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liveontelevision · 2 months

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I beg of u pls more slowburn luci... I'm starved... No one writes him as well as you💔 I'll give you my kidneys 💔

THIS ONES FOR YOU BB

Did it Hurt? Lucifer x Reader

enjoy some quick fluff >:)

♡♡♡

Lucifer always had a habit of losing his temper. It wasn't often, usually when a specific document was giving him a hard time or when he would return from any meeting that took place at Heaven's Embassy. Or, with the relocation of his quarters, whenever a certain radio demon would push his buttons just a bit too much. You've seen it enough times to know when to leave him be and when to step in, but you hated to admit how familiar you became with him in this state.

It was a lot of work keeping up with the hotel after its renovation, and Lucifer did everything in his power to keep the hotel running behind the scenes, so Charlie could focus on her new residents. Being his assistant for so many years, even following him to work at the hotel, you were absolutely delighted to see him so passionate to work, obviously motivated by his rekindled relationship with his daughter. But with the whole redemption premise, it meant a lot more contact with Heaven, and that drained his battery more than anything you've seen.

You hated to compare, but it almost reminded you of his depressive episodes after Lillith disappeared. He walked the halls in a daze, putting on the brightest smile only around the other hotel staff, but you knew him too well to be fooled by his lovely grin.

Throw some drinks into the mix? You'd witness a truly gruesome sight.

It was almost evening when Lucifer realized he actually had caught up to his work and had the chance to enjoy his night. His first thought, no matter how much he'd deny it, was to find you. It was always easier to enjoy his rest and relaxation when you were around. Something about you just left that affect on him. It'd drive him crazy if he thought about it too long.

You found yourself in the newly renovated lobby, still decorated with a bar that exentuated both Lucifer's and Alastor's aesethetic. It was one of the few things they had compromised on.

Lucifer insisted you stop work for the night, but you only agreed after thoroughly skimming over his documents to see if there was anything that would keep him up too long. After finally being swayed, you give him a quick pat on his arm and wished him a good night, assuming he would take the oppurtunity to sleep through his newfound free time.

With a satisifed sigh, you slammed your empty cup on the bar's counter, shouting for another. There was a loud roar of cheers coming from everyone around you as Husk refilled your glass. You lost count after the first hour or so, your head beginning to spin before you could consider the consequences. Soft Jazz music was playing from a small radio, hidden from view, and the entire hotel staff was bustling and chatting as if it wasn't nearly midnight on an average night in Hell.

You had heard something particularly ridiculous from Angel that sent you into a laughing fit. Nearly falling from your barstool, you felt a sturdy hand brace the small of your back. Startled by the sensation, you whip your head around a little too quickly, leaving you dizzy and blinking before focusing in on Alastor keeping you upright.

"Careful, my dear! I enjoy the festivities as much as the next depraved sinner, but we can't have the king's secretary hurting themselves now, can we?" His words seemed rude, but he managed to say them with a charm that prevented you from truly questioning it. It didn't stop you from mumbling under your breath, "i'm not his secretary.. asshole deer demon - " You managed to say it quiet enough that he didn't react, but you did catch his ear twitching and turning torwards you for a second. You quickly resumed some random conversation with Charlie or Vaggie, you couldn't remember its contents if you were asked about it today, but it was better than dealing with the repercussions of insulting the radio demon.

It went back to being chummy and pleasant for a moment before you saw Charlie peering past your shoulder, an excited gasp escaping her lips.

"Dad! Come drink with us!" Charlie leaned back from her barstool, Vaggie bracing her drunken sweetheart from falling flat on her face. You quickly turn, dizzying yourself again, before seeing Lucifer making a hasty decent down the stairs. His hair was freshly quaffed, and he wore a clean white dress shirt, that smelled of a sweet cologne when he walked past you. He had that twinkle in his eyes that would appear whenever he was in Charlie's presence. You loved seeing his eyes that way. They'd shine no matter how heavy the bags under them were.

"Of course, kiddo! Your old man's got the night off if you'd believe it! Pour me a.. uh... something strong!" He puffed his chest out proudly, happy to spend some much needed time around demons in a casual setting. He propped himself against the counter between you and Charlie. When you finally caught up to his words, your eyes widened slightly, giving him a gentle tap on his shoulder. Lucifer turned to look at you, and you caught him speechless for a moment. Your cheeks were red and hot, your eyes dazed and a bit watery from laughing too hard, but still reading concerned for some reason. He's seen you in loungewear before, but you were barely put together in this state. Your hair was sprawled across your shoulders, a few strands blocking your eyes. You wore sweatpants that loosely hung from your waist, revealing your middrift that was visible from underneath your cropped t-shirt that bagged off your shoulders. After snapping back to reality, Lucifer let out a breath he hadn't realized he was holding in.

"Yes, yes, dear, here I am. Hope you've been having fun - but not too much! Fun.. Aha... what-what is it, what do you need..?" He stumbled over his words, attempting to be charming but failing miserably. A staticky chuckle responded to his words before you could get out what you wanted to say. "Poetry, your highness. True poetry~" Lucifer hated to look away from you but did so anyway to send a red eyed glare to Alastor, who sat across the bar. He scoffed before scooping his freshly poured drink into his clawed hand and taking a quick swig, slamming it back down. He coughed for a moment, hitting his chest with a balled up fist before sending Husk a teary-eyed thumbs up. "Smooth.. Another..!" He squeaked out. You resorted to taking a soft grip on his forearm after he got too distracted to hear you out before.

"Sir, be careful! We both know you can't hold your liquor.. just - be careful." You spoke in a hushed tone, far closer to his ear than you intended to be, but personal space became foggy in your drunken state. He shivered, feeling your breath against the side of his face, then quickly turned his head up to hide the red creeping across his cheeks. Clearing his throat and picking up his refilled glass, he let out a pompous laugh.

"Thanks for worrying about me, but i'm fine! I'm the king of Hell! I can handle my.. whiskey?" He turned to Husk with a confused look on his face, only to get a confirmation on his drink. He sent a charasmatic smirk in your direction after getting a thumbs up from the bartender. You couldn't help but giggle, covering your mouth to not embarrass him or yourself. He always eased your nerves like this.

What a dork.

You smiled to yourself for a moment before feeling a hand brush the hair that laid across your eyeline out of the way and tucking it away behind your ear. You looked up, fluttering your eyelashes as your eyes focused in on the figure. You turned red seeing Alastor brushing his claws across your hair to keep it away from your face. Without proper judgement, you cringed at the suddenly intimate interaction and jolted away from his clawed hands.

"Now, now, I'm only trying to help! You look an absolute mess, darling." You shrunk at Alastor's words. He still spoke charmingly, but it was clear he had a few drinks as well. You let out a nervous chuckle, running your hands through your own hair and crossing your arms over your exposed middrift.

Lucifer's seen you stick up for yourself before. You were as passionate as he was in that sense. So seeing you almost curled up into a ball at Alastor's words, that were spoken closer to your face than he'd ever want to see, made him growl. "Keep your distant, buddy, maybe you should call it night. If you know what's good for you, that is." Lucifer's confidence only grew with the alcohol finally hitting him. He laid his arm across your shoulder, slightly leaning you away from the demon that towered over the two of you. Alastor found a weakspot and knew exactly what to do with it.

The chatting went on for another hour or two. After Lucifer was calmed down by Charlie and yourself, you all managed to have a decent time until demons started heading back to their rooms one by one. Lucifer was going on a rant about some bullshit documents that Heaven sent and how he'll have to set an appointment to go to the embassy soon, while you propped your head on your hand and only half listened. It wasn't because you were disinterested, you were just coming off your high. You still weren't sober enough to warn Lucifer that he probably had one drink too many, but that was a problem for later.

"Why not send your little servant to deal with Heaven, hmm? I've seem them dealing with plenty of your problems, i'm sure another burden won't hurt, wouldn't you agree?" A wave of radio static washed over your body as you felt large hands fully encase your shoulders. Alastor's claws were cold against your skin, your shoulders exposed by the drooping of the oversized shirt you wore. When he was drunk, his little quips seemed much more personal.

You let out a sarcastic laugh, carefully pulling your torso away from his grip." Ha ha ha. I'm fine, Alastor. I can handle myself, even against Heaven. If i have to, I could totally deal with an angel!" You bragged, maybe the confidence of alcohol made you respond, maybe something else.

"How about you? Think you can handle an angel, Al?" Lucifer added to your words, his arms across his chest. Alastor's eye twitched, his clawed fingers digging into his dress shirt where he was nearly killed this past extermination. The static in the air crackled louder for a moment, before Alastor spun you around to face him. His hands were planted firmly on either side of the chair, caging you in uncomfortably.

"Oh rest assured, sweetheart, I'm fully capable. If you ever need.. protection.. on one of your little errands, do let me know, hm? Maybe you'll need a gentleman to accompany - " He slowly moved in closer to you, until your could barely hold yourself up, your breath hitching as you lost the strength to handle his exessive teasing. Lucifer ripped on of Alastor's hands away, before pulling you from your seat and holding onto your arms to brace you from the quick movement.

"Back the fuck off, bitch." Lucifer's eyes were glowing a familiar red, his teeth snarling at Alastor, who was standing with a playful glint in his eyes.

"Oh dear, did I make a mistake? Is someone a bit protective? Best not lose this one, your higness!"

Damn, that's cruel, you thought, wincing at his words.

You hadn't even confessed any feelings, not that they were clear to you. You considered being in some sort of romantic relationship with Lucifer as your still not entirely sober mind wandered from the frightening moment.

Before you could realize, you were tossed to the side, stumbling onto the carpetted floor with a light thud. Your vision returned to see a fully demonized Lucifer, gripping Alastor's collar as he yelled out some profanities, puffs of flames leaving his mouth as he spoke. You were completely shocked to see how Alastor stood there with a grin on his face. Like he was enjoying it. You quickly stood to your feet, the adrenaline coursing through your veins being more than enojgh to sober you up.

"Sir! Stop!" You reached out and grabbed Lucifer's sleeve, only to be nudged off a bit forcefully. He definitely wasn't using his full strength to keep you away. This was one of the moments you would step out, Lucifer was always impossible to calm down in this state and the alcohol surely made it worse. He lifted his flame engulfed fist, ready to drive it directly into Alastor's shit eating grin.

"Lucifer!" You finally shouted. He paused, slowly releasing Alastor's shirt and stepping away. He scoffed and didn't even snap his fingers, yet a portal appeared behind him. You could see from the outside that it led to his office.

"You're not worth the trouble anyway, fucker." A final puff of fire left his lips as he stepped through his portal that instantly vanished. It left you alone with Alastor in the lobby, the collar of his shirt and a few of his hairs lightly cinched.

"What the fuck is your problem?? Stay away from me! And him? Leave him alone! Damnit, he doesn't deserve this..!" You huffed, making your way up the stairs. Alastor stood alone, his stature still unphased. His eyes shook and he finally let out a shakey breath once you were out of view.

●○●○●

You recognized where to find him and quickly made your way up to his tower. Sure, it stung that he would just leave you after causing such a scene, but that still didn't stop you from worrying about him.

You opened the office door slowly, peaking in to see an empty office. You stepped in and scanned the area, no sign of the king of Hell. You noticed a soft flicker of light coming from the window and went towards that direction. The large windows of the office opened up, one in particular leading to a small balcony that displayed the Pride Ring as a bustling landscape of city lights.

You let out a soft breath, taking in the view before finally seeing Lucifer sitting on the railing, his hands holding him up. The flickering that led you towards him was the flame that sat at the crown of his head, his demon form still intact. You knew it took him awhile to calm down, but you rarely got the chance to see his powerful features this close. His tail was hung over the railing, swaying like how a cats' would. His wings were fully sprawled out, only moving with his breath and his horns, a vivid red at the tips, tore through his scalp, breaking up the purity of his white flesh. The flame that sat between them was much smaller than before and his eyes were still red, but you could see his yellow irises looking down at the city. His shirt had torn from the back, you assumed with how fast the situation at the bar escalated he didnt properly consider the physical damage he'd cause. In this vision of raw power, just the sight of the back of his neck and shoulder blades peaking from his torn shirt was what made your blush.

He turned his eyes towards you, then looked back to the city, adjusting his wings so you could have some space to stand near him. At least he was welcoming you in. You carefully stepped over the ledge, bracing yourself on the railing as you got a full view of the city. The wind left a much needed cool touch to your face, making you let out a soft sigh. You propped yourself up on your elbows, bending at the hips slightly.

"You know, considering how terrible the people are down there, the city really is beautiful. From a distance." You spoke softly, testing the waters; seeing if he simply needed a distraction from the outburst." Actually, it looks pretty similar to a city on Earth. Not as busy and a lot less bloodshed, but still similar. I've never been, but this is pretty close to the pictures i've seen." You described. Sometimes the mention of Earth was good for him to hear too, so you gave that a shot as well.

"They used to be white. Sometimes in the sunlight, you could even see some gold flecks in there." He finally spoke, his voice hoarse. He stretched out his wings slightly, motioning that those were what he was referring to. You twisted around to fully face his wing that had outstretched in your direction. "They were really beautiful."

"I'n sure they were, sir. Do you like flying? I saw you doing it when you were fighting Adam, you seemed really fast." You spoke softly, deciding not to argue the fact that they were still beautiful in this state. He didn't need to debate right now. "May I?" You let your hand hover just above his feathers, the wind occasionally blowing them into your touch. He nodded, even if he was exhuasted, he still seemed anxious at the idea. You carefully trailed your fingers in the direction of the feathers, now a blood red. They were still unbelievably soft and they essentailly leaned into your touch, as you traced the spine of each feather mindlessly.

Clearing his throat and letting himself calm down from the touch, he did his best to respond." I-I used to. In Eden, I would.. mm... I had to patrol and catalog Adam and - well... any progress or changes.." he stammered out his words, occasionally stopping to let out a quiet hum." I just don't see the point anymore. Plus, it's probably not the safest bet." He let his head fall back for a moment, his wings slowly but surely pulling you towards him.

"What about your tail? And.. your horns? Those only appeared after you.. erm... after you arrived in Hell, right?" You moved on to the lower wing that was closest to you. There were some loose feathers that were sticking in all sorts of direction, so you carefully wiggled those out and continued to comb through the large span of feathers, running your nails along the very top with slight pressure. "Hng.. right, yeah. Those are newer." Was the only response he managed to get out.

"The horns.. did it hurt?" You were almost scared to ask, the idea of horns sprouting through your head and breaking your skin on multiple occasions made you shiver.

You continued to groom his wings as he responded. "T-The first time, yeah. But now, not so much. Or maybe i'm just.. I'm just used to it.. Mmh!" He winced mid sentence, his wings curling in with a jolt. You felt his tail rope itself around your wrist and hold it in place. "Oookay! That was n-nice.. thank you, but- yeahh.. Ahha.. that's enough of that." He chuckled nervously, and you looked over at him after not doing so for awhile. His face was flushed red and his chest was heaving. You couldnt tell if he was hurting or.. "Oh! Sorry! I didn't mean to.. Sorry..." you weren't exactly sure what you were apolgizing for, but considering the possiblities made you turn red.

"Nono, it's fine. It was nice, I promise." He managed to compose himself, but left his tail around your arm loosly. "But, uh, yeah! Yup! Horns are new, Tails' new. The fire's definitely an interesting choice, can't get rid of that even if i tried. And trust me, I tried." He went on, leaning back on the railing and letting his wings tuck in, but still left them in view. You let your head fall to your shoulder, cocking your eyebrow. "Get rid of it? Why? Doesn't it go away on its own?"

"After awhile yeah. But here I am, in a situation where I definitely don't need to use any of this shit - I-I don't know what it's for other than intimidation, but I still can't get it to go away on command. After all this time.. The vodka probably doesn't help either." He huffed, clearly frustrated at his physical appearance. You had taken to fiddling with the tip of his tail as he spoke. You did it much more softly, and it didn't seem as sensitive, so he didn't comment on it. But he still had a red hue across his cheeks and his tail twitched every now and then at certain touches.

You let out a quiet giggle, "It was Whiskey, but yeah i'm sure that didn't help either." You clarified in a teasing sense, then fell comfortably into a silence for a moment. You could just barely hear cars honking, gunshots and music when neither of you spoke.

"Well, if it makes you feel any better, it definitely does the job. You left Alastor shaking in his boots back there." You said with a smile, turning your head to meet his eyes. They were still mostly red, but you could see them softening just at the sight of you.

"Good! He deserves it. Sweetheart, if that prick ever does anything - "

"Don't worry, he won't. You know he only picks on me to get under your skin." You walked your fingers up his arm before seeing his fist clench at the sensation.

"I-I suppose.. I- Uhm... What are you doing..?" He started to sound nervous, but didnt pull away from you. You stopped what you were doing, realizing one hand was sitting on his thigh and the other was making its way up his arm. You yelped and pulled your hands back, placing them on your cheeks just to gauge the heat immiting from your skin.

"I-I don't know! Sorry! M-maybe i'm still drunk..! Yeah, that has to be it.." you stammered, a blushing mess. The sound of his soft chuckle was quick to ease your nerves." Maybe.. it's curiousity... Do you- not to sound weird, say no if i'm wrong - but.. you can- ahh.. touch my horns, too.. if you want - " He wasn't trying to be crude, you could tell he really just wanted to calm you down. Or maybe he just wanted to be touched. You nod your head slowly, keeping your eyes locked on his.

He shifts his positioning to face you, and leans his head down a bit. Taking each of your hands into his own, which were a bit shaky , he pulls them up to meet his intimidatingly tall horns. You basically shut your eyes in anticipation, only opening them back up when you get a good feel. They were smooth, like the surface of a violin, but they felt heavy. You wondered if they felt heavy to him. You carefully menuvered your hands around the fire that was nearly the size of a matches flame at this point, sliding up to the tips. They were ridiculously sharp. It made you more anxious than anything else, they couldve pricked your finger if you werent being careful enough.

"Remind me to remind you how sharp these are. You'll poke someones eye out if you're not careful. Unless that's what you're aiming for, then go for it." You tried speaking to him as you did this to break the intimate silence of the moment.

He let out a nervous laugh. From his view, he could see most of your stomach, more visible than before due to your reach. You actually felt a particularly heavy breath reach your middrift, making you tense up for a moment. Still, lucifer was careful to keep still after the comment on his sharp horns.

You made your way down to where they met his temples, hesitating for a moment before feeling the skin that was stretched over the bone-like features. It felt like scarred flesh. Your felt your heart drop in your chest at the sensation. When he said it hurt the first time.. the horns must've physically ripped through his skin. Without thinking, your hands trailed down to cup his cheeks, making him lift up his head with a questionable expression." So? Did you get your fill?" He asked, a stupid smirk dancing across his face. You scoffed, taking the moment to look into his red eyes. They almost hid the tiredness of his usual colors.

You noticed his eyelids begin to droop and before you knew it, your lips had brushed together in a tender kiss. You pulled him in closer, your hands still planted on his cheeks. He wrapped his arms around your waist and lifted you up to sit on the railings beside him, never breaking contact during the process. He was careful with you, even as you parted your lips to invite a heavier kiss, he held his shut. You pulled away for a moment, moving your hand to his lower lip and just lightly brushing your thumb across it. His breath became heavy at the delicate touch, his grip around your waist falling onto your hips. You left your thumb on his lip and took the opportunity to slide your tongue slowly into his mouth. He yelped, his eyes suddenly shot open at the boldness of your actions. His suddenly limp hands, almost clawing at your hips. His forked tongue eventually made his way into your mouth, still with caution. You felt the fork in his tongue and smiled into his lips, enjoying this new discovery a little too much. He melted into your touch and followed your movements, barely having the strength to keep his head up on his own. You reveled in the moment, before feeling a sharp prick on the tip of your tongue. You pulled away, giving you both a much needed break to breathe.

You run your tongue across the top of your mouth, the smallest taste of blood hitting you."Oh! Fangs!" You quickly exclaimed, the realization hitting you before you could form a real sentence. He stared at you almost dumbfounded, not sure how to respond.

Once you had both composed yourself enough, you noticed that all of his demonics features had retreated, leaving just his wings sprawled out. He let out a satsified hum as you looked into regularly colored yellow and red eyes. You ran your hair through his hair, that had become messy from the horns, and pulled him into another kiss. Lingering for just a moment, you pulled back and smiled, letting your eyes dart across all he features." You're beautiful, Lucifer~" you hummed, your thumb caressing his cheek. You almost couldn't tell, but he did his best to keep any tears from welling in his eyes.

♡♡♡

I wanna work on my multi-part series after all my exams as a heads to you lovely lil people

#no kidneys required #hazbin #hazbin hotel smut #hazbin hotel #lucifer hazbin #lucifer hazbin hotel #lucifer magne #hazbin hotel fandom #lucifer morningstar #hazbin fanfiction #hazbin hotel fanfiction #hazbin hotel fanfic #hazbin fanfic #hazbin hotel fluff #lucifer x you #lucifer x reader

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sttoru · 5 months

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𝐓𝐇𝐀𝐓’𝐒 𝐓𝐇𝐄 𝐖𝐀𝐘 𝐈𝐓 𝐈𝐒.

‘malaysia, ah. . . yeah, malaysia —kuantan would be nice.’

☀︎｜nanami kento x female reader. fluff (or is it?) + heavy angst. jjk spoilers (season 2, episode 18) / chapter 120. you’re married. mentions of blood. sad / bittersweet ending. major character death. don’t show your friends who stan nanami this, they might jump from a building <3

sunny weather with a gentle breeze and the sounds of the crashing waves eventually landing ashore. the peace and quiet that most long for.

“kento, you’ve been reading for a while now.”

ah, and the voice of his lovely wife whom he cherishes most. a perfect setting — a safe space for someone who doesn’t know what right or wrong is anymore. for someone who’s tired of the way the world is.

time seems frozen when you spend it with the one you love most. and when you spend it somewhere you wish to actually be.

kento looks up from his book, eyes meeting the alluring clear stretch of ocean and the blue sky that held no clouds. his gaze then falls back down on the page he had last read — or, perhaps it was the previous page that he had been reading. or maybe the one before that. or perhaps he hadn’t even started the story.

he doesn’t know anymore. the pile of books that laid next to the rocking chair were all but a beautiful mystery. he had opened them, read them over and over, yet not a single word had been remembered.

kento doesn’t remember.

“kento?” your voice calls out once more. the sorcerer tilts his head back to look up at the one calling. there you were, standing next to him, hands on his shoulders with a gentle smile on your face.

you looked angelic. you looked like all he wanted. all he needed — a perfect complete picture.

kento hums and simply nods in response before looking down at the unknown novel in his hands, “yes, sorry, darling. i got a bit too caught up in the book.”

typical him.

a calming sound of laughter leaves your lips and kento instantly relaxes his shoulders — which he didn’t even know were tense in the first place. as if on cue, your fingers move to massage the muscles.

kento closes his eyes and sighs. he doesn’t bother putting a bookmark between the pages before closing the hardback. not like he needs it if he couldn’t even recall what he had skimmed through.

his eyes move under his eyelids — almost like they’re searching for something under the darkness of the curtains that were casted. the only thing he was focusing on right now were the noises on the beach and your sweet voice.

kento furrows his brows; the sounds of the crashing waves had soon overwhelmed the soft sound of your voice. a moment of peace was disturbed by the loud waves—waves that sounded more aggressive than gentle like they were seconds ago.

waves that sounded like continuous slashes.

a droplet of something warm falls on his skin and his eyes flutter open.

the sea was still there. the beach was still there. the house he had bought was still there. but most importantly, you were still there. though, there was an undeniable change in the atmosphere.

