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#i have deep issues
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this is still one of the craziest things i’ve written… in a good way
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i absolutely love your characterization of movie vanessa,, like she is so mentally unwell but also she is full of whimsy!
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The duality of Vanessa Shelly,,
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bizarrelittlemew · 6 months
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calling it right now that season 3 starts like this
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transbot-brian · 4 months
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My headcanon for Marius is that he is a bad psychologist normally but very rarely he will pull out this god tier analysis of someone from not even five minutes of talking. He can tell you about things youve completely blocked out from memory and when you ask him about it he'll say some shit like "The way you blinked" with no other explanation
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cybervom1t · 3 months
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Why dont you post that cute tummy of yours much, i wanna cum
go crazy ahhhh !!!!
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dyketubbo · 3 months
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forgive me if i lose tubbo character analysis points (rolls eyes heavily) over this or something but i honestly dont think the date was very ooc or that the frubbo romance is going to be played as something that makes qtubbo better. obviously qtubbo gained a lot of trust issues and lost a lot of hope in others + started to strongly believe that love only hurts after purgatory and the funeral. and hes an extremely defeatist guy at heart
but he also makes exceptions because no matter how much he tries to disconnect himself he still cares so so much about others. he has such a weird fucked up view of love and justifies seeing sunny as an exception by saying they wont hurt each other because their love is unconditional and yet he also claims empanada isnt safe when bagi is around because the eye workers will use that connection to their advantage And Yet he constantly looks after and takes care of sunny anyways. even though hes already mourning her before theyve even died. even though by his own logic it may be safer for sunny to not be with him
and like.. he says dont get attached empathy makes you weak but he tries to ruin fit & pacs date so they dont abandon him. he still jokes around with them and has happy moments with them bc ultimately theyre his friends and even if they dont Really understand what hes going through or what would help him they want to be there for him and make him happy and they Do make him happy. bc qtubbo doesnt spend all of his time with his friends whining and groaning about how theyre going to leave him some day and despite being suicidal and defeatist and at times a fucking jerk that isnt his whole personality
depressed people Have happy days. they have ups and peaks in their life and yeah actually many of them do manage to have nice relationships and theres a lot of depressed people out there who are fully capable of just. not being complete downers to be around all the time (cough a lot of comedians have depression cough). if anything i would argue it isnt just in character but realistic for qtubbo to be able to just. have a normal date where hes a bit of a loser and manages to get through an actual confession
and its not like hes going all in oh we're dating and we're going to get married now bc he doesnt even consider themselves boyfriends and he turns down sunny claiming fred as another parent. he just had a happy day and it boosted his mood a little. i dont think fred is really on his list of trusted people and in fact i feel like him just being very silly and awkward during the date is a Part of him not fully trusting fred or wanting to be super serious around/with her. i think to qtubbo fred symbolizes sure some pain from the whole funeral situation but also still a lot of happier simpler times and ultimately a time where tubbo was happier and openly hopeful
if anything, tubbos relationship with fred is another form of escapism for him. of course it isnt going to make him better. he literally brought fred to him and sunnys island where they plan to live far away from everyone to avoid their problems. its all a fantasy for him, and one that he isnt even allowing himself to fully jump into but will joke about and dance around the subject of nonetheless
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captain-hen · 20 days
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while i obviously think buck's self-discovery and acceptance of his sexuality is vital to his growth and (eventual) happiness, i'm not too thrilled about this sentiment i see going around that all of his issues are magically gonna be fixed now that he's dating a guy. i think this episode, more than anything, proved just how not okay he is—for reasons that are not completely tied-up in his sexuality.
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firefox-official · 11 months
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hey mozzarella how does one motivate oneself to get up in the morning and live
i dont know the answer to this one
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scribefindegil · 1 year
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"Only in the darkest depths of fear can true courage shine" is obviously about Mob but I keep thinking about it in reference to Dimple's actions in Mogami arc. He was so scared! He started shaking like a leaf as soon as he recognized Mogami and he begged Mob & Reigen to leave, but he STILL faced Mogami head-on in Mob's body as a distraction and voluntarily entered Mogami's mindscape to get Mob out! The trust conversation hits even harder when you remember that this isn't an abstract danger they're up against; it's an entity that Dimple has very specific trauma about!
