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#i had a lot of thoughts okay

egophiliac · 26 days

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hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O

unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!

my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not

#art #twisted wonderland #pokemon #poketwst #okay i have one other correction to make #which is that i think vil should also have a garbodor #NO LISTEN #i have thought about it a lot but i just do not want to give him a milotic #and this is because -- now hear me out #neige would actually be the one with a milotic #(it fits his personality more and it's even in his colors!)#when they were kids vil had a trubbish and neige had a feebas and vil felt superior until the whole milotic thing happened #and he's secretly kind of bitter about it #but he also secretly loves his garbodor a lot and gets mad when people make fun of it #IS HE NOT BEAUTIFUL ENOUGH FOR BOTH OF THEM #also garbodor ferments poison inside of it! it would be the perfect alchemy assistant!#I'M RIGHT OKAY #(i am also a big fan of trubbish/garbodor and i don't personally think they're ugly anyway)#anyway enjoy this drawing because it completely exploded my computer #(it was not the drawing's fault it was just unfortunate timing)#i've mostly got things working again but oof. it's been. a day. 🙃

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its-your-mind · 5 months

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thinkin bout how orv starts with kim dokja actively working to ensure that kim namwoon dies during the first scenario

thinkin bout how kim namwoon was a teenager at the start of the scenarios, dealing with the apocalypse using the mental paths that came easiest, jumping into the new world with both feet

thinkin bout kim dokja as a teenager. tired. hurt. alone. his internal and external struggles ignored by the adults around him. choosing to throw himself off a rooftop because there wasn’t anything in his life worth living for

thinkin bout how kim dokja woke up again, even though he had planned not to

thinkin bout a teenage boy. lost, alone, broken, scared, angry, in need of someone to come and show him how to keep moving forward

thinkin bout a protagonist in a webnovel who is an example to you of how to survive against all odds. a mantra to repeat when living life as yourself is too hard

thinkin bout a hardened and powerful hero who knows exactly how this world works, who holds out a hand offers you a place with him

thinkin bout teenage kim namwoon, looking to yoo joonghyuk as captain, teacher, and protector

thinkin bout teenage kim dokja, looking to yoo joonghyuk as role-model, hero, and refuge

thinkin bout teenage kim dokja, who saw himself more as kim namwoon than any of yoo joonghyuk’s other companions

thinkin bout adult kim dokja, reclusive and unsocial, hiding his phone from his coworker so she doesn’t see what he’s reading. convinced that yoo joonghyuk would look down on him if he learns who he “really” is. ashamed of any details kimcom learns about his past

thinkin bout what happens to a life when the person living it has never seen in it any redeeming qualities or objects of value. how someone feels about life when they tried and failed to give up that life a decade ago, and every day since has felt almost accidental

thinkin bout the lesser fire dragon. the disaster of floods. the strongest in seoul dome. the devourer of dreams. the 73rd demon king. the industrial complex. the war between good and evil. the wager with secretive plotter.

thinkin bout the most ancient dream. an empty station. a cold and hard bench. bandages and a notebook and a too-loose uniform. smaller than he should be for his age and more broken than any child should ever become. alone.

thinkin bout an unbreakable faith, shattered. a family frantically throwing themselves at their heart to save him from himself. desperate hands prying a blade out of shaking ones, moments before the jagged edge pierced deep into vulnerable flesh

thinkin bout how the younger kim dokja, recently released from the hospital, does not watch. instead, he instinctively curls up to protect the parts of himself already hurting the most. he begins to repeat his mantra

thinkin bout how kim namwoon kicked and fought and screamed and stabbed. and then, when he realized there wasn’t anything he could do, he got down on his knees and begged kim dokja for his life

thinkin bout how kim dokja just stood over him, held him in place, and looked at him in silence as the clock ran out

thinkin bout kim dokja at the beginning of his story and at the end of his story. in a subway. looking down at a teenage boy.

making a choice. the same choice, both times.

the first time: an explosion, a blood splatter on his reflection, and a confused and wary protagonist who has lost one asset and gained another

the last time: arms holding him back, a family hugging him tight, and another protagonist who steps in front of him. holds the child close. forgives him everything. offers up anything more he could need. and kim dokja watches as the person with the strongest claim to vengeance upon this younger facsimile of himself instead gently gathers up the most ancient dream, tucks him close against his chest, and walks away with him safe and sound in his arms.