“you’re having a nosebleed.”

your worried comment makes kento stare up at you in confusion. a nosebleed? the pad of his thumb grazes over his upper lip. and there it was; the crimson stain slowly flowing down his finger, “oh.”

kento remembers. he remembers everything clearly. the sudden calmness in his surroundings that were once hectic; why he couldn’t recall what he had read; why the sounds of the waves had changed into something more ominous as the moments passed.

the realisation dawns upon him — and it hit hard.

“i’m tired. i really am tired.” the sorcerer mutters at last. his body was exhausted. his eyes were droopy. things were beginning to fade. the realisation was beginning to kick in. the effects of the hallucinations was starting to wear off.

he gazes at you one more time. his weak hand reaches out to yours and he interlocks your fingers. it pained him to see your eyes filled with sorrow and worry. even if you were but a fraction of his imagination.

maybe that’s how you actually are sitting on the couch in your shared home. maybe you are waiting on him to come back to you.

kento wouldn’t blame you if you did. he did promise that he’d be back, as did he do every other day. and he did come back as promised each time.

well, except for today.

“i didn’t know you were here.” the blonde sorcerer’s hoarse voice calls out once his peaceful surroundings had disappeared into thin air.

malaysia, kuantan — the beach — you. all but a nice dream. perhaps an alternative reality which he wished he could be in right this moment.

“yup. the whole time.”

kento looks down at the familiar face. the blue-haired executioner who was on the brink of finishing his lifetime once and for all.

one last sigh leaves kento’s lips; his life flashing before his eyes. both his regrets and satisfactions—his achievements and hopes.

and lastly, the moment of peace he had experienced before his time was over. you had helped him until the very end — giving him the peace he much needed during his suffering. a dream in the form of all he wished to have; of you.

the dream was a sweet replica of what could have been. but unfortunately, human dreams must always come to an end — and reality is what must be faced once they do.

that’s the way it is.

#sttoru writes.#jjk x reader #nanami kento x reader #jjk x y/n #jjk x you #nanami x reader #nanami x you #nanami fic #jjk angst #jjk fic #jjk spoilers

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invpulse · 6 months

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I haven't seen a lot of discussion about RSD when it comes to ADHD discussions, so I thought I would do the honors since it's been affecting me for many years and I'd like people to know more about it!

I have had a diagnosis for ADHD but was never told- instead learning I had autism through therapy but still having some behaviors that I could never explain that just Happened.

I learned I had ADHD over the summer, and with that, severe rejection sensitive dysphoria.

before reading, please keep in mind that this is mostly talking from personal experience and some skimmed research! not experiencing RSD doesn't mean you do/don't have ADHD, and it may not appear like how it appeared for me. I don't only have autism + adhd either, so those may also contribute to any differences! ^^

RSD is the immense emotional pain after being criticized, rejected, or even teased (ignore my misspell in the panel). This rejection can be real or perceived, and we react like this because it hurts.

The pain can manifest as aggression, bringing on symptoms of depression (thoughts of s/h, isolation, demotivation, etc) and anxiety/panic attacks.

it can cause physical aliments like the above. For me, it causes my heartrate to skyrocket, heart palpitations, the feeling of being in a crisis, and extreme shaking to occur along with stomach pain.

(In fact, right now I'm going through it because making a post talking about this, despite having & dealing with it, makes me scared of other's opinions on it.)

RSD can also take the form of avoiding situations, people, or conversations where rejection or criticism is very possible.

Like other types of dysphoria, it is out of our control and hard to manage. It can last from days to weeks to months, all depending on both the trigger* and the individual.

I had a RSD episode that was on-and-off for a little over a year or two; getting more tame and bearable as it slowly drifted and stopped haunting my mind with the incident.

Compared to the other times my RSD was set off, this moment was a rather big moment in my life and ended up permanently changing me moving forward - which can be the reason why it lasted so long.

Despite how unbearable it can get, there are some ways to cope with it & lessen the effect it has.

Communicate - If you need time to process something that's told to you, you should say so (as difficult as it is). Tell the person(s) involved about your RSD, how you need time to digest information like this and take some time to relax. Trying to respond to the information while going through the head of the dysphoria will be very rough and might not be what you truly want to say.

Distract - This is really useful for me personally! Do something that grabs your attention or occupies your mind. One of RSD's main symptoms is rumination, thinking of something over and over again. I usually listen to music, draw, or play a game that won't frustrate me - like minecraft! (i'd say rain world but some of you would call me a maniac /lhj)

Perspective - This may require some communication, but it can really help and connect with others. See what the involved people thought / perceived, explain, talk. This doesn't always have the chance to end in rainbows and rekindling but at least you understand. Sometimes simply hearing the person explain their own side is enough to ease my RSD, being able to have someone explain themselves to me so i can understand them better.

I also wanna point out the "don't take it personally" thing that people try to use to deal with it isn't something i agree with since we're going to take it personally at first regardless. Later on, not really, but you're trying to cope with the symptoms... telling someone (or yourself) that they're too sensitive & over-reacting is the worse thing you could do.

With time, you can even begin to build up your 'armor' and be able to sustain yourself in situations you might get hurt in. Of course, some things may be able to sneak past and hurt you more than you expect, but at the end of the day, you're trying your best to go about it the best you can while taking so many blows. you're doing great.

OK i dont have a lot more to add so if anyone else would like to talk about their experiences, please feel free! Character showcased here was my beloved fursona Shiki! i'm just a little neurodivergent + black artist from new york :]

hope you enjoyed it! sorry for the long post </3

#long post #rsd #adhd rsd #rejection sensitive dysphoria #neurodiversity #digital art #digital illustration #sfw furry #furry art #digital drawing #furry character #furry oc #furry artist #procreate #furry

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kanansdume · 8 months

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I think my problem with Ahsoka's characterization in the show is that it's not ENOUGH. She's not ENOUGH of an asshole. Like yeah, sure, she's a little distant, a little prickly, a tiny bit of a mess. I want this woman to completely and utterly fall apart, I want her SHATTERED, I want her to just mcfucking lose it somehow. I want her to completely shut everyone out, I want her snapping at everybody who tries to get close to her, I want her insisting she knows best when it's so so clear that she doesn't, I want everyone around her trying to reach out and help her and have her refuse every single offer because she doesn't think she NEEDS it despite how obviously she does.

That's the biggest problem I've seen with Ahsoka for a LONG time now, since at least Rebels, but potentially since Seasons 4-5 of TCW, too.

It's not ENOUGH. She faces things too calmly, she's not reacting as much as she should. Her Master comes back to life after 15 years of thinking he was dead and it turns out he was the one who betrayed her all along, he's the monster that haunts her nightmares, and then he immediately tries to kill her again, and she hasn't really ever broken from that. That should BREAK her. We got an entire six episode season where we saw Obi-Wan completely broken and depressed, he was refusing to help people we know he wanted to help, he wouldn't stand up for himself against Owen, he lived in a cave by himself, he couldn't reach Qui-Gon no matter how hard he tried, he could barely use the Force, and he got trounced by Anakin when we all know Anakin was never his equal. And all of that was established within the first three episodes of the show, the same amount of episodes we've now had for Ahsoka, so it's not like I'm not giving the story enough time here.

THAT'S what I wanted for Ahsoka, that's what I want to see in her, I want her beaten down and at her lowest so that we can actually see her go through a story where she has to pull herself together again. But she just seems... fine. She's a tad distant, the barest hint of prickly, she folds her arms and doesn't smile much I guess. That's it. That's the extent of what we get to see of her having to live with the truth about Anakin and what that means for her.

And it just isn't interesting. It's not enough. This isn't a deep dive into Ahsoka's character, we're still just skimming the surface.

#star wars #ahsoka tano #ahsoka show #ahsoka series #star wars ahsoka #ahsoka 2023 #sw ahsoka #ahsoka spoilers #star wars ahsoka spoilers #ahsoka 2023 spoilers #ahsoka show spoilers #ahsoka series spoilers

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drawnfamiliarfaces · 3 months

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I was rewatching rc9gn and revisited “Dawn of the Driscoll” and I gotta say, Randy’s art of healing is crazily overpowered.

He revived someone who was reduced to nothing but bones and had been dead for who knows how long. Not only that but it was later shown that he revived various animals who had dissected and most were nothing but eyes. Not to mention he did all that from just skimming through the instructions.

Imagine the full potential that he could unlock if he studied the art of healing fully and practiced enough times!

Oh BOI YEs. It's ridiculous how overpowered Randy can come across, because the show wanted to make a funny episode (and we love that of course but still xD).

Like, how strong of a potential this boy has, if he managed to execute what must be one of the hardest techniques in the Ninja arsenal? Just imagine all the implications of that ability??? To literally save someone from a brink of death/resuscitate them? No wonder some ninjas go power crazy! I would too, if i had ability to bring back the dead!

Though I do like to think that there are more nuance to all of that, than it was shown in the series. (A bit of a me yapping on beneath, feel free to ignore it.)

One of the things that actually bothers me about this ability - is that technically, for something called the Art of Healing, we never saw actual healing performed (because its a kid's show duh but still) BUT it has been used in the show more to 'restore' inanimate objects (the bike) and bring someone "back to life" (skeleton & dissected animals) - which IMO is not 'healing' but more of a necromancy ability.

After all, Randy didn't restore Driscoll to full life (gave a fully functioning body back) and the animals/body parts are also in their post-mortem states. So, what he essentially did is reanimate remains, by (perhaps) returning their souls and binding them to what was left of mortal bodies (which probably reflected very badly on their mental state = reason why Driscoll&animals were full of anger/insanity) or sharing some of his own life energy to restore minimal physical 'aliveness' (I mean a bunch of eyeballs in a jar could hardly be called alive, but they do perform their basic function of looking/blinking). Seems like classic nercomancy to me!

Of course one could argue that the reason it happened is because Randy didn't execute the technique correctly, because he 'skimmed' through instructions, and that potentially he could have restored their bodies too....but I like to think that the ability have its limitations - and returning long-dead bodies to full life back (basically rebuilding a whole creature from a body part/single cell scenario) is one of them.

Otherwise, in my opinion, while it is impressive that Randy 'revived' someone long dead, what he has done is technically one of the easiest (and thus more dangerous) variation of Art of Healing/basically Art of of Necromancy - reanimation through spiritual energy, but not actually returning someone to full life. Another variation of Art of Healing - is Restoration of Physical Body without any sort of Spiritual Energy - aka the freaking bike. I mean, is it really healing if one just restored the original form of the object without any actual prior life in it??? Bike is not the same as a human after all, its not alive in any sense, it doesn't have a soul/life energy.

So you see, in these two occasions Randy used Art of Healing, none of them actually healed anything. Because actual healing of live things is much harder! And further proof of my headcanons is in the plants.

The original reason Randy learned Art of Healing is to restore their Botanical project - and despite hitting at first full blast before Randy lost control of 'beams' - it never actually worked on it. I mean, we basically see the plant still dead even as an already alive Driscoll pops out behind them!

So obviously healing a recently dead plant requires a much more fine touch/precise control than just full-blasting healing energy at long dead remains. And further emphasize on it we have with The Skunk Pine. The pine cone is alive and in whole condition - but the application of healing energy gave it a boost that accelerated its growth to the point that Randy implied that in few days it would be a fully functioning tree.

It kind of aligns with my understanding of how magical healing works - the healer basically shares their energy with the target to kick start and accelerate their own healing rapidly and sort of suppliment their reserves with the healer's help. But again - the pine cone was not injured/dead/damaged so it would be much easier for Randy to 'heal' it in order for it to grow rapidly - but no actual healing took place.

So the point of all this rambling recollections - is that while Randy's raw potential made something like reanimating and restoring look too easy - the things he did were already the easiest parts of Art of Healing because either option essentially requires only one aspect of either soul/body to be restored. The true Art of Healing is much more complicated. Not only it requires concentration and precise control/application in restoration of both physical and spiritual aspects, it also most likely has power requirements and repercussions to the user if they tried to overcome those limitations.

All in all, thinking about application of fantasy healing is always fun when you look deeper into its simplified canon version. ;)

#que?#sorry.i went onto a something of a pointless ramble?? im pretty sure people smarter and more eloquent than me #wrote whole analysis on this stuff but i guess i just wanted to share some of my thoughts #but anyway basically ye i agree nonny #rc9gn #randy cunningham 9th grade ninja

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projectionistwrites · 3 months

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EQUIFINALITY | SUMMER

PART THREE, sequel to GESTALT

Joel Miller x afab!reader (2.4k+)

RATING: EXPLICIT (18+, mdni) WARNINGS: angst, grief, discussions about murder & death, age gap (not mentioned), allusions to smut DISCLAIMER: although this is a continuation of my series titled GESTALT, it could potentially be read as a standalone. however, i strongly suggest reading the first series to provide context for the reunion and background on the relationships between the characters. this part is genuinely upsetting, i’m sorry in advance. NOTES: this part takes place after the finale episode, when ellie and joel return to jackson. also, apparently i don't believe in happy endings! (or do i? stayed tuned for the final installment...)

← previous part | next part →

The edges of Joel’s vision were somewhat fuzzy, his head pleasantly buzzing with slight inebriation as he stood against the bar in the Tipsy Bison, trying his best to keep his head low and presence unnoticeable.

The party was in full swing, and the wooden tiling of the dining area had been cleared to open up a makeshift dance floor where the inhabitants of Jackson mingled and chatted. Maria jumped on any excuse to plan jovial gatherings for the town in order to boost morale and encourage strong bonds between neighbors in the small community.

In this case, the occasion happened to be Joel, himself—or rather, his and Ellie’s return. Although they had arrived back in town about three weeks prior, the weather had been tumultuous, and the spring demanded strenuous hours of labor on behalf of everyone who was capable. But now that the springtime was melting beneath the sweltering sun of summer, Maria figured it was time to welcome the two newcomers and provide a much-needed break to the overworked members of the community.

The man lifted his third glass to his lips once more, taking a long, slow sip of his liquor as his eyes skimmed the endless sea of somewhat unfamiliar faces—he spotted Ellie across the room, chatting with some kids her age, already coming out of her shell; there were younger children in another corner of the room, corralled by a few women who were idling gossiping with one another; the other adults spread out throughout the building, the air sticky with the stench of sweat and booze. Even within the mass congregation of townsfolk, all dressed in their nicest apocalyptic attire, Joel felt deeply, deeply isolated. The faces of strangers all blurred together, their voices blending into a dull hum in the background of his awareness.

“You’re sulking.”

Tommy's voice cut through the ambience, pulling Joel's attention to him. He turned his head to face his brother, scowling deeply at him as he took another swig of whiskey.

“M’not.”

He grumbled, and Tommy threw his head back with a bark of a laugh, lifting his beer bottle to his lips with the shake of his head.

“Jesus, you can be a real fuckin’ dumbass sometimes, you know that?”

Joel’s nostrils flared with frustration as Tommy smirked at him teasingly, one brow lifted in silent challenge. Joel’s eyes flickered to his left when Maria sidled up next to him, sitting in the stool across from her husband, cradling her swollen belly.

“He’s right, Joel.”

She nodded softly, eyes scanning over him carefully, and he clenched his jaw.

“What is this? Y’all drag me out here just to corner me and berate me?”

Tommy choked back a laugh, but his wife shot him a glare before turning back to the man beside her, who was looking sullen and wounded beneath his guise of anger. She sighed.

“You’ve been standing in the same spot all night, waiting for her to walk in. She’s not here, Joel. She left before you came by.”

Joel eyed Maria warily, his brows furrowing as she attempted to comfort him with the gentle tone of her voice. The man was slightly startled at her admittance—it wasn’t a secret that his sister-in-law wasn't his biggest fan, and it certainly wasn’t a secret that she wasn’t the biggest fan of his reemergence in your life.

He hadn’t seen you in weeks. Not since that day in the examination room, when you’d almost kissed him and he’d pushed you away—again. You hated him. Surely, you must.

Maria must’ve been able to read his mind—she reached out a careful hand, laying it gently on Joel’s forearm in an effort to save him from his self-deprecating spiral. She offered him a small smile.

“You should go find her.”

“You don’t want me to do that.”

Joel quipped flatly, dropping his gaze down to his boots. He heard Maria scoff incredulously, shaking her head slightly in disbelief.

“Actually, Joel, I do.”

Tommy cut her off quickly, jumping in to save the conversation from Joel’s dismissal.

“She’s right, Joel. I mean, shit, you look like a fuckin’ kicked puppy, standin’ over here all by yourself, waitin’ for her to come find you. You should go find her, man. You’re bein’ pathetic.”

Joel whipped around to shoot a glare at his younger brother, but Maria raised her hands up to gesture for him to calm down.

“Look, Joel. I know I haven’t exactly been supportive of rekindling this old twin flame or whatever, but all I really care about is that she’s happy—and lately, well...” She trailed off, and Joel felt a pang of guilt erupt in his chest.

When he elected not to respond, Maria sighed slowly, lowering herself from the stool and gesturing for Tommy to follow behind her.

“I can’t force you to do anything, but just—think about it, okay?”

The man felt the corner of his lip twitch downward in annoyance, but nonetheless he let out a grunt of acknowledgement. After sharing a knowing look with one another, Tommy and Maria finally left Joel to wallow in his own self-pity.

The night was balmy and humid. Joel’s t-shirt clung to his chest from the stickiness in the air, and the streets were eerily quiet as he trudged home alone.

He would’ve asked Ellie to join him, but she was enjoying herself at the bar, surrounded by joyful faces and a general atmosphere of positivity. He wished he could let himself indulge in the simple pleasures of community, but the gaping hole in his chest refused to heal.

Music. He heard it as soon as your house entered his line of sight. As he walked closer, he could hear the familiar guitar riffs of a Johnny Cash song echoing in the distance, just within earshot. Light flickered on your front porch, and as Joel approached his own door, he caught sight of you—reclined on your porch swing, head tilted backwards with your eyes closed, a blissful smile on your features.

He didn’t want to disturb you or your relaxation, but his legs betrayed him—his feet carried him past his own stoop and towards the concrete steps leading up to you. The crunch of gravel beneath his boots caused you to jump, body tensing briefly until your eyes landed on the perpetrator—as soon as you saw him, your eyes softened.

“Cowboy.”

Joel paused on the second step at the sound of your voice, his fingers white-knuckling the railing in an effort to ground himself.

He didn’t speak—you seemed to anticipate his silence, because wordlessly scooted towards the far end of the bench, gesturing with a nod of your head for him to join you. Hesitantly, he obliged.

“You’ve been avoiding me.”

You started after awhile—Joel’s brows furrowed at the statement, tongue peeking from beneath his mustache as he wet his lips.

“No, no, I—you’ve been avoiding me.”

He clarified, and you let out a humorless laugh.

“My schedule has been the same every single day for ten years, at this point. I’m at the same places at the same time every day. Hardly seems like a coincidence that our paths never crossed.”

He’d never considered that before. Of course he hadn’t intentionally been avoiding you, but then again...had he been?

“Was lookin’ for you. At—at the Bison, I mean.”

He turned to look at you, and he met your gaze, your eyes darted away.

“I’m sorry. Didn’t mean to miss your big night, or anything. I helped set up, I just—wasn’t in the mood for mingling.”

Joel hummed at that, his elbows resting on his knees as he leaned forward. His eyes skimmed over the row of homes in front of him, shrouded with pine trees and lowly lit by a few streetlamps—picturesque.

He cleared his throat. You clearly weren’t throwing him any bones, today. You sat in the silence, shoulders sagging low, eyes misty with an emotion he couldn’t quite place. He wanted to speak, but—what to say?

“Overheard Maria tellin’ Ellie a story.”

His heart fluttered when you looked at him, curiosity successfully piqued.

“Oh, yeah?”

“Yeah. Somethin’ about you savin’ her from a bear attack?”

For a moment, you froze, and Joel feared he may have unknowingly struck a nerve, but then you let out a bright, bubbly laugh, your eyes crinkling with amusement.

“She’s still telling that story?”

You could barely speak through your fit of uncontrollable giggling, doubling over as you drew in a long breath.

“What? S’not true?”

Joel teased, a brow quirked as a smile tugged at his lips, and your eyes were sparkling when you gazed up at him.

“Oh, it’s true, it’s just—I saved her from a taxidermized bear in a fucking Bass Pro Shop.”

His expression pulled into one of disbelief.

“I—you what?”

You giggled again, eyes turning glassy with nostalgia.

“Yeah. That’s where I ended up, at least for awhile. The day I left, when everything went to shit, my car ran out of gas right near a strip mall, and I figured Bass Pro Shop would be as good a place as any to hole up until things settled down—things never did settle down, of course—but I was lucky to be stuck where I was.”

“You never made it to a Quarantine Zone?”

Joel questioned, slightly bewildered. The idea of you, out in the big wide world, all by yourself, terrified him. You laughed coldly.

“No one was looking for me, Joel. No one knew I was out on the backroads driving to Cali. I was lucky. Ran into this older couple at the mall, we—we made due, at least, for as long as it lasted.”

Your tone grew bitter.

“They went out to go hunting one day and never came back. So it was just me in that big department store, surrounded by moldy fish tanks and hunting rifles that I didn't know how to use.”

Joel risked a look at your face, and there were tears forming under your lashes. He let himself lean in closer to you, an attempt at providing comfort, a reminder that he was here with you, that you weren't alone. Not anymore.

You didn’t pull away.

“Been meanin’ to ask.”

He started hesitantly, and when you glanced at him, he lifted a hand to his face, gesturing across his eye in a downward stroke. Oh. The scar.

“Not a glamorous story. Saved a family from some Infected, but the eldest son—he got bit. The middle daughter shot him to save her younger brother, while the mom was unconscious. When she came-to, I told her I did it so she wouldn’t have to know it was the sister, and she attacked me. Punched me right across the face, and the diamond on her wedding ring ripped into me.”

“What did ya do?”

You shrugged, sniffing indignantly.

“I sat back and took the hits. What was I supposed to do? I can’t imagine that sort of grief. Losing a kid...”

Joel felt something twist in his gut as you trailed off, and this time, he felt you lean into him, your shoulder brushing his own.

He didn’t pull away.

“You know, I was never mad at you about my dad, Joel.”

He blinked, his chest tightening at the casualness of your tone. He stayed quiet, as he wasn’t even sure any sound would come out if he opened his mouth to speak.

“I don’t care that he’s dead. I don’t care how he died. I tried calling him the day of the outbreak, to tell him I was coming to California—only person I could reach was his fucking secretary. He never cared about me, and I never cared about him.”

The bitterness in your tone was startling, but that’s not what shook Joel. What made him falter was when you turned to look at him.

“I was mad at you because you thought that the right time to tell me about it was when I was leaning in to kiss you.”

Again, you were met with silence. It didn’t come as much of a shock to you, Joel’s lack of response, but it still made your face flush with annoyance.

“You will do anything in your power to avoid being vulnerable with me, Joel. Always have. I just thought, after all this time—maybe things would be different.”

“Why would you think that?”

A knife to the gut is what his words felt like. He knew it as soon as he said it, how your face would fall and you’d flinch away from him.

But you didn’t. Your face remained stoic, unchanged, unwavering.

“Because I’m different now, Joel. I’m not a little girl anymore. The only thing that hasn’t changed it what I want.”

“And what’s that?”

You huffed out an indignant laugh, turning to face the view of the street again. Inside, your record player scratched to a halt, casting the two of you in silence.

“’ve never been shy about what I wanted, Joel. Even after all these years, it’s always been you.”

The words settled on his chest, heavy and suffocating. Surely, you were bluffing.

“The hell is that supposed to mean? You sayin’ that even after all these years, there’s never been anyone else?"

You sighed, rolling your eyes at his brashness.

“Yeah, Joel, that’s exactly what I’m saying.”

He felt his mouth run dry at your confession. Twenty years, a whole lifetime, and you’d never even moved on. Was it out of stubbornness, spite, or something else entirely?