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possamble · 15 days
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do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
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okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
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she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
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so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
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"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
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Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
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And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
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Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
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and look at how exasperated and resigned she looks
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And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
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In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)
#asks#dungeon meshi manga spoilers#marcille donato#manga panel analysis#this is probably riddled with typos sorry#readmore cut bc it got long lmao#i ended up babbling about it bc it's such an important character detail to me#bc like... wow. she's so normal about it. she's literally just chilling.#the only thing that really bothers her is the material reality of it and how people treat her#the stereotypes the stigma etc. etc.#otherwise it just..#literally doesn't factor into her criteria for self-worth at all#the basic truth is that marcille likes herself on a fundamental level#she's not plagued by a deep and festering self-loathing the way a lot of characters in her archetype are#she likes herself and is proud of her successes and accomplishments#its just that shes terrified of failure and can have *episodes* of self-loathing when she fucks up#but who doesn't yknow#i know its a very slight nuance that makes very little difference in how her 'overachiever' problems manifest but its there#the sword of abandonment issues that hangs over her head has nothing to do with her self-worth or self-esteem or meeting her own standards#it has to do with the fear of not living up to *other* people's expectations and not being useful enough to be worth keeping around#she's good enough for herself but she's always so so so scared that she's not good enough for other people#i wont say much about what ryoko kui is saying using this as an allegory for real world racial biases but#dungeon meshi's treatment of marcille's relationship with her being half-elf is so incredibly important to me because it gets it so right.#a trauma about inferiority or being a half-being isn't inherent to the experience of being 'of two worlds' at all#that's something that's unfairly drilled into people by their environment#the *inherent* anguish is the loneliness. the constant longing. the fact that you are always homesick no matter where you are#always just a little bit of an outsider and never fully at home#and dungeon meshi gets that.#edit: cleaned it up a little
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sacchiri · 29 days
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Hellsing 2002 calendar illustration.
Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen
A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death
#hellsing#alucard#kouta hirano#translation was found in a comment by u/lazyfoxheart on r/Kurrent#fun fact this is the highest quality version of this image that exists online#i know because i've been looking forever for a version that's clear enough to actually read what hirano wrote under '1443'#but there weren't any so i had to take matters into my own hands#the real image on the back of the guidebook is only 2 inches tall so i had to take this with my smartphone and will my hands not to shake#anyway i'm pretty sure it's supposed to say Eğrigöz (the location vlad was imprisoned) so yeah. thank you hirano very cool#if i might rant for a sec it took me an embarrassingly long time to figure that out because i didn't have the guidebook at first#and in the images i could find online that part was just a blur that looked suspiciously like a person's signature and i was like. who tf#i was thinking matthias corvinus since he issued some political propaganda against vlad iirc but it didn't match his signature on wikipedia#then i thought it might be vlad II dracul's since he probably had to sign an agreement to send his sons over as hostages at some point#but that didnt seem right either so i kept skimming vlad's wiki page#and then i was like goddammit...hirano.....you just misspelled Eğrigöz didn't you.. ....#i maybe should've made a separate post dedicated to this instead of writing a novel in the tags but eh#the hellsing brainrot runs deep#also- i put it in the source link at the bottom of the post but the german inscription is copied off a real woodcut of vlad from 1491#except instead of depicting him as an adult hirano drew him as a child which gives the inscription a very different feel imo#the one final thing that interests me about this is the fact that hirano published this calendar in 2002#which is REALLY early in the series. like this was before volume 5 came out??#i have no idea why he decided to do a massive spoiler drop in a random piece of japan-only merch#sandwiched between a drawing of alucard as john travolta from saturday night fever and integra as a fish no less#it makes me really curious to know what the fan response to this was back then. like did people even know who this was#maybe im just an idiot and everyone back then was like 'ah yes its alucard as a 12 year old. how very informative'
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heartbeatbookclub · 2 months
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I was looking at a few posts about autism (as one does) and it just suddenly clicked into place a fundamental thing about Yuri's character that I'd been grasping at, but hadn't really been able to adequately identify. I still have a much longer and more thorough analysis going through a whole lot of my thoughts on Yuri's character and her experience of autism that i'm working on (of which this will likely be a component), but I thought I'd share this separately just to emphasize.
