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#i genuinely can see it happening

bottomlessabyssposts · 2 years

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Mike being crushed by the fact two of the most important people in his life lied to him. Convincing himself that he's definitely not worthy of anything if El AND Will lied to him. "I'm not the heart", he'd tell Will "No one would fall apart without me" he'd say and Will would be devastated!! Because Mike is clearly spiraling, finally hitting his breaking point, and Will doesn't know what to do !!!

#byler #mike wheeler #stranger things #will byers #mike's mental health #okay this kinda went off tracks but #i genuinely can see it happening #Mike has been lied to A LOT #by Will and El #by Hopper (omition yk)#by his mom (when she wants them to think nothing is wrong in their family)#by himself too (mike hates mike)#i need him to cry though #like really really cry #show his misery because NO ONE sees it #he's so invisible to you all when he's nog actively breaking down #this is insane #everyone around him lies to him and he thinks he's undeserving of the truth

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sergle · 8 months

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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays #if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone #because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page #but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source #because it's placed so plainly where everyone can see it #and yeah it's better to retweet or reblog but #on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway #someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those #if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link #to my etsy #I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside #like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth #like you've GOTTA die if you do that. but if you just link back #or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info #about what the art is and who made it and their links #I am literally sucking you in a strange and peculiar manner. that is extremely helpful #and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited #but I feeeeeeeeel. like 99% of the time this would solve the issue #reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing #as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB #A JOB!!!!!!!!!!#sergle.txt #I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark

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steveharirngton · 2 months

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"Sometimes deciding anything is better than being indecisive. You want to do life, You don't want life to just happen to you."

#this is for me so i can come back when i need to #he is so wise and so genuine you can just see it all over him #i love him :((#he should read me a book #if i say it enough it will happen maybe #joe keery #djo #steve harrington

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rwrbmovie · 20 hours

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Variety: Can Nicholas Galitzine and Taylor Zakhar Perez Land Acting Noms for ‘Red, White and Royal Blue?’

Weekly Commentary (Updated: June 6, 2024): Nicholas Galitzine and Taylor Zakhar Perez light up the screen in Prime Video’s hit romantic comedy “Red, White and Royal Blue.” In addition, they’ve become two of the biggest breakout stars of the year, and with the film being among the frontrunners for outstanding television movie, the pair could be a packaged deal on many Emmy ballots.

#taylor zakhar perez #nicholas galitzine #all the campaigning paying off?#but also note only this editor from variety has either of the boys as predicted nominees #from what i can see on gold derby at least but he also predicts rwrb to win tv movie #genuinely dont expect it to happen but the film surely will get the nod right #red white and royal blue #rwrb movies #emmys #emmys predictions #tzp #ng #cast #awards

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iwritenarrativesandstuff · 1 year

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Q's Relevance and Parallels to Double Black

I had a sudden brainwave of thoughts (read: I only got three hours of sleep last night) and needed to share. I've thought this for awhile but I really think Q will be returning to the series at some point.

First of all, there's just too much ambiguity there and I want to know more about Q in general. What happened to Q to spawn an ability like that? Why does Dazai speak about them like they're the devil incarnate? What was the incident that led to so many Mafia deaths in an effort to lock Q up? Is there any significance to Q's unusual eyes (remember that most characters tend to have fairly normal eyes, and this is a series where the eyes carry symbolic weight)? What's with Q being strung up in this position that is eerily similar to a crucifixion, shortly before Steinbeck has a conversation about God existing but not loving them?

There's a lot there. I've spoken about this before in the meta I did about Dazai's change in approach after the Q chapter, which was genuinely an unexpected event he did not anticipate. But there's something fascinating about the way Chuuya reacts to Q as well. In fact, both Dazai and Chuuya are almost uncharacteristically murderous towards this kid, and that's real interesting, seeing as many aspects of Q mirror aspects of their younger selves.

