languages, travel, identity, grief
Maybe some of you have heard of Xu Zhimo's Second Farewell to Cambridge (徐志摩 再別康橋 Translation: Saying Goodbye to Cambridge Again, by Xu Zhimo | East Asia Student). It's an achingly lovely poem about a Chinese scholar who studied in the UK, and how he left so gently, taking nothing with him as he went. It brought me solace over the last year.
I thought for a very long time about how I felt about having to leave China, and what it felt like to mourn for a future that was never going to mine. I cried. How am I supposed to explain why? I'm not Chinese. I've got no family there, or a childhood to look back on. I couldn't explain it even to myself.
That pain was coupled with a type of uncertainty, a discomfort at myself for feeling so strongly. This feeling was not allowed. It meant - what? Something awful, probably. I was a racist, probably. I should hate myself, probably. Fetishization is the word that gets thrown around for white people and their time spent in East Asia at one end of the spectrum - at the other end it's just seen as embarrassing and deeply, you know, cringe. It's a self-interrogation - why do I feel so sad? Why do I feel this pull so strongly anyway, to a country that's not even mine? Why should it matter so much when I leave? I didn't feel like this grief has any sort of legitimacy. But it has taken from September - eight months after leaving - for me to pick up Chinese again.
I felt, for months, hollow and unsettled and drifting from place to place. I opened my textbook, and closed it again. The memories there were too painful. I'm not going to write about why I had to leave, but it wasn't by choice. I had loved the people in the school, even if it was for a short time. When you have no internet and are training eight hours a day, the days are coloured more sharply: bright and hurtful and wonderful all at once. We had no running water. It was in an abandoned hotel. I miss the monk at the temple door opposite the school, always on time at 6am to open it for our classes. I miss the folk at the local shop who invited me to watch films on their projector; once they killed a chicken for us. I miss the woman in the woods who gave me the chestnuts she had picked. I gave the chestnuts to the cook, and we steamed them and ate them by the lake. He wanted me to marry his son; he wanted it so strongly that he brought me pork, and desserts, and gave me paper, and promised me I could have a jade bracelet, that he would buy me a house. I miss the oldest martial arts teacher, who spoke in such strong dialect I could barely understand him. When I was sad and missing home one night, he told me that I should stay after dinner. In the silence and against the cicadas, he started to play the erhu for me. Later, my friend told me that he hadn't know what to say, how to comfort me; I was a foreigner and a young woman, after all. We had very little in common. But nobody has ever played a piece of music for me like that before.
And I miss X, my best friend there and partner in snack-smuggling crime. She is 19 years old, and a janitor's daughter, and one of the wisest people I have ever met. (She also rides an excellent motorbike, and lent me her hanfu, and we sped through the city giddy with our own daring and trying not to be caught.) We got matching haircuts; she had always wanted to cut her hair like a boy, and was too scared to do it alone. When I left, I told her to stay in touch: she shook her head. She said that some people were meant to know each other for some time, and no more. I think the death of friendship by attrition, by - as Elrond said! - the slow decay of time, is one of the saddest things of all. I deleted Wechat. I don't want to read over the old messages. By having this place - her, and the chestnuts, and the cicadas - as a memory, I can tuck it away it. I can keep it close.
I wrote a poem myself on the plane. That was the last I thought about China, the last thought I let myself have, in eight months. I kept myself away from it. It felt like a wound. And against that hollowness, there was constantly the question: Why should I have any right to miss this place? Who I am there? Why does it matter? We are all different people, wherever we go, and whoever we are with; we wear different skins, large or small. In China I was [...]. She was who I was. That name, that I introduced myself to people with - she was bright and friendly and tried to translate things just so. Everybody who goes as the only foreigner to a place - or the only foreigner that speaks the language - is a little bit self-obsessed. It happens. It's unfortunate, and something to guard against. But it also gives you its own kind of identity in a way: your identity is Foreigner. Your identity is a cultural bridge. Everyone you meet, in a country as friendly and curious as China, has questions about you. You stand with your feet in both worlds, and are not really part of either of them. That identity is easy to slip into, like cool water, like trying on new clothes. It's easier that thinking: who am I outside of that? Where am I going? I don't really know. I don't think anyone really does.
