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#i do want to draw dirk and jake before that though
saradiation · 1 year
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For 11/11 you get Jane & Roxy because I never draw them and they deserve some love <3
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cyber-corp · 8 months
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An actual summary of Homestuck Act 6's intermissions
by someone who’s a page away from Collide
Let’s do this lightning-round style.
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After breaking through the fourth wall on the ship and getting the Gift of Gab (lol), John and Jade prepare for a three-year-long voyage to meet up with the gang, with Davesprite, Nannasprite, and a variety of other faces in tow. They write a letter for the crew.
The Monarch (previously the Mendicant) and the firefly buddy (I've forgotten their name) plead for the Vagabond's life. She takes him to the trolls and kid's rendezvous spot.
The trolls finally meet up with Dave and Rose, who have indeed reached God Tier. Half-dead Sollux and GT Aradia show up as well. They plan to host a "funeral" for Sollux, who is just sort of watching in disgust.
After Karkat's bucket-human-troll-sloppy-fueled breakdown from John's letter, the Vagabond, and the firefly show up, and the gang sets off through the Furthest Ring.
Intermission 2
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Hussie, who was taking care of Spades Slick after he fucking killed the world by shooting Snowman, is shot dead by Lord English. I'm sure he'll show up later though. They always do.
It's been about a year in between the intermissions. While Rose explains what the Scratch did, Karkat attempts to explain the troll love quadrants to Dave. They draw dicks, fight, Dave wins by a mile through the suplex
Meanwhile, John, Jade and friends play the Ghostbusters II MMORPG, which is hilarious that that is even a thing in the first place. Jaspersprite sings a birthday song for him, Jade gets dogmad, which causes John to black out.
After getting harrassed by an eepy Roxy, John encounters Meenah (the best character!!!!!) for the first time. He takes a trident from her and wakes back up.
In a dream bubble, Terezi meets Aranea (second best character!!!!), who offers her to heal her sight. In another dream bubble, Hussie proposes to Vriska with a ring. Because of course he does.
Intermission 3 (and some other stuff)
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Aranea invites Jake to Meenah's dream bubble, where she finds quite a lot of fighting happening. After telling a story of the Condensce, Jake embarrasses himself by attempting to wallop Meenah. He wakes up after getting whacked, but Brain Ghost Dirk sticks around.
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After a "quick" game of Meenah Quest, we get a glimpse of what John and Jade are up to; watching Con Air baybee!!!! Except John has a big freakout over hating the movie, hating Davesprite, and passes out. What a guy.
PM and Noir are locked in chase before they enter a bubble of Jack's own massacre of the Battlefield, before John awakens and fights him. Rose shows up for a brief second and John uses his cool-ass windy powers as well.
After the battle, John wanders into a desert, finds a ring, and finds Tavros (wHO DESPERATELY WANTS THE RING,) and Vriska. She shares her plan to find a treasure that'll defeat Lord English.
After another game of Meenah Quest (where she unsuccessfully gets no one on her team), we go back to the meteor, where Rose drinks and forgets her date with Kanaya (best couple. fight me) and then falls down the stairs. They warned her, dog.
John wakes up with the ring, soyjaks, and the intermission ends.
Intermission 5 (CALIBORN TOOK uP THE LAST SPOT)
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Dave and Karkat intervene Terezi, who is a massive wreck because of her degrading romance with Gamzee and letting Aranea heal her eyesight.
John, Vriska, Aranea, Meenah and Aradia find a big green cave in a dream bubble, where they also find a juju. It's the Homestuck House! John sticks his hand in it, his arm appears throughout multiple points in the comic, and then voops out of reality completely. He has an INTENSE STAREDOWN with Caliborn and wakes up on LOMAX, Jake's planet.
I don't usually do this but
(skips many, many important bits and pieces)
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Vriska comes back (thanks to John's time shenanigans), plans out everything to come and verbally abuses her ghost self, Dave and Dirk have a feelings jam, dead pre-retcon Terezi and Ghost Vriska rejoice in facing the end, and everybody just about gets ready to
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Collide.
This has been by far one of the most bonkers pieces of fiction I have ever read, and nothing gets me more excited than to see all of it come together and wrap all of it up, I hope. Also Caliborn and Calliope are one of the best "Jekyll/Hyde" characters I've seen in a long while!
Whatever lies on the other side of that hyperlink, I sure hope it'll be good.
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davekat-sucks · 16 days
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I voted for Bro in the “who is the worst poll” because I assumed it is who is the worst “person” not who is the worst character or who is the character we hate the most (I can’t stand Cronus or Calliope. If you would have put Ult. calliope I would have jumped on that shit.) I voted Bro because of things Dave said throughout the story. One being Dave seems too into incest.
And there was something Dave said during Act 6 to Dirk directly. One of them being the “he shouldn’t have been around children” line. Then they added to the epilogue that Dave had respect that Dirk choose to end his life because Dave saw it as Dirk not wanting to be the person Dave warned him he could become and John undoing that choice would deny Dirk “his personal autonomy.” Even though I mostly ignore what the epilogue chose to do, I still think it had some relation to the original story. There’s even more things in the story that make me think Dirk is a predator too but I don’t want to draw this out any more. I still think it’s a strong possibility (I’m like 80-90% sure of this) that part of the story is that Bro diddled Dave before he turned 13.
Interesting. People had always thought of Bro to be a pedo. There's even an implication he had used Dave in smut filming with his puppets. Nobody ever thinks Dirk would have much predator traits. Probably because he is the same age as Jake and the others. At best, his actions at best seem more destructive (fitting for the Prince of Heart) than predatory. Some may think Lil HAL fits more in line with the predatory nature since the AI was also there to help execute and orchestrate the plans, even behind Dirk's own back. Would have love to put in Calliope or Ultimate Calliope, but I doubt she would get any decent amount of high votes considering the fanbase still believes she reps the "good fandom". Some even don't mind Ult Calliope taking over Jade's body. That's how much they hate Jade in general too. So then, may I ask this question. Why did Bro slice the meteor in half to save Dave when he needed to enter the game? Was it really just a moment in the flash to make him look cool? To save himself? Would Dave have entered the game after the egg breaks when the meteor struck?
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Secondly, how did Davesprite escaped from Jack Noir after Bec got prototyped? Bro got killed by Jack after said prototype. Davesprite got wounded, but managed to escape. How? The likely answer was that Bro was able to protect him, even if Davesprite had sustained injuries. Which follows up on this.... Why? Why did he save Davesprite? What reason did he have to if he's not technically his brother from this timeline? And if one says that Davesprite ran away after getting hurt to leave Bro behind, why isn't cowardice or something like vengeance mentioned from Davesprite in the narrative by the time he joins with John and Dave in the ship? There nothing that hints of this even with Davepetasprite^2. Remember. Everything from Act 1 to Act 5 pre-Cascade, happened all the same. From John not getting the other present in Dad's car, Vriska creating the inevitable Jack Noir, Dad and Mom still dying, Murderstuck... everything still happened the same in both pre and Post Retcon. So Bro doing stuff like slicing the meteor and fighting Jack happened regardless of Retcon. Some also see Dave being a bit unfair towards Dirk when they meet during that speech. Dave is basically telling Dirk that it is likely every version of his Bro would become a bad person no matter what. That even if he and Bro are offshoots from each other, a version of Dirk will become that monster. He does not know what life Dirk had trying to grow up alone and trying to base Alpha Bros' actions and personality through the ironic movies. We barely even know if Alpha Bro himself was a good person too. Alpha Bro knew about The Condesce's plans and actions to take over the world. But all that guy did was make movies with subliminal messages saying how bad Betty Crocker, made money off it, and then when shit really hit the fan, he finally decided to join with Alpha Rose Mom to kill ICP and then dying To Condesce. Doesn't it question on why didn't Alpha Dave Bro kill The Condesce sooner since people on Earth had already adored him for his movies? Was there reasons for him not being able to approach Sea Hitler as she is, even with his own training to be as stealthy and fast like how Bro was? It's not like The Condesce can mind control humans. It has been shown and stated that even something like Vriska's powers, she can't control humans. Was part of him making so much money was to secure Dirk a good living condition since he would be rich? That can't be because the world has gone to shit and Dirk had to defend himself from The Condesce's army. Maybe it's because I am on the side that doesn't think Bro was that much of an abuser and that anything within Act 6, especially by Post Retcon, is shit that I cannot take seriously. But it still makes me wonder about Bro's last appearance in the timeline as well as what Alpha Dave was like past his achievements and demise. And if Dave really need to go on like that to Dirk.
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relaxxattack · 11 months
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we were on the subject of vriska/dirk parallels a few days ago but i was too busy seeing le mis to talk about it but NOW THAT IM FREE. some thoughts i had
disclaimer: i am only about 60% confident in anything being said here and it kind of became rambly garbage, so feel free to (gently) disprove anything ive said, these thoughts are just rattling around in my brain
i definitely personally think that dirk as a character was initially intended to be a Bad Guy. who is in the Wrong. and i get we are generally dirklovers in this day and age but the thing is he actually kind of WAS a shit to a lot of people (mainly jake) and i mean there was a reason there was fandom discourse around him back when he first was introduced; there’s a reason that Ultimate Dirk is a path that was genuinely thought by a certain amount of writers to be a conclusive and believable route for his character to go
the reason i think this is like, A dirks general actions towards other characters generally being manipulative OR a bystander to manipulation (hal), and also B, hussies original novel where the dirk-like character is revealed to be a twist villain. hussie seemed to have a particular interest in writing about a gay love story in which one of the guys manipulates the other and then turns out to be the bad guy. and you can really follow that thread to the modern dirk character
the difference though is that dirk goes through an Arc. and even before that, dirk is hugely characterized by a strong love for his friends. like. dude fucking adores his friends and thinks none of them deserve him. and i think this is what makes him stand out immediately as different than vriska — vriska definitely acts out out of a need for attention and interaction, but it really seems like she wants any attention, and wants to bully tavros soley because she feels she has a right. (terezi is a bit of a special case here). vriska wants connection and friendship, and to be liked, mainly in general. dirk wants to deserve the three friends he has— he loves those three very specifically and deeply. this makes them extremely different off the get-go.
although we can draw lines from “asshole manipulates a useless page who doesn’t deserve it and gets dunked on by the narrative constantly”, their characters are really entirely different other than that
as for jake/tavros there’s a lot there, they are both confused the hell out by the romantic advances of both people. difference is that tavros never showed any want for vriska (until he was a ghost or something? the ghost plot lines always pissed me off ill be honest) while jake was interested in dirk and confided in other people about it.
i also don’t remember there being evidence of dirk manipulating jake to get stronger the way vriska did to tavros besides the robot? i think it was literally just the robot, which is kind of a one-time offense and, if i recall, jake wanted the robot for fisticuffs and was technically fully capable of turning the difficulty level on the thing down
the main issue was dirk and hal initiating that entire plan to get together with jake, which dirk did not try to rectify, and then supposedly dirk being clingy afterward which we saw none of
and for obvious reasons, the fact that they break up and dirk goes through a small arc about learning and wanting to try to be better obviously makes the Ult Dirk plot line feel like a slap in the face. i mean once dirk was a beloved character there was reason to give him a better ending than “asshole is an asshole”, and the arc he had, while minor was satisfactory for a lot of people, so the idea that it was all for nothing in post canon is obviously really shitty.
there’s also the fact that dirk and Jake immediately move in together at the start of post canon and start doing all kinds of weird shit which i definitely disapprove of when im like fairly sure what they needed was space apart and a little bit of time to socialize with other people??? but that’s technically part of post canon and a whole other can of gross worms the point of this post was.
vriska and dirk: not the same.
this whole thing became a rambly mess towards the end i REALLY should do a reread + deep dive of act 6 honestly because its my least favorite and i dont give it much attention
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choctalksalot · 11 months
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compilation of homestuck design things i love with all my heart that no one asked for
[warning: i live up to my username.]
okay? okay here
dirk with a hairband. i just love it it invokes an Emotion in me that can only be described with [:
dirk with a neck scar. any significant death that leaves scarring, these are my d-smp days talking but im just a big fan of the significance of death, i like the idea that any revival that isn't automatically settled by the T1CK T0CK has scarring/medical issues that come along with it. does this mean i hc karkat with organ problems? maaaayyyybeeeeee
any rose hairstyle. any. all the different ways people interpret Mspaint Shape bring me joy but rose's is literally Sircul and people get so many nifty styles from it... gah!!
jegbert with rollerblades my beloved. when did that even come from?? i don't care it's so silly i love it....though personally i prefer
jegbert with a SKATEBOARD. GOD I LOVE SKATEBOARDS. i want the beta crew to go to a skatepark together and i want john on a skateboard i want them All on skateboards
bonus: jegbert on a skateboard in skates. nobody survives.
