind of just stopped. But one day, aboard the Argo II, the PERFECT opportunity came up and he just HAD TO and as per usual— everyone else looked at him like he’s crazy— but Leo laughed so hard chocolate milk came out of his nose and that’s the story of how the two of them became Best Friends

#anyways idk what came over me #riordanverse #percy jackson #leo valdez #jason grace #Annabeth Chase #hazel levesque #frank zhang #piper mclean #Will Solace #nico di angelo #solangelo #valgrace #Jake Mason #connor stoll

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xiaq · 1 year

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Part 1 Here

Prompts combined for Pt. 2 are : Outsider POV, Steve Harrington is an idiot (affectionate), Wayne Finds Out, and Everyone is Queer Because I Said So.

Wayne Munson knows he’s not the best parental figure. He never liked kids. Never wanted kids. And he nearly said no when the social worker called asking if he wanted to take guardianship of his thirteen-year-old nephew. Because surely there was someone better suited. Except then the social worker told him why Eddie had been removed from his father’s care. About the magazines Eddie’s father had found in Eddie’s backpack that preceded him kicking Eddie out. About the fights Eddie had been getting into at school. About the song lyrics his temporary foster had found in his journal. And suddenly Wayne wasn’t so sure there was a better option. He knew there had to be people more equipped to raise a traumatized queer teenager, but there was no guarantee Eddie would end up with one of them. The opposite was far more likely. Wayne knew firsthand that much of the world was unkind to people like them.

In the years that follow, they don’t talk about it. He figured once he’d won the kid’s trust, Eddie would bring it up in his own time. Or maybe Eddie would ask why Wayne spends a weekend in Indy once a month or maybe ask who he’s spending the weekends with. But somehow those conversations never happen and Wayne doesn’t force them.

It’s not until he finds Steve Fucking Harrington keeping vigil at Eddie’s hospital bedside that he thinks maybe he should have pushed the issue sooner.

Because Harrington looks like he’s been through a war. He’s covered in blood and grime; only his arms, washed to his elbows where he’s holding Eddie’s hand, are clean. He’s looking at Eddie with naked emotion. And, perhaps most damning, he’s wearing Eddie’s battle jacket.

When Wayne enters the room, Harrington startles and says, “Hi. I’m Steve Harrington,” like Wayne and everyone else in Hawkins weren’t already aware of that.

“I know who you are. I know who your father is, too.”

“I’d uh, prefer you didn’t hold that against me.”

Wayne makes no promises. “How do you know Eddie?”

“We’re…friends,” Steve says. There’s a continent of things unsaid behind the word.

“And how are you in his room past visiting hours?”

“I bribed the nurse," he admits. “I didn’t want him to be alone.”

“Well. On that, we’re agreed. But I’m here now. And no offense, kid, but you look like you should be in one of these beds yourself.”

“Yeah. I told them once you got here I’d let them stitch me up. It’s not anything life-threatening.” He says this with the resigned intonation of someone who is familiar with the difference.

What the fuck has Eddie gotten himself involved in?

Harrington stands. It’s a slow, painful, movement, and he only lets go of Eddie’s hand at the last possible second. “Can I—I’d like to come back. After. If you don’t mind.”

Wayne considers him. He considers Eddie’s blood-smeared vest on the kid’s shoulders. He realizes, belatedly, that Eddie’s guitar pick necklace is hanging around Harrington’s bruised throat, the rings usually crammed onto Eddie’s fingers lined up on either side of the pick.

“Sure,” he says. “Be nice to have some company. And you can tell me what the hell happened.”

Harington sighs. “Not sure how much I’m allowed to tell. Or how much you’ll believe. But I can try.”

Wayne takes his place holding Eddie’s hand.

He tries to ignore the fact that Harrington stands in the doorway for more than a minute, just looking, before finally slipping into the hall.

He’s back a few hours later, clearly showered, wrapped in gauze, and wearing the preppiest goddamn outfit. Honestly, Wayne can’t fathom how Eddie and Harrington have anything in common. He’s also still wearing the necklace, though. And when he pulls up a chair to sit on the opposite side of Eddie’s bed, he removes the necklace and carefully, downright tenderly, returns the rings to Eddie’s fingers. Wayne notices, almost despite himself, that Harrington isn’t just guessing at the placement, either. He knows. So either he’s intimately familiar with Eddie’s fingers––something that, as impossible as it sounds, is starting to seem more and more likely––or he’s particularly observant. And that kind of observance speaks to its own sort of devotion.

Wayne isn’t excited about either of these options.

He’s trying to figure out how to ask if Steve Fucking Harrington is Eddie’s boyfriend without scaring him away when Eddie shifts, which has Wayne and Steve both jumping to their feet.

“Wayne?” he murmurs. And Wayne isn’t one for emotional displays but he finds himself participating in one for the next few minutes nonetheless.

Once he gets ahold of himself, Eddie’s head turns, slow with painkillers, to see Harrington.

“Stevie,” he says, grinning. “Hey. I’m not dead.”

“Despite your best efforts,” Steve chokes out. His hands are fisted under his armpits and he looks about five seconds away from crying. Not that Wayne can judge since he’s more than five seconds into crying.

“What did I tell you, what did you promise?” Harrington snarls.

Eddie’s grin dims. “Not to be a hero. But Dustin––shit. Dustin. Is he...”

“Fine. Sprained ankle. Pissed as hell at you. Everyone else is fine too. Max is down the hall. She has some broken bones but she’ll be alright.”

“Sorry,” Eddie murmurs. “How did I—“

“We went back for you.”

“We?”

“I,” Harrington grits out. “I went back for you. Thought you were dead. Carried you back anyway. Didn’t realize you were still breathing until we got you in the car. Drove like hell to the hospital.”

And that’s. Well, shit. Apparently, Wayne is going to need to temper his distrust of this particular Harrington. Because it sounds like he saved Eddie’s goddamn life.

“He also refused treatment and waited with you until I got here,” Wayne feels he has to add. “Despite the fact he was bleeding everywhere.”

Eddie glances between them, eyes huge. “Shit. I’m sorry. Hey, no, don’t––”

Steve is crying now, not even trying to hide it, and Eddie holds out a hand, wincing. “Come here, man, I’m fine. Or I’ll probably be fine, right?”

“So says the doctor,” Wayne agrees.

Steve doesn’t need a second invitation.

He all but collapses, carefully, into Eddie’s outstretched arms, and Eddie’s hands bunch into the fabric of Steve’s sweatshirt and he crams his face into Steve’s neck and they’re so––their obvious, desperate, affection for each other is so unapologetic that Wayne has to look away.

It’s not until later, when they’ve hashed out the basics of the insane upside-down phenomenon, that they finally convince Steve to go home and sleep.

He waits ten seconds after the door has closed to exhale, pressing his palms into his eyes.

“Jesus, kid. I knew you had expensive taste with cigarettes and guitars but this? He’s the closest thing to royalty this town has.”

Eddie lets out a hysterical little warble of a laugh. “No. No, no. That’s not—we’re not.”

“What the hell are you then?”

“Friends. Bonded through extreme trauma.”

“But you’d like to be more than friends.”

Eddie looks at him askance “I’ll take what I can get and I won’t ask for more,” he says quietly.