And then the second thing happens. I speak Chinese well, by this point. My accent is there, but it's slight. I am short, and have dark hair, and a generally similar build to many East Asians - so the questions I have got in the last few years have changed. Sometimes people think I have been raised here. Sometimes they think I am ethnically Russian, and nationally Chinese. Sometimes I get asked if I am half Chinese. Usually they know I am a Foreigner, 100% white - but not always. There is a peculiar rush that comes from that acceptance; from feeling the relief, just for fifteen minutes, that you belong. It's not about 'passing', or race-bending, or anything twisted - it's nothing so unnerving as that. It's just the human need to belong. Everyone gets tired of being stared at, after a while. And after a while, you start to think - I wish I understood. I wish they understood. I wish this were easy.
But then the conversation keeps going. You don't know a local word, or you misunderstand. You say something in a strange way, or you make a strange gesture, and the glass shatters, and - there you are again, naked again, exhausted again, explaining yourself again. That's the other half of it. There's solace in the Foreigner identity, because that means that's all you are. You don't have to think about your parents, or whether they worry about you so far from home; of course they do. The Foreigner is good and filial and a wonderful daughter. You can craft her into any shape you like. But it also marks you out again and again, endlessly and again, as Other.
There was a paper published a while ago that showed measures of acceptance of non-natives in native-speaking communities. It highlights a strange, but familiar experience to those who have lived abroad - the people who spoke the language to a medium level felt more accepted and less lonely than those that spoke the language to a high degree. It makes sense, and mirrors what I have found with both Chinese and German. When you speak a little Chinese, you are a wonder - a curiousity! Look at the Western girl go! People are kind, and curious, and will slow down to include you in conversations. You are thrilled with what you can access - all this knowledge, that other people don't have! Look how special you are!
And then you get better. And then you realise, cut by cut, that you will never be one of them. You don't want to be Chinese, per se; but you do want to be accepted. You are happy to be British; but you miss China like a wound, an old one, festering, even when it was never yours. How do you tell your family that you are not grieving a lost romance, a beautiful girl, but a language and a life? That there are words of majesty, of playfulness, that will never be yours? You speak well enough that people no longer bother to dumb things down, or explain them; you sit with your discomfort, smile painted on, because - you know. It's not bad. You understand most of it. And on the edge of that circle, smiling uncertainly, following the vast majority of what is being said, you are not clever enough and not witty enough to keep up with the chengyu, the cultural references, the slang, and the raucous laughter around you erupts, and you don't know what you've missed, and everybody says - she's quiet, that one. Maybe all the foreigners are? And all you are doing is sitting and feeling the distance between You and Them as heavy and as stifled in your chest as an ocean of dark.
So you go back. Back to your people. But when you sit with the other foreigners, you are apart. They laugh; what are these nutters doing? The Chinese don't make any sense. The Chinese do this - they do that. You sit there, and then there is a pressure building in your chest too, a discomfort, the desire to stand up and say - well, actually.
You are responsible for everything the Chinese teachers do, and have to explain things in a way that the students understand - Confucian thought, and Buddhist philosophy, translated in pithy bite-size adages for the West. You have no qualifications for this; everything you assert, you feel unsure. Uncertain. Someone else could explain it better, more nuanced, and you need to do more reading anyway - but here you are, and here they are, and you're the only one. And you do know. Not enough, but enough that their jokes, their pains, make you uncomfortable. You feel the need to defend both parties; to be a diplomat, every second of every day. In turn, when the students come to the teachers with problems, you have to translate their grievances in a way that the Chinese teachers will be sympathetic towards. Once I got asked: why do you never join us after class? Why are you always so quiet when you're not working? As a translator, you are always working. Every time you speak, you are working; what you choose to say, and what you choose to not say, and where you choose to intervene. You are building relationships, and disappearing, and you are becoming invisible, and you're a nothing, and you're everyone and you're nobody and nobody realises you are doing anything more than translating at all.
I wanted to stay. I couldn't have stayed. I wanted to be accepted as one of them. I wanted to be accepted for who I was. That means a foreigner. I wanted to be true to myself, which means that I would always be the Foreigner, which means I would always be apart from them. It is that contrast and juxtaposition which causes the grief. And there was never an ending to it, a resolution, a chance to reconcile myself (in China) with myself (in the UK), because all at once I had to leave. The grief comes most from the second arrow - not the pain of leaving, but the bewilderment of not knowing why I was in pain at all.