ANYBODY WHO INCORPORATES DAVE'S CANONICALLY BIG BABYGIRL EYES AND THICK LASHES. I LOVE YOU.
there's a specific kind of jade glasses i adore... like. like canon jade has O-O and i love it i do but occasionally i see people stretch them just a liiiittle bit to 0-0 and it captures my heart in one fell swoop
Matching Accessories between anyone ever. personal fave is dirkjake armbands/bracelets (ive seen it from four people and every time it makes me giddy smile a little) and meowrails hairclips (equius with a cat, nepeta with a horse)
jade with white hair streaks... <3
JADE WITH A LOT OF WHITE HAIR ACTUALLY. i draw her this way, the bottom layer of her hair? all white. i saw a drawing of jade with all white hair once. i lost it before i could reblog. the bruise it left on my soul
more jade hair joy: undercut. post-doggie jade has more hair than she knows what to do with and she had to get rid of some of it!! also undercut just [swoon]
i friggin. adore. when anyone incorporates the kids' card suits into their designs. are you kidding me. yes. y e s.
roxy with a heart shaped ahoge <333
kanaya with glowing blood. this is specific to me. i think the thing that makes her glow is her blood. i have drawn diagrams
dave with hair similar to roxy's...
addendum to that - rose with hair similar to dirk's
jane in band tshirts. i just. wuegh
the more bird your davesprite is the more shiny rocks i leave on your windowsill
jake english covered in bandaids. i'm fond of bandaids on anyone but i like to imagine grandma english had boxes and boxes of colourful themed plasters that she would tack on jake's scrapes and cuts, and he's a little kid living in the jungle he'd get a lot of them!! he never stopped using them. carry every piece of her as far as it will follow him
that's 20 i can name off the top of my head. i love them so much. kissing them all on the forehead heart emoji thanks for surviving my mindless rambles
an edit: 19, not 20. one of them got halfway backspaced and i don't remember the contents of them so i have to live with the mystery forever now ig
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superskaian · 2 years
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Now that you’re finished reading, care to give a brief (or not so brief) overview of your thoughts on each character?
i did try to answer this on my main but i got overwhelmed with describing all of the characters! i have a tendency to ramble and prattle so the only way i'm getting through with this is with very. brief thoughts.
[roxy lalonde voice] lightning round go!
john- that's my friend he makes me smile c:
rose- manufactured in a skaian lab to destroy me specficially
dave- i feel very proud when i see him near the end of the comic. he managed to escape all that and i love him for it
jade- one of the characters i've shed the most tears over i want her to be happy so bad
~
aradia- wrath! of! the! lamb! aradia's arc is so good i love seeing her smile
tavros- he's very pathetic (affectionate). cheered for his ghost getting that big moment at the end
sollux- i do not remember very much about sollux. the bifurcation theme fucking slaps though
karkat- THAT'S MY FRIEND KARKAT I AM NEVER GOING TO FORGET KARKAT. THERE'S ONLY ONE STEP AND IT IS CRAB
nepeta- she's adorable and i'm kissing her on the mouth for drawing vriska ♠ terezi on her wall-
kanaya- I Love Kanaya So Fucking Much
terezi- blorbo. i post about terezi at least five times per day my feelings about her are the worst kept secret of my life. she makes me feel every emotion on the hemospectrum
vriska- years and years before i read this comic i thought i'd be a fan of hers. i was right. i loooooooove vriska. i have absolutely nothing normal to say about her
equius- he's funny c:
gamzee- i'm pretty sure his role in the overall scheme of things went entirely over my head. will pay more attention on my new game+. i fucking owe him for his relationship with terezi though thank you gamzee
eridan- also did not make much of an impression on me
feferi- i have an irrational emotional attachment to her
~
jane- she's bigender for real i make the rules.
jake- fucking lvoe the brain ghost man keep up the good work. normal boy behavior (affectionate)
roxy- manufactured in the same lab as rose to destroy me but in a different color
dirk-fucking lvoe the splinters man keep up the good work. normal boy behavior (very affectionate)
calliope- ough callie's my special friend
caliborn- i'm putting him in time out (affectionate)
~
i'm not listing all of the ancestors and dancestors just the notable ones
meenah- rotten girl. i really really like her.
aranea- one of the biggest surprises in the whole thing (absurdly affectionate). i'm making a whole list of things about aranea to obsessively study on new game plus
damara- oh my god damara is fucking cool
mindfang- i have nothing sfw to say about marquise mindfang.
redglare- my neck is right here 😩
the condesce- hhhhhhh trolls who do war crimes have the best pussy
~
jasprose- we bingewatch nekomonogatari white together and cry over never having a troll wife together
davepeta- ough theyre so cute
arquisprite- vriska i'm sorry i dont think he's very funny but i made you a list of all the different ways you can punish me and also i made a copy of that list in case something happens to the first one-
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autumnblogs · 3 years
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Day 44: Preoccupied about the same things as Trolls, revisited
Welcome back y’all! Before we get into this, I want to talk about the Condesce/Meenah as a parallel character to Mom Lalonde/Roxy. You can read a bit about @mmmmalo​‘s takes on Openbound, and why they think that Meenah is symbolically Roxy’s Doppelganger here.
I want to call attention to some specific similarities between them, and while I think it’s a bit of a stretch, Homestuck draws parallels between characters all the time.
Both the Condesce and Mom Lalonde are matriarch figures estranged from their potential offspring by dire circumstances and servitude to a patriarchal authority and his time-spanning plan - for the Condesce, that’s English obviously, but for Mom Lalonde, that’s Grandpa Harley - servitude to his design renders her a wreck of an alcoholic forced to endure the end of days with no means to stop them from happening, living with a daughter who wants nothing to do her.
Both Meenah and Roxy are rebels against a repressive order, inclined to shirk their assigned Role in service to someone else’s master plan, but ultimately, through some roundabout means or another, give service to it anyway (for Meenah, scratching the game, and ultimately ending up English’s glorified slave for eons in the end; for Roxy, at first refusing to play Sburb in hopes of spiting the Batterwitch, but ultimately ending up playing into her schemes anyway).
They are both rebellious spirits who are repeatedly forced to participate in Paradox Space’s Alpha Timeline all but against their will by hegemonic forces, slaves to a system that they exist in perpetual rebellion against, and by the end of the comic, they both get to help strike a decisive blow against the ultimate foe. Unfortunately, unlike Roxy, Meenah is ultimately the kind of person who chooses at practically every occasion to continue cycles of abuse instead of breaking them. There is ultimately no possibility of reconciliation between these estranged sisters.
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So, I see a lot of the Alpha Kids in the four Alpha Trolls who appear in this flash. As the Faux Heroic Himbo, the parallel between Rufioh and Jake is obvious. I don’t think that it’s fair to characterize Jake’s relationship with Dirk as being “cheating on Jane,” though that’s probably how Jane feels about the whole situation; I’ve always gotten the impression she feels entitled to him.
More after the break.
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The imagery here is an obvious parallel between Jake and Dirk’s big damn kiss, and Rufioh and Horuss’s - but between Rufioh’s bravado and general obliviousness, and Horuss’s clear triangular parallel with Dirk and Equius, we should expect that the situation is switched here - Dirk = Horuss, Rufioh = Jake.
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While it could easily just be a bit of extraneous characterization, I’m inclined to regard Rufioh’s characterization of the women in his life as “Dolls” especially because of his symbolic proximity to Lord English. (He is at best one degree of separation from him, as Jake English’s Alpha Troll Doppelganger) - and the fact that Puppets and Dolls are pretty much synonymous with each other in terms of the way that English interacts with them.
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More extremely obvious parallels.
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Both of the Zahhaks have hangups about dating down the Hemospectrum, and as long as we’re examining Dirk through the lens of the Zahhaks, allow me to speculate; I think that part of the reason Dirk chooses not to directly identify with the label of gay is less aloofly progressive futurism, and more that he is uncomfortable with his own sexuality.
As a guy who repeatedly appeals to reactionary ideals and rhetorical devices like “Western Civilization,” “Reason,” “Logic,” maybe there is a degree to which we can read Horuss and Equius’ self-repression through the haemospectrum into Dirk suffering from internalized Homophobia.
This is a real long shot, but I’ve always gotten the impression that Dirk is a bit of a bottom. Maybe his desire in building up Jake into a powerful counterpart, like English’s desire to transform Jake into a powerful rival, is built out of a desire to be Oedipally usurped by a former pupil - to have his Eromenos turn the tables, and become the Erastes in turn, in power-dynamic terms.
In Classical Civilization, homosexual relations weren’t unheard of, and were pretty reasonably common, but it was seen as shameful to bottom, especially for someone of a lower social standing than you were (Julius Caesar was mocked as the Queen of Bithynia when it was rumored that he bottomed for Nicomedes IV, which was a serious attack on his political career).
Wild speculative tangent over.
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Now this is interesting; Meenah is unwittingly drawing a parralel between Damara and Vriska. The main commonality between them is that, like Vriska (and also like Rose, and also like Jane - who is the fourth and final character in this particular set) her spite and resentment is used as the vector for English’s manipulation of their setting.
Like Vriska, Damara deliberately sabotages the ability of her session members to win, helping to create a powerful foe who forces a session to be scratched.
Like Rose, Damara descends into nihilistic substance abuse to cope with feelings of emptiness.
Like Jane, Damara’s actual feelings of emptiness come about as a result of feelings of rejection in relation to betrayal from within her close friendship circle.
Ironically, while Damara’s reaction is far worse than Jane’s, her anger is actually probably far more understandable - Jane is not entitled to Jake.
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The situation between Horuss and Rufioh is also similar to what will resolve between Jake and Dirk shortly - they are just basically incompatible, or at least they will be until both parties do some work on themselves, but a combination of an oblivious party who can’t stop talking about himself, and social timidity on the part of the other prevents the situation from resolving amicably.
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“As Long As I Know That I Am Free”
Sometimes, encountering our ancestors doesn’t have to be a source of tension, anxiety, expectation, and fear. Porrim models parental love for Kanaya in a way that, unusually for ancestors in Homestuck, is purely beneficial for her younger counterpart.
It’s okay to identify with roles and identities that have been corrupted or hegemonized by our culture. There’s nothing intrinsically bad about being a man, or about being a woman, as long as our embodiment of those roles is emancipatory to us.
Kanaya can still be a Mom, if that’s what she wants to be. Violence and money aren’t the only form that power can take.
Sometimes, learning the right lessons is just a matter of pausing for a second and being critical of all narratives; deciding for ourselves what we want to be. It’s the lesson that Porrim has to teach Kanaya.