Unfortunately, Wayne is well familiar with that kind of love. He just can’t get Steve’s expression out of his head. The gentle way he’d replaced Eddie’s rings. He doesn’t think Eddie’s interest is as one-sided as Eddie does. But he doesn’t want to meddle. He’s certain they’ll figure themselves out.

Two months later, Wayne is starting to think they’re both idiots. Because half the time when he gets home from his evening bar shift––a new job after the plant disappeared into the fiery abyss––Steve’s BMW is parked down the street and when he cracks Eddie’s bedroom door he finds them cuddled up, asleep. Sometimes he’ll go to rent a movie and Steve will be wearing a shirt that Wayne knows is Eddie’s and half the time when he wakes Eddie up in the mornings he’s wearing a pastel sweater monogrammed with initials that don’t belong to Eddie. He’d think they’re together and keeping it quiet if not for the fact that Eddie is driving him absolutely insane with pining. He’s written three songs about longing and heartbreak in the last two weeks and if Wayne has to listen to one more wailing ballad he’s going to lose his goddamn mind.

He’s walking back from the bar after closing, only a mile from the new fancy trailer the government had installed for them when he passes Harrington’s conspicuous vehicle a few houses down. He sighs. The boy really has no sense of subtly.

He’s expecting to find them, as usual, asleep in a tangle of limbs, except when he reaches the porch stairs, he can hear the boys talking.

He pauses with his hand on the railing.

“What are you doing,” Eddie murmurs, voice just carrying from the open living room window.

“Well. I’d like to kiss you, if you’d let me.”

About damn time, Wayne thinks.

“Steve, wait,” Eddie says. And it’s so quiet, so uncertain, that Wayne is tempted to open the door right then if only to prevent Ed from sounding so broken.

“I can’t be a practice run for you,” Eddie says, “Please. I can’t. I wouldn’t survive that.”

“A––what the fuck, Eddie.”

“It’s just, I know this is new to you and I’m, obviously, all about exploration and, um, finding yourself. Congratulations. Yay. But I can’t be an experiment. Not with you. I can’t.”

“You’re not an experiment,” Harrington says, voice a little louder than Wayne would prefer, given the circumstances. The trailer park isn’t exactly spacious. “I’m pretty sure I’m in love with you. I want to kiss you because I’m in love with you, how could you think—besides. This isn’t that new. I’ve kissed other guys.”

“You’ve what? Who? When?”

“Just. You know. Friends messing around. I didn’t know that made me bisexual until I talked about it with Robin but apparently, I’ve been kinda gay this whole time.”

“I’m sorry. You thought making out with your basketball buddies was…a standard heterosexual pastime?”

“Well, when you say it like that.”

“What other way is there to say it?”

“Okay,” Steve says, “I already had this conversation with Robin this morning. I don’t need to rehash it again. So I’m a little bit of an idiot. Memo received.”

“Jesus, Harrington. You just found out bisexuality was a thing this morning and now you’re here, what, asking me to be your boyfriend?”

“I mean, yeah. Ideally.”

“You don’t do anything by halves, do you.” Eddie sounds disgustingly fond.

“Eddie. I just said I love you.”

“You did,” Eddie says, high and cracked. “You did say that.”

“So if we could refocus.”

“Right.”

“I don’t expect you to say it back, but––”

“God, you really are an idiot. Of course I fucking love you.”

“Yeah?”

“Yeah.”

And then that’s––well, that’s probably his nephew getting his first kiss from Steve Fucking Harrington.

Wayne decides to give them to a count of thirty before interrupting, but just as he’s about to stomp his way up the stairs, Eddie says, “Sorry, sorry, I’ve never done this before.”

“Hey, no. It’s ok. Neither have I, really. But you’re crazy if you think I’m going to fuck you right now,” Steve says.

“I meant kissing. Hold on, does that mean you would be willing to fuck me later?”

Wayne winces. There are things he does not need to hear come out of his nephew’s mouth.

“Wait,” Steve interrupts, “You’ve never been kissed before? How is that possible?”

“Who would have kissed me?” Eddie hisses, “ I’m the town pariah. And until I met Robin I didn’t know any other queer people existed in Hawkins. Though apparently, I should have just joined the basketball team since you’re having orgies or whatever.”

“The first two were on the swim team,” Steve says.

“First two. How many were there?”

Steve ignores him. “And that wasn’t––you’re so hot, though. And your band has played in bigger cities. Haven’t you ever gone up to Indy to any of the bars there?”

“I need you to understand,” Eddie says, “that I am 90% bravado and 100% anxiety.”

“That’s not how percentages work.”

“Steve.”

“Sorry. Okay. Well, if this is your first kiss then I better make it good, huh?”

“Yes. That is absolutely the burden placed upon your capable shoulders should you choose to––oh.”

Eddie stops talking and doesn’t start again, though he does make a breathy little noise that Wayne takes as his cue.

He stomps up the stairs as loudly as possible, fumbling longer than necessary with the door handle, and pushes his way inside.

The boys are both shirtless, clearly in the process of shoving themselves away from each other. Eddie’s face is pink and his lips are kiss-swollen and Harrington’s back has a set of welted scratches on it that Wayne imagines are a perfect match for Eddie’s fingers.

“Well, shit,” Wayne says. He definitely should have opened the door sooner.

“This isn’t what it looks like,” Eddie says.

“What the fuck else what it be?” Steve says, only sounding a little hysterical.

Except then the kid is pushing Eddie behind him and squaring up to Wayne with his jaw clenched and his head high, the discolored ring around his neck, still not yet healed, the scars down his belly, on display. Wayne is well-acquainted with the nuance of a man posturing versus a man who would gladly throw himself into a fight, even one he’s not certain he’d win. Steve Harrington is indisputably the latter.

Wayne can’t decide if he’s offended or endeared.

“Stand down, kid, I’m not going to hurt him.”

“I wouldn’t let you.”

“That is…extremely apparent.”

“Steve,” Eddie says. “It’s ok. He knows. Or. We’ve never really talked about it but.” He meets Wayne’s eyes. “He knows. It’s ok.”

Eddie pushes around him, stepping into Wayne’s open arms.

Steve watches distrustfully as Wayne wraps Eddie in a hug.

“You’re both safe here,” he says. Mostly to Steve, since he’s the one who needs to hear it. “And I’ll call up my boyfriend in Indy and have him vouch for me if you don’t believe me.”

Harrington’s expression is just as magnificent as Wayne hoped it would be.

“Your what?” Eddie shrieks.

Part 3 Here.

On AO3 Here.

Tempted to do one more from one of the kid's POVs when the kids find out. Thoughts?

#steddie #steddie fic #steve harrington/eddie munson #myfic #mywriting #stranger things

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direquail · 5 months

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You know the point of "protecting the children" dogwhistles, right? It's a reference to the idea that all queer people are child abusers. Super common belief among homophobes and transphobes, including (sometimes especially) gay ones.

It's also not just "a dogwhistle". When pressed to explain what exactly they want to protect children from, it's a ready-made emotional appeal to something that has broad social support. Most people, even if they don't like being around kids, are also not pro-child abuse. That's why conservatives go out of their way to invent (even if it's completely fictional) "reasons" why acceptance of gay and trans people amounts to child abuse. It helps them create an emotional connection with their target audience, and can be leveraged into logically ridiculous arguments like "well, if you don't agree with my platform, you must be pro child abuse, because I'm on the side of The Children".