It's been eight months. Slowly, as spring comes, I feel like I am on surer ground. I can look at my old books, those painstaking notes, and I could look at new ones too and I'm starting to think, because this is what I tell my students, and maybe there's some truth in it - it's okay if you're not perfect. It's okay if you didn't achieve what you wanted to, and that the language - in its wholeness, and who can ever know that? - will never, not quite, be yours. It's the struggle and the process that means that I will know and understand Chinese in a different way, in my own way, in a slanted-to-reality sort of way, that is a treasure in and of itself. There is beauty in its brokenness too.
And there is sorrow, too. The sorrow that comes with easing yourself into a different life, and it holding you gently for a while. I sat there - I spoke to them. It's not only missing a place; it's missing a person you were, a stage of your life, for a time. It's knowing that a place has reached inside your ribs and taken root there - even if you don't return, you can never fully get rid of that again. You are two people now, with feet straddling two oceans. There are parts of you that loved and suffered and hated and grew in Chinese, not English. You can't explain that. You can't even begin. Sometimes - not often - you are a stranger in your own land. The poets spoke of that. In the age of fast travel, of the weekend break, we have forgotten the ways a place can burrow itself inside you, and find its own home.
It's not the same as the grief that someone Chinese will face. But it's still grief. I have put my life into Chinese. Maybe that is all it takes to grow love.
Now, I turn back to Chinese - as a foreigner, as Melissa, as myself. It's a bittersweet thing. I know that I cannot hold all of it. It will spill out, like the sun, and there is no way I can be that without losing myself and my history and my own green woods. But I think I am ready now. I am surer, and a little steadier on my feet.
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I'm sorry to send you such a loaded question, but as a young adult, how do you stay motivated and... I don't know, do the things you have to do? Ever since I left high school, I've felt that it's hard to commit to anything, especially the things I have to commit to in order to have a future, because everything seems so monotonous and uninteresting and stressful to me; because I feel like I'm not capable of doing anything, of being competent.
Anyways, I love your blog. Your writings are one of the few things that make me happy on the worst days xx
that’s okay! I’m gonna try and answer you clearly !! cw for suicide mention
So first I want to say that I’m really sorry you feel this way! It’s quite a heart ache to feel uninspired or uninterested, or worse to feel like you’re not capable of doing things everyone else is doing. You deserve to wake up and feel happy and confident in yourself and your abilities! And I want to say I’m sorry in advance if this is not quite the answer you’re asking me for!
so, when I was around 18/19 (and well beyond those years, but this was when I was very done and defeated and, you know, crying myself sick every night if I wasn’t just laying in bed) I was in university, but I didn’t finish the year at campus, and I had to go home. I’m not sure if this is something I should be saying because it’s so personal but I just want to sort of be honest with you cos I don’t want you to think you’re alone in that feeling. But anyways I had to go home, I was really lonely and I just felt like I couldn’t do what everyone else was doing, like there was something wrong with me. I couldn’t cope with the kitchen, I couldn’t use the bathroom there, I didn’t know how to turn the heating on, couldn’t talk to people, couldn’t navigate the bus by myself, and I felt so pathetically stupid, I had such low self esteem for myself that I felt like I should kill myself just because I was so useless —I didn’t WANT to understand these things. I just didn’t want to do anything. And the reason I’m mentioning it is because while I don’t think it’s okay to assume these things of you, I want to emphasise that there can be a common link between feeling like you aren’t capable and a mental health issue! Of course, you can feel quite useless without that though, so not telling you that that’s definitely what you have going on but more wanting to say that if you think it might be useful, you can have a look at mental health issues and perhaps see if you’re relating to them. But beyond that, hopefully on the way to answering your question, is how I managed to feel more capable and how I now find motivation to do things I have to do.