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This is just objectively true.
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Aranea positions Rufioh as both a foil to Cronus, and to herself, further strengthening the Jake as Rufioh parallels.
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What I think is really interesting about all this, is if we want to read the other three trolls as Jake, Dirk, and Jane, that makes Meenah the Roxy of this group! And while Roxy has never been vicious or deliberately cruel, there’s a certain resonance between her persistent hassling of Jane, her meddling in the Jake English Sweepstakes, and the disaster that it provokes, and Meenah’s bullying - I even early on in my first readthrough took a disliking to Roxy because of what I viewed as exactly that - bullying her counterparts, assertively trying to get them to behave the way she wanted.
https://homestuck.com/story/5401
Oh man, where to even begin with Karkat riding off into the Penis Sunset. Like, the Sun in relation to Dave is persistently an icon of Bro’s surveillance of him, and then there’s his burgeoning affection for Karkat (he mentions story time with Karkat in the third Openbound suggesting that he actually took Karkat up on his offer to read through trashy Troll Romance).
Like, there’s probably something in Dave’s troubled psyche that’s on display here but damn if I know what it is. Maybe he’s ruminating on the fact that Bro would probably not be too accepting of his relationship with Karkat, hence the juxtaposition of the symbol of Bro’s hostility with the imagery of Karkat riding a dick?
https://homestuck.com/story/5404
I don’t really need to explicate much on what Rose is trying to say, I think but just in case, here’s a little rundown of what she’s trying to explain.
The apple is a symbol of an irreducible idea. Many ideas are reducible - as molecules are reducible to atoms, and atoms are reducible to quarks and stuff, so are ideas reducible to increasingly more abstracted and basic units.
The closer to notionally irreducible a thing becomes, the more difficult it becomes to express an idea, until at last, that which is truly irreducible resolves, and reveals to us the true, intrinsic nature of reality. For every complex idea, we can refer to more fundamental ideas, until at last, we arrive at an idea, which when probed, responds back simply, “It just does that.”
This, I think, is that to which we ought to give the name of God; that force so fundamental that it truly does just do that.
In the world of Homestuck, Symbols, and with them, Rituals - stories! Are manifestations of the primeval and irreducible ideas. Everything else is a universe in orbit around the Divine - the Aspects themselves, perhaps, or something more fundamental than the Aspects even.
What makes reducing these stories to the irreducible principles that they allude to so difficult is that you’re effectively trying to explain the electromagnetic force by comparing it to rubber bands, when in fact, the electromagnetic force is what makes the rubber bands behave that way in the first place.
As a Ritual, Rose’s drinking is pretty similar to John’s Dad roleplaying - an attempt at unity with Her Mom. Another empty signifier.
https://homestuck.com/story/5405
Dave is already really embracing his new role as the actually most sincere and straightforward member of the party. Lovin’ it.
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It’s kind of nice that Aradia and Vriska are getting along now. That’s gratifying for personal reasons.
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Ah yeah, I forgot that was ever addressed officially.
https://homestuck.com/story/5435
The man
HASS the ring.
https://homestuck.com/story/5440
And with the depressingly empty Void session established via a single flash, we shall conclude for the evening.
Tomorrow, we’ll get to know our little villain.
For now, it’s Cam signing off, Alive, and a little Annoyed that I wasted a couple hours playing the Outriders Demo this afternoon. Seriously, what an aesthetically bleak and kind of mediocre-looking class-based cover shooter.
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chynandri · 4 years
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A thought I’ve been having about Dirk (I mean, all my thoughts are of Dirk lately. I have Dirk Syndrome which means instead of brain there’s Dirk) is how we get the impression he’s a cool and capable action man. He’s in control. He gets the shit done. He knows what he wants.
I don’t think this is all false, but there’s some instances that go against this infallible impression of Dirk.
Being in control. He pretty much takes over the sburb session’s entry for the alpha kids. He’s badass, he does what the others can’t, he attempts to coach everyone’s character development.
Prior to Sburb, we have some idea of what Dirk was like. Spending years hiding his awake status from the Derse agents, watching over Roxy, and gathering intel - and only begins to wreck their shit in Derse when Calliope advises him to. He readily takes drawing commands from Caliborn. Waiting until he knows Jake and Jane seem willing to believe he’s from the future before telling them. And while he tries to multitask for Sburb, Hal criticizes how he’s not actually good at it since he zones tf out when going Dreamer mode (psh, yeah Dirk why can’t you control two consciousnesses at once like EVERYONE else? Jeez). In Pesterquest, Ult Dirk angrily crosses out Dirk as he’s having a chill bro moment with MSPAReader. Calling himself pathetic for just chilling out with a new friend, he had all this time to get ‘swole in body and mind and wastes it looking wistfully out at the sea.’*
* very appropriate how Ult Dirk references body and mind and not the soul. Prince of Heart/destroyer of soul attitude right there. And Moonsetter’s track art depicted exactly what Ult Dirk is accusing Dirk of doing. And what is Dirk looking wistfully at in the track art? The moon and 3 stars, of which are pale blue pink and green. He’s longing to meet his friends, as he confesses to MSPAReader. All checks out.
And though he tries to set the pace for the Friendship Jam, Dirk allows MSPAReader to choose their friendship activity, how to get to his house, to ask the soul revealing questions, to set more parameters for vulnerability, to zap him, to continue pulling out the stops.
Overall, prior to Sburb, Dirk has been actually... not taking action (those long ass showers? Zoning the FK out!!). And obliging. And while he’s pushy, he doesn’t *completely* take control or assert himself over others. Ult Dirk accuses MSPAReader of bossing him around (while he is ironically, bossing everything around).
Which is why the only true choice gameplay in his PQ route is DIRK’s choice and not MSPAReader’s. The prominent point in the ending where Dirk chooses to trust his friends, as MSPAReader outright says, is that the timeline will be DIRK’s and shaped by what DIRK wants. And Dirk has been expressing to us his big want to make human connections the whole time.
But, Dirk is led by his belief (and self loathing) that he Needs to take control of everyone and everything to get character development, and develop everyone else’s characters in the process. Living in the midst of the big literal and metaphorical barrier between him and history - the ocean - and being unable to change or do anything truly impactful in past and present history (unlike his Bro)... it’s taken a big toll on him. He makes a big deal about history, and things being set in motion before his time, to MSPAReader. Dirk looks at the grand scheme of things, supported by Calliope and Caliborn’s info, and believes he is Meant to embark on an epic story arc that carries the legacy of his Bro and that’s what will give his pathetic isolated life and existence meaning. He’s got to believe this, because - as Britney Spears put it - his loneliness is killing him (and he)/He must confess that he still believes (still believes) -
Further, Hal serves to remind of him of his flaws and what he thinks he needs to change about himself all the time. Stop zoning out. Multitask better. Actually get shit done (even Squarewave calls him out on this lol). Make his friends happy (Hal can give Roxy what she wants - his affection - while Dirk can’t). Have an assured, wholly aligned sense of self. Hal flaunts how he achieves all of this in Dirk’s face, literally. Basically... be perfect, have all the answers (Hal is the AUTO RESPONDER specializing in giving ANSWERS) - but not very human.
Watching too many animes, this kid. ‘Life needs to be painful to matter’ ‘people need to prove themselves to earn the right to exist, to be loved, and get the girl/boy’ - these are all the typical trajectories of a shonen anime. And Dirk’s route can end up being an antithesis of it, as MSPAReader helps him see that just existing is meaningful in itself. People can and do like him for him. It’s ok to not have all the answers. Take that shonen and make it a slice of life!
MSPAReader knows Ult Dirk doesn’t have all his shit together as much as he wants everyone to believe he does. Dirk doesn’t really have all his shit together either - and that’s ok. And those are my thoughts
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bladekindeyewear · 4 years
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HS^2 bloggin’ mainline 2020-04-13
Happy 4/13 upd8!  Glimpsed part of the title when I was checking but otherwise blind.
Time to liveblog this quickly and pile into RevScarecrow’s first-readthrough stream of Cascade.  It REALLY hurts to see him tortured having to read through long conversations with dyslexia, but at least he gets to draw purer enjoyment out of the huge flashes.
EDIT:  Added an important clarification from a friend to the bottom, regarding the tail end of the upd8.
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Well here we go.  Whose daughter?  Candy Vrissy as Rose/Kanaya’s?  Or some weirder metaphorical Roxy/RoboRose thing.
> CHAPTER 8. A Daughter Astray
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Huh, not where I thought we’d start a chapter named like that.  We can’t leave Candy so soon after cutting to it though.
JANE: Assassinations, open warfare, so-called "revolution," and where has everyone gone? JANE: They've ABANDONED me. They've taken our precious son. And now...
Are we going to see some of the beginnings of John’s plan in action, from her perspective?
> (==>)
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Steven King novels???  Like an IT joke?  Sure, I guess?
DIRK: Itadakimasu.
I mean he would.  Especially the Jake-imagined version of him.
JANE: "An eye for an eye." JANE: Once we have rescued our son from their clutches, I'm going to take something of my own; something as valuable to the rebellion as Tavvy is to me. JANE: Two can play at the hostage game. That loathsome daughter of theirs should fit the bill nicely.
Okay.  That’s certainly a plan, I guess.
Wow, she really runs everything by the seat of her pants, doesn’t she.
(She seems less murderous than usual now that the spotlight of HS^2 is on her instead of Epilogue darkness, though, all things considered.  Walking back some of the negativity of the Epilogues in general.  That’s the impression I get anyway.)
> (Kids: Converse.)
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Vriska, come on.
--Oh!  Oh and there’s:
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That middle photo!  Harry, Roxy, and Calliope hanging out, yes!  Glad to see Candy Roxy and Callie were definitely not as distant as they appeared throughout the Epilogues when we were being convinced everything was going out-of-character as a Meat!Callie-written fanfic instead of what Roxy would plausibly actually do.  (Which... it kinda was, so they need to soften the blow by showing not everything was ruined by the way it was written.)
((And there are lots of cats everywhere, but this is outside Harry’s room so it’s all Roxy, no classpect.))
HARRY ANDERSON: so... HARRY ANDERSON: um. vriska? VRISKA: The one and o........ VRISKA: (Ughhhhhhhh) VRISKA: I mean, yeah. That's me!!!!!!!!
It’s hard to get enough of Vriska’s irritation with her reduced relevance.
VRISKA: From now on your name is just Harry. HARRY: o... k?
Dick move, but I have to thank you for shortening his chat handle there.
HARRY: but um, yeah. john and roxy are my parents.
Yeah, deal with that, Vriska.  Nice job wooing John.  :)
Aaaand then Harry’s Egbert genes kick in and he starts going off on a tangent describing a piece of media he likes with a situation barely mappable onto this one.
HARRY: ok, so have you ever seen the musical calamity jane? HARRY: i guess you probably haven't. HARRY: but so there's this part at the beginning, where the title character comes back from chicago, and she talks to all of the old-timey locals about how bizarre and new-fangled everything was, and VRISKA: Godddddddd it really is like talking to teenage John all over again. VRISKA: No I haven't seen Chastity Jane or whatever the stupid title was. It sounds like a total snooze!!!!!!!!
Calamity Jane and Chastity Jane.  Probably means nothing.
VRISKA: And anyway, what are you trying to say? VRISKA: That I sound outd8ed?
HA.  Now you’re a boomer!  Eat that Vriska.
HARRY: i mean, we've done stage fighting before, but never the real stuff. HARRY: but i bet i could learn. i took kickboxing with my mom for a month and half when i was nine.
Yaaay Roxy-style martial ar-- oh wait only a month and a half, huh?
We’ll have to see if he’s really as inexperienced and kinda-thinking-too-well-of-himself as he looks, or if this is all just a joke setup for when he proves to be pretty combat capable later.