"Protecting the children" is also super appealing to parents in particular, not because all parents are secretly authoritarians, but because it's super common to have a child and realize "Oh shit, I brought this person who can't defend themselves into the world and the world kind of sucks", and to feel horribly, horribly inadequate in the face of that.

I get very tired of people who mock, scorn, and ridicule people for falling for these rhetorical traps, or being snared by something that seems common-sense but disguises something ugly underneath. They are traps. That is what they're meant to be. That is why there are gay people who fall for anti-queer rhetoric, and get pulled into exclusionist or violently reactionary circles. We all have things we are vulnerable to, whether that is a history of being abused or a deep fear that we cannot protect our own children, who we brought into the world and are responsible for the protection of. And we gain nothing by mocking the latter.

I'm sure it makes some people feel great to say "well if you were really who you claim to be, you wouldn't fall for this shit", but frankly, that's a stupid-ass take. It misses entirely that these messages are carefully crafted by the people who hate us! They workshop these statements! They spend months or years trying to find the right message and when they find it they use the hell out of it, because it works. Because they are listening to the public conversations people are having online, and it doesn't take any level of basic agreement to be capable of regurgitating the party line word-for-word.

I am so sick of people who look at a deeply-embedded struggle over social and political ideals and think that this fight won't demand our whole brains and hearts and souls and yeah, we might fuck up because we care deeply and sometimes, people with bad intentions prey on that. On our grief and our fear and our rage.

And I'm frankly a lot more nervous around people who refuse to be aware of that, especially when they loudly mock the people who are willing to acknowledge their own fallibility and explore how they got ensnared in something. People are not moral machines, they are people.

#that post was pure moral purity police and it was so aggravating #the WHOLE point of that post was to shame every single person who saw it for being fallible and the net effect will not be to make us bette #it will be to make us less willing to interrogate ourselves and whether we're on the right track

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rthko · 4 months

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i'm not a gaylor, couldn't care less about that woman, but ngl that thread got me thinking. do you think it would be fair to posit that classic pop fandom presumes heterosexuality from the female stars it consumes? the figure of the diva specifically feels very straight woman centered, the only exception i can think of being maybe lady gaga. well i guess everything presumes heterosexuality from everyone, but it does feel slightly different in this case imo

I think it's a fair observation. A lot of gay men, starting in childhood, strongly identify with women in media. As kids without known queer friends or role models, who knew we didn't relate to most other boys, we often thought of ourselves as more similar to girls. I obviously can't say this is universal among gay men but it's common enough that, for example, I can talk about how badly I wanted to be Anne Hathaway with a group of like minded gays and no one will find it unusual. Others will even chime in with the women they wanted to be! And I think this sort of identification often comes down to identification with women as desiring agents (making it easier to express attraction to men) and as siblings in abjection. Like, the boys are mean to you? Us too. Let's play house at recess about it.

I make it sound very adolescent, and that's where it seems to start, but it's also because there's no guarantee it will turn into any sophisticated friendship or political affiliation with women. I think diva worship, fag/hag relations, and anything similar are morally neutral. It can speak to genuine interest and support, or it can be a patronizing charade that refuses to relate to women beyond an expected shared attraction to men. I can't say that diva worship is any one thing because it can come from a place of genuine respect for a woman's artistry and be a symbolic outlet of gender expression or a parasocial mess.

Lady Gaga is herself an interesting example because yes, she is bisexual, but that doesn't really come up in her diva treatment. But the example of Taylor Swift, as discussed in the thread you're mentioning, is also unusual. The accusation, for the unacquainted, is that gay men aren't sympathetic to "Gaylor" because they want her to be straight so they can give her the diva treatment. But, and I mean no offense by this, that's not really the reason most people like her. Everything about her public image is too personal and "relatable" for her to fit that larger-than-life mold. Clearly that works for her, clearly that has yielded results, but personally I find her most interesting when she knows she's delivering a fantasy. If this seems like a superficial way of viewing art, I would counter that treating an artist as a detached patron saint of glamour and obsessing over every detail of their personal life are two sides of the same parasocial coin.

I think the ideas that are really in conflict in the "Gaylor" vs "Hetlor" debate (and for the love of God come up with a more tasteful name for the latter) is not really whether Taylor Swift is queer or straight. I'm sure you'll agree that not being onboard with Gaylor does not mean someone has a specific investment in her heterosexuality, because most of us don't really care. The conflict is between two different ways of relating to art. Rather, it's about relating versus resonating. Even if Taylor Swift is gay, hardly anything about her life, as might be explained by her wikipedia page, is relatable. But maybe one resonates with the pressures of having to please everyone, to the dehumanization of men's "Madonna-whore" complex towards women, to heartbreak, to dancing it all away. And maybe one specifically relates from a queer perspective. Go for it! It's unfortunate that Creep by Radiohead has a bad reputation, because I and a lot of other queer people find it really resonant. I don't get crushes on straight guys like I used to, but when I did it was humiliating! It wasn't the prospect of their rejection that hurt, but the idea of being repulsive and looking in from the outside at a world you will never belong to. It speaks to a queer perspective, but I don't have to wonder if this was intentional or if Thom Yorke himself is gay to see it.

I think, memes aside, the Internet is excessively cruel to Swifties. Even with Gaylors, I feel for their need to identify with an artist they feel feel expresses an underrepresented point of view. No, James Somerton, a handful of children's cartoons does not prove that lesbians are winning the representation war. But I also want to say to them that, a perceived lack of representation aside, no one is forcing you to speculate about this woman's sexuality. If she is just as straight as she claims to be, that doesn't have to ruin your queer readings of her work. If a straight woman sang the words "you can want who you want; boys and boys and girls and girls," and it came from the heart, good for her.

This was all very characteristically meandering of me and only kind of answered your question. I agree that a lot of gay men's interest in women is stunted by the expectation that they could only bond over shared attraction to men. I think gay men owe queer women the world. I also just don't really think this applies to the Gaylor thing. She is, as far as anyone knows and as far as she herself has stated, a heterosexual woman. That said, I do agree that the lesbian diva is an under-explored archetype that I'd love to learn more about.

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piratecaptainscaptainpirates · 7 months

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So you want to write about a Jewish Ed Teach - a quick guide to writing a Jewish man of color, by a Jewish moc

Given Taika Waititi is Jewish, I am always so happy when I see fanfic authors writing about Ed being Jewish! We need more Jewish poc rep and I'm always happy to see it. That being said, I've also seen a lot of misunderstandings, so I wanted to to write up a few quick guidelines.

Disclaimer: I'm just one Jew with an opinion, and this is based on my own experiences! I'd love if other Jews, especially other Jews of color, in the fandom would like to chime in with their thoughts as well!

It is possible to be a Jewish athiest! Judaism is membership in a people, and belief in g-d is not required (and, in my community, it's even considered a very personal question!). Some of the most observant Jews I know are athiests; belief in g-d and level of Jewish observance are not directly correlated. Cannot overstate how common it is for Jews to not believe in g-d or go back and forth on the question.