Post I saw which made this click for me was making fun of the fact that most media depicting impaired empathy in autistic characters explicitly depicts them with this unflappable confidence of never having been rejected by people they love. The crux of this is that in actual reality, autistic people almost always have that experience at some point, for some behavior, for reasons they don't really understand. "There is an invisible line where people will get sick of you, and you have no warning of when you're about to cross it." So frequently, autistic people attempt to ride a razor thin edge, walking on constant eggshells to desperately attempt to avoid crossing that line.
Very often autistic people will attempt to avoid doing anything at all which could be considered weird, or off-putting, and will try their absolute hardest to do things in a way that is acceptable to other people, sometimes to the point of outright suppressing their emotions, because they are afraid that they'll say something just wrong enough that the people they care about will push them away, and they don't understand WHY it happened, but they know it's THEIR fault. Sometimes masking is fighting to appear aloof all the time because you can't regulate your emotions in a way that is acceptable to other people.
And holy fucking Jesus, that fits the exact mold of what I've been trying to talk about with the particular way Yuri's anxieties manifest.
It really feels to me like Yuri has this constant fear of breaking the "rules" of socializing, despite not really understanding what those rules even are. She's constantly afraid of saying something wrong, when she doesn't even know what wrong would be, she's just sure everyone ELSE will know it when they hear it. I think a huge part of her social anxiety comes from her own understanding of herself as a very weird person who doesn't really get a lot of how to socialize, and it seems to me like she's probably dealt with her fair share of social rejection and isolation based on those traits. She then felt she had to take responsibility for those traits, probably because it's the one thing she can change, and she is the one common denominator in all of these bad situations (This is something which is pretty common, actually! "Everyone else can socialize just fine, and I have so much difficulty with it! I must just be broken in some way. I have to try super hard to be normal to make friends!")
I think a big part of why it's so apparent in the Literature Club is because she really thinks she's found a place where she can make friends in spite of all of her issues, so when she starts...being herself, and receives even the smallest HINT of pushback, she overcorrects and tries to rein all of herself in to fix her "mistake", because she really wants to make friends here, and doesn't want them to reject her as well.
She's had this experience of others pushing her away for being weird so often that, coupled with her acknowledged trouble for reading situations, when anybody responds poorly to something and she recognizes it, she immediately overcorrects out of fear of being an annoying burden to everyone around her, and that "correction" consists of suppressing herself into being "normal" (or at least "less weird"), because she believes nobody could actually like her just for being who she is. There's something wrong with her fundamentally, and to make friends, for people to like her and want to be around her, she has to "fix" herself.
it's just, like...
it's really hard for me to interpret Yuri's character that doesn't involve her being somewhere on the spectrum, bros. she's written with such delicately constructed autistic coding, despite the appearance of just being a hackneyed weird girl visual novel trope. she deserves the world.......
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marzipanandminutiae · 2 months
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southern gothic crimson peak. that’s it.
The thing about Southern Gothic is that, if you do it with any kind of conscientiousness, you’re going to run into slavery. sooner or later. Having grown up in the south, I can attest that if there’s a big gorgeous house from anytime before the Civil War, the original owners almost certainly enslaved people there. And while that can be a fascinating thematic throughline for deep literary southern Gothic – it’s certainly a horrible family history – it’s not as good for Fun Gothic With BlorbosTM.