VRISKA: He totally freaked out the first time I told him I killed some8ody. HARRY: haha, that sounds like my dad.
Harry and Vrissy look clearer together by the minute, dynamic-ways.
But now he's not so sure. Ever since hearing that one of his dad's old friends had turned up, that border between past and present has felt fainter by the minute. And as they talk, he begins to think that Vriska seems so much... fresher. More real. An actual, authentic, bona fide god from another universe. Harry can’t imagine his dad even talking to someone like her, let alone punching her in the face.
Freaking out about murder, though; that's definitely something Harry can see his father doing.
Kind of like a fresh breath of relevance, huh?  I mean Vriska had to carry a little in with her.
HARRY: i'm not allowed ONE vriska in my bedroom. HARRY: i don't even want to THINK about how much trouble i'll be in if she finds out i had TWO of them up there.
PFFFF.
And Roxy grew up the kind of mom to set those limits, huh?  Nice.  She’s definitely proving a less lonely and inscrutable mom than she was to Rose.  (And Rose had the additional disadvantages of Horrorterror- and Gamzee-induced fear- and certainty-amplification to help drive her to believe her mother hated her, on TOP of all of Mom’s glaring flaws/abuses vis-a-vis drunken responsibility-aversion.)
HARRY: of course i am freaking out vriska! HARRY: i'm freaking out what i think is probably a good amount about this. the fashionable amount of freaking out.
I’m starting to really take a liking to this asshole.
HARRY: he's going to absolutely flip his fucking lid if he ever finds out about this!! HARRY: or worse, it might just make him as miserable as before, and he'll be really disappointed in me, and then he'll just leave again, or... or SOMETHING!!
Auugh.  God damnit, Past!John, raising him to believe this.  Luckily, Current!John will most likely disabuse him of the notion at least SOMEWHAT by the end of this story.
BECAUSE JELLICLES CAN AND JEEEEEEELLICLES DO JELLICLES DO AND JELLICLES CAN JELLICLES CAN AND JEEEEEELLICLES HARRY: oh fuck.
Why is he hiding the CATS poster in his room, but has a whole ringtone set up with it?  Either a global one or a John-specific one?
Is it John-specific because he has to outwardly play it cool about how much he loves and needs his dad, just like Cats?
VRISSY: Check it out, someone's already cospl8ying my fit from tod8y.
Oh nice!  Inborn popularity at work.
VRISSY: Good? It's Infuri8ing!!!!!!!! VRISSY: UGH! So many f8ke accounts pretending to 8e me. Stealing my hard-earned Clout. Fakey f8ke F8KES.
Mhmm, why give up any attention?  She wouldn’t want to share it.
VRISSY: Damn Right it's import8nt Tavros! Image is a8out as Important as it gets.
(classpect blah blah)
VRISSY: Relax Tavvy. VRISSY: You're starting to Sweat Nervously. You know I H8te it when you Swe8t Nervously. TAVROS: Thank you,, VRISSY: Th8t wasn't a Fucking H8mance Complim8nt, I do genuinely Hate it and not in a Fun Way. TAVROS: Oh,, TAVROS: I'm,, sorry,,,, VRISSY: Ugh. Whatever. VRISSY: I'm just... 8eing a 8itch. Forget about it.
Look how INCREDIBLY much more mature Vrissy is right here than Vriska ever was.
And Vrissy’s understandably a lot more worried than we are about Vriska moving in on Harry.  Even though with Vriska’s experience she would hardly be likely to see anything in him to--
Oh.  Fuck, what am I saying.  Of COURSE Vriska would be tempted to move in if it meant stealing attention from Vrissy.  I keep forgetting this is ORIGINAL VRISKA we’re talking about.  That’s got to be a conflict at some point, right?
TAVROS: I know you don't like to talk about these kinds of things,, TAVROS: Having said, on previous occasions, stuff like,, TAVROS: "Feelings are for adults and babies, not real people," TAVROS: And i'm not,, necessarily, saying that you have some unaddressed feelings, TAVROS: But,, maybe if we're going to be around her, TAVROS: You should try to be honest, about the feelings, that you don't have,,
Nailed it like a true Tavros.
VRISSY: It's Something about the W8y she Looks at him. VRISSY: The Rest of us too. VRISSY: Like we're not even Real.
That’s right.  Making it important that you be extra careful that she doesn’t hurt you, because she’ll undoubtably or neglectfully TRY.
VRISSY: And to 8e Honest, I think I Understand why! VRISSY: Everything Here is so dwee8ish and 8oring!!!!!!!!
A little more complicated than that, Vrissy.
TAVROS: Because you're worried harry anderson thinks she's cooler than you,, TAVROS: Because you're jealous,,,, VRISSY: W8. VRISSY: What? VRISSY: No! VRISSY: Tavros, were you Listening to 8NYTHING I was Just Saying? VRISSY: I'm not worried a8out Harry Fucking 8nderson right now! VRISSY: Hell, I'm so Unconcerned that I think I'm going to start just calling him Harry from now on! It'll Save Everyone a lot of Valua8le Time! VRISSY: Listen Tavros, Vriska will get 8ored of Harry in a Heart8eat! VRISSY: That's the whole point!!!!!!!! VRISSY: She shouldn't 8e w8sting her Time on someone like Him! VRISSY: SHE SHOULD BE T8LKING T8 ME!!!!!!!!
Hm, jealous of the attention Vriska’s giving Harry, not the other way around.  Huh!
And here come the Crocker cops...
> (Harry: Pick up.)
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Wait, I don’t understand this picture.  Who are those two silhouettes outside?  Isn’t this Roxy’s house?  (Is that Jake facing away on the left? Them being already here would be pretty good reason for alarm.)
HARRY: ok everyone, my dad's calling. HARRY: if he finds out you're here then he will definitely put two and two together, so PLEASE just keep quiet and let me do the talking.
Is John going to play along?  That could be fun.
Hm.  If Harry hasn’t turned off his phone’s signal, then that could be a way Jane can find and use him to find Vrissy.  (Or already have.)
HARRY: er, HARRY: hi dad. VRISKA: HI JOHN!!!!!!!! VRISSY: Hi Mister Eg8ert!!!!!!!!! HARRY: oh god dammit.
THEIR NEED FOR ATTENTION BYPASSES ALL SURVIVAL INSTINCT.
JOHN: HELLO SON! JOHN: I AM JOHN: SO JOHN: VERY JOHN: PROUD OF YOU!!!!!!!! HARRY: JOHN: PHEW, that felt good to say. JOHN: or to yell, i guess. heheh. JOHN: sorry about that, harry anderson. JOHN: i just didn't think i'd be seeing your handiwork all over the news quite so soon!
Yeah, John really needs to take a page or two out of his Dad’s playbook right now!  Because Harry really fucking doubts that his father is proud of him, and John’s Dad would never have let him come under such a misconception.
JOHN: it looks like you tried to pull one of the biggest pranks i can think of. JOHN: and it backfired! HARRY: y... yeah. JOHN: but that's ok!!! JOHN: it could have happened to the best of us. JOHN: ok, so maybe it wasn't the most original idea. JOHN: and you should probably have steered clear of such a blatant nod to weekend at bernie's without seriously planning some of the logistics in advance.
John, please stop so aggressively framing this in terms of YOUR interests.
JOHN: heh. two vriskas is NOTHING. JOHN: when i was your age i lost count of all the vriskas i had to keep track of. JOHN: it was probably some preposterous number.
¬_¬”
JOHN: now, harry anderson, i know that you and tavros haven't always gotten along. JOHN: but i am going to have to ask you to try and look out for him for the time being.
Harry could really use some reassurance from YOU you know?  That you’re working to make sure he’ll be okay through all this?
JOHN: your uncle jake and i... well, i'll explain later. JOHN: let's just say that gamzee isn't the only family member jane is losing today. HARRY: dad... if you wanted me to KILL tavros, you only had to ask. TAVROS: (Um,,,) HARRY: couldn't resist.
What?  Moved for custody in the divorce?
I feel like the divorce is SOMEHOW involved in whatever John is referring to here.  Even though the Epilogues say that Jane initiated it.  Maybe we’ll find out later that in the cut from then to now, Jane apologized a bit and didn’t go through with it, but he still had the papers to finalize it, or?  No, that doesn’t quite add up with what Jake was afraid of before... hm.
> (==>)
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Oh, the paparazzi.  THAT’S a problem.
JOHN: the word "fuck" was invented for moments like this.
Nothing to comment on, just had to quote it.
JOHN: some guidelines that any budding prankster or newly fledged fugitive should know. JOHN: don't panic, JOHN: don't make a scene, JOHN: and whatever you do... JOHN: don't get caught!!
This is a reference to something, right?
> (High above the clouds...)
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Jesus, that’s a visual. Hi, probably-the-only-source-of-happiness-between-Kanaya-and-Rose-we-might-have-onscreen-up-until-the-very-end.  (Are those cat chairs, or just headrests with lil horns?)
As the world seethes with the acid sting of war, they have stood steadfast and resolute; when hope has seemed at its most distant, they have shone as a beacon of possibility.
Further cementing Hope’s ties to possibility, then.
Individually, they each represent immeasurable gains for the rebel faction. The rebellion's stratagems have never had a fiercer bite; their uniforms have never looked so fucking sharp.
Why you gotta do Kanaya like that, narrative?
> (==>)
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Full glow?  Kanaya must be nervous.
(I don’t think this short hair on Rose quite does the justice that short hair on her should.  I suppose it’s punk to match her clothes, though.  Still, I feel like short hair should look SO GOOD on Rose and the style chosen just doesn’t here.)
ROSE: I just wish I had answers!! My useless powers aren't being any help, and what's worse, ROSE: I can't see ANYTHING useful on this stupid news channel!!
I can imagine that a Seer of Light might find it harder to operate in a realm long void of most of its relevance, not to mention whatever measure of strength she gave up to concede herself into the “specific” and not ult-self manifest... but there are two Thieves of Light involved here and no Void players, beyond this being at Roxy’s house.  Are they really stealing that much visibility from the situation to not blaze like beacons in Rose’s vision?
ALFONZ: excuse me mA'Ams
I don’t know how to feel about this troll’s name or quirk.
Kanaya’s ending every sentence with a shout pole, by the way.
> (==>)
ALFONZ: the reconnAissAnce teAm is bAck eArly, mA'Ams ALFONZ: the ship docked A few moments Ago ROSE: And the scouting party??? ALFONZ: i expect she's Zipping her wAy up here now, mA'Am
Karkat and Meenah?  That’s just a singular “she”-- ah fuck it’s Jade isn’t it.  The Jade here who had Dave ditch her suddenly to become a robot and abscond without telling her.  That’s why there was so much talk about Jade in the background today, dammit.  Please still be generally not despairing???
> (==>)
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What is that bulky suit?????  Is it seven layers of sweaters?  Was she scouting the arctic??
> (==>)
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Angry camo?
> (==>)
KANAYA: Jade It Is Okay JADE: its........ JADE: *sniffle* KANAYA: Please Take Your Time JADE: we dont HAVE any time!!! JADE: its too late!!!!!! JADE: janes forces were just too fast... KANAYA: Oh No ROSE: You don't mean... JADE: theyve taken her
Jade, you aren’t talking about Vrissy.  Who the fuck ARE you talking about?  Is this gonna be a punchline again?
> (==>)
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JADE: THEYVE TAKEN YIFFY!!!!!!! D:
Okay, I’m hoping for the best but there’s precedent that this is Jade in full fucking despair mode right now.  Having named pets like that and being this concerned about them.
Then again, if Dave and Jade had a pet they WOULD name it that wouldn’t they.