Now I understand you might be thinking: uncharacteristically murderous? Story, they have both literally killed many, many people before. Yes, but context is important here.

Dazai doesn't have strong violent urges - not even in the Mafia, where he was considered terrifying more so due to his apathy in killing than anything. I can't remember a scene where Dazai is described as radiating bloodlust like Kyouka or Mori. Dazai is scary because of his indifferent hollowness at his worst points. Odasaku was described similarly in Untold Origins - there was no real desire to kill, just a listless cold follow-through. Dazai's sadistic methods, brought up by Higuchi in Chapter 25, are acknowledged as a means to an end, a method, not something done out of any strong desire or enjoyment. So when Dazai makes death threats or appears visibly angered - that's something worth taking note of. For him to make a promise to Q to pluck out their heart - holy shit. That is not typical Dazai behaviour. He doesn't even make that kind of threat towards Fyodor. Whatever happened in the past clearly shook him, enough for this moment to change his approach in the series and send him back to using darker methods again.

As for Chuuya, while he has and does kill quite readily, this is mostly in the heat of a fight. For him to give the go-ahead for murdering an unconscious child - it's unusually cold-blooded for him, and I can't think of another instance where he's down with lethal intent outside of combat and direct orders. I've seen some people talk about his reaction to Dazai suggesting he'll kill Q as proof that he's gotten darker since we saw him last in Stormbringer, from someone who would plead for the lives of the Sheep to be spared ("They're just kids") to being ready and willing to kill a defenseless child. While I think it's likely true that he's gone darker since that point - Chuuya appears to be more cynical in the present as well as having darker eyes with a smaller central pinprick of light than in Fifteen and Stormbringer - that's not the only thing going on here.

Thing is, Chuuya has always been fairly ruthless. He’s a very vengeance oriented character, right down to his fighting style (rebounding attacks and bullets). Hurt him or someone he cares about and he hurts back - and that threat will be destroyed. Parallel to this is how he is seemingly unable to turn his back on people who have helped him. Help him and he will remain loyal and protective even if that person goes on to stab him in the back. He has a very “give and take” mentality. Chuuya operates on the reciprocity principle.

So, about Q, here’s the thing: Q is a part of the Mafia, that's true. But Q has never helped them, only hurt indiscriminately. Mafia philosophy says “protect your own and follow the boss' wishes no matter what”. But Chuuya’s philosophy is saying “neutralize the threat”. And interestingly, Chuuya’s philosophy won here. If Dazai had've killed Q, Chuuya would’ve defied Mori’s orders in favour of his own judgement, which is extra intriguing because it emphasizes Chuuya’s loyalty to the people within the Mafia, not the Mafia as an organization itself. This is in full contrast to people like Tachihara and Hirotsu, who prioritize the organization and orders above all.

And about Q being a child: I don’t think this is such a big change in his character if I'm being honest. Chuuya knows full well how dangerous a child can be - he was that dangerous child. People underestimated him as a teenager and paid for it dearly; do you really think he'd make that same mistake? He also has a very warped view on the responsibilities and ways a child should be treated… while I do believe he probably is protective of those younger than him, he also equally understands that a child can be just as much of a threat as anyone else. For Chuuya, it’s always a matter of what wins out: the person or the threat? In this case, it was the latter.

The thing is, it's interesting the way they react when you look at the way Q eerily parallels aspects of their younger selves - as well as some things that carry over to the present.

Dazai and Q share central themes of control.

Q's mind control ability is actually referenced by Dazai as being essentially the worst kind of ability there is, and I know I've mentioned before how he seems to react poorly to those people who attempt to mentally control others, placing them on a heightened level of danger (think Fyodor, Mori). I don't think I need to get into Dazai's control freak tendencies - and what's more, after Q's introduction, after he says that mind control is the worst kind of ability there is - he ramps up his masterminding and enacts as much control as he can over the proceedings of the events that follow. Q's ability is interesting in the sense that it allows them control over others, implying Q came from a background of little control. I have also hypothesized that Dazai, with his need for situational control, similarly came from a background of little control. It's also likely they both were hurt by others - Q's ability turns any pain inflicted on them back around, giving them a way to fight back, while Dazai can level the playing field of any unfair advantages by nullifying abilities.