“The thing you don’t seem to understand, Joel, is I’m fine on my own. I’ve waited twenty years for a person that I thought was probably dead, or at least a person I never thought I’d see again, and I was fine with that. I’m never gonna settle for less than what I want, Joel, and that goes for you, too.”

Joel’s brows furrowed.

“What’s that s’posed to mean?”

There was a twitch in your brow, a crack in your impenetrable facade. You shook your head wryly.

“It means that I believe you when you say you’re not the same person anymore, Joel.”

You looked over at him once again, but there were tears in your eyes. One slipped down and traced the line of your scar as it fell.

“It means you’re not the one I’ve been waiting for anymore.”

Anger suddenly welled in the pit of Joel’s chest.

“What’dya want me to say? That you’re wrong? That I am the same person?”

You sniffled, shaking your head at his outburst.

“I don’t want you to say anything, cowboy. I just want you to realize that I’m not the same girl that fell to her knees and begged for you to love her. And I never will be again.”

You were practically snarling at him, and it was in that moment that Joel realized he might have lost you for good.

TAGLIST: @spiidergirlsworld @canpillowscry @str84pedro @daddy-din @pedropascal-whore @canpillowscry @pppmitt @thirdoffive @lovekk2plus @elliescumsl0t @kagajgajaguwbeidheubqk @cookielovesbook-akie @kamcrazy123 @ohnosy @dayrdreaming @notsosecretspy@arquiiva @yyiikes @shotgun-shelby(please comment to be added/removed)

#tlou #the last of us #tlou series #joel miller smut #joel miller #joel x reader #tlou smut #tlou imagine #the last of us smut #the last of us fanfic #joel and ellie #pedro pascal #pedro pascal smut #joel miller x female reader #pedro pascal x reader #joel miller x you #joel miller x y/n #projectionistwrites

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shijiujun · 7 months

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OFFICIAL NOVEL: Kiseki Dear to Me Rundown From Start to End (A PRETTY LONG POST)

I briefly shared a brief read through of the last two chapters (and also what we can expect will happen in episodes 9-13) for Kiseki Dear to Me yesterday, and now that I have a bit of time, here's a slightly more detailed look through the novel! The drama was adapted from the novel so I think we can more or less expect some of these details in the novel turn up in the drama as well, although I've already seen some differences, mostly due to timing.

Also another thing to note is that the novel's protagonists were clearly Bai Zongyi and Fan Zherui, so the others really don't feature in terms of deepening relationship at all, but disclaimer that I'm still doing a skim through for now, haven't had time to read every word ;-;

Title: Kiseki Dear to Me (same name) Total: 1 Prologue + 10 Chapters + 2 Extras + 1 Special Feature (?) Author: Lin Peiyu, who's behind quite a number of well known TW BLs, including H3T

NOVEL SPOILERS IN FULL BELOW

(1) Prologue

Ai Di curses as he and Bai Zongyi leave the prison, and he makes the mistake of looking back as it's considered a taboo for released prisoners to look back at their place on incarceration (because it means you're gonna go back)

BZY: Well if you obey the law from now on you won't have a chance to come back, and Ai Di goes: Who the hell do you think I am of course I'm going to get into trouble and how can you say that to me, I protected you for a year!!

Chen Yi picks Ai Di up in a sports car and Ai Di scolds Chen Yi because how's he gonna give BZY a ride in a two-seated but Chen Yi doesn't want to bring BZY any more potential negative trouble, and drives off

Ai Di is like why is it so depressing when I should be happy and Chen Yi said: That your damn problem and Ai Di is all: We haven't seen each other for a year and you're still so nasty to me

(2) Chapter 1

Mostly the same as the drama, BZY meets FZR who's injured for the first time, Ai Di goes crazy hitting people when they lose FZR

Chen Yi teases Ai Di saying if he smokes any more he's not going to grow taller to which Ai Di says, "Are you so damn great just because you're 180cm?!"

FZR cooking > All these are the same, the only thing is they packed eps 1-3 all in the first chapter

In the car when FZR is picked up by Ai Di and Chen Yi, they talk a bit about how FZR is someone that Chen Dongyang passed to Chen Yi to protect and that's why he puts so much attention on him, and FZR is like "oh so anyone who matters to Chen Dongyang you'll protect? oh, i forgot, except for Er-Ye (second boss, Zhou Minglei) and ISTG Chen Yi is so damn wild?! He goes, "He's (Zhou Minglei) is still alive, that's as much as I am tolerating him" (because he's jealous he gets to be with Chen Dongyang) > THIS IS WAY MORE OBVIOUS HERE THAN IN THE DRAMA

(3) Chapter 2

Technically when FZR leaves BZY's house and intends not to see him again, they next meet in the school in drama with FZR as a teacher, but in the novel, FZR comes back to the house drunk with BZY cuz he missed BZY unconsciously and also because BZY was working at the place he got drunk at, and also got into a fight at

Ends with scared-of-the-rain scene with FZR comforting BZY

(4) Chapter 3

WHEN THEY WAKE UP IN BED THE NEXT DAY THEY ARE ALREADY GETTING SMEXY WITH EACH OTHER like cuz they're in the same bed from FZR comforting BZY who was scared of the rain the night before, and when they wake up, they couldn't help it and FZR basically pounced on BZY - they don't go all the way tho, strictly hands only until Ai Di calls and interrupts them

Ai Di treats FZR's wounds and we can really see how great friends they are because Ai Di is lived as hell that FZR is hurt and cursing up a storm and FZR is all "if I die, do you wanna bet you'll be the saddest out of everyone?" LMAO

And we get the student framing scene, but FZR is not a teacher AT ALL he's there as BZY's cousin, and he comes to school all decked in like riches and everyone is like OMG IS BZY A RICH BOY

After that we get the same thing i.e. FZR asking BZY if he did well at defending him, the hug and the likes

Difference is BZY gets home that night and gets a fever because he was burnt by the chemicals from the incident in the classroom with the girl who framed him after not handling rejection well

FZR takes care of him really well and they're really attracted to each other and can feel that deep connection and are super drawn to each other idek how to put it

Ai Di ends up at a "part-time job" without telling Chen Yi

(5) Chapter 4

Gangster boss meeting NOT in the bathhouse but in a regular meeting room and everyone is present, and obviously Zhou Minglei is scolding Chen Yi but Chen Dongyang is obviously protective over Chen Yi and excusing his actions (same as drama)

Chen Dongyang tries to convince FZR to go back to his family

FZR goes back to BZY after a while (at least a few days or weeks because everytime they reunite in this chapter and past few chapters, FZR makes a comment about how he's now taller etc.)

BZY confesses, and wishes to grow up faster so he can have FZR

(6) Chapter 5

FZR avoids BZY and asks Chen Yi why they all keep asking him to go back to the Fan family (same as drama), then he runs back to BZY's place because of the rain and BZY is hurt (same as drama too)

And then yes same the drama they sleep together for the first time (and a few times after lol)

(7) Chapter 6

The morning after, unlike the drama, they do get their second morning round in

And then some time after BZY actually gets to orientation at med school, and somehow finds out that FZR might have something to do with the Fan family, and realises he's not FZR's match in terms of status

FZR talks about his past, and then BZY tells him again that he loves him for him, and then FZR says "you're my man" and BZY goes insane obviously

After they confirm their feelings again, FZR decides that he can't keep living the half-gangsta life and decides to leave the gang and head back home

He bids farewell to Chen Yi and Ai Di quite formally like with a cup of tea and they don't say goodbye because from today onwards their paths are different and will never cross again (WTS?!?!! drama much?!)

Chen Yi tries to look for Zhang Teng

(8) Chapter 7

BZY's fam comes to visit, and then they stay over

FZR suggests that BZY moves in with him and same as drama, all the sweet promises and trying to build a future together

While they're rolling in the sheets, FZR threatens BZY and say if he dares to break any promises to him he would kill him LOL

(9) Chapter 8

Chased down by Zhang Teng's men just after they move in together

There's no backstory for Zhang Teng and FZR either, ZY just plain hates Chen Yi and co, and the same thing where he ends up dying too

As FZR is undergoing surgery, BZY asks Chen Yi and Ai Di if they're cops or gangsters and Ai Di is like oh the latter, and then FZR's grandpa, dad, younger brother and mother come

They meet but don't say much to each other and then afterwards BZY is no longer able to see FZR, and FZR's parents sell the house and tell BZY not to cling onto FZR anymore etc., and FZR basically realises what a shitty ass home FZR lived in and why he wanted to run away and join the gang

BZY's dad ends up in the hospital and he's at the hospital when Chen Dongyang finds him and convinces him to take the rap for FZR, and BZY himself realises what grandpa Fan is doing, he wants to break them up

But he agrees anyway because if FZR wakes up and turns himself in it might be a death sentence

Chen Dongyang is super unhappy he had to pass the news to BZY like this under grandpa Fan's requests, who he owes a favour too, and really hates and regrets that he ruined BZY's future, and he scolds Chen Yi and tells him that they would forever owe BZY one till the day they die

Ai Di goes to the hospital, sneaks in and whispers the news to FZR hoping it'd wake him up, so turns out Zhang Teng went after FZR because he realised he was from the Fan family (wtf is the link idk, they don't really say it here) after FZR's third uncle let the news leak to him

He tells him BZY is in jail and what grandpa Fan did to him and FZR finally reacts, but he asks who Ai Di is after he wakes up

Ai Di: SERIOUSLY?!

(10) Chapter 9

BZY gets out of jail, returns home to his dad and sister, and poor bb is depressed af. They urge him to go back to med school since he doesn't have a record anyway, but he tells them that he hurt his head in jail and has severe short term memory loss, like he can be saying one thing one moment and forgetting it the next and saying it again, he needs his notebook to help him remember

They both know why he went to jail and dad is guilty af and angry af at FZR but BZY told him he doesn't regret doing it for the person he loves

Dad tries to creep up on BZY but BZY reacts very badly, because he had to protect himself in prison from terrible people

And while his brain can't handle med school anymore, BZY takes the money that grandpa Fan and Chen Dongyang promised his four years ago and opens a dessert shop to sell the desserts he promised FZR he would make for him

FZR at this point is getting scolded by his grandpa, and his younger bro, heir to the Fan family, is speaking up for him

Once FZR leaves the room, grandpa Fan tells younger bro to make use of FZR and squeeze him dry because that's all the use he is

But once the younger bro leaves his grandpa, he meets FZR outside and tells him not to give too much of a shit about what grandpa said, and that's when it's revealed that FZR has NOT lost his memories

Younger bro has been hiding it for him all this while and they're working together - FZR wants revenge against third uncle and also his grandpa a little, while younger bro doesn't want to sit at the top of the family but still be subject to grandpa's control

Younger bro was also the one who told him all about BZY and what grandpa did to him the moment he woke up from the accident four years ago, and that's how he managed to pretend to be amnesiac in time

FZR is filled with guilt and self-blame and pain because where BZY is that's his home, but now he's ashamed to see him, but he still can't see him either because he needs to revenge first, makes sure it's safe

A new cafe opens near a university, and BZY makes the best desserts - his sister asks him why he doesn't go find FZR, and he just doesn't dare to anymore because of the way he is now, broken - AND SIMULTANEOUSLY FZR and his younger bro are seated in a car outside the bakery and younger bro is like "miracles don't happen just by you sitting on your ass here" and FZR also doesn't dare to go in and see BZY

He threatens his bro and makes him go in to buy desserts for him, and tears up when he realises all the desserts are familiar to him, that BZY was keeping his promise, but still doesn't go in

BUT SNEAKY LITTLE BRO!!! On the note he gives BZY, he writes a message "FZR didn't lose his memory, if you wanna see him come to xxx place tomorrow"

And BZY is convinced by his dad to take the leap

BZY goes to the address as stated the next day and realises he knocked on younger bro's door, and younger bro is like he's NEXT DOOR thanks

BZY goes in and sees FZR asleep, and a bottle of sedatives next to the bed. He wakes him up, and FZR thinks he's a figment of his imagination in his dreams because FZR, through the four years, has been using sedatives to fall asleep because that's the only place he sees BZY

They sleep together, FZR still thinking it's a dream, and only a bit later when he feels pain he realises that FUCK IT REALLY IS HIM

THEY ARE FINALLY WHOLE!!! THEY open their hearts to each other again and tell each what they're thinking and how scared they are etc., and they've found their way back to each other again

(11) Chapter 10

FZR and BZY are seeing each other again with FZR running between Taipei and Taichung, and then he finally runs into FZR's dad again

He's apologetic and regretful and ashamed, but dad is now understanding and gives his blessings

On the TV, news of Taiwan's imminent gay-marriage bill is on and BZY plans to propose and marry FZR, and FZR promises that in the future, he'll write in his notebook for him, he'll remember and make memories for them both

BED TIME! Happily ever after

(12) Extras + Others

Extra 1 is the scene in the drama where BZY's sister sees them kissing in FZR's living room

Extra 2 is between FZR and his brother, and his younger brother basically tells him that he's always known what FZR's mother was doing but he never cared about it because no matter what she or FZR did, whether he acted stupid or smart or whatever, FZR's brother's status at the heir would never change, and FZR is like wtf bro firstly, that's hurtful, secondly, you're telling me I could have just been less emo all these years, and then FZR's bro drops a bomb that HE IS GAY TOO and he's seeming someone and FZR is like "omg is grandpa Fan going to have a heart attack you've got two gay boys here huh"

Special Feature is just a routine day between dessert maker BZY and busy businessman FZR, a sweet, sweet day <3

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ALRIGHT AND THAT IS IT!

Okay I'm honestly not at all surprised at the loopholes in the writing in the novel it's quite characteristic of quite a number of the authors' books LOL and I'm so damn happy the drama decided to take it up a notch and give colour to Ai Di, Chen Yi, Chen Dongyang and Zhou Minglei because DAMN the novel treated them like third-class citizens ok barely like a handful of mentions I'm like WHY DO YALL EVEN EXIST HERE IF NOT TO BE GAY AND BECOME CPs

Sad Zhang Teng too, he was literally just a token villain CAN U IMAGINE

HAPPY WATCHING THE REST OF THE KISEKI DEAR TO ME DRAMA YALLLLLL <3 No need to be scared of extended dual amnesia plot pain UNLESS we get a drama canon deviation

#kiseki dear to me #kdtm #kiseki: dear to me #chen yi #ai di #fan zherui #bai zongyi #nat chen #jiang dian #hsu kai #taro lin #lin yutong #kdtm novel #for all the peeps who need to know the novel #but can't and there's no tl #kdtm spoilers #spoilers

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regulusrules · 1 year

Note

Hi there! I've read every Hurt/Comfort Merlin fics you recommend. Thank you!! These were gorgeous. Do you have any other recommendations for hurt/comfort 👉👈?

More Hurt/Comfort? Hold my hot chocolate!

It's physically improbable for me to go through all these at this point😂 but nevertheless! of course I'll rec you some!

1. Give Me Your Fear, I'll Give You My Faith by ironfamjam. I think this fic is one of the best H/C I've read recently. Merlin is cursed to lose all his senses while Arthur could only watch. The desperation you see in Arthur trying to save Merlin.. their communication beyond humane limitations.. the sheer understanding emanating between them.. it was all just amazing. So raw and beautiful. It's also written in TSOA writing style, so the emotions are practically flowing. Kudos to the author for slowly robbing us of our own senses while reading this.

2. The Patter of Tiny Feet on Cold Stone Floors by TheAvalonian. Whenever I get rec asks, I always go back and skim the fics to be absolutely sure of what I'm recommending. But in this one, I didn't need to do that. I read this fic nearly four years ago and it still rings in my heart the same way it did when I first read it. Just the perfect semblance of golden age with proper hurt. It truly did hurt. But the comfort in it made it worth the while. Definitely recommend it if you have time for a long one.

3. Winning A Battle by OhFantasyWorld. Oh how I love this fic. It's just so simply Merlin and Arthur. It perfectly captures the essence of their dynamic while Arthur was still an emotionally constipated prince. It also has a mysterious edge to it that makes it even the more interesting. You're left wondering all fic why Arthur is so sad and so drawn into his misery. Until the very end. And the H/C is 🤌. Really recommend.

4. A Story Behind Each by CaptainOzone. I really am w e a k for Scar Reveal fics. I think this as a trope is very underrated in our fandom. The sheer number of times we see Merlin getting hurt on Arthur's behalf is just insane. So much unused material. I really loved this one for how soft it was. And BAMF Merlin was crème de la crème. If it's a scars reveal AND a BAMF fic, then what more could we possibly ask for?

5. In the woods by transcastiel. A translation of MaryBarrens's fic. If you've been following me long enough, you must know by now how much I loathe S5E5 The Disir. Legit, I cannot even write all my thoughts down here from how much I hate it. This episode was all that went wrong. It was the hamartia of the show. Therefore, anyone who just writes two words as a fix-it for this fic, I'll kudos them to eternity. And even though this one is so short, but God it just perfectly captured what SHOULD HAVE HAPPENED. This was what we deserved. This and nothing else.

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* Have you read My heart is readily yours? Can't waste an opportunity to circle this one around since I consider it my greatest H/C creation. Or Arthur-in-desperation creation. Or Screaming-in-my-face-worthy creation. I took the hurt to some real extremes, and I don't regret a single thing.

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Thank you for following my recs! Always happy to rec some more💖

#merlin #fic recs #bbc merlin #ao3 #fic #merthur fics #merlin bbc #merthur #merlin fic recs #fic recs list #arthur pendragon #merlin x arthur #merlin fic #fic rec list #king arthur #my heart is readily yours #LJ recs #regulusrules answers #regulusrules recs

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douglysium · 7 days

Text

Episode 12 TMP Quick Thoughts

Housekeeping and Prologue

Hello, this is Douglysium and you might not know me as that guy who wrote over 100 pages of analysis on the Eye (which can be read on Tumblr here (https://douglysium.tumblr.com/post/735599414228484097/the-relationships-between-the-dread-powers-the) or Google Docs here (The Relationships Between the Dread Powers: The Eye- Knowledge is Fear and Ignorance is Bliss)) or as that guy who wrote an article on the Extinction (which can be read on Tumblr here(https://douglysium.tumblr.com/post/717929126195003392/what-would-avatars-of-the-extinction-be-like-a) and Google Docs here(What would Avatars of the Extinction be like?: A TMA Speculation)). Suffice to say I might be a bit of a TMA fan. Also, spoilers for TMP up until episode 10. You can read my ramblings on the last episode here (Episode 11 TMP Quick Thoughts).

However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.

These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.

Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don't really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you're getting all the nuances.

These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.

Episode 12 “Getting Off”

I think this episode is definitely one of the more straightforward Protocol episodes we have gotten so far, so hopefully this Quick Thoughts won’t br too long (but knowing me I probably just jinxed it).

We take in the scene through a CCTV in the breakroom of the OIAR at night. The transcripts clarify that Celia is very tired and searching through the cupboards for something and it is quickly made apparent that she is looking for tea and, since the break room has run out, Sam gives Celia a teabag from a secret stash that he apparently has. Sam then asks Celia out on a date and while she is busy at the moment she does show that she is willing to go out with Sam on “Saturday, 6? under the clock at Leicester Square. That work? We’ll go for dinner- well, breakfast- you know what I mean.” Once again, we see that the OIAR jobs appear to be very exhausting and have odd work hours. I also wonder what Celia’s end goal is. Does she genuinely like Sam or does she see him as means to an end. Is Celia here to help Sam and co or is she here to harm them?

As Celia leaves, Alice walks in and proceeds to make fun of Sam for clearly being extremely nervous as he asked out Celia. Alice says “(normal again) You know it’s rude to have absolutely no game? Christ, all these years and you still ask people out like a baby foal learning to tapdance.” A reference to the fact that she and Sam dated at some point, and how Sam probably acted very similarly when trying to ask her out. Sam does point out “Look it worked didn’t it?” which seems like it could be a sort of double meaning. Sam’s nervous approach got Celia to agree to a date but also Alice presumably agreed to go out with him in the past too.

Sam apologizes to Alice for dragging her to the ruins of the Institute only to fund nothing… well nothing Sam and Alice know about since something escaped the Institute. Sam says he’s done with Magnus stuff and Alice responds with “So you’re telling me that if I had a case full of emails with the title “Magnus Institute re: Samama Khalid – Massive Conspiracy” you wouldn’t be tempted?” to which Sam says no before asking “You don’t, though. Do you? That was just, like, a joke. Right?” Alice then says “Come on, for now let’s just focus on getting you as jaded and apathetic as possible.” Considering that Alice does appear to be pretty jaded about listening to the cases and piecing them together this could be related to her point about ignoring the talkers and not getting caught up in thinking too much about what’s happening.

NORRIS starts expositing the next case

“Claim Review: EL-56920

Policy Holder: Soho Jack’s Ltd.

Policy Number: 548651-656

Policy Type: Employers’ Liability

Site Address: Soho Jack’s, 9 Carlisle St, London W1D 3BK

Affected Employee: Ms. Jordan Bennett

Date of Incident: 9 March 2024

Incident Location: On site.

Documentation: Crime Report – Submitted

Medical Practitioner Report – Submitted

Incident Book Entry – Submitted First Aider’s Report – Submitted

Supervisor’s incident Report - Submitted

HSE communications - Submitted

Health-And-Safety policies - Submitted

Employment Contract - Submitted

Claim Valuation: £1,560,000 Assessment

Conclusion: Claim Denied Reason: Fraudulent claim (see incident description and police report)”

This, along with some information Jordan mentions later, means Jordan is suing Soho Jack’s Ltd. They go on to say that their lawyer has advised them to cooperate with Soho Jack’s insurance claim as a show of good faith, even if they’re planning on “suing your asses to kingdom-come.” They start recounting an event that occurred on the company’s property and apologize for their terrible handwriting (which we later learn is probably because Mr. Bonzo bit off one of their hands).

They go over how they started working at Jack’s in the spring of 2021 after they had finished Flair Academy. After struggling to find a job they managed to get an interview and then job at the aforementioned Jack’s. The club seems to have a good reputation as Jordan refers to it as “the Soho Gentleman’s club.” The company’s building “...has dances on the bottom two floors with VIP suites for hire above with a dedicated bouncer keeping them separate. Really, it’s just a quieter box with a private bar, some comfy chairs and the option of private dancers.” Despite this being “THE” Soho Gentleman’s club Jordan says “It’s always booked up with swank dickheads trying to show off, but Stags are the worst: they’re cheap, they’re loud, they drink too much, tip too little and only ever hire one dance for the groom. Plus there’s always some “nice guy” that won’t shut up about exploitation without even bothering to stop staring.”

Jordan begins to explain how the party the specific party that led to them wanting to sue Jack’s. They state that this specific party’s lot was not the worst and were “Just a bunch of heavyset, middle-aged lads with names like Ozzer, or Rozzer or whatever. ” and notes that “The groom was fine, acted embarrassed even though he was obviously keen and they were easily pleased. ”

“They started giving the groom gifts. Same old tat as always, cufflinks, poo gags, all the standard stuff. Then the groom spotted the last one on the table, this cheap yellow and purple kids lunch box. It looked old and shoddy and no one admitted to bringing it but the groom just squealed with glee and carefully opened it before pulling out a bunch old souvenir merch. Pencils, postcards, keyrings, all sorts of crap, all the same yellow and purple and last of all a cracked CD case. When they saw it the whole bunch gave this big laughing cheer.” I have talked about how I think Mr. Bonzo is probably tied to The Stranger if we view him through the lens of Smirke’s 14. I will retread some of those reasons later but right now I want to point out that no one admitted to bringing the Bonzo CD. It could simply be that it’s a prank and someone happened to grab an artifact or something tied to Bonzo, and maybe someone from the OIAR even planted it there, but it could also be connected to the idea of The Stranger and the fear of the unknown because it could be that no one actually knows who got that CD.