#orv #omniscent reader #omniscient reader's viewpoint #omniscient reader novel #orv spoilers #omniscient reader spoilers #kim dokja #kim namwoon #most ancient dream #secretive plotter #LISTEN. listen.#I JUST THINK ABOUT KIM NAMWOON A LOT OKAY #literally there was like #one line in the 1863 arc where kdj was like #lol yeah I used to imagine replacing kim namwoon in the squad bc I thought I could do him but better #and then my brain short circuited #literally changed everything I felt about kim namwoon in like .02 seconds #cuz like yes kdj unreliable narrator #but I had not unlocked the kim namwoon mystery until that moment #anyway justice for kim namwoon my bby boy deserves better #he was a C H I L D #lee jihye also killed someone day one and kdj doesn’t hate her for it #anyway I’m just sayin that everything we see is through kdj’s eyes and if he thought Kim namwoon was cringe af #BUT ONLY BC teen kdj thought the edgelord thing was kinda badass #obvs we only get the bad vibes #I mean also there was an attempted stabbing #but only after kdj stopped him from doing old lady crimes specifically with the intent to make sure he didn’t make it thru scenario 1 #no old lady saving desire present

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lylahammar · 1 month

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I think the important thing about body neutrality and body positivity existing side by side is that body positivity is a big hurdle for people who are just starting to work on learning to love their bodies. When someone's at their lowest point, it's better to say "aim for just fine," and once they reach that level of neutrality where they can appreciate the functional ways their body is serving them, it's a lot more feasible to make the jump to seeing the visual beauty of it.

#just a random thought #I've had a lot of people in my life ask how to get started on learning to love themselves and their bodies #and this is always the advice I give them #just aim for being okay with your body not good not bad just fine #appreciate what your body is able to do for you #and what it's able to survive and function with #and then you'll naturally start to build a relationship there #it's kinda like becoming friends with someone before you jump to dating #you gotta get to know em first if you want it to be a serious relationship that you build over time #lyla's talking again #fat liberation #body positivity #body neutrality

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damianbugs · 6 months

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i spoke about this briefly before, and i think i have my thoughts more collected now to develop on it; i feel like comics which show bruce comforting his child self in flashbacks of the wayne murder in crime alley understand the purpose of batman a lot more than the ones that have him talking to his parents.

if you've been keeping up with recent batman comics, then you'll notice a theme of bruce getting the chance to talk to his younger self. the important part though, is that it is not because of time travel or some detached third party force — it's the young bruce in batman's head.

it's the him hidden behind the black door in his mind when he's fighting his nightmares —

Batman Knight Terrors #2, 2023. written by Joshua Williamson.

— and it's the him tucked away in corner of his mind after being drugged and tortured with his greatest fears.

Detective Comics #1075, 2023. written by Ram V.

after experiencing something traumatic, the one bruce sees suffering from it isn't himself, but the young bruce wayne in the alley. because at the end of the day, every hurt circles back to that night, to that boy, that he can't save no matter how hard he tries — because that boy never left the pool of blood he was sitting in.

i think people often attribute the existence of batman as something created for his parents. to avenge them, or to be the symbol that could have saved their life had he existed before, to stop anyone else from being killed in the same way. there's some truth to that, however, to me, the answer is a little more selfish.

i think it has always been for himself, but not the him now, but the him that is still stuck in that alleyway, waiting over his parents dead bodies. batman is a symbol of hope and reformation and justice, but at its core, batman is what saved bruce wayne.

as a result, the panels above have a very different feel to say, this moment when bruce sees an illusion of his parents in Superman/Batman #56, 2009. written by Michael Green and Mike Johnson.

it's an emotional moment for sure, but it didn't quite speak to me the same way this absolutely phenomenal moment did in Batman: Blind Justice, 1989. written by Sam Hamm.