I sort of had to do a reset, or a sabbatical! I’ve always been an upset person unfortunately, and I had a long few months where I didn’t do anything at all. I’m really, really fortunate that my mother let me stay at home while this was happening however reluctant she was, I can’t imagine really what I would’ve done or what could’ve happened to me if she didn’t let me stay there. I always thought about how she could’ve just turned me out and she probably wanted to, because for months I stayed in bed. I didn’t talk to anybody, deleted all my social media, and I stewed in how much I hated myself for not being any good at anything. I felt soooo stupid and so alone, and I probably cried myself to sleep every night wondering about my life and if I’d ever have the motivation to go on. There are still times now where I am intensely upset and unsure about things and what I’m capable of, but the difference between then and now, and the reason for my motivation I think, was that I was able to foster a need for something? I’m really so sorry if this sounds like total total nonsense, but I needed something. I wanted so badly for someone to “save me” from my not being able to do things, I spent a lot of time thinking about that. Like, how I could be saved. And then I strung out the middle man without realising I was doing it! It is very hard to go from having no motivation and no sense of self ability to then being confident, but I do think you can do it! I needed someone to get me a job and I ended up doing it myself, I needed someone to be gentle with me when I was sad so I started speaking to myself with a more kind inner voice and seeing myself as someone who didn’t need to be perfect to be good.
There was lots of bits of advice I tried to take on. Not all of it is kind to myself, some of it is though!! Like, for example, there’s a sort of parody of it now that says “I think you’re thinking about yourself too much” but one of the ways I stopped hating myself and instead started to believe I could do things and achieve was by thinking about the level of self obsession I was feeling to constantly think of myself. And I promise I’m not trying to say something hurtful to you, I absolutely don’t believe you’re self obsessed, but you’re also not incapable!! In a slightly more annoying take on your feelings, why can’t you do it if everyone else can? You absolutely can! I personally believe sweetheart that you can do everything I can, but you need more support, or you need to be fostered with some love. You are not incapable, you are not incompetent, you are a smart, kind, and important person. There is nobody else like you on the entire planet and I’m better for it that you’re here.
I apologise profusely if I’m projecting too much on you, I’m not trying to say you must feel exactly as I did years ago, but I think your ask really is important and I really want to give you an answer to your question because I know I felt exactly the same at some point. Working toward a future self I didn’t even like or believe in was boring. Nothing in me wanted to work hard or study or continue because I didn’t look forward to achievement.
sorry this is all so long! Hopefully this last bit is the actual advice you might be able to use. Beyond that wisdom about trying not to dedicate too much time to thinking of myself, there are lots of “rules” I tend to live by, in order to just keep going forward. For starters, you deserve to have fun. You deserve good food, nice clothes (not showy though you deserve those too, but nice sturdy clothing), a warm safe house, and you need to work for it! We defo deserve to work less for things but I keep going and trying to better myself because I know I need to do this in order to be comfortable. This will sound out of left field, because the focus of the book is not strictly motivation, but there’s a graphic novel called my lesbian experience with loneliness by Nagata Kabi that has stuck with me because she has this same sort of view as to feeling like she’s stuck in monotony, and there’s one bit in particular where she talks about doing things for yourself you might not do, I.e making sure you have underwear and socks that are clean and whole. I grew up poor and I’m not super rich now either, but since I read that, one of my priorities is having whole and clean underwear, and that did help me find the motivation to work or to study. We need to function in a way to maintain good standards for ourselves, and even if you have boxes of clean socks, there might be something in your life you can think about working toward! I throw away underwear or any clothes that don’t fit me right, and I don’t feel guilty about it when I would’ve before because I know that feeling well dressed is good for your heart. Does that make sense? To give yourself a good standard of life, you have to keep going. As well as that, another way I stay motivated to go on which I’ve talked about before maybe (not that I expect you to have read this) is my writing. I’m motivated sometimes to do things I have to if only because I need free time to think deeply about the things I want to think about. Also I love writing more than pretty much anything, even if most writers will look at what I’m doing and laugh or wonder why I’d dedicate so much time to some things in particular, because I love it. If I can make sure my rent is paid every month, that’s a promise I have a room to sit in every night where I can write whatever story I want! Another motivation is my ability to give bits of myself? It sounds ridiculous because I don’t genuinely believe I’m giving myself to people but to try and be a positive part of someone life is a good place to start if you feel purposeless. My relationships with my sisters are a tether for me and I’ve tried so hard and so much to make these relationships count, as well as with long distance friends, and recently ish I got back into contact with friends I couldn’t maintain relationships with when I was feeling down, and now my life feels very changed. I don’t live solely for myself, (though it’s okay if you do, because its hard and sometimes a lot of pressure to live for and around others) so that gives my life more purpose, and gives me more reason to do things I have to do. I also desperately enjoy this blog !!