We also know that The Stranger is no… stranger to dropping off or delivering strange artifacts in order to feed on the fear of people interacting with unknown /mysterious objects. Breekon and Hope’s delivery service are a good example of this (strangers that show up and drop off never before seen or uncanny objects and artifacts).

“I could see which way the wind was turning and sure enough the bestman came over and asked if he could play it. The cover had this awful comic sans title: “Mr. Bonzo’s On His Way” and I wasn't exactly thrilled by this.” Jordan explains that “Mr. Bonzo was way before my time and from what I had seen online he had always looked pretty messed up. But hey, it was their night, if they wanted to spend it on some cringy nostalgia trip, who was I to say no?” Which could mean that Jordan doesn’t know a lot about Mr. Bonzo, and lack of familiarity with something is one of the things that we know entities like The Stranger love to prey on.

“This kind of thing happened often enough that we kept a battered old CD Player in the back that we could patch into the room's speakers, just in case. So, I ducked back there, put it on, turned the volume down as low as I could get away with, and prayed it wasn’t too obnoxious. Immediately the cheering children’s voices blared out the speakers accompanied by bouncy tubas loud enough to drown out the rest of the club’s music. It was awful but I could hear the lads stamping the floor in rhythm and as the kids started singing the men were singing along: “Mr. Bonzo’s on his way, he wants to stay, he wants to play! Mr. Bonzo’s on his way, he wants to stay, he wants to play!” If you want to listen to the song Jordan is referring to it is actually available on Youtube: Mr Bonzo (from 'The Magnus Protocol'). Maybe you can put yourself in the shoes of an annoyed Jordan or ecstatic old man at the club.

Jordan clearly finds the song annoying and after waiting a minute, in order to avoid being a “total killjoy,” they decide to turn off the song before “ Derek came down from the office to “have a word.” I assume Jordan meant Derek would complain about the music. However, when Jordan turns the CD player off it “...just grew louder, rattling the glassware in the bar: “Mr. Bonzo’s on his way, he wants to stay, he wants to play!” I even yanked the cables from the speakers, but it just kept getting louder.” Obviously, something supernatural is going on but Jordan reasonably assumes that the player just broke and begins to reach for their walkie talkie in order to call for some tech support. However, as they do so they are interrupted by a massive crash coming from another part of the room followed by a cheer. Jordan gets ready to reprimand the party goers for whatever mess they might have made but instead sees Mr. Bonzo. “It was hunched in the doorway, a bulbous figure with a purple hat that cast crazed shadows in all directions thanks to the club’s lighting effects. Then it doffed its hat and pushed itself into the room, foam catching on the doorframe with a squeak that set my teeth on edge. Its massive bulbous google-eyes seemed to roam all over the room before settling on the groom and it was almost as if the huge toothy grin grew wider when it saw him.” We know that Gwen delivered a name and address to Bonzo and in the previous episode Lena even tells Gwen “I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.” Implying that this could be the case Lena was alluding to or that the groom (or someone else in the room) is Bonzo’s target (but it’s almost definitely the groom).

Everyone in the room assumes the appearance of Bonzo is some sort of gift or prank and “The rugby boys were tripping over themselves to get in and hug it, laughing and pushing the groom to the front and so I figured at that point it was a prank. Again, none of them took credit for it and there was a moment of genuine hesitation, until one of them yelled out “It's ya lapdance, Baz!” and they all fell about laughing.” Jordan is furious that a coworker named Joey presumably let Bonzo in and the idea that Joey might have bailed on Jordan again by “ducking out for a smoke.” But as Jordan moves forward they notice something- “I began to stride over, readying for the inevitable complaints then hesitated as I saw something far more unnerving than the ugly costume that was capering with the groom in the middle of the group. There was a pair of heavy boots on their side, poking just inside the still open doorway. Joey’s boots, and they weren't moving. Just then the google eyes looked turned to me, and a puffy finger raised cheekily to its mouth.” So Joey was killed by Bonzo and all the while “the men had all started chanting “Bonzo! Bonzo! Bonzo”, stamping their feet and banging the tables in a circle around the pair in the center…” and the music kept getting louder. So loud that it began to sound distorted from the strain the song was putting on the speakers.

Out of all the Entities the Slaughter seems to have a pretty strong connection to music but The Stranger also has a strong precedent for music. For example, The Calliope in TMA is an artifact tied to The Stranger. In MAG 024 (Strange Music) it is mentioned that the instrument has "Be still, for there is strange music" carved into the cover of the keyboard. While The Slaughter’s connection to music is probably due to an association between rhythm and war (think the marching of an army or the phrase “drums of war”) as well as the fear of “violent” music, The Stranger’s connection to music seems to come from the idea of either strange unknown sounds or a song / sound that sounds really uncanny. It is noted by Jordan that Mr. Bonzo’s song grows louder and more distorted overtime which would mean that the song is becoming more and more incomprehensible as it would slowly change into a song with lyrics you couldn’t understand or identify as easily. It could also be that the song sounds uncanny in the sense that it is familiar in some ways but something is off about it.

Jordan tries to call for help on his walkie talkie but can only hear Mr. Bonzo’s theme blaring out of its tiny speaker. Jordan tries to warn everyone and get out but no one can hear him over the music. Bonzo takes the groom and begins to “dance” with him by spinning around faster and faster until Bonzo decides to rip his arms off and even as this act of gorey brutality took place the other party goers present continued to laugh and laugh until Jordan’s scream caused them to realize this wasn’t some sort of prank. Almost everyone begins to yell in terror but some yelled in rage and proceeded to attack Bonzo: “A few of the bigger guys picked up chairs or bottles and began to beat and slash at the thing. It didn’t seem to notice, its bulbous, bloodshot, eyes staying fixed on the groom’s body as it raised it overhead.” Bonzo then proceeds to continue pulverizing the body by smashing it against the ground over and over.

“For a split second, all was still but the music just pounded on, barely recognizable now over the distortion from the smoking speakers as those voices, no longer childlike, still chanted the words “He’s here to stay… He wants to play…”” “Then Mr. Bonzo turned towards us with its head bowed almost reverentially and everybody went silent. Slowly, awfully slowly, it raised its head, titling it coquettishly to one side. Then the seams across its face split revealing its gaping maw filled with even larger, sharper teeth.” Jordan admits that they don’t remember much about what happened after that but “I dream about it most nights. In the dream it digs through all those men to get to me, grabbing fistfuls of them and throwing them to smash against the wall. The strobe fires as its hands plunge into the pile of us and each flash shows a little less flesh between me and it, between me and all those teeth… finally everyone else is gone. I raise my arm to protect myself and it gently but inexorably lifts it into its mouth, smiles and bites… None of us was left whole but I was the luckiest. All I lost was a hand, it wasn’t even my dominant one.” The biting was set up previously in episode 10 when the transcripts mention “Gwen holds out the envelope and Mr Bonzo snatches it into his mouth, audibly chewing it. His teeth are not soft.”

Jordan says that they “told the investigators everything I know, doctors too. I don't know why nobody outside the room heard or saw anything, why the cameras weren't working, why it let me live. But I do know why there weren't any bodies. All I actually want is my hand back so I can tend bar but that isn’t going to happen is it? So I’ll have to settle for the next best thing and sue you for everything I can get, because I don’t know what happened that night but it was in your venue and no one came to help. Not Derek, not another doorman, no one. So yeah, you’d better have one hell of a settlement waiting for me, or I'll see you in court.”

While you could make an argument for themes of Entities like The Desolation, Flesh, Hunt, etc. I’m still going to primarily argue for Bonzo being tied to The Stranger or a similar Entity due to what we see in his previous appearances. For the sake of clarity, if there is any debate about what The Stranger embodies in MAG 200 it is stated “And as they learned to know their friends and kin, so too did they learn to fear the unknown figure, the coming of the stranger” and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” while in MAG 111 (Family Business) Jon says “The Stranger is the unknown. The uncanny.” and Gerard doesn’t correct him.

However, a lot of Mr. Bonzo’s behaviours in previous episodes resembles The Stranger (and The Stranger has violently attacked or killed people in the past). Mr. Bonzo is also described as being a clown. Something we know The Stranger has a precedent for manifesting as, probably due to both the idea of the uncanny valley being achieved with a costume or makeup and the idea of a traveling circus full of strangers you don’t know from out of town in addition to a clown costume acting as a disguise that can obscure whoever is wearing it. Not to mention that Mr. Bonzo is described as a suit, which could very easily connect to an Entity like The Stranger. Firstly, The Stranger tends to have a big emphasis on wearing things like skins and suits. Additionally, Gwen mentions in episode 11 “That… abomination wasn’t a costume. That was skin. It was sagging, it was sweaty!” and we know The Stranger has a tendency for wearing skin, skinning things (such as with taxidermy), etc. as a form of disguise, in order to hide itself, or to metaphorically rob something of their identity.

This also applies to costumes in general since usually wearing costumes or disguises can actually obscure who is wearing them and thus their true identity is unknown. There’s also the fact that costumes themselves can easily fall into the uncanny valley. Ever since Five Nights at Freddy’s became popular there’s been an uptick in horror media focusing on how creepy and uncanny things like animatronic suits can be. Not that Mr. Bonzo is an animatronic but it is a suit. Also, Bonzo apparently has hard teeth and having solid teeth on a suit could look uncanny.

The surprise gift and sudden appearance of Bonzo that others assume is some sort of surprise or prank could also tie into The Stranger and the idea of something mysteriously appearing or not being expected. Bonzo was originally made to prank celebrities. As Nigel explains in episode 10 that his produce ““inviting a famous person on, someone really serious, and we tell them we’re going to have them do a segment with a popular children’s entertainer. Now, obviously these folks won’t have any idea about what kids are actually watching, so we could come up with the most horrendous thing, claim kids loved it and see how long it took for the guest to realize that they were the joke. That they’d been “berried”” and “The problem with a surprise prank is that doing it on Saturday night primetime means pretty soon everyone knows about it, and the guests knew it was coming. A couple even requested it. So the prank part of it sort of died, and he just became an SOS mascot. One of my many tormentors in the dungeon. By the end we’d even retired Mr. Six, and it was all Bonzo.” Once again, a focus on surprise and I think it’s interesting that Bonzo loses his punch the more people know about and understand him. Bonzo is a character that thrived specifically on the guests not knowing who he was and did. So a potential relationship with the unknown again.”

In episode 10 Nigel says to Gwen ““Try not to stare. He doesn’t like it when people stare.” Which could relate to The Stranger. While all the Entities are connected, overlap, and need each other for a ritual bringing them into the world to work, with even seemingly opposing Entities bleeding into each other or having overlapping fears, The Stranger can often have an antagonistic relationship with The Eye and forms of being known. The Stranger tends to thrive off the fear of being unknown so staring at something aligned with The Stranger might make it react negatively. In MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” In MAG 165 (Revolutions) Not-Sasha says this in regards to The Eye’s Post-Change world “Do you know how it feels? To be – anonymous? And yet known! To have all the sweetest dread I can create tainted by the relentless gaze of that damned Eye. I’ve suffered enough.” So if my theory that Bonzo is tied to something like The Stranger is correct, that could explain a potentially negative reaction to being looked at for too long since aspects of The Stranger often don’t like it when people try to figure out what they are. This could ring extra true if it does turn out that the OIAR is somehow connected to The Eye.

Bonzo’s eating and biting could potentially be linked to The Stranger’s tendency for odd uncanny behavior, like that time Breekon / Hope ate a butterfly. The fact that this monster looks like Bonzo could also be related to the idea of the uncanny, since he would resemble Bonzo but behave and look a bit off. Also, it seems hard to tell if Bonzo is a costume or a monster resembling a costume which makes it harder to know what he is for sure, and The Stranger loves playing up mystery (think how we never know which character is Breekon and which character is Hope from Breekon and Hope in TMA, and Jon describes one of them as “one half of Breekon and Hope”). Also, Bonzo can only say his name which means you never really know what he’s saying or talking about.

Bonzo killing everyone in the room but leaving someone alive is not a completely unheard of idea. The Entities in general often seem to leave witnesses if in doing so more fear is generated and we see creatures like the Not-Them kill and replace people while ensuring that at least one person remembers what the original persona actually looked like even if no one else does. The reason for this is because if the Not-Them’s disguise was perfect and changed every bit of memory and evidence then there wouldn’t be anyone to be afraid of the idea that someone they know has been replaced by a stranger.

Jordan mentions “I don't know why nobody outside the room heard or saw anything, why the cameras weren't working, why it let me live. But I do know why there weren't any bodies.” which emphasizes his confusion about what’s happening. While confusion is often tied to The Spiral, in this case it stems from a bunch of unknown factors and variables, like why there were no other witnesses and why the cameras weren’t working.” As far as there being no witnesses and the cameras failing to work, the Entities are known for usually being on the downlow and not common knowledge but Entities like The Stranger tend to thrive off the fear of mystery and have a precedent for things like mysterious disappearances or hiding people / things. The Calliope I mentioned earlier mysteriously disappeared from the Institute’s archives at some point in TMA and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” Jonah specifically mentions that The Stranger has a connection to “the hidden” among other things. In MAG 102 (Nesting Instinct) Jonah even says that The Stranger essentially hid Jon from him when saying “I was doing everything in my power to locate you. Everyone was working on finding the ritual site.” and “[Irritated] I am sorry, John, that my powers have not yet reached the level of omniscience.” Jordan does say that they know why there weren’t any bodies which implies that Mr. Bonzo probably ate them.

Jordan having trouble remembering exactly what happened actually does have a precedent with The Stranger since the Entity does have connections to memory loss or a loss of identity. In MAG 165 (Revolutions) we see Not-Sasha watch over a Domain that takes the form of a merry-go-round with people fighting over faces. People with no faces must fight over the faces of others to rip them off and regain some sense of identity. When they lose their face it is said “And soon enough they will forget they ever even had one, rest assured; it’s best to step the dance and keep your face secured as much as you are able. Just. Keep. Running.” Jon and co also face memory loss when they interrupt The Stranger’ ritual in TMA and forget who they are and what they are doing for a period of time.

Some other Entities this statement parallels are that of The Slaughter (with sudden brutal and gory violence), The Flesh (via bodily disfigurement by way of losing a hand, Bonzo being described as releasing “some vile mixture of putrid water, rotten foam and rancid meat.” when cut at some point, and Bonzo biting into people), The End (a lot of people brutally die), The Corruption (from the aforementioned vile mixture pouring out of Bonzo), and even The Eye (with the strange and horrifying dreams Jordan is forced to relive over and over resembling how people who give Jon live statements are forced to relive said moments in the form of nightmares over and over). Like always, I have to at least touch on the fact that The Eye doesn’t seem to just be the fear of being watched but also being a witness to something you don’t want to see. Jon can force people to recount and relive terrible moments, Jonah can force information into the heads of people like Melanie and Martin, and in MAG 200 The Eye is stated to have been born from the fear of one’s own eyes showing them too much.

All this being said, I still think the OIAR is somehow connected to The Eye. There’s the cases being like statements but also the fact that they supply sensitive information (such as names and locations) to things like Mr. Bonzo. People like Jonah could almost always know one’s location thanks to their Eye powers and The Eye is connected to the fear of someone / something knowing too much about you (such as knowing where and who you are). I wonder why Bonzo was sent to kill this particular groom when he was just partying? Did the groom know something or overstep some line or was the groom just some sort of offering to appease Mr. Bonzo? How was this person’s name and address obtained? Was it just mundane tracking or something closer to Jonah’s clairvoyance? Nigel acted like he was doing the OIAR a favor so right now it seems like this was a target decided by the OIAR and not necessarily Nigel. Unless you want to argue that the “favor” is aiding in keeping Bonzo pacified, under wraps, or something potentially more mutually beneficial. I wonder if Jordan’s dreams are somehow connected to being directly involved in a case or facing an External of the OIAR? It could also simply be that Jordan is traumatized.

We cut to Gwen and the transcripts say she “is sat at her desk, stunned by what she has just heard.” and she only says “Jesus Christ…” I wonder if this is because the case is unusually brutal or gorey when compared to most others or if she realized there’s a connection between the letter she delivered and what happens in this case. Considering what Lena said it's very possible that some of the cases the OIAR gets are connected to the activity of their own Externals (such as Mr. Bonzo).

ALICE CONT.

“Gwen? Hello?”

GWEN

“(dazed) What?”

Getting sucked into a statement like this and statements having a negative impact on one’s mental state are both things we have seen in TMA. Jon had a hard time stopping once he started a statement and at one point Jon expresses worry that Martin was listening to a bunch of statements for Peter Lukas and his plan in regards to The Extinction. Although, it could be that Gwen is merely shocked.

Gwen explains that she met one of the Externals but Alice seems to think Gwen is just referring to some annoying assholes as opposed to any supernatural monsters that takes the form of beloved childhood characters.

Gwen seems to finally wonder the question that I’ve been wondering for a while now:

GWEN

“What do you think we’re actually doing, here at the O.I.A.R.?”

ALICE

“Apart from mortgaging our mental health for a wage packet?”

GWEN

“We’ve both been here long enough to know this place. We’re not doing good. We’re not just sifting random data. There’s something wrong here.”

ALICE

“What are you getting at?”

GWEN

“You never wonder what the point is? Who benefits from all this awfulness?”

ALICE

“I don’t wonder. I know.”

GWEN

(sitting up) “What? Really?”

ALICE

“(portentous) Oh yeah. I’ve known for a while. What we’re doing here, it’s all part of a grand plan to satisfy one of the most unspeakable evils known to mankind... “

Gwen’s on the edge of her seat.

ALICE

“(almost a whisper) …the UK government.”

In TMA the point of the Institute sifting through statements and stuff was twofold. Firstly, to feed The Eye but also to set up the lynchpin for The Eye’s ritual with the position of the Archivist. I wonder if something similar is going on here but I can’t say since while you could argue that being an Externals Liaison is like the Archivist and shares the role as being a “living chronicle of fear” (especially since Lena remarked that Gwen should show fear via screaming because Externals tend to like that) Gwen had to blackmail her way into that position. I have no idea who was the Externals Liaison before her or if there are other Liaisons, if there even was one(s) before / with Gwen at all. Also, unlike the Institute, the OIAR is explicitly connected to the government and is meant to respond to things (not just watch). So it’s very likely that the OIAR has a role that is different from just “The Mass Ritual / Institute 2.0.” They could still be gathering fear related to the statements and being observed like the Institute in TMA though. However, even the Institute still wanted the Archival staff to do a good job following up statements and stuff. Jon tries to reorganize the Archives after Gertrude purposefully left them disorganized and Tim corrects Jon about some errors he made when reading some statements. The OIAR doesn’t really seem to care how well or poorly their workers categorize the cases and I don’t know if anyone checks.

Alice’s joke about the greatest evil known to mankind being the UK government feels like foreshadowing considering that the OIAR, and by extension all the Externals like Bonzo, are connected to the government.

Alice’s comment “Apart from mortgaging our mental health for a wage packet?” references how stressful this job seems to be.

Conclusion

Yeah, idk. This was a very simple episode overall and it mostly just seemed like it was following up Lena’s point about paying attention to the caseload.

Okay, hold on, before I end this I figured I should actually try to look at the voices in the computer system a bit more closely, since quite frankly, like with the alchemy symbols, I’ve admittedly been neglecting them and not focusing on them as much as I should have. This is because I actually couldn’t tell if there was any kind of correlation between the voices and the kinds of cases they read but a video by Maddie’s Maxis called “This Channel's First Video - The Magnus Protocol Analysis and Theories” (which you can view here This Channel's First Video - The Magnus Protocol Analysis and Theories) hypothesizes that there is actually a correlation. As we all know two of the computer voices sound like Martin and Jon and Maddie argues that the kinds of statements the voices read correspond to something that had to do with the character. For example, in theory NORRIS (Martin’s voice) tends to have statements relating to self-loathing and loneliness. I don’t know what they are feeding Maddie but Maddie is potentially cooking here. So I decided to glance over at some of the statements and see if there are any patterns.

I’m going to start with the theme that seems the most concrete in my opinion. The cases that NORRIS (Martin’s voice) reads seem to often be tied to themes of isolation, losing loved ones, or feeling abandoned. I should make it clear that while I know Martin in TMA is connected to The Lonely I am not saying all the cases NORRIS reads are connected to The Lonely. The mere presence of feeling alone or isolated doesn’t automatically make a statement Lonely related in the same way someone dying, getting attacked, or something taking place at night or in darkness automatically means End, Slaughter, or Dark respectively. Also, it’s important to remember that every Entity, even seemingly opposing ones, have overlap, shared fears, commonalities, etc..

But let’s look at the cases to see if this pattern is really there. The case NORRIS covers in episode 1 involves the Anglerfish, or something resembling it, killing and replacing their romantic partner. Harriet even says “And that voice I have loved for twenty years answered: “Some of him.”” So loss of a loved one.

In episode 3 NORRIS covers a case in which Dr. Samuel seems to feel immense guilt and sorrow about the death of Maddie. Once again, the loss of a close loved one.

In episode 8 NORRIS goes over a report Terrance submits about the effects of brutal liminalism. While no one dies or is replaced in the actual events of the case, Terrance does mention “originally took my role as a night janitor at Forton following a protracted divorce which cost me the majority of my friendships.” So while their partner isn’t dead they did lose a loved one, and if you read my thoughts on that episode you know that I actually think the case has a lot of similarities with The Lonely. The fog, the vaguely familiar but impossible to understand gibberish, people with repeating features, being isolated in a dark void, etc.. Even if you disagree that it’s The Lonely there is still a connection to themes of losing someone close and being alone.

If there was an episode to disprove this theory it would probably be episode 12 since it’s just Bonzo murdering a room full of people. Jordan does say “I don't know why nobody outside the room heard or saw anything” and earlier in the case they mention that they believed their coworker by the name of Joey the doorman might have ditched him again but this definitely feels a bit more like a stretch. Jordan does seem to blame the establishment for what happened and this is because from the perspective of Jordan no one came to help despite how obvious and loud the commotion was. Which could maybe tie into the idea of being abandoned or left alone but this is definitely pushin it and it’s clear that our understanding of what kinds of cases each voice reads might expand as the series goes on.

Maddie argues that CHESTER (Jonathon’s voice) seems to usually cover cases related directly to the Magnus Institute. Which is generally true, CHESTER covers the cases of RedCanary spelunking in the Institute’s ruins in episode 1, and the gambling dice being submitted to the Institute in episode 9 for example. But CHESTER also covers the case about Tom wanting to watch Voyeur in episode 5, the case regarding Hilltop Center in episode 7, Gordon’s encounter with the tattoos and Ink5 during construction in episode 11. It’s very possible that these are just related to the Institute in ways we don’t understand yet, for example some of the characters that appear could be members of the Institute or something, but in my opinion this definitely throws a wrench into some things.

CHESTER seems to have a stronger case for a theme of curiosity and a desire to know in general as opposed to just the Magnus Institute. RedCanary investigates the archives out of curiosity, Tom really wants to see the Voyeur movie for their blog, the narrator explains that they experimented with the gambling dice to figure out how they worked, and Gordon keeps talking about how they “just need to see it. I need to know what’s in the water.” As I’ve mentioned previously, The Eye also has a major emphasis on a desire to know and understand something even if it comes at the cost of yourself and / or other people. Hilltop Center still seems like a bit of an outlier here but while Dianne isn’t spelunking through ruins or anything she does mention that she was looking for people to help her work at the center. Which, while a bit of a stretch, could fit with a theme of curiosity or desire to know in the case of Chester. Or at least the idea of something being searched for as a theme at least.