of course this moment is a lot more cynical in how bruce uses batman to cope with his guilt, while the other moments focus on batman providing young bruce with the hope to continue that he isn't alone — the sentiment of batman being the one to pick him up from the floor and lead him away from the scene in a shared motif.

it reminds me of that one discussion that batman is a victims power fantasy. his own fantasy! because bruce has — in order to have a semblance of control over himself — separated himself from this event that it is a completely different child at the scene of the crime. it's this fact that let's him reach down, hold the boy's hand and tell him everything will be okay.

this bruce wayne is a child, his child, gotham's child, thomas and martha wayne's child, an orphan to protect.

batman was made for children like bruce wayne, to stop them from becoming like him and for them to hold onto when it does — because batman is still trying to fix a problem that has an endless hole. he can never reconcile this trauma and let the boy in the alley leave, because that's not what batman was made for.

batman was made to protect the little boy, and in order to do that, he must remain in that alley.

there's still a bruce wayne who had to grow up, who learned to fight and love and lose again and again, a bruce wayne who becomes batman. a batman who then, tries effortlessly to fix problems and save people, who goes out everynight because if he doesn't, then that boy in the alley is left there for nothing.

then there comes a moment where he falls through the cracks and he's face to face with the child who can't leave and can't grow up and knows nothing but loneliness and grief — and batman gets to tell this child that life becomes more than just this alley.

the child is happy, if even for a moment, that batman is there. that's what batman is for.

#okay this got away from me at some point #i just. i care about this ridiculous character a lot #i hope this makes sense. i might have lied when i said i had my thoughts in order #please give the comics mentioned a read!#bruce wayne #dc meta #saki comic talks

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justanotherwriter140 · 3 months

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Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

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youngyoo-apologist · 8 days

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I think my least favorite thing ever of all time is when I’m reading a fanfic and Basen and Lily are villains like NO my children would NEVER

It’s usually the case in OG Cale fanfic, now don’t get me wrong I love the guy but also his family was not all horrible, and Basen and Lily were NEVERRRR at fault. Lily is literally like, seven years old and Basen is fifteen neither of them hate their brother either. Any child wouldn’t know how to approach their older brother who doesn’t talk to them and is distant(+ is known for having a bad personality) like that isn’t their fault 😭😭

OG Cale distanced himself from his siblings to protect them, there’s no one to fault in this situation for things turning out this way because it happened due to so many combining circumstances. Like IDK! I just don’t like it when Lily and Basen are treated like bad people cause I just find it a bit ridiculous.

Basen and Lily could’ve tried talking to OG Cale, but the real question is if he would let them talk to him ykwim, his act was perfect with literally no flaws. The reason it worked so well was because no one KNEW him and he probably knew that part too. The sadness to their situation is that they all had their reasons and cared for eachother but there wasn’t really any communication

Tbh it should have been Deruth’s job to ask Cale what was wrong, he’s not like the worst father ever okay but he also has extreme communication issues! The Henituse’s middle name is practically ‘communication issues’ like none of them are very good at it I fear. Deruth clearly cares for his son a lot, but he doesn’t know how to approach Cale possibly out of guilt/fear he’ll hurt his son even more. Which is why he just let’s Cale do what he wants

I think it’s important to note that the family did have faith in Cale, they all knew he wasn’t a bad person but they were all just so distant from eachother. I don’t think Deruth would have offered KRS!Cale to go to the capital after like a weeks worth of changed behavior unless he knew that there was more to his son than what the public thought. Again I think the big issue with the Henituse family is their communication

The characters all have complicated dynamics and personalities and it’s just something I don’t like when everything is treated very one dimensional

#rambling #tcf #lcf #Violan could have asked Cale what was wrong too but like she has more reasons not to #like she could be distancing herself cause she thinks that’s what Cale wants #and she watches over him and makes sure he’s okay in other ways #I just think it should be Deruth to talk to OG Cale abt his mom’s death #Violan defender 4ever #I don’t hate Deruth btw he’s cool I guess but he needs to communicate better #actually I wonder abt Violan and Deruth’s marriage a lot #like why did they get married so fast (according to the wiki timeline)#I had this theory that it was an arranged marriage they set up for some buisness reason and fell in love later #cause I was thinking abt it and I thought it just didn’t match up w their personalities #Deruth was literally so devestated after Jour died I do not think he can fall in love that quickly again #maybe I’m wrong idk #it’s been awhile since I read the later half of the novel maybe the reason they got married is explained later

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sirazaroff · 4 months

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How do you think Velvet flirts with Coco?