I’m genuinely so sorry if this is all useless. I’ve been typing this answer since like 1:05 and it’s much later now, but it’s because it’s hard to describe to you the things that give motivation, because I know deep down how impossible it feels when you have none. I don’t expect you to read this and think aw jade you’ve solved it I’m fine now actually, I just hope that one thing in here can lend you an idea as to what to do next. If you’re struggling to go on, there are lots of options available to you in the UK such as the SHOUT text line for stress, depression, and eating disorders. They’re free to text and anonymous! I don’t think there’s one answer to giving yourself purpose, it is a very hard life and I don’t blame you for feeling incapable or bored or worried or anything you’re feeling, but I do for sure know you can do this, because I can do it, if that makes sense. Like I bet we’re extremely different people on account of uniqueness but also bet we have so many similarities!! And I certainly don’t mind guessing that you’re a loving, caring, person who deserves to feel more fulfilled. It’s my recommendation that you try to understand why you’re not feeling your best right now, that you talk to someone if you can, that you have some faith in yourself, and that you treat yourself with the same love and patience as you would any other person experiencing burnout!
again I’m so so sorry if this is all rubbish. I’m forcing myself to stop now. So sorry if it doesn’t make sense or if half of this is completely unrelated to what you’re asking. I love you and I hope you feel better, genuinely truly ❤️❤️❤️❤️
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The Locked Tomb: Gideon and Harrow - Aro Perspective
Any Locked Tomb fans here?
Just wanted to chat about Griddlehark. It's kind of amazing to be in a fandom where the same ship is end game for like 100% of the community, myself included.
But - and maybe this is just perspective bias - that ship has never been romantic to me. I've never really read anything romantic into Harrow and Gideon's relationship. To me, it's a very strong non-romantic bond that we, in this non-TLT universe, have no appropriate word for. Absolutely a Jaeger pilot (Pacific Rim) sort of bond. The new sff bond: cavalier and necromancer; sword and adept.
(I could go either way on it being sexual or not.)
"You are my only friend. I am undone without you."
--Harrow to Gideon, pg 356 GtN
"[...] the entire point of me is you. You get that, right? That's what cavaliers sign up for. There is no me without you. One flesh, one end."
--Gideon to Harrow, pg 432 GtN
"You think anything I did has been to make her love me? [...]"
"Like I said before. She's just not into you. She's into bones. She gave her heart to a corpse when she was ten years old," I said. "She's in love with the refrigerated museum piece in the Locked Tomb. You should've seen the look she had on when she told me about this ice-lolly bimbo. I knew the moment I saw it. I never made her look like that... She can't love me, even if I'd wanted her to. She can't love you. She can't even try."
[...]
"If you think anything I did, I did to make her love me, then you don't know anything about her and me. I'm her cavalier, dipshit! I'd kill for her! I'd die for her. I did die for her. I'd do anything she needed, anything at all, before she even knew she needed it. I'm her sword, you pasty-faced Coronabeth-looking knock-off."
Always your sword, my umbral sovereign; in life, in death, in anything beyond life or death that they want to throw at thee and me. I died knowing you'd hate me for dying; but Nonagesimus, you hating me always meant more than anyone else in this hot and stupid universe loving me. At least I'd had your full attention.
--Gideon to Ianthe, pgs. 435-436 HtN
So Alecto, wearied of talking, kneeled up on the rock and offered up the sword to [Harrow], and placed the child's hand upon the blade, so that it received also the red blood of the child. This made the child exceedingly faint, but it did not swoon of weariness.
Which strength pleased Alecto, who said: Notwithstanding, I offer you my service.
To which a voice on the opposite side of the shore was raised, exceeding wroth, and Alecto heard it shout in a very great shout: Get in line, thou big slut.
--Alecto's perspective, pg 477 NtN
Like Gideon knows very clearly that Harrow does not romantically love her. But they are the only two children of the Ninth left. They are committed to each other in "one flesh, one end" by now. They are meaningful to each other, and that is enough.
I don't know. I'm just having a lot of feelings about it.
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