If you wanted to argue that CHESTER actually related to things being looked for you could say that the case about the gambling dice revolves around the narrator giving the Institute artifacts, and they even say “So yeah, I tell you all about them, how I got them, all that crap and you just… You take them away, right? You accept them? Good. I think. I’m pretty sure that’s how it works. It’s how it worked for me, at least. Put them in whatever vault you like, bury them, drop them in the ocean, for all I care. All that matters is that they’re yours now.” So you could say that the Institute was looking for artifacts. You could also argue that the narrator was looking for people to roll the dice, looking for good luck, or started making their way towards Gary when they found him.

AUGUSTUS has a voice I am not familiar with (and we will get to the popular theory in a moment). I can only recall AUGUSTUS voicing one case, I might be forgetting one or something, so I don’t have a lot to go on. AUGUSTUS could be covering really old statements, as Sam notes the one in episode 4 is from the 18th century, or statements revolving around others climbing their way to their top and doing whatever it takes to do so. It’s kind of unclear until I can see some more AUGUSTUS statements.

There’s also some obvious character associations with this theory. Martin, someone connected to The Lonely, has statements reflecting some kind of isolation or abandonment, Jon, the Archivist with a strong tie to The Eye and someone who was strung along while trying to solve Jonah’s plan and learn the truth about the Entities, has statements involving extreme curiosity or people looking for things, and Jonah, someone who is really old and ruthless (so ruthless that they made the world a fear hellscape in an attempt to avoid death), has had a statement taking place in the 18th century involving someone giving a blood sacrifice to play violin super well.

There’s a popular theory going around that the three voices in the computers are actually Jonathon, Martin, and Jonah, and this definitely seems like one of the more credible theories floating around the community to a degree. AUGUSTUS’ unfamiliar voice could be the voice of Jonah’s original body. Jon, Martin, and Jonah were all in the panopticon when the Change ended which could be the event that got them tied to the computers. It could also have to do with being the pupil of the Eye somehow. Jonah and Jon were both the Eye’s pupil at some point and Jon got his position by killing Jonah to take his spot. It’s possible something weird happened like Martin was about to become the Eye’s pupil after removing Jon from the position, giving them this common link, but I can’t say for sure.

Maddie also points out another big thing to remember in the video. I have mentioned that Annabelle seems generally right about what happens to the Entities’ various Monsters and Avatars after the Entities get pulled into the next universe. Monsters, like potentially the Anglerfish, presumably get sucked into the new universe since they are part of the Entities. Other people may or may not get sucked into the universe depending on how attached they were to the Entity. It’s also possible that they will always just be left behind. However, Annabelle also mentions that it’s possible the Entities will take the aspects of a person that are connected to or are a part of the Entity. So, it’s possible that the parts of Jon, Martin, and Jonah in the computer are not them in their entirety but merely specific aspects of their personality or being. It could literally just be their voices taken by one or more Entities for all we know.

We also know that some Entities, like The End, seem capable of making copies or “memories” of people after / when they die. In MAG 154 (Bloody Mary) Eric states “I know that I’m not really Eric; I’m just a memory someone wrote down. It hurts, most of the time. I don’t like it.” So one could argue that the voices in the computers are not the fully sentient original versions of Jon, Martin, and Jonah but “memories” or copies created by one or more Entities. This could also explain why the third voice might be Jonah even though Jonah potentially died before the Entities jumped universes. This voice could simply be The Eye’s metaphorical recollection of Jonah or Jonah wasn’t completely dead when the Entities switched universes. This also means that the voices in the computers could be more malicious than we first assume if there’s a chance they are in actuality not Jon, Martin, and Jonah or are in truth aspects of The Eye or bits of their personalities trying to achieve a specific goal.

As I’ve mentioned previously, the cases the voices read out don’t seem to be completely random. The second Sam is about to give up his search for the Magnus Institute CHESTER spits out a case that is perfect for reigniting his curiosity with the addition of a new clue, and when Celia takes the job the first case she gets is about Hilltop Center (which could relate to Celia’s questions about multiversal and time travel). I still can’t say if the CHESTER or any other of the computers are trying to help Sam or use him for more nefarious purposes.

I’m not super confident about this being the patterns the computers follow at the moment because frankly there isn’t a lot of cases to go off of, and I need to see more AUGUSTUS. It’s also possible that the cases are more variable or context dependant. What the voices read could depend on the person at the computer, for example: it’s possible CHESTER reads a bunch of cases connected to the Institute because that’s what Sam was most interested in. There are also some cases we don’t have enough context behind yet, for example the mysterious figure in the Hilltop Road case could be connected to something like the Institute in some way, or that some of the voices focus on certain Externals Liaisons, people, etc..

If you want another TMAGP theory video to watch here’s one by Pinkelotje: https://www.youtube.com/watch?v=MX51EHLy7BQ&ab_channel=pinkelotje.

#tmagp #tma #the magnus protocol #the magnus archives #theory

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ordinaryschmuck · 9 months

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Why I Love The Owl House-Part One: The Characters

Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

Back in 2018, when The Owl House was announced, I didn't think much of it. I looked at the teaser poster and knew that it would be a show that would gain a following, but I didn't think it'd appeal to me specifically. Then, in January 2020, just before the world made an oopsie, I saw that Disney Channel uploaded the show's first episode on YouTube. Having finished my homework and studying at the time and having nothing better to do, I clicked it out of morbid curiosity to gain a first impression of this series. And I'm not kidding when I say that the second the episode ended, I said, out loud, to myself, "I think I just found my new obsession for the next few years."

Yeah, I went from thinking the show wouldn't exactly be my thing to being obsessed with it. And obsessed I was! I wrote fan fiction and reviews and even drew a handful of fan art you are NOT allowed to look up due to how bad it is. The Owl House, with no exaggeration, also changed my life as it gave me quite a decent following on Tumblr for thoughts and stories I've crafted regarding the show and even gave me a new friend or two to share those same thoughts and ideas together. One of my closest online friends is someone who once reached out to me as a proofreader for a fic I wrote once upon a time, and I probably wouldn't have talked to them if not for The Owl House. I owe so much to this series that I adore that to explain what makes it so great...can't be done with a single review. I even considered writing a long review after Season One ended but gave up on the idea after realizing there's so much to talk and praise about the series. And that was with Season ONE! That was before Season Two made the show more spectacular in nearly every conceivable way!

So, yeah, we're gonna have to do this in parts, each dedicated to a specific theme. However, before we discuss THIS review's theme, I should get one thing out of the way: I'm not just going to praise The Owl House in every single review. There are problems to be had with the show, and I can't ignore them because the praises are stronger. I love The Owl House. I wouldn't be doing this if I didn't. But it's because I love it that I have to point out problems as they come because to truly love something means to take the bad with the good. And while there's a lot of good, there's still some bad worth mentioning.

With that said, let's finally begin by discussing the backbone of any series: The characters. And BOY, does The Owl House have a LOT of great, well-written characters, to the point where I initially considered that there wasn't a bad one in the bunch...I say initially because I finally woke up to how much I despise Tibbles (Yeah, wait until we get to him). Although, know that while discussing characters, we're not talking about one-offs like Bria and her lackeys in "Through the Looking Glass Ruins" or ones who weren't named in the show, like Amelia and Cat. We're focusing strictly on frequent players and fun side characters that nail the short time they appear. And we're also going in order from my least favorite to my most favorite. And just know that this is in order based on how good they are as CHARACTERS and not as PEOPLE. There’s a difference, and I’ll be able to explain as I go.

Now, without further ado, let's begin this wild journey together with the worst character in the series.

(Also, be warned, this is going to be the LONGEST post you’ll ever read. The Google Doc is 33 pages long…)

Tibbles: Yeah, really no contest here.

Tibbles is, quite frankly, the only character that I consider inadequate. I get the idea the writers were going for: He's a secondary antagonist for lighter adventures amongst heavier ones. The problem is that type of character does not function for a show like The Owl House, a series where the writers were told they'd be cut for time while working on Season Two and having little time for lighter tales. Maybe if the show had enough room for twenty more adventures or if The Owl House had a slight lean toward episodic misadventures like Amphibia, Tibbles might have functioned better as a comedic villain that occasionally screws with the main characters for filler. But because The Owl House has so much to do and would eventually become a series with no time to do it, Tibbles becomes more annoying when he distracts from the plot. Fortunately, he's only in three episodes. Unfortunately, Tibbles never becomes as entertaining as he could have been. He has one good capitalism joke, and that's all the good I can say about Tibbles. Let's move on…

Jacob: Another secondary antagonist that would have worked better if the show had more time. Maybe make him a constant threat (read: annoyance) to Vee or the rest of the Hexsquad while they're stuck on Earth. Instead, he's nothing more than a one-and-done threat who makes a singular cameo in the best episode of the series ("Thanks to Them"). At least Jacob being a crackpot conspiracy theorist is kind of funny. Otherwise, he'd be lower than Tibbles.

Perry Porter: He has next to NO character. Barely even a scrap.

He’s the father of one of our primary characters, and Perry has NOTHING going for him other than that and being a reporter. At least he’s not annoying.

The BATs: Yeah, might as well lump these three together because they started off making you think they'd do SOMETHING, only to have very little to do with the plot, with only one of them having a definite personality (It's Amber, and I love her).

Katya's kind of fun as this weird fanfic writer who has a hint of appreciation of showmanship, given how she very clearly wrote Raine's speech. But then you also have Derwin, who's so forgettable that I know for a fact that you had to Google his name to remember who Derwin is. These three are a mixed bag of sometimes being fun yet forgettable, to the point where I don't blame the writers for forgetting their existence when it came to the rest of the series. A shame, really, because there could have been something interesting to explore with this secret resistance organized by Eda's ex. The problem is, just like Tibbles, there's not enough time for characters like the BATs to flourish. They're missed potential, sure, but that doesn't make them bad. Just less than remarkable members of this very extensive cast.

Gilbert and Harvey Park: Have slightly more personality than Perry with Gilbert having more of a playful and laidback side to him and Harvey being the more serious and worried of the two. You can see glimpses of this through the little details like Willow falling onto Gilbert in that swinging memory in “Understanding Willow.” Gilbert laughs with Willow while Harvey looks a little worried. That’s sweet. They balance each other out.

Also, they’re gay, and gay characters are always better. It’s why they’re a step above the BATs. NEXT!

Warden Wrath: He has the same problem with Tibbles and Jacob, where Warden Wrath is a secondary antagonist in a show that doesn't really have the time for him to be as effective as he COULD be. What makes him BETTER is that Wrath is at least funny. Like, the man chopped off Eda's head and then asked her out. That's humor, baby.

Also, he's a good dad to Braxus, so...you know.

Though I will admit, I'm surprised how little a role Wrath played in the show. In "A Lying Witch and a Warden," he gave off main antagonist energy with his look and menacing demeanor. Turns out he's just a throwaway character, and that's for the best. He doesn't overstay his welcome, never distracts from the plot, and has a few hilarious lines and moments. Not the strongest threat or character, but decent's good enough for me.

Kikimora: I might be the only person who doesn't hate this little gremlin, and even I have to admit she's not that great.

Don't get me wrong, I adore how insane she acts and how obsessive she can be in wanting to beat Hunter, specifically. She has a lot of fun moments and, weirdly, looks adorable when not wearing a cone of shame. She has her fun moments...but fun enough to be a recurring antagonist throughout the series? To the point where the characters have boss fights with her in three prominent episodes?

I...don't think so. I like Kiki just fine, but only in spades. Her voice can get grading after a while, and you do get sick of her obsession with the Emperor's coven given time. She's at least funnier than Wrath, though. I will ALWAYS stand by that. But that's not enough to get her higher.

Adrian Graye: He's yet another secondary antagonist that would have benefited from more time...I'm noticing a theme here.

Eh. Either way, this guy's great. His whole schtick is being a bad and nitpicky director, and that's funny to me. It's what I would expect from the head of the Illusions Coven, who are witches best defined as ones with a sense of showmanship. Some might find Adrian annoying, which...yeah, he's kind of intended to be. But I get it. Not everyone would laugh at this guy as much as I do, and that's okay. Comedy is subjective, after all. My only complaint with Adrian is that we don't see more of him. He's too fun of a villain with an equally entertaining concept to be wasted as a one-and-done antagonist that resorted to only cameos in the future. Still, if the worst I can say about a character is that I want more of them, is that actually a problem?

Tinella Nosa: Also known as Dana Terrace's self-insert. She's used primarily for comedy, and thank goodness for that. I don't know if I would have appreciated this character as much as I did if Tinella was best friends with the main cast or had some stake in the plot. In fact, the one plot and subplot that feature Tinella in a prominent role was some of the worst the show has ever had. Thankfully, she's mostly a character for random comedic bits, and I really wouldn’t have it any other way.

Barcus: Another character whose primary purpose is to be funny. At least Barcus is a dog that radiates stoner energy, giving him a ton more bonus points.

Braxxus: ALSO a comedic character, but is only better because the joke's funnier. I mean, Braxxus is just a character who's a little toddler that looks and sounds disturbing. How can you NOT laugh at that?

Eberwolf The Huntsman: Quick aside: Was anyone going to tell me that Eberwolf was apparently a man, or was I supposed to find that out for myself? I mean, shame on me for assuming genders, I guess...But I'm pretty sure I wasn't the only one on that.

Anyways, Eberwolf is fine. In the short time he's in the show, Eberwolf offers great humor by being this feral little rascal that primarily annoys Darius. Not much to say other than that, and I doubt having more time would benefit Eberwolf. He really does scream "Comedy Relief" to me, and sometimes being entertaining is enough. Not everyone needs depth.

Boscha: Speaking of depth, I will forever stand by my claim that Boscha worked better as a one-dimensional bully than a three-dimensional one. Sure, three-dimensional bullies can be interesting because it leads to us learning why they do their harsh acts and that there are reasons why they're bad kids...However, that's why we have Amity. And for a redeemable bully like HER to work, you need an irredeemable one to show up to prove that not every little s**t can be better with time. Some are just sadists for no reason. And that's where Boscha comes in as a bully that knows full well she's hurting people but doesn't care because her only justification is that they deserve it. Why? Because Boscha believes she's better than them. That inflated ego makes her the perfect mirror of what Amity could have been and causes Boscha to be the best rival to Willow. Willow starts off with confidence issues, where even though she gains more of a boost thanks to her friends, there's still lingering self-doubt in the back of her brain. Boscha lacks that. She may do some affirmations to her reflection, similar to what Willow does in "Any Sport in a Storm," but while Willow briefly second guesses herself, Boscha says every word as if she knows its universal truth. So when these two go up against each other, it's great because it allows Willow to prove that she IS the best while proving that Boscha's the worst. It was perfect, and it's why I had no issues with Boscha remaining one-dimensional...But then the writers had to SCREW IT ALL UP!

Now, don't get me wrong. Revealing that Boscha had codependency issues with Amity and Boscha's other friends is interesting. There's just one problem: They introduce this idea in the second to last episode of the series. There's next to no time to fully flesh it out, leaving Boscha with a character arc that feels both forced and rushed. It might have been better if this idea had been established from the beginning instead of using most of that time writing Boscha as a one-dimensional bully with no depth to her. I still say she's entertaining, but maybe the writers tried TOO HARD with her.

Matt Holomule: But sometimes, it's better to try for a character that used to be the most universally hated.

How in the hell did I go from hating this little stink rat to being genuinely entertained by him? He's not my favorite or anything, but, like...compare Matt's first appearance with his last. He was an insufferable little prick who caused problems for Luz and Gus all because Matt wanted power and drama. That's it. Just those two things: Power and drama. Yeah, those are not great motivations for a character.

In fairness, it was clear we were supposed to hate Matt, and humor comes from watching him fail miserably. The problem is that he didn't do it enough, and while I'll laugh at the little stink nugget getting messed up at the end of "Something Ventured, Someone Framed," Matt still won by the end of the day, getting everything he wanted. He just got a little messed up along the way, is all. So while the idea is there, it's not strong enough to make the character entertaining.

But then the writers decided, "Hey since we're not going to try with Boscha, let's try SOMETHING with Matt." And it worked! "Through the Looking Glass Ruins" showed why Matt was such an insufferable, slimy weasel because he attended a school where the more powerful received more respect. Matt never got that in his old school, so he tried again in his new school, looking for power and drama because it's all he knows. Then by "For the Future," not only is the guy actually competent, but he's hilarious through false bravado and not being smart enough to know that he's been crushing on a robot. It's a huge improvement...but only from a character that makes three primary appearances and sucks with one of them. A character who's decent two-thirds of the time isn't too bad, but that still doesn't make him high up on my list, where characters are better for far more than that.

Viney: Or a character that has a better vibe despite...barely having anything to work with.

Viney...is insane. She dumps friends over the tiniest of misunderstandings and uses her griffin as an assistant for everything. She's clearly not well in the head...and that's what makes her entertaining.

Vine is a looney nut who might be unaware of her crazy actions. It's good fun, but the problem is that there's not enough of it. Like Matt, Viney has very few prominent moments in the series, and you can tell she's not as entertaining as she could have been. If the writers went all the way with her insanity or made her a character that's the textbook definition of "zero chill," you can bet Viney would be one of my favorite characters. As is, her craziness is only...a scrap of what could have been a great personality. I like her, don't love her.

Jerbo: Jerbo's higher because he has more of a well-defined personality. And he wasn't instantly unlikable, so...

And that really is all there is to say about Jerbo. He's fun as a fearful boy down on his luck and has a bit of intrigue with how he wanted to change the coven system forever. And he does, which is honestly pretty cool. Still, not a lot to make him higher.

Owlbert: Hey, look! It's a character that had a ton of prominent appearances in Season One and was all but forgotten in every season after!

This is a shame because Owlbert is one of the two palisman in the series that feels like a genuine character. The others are cute (my favorite is a tie between Ghost and Stringbean), but Owlbert, for a few episodes, felt like a prominent member of the cast with his loyalty to Eda and the connection formed with Luz. In fact, he and Luz had such a great connection that, for a while there, I assumed the show would do a thing where Eda passed down Owlbert to Luz as a form of passing the torch from the master teacher to the master student. But that didn't happen, which I can be fine with because Stringbean's perfect, and I will not hear any argument about it.

Still, it's weird how Owlbert showed up a fair amount of times in Season One, even having an entire episode dedicated to him, only to be forgotten and discarded by the time Season Two rolled around. And I know someone who'll be mad about that.

Bat Queen: And she's a character that had her own kind of potential only to be forgotten in Season Two. Only in this case, I'm willing to be more forgiving toward Bat Queen. It sucks that we'll never fully know who her owner is, but that always felt like a minor story beat for someone who wasn't that major of a character. Or, at least, someone who never had TIME to be a major character. The Bat Queen had intrigue as a discarded palisman who dedicated her life to looking after abandoned ones, but someone like her doesn't really have a place in the grander story of the show. Plenty of characters in the series have good reasons to have their stories continue or their personalities develop, whether having close ties with a main character or having a narrative purpose. Bat Queen doesn't really have either of those things, so it's why I'm not someone who’s losing sleep at night just because she has this engaging backstory brought forth but never followed up on. I'd still like to see it, but I always knew that after hearing Disney shortened the show, it was always going to be the Bat Queen's story that would fall on the cutting room floor. Missed potential for sure, but at least we had an interesting character for a short while.

Odalia Blight: And the winner for the worst mother of the year goes to--Yeah, I know. An easy joke to make. But I can't help it! It's always served on a silver platter!

Anyways, Odalia's the worst. Yet that's what makes her the best, funnily enough. She's the most snobbish snob that's ever snobbed while having zero respect for other people, least of all her family. You hate her with every fiber of your being, and you cannot wait to see her fail miserably despite trying so hard to reach the top. And Odalia absolutely is a character one loves to hate. She called Amity and her friends into the office and soon scolded Amity for not being in class. It is a challenge to make someone that kind of entertainingly despicable, yet the writers nailed it. However, they might have worked too hard to make us hate Odalia and not enough to deliver her just desserts.

I have no problems with Odalia being an awful mother, wife, and overall person throughout the show. I figured it was only a matter of time before she got hit in the face with SOME karma that would make it all worth it. Sure, it was nice to see her bend to the whim of a literal god that craved pizza bagels, and I do love that Belos, who values life less than her, didn't even want to use Odalia as his meat puppet. Still, she deserved worse. After everything Odalia did and the bridges she burned, it would have been nice to see either Amity or Camila knock her lights out for being a terrible mother. Hell, we even saw Kikimora doing community service and grunt work after her crimes, so it would be fitting to see Odalia right there with her. Or giving her SOME punishment other than making the last time we see her being Odalia standing off to the side and acting like she doesn't care that she lost everything. And that...doesn't feel right. After everything Odalia's done, we, the audience, and her family, deserve to see Odalia receive the worst punishment she had coming to her. Maybe not death or even going to jail. But SOMETHING is better than nothing. She was entertaining, but being so goes only so far without a proper failure.

...But at least she's hot. I know that's out of left field...but we all know it's true...Camila's still hotter, though.

Gwen Clawthorne: ...At least she's a better mother than Odalia?

Alright, I might be the only person who doesn't hate Gwen like others in the fandom, just like with Kikimora. But unlike Kiki, Gwen has much more to like...at least to me. Yeah, her falling for scams isn't great, and realizing the error of her ways could have been done better if not...quickly paced, but I don't mind her. Upon her introduction, it's clear that Gwen wants to try and help Eda with a vile curse. She may have been a bit hostile with her wording, but we soon learn that the curse not only turns Eda into a savage beast but one that clawed Gwen's husband's eye out and ruined the family business that's been around for generations. You can't really blame Gwen for being...agitated about the curse. Or wanting to try anything and everything to cure it. Yes, Eda's curse is often used as an allegory for a chronic illness. And a pretty decent one at that. But sometimes, with a story, you have to remove the allegory from what's shown, and doing so helps you gain more of a perspective for why Gwen reacted the way that she did. Was it right? Well...Not really. I guess she could have seen sooner that she should have been there for Eda instead of scaring her off, not to mention the damage Gwen caused in her debut appearance, but Gwen was at least quick enough to come around and realize what she did was wrong, and APOLOGIZE. Most parents like her won't be that easy, obviously, but another thing about fiction is that you have to realize that it's...fiction. Not everything equates to real life, and you should accept a character's choices and actions if it suits the story. Not many kids can do that, sure, and that's where the hesitation fits, but I think Gwen's kind enough to prove that she's worth believing in. She still spent years trying to help Eda, even if it was misguided, and was ready to kill the guys scamming her. Gwen is not a bad person. Her heart's mostly in the right place despite the troubles she caused, and I'm willing to bet she learned her lesson in the end. Just listen to her speech to Eda (and a little to Lilith) near the end of the episode. That's a mother's imperfect love if you ask me.

Masha: Admittingly, there's not much to them. Masha's a solid character. They have tidbits of personality as someone who's into the grim and horrifying but has a good sense of humor about things when they laugh off reading Vee an accurate fortune by saying she needed bath bombs or humorously sum up Belos' backstory about him being upset that his brother got a hot witch girlfriend. Plus, there's the genuine representation of having Masha be non-binary but still comfortable dressing and looking feminine. From what I've learned, being non-binary doesn't mean sticking to a gender-neutral style. Some like to look feminine, while others are fine appearing masculine, and it's cool for The Owl House to represent that through Masha. I only wish there was more about them. I could go on and on about most of these characters, but for Masha, there's not enough to go off of. It really is the good vibes and representation carrying them, but that's not much to complain about if you ask me.

Skara: SKARA IS THE BEST GIRL!

What's that? She barely has much of a consistent personality and is an over-glorified background character, if anything else? Well, too bad, because she's the best girl.

Honestly, I don't know why I love Skara so much. She hardly has any character to her, but something about her is just so gosh darn endearing. I'm telling you, sometimes a character can be entertaining by having a good vibe alone.

Steve: THIS MOTHER F**KER, however, had NO RIGHT being as entertaining as he was! Nor how popular!