Q's small segment in Fifteen is also interesting: they're near completely zoned out, just staring off into the distance without responding to their environment until Dazai gets directly in their face. Then Q suddenly flips a switch and becomes all cheerful and playful. It reminds me of young Dazai's quick switches between faux cheerfulness and emptiness earlier in that same book.

They also both have quite interesting relations to pain. Q wonders why cruel things always hurt them, but Q makes this a foregone conclusion by purposely arranging others to hurt them so they have an excuse to hurt those people back. Q's pain becomes a self-fulfilling prophecy: they hate it, but the only means of control they know in interactions with others requires it. Dazai similarly hates pain - his pain loop, however, is more emotional than physical. Dazai feels isolated and alienated from others, but his attempts to exert control require him to distance himself and rely on his mind over all else. He also leans into his inhuman side when it becomes apparent pain is unavoidable (I think often of his reactions throughout Dark Era to Ango's betrayal) - again, this becomes a self-fulfilling prophecy. He will not find anything. He will continue to be separate from humanity if this cycle continues. That was why it was imperative that Odasaku break him out of it. Self-sabotage behaviours and unhealthy cycles, physical and emotional, are apparent with these two.

For bonus points: both have injured right arms.

On a more superficial level too, Q and Dazai both have "creepy child" energy, with emphasis on the child part - they are both legitimately disturbing at times but also have moments where they show childlike interest and behaviour. (I encourage people to check out Q's mayoi cards for this - I know it's not super canon or anything but it emphasizes their "kiddishness".)

Also I'm unsure if this is significant, but there's this detail too:

Q has a very unusual right eye with a star in the center. The right eye is also the one Dazai kept covered in the Mafia. Notably also, Q's right eye is frequently obscured by their hair in key scenes.

...Does it mean something? I have no idea. But it's potentially interesting so I thought I'd add it.

Meanwhile, Chuuya and Q share themes of loss of control.

For Q, this is quite obvious. They are literally locked up; imprisoned within the Mafia and unable to exert control over their circumstances. For Chuuya, it's a little more subtle but still present, I believe: I invite people to look at his character song and mayoi (particularly aquarium) for direct references to feelings of being trapped. However, looking at Fifteen and Stormbringer, there are a few mentions of freedom that are intriguing in relation to Chuuya's character. In Fifteen, both Dazai and Shirase mention Chuuya's "freedom"... but this is almost a mockery of what's really going on. A party to celebrate Chuuya's freedom is really an elaborate set up for a trap. Shirase telling Chuuya that he should have the freedom to act on his own wishes is really a cover up for a betrayal. In both instances, Chuuya's freedom is a lie. Stormbringer, at the very least, instates a sense of agency where he at least has the freedom to make choices about his own actions - that's the whole point of his hat; it's a symbol of autonomy (also anti-mind control; more on that in a bit). However, Stormbringer also systematically strips away the start of any alternate path Chuuya could've taken - he cannot be the child he was, he never got to hear the pitch on living in the light. He feels genuine gratitude towards those in the Mafia - they have his back, which is more than he could say before, but at the same time, the Mafia is kind of the last option available there if he wants not to be alone... and Chuuya does not want to be alone. (Seriously. His character song. Please look at it. Also Stormbringer.)