On that note, there are different levels of Jewish observance. Every individual is different, but in general there's Orthodox (very strict), and then, way on the other side, there's Reform and Conservative (Conservative does not equal politically Conservative). Conservative and Reform are very similar, except the Conservative movement tends to be more observant of traditional Jewish law and uses a lot more Hebrew. If you live in an area without a lot of Jews (like where I live!), it's very common for Reform and Conservative movements to have a lot of overlap and collaborate on a lot of stuff together.

Not every Jew keeps Kosher, or keeps Kosher to the same level of strictness.

Synagogue services are not like Christian services, especially outside of holiday services. Ordinary Saturday morning services are often more like a group conversation as we try to work new meaning out of the Torah. The B'Nei Mitzvah, the big ceremony that marks a kid being old enough to participate fully in Jewish life, is more like "baby's first thesis defense" than anything else! There have literally been pauses in services I've attended before as someone ran to the temple library to check their sources.

Not all Jews speak Hebrew. Some Jews might not know any, some might be able to stumble through the more important prayers, some might be able to sight-read okay, some might only know religious words but not modern words, some might be fluent! Just about any level of proficiency is believable.

Ed's got a lot of tattoos! Tattoos are a big traditional Jewish no-no, but (again!) different movements and different Jews have their own opinions. I know a Conservative tattoo artist! It's not something that other Jews would comment on (unless they're just assholes) and it wouldn't make anyone kick him out of synagogue services (no joke, I read that in a fic once).

Hannukah is not the only (or even the most important) Jewish holiday; it's just the one most non-Jews know about. The two biggest holidays are Rosh HaShanah and Yom Kippur. I think Ed's favorite holidays would be Purim (you get to wear costumes and put on plays!) and Passover (retelling of a story along with a big meal!).

Depending on the area and the Jewish demographic, Jews of color can sometimes feel uncomfortable in our own community, especially when other Jews automatically assume we must be converts. While this is a real issue, it is not something I want to read authors who aren't themselves Jews of color write about because it is a deeply inter-Jewish issue.

Depending on the community you grow up in, religious trauma isn't as common with queer Jews as it is with queer Christians. The Reform movement has been advocating for queer Jews since the 1960s (you read that right, yes). I'm not saying there are no queer Jews who have religious trauma, I'm just saing it's a lot less common, and I have always felt immediately accepted as queer in Jewish spaces.

The inverse is not true. Queer spaces are not always accepting of Jews (or of people of color, a double whammy!).

A few stereotypes to avoid: Jews are often stereotyped as being greedy and corrupt. Jewish kids are bullied by Christian kids because "we killed Jesus," when I was ten I had another kid ask to "see my horns." Always avoid comparing Ed directly to animals, especially rodents.

If you're a non-Jew looking to write about a Jewish Ed, I recommend doing some research. MyJewishLearning is a great website that's very accessible.

Every Jew interacts with our Judaism differently, so if you're writing a Jewish Ed, please take a moment to think about what it means for him! Membership in a community? Calming traditions that remind him of home, family, and community? A point of pride - we're a resilient lot! Even just a note in his background that he's not as connected to as he might like to be?

#ofmd #our flag means death #ofmd ed teach

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girlashfur · 18 days

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Transmisogyny In The Warriors Fandom : The Mothpool Issue

hi, my name is muyang / @girlashfur and i'm a transfeminine being who enjoys the fictional series of warrior cats. i've been into this book series for as long as i can remember, ever since i was a little kid. and growing up with this fandom, i've noticed a reocurring issue among it, which i aim to do a break-down of now.

the issue is transmisogyny. for those who are unaware : transmisogyny is the unique combination and overlap of misogyny and transphobia, specifically targeting transfeminine individuals. it's a widespread issue in just about every corner of the world, even spaces for transgender and otherwise queer individuals seem to have a problem with being transmisogynistic, intentionally or not. the warriors fandom is not exempt from this; and they're not special, either, i'm yet to encounter a popular fictional fanbase that doesn't have several transmisogynists among it's members. but the warriors fandom seems to have a peculiar way of going about it.

to start, i want to clarify that there seems to be...a surprising lack of transfem warriors fans to begin with; i can name about three off the top of my head, not counting myself, compared to hundreds of cisgender, transmasc, or otherwise tme (transmisogyny exempt) fans. perhaps we're just underrepresented, i'm sure there's more of us out there, but nonetheless i'd like to make it clear i'm writing this mainly based off of what i personally have experienced and witnessed in this fandom. my word may not speak for every transfem person, and that's okay.

transmisogyny isn't always violent and obvious; it's not always slurs and misgendering and harrassment, although don't get me wrong, plenty of transmisogynists do engage in such a way. but it can also be a subtle practice, something most tme people would not pick up on. like all systems of oppression, it can also be a learned behavior, one somebody witnesses happen (typically unpunished) and assumes is okay to recreate. one of the ways this can happen is through the objectification and sexualization of transfeminity. stereotypes are a common form of this. oftentimes, transfeminine characters are portrayed as violent and agressive, masculine and gruff, or as suave and predatory womanizers, sometimes a mixture of all three.

the warriors fandom does this often. there are several characters that are commonly headcanoned as transfem by the fandom, and most are victim to being portrayed this way. a few i can think of off the top of my head are cats like russetfur, crowfeather, mapleshade, darktail, tree, and yes...mothwing. mothwing is a bit of a special case, because i believe most people only headcanon her as transfeminine so they can ship her with leafpool (the ship commonly named mothpool) and imagine the two with biological kittens, in some aus, even as the three's parents.

this is a form of objectification already, although one might not catch onto it immediately. mothwing's transness is turned into a token, a special card to be exchanged to fit the fandom's idolized version of the ship. one could argue it could be interpreted as sexualization as well; while the warriors fandom tends to stray away from outright sexual portrayals of the cats (for good and obvious reasons), mothwing being transfem is still only done for the purpose of making her a cat with a penis, so she can have kits.

mothwing isn't canonically a particularly violent or angry cat, nor does she seem to be particularly romantic (she actually doesn't have a canon mate at all, being a medicine cat). however, in fandom based portrayals of her, she's often twisted to fit these stereotypes. sometimes she's designed to be large and masculine with the excuse of it being because she's a tigerkin, or sometimes she's portrayed as being very proud and open about her love of leafpool (who is often portrayed as shy and defenseless, practically hiding behind her). i've seen several aus with transfem mothwing in them "conveniently" include things like her formerly training as a warrior, or killing another cat (such as crowfeather) "for leafpool", or even portraying her as evil, typically falling to the manipulation of her father.

mothpool as a ship isn't really the issue here. it's the fandom's doing. the two have quite a few canon interactions that could be portrayed as romantic, and sure, it's really not my buisness what people ship as long as it's legal and all...but when you get exposed to so much hidden transmisogyny tied to one ship, as a victim of transmisogyny, you grow kinda wary of the ship as a whole. the few transfeminine people i've spoken to about this issue seemed to share my feelings as well. the moment i see a mothpool shipper mention making mothwing trans, i get shivers.

another point i'd like to make clear is that it's not every mothpool shipper doing this either, even out of the ones who do make her trans, i've met a few who portrayed it well and seemed very open and concerned about my views on transfem mothwing as a transfem person. i'm also certainly not saying you should go harrass people for shipping what they want, that's not my point nor is it helpful. as i've mentioned before, there's a good chance some of the people portraying mothpool in harmful ways like this don't fully realize what they're doing, and think it's okay because it's something they've seen before. i don't want those people to think they're bad for falling into those false beliefs, as long as they change them when they realize how they're offensive.

what i'm aiming to do here is give my two cents on why i generally dislike the ship as a transfeminine being myself, and to also spread awareness to why i feel that way. if i can make some people out there rethink some transmisogynist views they had perpetuated before, then my work is done well. as i'm finishing off this little essay of mine, i hope my message was explained clearly and gently, as it should be. see you guys in the next post, muyang out.