Steve. F**king STEVE! All he had was one or two lines in a less-than-stellar episode, yet the fandom ADORED this mother f**ker! And, yeah, they were funny lines, but not "OMG, best character EVAH" levels of funny! But sure enough, people loved him! So the writers brought him back, and gosh dang it, he's so endearing! He's the most chill and reasonable character in the entire show! He gave King insight into who he was in one of the biggest character moments in the series! He's...NOT the golden god that I think people were picturing him as under that mask, but DAMN, is he still a handsome fella! He's so great, that I honestly wish he was in the show MORE! Gosh, DANG IT!

"If you love him so much, why are you acting angry about it?"

Because it's FUNNY!

"No, it isn't."

Yes, it is! Moving on!

Terra Snapdragon: Finally! Some good frickin' secondary antagonist!

Terra is why I hoped the series would dive deep into the other covenheads, primarily the clearly evil ones. This woman radiated supervillain energy as someone who seemed super sweet but would kill you with zero hesitation. And we learn in the flashback episode that Terra was somehow more bloodthirsty, having zero care for the lives of others, least of all children. The woman was despicable, and it was a treat seeing her return when she did. And, unlike Odalia, Terra had a proper amount of punishment. Sure, it sucks that she slinks away in the finale, but her forced to play pretend with the Collector while in an outfit that...did not work on her is pretty decent karma for someone who saw others as below her. Plus, she at least turned into a puppet for being too big of a big mouth, which is more than what Odalia got. I'd prefer if Terra had MORE punishment, but who knows? Maybe she went to jail or...tripped and snapped her spine off-screen.

If anything, my only complaint was that Terra wasn't in the series more. Make HER the main threat in "For the Future" instead of Kikimora and Boscha. THAT would have been fun. Regardless, she's entertaining enough as is, even if more screen time would have made her better.

Principal Bump: This man deserved more love...He said, while still leaving Bump below several characters.

For real, though, Bump deserves more credit, even from me. He's the school principal in a children's animated series, but instead of making him the demonic, overbearing dictator, the writers made him...the exact opposite. If anything, Principal Faust is more of what I would expect as a cold, careless, and horrifying hater of fun and children. Thankfully, that's not Bump. The man may be strict and have no problems throwing a kid into a detention pit, but he still cares about the safety and well-being of his students. Hell, he loves his students. Even with trouble-makers like Luz, Gus, and Willow, Bump can't help but cry because he has fond memories about the three of them and the trouble they caused. And while he can be dead-set in some ways, Bump is still willing to admit when he made a mistake and chooses to correct it, like in "The First Day" by letting the Detention Kids pick multiple tracks to study from. He's kind and reasonable, and that's what's to love about him. Plus, Bump's got some Grade-A snark on him. Some of the show's funniest and most quotable lines come from his dry remarks, and it's partially why he's bumped (ha) up so high. As I said, Bump deserves more love...It's just unfortunate that there are more entertaining characters than him.

Lilith Clawthorne: Admittedly, Lilith would not be up this high if she remained the person she was in Season One. Back then, Lilith wasn't the worst. She functioned nicely as a foil to Eda's wild side and had a great design for a secondary antagonist. The problem is that Lilith was a little boring, her motivations weren't made clear until the finale for the sake of a twist, and that same twist REALLY hurt her character...for about a week until everyone was quick to forgive and forget after a poorly paced redemption. And that's another fault of Lilith: Her redemption. She cursed Eda, ruined the family, ostracized Eda from society, hunted her down for YEARS because of blind faith in a man playing her like the cheap-ass kazoo that she was, and it all got wiped away almost instantly. Granted, there is one asterisk to this: It was all an accident...Sort of.

Lilith did mean to curse Eda but didn't intend for it to last as long as it did. And you at least get a sense that Lilith feels some remorse for doing so, even stopping their first duel together the second Eda brought up the curse. The problem is that she doesn't feel enough, still treating Eda as lesser than her despite the two of them being close and Lilith supposedly feeling guilty about cursing her. And, again, it feels like everything got resolved too quickly. I accepted everyone is quick to say, "Everything's good for now" in "Young Blood, Old Souls," but only because I expected Lilith to get dragged through the coals in Season Two. But she didn't. She was quickly treated as one of the gang, and Eda did nothing but jokingly remind Lilith that she cursed her. You do that after years of getting over something, not after a week. So, as a redeemable antagonist, Lilith might as well get a C-...Thank goodness she became an entertaining character, regardless of that.

By Season Two, Lilith becomes an almost different character. Better yet, she becomes what I wanted Viney to be: Bats**t insane. Lilith is violent enough to tell Philip that he better be digging his own grave and punches him in the face without hesitation, ecstatic about banisters and having barnacles on her head, and willing to devote her whole life to an eight-year-old and perform blood sacrifices in his honor. The woman lost her mind, and I was all there for it. Even then, though, she still had a bit of intelligence, being hesitant to trust Philip after seeing some similarities to Belos and studious enough to figure out glyph combos herself. It's just that now because there are fewer worries and fears about keeping an image and being the best, Lilith can let go of inhibitions and go nuts. Her redemption could have used a lot more polish, but being so dang entertaining in Season Two is what made Lilith a character I couldn't care about to one I was excited to see when I could.

Alador Blight: Wish I could say the same about this guy...

I think I love the idea of Alador much more than his execution. Upon his introduction, he's presented as the lesser of two evils between him and Odalia, with Alador being easier to talk to without threatening to kill anybody and trying to find compromises that could stow Odalia's fire when she becomes unreasonably angry. Initially, one could assume that he's on the same agenda as hers, only to later find out that Alador's being mistreated too, with Odalia working him to exhaustion, too tired to even notice his children's problems half the time because he's too busy working for Odalia to the point where he never even took a sick day. In Season Two, this lines up with a lot of his behavior. It's why he acts so scatterbrained and unsure of what to do in most appearances. Or the way he tries to tell Odalia they've demonstrated enough with the Abomiton and how he forces a compromise by making Odalia stick to her word and sneakily tell her that being with friends makes Amity stronger, and how he promises to Amity to let Odalia back down in "Reaching Out." If you look solely at how he acts in Season Two, I believe it's pretty decent character work/development, showing a man who loves his kids but can't be the father he wants and needs to be because of his overbearing wife...However, there is ONE moment that spoils everything.

Yeah, that one. This is the scene that everyone points back to when discussing Alador's change of heart and whether or not he earns Amity's love despite it. He's very clearly on Odalia's side in this argument, being just as cold as her. Some argued that because this memory came from Amity as a kid, she might misremember the details and misconstrued how Alador acted that day. Even his silhouette seems different from how he looks in the present, and I was willing to agree because I remember days when my parents got a LITTLE mad, and it was the scariest thing in the world. However, not only would you be surprised how more traumatic experiences stick with kids, but the show makes it very clear that memories inside one's mind recreate things to the exact detail. Sure, there's the fact that it's Amity's recollection in Willow's brain, which, as far as we know, isn't as perfect as a picture. But The Owl House never explicitly establishes how weak a witch's memory could be while already inside a memory. It's a very weird distinction to make but necessary to prove that Amity's memory isn't as exact as it looks. Although, if you want explanations, I have some of my own. One realistic, another analytical, and one argumentive.

Realistically...this is a retcon. The writers had a new idea of what to do with Alador and realized, too late, that they had to make changes to his character for it to work. Changes that go beyond a scene where all we see is his silhouette. And when a retcon's made, it's sort of a team effort between the writers and the fans to explain how it works, with the writers providing the information and the fans analyzing previous scenes to see how it holds up. And after writing about how he's under Odalia's abuse and manipulation, here's where the analysis comes in.

Alador works so much and dismisses his kids because, if he doesn't, Odalia will have the kids do work for him. Not wanting to let them go through what he does, Alador reluctantly goes along with what she demands, only getting her to back down when he sees an opportunity, like in "Escaping Expulsion." Unfortunately, just like that episode, he's still on her side most of the time, doing what she wants and saying what SHE thinks is right even if he probably doesn't want to. Because if he doesn't, he and his kids are in WORSE trouble. That day, when Alador scolded Amity, might be a day when he felt like there was no other choice because Odalia left no room to back down and was forced to do and say what she wanted.

Plus--and here's where I get argumentive--We forgave this:

Granted, there are some arguments against this as well, one I'll get to when talking about Amity. For now, I will say there are three reasons why we're willing to forgive Amity: One is that she's a kid. People are more willing to forgive a child's behavior because they can outgrow it and become better. People have this idea that adults can't do the same thing, that they should already know better...even though adults rarely do, and they could live up to seventy while still unaware of how their behavior is wrong. Number two is that we spend more time with Amity, learning how much she regrets her actions and proving how she'll work hard to be a better person despite them. We can't have that with Alador because the show has to do so much and has very little time to do it. Some corners can be cut, and Alador was one of them. Thirdly, and this is the one I can't argue against, people understand Amity's plight because they WERE Amity. They've had experience with neglectful and abusive parents, and that experience beats any argument a person has. It doesn't matter if you, me, or anyone else argues that Alador isn't badly written. THOSE people, the ones who had an Alador of their own, will always feel uncomfortable by how the writers made him because those people know not every parent is like him, and they don't want kids thinking THEIR parents are the same. I mean it when I say I can't argue against that because that's a fair reason to not like a character.

Personally, I like Alador enough. At least, I like the idea he represents. It's good to show that parents can be mistreated too, especially a father because not enough people take men getting abused in a relationship as seriously as women do. The execution is a little sloppy because of that one scene in Season One, but it doesn't bother me. It DOES, however, bother others, and for reasons I can't help but sympathize. I won't call Alador a bad character, but I won't stop others from disagreeing. But at least his kids are great (and, yeah, we’ll get to them).

Dell Clawthorne: Dell's kind of both a symbol and a character.

Symbolically, he's the physical representation of Eda's biggest regret. She blinded and crippled her father, ruining the family business in the process. But the sad part is that none of it was her fault. Yet Eda still blames herself, not even wanting to go and SEE Dell because the pain of knowing what she did to him is too great. He proves that Eda can turn into what she is afraid of becoming. Something that we see in her nightmare in "Watching and Dreaming." Something that no one wants to be: A monster. A monster that doesn't deserve forgiveness or love. A monster that should be locked away for the safety of the ones she loves. But the crazy thing is that Dell DOES love Eda. He DOES forgive her.

Dell has every right to be angry. He lost his eye and his job. Who wouldn't be angry after that? And maybe he was for a bit, but I doubt he was ever angry with Eda, let alone resent her for it. Instead, after years of her running away and never wanting to talk to him again, Dell only wanted to see his daughter again. His scene with Eda in "Elsewhere and Elsewhen," where he clarifies that what happened was tragic but still loves Eda despite it, is one of my favorite interactions between two characters in The Owl House. And trust me, that's a hefty list to get on.

Dell's time on the show wasn't long, but what he does gives a lot of substance to the show for a guy who probably has less than five minutes of screen time (I don't know, I didn't do the math). Maybe he could have offered more, but I'm glad with what we still got.

The Titan: The same goes for this fluffy individual. We only knew them for a short amount of time, but holy hell, did the Titan make the most of it. Even though, technically speaking, we knew them the whole time.

I don't think I've seen a show where the setting happens to be an essential character in the plot. I'm pretty sure everyone assumed the Titan was a corpse that our characters had adventures on, and that's it. Any idea that they were a being that could talk to others could get shot down because the only person to "talk" to the Titan was Belos. And with him being the serial liar that he was, any fan could assume that even talking to the Titan was impossible, and meeting them was even more so. Turns out it wasn't.

And the Titan, the powerful being whose corpse is big enough to form a landmass, also turns out to be a chilled-out individual. There are brief moments of seriousness and even nobility in their final moments, but for the most part, the Titan is just a laid-back, jovial person. Personally, I'm into god-like beings that are like that. Not one that's wrathful or vengeful, but kind and acts like someone you could, I don't know, have a beer with. Not that I drink beer, but...you know.

Granted, the Titan WAS a bit wrathful with how they treated the Collector, but they clearly feel bad about it after finally realizing the Collector meant no harm, and it was the Collector's SIBLINGS who did the dirty work. The Titan admitted to making a mistake, making them both a kind god and a humble one. It amazes me how much characterization was given to the Titan in how little time they were officially introduced in the show. There are characters who are better after having more time, but there are also ones who might just be worse. So I appreciate that they made the Titan so top-tier, even if making them nothing more than the Isles, and the show's setting, would have been more than enough.

Emira Blight: I will forever be grateful for the course correction that the writers took with Edric and Emira, not only making them great supporting characters instead of semi-antagonists like in "Lost in Language" but also giving them their own personalities that help them stand out instead of being exact copies like most twins in media. Unfortunately, Emira might be the least interesting Blight sibling.

THAT DOES NOT MEAN BAD! Just because Amity's more engaging and Edric's more entertaining, that doesn't make Emira a horrible character because of it. It just means that, comparatively, she's not as high as her siblings. With that said, Emira's still pretty fantastic as the only Blight with a functioning brain cell. She calls Edric out for his occasional stupidity, gives proper advice to Amity when she's freaking out, and has her thoughts together because Emira didn't work herself to exhaustion. It also makes sense why Emira's a healer. She's there to keep her family physically and emotionally safe, making sure Edric doesn't hurt himself or counseling Amity when things are too overwhelming. Not only is Emira the most sensible, but it might make her the glue that keeps the family together. But despite that, she's still playful, still mischievous. Except, unlike her brother, there's a more controlled intelligence behind the fun and games Emira pulls. It's a bit more subtle, but it's there. So, while she might be the weakest Blight sibling in terms of story value, Emira is still a great character in her own right, being a fun yet essential family member with that perfect older sister energy...Mainly because she's the older sister, but my point still stands!

Edric Blight: Ah, the one Blight sibling that proves how most of the brains went to Amity and Emira while he got only the scraps.

Edric is not smart. And that very fact leads to two kinds of entertainment. Firstly, it's funny seeing his dumbass stumble through life. He tried to eat snow, attempted to keep a wild bat as a pet, couldn't pick up a hint to save his life, and ended up in a full-body cast after a reckless rescue mission. The poor boy is a riot because of how dumb he acts, which leads to the second thing entertaining about Edric: He's aware of his lack of smarts and how others see him as "The Dumb One." It causes Edric to be a little insecure about his talents, despite having great knowledge of Beast Keeping and decent skills with Potions. It's as if the writers saw the fans' preconceptions about Edric and decided to do something with it. Unfortunately, they only did it for one episode because we're strapped for time, but that brief instant of character insight is what's to love about this show. We have so many characters to use and so little time that instances like Edric helping Eda and King make a potion is enough to be considered great character development for someone who could have easily been "The Dumb One" and nothing more. He was funny enough with that simple character trait, but one tends to appreciate when a show goes the extra mile, even if it's for one episode only.

Hooty: Oh, Hooty. Sweet, dearest Hootcifer.

At first, I did not like you. You were an annoying addition as comic relief, whose screechy voice only made me hate you more. But then something interesting happened. As time went on, you became less annoying and more endearing by nature. Having an eagerness to please others mixed with a constant ignorance of social cues made you quite humorous. Yes, quite humorous indeed. The laughs brought forth by things you have done and said were plentiful, and I was delighted by each appearance you've made.

And best of all, dearest Hootcifer, you've made Luz and Amity a canonical couple. In an episode that will be nearest and dearest to many fans' hearts, you have not only brought out beautiful development between King and Eda but also managed the most adorable display of young love to occur. A young love between two girls, no less, meaning this moment of spectacular representation for the LGBTQA+ community is all thanks to you, a character best described as a "bird worm." That is both mildly hilarious as well as incredible.

Unfortunately, dearest Hootcifer, your time on the show was not perfect. Whilst Season Two was you at your best, it took all of Season One for me and others to warm up to you. And by Season Three, with every other characters taking story prominence, there was nary any time for you, Hootcifer, to add anything of value. You hardly had any lines, nor did you manage to have any final words in the series finale. Other characters in the series had faced this injustice too, but it is extra ludicrous for you, Hootcifer. You were there since that very first episode, becoming the fourth member of the Owl House family. To think that your last line was only in the second to last episode, despite how much of an impact you've left on the others and the fans, it pains me that you were one of the few cheated out the most with that final season.

Regardless, despite everything, Hootcifer, you are a well-done character with humor and heart. Tis no wonder that the show is named after you, for you are worthy of such an honor.

...In short, Hooty is funny, endearing, and surprisingly grows on you. I have...no idea why I gave that sentiment across in such a fancy way, but oh well.

(He deserves it anyways)

Flapjack: *Sigh* Another loving bird...

Just like Owlbert, Flapjack's the only palisman with enough prominence in the series to feel like a character, but unlike Owlbert, the writers actually explore more with Flapjack. But that may be because his story is tragic.

It is heavily hinted that Flapjack is Evelyn's palisman, who also lured Caleb into the Boiling Isles and indirectly sparked DECADES worth of...bad stuff. And within that time, Flapjack lost an eye and an owner and spent so much of his life alone. That is until he met Luz...who then introduced Flapjack to Hunter.

It really was a solid expectation subversion that Flapjack chose Hunter as an owner. He had a kind and playful energy that matched Luz perfectly, but no. He wanted Hunter, possibly because he looked so much like Caleb. And not wanting to lose another Caleb, Flapjack seemed to make it his number one goal to help Hunter in every way possible. That's when it hits you why Flapjack is perfect for Hunter: He's what Hunter NEEDS. Flapjack may have worked well with Luz, but Hunter needed him more than she did. Hunter was all alone for most of his life and went through so much emotional and mental stress in his unfortunate existence. Then here comes Flapjack, cheerfully supporting Hunter in his interests and literally pulling him to people who will make him happy. Flapjack's basically a therapy bird if I've ever seen one. And it really was nice seeing the majority of the time he's spent in the series be dedicated to making someone else happy...because it makes his death all the more tragic.

All Flapjack wanted was to make Hunter happy, ignoring the fact for so long that being near Hunter was the biggest risk that Flapjack could have ever taken. The second Belos might see Flapjack, he'd be as good as dead due to Belos' need to feed off the souls of palismens and because of Belos' hatred for everything that Flapjack represents. Yet Flapjack still stuck it out and stayed by Hunter's side despite these risks. His death was all but inevitable, but it hurt all the same because while we knew, deep down, it would happen, we didn't WANT it to happen. But it did, and it stings that a bird that wanted to do nothing but good only paid a horrible price for his kindness. On the bright side, Flapjack died doing the one thing he did best: Helping Hunter. No, SAVING Hunter.

Flapjack was loyal to the end, and we all love him for it. And miss him all the same.

Darius Deamonne: Hey, look! It's another character that's important to Hunter! And this one is FABULOUS!

I'll forever be blown away by the expectation subversion the writers did with Darius. Upon his introduction, you think he would be this menacing secondary antagonist the characters would have to fight through in a final battle against Belos. That was definitely the vibe I got from the guy, with how menacing he acted and how he looked in his abomination form. Turns out, most of that was an act...Most of it. I'm willing to bet that he really was ticked off by whoever was screwing with him, and his annoyance was real with Ebberwolf. But by using what we NOW know, it's clear that Darius was playing SOME of his behavior up to make it convincing enough that he's on the Emperor's side in case any ears are listening in. Belos does have eyes and ears everywhere, after all...somehow. Plus, it makes the reveal that Darius is on the side of good all the more pleasant of a surprise. He's certainly less menacing, but not as a fault. Darius still has the same snark and agitation towards people who are more, let's say, foolish than him, just as Darius did in his first appearance. It's just that now he's more subdued because he's surrounded by people who Darius doesn't need to scare. Even when dealing with the Emerald Entrails, Darius acted cold but reasonable. And when actually TRYING to scare the kids, you can argue he wanted to further scare them away from joining the Emperor's Coven, showing them what type of person they'd be dealing with.

But the biggest surprise came when he turned out to be a decent father figure for Hunter. Unfortunately, we never get to see him as an actual father, but it's still sweet seeing Darius show Hunter the first amount of respect and care from an adult the poor boy ever got. Darius shows interest in Hunter's interest, respects his decisions, and encourages him to be a kid and not a soldier, likely because Darius knows full well where that leads for the previous Golden Guards. It warms the heart to see how much Darius cares for Hunter, getting worried when he's in danger and feeling joy when he's safe and sound. It's all great...and it SUCKS that Darius is one of the few screwed over in the finale. No final lines, just pure silence...and some shipping fuel between him and Alador. At least there were still moments of Darius showing he cares for Hunter, and they're both happy together. I didn't really expect much from Darius. He was already fun upon his introduction, but having him become this stern yet caring person was such an interesting twist that I can't help but admire more. It's not what I expected, but I appreciate it nonetheless.

Vee Noceda: That IS her last name, and I will hear NO SLANDER ABOUT IT!

...Anyway, Vee's a great character.

I am forever impressed by how great of an, yet another, expectation subversion Vee is. Everyone, including Luz, upon first seeing Vee, saw her as an evil doppelganger trying to steal Luz's life. I still remember the shock and fear I felt when first seeing Vee, worried about what this could mean for Luz and Camila. And then we got to know Vee...and I much prefer the character we got over an evil clone or whatever the popular theory at the time was.

Vee, quite possibly, might have the most tragic life out of everyone in the show. She was born in a cage, was treated as a lab experiment and nothing more, gained a ton of PTSD surrounding rats and cages, and likely never knew the feeling of a warm bed or a good home-cooked meal until meeting Camila. Vee's life was a nightmare before running away to the human realm, and after learning about all that, it makes her finding a home with the Nocedas, being a part of their family, all the sweeter. A friend of mine said that her plan was a LITTLE flawed because Vee didn't know whether or not Luz would return, but in fairness, Vee said that she didn't mean to keep the act up forever, but Camila was nice to her. Vee was operating off of emotions due to getting an inkling of what love feels like, even if Camila's motherly love wasn't for Vee exactly. And with the family she's found and the friends she made in the Human Realm, it's no wonder that she prefers a life there, graduating high school with Luz and having a form for herself to gain an identity of her own. It's amazing how much care and attention the writers put into Vee and her story...Especially since she's basically a minor character.

Yeah, it's crazy to think that a lot of this stuff that happens with Vee is for a character with a substantial role in TWO episodes. Honestly, I wish she had more and could have time to bond with Camila and Luz, showing how much of a happy family she's gained. But, even after "Yesterday's Lie" ended, I already assumed the odds of seeing Vee again in something big were NEVER to become a reality. The shortening of the series, leaving fans with only half a season and three specials, meant that the odds weren't in Vee's favor to grow and develop more than she already did. In a case like that, you have to learn to accept what you HAVE instead of complaining that you didn't get what you WANT. And as for what we have with Vee, it's still good and compelling stuff for a character that makes two appearances. Sure, the potential of a greater character is there for Vee, but for a minor character, she's still really great. Now, if she was a MAIN character, THEN it'd be an issue...Speaking of which.

Gus Porter: Ah, NOW we're getting to the important characters.

Gus is...probably the least interesting out of the main cast. That doesn't make him bad, mind you. I mean, look how far he's come in this list. It's just that, compared to everyone else, Gus felt as if he had less going on. While everyone else was dealing with trauma, family issues, and self-worth, Gus was always kind of...there. The worst part is that there are a lot of hints of there being more to him. He somewhat admits to Hunter in "Thanks to Them" that, while things aren't awful, Gus isn't happy. He missed his dad, and Gus was the first to break down and cry after "King's Tide." There's something there to explore, but because it's a season where so much is going on and there's little time to focus on everybody, Gus, unfortunately, gets the short end of the stick when dealing with HIS trauma. And there's not much going on with his family. There's no discussion of what happened with his mom or any animosity between Gus and his dad. They have a healthy relationship together. Which is appreciative, don't get me wrong. But it's NOTHING compared to Amity's issues with her parents, Eda's strained relationship with her sister and mother, and Luz's difficulty in getting her mom to understand her. The closest bit of intrigue we get with Gus and his dad is how bored and kind of annoyed Gus looked during the Grand Prix in "Eda's Requiem." There could be something to explore there, maybe talk about why Gus went with his dad even though he clearly wasn't having a great time. Unfortunately, this was during a season when the writers were told the series would get cut, and they had to rush to close up as many character arcs as they could before reaching the end, with Gus, again, getting the short end of the stick. Thankfully, the show does something about Gus' self-worth, showing his doubts as an Illusionist and some anxiety about being used by others for personal gain. It's engaging stuff, but it comes at the cost of Gus being overshadowed by an admittedly cute couple and the fandom's favorite white boy.