Now, onto their abilities, which also parallel in the sense that they are both used to "get back" at people. Chuuya rebounds attacks - bullets shot at him ricochet back at the people who fired, and Q hurts people who hurt them. There's a very reciprocal relation to the way they use their abilities, and it is absolutely to induce fear and intimidation in others, but there's a key difference. Namely, Chuuya fights only against enemies or people who strike first. Q, on the other hand, intentionally makes "enemies" out of even innocent bystanders just to have a reason to hurt them back. A lot of this is due to Q's misanthropic nature - I doubt Q has ever had a positive bond with another person, and so Q sees the whole world as their enemy - a world which, to them, does not want them in it. Chuuya, on the other hand, has had people who care about him, and he cares about them in turn. He's a bit jaded but he doesn't hate humanity, far from it.

In that sense, Q parallels Verlaine in a sense, right down to being kept in a special secret room in the Mafia, hehe. Though again, there's differences. Verlaine chooses to stay in that room, first of all, while Q doesn't have a choice. Verlaine's angst is internal identity based while Q's is more external situation based. In response to their pain, Verlaine chooses to relinquish control of himself (Brutalization), and Q chooses to have everyone else lose control of themselves (Dogra Magra). Verlaine says "look at how monstrous I am and how I hate and hurt because of it" and Q says "look at how monstrous you all are and how I hate and hurt because of it".

Chuuya is not so far on either extreme that he emulates this - but he could've ended up like Verlaine, and he admits it in Stormbringer. He could've maybe ended up something like Q too, if he'd remained trapped as a lab rat. But see here's the key with Chuuya: his hat makes it so the choice to lose control of himself is his alone, and moreover, that losing control doesn't mean he goes out of control. He trusts that he can lose control for a bit, place it in someone else's hands for awhile before it goes too far. Trusts that the choice to lose himself will be followed by the keeping of a promise to bring him back to himself. Chuuya has bonds, and that's the key difference.

But uh. Going back to parallels... about the scene where Q gets tortured... and the scene where Chuuya gets tortured...

Is this significant...?

...is... is this...

...

.............

Um. I may be delusional. But. Well. *gestures at all of this*

So, where does this leave us? Well, we have Dazai, who sees a manipulative, mind-controlling kid that he calls a "walking disaster", and we have Chuuya, who sees a dangerous ability user that is too big of a potential threat to not be dealt with, so the two decide the best course of action is to kill them about it. The reason Dazai did not follow through is likely a mix of his stated reason (the Mafia cannot harm Dazai so long as he is needed to stop Q), and probably also that he isn't really supposed to be directly killing anymore.

Nice, guys. Really clear and consciously held self-concepts you got there.

Considering everything, it's maddening that all we have on the dynamic between these three is: Q joins in Fifteen at the same time as the other two and is assigned to Dazai since he can stop their ability. Mori doesn't know what it is at that point but assumes whatever it is will be manageable because Dazai can just nullify it. It... clearly wasn't.

I feel like there has to be something here and that we're going to be coming back to it. Q, the old Boss, how Mori got so close as an underground physician in such a short time... there's so much about the Mafia we don't know so I'm assuming the story will shift to focus on these points again... someday. Hopefully.

#i have even more thoughts unwritten if you can believe it but seeing as it is 4 am i should probably stop. also this is too long.#but yeah i frequently think about how horrified and genuinely spiteful dazai is with q like... what happened???#ok just had an awful thought: what if whatever happened with q inspired dazai's brutal treatment of akutagawa #...honestly maybe. it's actually a possibility if something went terribly wrong before.#this... isn't the meta i was supposed to be writing or even started to write... oh well #enjoy?#is this even coherent?#bsd #bsd meta #bsd q #bsd dazai #bsd chuuya #soukoku #skk #bsd fifteen #bsd stormbringer #storyrambles

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moongothic · 7 months

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WAIT WAIT WAIT HOLD THE FUCKING PHONE

So normally we only get fullblown, extended and dedicated flashbacks for heroic characters in One Piece, the characters who we're meant to root for. The literal only TRUE exception we've had to this rule was Big Mom's flashback. Even fucking Doflamingo's flashback was tied to Law and Rosinante's

So the fact that we haven't gotten a single fucking GLIMPSE at Crocodile's backstory is?!?