#ashie rambles #warrior cats #warriors #waca #long post #transmisogyny #ok to rb #mothpool #<- i feel scared adding that tag but yall need to see it #anyways!! i'm hesitent to post this but idk i'm feeling impulsive i'll do it...hope yall can behave yourselves #if this gets enough traction i might disable replies just for safety

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gottagobackintime · 1 year

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I find it fascinating to witness the straight audience of any media not being able to pick up what the makers of the movie/show puts down.

It’s like when people reacted to the “You wear fine things well” scene in Our Flag Means Death with “aw, they’re such good friends” whereas the queer audience went “omg, this is happening”. We all had access to the same scene, we’d all watched the build up to that scene but the straight audience wrongly read it as friends/straight whereas the queer audience had suspected they were building up to a romance but this was the confirmation. Even the creator of the show was baffled that people were surprised that Ed and Stede fell in love. Because he thought they had made it obvious.

And as I said, we, the queer audience picked up on it. And I feel like the same thing is happening with Ted Lasso. Do I know that Ted and Trent will get together? No, I am unfortunately not a writer on Ted Lasso. But you can’t deny that there are clues pointing to it. But the straight audience barely pick up the fact that Ted and Trent like each other, be that in a platonic way or romantic way. I’ve seen several reactions to the last episode of season 2 and ONE of them included the scene where Ted reacts to Trent not being in the press room. All of them severely cut down the scene in the parking lot. One of the scenes most of us Ted/Trent truthers point to as a huge piece of evidence for it going canon. The parallel of them meeting in an empty parking lot, just like Ted and his ex-wife and Roy and Keeley. But because Ted and Trent are both men it couldn’t possibly mean anything. And Ted has an ex-wife and a kid so he can’t possibly be into men, as if there is no such thing as being bisexual. “But I’m pretty sure Trent has a family, he has a kid right?” So? He could be divorced, we also have no idea if his daughter has another dad or a mum. And the same thing applies to him, it doesn’t mean he can’t be into men (take also into account all of James Lance’s interviews, and his choice of shirt in one of them, friend of Dorothy anyone? He's the captain of this ship, we're just along for the ride tbh.)

Then we have the wonderful “I’m so not homophobic, in fact, you are homophobic because you think Ted is gay just because he likes musicals and has ‘feminine’ traits” um no… it’s the fact that he kind of acts in a way that an ally wouldn't. Yeah, he called himself an ally in that one episode. But every single person who is now out as queer who at one point considered themselves an ally because "I’m not one of them but I sure think they're neat" raise a hand 🖐️ (been there, done that. Was very into queer things before I realised I myself am one of them). What it always comes down to is "it's pandering", "it's tokenism" (having the main character on the show be queer wouldn't be fucking tokenism), "not everything has to be gay", "why can't men just be friends, there is a severe lack of male friendships on tv". And like the last one makes me go??? There are a MILLION friendships between men on TV. There are even multiple friendships between men in Ted Lasso. Beard and Ted, Ted and Higgins, Ted and Roy, the himbos and so on. Having Ted and Trent become a couple wouldn't really change anything because there are still friendships between men. They also claim that Ted is needed as the "straight without toxic masculinity" representation. As if Beard isn't right there. The man who has no problem going to an immersive show about the menstrual cycle. Has no problem with shrieking when he's surprised and so on.

I also like that if we'd get Ted and Trent together, we'd get two middle aged queer dads. Which isn't that common. It's not even super common to see people realising they're queer late in life on TV, and yet it happens every day. Because let's face it, most queer men on TV kind of look like Colin, and I don't mean that as a bad thing. And I'm looking forward to his storyline. But it's also nice seeing middle aged or old people finding themselves and being allowed to be who they are (see Ed and Stede from OFMD). Also would enjoy seeing people lose their minds when they realise they've been fooled this entire time. It'll be like Black Sails all over again.

I do not have any doubts about the fact that, had Trent or Ted been a woman and they saw Trent give up his career because of Ted's influence, they sure as hell wouldn't protest people thinking they'd become a couple. But because it's two men it's just delusional for some reason (homophobia).

What I'm saying is, it's clear that the straight audience has a hard time picking up subtext and clues that the makers are planting. Because they've never had to do that. Because they are always clearly represented. They don't have to look for minor side characters and hope that they might be queer. Because the main character is straight and most of the supporting cast too. When you've grown up with a lack of representation or with representation that is meant to be subtext, you'll learn to pick up on it. And you do look at media differently. I just wish that the straight audience could listen to us for once, without getting defensive and dancing around the fact that they are uncomfortable relating to a character that turned out to be queer.

#tedependent #ted lasso #trent crimm #there are so many times where I'm watching something and I go... hold on that is... is that a queer character... yes it must be #and then they do something small that confirms it and I'm like I fucking knew it!#I have 0 gaydar in real life but when it comes to media I tend to pick up on it #I wish that all straight people would learn about the way queer people have been represented throughout history #so that they might be able to understand why we have to look for subtext even today #hell we got ''representation'' in star wars and beauty and the beast and it was blink and you'll miss it #and they wonder why we have to make everything gay??#because we want to be represented in a show that isn't strictly about being queer #yes it's nice with a ''everyone is queer'' kind of show #but it's also nice to be seen in a mainstream show that is loved by not just a queer audience but also a straight audience #nicole watches stuff

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spacelazarwolf · 8 months

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and i know that bitch is out there like "well i don't hate all jews, just the orthodox ones" like bitch!! orthodox jews can also be queer or queer supportive! i know queer orthodox jews! my grandmother was orthodox and was absolutely wonderful when i came out to her! just because a few people are transphobic you don't have to apply it to an entire category of jews!

there is an orthodox rabbi in my city who has a trans kid!!!!! and goyim don’t seem to get that the vast majority of even the most conservative jews really do not give a fuck what gentiles are doing, even the queer ones. and it’s just SO ODD to me that all these anons JUST SO HAPPEN to live/work RIGHT NEXT TO the most JUDGY HAREDIM ON THE PLANET??????

are they looking at you weird bc they’re homophobic? or are they looking at you weird bc you have rainbow hair and cool makeup and a bunch of tattoos and piercings that most of us would think is normal bc queer ppl tend to fuck w that stuff a lot, but they are thrown off by it bc that’s not common in their community? are you assigning judgment to passing glances because you already dislike them because of what you’ve heard about their community? have any of them said anything to you? bc unless one of them is walking up to you and directly being homophobic or transphobic to you, it is simply not your business!!!

also it’s so bizarre how leftists will be like “well voting doesn’t have much impact on politics bc the system is rigged!!!!!” correct! “until it’s The Joos voting wrongly then they’re single-handedly oppressing me!!!!!!!” fucking weird!!!!!!!!!!