> (==>)
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Sigh.
Well, let’s hope it’s mostly sunshine and rainbows on Jade’s front, unlike what it looks like?
That can be a caption for HS^2 going into the next two thirds of 2020 like this.  “Let’s hope it’s mostly sunshine and rainbows.”  Catch y’all another time.
EDIT:  Oh fucking MAN, it might not be a pet after all.  Quoting Discord:
[REDACTED] Today at 5:20 PM there’s a reason Rose knows but Kanaya wouldn’t possibly and look back at the chapter title BlastYoBoots Today at 5:21 PM I'll... correct that possibility. Did NOT realize it could have been a pet name for Dave instead of a pet. wait, what? no, they'd never have named a daughter that, Dave is NOT that cruel. (unless it could be nickname-shortened to that, that's just enough plausible deniability for Dave to hide behind.) [REDACTED] Today at 5:22 PM If it were a pet name for Dave, why would they use she/her in reference to him? JANE: Two can play at the hostage game. That loathsome daughter of theirs should fit the bill nicely. BlastYoBoots Today at 5:22 PM oh, and you're implying that the surrogate daughter thing happened with Jade and Rose-- [REDACTED] Today at 5:22 PM yes BlastYoBoots Today at 5:22 PM OH, and that they meant like, not Vrissy? [REDACTED] Today at 5:23 PM perhaps BlastYoBoots Today at 5:23 PM Why would Rose NOT tell Kanaya about her then? or is Kanaya just not interested in keeping up to date? [REDACTED] Today at 5:23 PM unless the yiffy ruse is a distaction BlastYoBoots Today at 5:23 PM it would be a pretty spectacular thing to spring on us though, a child the epilogues didn't mention, so...
SO, this could be a cheeky pet name for their daughter, who we’ve never met and Jane just legitimately planned to kidnap in front of us.  Making Davebot’s abandonment of this timeline all the more dickish, essential as it might be.  On the upside, new interesting HS^2-original characters that have nothing explicitly to do with the epilogues!  (Beyond Jade hinting at how a surrogate child would be conceived possibly!)  Plus another reason for Jade to steel herself and buck up about Dave not being there, to take care of her daughter, possibly.  On the downside... Robo!Dave is going to be a little infuriating.  Maybe to make him a little more palatable to miss if he goes down doing anything dramatic.
((EDIT2: "ROSE: Where is John? KANAYA: Where Is Dave" --ah FUCK, I missed that line. So if Kanaya's asking that, Dave probably only just vanished... I really was hoping she wouldn't have to deal with that onscreen.))
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riverboundao3ff · 4 years
Text
Riverbound, Chapter 1
Your name is MSPA READER, and you are currently vibing outside of the known multiverse.
Well, you don’t really use that name anymore, on account of it not actually being a name. Names sound something like Emily, or Muhammad, or Patrick, or Shamita, or a million other put-together syllables and sounds.
Names are something personal. A title is anything but.
You do have a new title, though, one you like much better.
The Guardian.
Because that’s what you became when you yoinked the timeline away from the control of Ultimate Dirk and that Director lady, whoever she was. You looked Canon-With-A-Capital-C in its ugly face, spit on it, and then bent over to wipe your ass with the fabric of reality itself. Out of desperation, love, and most importantly sheer spite, you took it upon yourself to defy fate so that there is at least one timeline where everybody gets to live happy lives. This was victory at its finest. This is what it felt like to finally get everything you wanted. Your friends? Safe. Multiverse? Secure. Hotel? Trivago.
In the vast and rich history of pro-gamer moves, you believe you might have made the most powerful move of all.
After using the Green Sun- no, sorry, the Green Sun to make your own timeline, you did what any other person would do and took a big fuckin’ snooze, curling up around your universe like a mama cat protecting her kittens. You earned it.
And, if you were being completely honest with yourself, that’s how you would have spent the rest of time.
It’s not like you didn’t want to live. No, living was good. It’s just… you were so damn tired. You’re tired of always running from place to place, person to person, era to era. You’re tired of being injured, scared, and alone no matter how many friends you made. All the gods of the Furthest Rings know you’d gone through more in like a year than most people go through during their entire lives. Couldn’t a bitch just enjoy eternity in the void?
Apparently not.
The dreams began innocently enough. Playing video games with Dave, John, and Karkat. Exploring Jade’s island with Jake and Bec. Baking with Jane. Kanaya teaching you and Sollux how to sew. FLARP-ing with Vriska.
Laying side-by-side with Roxy as you two watched the sun rise. Role-playing with Nepeta. Movie night with Eridan. Getting high off your ass with Gamzee and scaring the shit out of some teal visiting their kismesis a few hives away. Discussing politics with Feferi.
Escaping that hellhouse the Soleil twins called their home. Watching those eerie lights in the corpsefield beside Fozzer. You and Remele beating a purpleblood to death.
You barely realize how nightmares had invaded your mind until you woke up with Karako’s yowls of terror in your ears. You didn’t have ears anymore, though, or a physical form, so it just sounded like your favorite clown son was screaming all around you in the abyss.
Okay. This was fine. This was fine, you kept telling yourself. After everything that’s happened to you, you were bound to develop PTSD at some point. That was completely natural.
Except this wasn’t just PTSD. This was something else entirely, because even when you were awake you saw the faces of your oldest friends burning in your mind’s eye. Something churned in your gut, ancient and primal. It was a feeling you knew well, and was usually accompanied by you launching yourself into whatever stupid shit you found next. The longer you tried to ignore it, the stronger it became, until you were permanently wrapped up around yourself like the most pathetic ball of Guardian that had to have ever existed.
You knew long before you actually put words to what was going on.
Of course. Of course it wasn’t over, because why would you ever get to have anything for yourself? Why would you ever get to just rest? For the first time in… who even knows how long, you sob hysterically into the sleeves of your hoodie.
A galaxy twinkles in the outer shell of your universe, lighting up the zig-zag sign on your chest. Mallek’s lazy smile fills your thoughts. If at all possible, everything hurts even more, until you can’t even cry to let out the pain.
Did he miss you? Did all of them miss you?
Oh, God, Daraya. You promised her you’d take her to Earth sometime, and then you just totally fucking vanished from the face of Alternia. What a fucking dick move. Granted, you hadn’t meant to do it, but still!
Your traitor-asshole brain reminds you of the fact that all of them are dead now. As in, Tyzias tried to lead a rebellion against the Alternian Empire, and then they all got killed. Your traitor-asshole brain also notes that it’s all your fault for encouraging those kinds of ideas.
Way to go, you absolute tool.
Except… they don’t have to be gone. You are the Guardian of your universe, and you make the rules. It feels so wrong to even think about it, but… yeah. You’re basically a god now. You can do what you want and nobody has the power to stop you.
Which brings about a whole new plethora of fuckery. If you were to go back, if you were to rewrite history… are you any better than Ultimate Dirk? Granted, you’d do it out of love, not because you’re a power-hungry bastard, but still. Shenanigans of this level are not to be taken lightly, even by sad Guardians with absolutely nothing better to do.
You sleep on it, which of course results in you waking up bawling like a baby as you remember the best roleplay sesh of your life, which was when Wanshi proudly gave your Soldier Purrbeasts OC her full name: Twinklemoon. You had a Soldier Purrbeasts OC named Twinklemoon. That’s why you were crying.
That’s it. You couldn’t stand it anymore.
You need advice, and you know exactly where to get it.
<>
You find her on the 8rigantine, furiously scribbling something down on a chart with a bunch of little figurines in the middle of it. You know better than to just haul your little friendslut ass up there while Vriska Serket is in the zone, so instead you knock on the hull and call up to her.
“Hello! Lady Spinneret, an old friend is in dire need of some advice!”
It takes about two seconds for a familiar spiky head to poke over the side of the deck. Vriska’s one dark eye lights up upon meeting your gaze, followed by a toothy grin that’s both menacing and completely genuine. She reaches back to grab something behind her. A rope ladder drops down and nearly nails you in the noggin, just like it did whenever you dropped by to FLARP with her.
“What the hell, bitch! I missed you!” she yells. Despite everything, you can’t help but smile. Vriska’s wild personality and no-bullshit attitude was just what you needed.
You’re very proud of yourself when you scale the ladder with ease and scramble up onto the deck without getting too much out of breath. With the amount of insane shit you’ve gotten yourself into during your travels, getting into shape came pretty easily. You’ve been told by several reliable sources that your legs are to die for.
“The 8-ball foretold your arrival. I brought snacks.” Vriska points to a bag next to her chart, not looking up from where she was drawing an impressively detailed kraken-looking thing. “Eat something before you start gabbing.”
That was sound logic, so you drag the back closer to you and start rooting around for something good. You find a bag of stinkroot chips, open that bad boy up, and start munching. Damn, did it feel good to eat something, and to also have a corporeal body to eat things with.
As you gather your thoughts, the hairs on the back of your neck prickle with the sensation of somebody’s eyes on you. You instantly look up to see Vriska staring at you. Her expression is blank, but her good eye held all the energy of a thunderstorm.
You swallow your chips. “What is it?”
“You look… different,” she says, setting down her pencil. “It’s like I can really see you now.”
“Huh?”
Vriska huffs, but she still doesn’t take her eye off you. “Before, you kinda looked like… I dunno, like somebody cut out a whole in reality and shoved the silhouette of a person inside? Like, I know what you looked like, but I couldn’t tell you the color of your hair, or what facial structure you have, or, like… dude, you have freckles.”
“I have freckles?” You reach up and touch your cheekbone, feeling the soft skin. Oh, hey, there’s some acne. Dammit. “Are they cute?”
“Sure? I think freckles are more of a human thing, so you’d have to ask John or Jade or whatever. Also you’re blonde, like Rose,” she tells you, thoughtfully scratching at her chin. “You’re still short as fuck, though. I could probably punt you off the poop deck.”
“Thanks.”
“You’re welcome. Congrats on not looking like a hole in reality.”
You finish off your chips and flop back to stare at the night sky. With all the time you’ve spent on Alternia, you can now name a lot of the constellations. Right now, the Empress’s Trident poked up at a forty-five degree angle behind the pink moon. “I think I know how we can overthrow the Alternian Empire.”
Vriska’s pencil falls out of her hand.
You continue. “Have you read any records on a rebellion that occurred about… like, fifteen sweeps ago? I don’t know the exact date.”
Vriska’s mouth opens and closes a couple of times, and then she nods. “I sure fuckin’ did. Sollux did some of his mumbo-jumbo and got me some documents. He called it an early wriggling day present, but I know he wants to help my little… agenda. How do you even know…?”
“Because I helped encourage the right people to do it. I was there, Vriska. Those kids were my friends, and now they’re dead.”
She’s silent for a moment. “The leader was a teal named Tyzias.”
Your eyes are hot with tears. “I knew her. We met because she tripped on the sidewalk while carrying a shitload of her homework, and I helped her pick it all up when it went everywhere. She had a matesprit named-”
“Stelsa,” Vriska mutters. “Holy shit. She worked closely with some jades who lead their little army. They caused a hell of a lot of damage to the Empire before it all went down, I’ll give them that.”
Neither of you speak for a long moment, which you appreciate as you try and hold your messy self together. The longer you think about your old friends and all the good times you had with them, the more you’re certain about what you want to do.
They deserve to be here.
Your blood pressure spikes just thinking about it.
It’s Vriska who puts your thoughts into words. “You want to go back and help them win the rebellion.”
“Yeah.”
“That’s fucking crazy.”
“Yeah.”
She scooches over to you so she can stare down into your soul. “If we combine our resources and collaborate back and forth between the past and the future, we can make it so less people die. We could even take out that pathetic bitch of an Heiress they had back in the day. With your powers…”
“It’s possible I could compact time itself to create a world where we… where we can make things right. We could even help Feferi…”
You can’t bring yourself to say it in case you jinxed something, but by the look on Vriska’s face, she knows what you mean.