We definitely get a good amount where I say that Gus is an engaging character, but never enough to stand above the others. And that, right there, is why Gus is the least interesting in the main cast. There are great things about him to explore, but he's never given a chance to truly shine. Thankfully, Gus is still great in a supporting role, acting as the group's cheerleader and hyping them up to do something. Or how he acts as the little brother, having sometimes naive optimism and playfulness compared to everyone else. He's still a smart cookie who knows when to be serious, but it's clear that he's the second or third youngest in the cast, right next to King or the Collector. So, while Gus would have been even better with more time dedicated to him and him alone, that doesn't mean he's any worse of a character because of it. He's still endearing with how supportive he is, even if that makes him less interesting than his friends.

Speaking of which...

Willow Park: Willow...has a similar problem as Gus, but it might be a little worse. Because while Gus has entire subplots in episodes dedicated to him and his issues, Willow has consistently shared the spotlight with other characters throughout the series, where they get a lot of development, and she gets the scraps. To the point where fans talk more about the people Willow has a relationship with instead of Willow. She used to have a friendship with Amity? They latch onto AMITY'S side of things. Hunter's her boyfriend? They latch onto HUNTER'S side of things. In fact, I think people talk more about her BULLY than they do about Willow. Rarely does Willow get any attention in the fanbase and even in the series, which is a shame because she IS a solid character.

Willow's your typical shy girl who learns to gain more confidence. Only this one has more of a violent edge and seems more than capable of killing someone for hurting her but doesn't due to her self-confidence issues. Plus, instead of stretching out those issues throughout the entire series, Willow gains more confidence at the end of Season One. An annoying thing about shy girls is that they remain progressively so, getting better through inches instead of miles. With Willow, she gets over it pretty soon, to the point where I genuinely thought Willow didn't have much to do in Season Two because the writers figured her character arc was done. Which is a shame because even though her friends have more development than her, Willow is a great straight man to their antics. She's often remembered as a friend with the one functioning brain cell in the group, acting as the voice of reason when her idiot friends have a dumb idea. But she's still supportive of their ambitions and adventures because THEY were supportive of her. It's her way of paying them back. Willow just has a better idea of when to draw the line.

Plus, there is an interesting idea about Willow that the writers manage to explore beyond her shyness, even if it's not to as great of an extent as everyone else's development. You see, Willow has a problem processing trauma. In "Understanding Willow" (which ironically helps us understand Amity better), Willow states that it's best to hide away what's upsetting her while saying, "Out of sight, out of mind." Only for that to QUICKLY backfire as Amity takes things further by burning the very thing Willow only wanted to hide. They both learn it's better to confront the things that make them uncomfortable, gaining an understanding (ha) that you need to face your pain to heal from it. Except that Willow somewhat forgot that lesson in "For the Future," which showcased what makes Willow great. She's there to help her friends and their issues but ignores her own because she believes her friends’ are more important. All the girl needed was a good cry over her dads, but Willow instead repeated to herself, "Keep it in," not wanting to let her own problems overshadow everyone else's, which caused her emotions to grow more out of control. This side of her is an engaging idea, and it sucks that it's only been explored twice while her friends got more development. I'm willing to blame the shortening of the series for this one because there's no way she only had such a small role to play in the series upon conception. Willow acts as great support like Gus, but she could have been so much more. And that's a "What if" that's going to unfortunately be lost to time.

King Clawthorne: I have mixed feelings towards King, at least in the first season. I didn't hate him. It's just that, within Season One, King hardly had a direction. More often than not, he was the comic relief that went off doing silly things in the B-Plot while everyone else went on the real adventures. It led to entertaining bits, like gaining an army of sentient stuffed animals or using the Owl Beast as a tool to dominate the playground. But then there were times when they felt like an unnecessary distraction, like being an MC at Grom or being mistaken as a substitute teacher. And most of the time, it's all for the sake of an unrealistic goal. I could tell from the beginning that he would NEVER be the actual King of Demons, and it was just something the other characters played along with because even THEY knew it would never be a reality. So there was never anything King could add to the show besides humor, which he did well due to Alex Hirsch's hilarious delivery with a few jokes. If King stayed the same as he does in Season One, he'd go just above Hooty as someone entertaining with a few solid scenes of heart with the rest of the main cast, but nothing more than that.

...But then the writers decided to make King an actual character in Season Two.

King became more consistent and engaging in the series from "Echoes of the Past" to beyond. In most of the series before this moment, King always went back and forth as either a child, a pet, or an immature adult with delusions of grandeur. Post "Echoes of the Past," it's pretty clear that King's a child but one with a bit more maturity than others. He acts naive and has a definite need to be protected at all costs when he acts sad. And Alex Hirsch KILLS it when portraying King's youth, where the times King cries or gets emotional sounds like an actual kid rather than a grown man playing a kid. His delivery isn't just good for humor but for some amazing voice acting that surprisingly adds to the illusion. It's sort of like how John Roberts convinces me that Linda from Bob's Burgers is a New Jersey Mother in a way that's better than any voice actress ever could manage. Sometimes, you need to give in to the illusion.

As for what makes King engaging, that's where his purpose comes in. King wanting to become the King of Demons and have people bow down to him is...cute and results in some good humor. But King wanting to know what he is and where his Dad came from? Now THAT is a way to make someone invested in a character we already enjoyed. King was entertaining before, but seeing his struggles to find answers about his past and heritage was always endearing and helped you feel for the little guy. And when he finally DOES get answers, it cleverly gives King what he wanted in Season One: To be something that people would bow down to in respect and fear...and King doesn't want that anymore. After learning he's the last of his species, that his blood family is dead, and everything is falling down around him and his found family, King doesn't want to be the monster everyone fears. He just wants to be King and have things go back to normal. Or, HIS version of normal, anyway. It's pretty compelling to show King's growth as comic relief to an actual character by giving him everything he thought he wanted, only to practically refuse it. King is almost a completely different character by Season Two, and it really is for the best. Season One King wasn't too bad, but his Season Two self really gave him the boost he needed.

Raine Whispers: Raine is best defined as a pretty flawless character. At least, in my eyes, they are, as there's not really a bad thing I can say about them.

Upon conception, Raine was nothing more than a love interest to Eda...and that tracks. So much of Raine's development and story occurs when Eda is there, fawning over them and wanting to reconnect. Even their debut episode was more about Eda's issues and how Raine was there to guide her to the right path when it mattered most. They're very much a character severely connected with Eda and never had the chance to star in the spotlight instead of sharing it. A shame, really, since Raine organizing a resistance against Belos could be enough for an episode of its own, but, unfortunately, not the case for a series that got shortened. However, just because Raine's a character connected to Eda, it doesn't make them any less fun or engaging.

First and foremost, you GET why Eda is so in love with Raine. Where Eda is an agent of chaos, Raine is more for CONTROLLED chaos, willing to join Eda to cause some mayhem but in a way where they don't get caught or in trouble. And that's just them as kids. As an adult, Raine wants to destroy a militaristic dictatorship from the inside out, determined to keep the act going and fight literal brainwashing no matter how often they get caught. They're also pretty determined, fighting against Belos infecting Raine's brain and fighting with their last breath when Belos tried to get to the heart of the Titan. Because while Raine was one for chaos as a kid, they're still a good and caring person. Raine didn't want Eda involved so she wouldn't get hurt and MEANT their promise to Luz to make sure nothing bad happened to Eda during their mission on the Day of Unity. But on top of everything else: Raine is a charismatic dork, having enough charm to make Eda the Owl Lady blush but still having the dorkiest smile when announcing their crew's name is "The CATs." Raine is ALL these things, and the result is someone who's a blast to watch, even if they're simply Eda's love interest. They still add enough entertainment and drama, even if some of it, unfortunately, focuses more on the Eda side of things. Would I love more of a spotlight to shine on Raine? Of course. They're an outstanding character who unfortunately got put through the wringer, what with being physically tortured, used as Belos' meat puppet, and MAYBE groomed by Terra Snapdragon (That creepy witch). But when a character's conceived as a love interest, even if there's more to them, you gotta take the good moments when they're badass and awesome and appreciate when they contribute to the story on the sidelines as a supporting character than a leading one. At least they were right there to kill Belos and lived happily ever after, snuggling with Eda. Not too bad for a love interest, huh?

Oh, and Raine's also the first non-binary character in a kid's cartoon with a major influence on the characters and the plot. That's pretty cool too.

The Collector: Here we have a character that turned out WAY better than I imagined. I didn't admit it in the past, but I was a LITTLE worried that the writers would make The Collector like Bill Cypher: A chaotic god-like character who takes pleasure in treating others like his playthings. And The Collector IS that...but there's something that makes them a different yet intriguing character: The Collector's a kid. Yes, he's a kid who turned the Boiling Isles into their playground and the residents into toys, but they’re still a kid.

Upon our introduction of The Collector, we're given this idea that he’s a sick and twisted little gremlin who's just as excited as Belos is about the genocide of the Boiling Isles (which might be an image aided by the fact that it's Belos' memory). But every time we saw them since, the more the writers leaned into the Collector's child-like behavior, showing that the reason why he might be all for Belos' genocide and treat people as literal playthings is that they don't understand what life and death means. He doesn't MEAN to be a problem. It's just that no one has ever taught them otherwise. And that's a more interesting way to go about this character instead of making The Collector a new primary antagonist. It might have worked fine, but when you make a character with god-like powers, it becomes difficult to believe anyone could defeat them. So, the idea to stop The Collector by TEACHING him what's right and wrong before it's too late is a clever way to go about things, especially when it's King that does most of the teaching, using his newfound maturity to teach The Collector what Eda and Luz taught HIM. The result is a new, engaging character that also shows the stellar development of another. Not too bad for someone added to the series at the last minute...Yeah, no, that's what The Collector is, though.

After finding out the series would get shortened, Dana Terrace and the writers thought, "Hey, let's just go NUTS this season!" So, they threw in The Collector as a way to add more spectacle to the final three specials of the show. Sure, the writers had SOME idea of what to do with The Collector beforehand. But after getting the bad news from the executives who decided the series no longer fit the brand, it was the final nail in the coffin to shove The Collector in there. And MAN, there is no better representation of the show's forced conclusion than The Collector, as they're this thing that ALL the characters react to, whether protagonist or antagonist, and are forced to work through their story arcs and character development around within the last few minutes of the show. It's a pretty fun way to look at The Collector, even if he's still a great character despite all they represent. Regardless, I'm still grateful the writers didn't just turn him into the new primary antagonist who killed the old one to show off their threat level...Especially since the old one is REALLY good.

Emperor Belos/Philip Whitebane: "YOU LIKE BELOS MORE THAN WILLOW, GUS, RAINE, AND EVERYONE ELSE?!"

Yes...As a CHARACTER. Not as a PERSON. Because he's NOT a PERSON. He's a FICTIONAL CHARACTER.

I'm serious. People should stop equating "good character" to "good person," especially in this fandom. You can't talk about how well-written Belos or Odalia are without someone coming around and saying, "THEY'RE AWFUL PEOPLE!" I know that. Most...SHOULD know that. But here's the thing: Belos is an antagonist. A character whose purpose is for the audience to love to hate him. If that's done well, he's a good character. And guess what: Belos does it REALLY well, to the point where he's one of my favorite antagonists in a Disney property. Probably one of my favorite antagonists of all time.

Upon his introduction, Belos scared the crap out of me. From his design to even the way he spoke sent chills up my spine. He didn't even SOUND all that threatening, with a deep and scary voice. He sounded like a dude, but it’s in the way he said things, as if Belos knew what he was saying was messed up. But he didn't care, almost like it was because he thrived on people fearing him. And that was just on his INTRODUCTION. From a few of his future appearances, the writers showed Belos acting MORE horrifying, having disturbing spells unlike anything we've seen before, being aware that SOMETHING is spying on him, and revealing that he has a curse that turns him into a somehow MORE terrifying monster. It was pretty effective in getting me to fear this creepy son of a non-witch...And then "Eclypse Lake" showed us his face, revealing that he not only SOUNDED like an ordinary dude but LOOKED like one too. Sure, he had that weird green mark that went down his face, but so much fear I had of Belos went away when I saw that he looked like someone's grandpa who forgot to wash his face. But as the show went on, the more it made sense to make Belos look like a regular man. Instead of portraying a fantastical evil, the writers went for a more realistic one...with supernatural powers, yes, but consider the villains of OUR world. They're people who look like you and me, using their faces to hide dark intentions and charm their way to a position in leadership. That fits Belos' actions to a T, and you see how perfectly it matches in real life when Luz voices her frustrations that no one can see how evil Belos really is, only for King to tell her that no one wants to realize that they've been following the wrong guy. Do you want to know why members of your family refuse to accept that a LOT of Republicans are evil? It's because they spent years, even generations, believing the opposite. So to tell them the truth, even if they NEED to hear it, they'll refuse any facts given to them. So having Belos be the exact representation of all of that, showing kids what to be wary of, is a great way to educate them to learn that sometimes the most dangerous people in society are those who control it in the first place. Even making him a grotesque monster doesn't really take away from the allusion but adds to it, letting Belos' true, inner self take physical form and showing kids what happens to these monsters when you're too late to stop them.

And that's not even getting into the motivations! I didn't feel TOO shocked when it was revealed that Belos was Philip Wittebane. Don't get me wrong, I was still a LITTLE shocked, but I predicted it and expected that Belos' big plan was to return to the Human Realm in some way, but that left some holes into why he spent so much time controlling the Boiling Isles to do it...And then it was revealed that Belos was a WITCH HUNTER. And I'll never forget the dread I felt when I realized, "Oh, they're doing THIS. Oh, no..." The level of fear that I once had for Belos skyrocketed once his real plan became clear and how INTENSELY close he was to reach his ultimate goal.

The scariest part of all is how believable it is. Given how real-world politicians are willing to wipe out an entire group of individuals just for existing, someone like Belos isn't too far of a stretch. Neither is how he came to be the monster that he is. Philip was only an orphaned child raised to believe that witches were Satan's spawn set to destroy everything. And one witch "stole" his brother, the only family Philip had left, and left him feeling like his rage was justified. Except...it's not. It was NEVER justified. Caleb left Philip on his own volition and, when Philip found him again, tried to convince the twit that Evelyn was fine. Philip could have easily taken his brother's word for it and changed. Philip would later have YEARS, possibly CENTURIES, to learn that he was wrong, but he never did. The conditioning was put too deep into his brain, and Belos was the result. I wouldn't say that makes him a tragic character, but it DOES explain so much about why he acts the way he does.

The best part about Belos is that he's consistent. Because of his conditioning, he never once wavers his opinions or questions if what he's doing is wrong. Belos considers himself the hero of his story and views Caleb and Luz as tragic losses. When met with the LITERAL GHOSTS of his sins, Belos yells at, or flat out ignores, them, proclaiming that he was doing the right thing and it's not HIS fault that their souls were too far gone. And with Luz, Belos tried to kill her on three separate occasions, actually succeeding the third time around. And when backed into a corner, realizing he's as good as dead, does Belos ask for surrender? Does he beg for forgiveness? NOPE! He initially tries to manipulate Luz, attempting to take advantage of her good nature into thinking he's good now. And, when THAT instantly fails, Belos yells at Luz, saying she's betraying her humanity and is nothing more than the very evil he spent his whole life fighting against. Luz doesn't buy a word of ANY of it, least of all when he says they're better than this petty revenge and killing out of a twisted form of justice. Even though that's exactly what he's been doing all his life.

Evil to the end, Belos is an antagonist that works because of how perfectly diabolical and realistically despicable the writers made him, making him interesting to dissect while having it feel so cathartic to watch him get stomped to death by the very people he hated. I could honestly go on and on about what makes Belos so engaging to watch and easy to hate...but this gosh dang review is long enough already, and I haven't even gotten to my top five favorite characters yet!

Speaking of which, let's talk about the ONE good thing Belos did with his life...After we talk about Amity.

Amity Blight: How's THAT for a smooth transition?

Anyways, Amity's great because with nearly every new appearance she's made, she becomes a better character, and I mean that in two ways. For one, she becomes more intriguing as we learn about her home life, interests, and motivations, all three being connected in some capacity. Everything that Amity did, she did because her parents (her Mom, mostly) told her to do it. Ending her friendship with Willow, forcing her to be friends with Boscha and her mean girl squad, be the best of her class no matter what, and join the coven that she slowly doesn't want to join anymore. These are all the things Amity was forced to do, and had no choice to do it.She had almost no free will, but that doesn't mean she couldn't rebel in the tiniest ways. She took time out of her day to read to kids and used the cover of it being extra credit to keep doing it. She has a secret room with a collection of Azura books to enjoy a fantasy series, idolizes the purest hero, and has some creative freedom if that fan art on her diary's cover is anything to go by. Even her bullying has SOME ways of cheating. Amity may have said that Willow had no talent, but it was an attempt to get Boscha and the others to stop while covering her tracks so they won't tell anyone she went soft on Willow. And in "I Was A Teenage Abomination," some of Amity's words almost sound encouraging. There's a mocking tone to a lot of it, but the subtlety of her going "keep it up" is still there. Sure, Amity would later have a rage later regarding Willow and Luz’s cheating, but even that is more or less justified. They broke the rules, and, knowing how Odalia reacts to failure, Amity is NOT willing to let go of her "Top Student" badge without a fight. Maybe I'm stretching, and maybe I'm looking deep into things that aren't there. But it's the same thing I do with Alador: When presented with new information about a character, it's a collaborative effort to look at what came before and figure out how it works. And I think there's enough to Amity's actions in the past that are justified by her motivations yet still have a bit of her good side shining through. Which is good because that brings me to the OTHER reason why Amity gets better with each episode.

Piece by piece, bit by bit, Amity becomes a better person after learning a new and valued lesson by the end of every episode. And unlike a blonde-haired character I hate from that frog show, Amity has a clear and definite desire to become a better person. The writers SMARTLY confirm early on that Amity doesn't want to be cruel. She specifically can't show weakness, so she builds walls to hide away her good side, believing that part of herself is weak. But through Luz, the best thing that ever happened to Amity, all those walls come crumbling down, and the Amity SHE wants to become would soon blossom. She's less reserved, more open about feelings, smiles instead of sneers, and acts nicer to Luz and others around her. There's still some anger, annoyance, and the occasional snark, but it was nowhere near as bad as how Amity USED to act. And through each wall that falls gives Amity courage to stand up to her parents and finally become her own person, to the point of dying her hair to reflect the kind of person she wants to be. By a quarter of the way through Season Two, Amity finally gains an identity that reflects what she always had hidden underneath. And it's satisfying...And then writers made her Luz's girlfriend.

Yeah, this is a complaint you'll often see floating around. The second Amity and Luz start dating, a lot of her individuality tends to trickle away, with most of Amity’s problems being related to or overshadowed by Luz's. Just look at "Reaching Out," which has Amity dealing with her issues of Alador's neglect and wanting to form SOME connection with him. But it's barely touched upon due to the real meat of the episode being Luz using the event as a distraction towards her own issues, which I remember more regarding that episode than anything Amity went through. And things get worse by Season Three, where almost every character has something to go through or a chance to highlight their grief, and Amity is...just kind of there, being looped in with supporting her girlfriend and dealing with an ex-friend instead of dealing with her own problems.

It definitely sucks that after all that fighting that Amity went through to gain independence and discover her true self, only to be sidelined once she gets it. But I will say that while Amity is forced into being categorized as Luz's girlfriend, that role still highlights Amity's development. She acts warm, kind, and, most of all, understanding towards Luz and her issues, the same way Luz acted towards Amity, proving she can give as much as she can take. It's not how I wanted things to turn out, but hey. At least Amity got a complete character arc before being pushed to the side. That's WAY more than what I can say about Gus and Willow, the characters introduced to us as Luz's best friends. Guess a girlfriend takes more of a priority.

But that's enough about the fandom's favorite white girl. Let's NOW talk about the fandom's favorite white boy AND the writer's favorite punching bag.

Hunter: In all seriousness, Hunter feels like a character where the writers went, "Hey, remember Amity? Let's just...f**king do THAT again. But BETTER."

And they did! Hunter pretty much has the same journey that Amity did as a character, but with all the strengths and NONE of the weaknesses. Upon his introduction, you think he's a charismatic yet evil little brat who doesn't value the lives of others with how quickly he threatened to kill Luz, Eda, and King. But, just like with Amity, the more we learn about Hunter, the more we realize why he WOULD act the way he did and even why he SHOULD.

Hunter is the supposed "nephew" of Emperor Belos, a man who hates failure to the point where he's ready to kill after you let him down ONCE, and you don't want to push his limits too many times. Hunter knows AND fears this fact, so he learns to hold his tongue when possible so as not to gain another injury during one of Belos' temper tantrums. So, Hunter does what he's told, acts carelessly toward others beneath him, and constantly tries to prove himself as a valued soldier instead of acting as a teenager. The poor boy has his own set of walls built up, and instead of letting the cracks grow, he often tries to patch them as quickly as possible because he fears Belos WAY more than Amity fears her parents. And rightfully so, because Belos would absolutely kill Hunter if he betrayed him. He's done it before.

Hunter being a Grimwalker shouldn't surprise me, as the pieces were there and...not really subtly hidden. Yet that doesn't change how horrifying it makes Hunter's situation. It's one thing to fear being replaced by a better soldier in his ranks or something. The fact that Belos can and will attempt to make a better, more efficient clone of Hunter and kill him if needed...makes Hunter digging his own grave in "Eclypse Lake" more fitting than we realized. It makes him not only replaceable but disposable, with that newly acquired knowledge making Hunter shatter, having a panic attack as it hits him all at once that his fears are more than justified. The worst part is that Hunter spent YEARS with that monster, never standing up because he couldn't do it as easily as Amity did to her parents. She can always run away, hide out in someone else's home to escape a mother who probably doesn't even want her. There's NOWHERE Hunter could go that could keep him away from Belos for long, what with him being the Emperor and Hunter having little to no friends. Thankfully, the ones he had did a lot of work.

Luz, Amity, Willow, Gus, and ESPECIALLY Flapjack all helped to give Hunter a better life. Luz offered perspective, showing Hunter that there's more to life than being told how to live it and that the authority figure he listens to isn't perfect. Amity represents evidence, showing Hunter that if you let good people in your life, they will help you with what tortures you. Willow gave companionship through herself AND a group of people that made Hunter genuinely smile for what must have been the first time in his life. Gus then offered comfort, showing Hunter how to calm his anxieties and fears he'll continue to have. And the one to provide all of these things is Flapjack, who gives Hunter perspective, evidence, companionship, and comfort through his own actions and dragging Hunter to people who could offer more. This gave Hunter a support group of individuals that slowly but surely gave him the desire to be the person he wanted to be and gain an identity. Sure, Hunter would build his walls back up each time they tore them down. But there were always cracks that made it easier to convince him what was the right thing to do for others AND himself. And it all gave him the courage to finally stand up to Belos, who saw Hunter as nothing more than a meat puppet, metaphorically and literally.