This is one of the funniest asks I ever got and im glad cause this is just gold. Like how does the Bun™️ woo her stupid bozo?? ———— 

I have my biased takes on what Coco and Velvet are like as characters, but to start off I wanna focus on what Vel brings to the table.  I think a lot of people have moe’d her down to a nervous/scaredy bunny girl and…that’s not her at all. She’s a real multilayered character who can and will kick your ass flat. She’s also…

- very very attentive to people

- excellent at memorizing things she sees and hears, and quickly at that

- very emotionally in tune with people, herself included

- insanely kind and helpful

- honest about her feelings and will voice her thoughts when ready

Also she’s a bunny like come on. Is baby. It’s impossible to not find her likable.

I can go on forever, but I think these are enough likable traits to work with.

 Time to shift. Now we focus on what I think Coco likes in a person:

- Hot girls

- Complexity

- Someone true to their nature

- Some sense of honor

- Someone striving to learn and to better themselves

Hopefully it’s not lost here, but there’s some compatibility don’t you think? Velvet’s got some of those traits that Coco likes.  ————

So where’s the flirting? It’s coming I swear, I just needed the background info to help support the answers.

Bun bun flirts two ways: intentionally and unintentionally. The latter is usually what’s happening most often.  Her intentional flirting is what you would expect. Some cheeky words, being a playful tease in her actions like when she flashed her camera in After the Fall. I think she would 1000% take advantage of her physique and incredibly vast skillsets. She is totally totally showing off during training and sparring. Coco might hide her gaze under her glasses but that dumb bitch is so easy. So so easy…

Now her unintentional flirting is basically that Velvet is just doing her thing. She’s comfortable and loved by her team. With them she’s able to be herself and have fun, and that’s what coco loves most. Seeing Velvet thrive and not feel like she has to hide herself away from the world, and with it comes moments and actions that make Coco, much to her surprise, fall for Velvet.

I guess simply put, Velvet flirts by being her cheeky self around Coco, and her leader falls for her every time.

#fooze #smugm3ss #rwby #rwby fanart #velvet scarlatina #rwby velvet #coco adel #rwby coco #crosshares #rwby crosshares #of course these are just my playful opinions #but yeah I mean these two kiddos are funny and idiot goobers but they’re also so sugary sweet to each other #without any compromise to their personalities either #I just wanted to answer this already but I had a lot more tender moments planned for these two to show #I’m a firm believer that they’re perfectly made for each other. they kinda remind me of bees but just. different you know?#wow Fooze so much stuff to answer a simple question~ SORRY IDK I HAVE THOUGHTS and it takes months to get them out okay?!?!#probably doesn’t even make sense either!#anyways velvets favorite pastime is raising coco’s bp just by looking at her for longer than 5 seconds #sorry if this is also formatted weird I’ll fix it tomorrow if need be

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tofixtheshadows · 2 months

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"Marcille is gay because she felt Falin up in the bath" boring. Anyone as neurotic as Marcille could act like that.

The biggest canon proof that Marcille is a lesbian is her extremely comphet fantasies of chaste and chivalric men.

Like this is just what lesbians who haven't realized they're lesbians imagine they want from men.

Marcille should not be at the club, but she should be home watching Pride and Prejudice (2005) and Revolutionary Girl Utena.

#musings with Dea #Dungeon Meshi spoilers #this is also a joke before anyone gets cute. let me laugh at the comedy manga #I actually have a lot of complicated thoughts on the bath scene #and they mostly boil down to: Falin was the one who realized it was gay as hell and Marcille was oblivious lmao #the anime made it less gay btw. that's my actual hot take.#the Winged Lion acting like a doting yet respectful bodyguard to a princess specifically for Marcille....#okay girl it really had your number #if the Lion could have turned into a bishounen it would have #maybe it just didn't feel like it

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