“It could work,” she breathes.
Slowly, you sit back up. Your heart was pounding so hard you felt it in your skull. “How do you think the others would feel about it?”
“Oh, they’d shit themselves,” Vriska snorts. “A full-scale rebellion across time and space?”
“True.”
“But it could work!” she repeats, staring into empty space.
“And they’d have a huge advantage they never had before. Me,” you say, talking to yourself more than to Vriska. You’d created this universe with your own power. It was time to protect it. “Vriska, I need to go before I chicken out. Tell the others what’s happening and that I’m sorry if this all goes to shit.”
“Wait!”
You look back at her as she grabs your arm, claws digging into the fabric of your hoodie. “I… you need supplies. No frickin’ way you’re going anywhere without at least a hydration flask.”
You know what she’s trying to say, and your chest fills up with all the warmth of a bonfire. God, you love this absolute bitch of a kid.
Vriska drags you to your feet, and then you’re both sprinting for her hive.
Amazingly, you don’t die trying to keep up with the cerulean as you charge up the stairs to her respiteblock together. You’re still out of breath by the time you reach the top, though, but Vriska’s already grabbing a backpack and tossing shit into it.
“Get me that jacket off the door,” she orders as she tosses in what looks like a small medical kit. You obey and throw her the jacket, the black leather one with the bright red hood.
She then waves you over, and you slip around her desk to see what’s up. In her hands is a black sheath, with a matching handle sticking out at the top.
Vriska pulls the sheath off to reveal the blade: a brilliant silver-blue metal that nearly glowed in the darkness. It’s incredibly beautiful and very scary to look at.
“I’ve had this thing forever, so I’m giving it to you, okay? Don’t fucking lose it. Press that little gray button at the top of the handle to heat up the blade. Good for starting fires and cauterizing wounds.” She shoves the jacket into the backpack and hands you the dagger.
“Vriska, I don’t know what to say,” you begin, but she smacks you.
“Shut up and strap it to your belt. You better come back soon. I want a detailed report on everything. Single-spaced,” she snaps.
You grin. “Yes, ma’am. I should be back, in like, ten nights. Maybe eleven.”
“Ten,” Vriska growls. “I’m coming for your ass otherwise.”
“Noted. Tell everybody I said hi.”
“Obviously.”
You reach into that little part of yourself, which in turn reaches back out into that chaotic river that is the flow of time. You throw the anchor down and wade upstream. It’s a little rougher than usual, but you won’t let that stop you. There was no turning back now.
Time travel is always like trying to hit a moving target, but you have great aim, and when you find what you’re looking for you feel your face split into another huge smile. There’s nothing different about this part of the river than any other, but you know. When it comes to the people you care about, you always know.
Everything feels more real to you than it has in years. Two moons shine even brighter in the sky, the chilly air stinging your face, and you’re no troll but it still feels like you’re going home.
You open your eyes.
“Ten nights,” you say to Vriska, and you let yourself fall through the current.
Your name is MSPA READER, and you are currently vibing outside of the known multiverse.
Well, you don’t really use that name anymore, on account of it not actually being a name. Names sound something like Emily, or Muhammad, or Patrick, or Shamita, or a million other put-together syllables and sounds.
Names are something personal. A title is anything but.
You do have a new title, though, one you like much better.
The Guardian.
Because that’s what you became when you yoinked the timeline away from the control of Ultimate Dirk and that Director lady, whoever she was. You looked Canon-With-A-Capital-C in its ugly face, spit on it, and then bent over to wipe your ass with the fabric of reality itself. Out of desperation, love, and most importantly sheer spite, you took it upon yourself to defy fate so that there is at least one timeline where everybody gets to live happy lives. This was victory at its finest. This is what it felt like to finally get everything you wanted. Your friends? Safe. Multiverse? Secure. Hotel? Trivago.
In the vast and rich history of pro-gamer moves, you believe you might have made the most powerful move of all.
After using the Green Sun- no, sorry, the Green Sun to make your own timeline, you did what any other person would do and took a big fuckin’ snooze, curling up around your universe like a mama cat protecting her kittens. You earned it.
And, if you were being completely honest with yourself, that’s how you would have spent the rest of time.
It’s not like you didn’t want to live. No, living was good. It’s just… you were so damn tired. You’re tired of always running from place to place, person to person, era to era. You’re tired of being injured, scared, and alone no matter how many friends you made. All the gods of the Furthest Rings know you’d gone through more in like a year than most people go through during their entire lives. Couldn’t a bitch just enjoy eternity in the void?
Apparently not.
The dreams began innocently enough. Playing video games with Dave, John, and Karkat. Exploring Jade’s island with Jake and Bec. Baking with Jane. Kanaya teaching you and Sollux how to sew. FLARP-ing with Vriska.
Laying side-by-side with Roxy as you two watched the sun rise. Role-playing with Nepeta. Movie night with Eridan. Getting high off your ass with Gamzee and scaring the shit out of some teal visiting their kismesis a few hives away. Discussing politics with Feferi.
Escaping that hellhouse the Soleil twins called their home. Watching those eerie lights in the corpsefield beside Fozzer. You and Remele beating a purpleblood to death.
You barely realize how nightmares had invaded your mind until you woke up with Karako’s yowls of terror in your ears. You didn’t have ears anymore, though, or a physical form, so it just sounded like your favorite clown son was screaming all around you in the abyss.
Okay. This was fine. This was fine, you kept telling yourself. After everything that’s happened to you, you were bound to develop PTSD at some point. That was completely natural.
Except this wasn’t just PTSD. This was something else entirely, because even when you were awake you saw the faces of your oldest friends burning in your mind’s eye. Something churned in your gut, ancient and primal. It was a feeling you knew well, and was usually accompanied by you launching yourself into whatever stupid shit you found next. The longer you tried to ignore it, the stronger it became, until you were permanently wrapped up around yourself like the most pathetic ball of Guardian that had to have ever existed.
You knew long before you actually put words to what was going on.
Of course. Of course it wasn’t over, because why would you ever get to have anything for yourself? Why would you ever get to just rest? For the first time in… who even knows how long, you sob hysterically into the sleeves of your hoodie.
A galaxy twinkles in the outer shell of your universe, lighting up the zig-zag sign on your chest. Mallek’s lazy smile fills your thoughts. If at all possible, everything hurts even more, until you can’t even cry to let out the pain.
Did he miss you? Did all of them miss you?
Oh, God, Daraya. You promised her you’d take her to Earth sometime, and then you just totally fucking vanished from the face of Alternia. What a fucking dick move. Granted, you hadn’t meant to do it, but still!
Your traitor-asshole brain reminds you of the fact that all of them are dead now. As in, Tyzias tried to lead a rebellion against the Alternian Empire, and then they all got killed. Your traitor-asshole brain also notes that it’s all your fault for encouraging those kinds of ideas.
Way to go, you absolute tool.
Except… they don’t have to be gone. You are the Guardian of your universe, and you make the rules. It feels so wrong to even think about it, but… yeah. You’re basically a god now. You can do what you want and nobody has the power to stop you.
Which brings about a whole new plethora of fuckery. If you were to go back, if you were to rewrite history… are you any better than Ultimate Dirk? Granted, you’d do it out of love, not because you’re a power-hungry bastard, but still. Shenanigans of this level are not to be taken lightly, even by sad Guardians with absolutely nothing better to do.
You sleep on it, which of course results in you waking up bawling like a baby as you remember the best roleplay sesh of your life, which was when Wanshi proudly gave your Soldier Purrbeasts OC her full name: Twinklemoon. You had a Soldier Purrbeasts OC named Twinklemoon. That’s why you were crying.
That’s it. You couldn’t stand it anymore.
You need advice, and you know exactly where to get it.
<>
You find her on the 8rigantine, furiously scribbling something down on a chart with a bunch of little figurines in the middle of it. You know better than to just haul your little friendslut ass up there while Vriska Serket is in the zone, so instead you knock on the hull and call up to her.
“Hello! Lady Spinneret, an old friend is in dire need of some advice!”
It takes about two seconds for a familiar spiky head to poke over the side of the deck. Vriska’s one dark eye lights up upon meeting your gaze, followed by a toothy grin that’s both menacing and completely genuine. She reaches back to grab something behind her. A rope ladder drops down and nearly nails you in the noggin, just like it did whenever you dropped by to FLARP with her.
“What the hell, bitch! I missed you!” she yells. Despite everything, you can’t help but smile. Vriska’s wild personality and no-bullshit attitude was just what you needed.
You’re very proud of yourself when you scale the ladder with ease and scramble up onto the deck without getting too much out of breath. With the amount of insane shit you’ve gotten yourself into during your travels, getting into shape came pretty easily. You’ve been told by several reliable sources that your legs are to die for.
“The 8-ball foretold your arrival. I brought snacks.” Vriska points to a bag next to her chart, not looking up from where she was drawing an impressively detailed kraken-looking thing. “Eat something before you start gabbing.”
That was sound logic, so you drag the back closer to you and start rooting around for something good. You find a bag of stinkroot chips, open that bad boy up, and start munching. Damn, did it feel good to eat something, and to also have a corporeal body to eat things with.
As you gather your thoughts, the hairs on the back of your neck prickle with the sensation of somebody’s eyes on you. You instantly look up to see Vriska staring at you. Her expression is blank, but her good eye held all the energy of a thunderstorm.
You swallow your chips. “What is it?”
“You look… different,” she says, setting down her pencil. “It’s like I can really see you now.”
“Huh?”
Vriska huffs, but she still doesn’t take her eye off you. “Before, you kinda looked like… I dunno, like somebody cut out a whole in reality and shoved the silhouette of a person inside? Like, I know what you looked like, but I couldn’t tell you the color of your hair, or what facial structure you have, or, like… dude, you have freckles.”
“I have freckles?” You reach up and touch your cheekbone, feeling the soft skin. Oh, hey, there’s some acne. Dammit. “Are they cute?”
“Sure? I think freckles are more of a human thing, so you’d have to ask John or Jade or whatever. Also you’re blonde, like Rose,” she tells you, thoughtfully scratching at her chin. “You’re still short as fuck, though. I could probably punt you off the poop deck.”
“Thanks.”
“You’re welcome. Congrats on not looking like a hole in reality.”
You finish off your chips and flop back to stare at the night sky. With all the time you’ve spent on Alternia, you can now name a lot of the constellations. Right now, the Empress’s Trident poked up at a forty-five degree angle behind the pink moon. “I think I know how we can overthrow the Alternian Empire.”
Vriska’s pencil falls out of her hand.
You continue. “Have you read any records on a rebellion that occurred about… like, fifteen sweeps ago? I don’t know the exact date.”
Vriska’s mouth opens and closes a couple of times, and then she nods. “I sure fuckin’ did. Sollux did some of his mumbo-jumbo and got me some documents. He called it an early wriggling day present, but I know he wants to help my little… agenda. How do you even know…?”
“Because I helped encourage the right people to do it. I was there, Vriska. Those kids were my friends, and now they’re dead.”
She’s silent for a moment. “The leader was a teal named Tyzias.”
Your eyes are hot with tears. “I knew her. We met because she tripped on the sidewalk while carrying a shitload of her homework, and I helped her pick it all up when it went everywhere. She had a matesprit named-”
“Stelsa,” Vriska mutters. “Holy shit. She worked closely with some jades who lead their little army. They caused a hell of a lot of damage to the Empire before it all went down, I’ll give them that.”
Neither of you speak for a long moment, which you appreciate as you try and hold your messy self together. The longer you think about your old friends and all the good times you had with them, the more you’re certain about what you want to do.