#ask avishai

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letters-to-lgbt-kids · 1 year

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My dear lgbt+ kids,

Something I have noticed in some fandom spaces on tumblr is the "positive gender-neutralization" of traditionally strictly gendered terms.

For example, I've seen people call men babygirl or wife - but not with the intention to point out any feminine features they may have or even mock them for those features. It is used as an earnest, gender-neutral compliment. I also see people use the terms boobs and tits to describe all kinds of chests, including those of cis men, in a positive, compliment-y way.

Is this a good or bad thing? Well, I believe this can be a very comforting, freeing and even healing experience for queer people within fandom spaces. Femininity is often seen as weakness - by defining traditionally feminine language as something positive, something filled with love, something to be used as a kind of praise for all genders, you are turning that notion on its head and that can be empowering.

But with all that being said: it's important to remember that fandom spaces do not reflect the real world.

I don’t want to go all “Please do not go around calling all the queer men in your life babygirl” here as I do not assume that younger generations lack common sense. There’s probably no need for me to remind you that calling gay or bi men babygirl easily comes across as a homophobic slur or that calling a trans man babygirl is still misgendering even if you think of it as a compliment.

The reason I do remind you of this is because it’s a good lesson in consent.

Your favorite fictional character consents to being called babygirl (or, well, more technically speaking they can not consent on account of being imaginary - but since they are imaginary, you can imagine them to consent to whatever). There’s no risk of overstepping any boundaries or hurting feelings here. But with the real people in your life, you need to ask for consent. And if they think it’s cute, empowering or funny to be called babygirl, great! Babygirl them all you want! But if they don’t feel comfortable with it, respecting that concrete boundary is much more important than some abstract concept of changing language.

With all my love,

Your Tumblr Dad

#Lgbt #lgbt+

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thefirstlioveyou · 3 months

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What's the most unhinged, outlandish thing you believe will happen in S5/with Byler?

wait this is so good

1) okay for unhinged - i mean i wouldn’t say it’d be unhinged, but i know people would flip out so i’ll say it anyway, but byler sex scene. not even explicit, st doesn’t do all that. to the extent of jancy s2 i mean.

st is very comfortable depicting sexuality and building up towards it. like, it felt right that jancy did it, there was so much burning chemistry. it needed to be more than just a kiss. i feel with byler, because it’s been held back so much, it would make sense for something more than a kiss, also since there’s already been subtextual proof of sexual attraction between the two. but even though it feels right in general, it also depends on timing. jancy worked because there was chemistry and proper timing.

i believe it’d be unhinged simply because people tend to freak out when queer sex is depicted with fictional underage characters, or even implied (i mean, just look at how people reacted to the fact the guy from HS was sexually curious in high school). it could also do with the fact people still see them as kids since we practically saw them grow up. but i mean? personally? i’ve let that go. like it’s cute to reminisce how tiny they were, but finn is 21 filming s5, and noah turns 20 this year. there’s no harm at all for them to depicit or imply a sex scene, there’s no real children at harm. if you still see them as their s1-s3 selves, that’s really just a you thing atp. people need to stop making young queers feel bad for experiencing sexual attraction/desire - coming from someone who occasionally feels guilt because of my own community.

2) i’m part of the group that does NOT believe mike will actually die - i just have yet to be convinced on that theory. however, i am part of the group that does believe mike is gonna be a target (as well as the wheelers in general). i have a specific theory that mike is going to have a near death experience, but what makes it unhinged is how he’d almost die. i theorize he will nearly get chomped in half/eaten.

my evidence?

(jaws is self explanatory)

just very interesting what those two movies have in common, and it just so happens mike is between them.

i think that’s all i have. i don’t have much absurd or unhinged predictions for s5. most of my predictions are rather universal and ‘normal.’ i hope to be surprised though. thank you for the ask! :^D

#byler #mike wheeler #will byers #asks

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cursedvibes · 2 months

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jjk having queer-coded villains seems to be an intentional choice. what are your thoughts on this

Honestly, I think the queer themes and characters we've gotten in jjk are pretty great. Yes, some of them are villains and that is a common harmful trope, but first of all it is not just the villains and second you have to look at how their queerness is portrayed and implemented into their characters.

We have characters like Kirara and Hakari and I think you can count Tengen too, who are queer(-coded) and not villains. Their queerness is pretty explicit in case of Kirara and Tengen with Kirara having clearly transitioned and being some flavour of trans and Tengen also openly stating she's lost interest in gender and is if anything a gnc woman. Queerness is also not their entire character, just one minor aspect of it that is honestly not that important. Tengen being responsible for the creation of jujutsu society and Kirara rebelling against the school and then choosing to aid the kids in the Culling Game is much more significant than their gender. Tengen corrects Yuki about being a man and then we move on, it is not actually a big deal. Yuki is more concerned with Tengen's actions than her gender.

The comment from Panda insisting that Kirara is a guy was weird, but it isn't brought up again, everyone just doesn't gender Kirara when seeing them without making a big deal about how "weird" it is for a presumed guy to have boobs like you might've expected in other pieces of media. The implication here I think is just that Panda hasn't seen Kirara in a while nor knows them very well. The comment was unnecessary in my opinion, you could've shown in a better way that Kirara transitioned, but the way it is treated afterwards makes it better. I think it especially helps that we see Hakari so accepting of Kirara, it is something normal and their relationship is loving. Kirara's gender or presumed sex is no issue at all between them and the other characters just roll with it too.

Same could be said for things like Geto and Gojo's relationship for example, the most prominent example of queer-coding in jjk as is also heavily displayed in marketing for season 2 of the anime. Obvious choice, they are by for the most popular ship and tapping into shipping sells. Their the sasunaru of jjk. I don't think you could call it queerbaiting though because contrary to sasunaru you don't have this "jk they both ended up marrying some random women like the heterosexual men they are" and there are literally no confirmed relationships in jjk anywhere except for the people who are married (and those usually don't love each other). stsg have as much ground to stand on as Kirara/Hakari or Muta/Miwa. They are milking that money cow, but with the way it is handled in canon, it doesn't bother me much ignoring their fanbase.

Another aspect we see in stsg that also applies to how we see queerness in some of the villains is that their relationship (of whatever nature that might be) is there to humanize both Gojo and Geto. There is actually some meaning to it, not just shipper bait or an insane villain being gay and that being included as another aspect of him being reproachful like you see with many Disney villains. Geto's bond with Gojo (and his family) is portrayed as the last bits of sanity left in him and also any criticism you'd leverage against that could apply to Gojo as well, a main character.

Similar with the queerness of the other villains. It is either an unimportant detail of their identity or it is actively used to humanize them. Uraume's gender is purposefully unconfirmed, nobody even makes any assumptions and that fact is about as important as their hair colour. It's just part of their identity, nothing more. It is not portrayed as predatory or used for any "trap" jokes. At least not in canon, the fandom is its own beast and I think their behaviour comes from what they are used to seeing in other media not due to anything done in jjk.

Kashimo falls into the same category of unconfirmed gender. Fans and some fantranslators assume Kashimo is a man based on what they looked like in the past, but it is actually never confirmed in the manga. Neither Hakari or anyone else ever genders Kashimo. There being no assumptions made or their possible gender or androgynous appearance discussed. People just roll with it and it isn't made to stand out in the story. I don't think you can even call Kashimo a villain, more like an antagonist similar to Higuruma was one with selfish morality. Their gender or appearance doesn't play into that at all.