Hunter's journey does share a lot of similarities with Amity's. I will admit to that. But where she's later demoted as a character defined by a relationship, Hunter is a character that grew because of the support system he gained and was allowed to keep a sense of identity after his friends brought out his good side. They're the ones who guided him down his path, but what Hunter chose to do after was all his own. Plus, it feels SO GOOD to see that after Hunter's grief and knowing how many others before him died tragically to Belos, he gets his happily ever after. Hunter has a home life that's healthy, friends to support him, a girlfriend to LOVE him, and a chance to genuinely smile every day. He LIVED. He SURVIVED. And that must feel inspiring to those who feel there's no escape from the tragedy of their own lives. I love Amity's journey, but Hunter's definitely better and more impactful in ways you won't believe.

And he'd be the best character in the show...if it weren't the fact that I love three more. At this point, you can probably tell who they are, so let's get started with the fandom's favorite MILF.

Eda Clawthorne: I swear that Eda being hot isn't the reason she's in my top three...Maybe.

But for real, Eda is the only character on this list where if the show was about HER...I would watch it. There is SO MUCH about Eda that makes her a blast to see and a lot to dissect that makes her engaging as she is entertaining.

When regarding her personality/character traits, Eda is an instant gem. She's a con artist, frequently driven by greed, has NO problems breaking the laws, and is more than willing to beat up anyone who messes with the kids she's grown attached to. Now many, myself included, have pointed out that Eda's character shares similarities to Grunkle Stan from Gravity Falls. And...yeah, there's definitely a lot to compare, but there's much more to contrast to help make Eda stand out more as a character. For instance, while Stan one hundred percent loves Dipper and Mabel, Eda still feels warmer towards Luz and King. She may show some annoyance at Luz's enthusiasm or playfully mock King believing he's the most dangerous creature alive, but when it matters most, Eda's there for her kids. To protect, counsel, and sometimes cry over them when situations seem dire. Though she'd probably hate to admit it, Eda has a good heart and one that isn't buried after years of emotional baggage (don't worry, we'll get into that). And she doesn't need much bonding experience to help bring that goodness inside her. When Eda saw a little creature alone in a dangerous environment, Eda took it in and raised it as her own. When seeing a young girl with the same amount of spirit as Eda did when she was younger, Eda decided to accept that young girl's offer and teach her the best she knew. Eda was a caring mother figure to King and Luz when they needed her. As for being a teacher...she could have been better, what with barely teaching Luz anything. Still, she tried, and that's primarily in part because of her own love of magic.

Eda may be a criminal striving to get rich, but those two things aren't mutually inclusive like it is for Grunkle Stan. Eda's a criminal because she disagrees with this close-minded rule that witches should be in a coven, doing one kind of magic for the rest of their lives, except for a small group of elite soldiers picked out by the Emperor himself. Anyone with half a brain can see the flaws of this, and Eda was one of them, breaking the law for years because Eda couldn't help but see how it never made sense. So, she never joined a coven, something considered a major offense against Belos' rule, with Eda being considered a wild witch by her community. And the woman RELISHED that idea. Due to not joining a coven, Eda was allowed to do any type of magic she wanted without being in a stuffy uniform and listening to the vague lies of an evil emperor. It left her with a bit of an ego boost, claiming that she's the most powerful witch on the Isles, but at least Eda gets to do what she loves. Even as a kid, Eda had a PASSION for magic, wanting to learn as much as she could and knowing more than Lilith, a character proven more studious than Eda. It's why you can buy Eda being the better witch than Lilith, because while Lilith can understand the technique, Eda has a better grasp of how good it feels to do magic. After all, she loves doing it in a variety of ways. Even her being a new headmaster of a magic college makes a lot of sense. She may not have been the best teacher for Luz, but they were both dealing with a form of magic that neither really knew much about. The only time their teaching clicked was that moment when Luz had natural magic, and Eda could finally offer advice she KNEW would work. Natural magic is what she understands and has a greater passion for, and teaching "wild magic" to the new generation, giving them something she always wanted and a chance to learn further, makes all the more sense when you take the time to think about it. It's a side of Eda that I don't think fans talk about much. A shame, really. It's an interesting part of her that's worth sharing and deserves to have more attention drawn to it. The show certainly didn't...Though, to be fair, there was one last aspect of Eda's character that's, admittedly, more engaging.

Eda's past, from her family to her ex and to her curse, is a subject that follows Eda throughout her life whether she likes it or not. One way or another, something keeps crashing back into her life, and the results lead Eda into an emotional rollercoaster that ends in tears or violence. Some healing comes from it, but the tears and violence are still prominent. Her fights with Lilith, turning into a rage monster due to her mother's meddling, losing Raine, and her father wanting to talk are all emotional situations with Eda and the tattered relationships she had over the years. The hurtful part is how it all leads back to her curse, one way or another. I'll talk more about Eda's journey with her curse and the allusion it represents in future parts, but I'll still say that so much of Eda's pain, her drama, became prominent because of something Lilith did and how Eda reacted to it. She always ran away or denied there was a problem in the first place, making a horrible situation even worse as it left her burning bridges she'll want to rebuild later. And the worst part is that this is something Eda struggles with the most.

Despite all her pain and trauma, Eda tries to cover it up with jokes and a cocky smile or anger and determination. When the curse started overtaking her in “Agony of a Witch,” she looked at Luz with a smile to make things light, but the fear in her eyes betrayed everything. When losing Raine to Darius and Eberwolf, she choked back her tears and forced herself to focus on anything else. Because to her, it's better to deny how hard you're hurting than face it. She'll voice her worries from time to time but often hides just how strong those emotions are for her. And she definitely doesn't want to relive emotional memories due to how hard it was keeping things together the first time. The only time when Eda tends to embrace her inner turmoil is when things are so intense that she can't help but cry and voice how scared/worried she is. It weirdly makes sense that the only thing that could make Eda finally open up is facing the end of the world where it's not just HER who's in danger but the people she loves too. Because above all else, while she may hate to show it, Eda is a softie to the ones she cares about, especially Luz and King. The three of them have gone on so many adventures together and faced so much danger that you can understand why it's almost always them that brings Eda to tears. Luz's attempt at a goodbye in "Young Blood, Old Souls," King's adoption in "Eda's Requiem," knowing how deep in trouble Luz is in "Edge of the World," and finally revealing that there's no plan in "O' Titan, Where Art Thou." Those kids mean the world to her, as she would be nothing without King and Luz giving her purpose, love, and a healing heart...Which makes it weirder how little Eda got to do in Season Three.

Yeah, a lot of characters got the short end of the stick in Season Three, even members of the main cast like Amity and Gus. While most got some narrative or development, others got forced into the supporting role to help those more important characters. But for Eda, it feels weird because she's part of the main trio. Nearly every poster and promotional material featured Luz, King, and Eda. Nearly every episode featured Luz, King, AND Eda. And every version of the show pitched, even if they didn't look the same, it was always Luz, King, AND EDA. So to have a season where she takes a narrative backseat while Luz and King have more relevance to the story feels off. Although, to be fair, it's not like there was much to be done with Eda. Pretty much every narrative she had got wrapped up with Season Two. She's accepted the curse as a part of her, made peace with her family, and reunited with Raine (even if they didn't seal that deal with a kiss). It's almost as if the writers knew they wouldn't have a chance to explore Eda further with a shortened season, so they completed every arc they could with her in the remaining time they had left. So I can see why they didn't do much with her because what else could they have done? But it doesn't stop how weird it is that Eda could have easily been written out of the season if not for the fact that she's part of the main trio, and it'd be even WEIRDER to have a final season without her. Because, truth be told, the series wouldn't be the same without Eda.

Eda offers humor, heart, and tragedy to The Owl House. Her past, trauma, relationships, and love make for someone that deserves main trio status. Probably even main character status too. I would love to see more of her with how much intrigue Eda has, even if a lot of it is done already. Would I want to watch a spin-off of her as a teen? Probably not. But I wouldn't mind seeing more adventures this wild witch would get into.

Also, I'll say this much about her: There's a consensus in the fandom that Eda is the best mom in the show. And while she certainly is a great mother like no other...there's someone we ALL know, deep down, deserves the title for Best Cartoon Mom.

Camila Noceda: OOOOOOOOOOOOOOOOOOOOOOOOOOOOOH, I have been waiting for this one...

Now, I'll be the first to admit that I am incredibly biased towards Camila. Upon her introduction, I always thought she was neat as a mother who truly cares about Luz, her interests, and her wonderfully creative mind. She said so within the premier. And even when sending Luz away, all Camila tried to do was look to the bright side and convince Luz that her summer won't be as miserable as she might predict it to be. Camila could tell that going to Reality Check Camp was the last thing Luz wanted to do, so Camila tried her best to make it seem like a fun time despite how down it made Luz feel. It shows that while she may not be a perfect mom for sending her daughter away, Camila is still caring enough towards Luz, and she wants her to be happy despite encouraging a decision Luz wouldn't like. I considered that a fascinating angle towards a mother like Camila, providing a reason for Luz wanting to leave but never out of malice. I liked it...But a quantifiable portion of the fandom did NOT, with too many people claiming Camila was an awful mother who hated her daughter. Camila had maybe a minute, maybe TWO minutes, of screentime, and that's somehow the interpretation people made. I wouldn't say I'm the best at analyzing and interpreting characters, which is a crazy thing to bring up THIS FAR into my longest review yet. Still, even I have to say that people's interpretation of Camila was a MAJOR reach. Like...how do you look at a woman who explicitly states she loves her daughter, gives her multiple kisses goodbye, and you immediately go, "Oh, she HATES Luz." How do you do that? And how do you claim she's a worse mom than Odalia? Yeah, that was a thing! People genuinely would defend Odalia for being a good mom with their last breath and then turn around to s**t on Camila. Even after finally meeting Odalia and seeing how bad SHE was, people still somehow considered Camila worse. I never understood how it got out of hand, and I'm convinced the writers somehow picked up on all this overreacting and decided to make Camila better with every single appearance she made soon after.

From that premier, I already gathered this idea that Camila was a flawed but caring mother trying her best despite mistakes. By "Yesterday's Lie," I was convinced she was the best mom Luz could ask for, even if powerful emotions caused Camila to make mistakes. When Vee acts like the "perfect daughter," you can see, on Camila's face, how Camila noticed something was off and how much she didn't like it. To her, "Luz" was throwing away everything that made her Luz, and Camila didn't WANT that, made even more evident by bringing all of Luz's stuff back in after Vee tried throwing them away. Then when the real Luz "calls" Camila, acting like her true self again, Camila seems ecstatic and is willing to play along with what she assumes is a weird game because she's so happy to see Luz be herself again. Through these small moments, you understand more how much Camila cares for her daughter, despite sending Luz to a camp to teach her to fit in better. It was an action done out of love, not malice. Camila couldn't be FARTHER from a bad person, as proven by how she reacts toward Vee. There may have been initial fear of finding out what Vee really was, but through some coaxing from Luz, all Camila can see is a poor girl locked in a cage and needing help. It's there that you understand where Luz got her kindness from. Because even though everything is going beyond Camila's comfort zone, the woman's still willing to kick a flat-Earther's ass to protect Vee. She's kind and warm to the people she cares about and violent to the ones that hurt them. Like mother, like daughter. But Camila isn't all too perfect. As the events finally come crashing down on her at once, she feels ALL the emotions as she has this breakdown. There's fear that Luz is stuck in a demon realm, anger knowing she WILLINGLY went there, and despair at the idea that Camila might never see Luz again. All of this leads to Camila BEGGING Luz to promise to come back, with Luz interpreting her words as "stay here and NEVER return to that awful place." This caused Luz to be fearful for the future, and more fans hyper-focussing on the negatives instead of the positives. They saw a mother telling her daughter to abandon everything that made her happy when anyone with a single functioning brain cell can tell you that it's just Camila being worried about Luz and not fully grasping the whole story. She knows Luz had SOME fun in the Boiling Isles, but Camila's strong emotions at the moment caused her to fail to understand why Luz loves it. Or, at least, misconstrue the facts, thinking it was just Luz living out a fantasy, the same thing Camila sent Luz to summer camp for. It might seem weird that Camila also focuses on the negatives instead of the positives, but in fairness to Camila, the woman went through the worst thing any mother can go through: Losing contact with her child for who knows how long. I can't blame her for her judgment being clouded by everything she's going through. Still, fans clung to the negatives, too...So it's good Season Three shut them all up for good.

Season Three might as well be the season of Camila, because of all the things Season Three did right, diving deep into Camila's character is one of them. Where her first two appearances showed how much of a caring mother she can be, Season Three took it up to TEN notches. She took so many children into her home when they had nowhere else to go, stayed up late to figure out how to get them everything they could need for a happy life, acted nurturing when they had a tough time, chose violence for someone even saying ANYTHING mean about her baby, and dove head first into a dirty graveyard pond to save a child. Camila earned the title "Mother of the Year.” And she wasn't even trying. But while the season shows how kind, nurturing, and even badass Camila can be, it also had her face some mistakes. Camila wasn't bad for sending Luz away or asking her to stay home. She's a single mother who lost her husband, who probably connected to their daughter in better ways and left Camila to do everything alone. She wanted to be the best possible mom but second-guessed every decision and was unsure if she was doing the right thing. So I like that most of this season is about her trying to LEARN from these unintended mistakes, asking for advice from Luz's friends, and finally sharing with Luz the mistakes Camila made and how she now comes to regret them. What's even better is that Camila tries her best to understand Luz's world. A lot of it scares Camila and makes her uncomfortable, even years after being aware of the Isles in the epilogue, but she still puts in the effort to TRY. It's because Camila loves Luz and wants to be a part of every aspect of her life. Camila may struggle, but she still wants to try. And THAT'S what makes her the best mom.

Camila is warm, loving, and just so much fun to see. She isn't perfect, but instead of denying those imperfections, Camila chooses to confront them and TRIES to better herself. It's evidence that not every parent gets the assignment as they receive it, but they're not instantly failures because of it. Yes, there are horrible parents who refuse to change, but I like that the show teaches kids that there are those who care enough to do better. That's what Camila is, and I love the hell out of her for it.

But do you want to know her GREATEST achievement? She gave birth to the best character in the show…

Luz Noceda: Luz Noceda. Luz fickin' Noceda. A character so good that I made an entire post discussing how she's a fan-frickin'-tastic character. And even then, it felt like I barely scratched the surface of what makes her so good. I mean, how can you accurately explain everything that you love about your favorite protagonist ever? Better yet, how can you summarize it for a review that's gone long enough already? Well, I'm at least going to try...Emphasis on try.

Luz is a character that won me over instantly. The happy, goofy character is always fun for me as I think they're perfect for humor and endearing entertainment. That's Luz to a T, as her antics and attitude towards so many things cause me to smile to no fail. How can I not when she has a kind smile as a snake bites off her doll's head or when she has an argument with her hands? Luz is almost always a delight, but what's interesting about her is that while she's primarily happy and fun-loving, that doesn't make her naive or stupid. Luz has a good sense of maturity, even before her angst arc (Yeah, we'll get to that). In "Covention," I was impressed by her response to Eda's disdain about joining a coven. Luz made it clear that she understands Eda's outlook but wants to go and make her OWN decision. In fact, Luz is mature enough not to follow ALL of Eda's orders. There are times when Luz DEFINITELY should, but I like how the writers gives her enough emotional intelligence NOT to listen to ALL of Eda's wild and free ideas of anarchy. She has enough emotional intelligence to know what's right and wrong at times but is still young enough to learn more when put in danger at a time she really SHOULD have listened to Eda. Luz IS a teen, after all. She wouldn't have all the answers.

But now that we're talking about her intelligence, that's probably an aspect of Luz that's looked over the most. Because Luz is smart, and that shouldn't be an argument. It should be a fact. The girl endlessly worked on glyphs until getting them right, often having scraps of paper lying around her after past experiments. And not only is she studious, but Luz is also crafty at any moment. Some of my favorite scenes with Luz are ones where she comes up with a great plan on the spot, like how she thought up a way to brand Belos as he was killing her. It makes sense the girl wanted to try out for theater because her improvisation is on POINT. And she has the power to back it up. I said in that character analysis that Luz is powerful but not TOO powerful. My good buddy @l-egionare pointed out how I misjudged how powerful Luz CAN be, given how a single plant glyph made that big tree in "Enchanting Grom Fright" and how she wiped the floor with Emperor's Coven members and Conformitorium guards. She certainly has the power. I highlighted her intelligence more because I love characters who win fights by outthinking their opponents rather than overpowering them. The truth is, Luz, CAN do some epic stuff. She's just not AS powerful as Eda and Lilith were at their best, due to Luz having limitations to her glyphs and how she sometimes casts them. Luz can be invisible but only for as long as she holds her breath, and the strength behind her glyph depends on how much she uses and how big they are. She can do great stuff, even with very little, but nothing TOO grand until the Titan gave Luz that power boost in the finale (which I didn’t initially want, but DAMN amI not complaining). Besides, as cool as Luz CAN be, and how underappreciated that part of her is, it’s not her best feature.

I think we can all agree that the best thing about Luz Noceda is her kindness. She’s not naive enough to believe that there’s goodness deep down inside everyone. Her kindness has limits and it says something that Luz’s first instinct upon finally meeting Belos for the first time is to go for the head. While she will help others that need it, Luz will still take the violent route if you mess with those she loves. Speaking of, do you remember your favorite characters? You know all that development and growth they all went through? Do you know who’s responsible for ALL of that? Luz, that’s who. She helped reconnect Eda with her family, led King to gaining a sense of identity, helped Willow blossom into becoming more confident, indirectly helped Gus make new friends, and helped Lilith, Hunter, and ESPECIALLY Amity become their truer, better selves. They wouldn’t be who they are now without Luz, as every person she made a connection with had their lives changed for the better. And the crazy thing is that’s…not entirely mutual. Another great point my buddy @l-egionare made is that Luz’s life wasn’t doomed for the worst, and his argument has legs. Luz could have made friends like Vee did at summer camp or befriended those two kids in “Thanks to Them” who seemed to love Luz’s brand of weirdness. After high school, Luz could have also gone on to be a writer, sharing her love of fantasy to the world. Heck, she might even fall in love with someone else one day, like with a horror nerd that loves gore and doughnuts…Just spitballing ideas here. The point is that while Luz’s friends on the Boiling Isles ABSOLUTELY need her for a happier life, she doesn’t necessarily need THEM. It’s an interesting interpretation to think about that makes Luz even BETTER. She’s a protagonist that leads others to their change and growth, which is a primary directive for most protagonists. Not only should THEY grow and change throughout the story, but they should lead the rest of the cast to do the same. It gives importance to the main character, showing just how much they’re needed for the world and the people in it…Which is why it pains Luz to find out she’s indirectly responsible for some strife too.

Like most plucky protagonists, Luz goes through an angst phase, mirroring how the show started off as light-hearted only to become darker as time went by. Luz’s angst, in particular, started in “Young Blood, Old Souls,” where a bit of Luz’s wackiness remained, but she still slowly got more serious as Season Two continued. By the time we reached “Hollow Mind,” an episode that forces Luz to realize she accidentally helped BELOS, most of Luz’s silliness and optimism became fizzled out, with damn near all of it being gone by Season Three. This is due to her seeing what Belos almost accomplished and the damage that The Collector was already capable of. Luz was accidentally and unintentionally the cause of these issues, and it broke her for reasons that ARE understandable…but they’re not justifiable. You DO get why Luz blames herself for everything that happened. She prides herself on her kindness and helping others, with the idea of being a burden crushing Luz in “Separate Tides.” So, to find out that she’s accidentally responsible for Belos, it hurts her because it makes her believe she’s a burden to EVERYONE, to the point where she believes that the Boiling Isles would be better off without her. Even though we LITERALLY just established how that’s false. There are some haters and idiots out there who do like to point out how none of Luz’s friends wouldn’t have had any strife if she never came to the Isles. Except…No. They absolutely would have. I mean, do you SERIOUSLY think Belos wouldn’t have tricked anyone else? The man pulled off a genocidal scam for DECADES. He could have easily tricked somebody else to do his dirty work for a few minutes.

“But he was driven out of too many towns! No one would trust him!”

Which is why he made a false identity to fix that problem. For all we know, he could have done it sooner.

“But Luz gave him the light glyph!”

A glyph that did nothing but offer Belos a shortcut to finish a job he was already 99% done with. Besides, he could have learned it on his own or maybe even through The Collector, who already knows that glyphs are the language of the Titans. Belos’ plan would have gone forward no matter WHAT reason you bring up. And what’s weirdly interesting is Luz’s refusal to see it. Yes, Belos could have tricked ANYBODY, but it’s still LUZ that he tricked. That guilt eats away at her and I’m kind of glad it’s not entirely resolved by the series finale. Don’t get me wrong, I want my favorite character to live the happiest life imaginable, but there’s a sense of realism that, even though she killed Belos, there’s still a bit of guilt. It’s hinted that it sticks with her years later, as she missed birthdays just so she could help rebuild the Isles. Although, that doesn’t stop Luz from living her life. She still hangs out with friends, joins her school’s softball/baseball team, and goes out with her family. Luz’s guilt is a lot like that scar above her eye. It’ll be small and hardly noticeable on some days, but it’ll still be there, as a reminder that life isn’t a fantasy.

It’s pretty ironic that Luz escaped to a fantasy world to avoid Reality Check Camp, only to get a reality check anyway. Everytime Luz tries to apply her favorite book series or pop culture to a problem she and her friends face, it always goes wrong. Within the second episode of the series, Luz learns quickly that she’s not some chosen one predestined for greatness…I mean, she kind of is, but not in a way most fantasy stories tend to play it. Luz quickly learns that her coming to the Boiling Isles was an accident, and that the environment she’s forced to adjust to isn’t as pretty as it is in her books. Things are difficult and solutions are complicated with there being no easy answers. Luz learns this throughout her adventures and grows to understand that being a witch like Azura isn’t simple. Luz even goes through a sort of identity crisis, now realizing that her dream to be a witch was always a little too vague and that she has no idea what she wants in life after the adventure’s over. It’s a compelling aspect to her character to have Luz realize that she’s not your average protagonist. So many of us want to be the main character of the world’s story, when we should realize that job would be extraordinarily difficult. Luz learned that the hard way after experiencing pain, suffering, and literal death that will haunt her nightmares for life. I wouldn’t call Luz a cautionary tale of what happens when you continue to live in a fantasy. That’s more like Marcy from Amphbia. Instead, I’d say Luz is more of a representation of a character understanding the cruelness of reality, but through a fantasy setting. We all learn best through the things that interest us, and Luz is no different. And that’s one of the MANY reasons to love her.

I could go on and on about how much I adore Luz alone. And probably would if this thing wasn’t THIRTY-THREE PAGES LONG! And you can’t blame me. She’s my favorite protagonist in anything, and is definitely up there as one of my favorite fictional characters. There might be problems with her character, but I’m more than willing to overlook them because of how much I enjoy Luz and the journey she went on. She is flawless in my eyes, and I will never look at her in a negative light no matter who tries to make me.

And that’s it. That’s EVERY IMPORTANT CHARACTER in The Owl House…My goodness.

As you can probably tell, there’s a LOT of characters here. One could argue too many, as it becomes evident that a few of them could be better if the show had more time to let some of them grow. Unfortunately, we don’t live in a world where The Owl House had three full seasons and all the time in the world to let all its characters blossom into their beautiful selves. But with that said, there aren’t any characters in the show that I’m willing to call bad.

Okay, Tibbles is still inadequate, but he’s still not the worst. None of them are. If any character is lower than the other, it’s due to them being unable to compare to the rest of the show’s standard. Because The Owl House managed to have an expansive cast of lovable, endearing, and complex characters, with a lot of them worth a deep-dive analysis of their own. I can’t get enough of them and they will stick with me for a while.

But as great as these characters are…how well do they work TOGETHER?

Tune into part two, and I might just tell you.

Next part

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