They deserve to be here.
Your blood pressure spikes just thinking about it.
It’s Vriska who puts your thoughts into words. “You want to go back and help them win the rebellion.”
“Yeah.”
“That’s fucking crazy.”
“Yeah.”
She scooches over to you so she can stare down into your soul. “If we combine our resources and collaborate back and forth between the past and the future, we can make it so less people die. We could even take out that pathetic bitch of an Heiress they had back in the day. With your powers…”
“It’s possible I could compact time itself to create a world where we… where we can make things right. We could even help Feferi…”
You can’t bring yourself to say it in case you jinxed something, but by the look on Vriska’s face, she knows what you mean.
“It could work,” she breathes.
Slowly, you sit back up. Your heart was pounding so hard you felt it in your skull. “How do you think the others would feel about it?”
“Oh, they’d shit themselves,” Vriska snorts. “A full-scale rebellion across time and space?”
“True.”
“But it could work!” she repeats, staring into empty space.
“And they’d have a huge advantage they never had before. Me,” you say, talking to yourself more than to Vriska. You’d created this universe with your own power. It was time to protect it. “Vriska, I need to go before I chicken out. Tell the others what’s happening and that I’m sorry if this all goes to shit.”
“Wait!”
You look back at her as she grabs your arm, claws digging into the fabric of your hoodie. “I… you need supplies. No frickin’ way you’re going anywhere without at least a hydration flask.”
You know what she’s trying to say, and your chest fills up with all the warmth of a bonfire. God, you love this absolute bitch of a kid.
Vriska drags you to your feet, and then you’re both sprinting for her hive.
Amazingly, you don’t die trying to keep up with the cerulean as you charge up the stairs to her respiteblock together. You’re still out of breath by the time you reach the top, though, but Vriska’s already grabbing a backpack and tossing shit into it.
“Get me that jacket off the door,” she orders as she tosses in what looks like a small medical kit. You obey and throw her the jacket, the black leather one with the bright red hood.
She then waves you over, and you slip around her desk to see what’s up. In her hands is a black sheath, with a matching handle sticking out at the top.
Vriska pulls the sheath off to reveal the blade: a brilliant silver-blue metal that nearly glowed in the darkness. It’s incredibly beautiful and very scary to look at.
“I’ve had this thing forever, so I’m giving it to you, okay? Don’t fucking lose it. Press that little gray button at the top of the handle to heat up the blade. Good for starting fires and cauterizing wounds.” She shoves the jacket into the backpack and hands you the dagger.
“Vriska, I don’t know what to say,” you begin, but she smacks you.
“Shut up and strap it to your belt. You better come back soon. I want a detailed report on everything. Single-spaced,” she snaps.
You grin. “Yes, ma’am. I should be back, in like, ten nights. Maybe eleven.”
“Ten,” Vriska growls. “I’m coming for your ass otherwise.”
“Noted. Tell everybody I said hi.”
“Obviously.”
You reach into that little part of yourself, which in turn reaches back out into that chaotic river that is the flow of time. You throw the anchor down and wade upstream. It’s a little rougher than usual, but you won’t let that stop you. There was no turning back now.
Time travel is always like trying to hit a moving target, but you have great aim, and when you find what you’re looking for you feel your face split into another huge smile. There’s nothing different about this part of the river than any other, but you know. When it comes to the people you care about, you always know.
Everything feels more real to you than it has in years. Two moons shine even brighter in the sky, the chilly air stinging your face, and you’re no troll but it still feels like you’re going home.
You open your eyes.
“Ten nights,” you say to Vriska, and you let yourself fall through the current.
Your name is MSPA READER, and you are currently vibing outside of the known multiverse.
Well, you don’t really use that name anymore, on account of it not actually being a name. Names sound something like Emily, or Muhammad, or Patrick, or Shamita, or a million other put-together syllables and sounds.
Names are something personal. A title is anything but.
You do have a new title, though, one you like much better.
The Guardian.
Because that’s what you became when you yoinked the timeline away from the control of Ultimate Dirk and that Director lady, whoever she was. You looked Canon-With-A-Capital-C in its ugly face, spit on it, and then bent over to wipe your ass with the fabric of reality itself. Out of desperation, love, and most importantly sheer spite, you took it upon yourself to defy fate so that there is at least one timeline where everybody gets to live happy lives. This was victory at its finest. This is what it felt like to finally get everything you wanted. Your friends? Safe. Multiverse? Secure. Hotel? Trivago.
In the vast and rich history of pro-gamer moves, you believe you might have made the most powerful move of all.
After using the Green Sun- no, sorry, the Green Sun to make your own timeline, you did what any other person would do and took a big fuckin’ snooze, curling up around your universe like a mama cat protecting her kittens. You earned it.
And, if you were being completely honest with yourself, that’s how you would have spent the rest of time.
It’s not like you didn’t want to live. No, living was good. It’s just… you were so damn tired. You’re tired of always running from place to place, person to person, era to era. You’re tired of being injured, scared, and alone no matter how many friends you made. All the gods of the Furthest Rings know you’d gone through more in like a year than most people go through during their entire lives. Couldn’t a bitch just enjoy eternity in the void?
Apparently not.
The dreams began innocently enough. Playing video games with Dave, John, and Karkat. Exploring Jade’s island with Jake and Bec. Baking with Jane. Kanaya teaching you and Sollux how to sew. FLARP-ing with Vriska.
Laying side-by-side with Roxy as you two watched the sun rise. Role-playing with Nepeta. Movie night with Eridan. Getting high off your ass with Gamzee and scaring the shit out of some teal visiting their kismesis a few hives away. Discussing politics with Feferi.
Escaping that hellhouse the Soleil twins called their home. Watching those eerie lights in the corpsefield beside Fozzer. You and Remele beating a purpleblood to death.
You barely realize how nightmares had invaded your mind until you woke up with Karako’s yowls of terror in your ears. You didn’t have ears anymore, though, or a physical form, so it just sounded like your favorite clown son was screaming all around you in the abyss.
Okay. This was fine. This was fine, you kept telling yourself. After everything that’s happened to you, you were bound to develop PTSD at some point. That was completely natural.
Except this wasn’t just PTSD. This was something else entirely, because even when you were awake you saw the faces of your oldest friends burning in your mind’s eye. Something churned in your gut, ancient and primal. It was a feeling you knew well, and was usually accompanied by you launching yourself into whatever stupid shit you found next. The longer you tried to ignore it, the stronger it became, until you were permanently wrapped up around yourself like the most pathetic ball of Guardian that had to have ever existed.
You knew long before you actually put words to what was going on.
Of course. Of course it wasn’t over, because why would you ever get to have anything for yourself? Why would you ever get to just rest? For the first time in… who even knows how long, you sob hysterically into the sleeves of your hoodie.
A galaxy twinkles in the outer shell of your universe, lighting up the zig-zag sign on your chest. Mallek’s lazy smile fills your thoughts. If at all possible, everything hurts even more, until you can’t even cry to let out the pain.
Did he miss you? Did all of them miss you?
Oh, God, Daraya. You promised her you’d take her to Earth sometime, and then you just totally fucking vanished from the face of Alternia. What a fucking dick move. Granted, you hadn’t meant to do it, but still!
Your traitor-asshole brain reminds you of the fact that all of them are dead now. As in, Tyzias tried to lead a rebellion against the Alternian Empire, and then they all got killed. Your traitor-asshole brain also notes that it’s all your fault for encouraging those kinds of ideas.
Way to go, you absolute tool.
Except… they don’t have to be gone. You are the Guardian of your universe, and you make the rules. It feels so wrong to even think about it, but… yeah. You’re basically a god now. You can do what you want and nobody has the power to stop you.
Which brings about a whole new plethora of fuckery. If you were to go back, if you were to rewrite history… are you any better than Ultimate Dirk? Granted, you’d do it out of love, not because you’re a power-hungry bastard, but still. Shenanigans of this level are not to be taken lightly, even by sad Guardians with absolutely nothing better to do.
You sleep on it, which of course results in you waking up bawling like a baby as you remember the best roleplay sesh of your life, which was when Wanshi proudly gave your Soldier Purrbeasts OC her full name: Twinklemoon. You had a Soldier Purrbeasts OC named Twinklemoon. That’s why you were crying.
That’s it. You couldn’t stand it anymore.
You need advice, and you know exactly where to get it.
<>
You find her on the 8rigantine, furiously scribbling something down on a chart with a bunch of little figurines in the middle of it. You know better than to just haul your little friendslut ass up there while Vriska Serket is in the zone, so instead you knock on the hull and call up to her.
“Hello! Lady Spinneret, an old friend is in dire need of some advice!”
It takes about two seconds for a familiar spiky head to poke over the side of the deck. Vriska’s one dark eye lights up upon meeting your gaze, followed by a toothy grin that’s both menacing and completely genuine. She reaches back to grab something behind her. A rope ladder drops down and nearly nails you in the noggin, just like it did whenever you dropped by to FLARP with her.
“What the hell, bitch! I missed you!” she yells. Despite everything, you can’t help but smile. Vriska’s wild personality and no-bullshit attitude was just what you needed.
You’re very proud of yourself when you scale the ladder with ease and scramble up onto the deck without getting too much out of breath. With the amount of insane shit you’ve gotten yourself into during your travels, getting into shape came pretty easily. You’ve been told by several reliable sources that your legs are to die for.
“The 8-ball foretold your arrival. I brought snacks.” Vriska points to a bag next to her chart, not looking up from where she was drawing an impressively detailed kraken-looking thing. “Eat something before you start gabbing.”
That was sound logic, so you drag the back closer to you and start rooting around for something good. You find a bag of stinkroot chips, open that bad boy up, and start munching. Damn, did it feel good to eat something, and to also have a corporeal body to eat things with.
As you gather your thoughts, the hairs on the back of your neck prickle with the sensation of somebody’s eyes on you. You instantly look up to see Vriska staring at you. Her expression is blank, but her good eye held all the energy of a thunderstorm.
You swallow your chips. “What is it?”
“You look… different,” she says, setting down her pencil. “It’s like I can really see you now.”
“Huh?”
Vriska huffs, but she still doesn’t take her eye off you. “Before, you kinda looked like… I dunno, like somebody cut out a whole in reality and shoved the silhouette of a person inside? Like, I know what you looked like, but I couldn’t tell you the color of your hair, or what facial structure you have, or, like… dude, you have freckles.”
“I have freckles?” You reach up and touch your cheekbone, feeling the soft skin. Oh, hey, there’s some acne. Dammit. “Are they cute?”
“Sure? I think freckles are more of a human thing, so you’d have to ask John or Jade or whatever. Also you’re blonde, like Rose,” she tells you, thoughtfully scratching at her chin. “You’re still short as fuck, though. I could probably punt you off the poop deck.”
“Thanks.”
“You’re welcome. Congrats on not looking like a hole in reality.”
You finish off your chips and flop back to stare at the night sky. With all the time you’ve spent on Alternia, you can now name a lot of the constellations. Right now, the Empress’s Trident poked up at a forty-five degree angle behind the pink moon. “I think I know how we can overthrow the Alternian Empire.”
Vriska’s pencil falls out of her hand.
You continue. “Have you read any records on a rebellion that occurred about… like, fifteen sweeps ago? I don’t know the exact date.”
Vriska’s mouth opens and closes a couple of times, and then she nods. “I sure fuckin’ did. Sollux did some of his mumbo-jumbo and got me some documents. He called it an early wriggling day present, but I know he wants to help my little… agenda. How do you even know…?”
“Because I helped encourage the right people to do it. I was there, Vriska. Those kids were my friends, and now they’re dead.”