(slavery also happened in the northern US, to be clear. For fiction purposes, though, you can go further back in history without encountering it than you can in the south.)
Like. If there’s a big old crumbling house in the south, even if it’s a modern story, there’s a 99% chance that the looming specter of slavery is going to overshadow the characters’ interpersonal interactions. And this is one story where I prefer focusing on the interpersonal interactions
I guess you could have Allerdale built after the war if it’s a modern version? So then you don’t feel as bad focusing on smushing the characters together like dolls while whispering “now kiss?”
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fetlockflowers · 7 months
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"Very fine people on both sides" Garak...
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puppyeared · 4 months
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i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand
#me when im the only person on the bus wearing a mask: i should make a furry plaguesona#its hard to explain bc. most of the time i try NOT to give my characters a 'strong' theme like making their whole design around#one thing like apples or even broad stuff like baking or cottagecore.. idk if its partly for flexibility or because i cant imagine them#making it their whole personality. not bc i find it cringe or overblown but more like ive learned to associate design with character depth#i had a cutesy uwu persona for most of highschool because i thought it would make me more. likeable? easy to remember? since#memorable character designs are easy to recognize. and one way of doing that is simplifying it with a theme or symbol so you form an#association. but since im a real person its exhausting keeping up that appearance all the time and denying myself things when they dont#fit my 'aesthetic' or 'theme.' i think ive grown past that bc i just collect stuff because i think it looks cool and dont let myself dwell#on how it might 'fit' with my image. but i cant help feeling bad doing it to my own characters bc it feels like im making them too one#dimensional. despite knowing that theyre not real and design alone doesnt reflect depth i cant help feeling like its wrong#despite that i love seeing motifs because it feels like it reflects the characters soul and paradoxically gives them depth. it makes them#interesting to look at too and honestly its pretty fun combining things that fall under a similar category when designing#i struggle find a balance between those two things#actually this reminds me of noelles christmas theme.. i dont remember her saying anything abt liking christmas despite a lot of#her design and character tying back to it. it makes me wonder if she would have feelings about that or doesnt think abt it too hard#or if its like a matching family shirts situation and shes just going along with it??#maybe i should just do whatever i want with my character designs since theyre not real and im thinking abt it too hard#although. this probably has something to do with deep seated identity issues huh#yapping#oc talk#oc
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dirtytransmasc · 8 months
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[TW implied/referenced rape/forced consent]
did Alicent call for her mother? did she ask her, a woman she thought was so wise and all knowing, why? why it happened to her? why her father betrayed her so? why this man who was so much older than her, looked at her with such empty lustful eyes? did she silently pray for her mother when Viserys raped her, night after night, begging for her to save her? did she imagine her mother walking next to her as she made her way to Viserys's chambers, knowing what was to happen, unable to change her fate? did she scream for her during labor, begging for her to be by her side, to hold her hand, to make the pain stop? did she cry for her mother when she was raising a child, while still a child herself, another on the way, clueless as to what to do? did she ask her for advice? did she beg for forgiveness cause she was failing her children? did she kneel at the Sept till it hurt more than she could bear, trying to feel her mother's arms around her? did she take Aegon? Helaena? Aemond? Daeron? did she take them with her to pray, to get to know her mother? did she have to hold them still and remind them to be quiet in such a place? did she hold them close as she told them stories of her?
did she ever think of Aemma? she must have, she must have when Viserys forced her into the late queen's robes, she must have when he frequently called her by the wrong name, when he sought her hand in marriage before his mourning period had even ended. did she beg for Aemma's forgiveness? was she sorry for what Viserys was doing to her? did she blame herself? did she feel guilty for having a healthy son on the first try, for having 4 healthy babes? did she tell her kids of her? did she share her memories of Aemma with them? did she question how she managed to be with Viserys for so long? how she lost so much cause of that man yet pain and anger never once flashed in her eyes? did she think of the last conversation she heard from her, about the child bed and royal wombs, often?
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