Like sure, we haven't gotten like a Moria flashback, but you know, he literally told us all we needed to know himself, AND we got to see glimpses of him in the Wano flashbacks. Arlong didn't get a flashback of his own, but he did get to cameo in Fisher Tiger's flashback. And Rob Fucking Lucci got a flashback that was 6 whooping panels long

BUT CROCODILE?? Not only do we know almost Fuck All about his story, but also have never gotten as much as a glimpse at it? But his backstory has been HINTED and TEASED at multiple times??

GUYS. FELLAS

Like. I am SURE the "Full Backstories for Heroes Only" rule is going to get broken again, but with Imu and Blackbeard already there just BEGGING to have their beans spilled, can we even be sure Sir Fucking Crocodile is somehow going to become A Villain So Dangerous To The Narrative that he ALSO should also recieve a Full Fucking Backstory?? For his Nefarious Schemes?? AT THIS POINT??

Y'all

I think it's more likely Oda's been saving up Croc's backstory because it might just completely recontextualize his entire character

#CROCODAD REAL?!#UNIRONICALLY #Sir Crocodile #Crocodad #Crocomom #OP Meta #Moon posting #Sleep Deprivation opened my third fucking eye I can see the fucking Matrix #Unironically this is the thing that has pushed me back into actually believing in Crocodad despite the timeline #Because I genuinely can not imagine how else Crocodile could be turned into an (anti) hero if it's not Crocodad #And I can not imagine his villanous schemes needing a backstory to explain them at this point- not over BB and Imu #And I mean sure maybe we could get three whole Extended Villian Backstories for Imu Blackbeard and Croc #But I just feel like it'd be so unnececary #Because there is no fucking way Crocodile is going to become The Ultimate Villian of the Story again #Not without some Darth Vader bullshit happening #But since he's supposed to be based on Wagnas from Romancing SaGa 2 and Wagnas wanted to SAVE the world #Look I have a whole different post about that waiting in my drafts I'll post it later #Point is!! I can't imagine him becoming The Final Villian!! Not at all!!#Also yes there are characters like Mihawk who have like histories etc that I'm sure many people would love to learn about #The only difference is that we've never gotten as much as a hint at what kind of a backstory Mihawk might have #Meanwhile Crocodile Having A History is something that's been hinted at every arc he's appeared in pre-timeskip #Like we KNOW he has a story we just don't know what it is

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gilmores-glorious-blog · 2 years

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POV you’re a medieval townsperson in a poor village that’s being frequently raided and the only plan anyone has is for this one mom to go fetch her son from another town, but when she comes back, not only is it with her son- who you remember as this weird awkward kid- and two other women, but with the fucking PRINCE of an enemy kingdom. and after you recover from the shock of that, you realize that the prince and the weird kid are like……… really close. they’re always having private conversations and staring into each other’s eyes and you heard tell that the prince is sleeping on the floor of the kid’s hut? you remember hearing that this kid was the servant to the prince, but clearly you missed something along the way, because this literal actual prince who is here in your town won’t stop smiling fondly and making the world’s most obvious heart eyes at this random lanky teenager from your small village.

#i was rewatching this episode because it makes me feel things and like. they were genuinely insane for this.#the way merlin’s mom and childhood best friend (and morgana & gwen) ALL call him out on how obviously in love he and arthur are?!!?!!???#because that IS what’s happening there and you can not convince me otherwise #anyways gonna go think about arthur following after merlin in the dark of night just because he can’t bear to see him leave for good #and the way merlin exclaims “arthur :D!” with more fondness and excitement than i have ever heard when they find each other in the woods #merlin #bbc merlin #merthur #also: i don’t actually know how old merlin is.. this is me interpreting him as ~19 and arthur as ~21. if i’m wrong please don’t come at me 😔#eli.posts

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