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#i love the movie visually
egg-on-a-legg · 1 year
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dont make me tap the sign [sign that reads no one in 2001 a space odyssey was a villain everyone was acting under flawed information, assumption, and/or orders and this was a tragedy that could have easily been avoided had it not been tied up in bureaucratic red tape]
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scurviesdisneyblog · 5 months
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Early visual development for Wish (2023) by Griselda Sastrawinata-Lemay and Brittney Lee.
An earlier version of the film saw Star take on a human form as a magical, glowing character inspired by Peter Pan. Ultimately, the creative team reconceptualized Star as an ethereal, playful entity resembling Mickey Mouse. "Now Star and Asha have an emotional journey. They are soulmates." -Allison Moore.
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No spoilers but I never thought anything could top the animation, color palettes, and the overall visuals of Into the Spiderverse but Across the Spiderverse absolutely did without a doubt in my mind. Just gorgeous animation and compositions all around and I can’t wait until it comes on dvd so I can pause and admire every single frame. Everyone who worked on character designs, backgrounds and lighting etc should be so so proud of the work they’ve done.
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kayzean · 2 years
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The Sea Beast has shown me that we don't have enough How to train your Dragon esk movies/series and honestly it's a crime. Give me more "younger generation realize that the 'monsters' they were thaught to hate arnt actually monsters, and then go out of their way to prove it."
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wizard-legs · 6 months
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Yeah free to think about kissing men (just watched the green knight. mostly I liked the part where he ate shrooms and immediately vommed)
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space--potat0 · 10 months
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Okay rewatching the trailer for the upteenth time and I just noticed this frame?
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Any theories as to what happening? Why are they standing looking at each other across the dance floor? Why is everyone else crouching? Why aren't they?
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kanansdume · 1 month
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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movie-stimboards · 1 year
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gray cat from stardew valley stimboard
🐈‍⬛ 🐈‍⬛ 🐈‍⬛ - 🌾 🌾 🌾 - ☕️ ☕️ ☕️
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lucimiir · 2 months
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MY FAV DUNE PT 2 COSTUMES
And my (mostly visual/aesthetic) reasoning
(In no particular order)
Ok starting off STRONG with this Irulan look:
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It’s simple, it’s classy, it looks comfy AND elegant. I love the beadwork on the headpiece and how it’s Bene Gesserit-adjacent but you can still completely see her face and hair. The light colors look good on her and that collar made me question it for just long enough to make it better.
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Next up is Jessica’s early sayyadina look, and I loooooove this robe. The earth colors are nice, I like how it kinda blends in with the sietch while emphasizing her eyes, and the fabric is very rough and functional looking while still being beautiful. Mostly I’m psyched about the patterns in the weaving (I think it’s woven) and the way that creates continuity with her tattoos.
I had trouble finding good pictures for this, but
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Everything about this scene was GORGEOUS. I swear I didn’t breathe for the first ten minutes of the movie, and these Harkonnen uniforms were part of it. The colors here are amazing and make the black look so harsh and unnatural compared to the sand and rocks and the Fremen clothing. Their shiny helmets are terrifying and sterile and buglike and I am living for it. (Little me would have gotten nightmares)
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Obviously we’ve all acknowledged Lady Margot’s amazing dress, but it’s just That Good. The structure! The open shoulders and low neck + hood! The color! Sinister and sexy. And despite the fact that I loved the color, I might love this even more in the black and white scenes because it shows off the construction so well and the opera glasses honestly tie it all together.
Ok bringing back Jessica because she Doesn’t Miss:
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I loooove this. The gold printing (?) around the hood might be my favorite part, and the beads under the collar are awesome without weighing down her whole face like the outfit she wears for most of the film with all the metal on the forehead. I also like how the structure and design of it is extra similar to Reverend Mother Mohiam, with the giant rectangular hood, but the color and the face beading are actually more reminiscent of the gown she wears when the Atreides arrive on Arrakis in part one.
A shoutout for Feyd-Rautha’s armor in the duel:
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Idk I just really like how shiny it is. All the Harkonnen stuff reminds me of bugs (those evil looking shiny black beetles) I like how this is actually very much like a stillsuit and really similar to what Paul’s wearing, but more evil and shiny.
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Last but CERTAINLY not least is just Chani’s blue scarf. BOY does this pull its visual weight. Like symbolism and meaning aside, it’s such a necessary piece of color in the all the desert scenes, and adds visual interest to what is a largely beige movie. In tons of the scenes most of the color is bright bright blue in the characters’ eyes and this scarf. And I think it adds a lot of joy and lightness to Chani’s appearance, which obviously symbolically changes as she does.
I just love costumes! This was a visually stunning film! I’m feeling very happy!
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customboytoy · 10 days
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Open up and swallow on your knees// And say, thank you, I'd like some desperate measures, please
Rubbers Lover x Marianas Trench
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wundrousarts · 1 month
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Wow, love this still from the animated Nevermoor movie!
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chloecherrysip · 1 year
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There's a huge universe out there, with a lot of galaxies.
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Vincent Price introducing The Vincent Price fine art collection for Sears and Roebuck (1962)
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jackdoe · 2 years
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I figured it out.
Matt narrates like you’re playing a game.
Aabria narrates like you’re watching a movie.
Brennan narrates like you’re reading a book.
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daily-kagami · 10 months
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Day #78: Movie-goers
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vibe-stash · 1 year
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Arrival (2016) Director: Denis Villeneuve DOP: Bradford Young Production Design: Patrice Vermette
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