With Kenjaku I guess you could see them taking over Kaori as predatory towards Jin, but it is played different than the common tropes. For one, Jin is as it seems aware of the change, just chooses to ignore it. It isn't played as a "man tricked other man into sex" or "man disguised as a woman", in fact the story goes quite out of its way to state that Kenjaku isn't (cis) male actually. Both Wasuke and Jin address Kenjaku as a women, even when they have suspicions. Kaori stays in some form with Kenjaku, she isn't just a cheap disguise and pregnancy overall is an important topic for Kenjaku both in good and bad ways. When Kenjaku says "thank you for getting along with my son" it is the first big step towards giving Kenjaku more depth than just them being a big bad mastermind. Kenjaku cares in some way for their child and doesn't just see him as a test subject. So the time in Kaori's body clearly had value to them as well beyond just getting a vessel for Sukuna. Same goes for their meeting with Takaba for example, which is the biggest example we got so far of Kenjaku being proven to care about other people and gaining depth through it. Their relationship with Tengen could count as well.

So the queer aspects we got of Kenjaku are there, but they aren't shown in canon to be something strange, quite the opposite usually. I think you see it best when you compare Kenjaku to Orochimaru, who clearly, as stated by Gege too, is a big influence for the character. Orochimaru has the body of a woman in the first part of the series, takes over the bodies of children and shows interest in Sasuke that is often seen as gay. Orochimaru is portrayed as predatory particularly towards children/boys, a persistent stereotype of gay and/or effeminate men as well as trans people. When Orochimaru reveals in the fight against Hiruzen that he inhabits the body of a woman, the characters around are disgusted and not only because this means another person's body was violated, the uncertainty of Orochimaru's gender unsettles them. You see the same thing in Boruto. Multiple characters make mean or disgusted comments about Orochimaru because they can't tell their gender and the whole "are you a man or a woman, a father or a mother" gets pushed a lot, often used as a joke. Mitsuki is being supportive and corrects people, but that doesn't stop Orochimaru's gender being brought up almost every time they feature in the series. "omg I can't tell this person's gender this is so weird and creepy" don't you have more pressing concerns like the fetuses swimming in those tanks or the human cloning?

Compared to that, Kenjaku is handled much better. There is no weird fixation on children, they have only taken over adults from what we've seen so far (due to the size of their brain and it being a real organ I think that is even a necessity) and the bodies are also mainly there for practical needs, Kenjaku isn't shown lusting after them no matter the person's gender. Choso goes from assuming Kenjaku is Yuuji's father to calling them a parent. It isn't commented on, we just assume Tengen informed him. Kenjaku being revealed to be Yuuji's mother isn't shocking because "wtf that's a man in a woman's body", it is more so about the implications of them being related. It is also used to show that Kenjaku is actually not a cis man (everyone at that time even doubting Wasuke uses she/her naturally with Kenjaku not objecting to it despite not really pretending to be Kaori) and by being his mother they have a closer personal connection to Yuuji. The fandom usually puts more harmful tropes into this moment than there actually are in the manga. I'm pretty sure Yuuji was more concerned about Kenjaku actually being related to him than Kenjaku being his mother aka exhibiting a gender he might not have expected. The "my father is your mother that's so mind-boggling and weird" is something that only exists in fandom. I don't see a reason why Choso or Yuuji would care and everyone else even less.

Takaba putting Kenjaku in a nurse outfit is also only portrayed as another fun part of their shenanigans, being neither overly sexualized nor seen as off-putting or weird. I think it was actually put there because Gege wanted to emphasize once more that having a female body doesn't unsettle Kenjaku, they see it as normal. It is part of their identity, but that itself isn't the thing being made fun of, it's a joke about sexy nurses that's detrimental to Takaba if anything.

In the same way, Kenjaku being pregnant with Tengen isn't made a big deal either beyond what it means for the Culling Game or the merger. It isn't a strange pregnant man, just another instance of pregnancy symbolism in this manga where cursed wombs are quite a common thing. And Kenjaku's whole deal is motherhood, birth and pregnancy down to the choice of their name, which is derived from an ambiguously gendered or Virgin Mary-adjacent bodhisattva. These pregnancy themes are shown as both a good thing and a bad thing depending on the context and not on principle as disgusting or bad. Kenjaku's gender fluidity has thematic relevance, but it isn't mocked or portrayed as bad by itself.

Beyond Uraume, Kenjaku and maybe Geto depending on how you look at it, I don't think there are any other queer-coded villains? Mahito was a high school girl for a juju sanpo, but that episode was more wholesome if anything and I think it was just there to show his fluidity in sex and gender. Once again not mocked or brought up as a reason for why he's evil (she isn't even that evil in that high school AU).

So yeah, I don't see a problem here, I actually wish more mangas or animes would portray queer characters this way. Make sure villains aren't the only queer characters, don't make queerness their entire character trait and treat the characters with respect.

#asks #jujutsu kaisen

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steviesbicrisis · 1 year

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A lot of things start to make sense since Eddie Munson enters his life.

It goes from the simple things: Eddie patiently explaining the mechanics of D&D so that Dustin would stop using the references against him; Eddie teaching him a few music facts and history, “did you know that Tony Iommi once blew up Richard Branson’s prize carp? Fucking Metal if you ask me”; Eddie helping him fix the drain in his new apartment “with all of your hair you never had to unclog it? You’re such a princess”.

But it’s more than that. Eddie also helps him figure out things about himself.

Like, he can be friends with someone without having that much in common, he’s that type of person who would drop everything he’s doing if someone he cared about would ask it, and also that, apparently, he has a type.

«You clearly have a thing for nerds,» Eddie tells him one day, teasingly.

«What? I definitely don’t!» Steve is outraged that he would even suggest that «I tolerate nerds because for some reason I’m surrounded by them.»

«Oh please! You just told me about your embarrassing crush on Robin, a huge nerd, smart, was in band, and knows like- ten languages. Then there’s Wheeler, also smart, also one of the biggest nerds that Hawkins has ever seen. Don’t let me even touch on the fact that you’re surrounded by baby nerds all the time» Eddie blinds him with a victorious grin «this is why all your other dates go to shit, Harrington. Trust me, date a nerd for a change.»

Steve wants to bite back and prove him wrong but, after Eddie says it, he can’t help think back to his dating history and everything makes sense.

Once again, Eddie helps him figure things out about himself.

But the biggest revelation Eddie helps him out with, comes only after.

Steve finds himself thinking more about this “nerd thing”, and his mind can’t help but go to Eddie himself. He’s a huge nerd, and he has become a big part of his life.

He finds himself noticing small things about him, like what rings he wears on which finger, how he styles his hair depending on his mood, how he smiles when the kids are close to figuring out the plot twists of his campaign, and especially how he always manages to have some sort of physical contact with him, whether by putting an arm on his shoulder, leaning closer to listen to what he’s talking about or grabbing his wrist to get his attention.

He has never been more aware of Eddie’s presence than now, it makes him jumpy but also, he notices, he waits for it, he wants any type of physical contact with him, and even a quick brush on his arm is enough to make his stomach flutter.

And Steve is not stupid. He might be a little oblivious, he might’ve been taught the wrong things -how queer people are the menace of society and how there’s nothing worse than being called “fag” for a man- but he’s been Robin’s best friend for so long that he knows better now.

And he also knows how he feels when he has a crush on someone.

The only option for him is to talk to Robin about it, both of them are surprised at how well Steve is taking it.

Well, he does cry a little bit, he tells Robin that he’s scared, he even tells her that he doesn’t want it, this new part of him that people would not accept him for. She understands, and she’s there every step of Steve’s sexual crisis until he just accepts it.

As if going through a bisexual crisis wasn’t enough, Steve finds himself going through another rite of passage for queer people: falling for a straight person.

Steve and Robin are working their shift at Family Video when a very excited Eddie Munson comes in «Harrington, give me your best romantic crap movie!»

«Eddie Munson, renting a romantic movie? Did aliens abduct you and brainwash you this morning?»

«Ah-ha, very funny! But I can’t do Star Wars on a first date, doesn’t set the right mood. You should know that better than me, lover boy.»

Steve wishes he had prepared himself more for the time Eddie would’ve talked about dating, but he didn’t and now he’s standing there at the counter, completely frozen, doing his best to not let his face fall right in front of his first boy crush. At least, the first one he’s aware of.

«Woah, really? I’m sorry for whoever the unlucky date is» Robin intercepts, and Steve could really kiss her for always knowing how to help him.

Steve can only estrange himself from the conversation, as Eddie is describing this “super hot girl” who is “way out of my league”. Robin ends up being the one helping him with the movie and Steve pretends to be busy with inventory in the back.

Robin comes to find him once Eddie is gone «I gave him the worst romantic movie I could think of.»

Steve chuckles and hugs her tight «thank you.»

Out of all the things Eddie has helped him out with, Steve wishes he would also teach him how to fall out of love with him.

[TBD: I'm fixing it I promise!! Sorry for the straight Eddie content guys lmao]

Part 2 | Part 3

#steddie #steve harrington #bi steve harrington #gay eddie munson #steve and eddie #eddie munson #stranger things #steddie headcanon #steve x eddie #platonic stobin #Steve falls first #Eddie will fall harder #sbc writes #ficlets

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why-do-i-like-the-bad-guys · 5 months

Text

A point no one ever touches on about Flint:

The fact that he was raised by his grandfather.

Now, maybe it was common back then, but from personal experience; losing your parents at such a young age makes a huge impact on a person.

People argue that “Flint” was created because of the loss of Thomas Hamilton. But I’d like to think it was when he lost his parents. The only difference being, Miranda and Thomas allowed him to come out of the shadows, out of hiding. He had that rage inside him before he lost Thomas, his boss in the Navy said so himself after he beat up a guy in the bar. He had a darkness in him that not even he understood the depths of.

I can definitely relate to that statement and mindset, I think as a kid instead of acting out on his aggression; Flint used books and stories to try and escape his reality, so he wouldn’t be alone with his own thoughts. I do the same with TV shows and stories I write.

But then he found Thomas and Miranda and he didn’t need the books to crawl into, he was accepted by them, welcomed. And as someone who was adopted themselves, it’s extremely hard and sometimes it feels impossible to believe that someone could love you as you are or for who you are. Not only that, I think he found family within them, something sometimes hard for someone who loses their parents.

Flint tried to fit in by becoming an officer, upholding the standards of the law and whatnot, to be like everyone else. But deep inside, I think he felt very out of place and alone. He saw the world as it was, the cruelty within the people, and he ended up showing that to Thomas who was quite oblivious to it. But Flint knew the world was cruel at an early age.

They come from different backgrounds, but together they get to see the world through each other’s eyes, and that is a world that they can see being happy in.

Now, I know a lot of people like to think it’s purely queer rage that drove Flint, but I like to think it was something much deeper than that. Yes, he loved Thomas, inside and out, but I think Thomas was the first person who he didn’t have to pretend with. He was the first person who made him feel as if he wasn’t alone: that he was worthy of being loved. Then he was taken away and James became Flint and took Miranda away with him out of England.

Her ghost even says that first to him, she was a mother, and that’s why he was so ruined over her. He lost his mother again. I think it just shows that his reasons are a lot deeper than just being ostracized for being queer in that time. I think his rage goes beyond that, it goes all the way to his core of who he believes he is because of the loss of his parents. He came up from nothing, his grandfather wasn’t well off, he didn’t have a mother figure, that can be extremely damaging to a child growing up.

And sure, he had his grandfather, but growing up without parents also makes it extremely hard to figure out who you are. And it doesn’t specifically say how he lost his parents, but personally I like to believe that he lost his mother in childbirth, maybe his father died before he was born. It does mention that his father was a carpenter’s mate (worked on a ship) and that James himself had no schooling growing up. Which means, he learned everything himself because his grandfather was a fisherman and probably wasn’t well educated either. So he came from literally nothing and made something of himself, yet I don’t think he was content. I think he kept climbing the ranks, hoping it would give him a sense of meaning or purpose within his life, give him the peace he wanted, fill the hole within that losing his parents left.

An additional to that would be that James McGraw was a personality he put on, much like he did with Flint.

I also think he saw Gates as a father figure, a mentor, someone he trusted and respected more than any one else. So I think when Gates betrayed him, it broke something inside of him and he felt alone again.

He also says that England took his home; and I don’t think he meant the physical place, I think he meant Thomas. But I also think he meant his final security within himself. With Thomas and Miranda he found family, he found love and trust.

When Miranda was murdered it was the absolute last straw for him. It was like his mother dying all over again; except this time she was murdered, and now no one was safe from his vengeance. And people might think he went overboard, but think about it: someone insinuated that she was a slut and he almost beat the man to death. I think it was well within his rage now he burned the entire place down after she was murdered. Hell, those people got off easy.

He also talks about where the name Flint came from. A man that was never seen again. I think he chose it because in his mind, identity was something you could change, something you could toss away when done with. But closer to the end, he realized, he was Flint, Flint was him, and there was no throwing it away and starting over.

He tells Silver that he shouldn’t be afraid that he (Silver) will be his end because I think he already realizes that he’s already his own end. That there is no other way other than to die, in order to get rid of Flint. I think he knew at some point, that Silver would have to kill him and he was oky with it, but as long as the war was won or Silver carried on with the efforts of the war, so Flint would no longer be needed. Or Flint would just off himself when the time came. It was like passing on the torch, only Silver blew it out in front of him.

And for the offing himself part, we all know he would do it because at the end of the first season he tried to drown himself, he gave up hope. So he does have it in him to do that. (Not so fun fact: adoptees are 4x more likely to attempt suicide)

And I think it’s another reason Flint allowed himself to trust Silver in the first place. On some level, he knew that Silver understood what it was to have no solid identity, to have a background that made something inside of you missing. Silver had no problems shifting his position on the ship in order to stay relevant, which is why they made such good partners, because they understood one another in a way that Gates never could. But the thing with Silver was that he couldn’t see the ultimate bigger picture like Flint could, he didn’t have the loss Flint had, the sacrifices that Flint made, all he saw in the end was the destruction, not the new beginning coming out of the ashes.

Thank you for coming to my Ted Talk.

#toby stephens #captain james flint #black sails #adopted #dead parents #john silver #hal gates #but seriously I need more people to talk about this or figure this out #Flints character #james flint

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