She’s silent for a moment. “The leader was a teal named Tyzias.”
Your eyes are hot with tears. “I knew her. We met because she tripped on the sidewalk while carrying a shitload of her homework, and I helped her pick it all up when it went everywhere. She had a matesprit named-”
“Stelsa,” Vriska mutters. “Holy shit. She worked closely with some jades who lead their little army. They caused a hell of a lot of damage to the Empire before it all went down, I’ll give them that.”
Neither of you speak for a long moment, which you appreciate as you try and hold your messy self together. The longer you think about your old friends and all the good times you had with them, the more you’re certain about what you want to do.
They deserve to be here.
Your blood pressure spikes just thinking about it.
It’s Vriska who puts your thoughts into words. “You want to go back and help them win the rebellion.”
“Yeah.”
“That’s fucking crazy.”
“Yeah.”
She scooches over to you so she can stare down into your soul. “If we combine our resources and collaborate back and forth between the past and the future, we can make it so less people die. We could even take out that pathetic bitch of an Heiress they had back in the day. With your powers…”
“It’s possible I could compact time itself to create a world where we… where we can make things right. We could even help Feferi…”
You can’t bring yourself to say it in case you jinxed something, but by the look on Vriska’s face, she knows what you mean.
“It could work,” she breathes.
Slowly, you sit back up. Your heart was pounding so hard you felt it in your skull. “How do you think the others would feel about it?”
“Oh, they’d shit themselves,” Vriska snorts. “A full-scale rebellion across time and space?”
“True.”
“But it could work!” she repeats, staring into empty space.
“And they’d have a huge advantage they never had before. Me,” you say, talking to yourself more than to Vriska. You’d created this universe with your own power. It was time to protect it. “Vriska, I need to go before I chicken out. Tell the others what’s happening and that I’m sorry if this all goes to shit.”
“Wait!”
You look back at her as she grabs your arm, claws digging into the fabric of your hoodie. “I… you need supplies. No frickin’ way you’re going anywhere without at least a hydration flask.”
You know what she’s trying to say, and your chest fills up with all the warmth of a bonfire. God, you love this absolute bitch of a kid.
Vriska drags you to your feet, and then you’re both sprinting for her hive.
Amazingly, you don’t die trying to keep up with the cerulean as you charge up the stairs to her respiteblock together. You’re still out of breath by the time you reach the top, though, but Vriska’s already grabbing a backpack and tossing shit into it.
“Get me that jacket off the door,” she orders as she tosses in what looks like a small medical kit. You obey and throw her the jacket, the black leather one with the bright red hood.
She then waves you over, and you slip around her desk to see what’s up. In her hands is a black sheath, with a matching handle sticking out at the top.
Vriska pulls the sheath off to reveal the blade: a brilliant silver-blue metal that nearly glowed in the darkness. It’s incredibly beautiful and very scary to look at.
“I’ve had this thing forever, so I’m giving it to you, okay? Don’t fucking lose it. Press that little gray button at the top of the handle to heat up the blade. Good for starting fires and cauterizing wounds.” She shoves the jacket into the backpack and hands you the dagger.
“Vriska, I don’t know what to say,” you begin, but she smacks you.
“Shut up and strap it to your belt. You better come back soon. I want a detailed report on everything. Single-spaced,” she snaps.
You grin. “Yes, ma’am. I should be back, in like, ten nights. Maybe eleven.”
“Ten,” Vriska growls. “I’m coming for your ass otherwise.”
“Noted. Tell everybody I said hi.”
“Obviously.”
You reach into that little part of yourself, which in turn reaches back out into that chaotic river that is the flow of time. You throw the anchor down and wade upstream. It’s a little rougher than usual, but you won’t let that stop you. There was no turning back now.
Time travel is always like trying to hit a moving target, but you have great aim, and when you find what you’re looking for you feel your face split into another huge smile. There’s nothing different about this part of the river than any other, but you know. When it comes to the people you care about, you always know.
Everything feels more real to you than it has in years. Two moons shine even brighter in the sky, the chilly air stinging your face, and you’re no troll but it still feels like you’re going home.
You open your eyes.
“Ten nights,” you say to Vriska, and you let yourself fall through the current.
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mmmmalo · 5 years
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This is a (meandering, non-exhaustive) overview of Homestuck’s use of
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by which I do not mean examples of psychological realism in a character’s words and deeds, but rather the various means by which characters’ psyches are expressed outside of themselves. I wish to elaborate on how thoughts, feelings, and desires may find expression in the environment, in the medium of the story itself, and in the form of other characters.
That’s perhaps a little vague, so here’s a ready example of what I mean: brainghost!Dirk. He talks with Jake, but since he is a construct of Jake’s mind, Jake is essentially talking to himself. Brainghost!Dirk is an alienated medium for voicing Jake’s own thoughts, irretrievably distorted through its intermingling with what Jake thinks/wishes Dirk would say (not unlike a puppet). I am claiming that this mode of characterization is not a unique to Jake; the blurring of inner and outer voices is omnipresent throughout the story.
Or, rephrased: what I hope to show is that a great deal of Homestuck is haunted with brain-ghosts, of one kind or other.
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An early example of this kind of storytelling in science fiction would be the film Forbidden Planet (1956). The film contains a pair of conflicts which eventually reveal themselves to be one: the scientist Morbius wants some space explorers to get off his planet, and an immense monster (pictured above) appears during the night to attack the explorers. Morbius, it turns out, has been experimenting with a machine capable of turning thought into reality. So when Morbius sleeps, his dream of driving off the trespassers materializes in the form of beast that forcefully enacts the wish.
The beast is declared a “monster from the id”, the “id” being a concept borrowed from Freudian psychology, indicating the part of the mind responsible for the unfiltered generation of impulses, of urges. In the film, this passing mention of psychoanalysis precedes the revelation of Morbius’s link to the beast.
Homestuck hints towards its own mixing of thought and reality with a device similar to Morbius’s dream machine: Sburb.
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A snapshot of Dave’s Sburb client (1519) shows that the final subprograms launched during the games installation make reference to terminology associated with Carl Jung and Sigmund Freud. The terms suggest that Sburb interacts with the ideas in the kids’ subconscious minds (archetypes) and brings symbolic representations of these ideas into conscious reality (manifests the ideas). The game alters the means by which reality is constructed. As with Forbidden Planet, a major result of this is id monsters.
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When John slips on a staircase, he flips out (left, 560). And when he nearly launches himself into the abyss with the Pogo Hammer, he has to take a nap before he has calmed down enough to continue (center, 637). Immediately following both moments of vertigo, massive ogres appear. The eventual fight with the ogres begins after John looks over the edge of the platform above his house, into the abyss (right, 662).
All of this suggests that Sburb is reacting to John’s emotional state (fear) to produce in-game content. The game functions as a waking dream.
It should also be noted that Sburb provokes the reactions it elicits. Karkat once mentioned a nagging feeling that the game was mocking him by giving him a planet covered in the candy red blood he had spent a lifetime attempting to hide (2301). Karkat’s paranoia seems to be correct here, and moreover applicable to the cast in general -- John’s house was likely placed atop an immense spire /in order to/ bring John’s dread of falling into sharp relief. The suspicion can be substantiated with a few related motifs.
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The story provides two likely origins for John’s fear of heights: his own fall from the slime pogo as a child (2626) and the death of Nanna, which John believed resulted from her falling from a ladder and being crushed by a book (52). What’s more, Sburb’s invocation of the Fall of Man (Adam and Eve being cast from the Garden of Eden) via biting into an apple hints that there is an allegorical significance to John’s more literal fear of heights. 
We can apply these patterns to other characters in an attempt to learn more about them. LOLAR being covered in ocean suggests that Rose is afraid of water, with the likely cause of Rose finding Jaspers dead and washed up on a riverbank (presumed drowned). Dave speaks openly about how his sword fights with Bro left him anxious of metal sounds (7749), meaning the grinding gears of LOHAC were a personalized hell for Dave. Jade’s first imp manifests in response to the sight of a yellow aurora (2998), inviting the reader to investigate why that image invokes a fear response.
But we won’t get to into all of that, not for now at least. Let’s take a step back.
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For my reading of the imps as manifestations I’ve been leaning heavily on a piece of film theory devoted to the effects of sequential images. The sequence above constitutes two observations. One, that by this arrangement the viewer will infer the old man sees and reacts to the middle figure. Two, that the viewer’s impression of the old man will change based on the content of the central image, even if his expression is the same. Is he smiling at Nepeta or warm embrace Marvus’s armpit? The answer may influence your interpretation of the little smile.
The neat thing about montage is that the interrupting frame need not bear any obvious relation to what precedes or follows in order to be subject to a causal reading. Moments that occur sequentially can be read as triggering one another, even if what follows any particular moment appears to be a break rather than a continuation.
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Example: There’s a moment where Aranea walks into Jake’s dream, and brainghost!Dirk immediately starts razzing Jake about his attraction to the alien girl and threatening to give him a boner. The scene is interrupted by Jack committing a series of gratuitous murders. We then cut back to Jake, and bg!Dirk is now teasing him about his dirty thoughts.
DIRK: You have got to be kidding. Did you seriously just think something THAT dirty? DIRK: You must be doing this on purpose to spite me now. I mean, just wow dude. That was x-rated as fuck. 
JAKE: (No no stop. See youre talking about it and now i cant help it!) JAKE: (You are psyching me into having dirty thoughts get fucking lost you interloping brain douche!!!) 
DIRK: Don't worry, I'm gone. It's like a goddamn peep show in here and I feel like a sleazy piece of shit watching this from a dark corner of your mind. DIRK: You have a graphic imagination, English. I'm kind of impressed. 
JAKE: (Shut up theyre just thoughts its not even like im trying to have them THEY DONT MEAN ANYTHING!)
The ostensible joke is that bg!Dirk is exaggerating or outright fabricating his account of Jake’s thoughts in order to hassle him. But by way of montage, one can infer that we /have/ seen Jake’s dirty thoughts, in the form of Jack’s display of overwhelming bloodlust. Violence is superimposed over the sexually explicit. 
Whether the scene literally takes place in Jake’s mind is secondary (though such a reading would explain why Jake’s brain ghost is even aware of Jack) -- the use of montage allows Jack’s actions to function as a /metaphor/ for Jake’s thought.
Another example of Jack functioning as a murderous/libidinous avatar would be the death of Mom and Dad. At their little tea party, Dad spills some wine on Mom’s clothes and declares that she must disrobe immediately (so that Dad might launder the garment). Mom calls the aromas wafting from his pipe sensuous. The two clasp hands and declare that all they need is eachother. Then they die! The joke is that while Bec Noir is ostensibly an interruption to date night, he also functions as its culmination, with murder acting as substitute for the sex act.
The link between violence and sexuality is perhaps a hard sell, but I hope to convince you that the reading holds merit. Let me emphasize that the very act of Mom and Dad holding hands was itself sexually loaded.
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I owe to HS liveblogger elfstuck the insight that John’s linear 3 card sylladex is a reflection of his short attention span. Consider how John’s role as a game character means he is thrown all around his room, back and forth, as the player figures out what to make of the situation. If you ignore the fourth wall, you’re left with an extremely distracted person, who attention flows easily from one object to another. Accepting the object-in, object-out nature of John’s sylladex and the resulting shenanigans as a metaphor for this, it would follow that the sylladex in general can offer an abstract representation of thought.
In passing, I can mention how the enormity of Jake’s sylladex (it cannot even fit on the page, and contains an object that exceed most players’ size limits) would imply that despite evidence to the contrary, the boy likely has a big brain (and perhaps its being offscreen suggests Jakes own unawareness of much of his own thought). Dirk’s comment about avoiding items that are difficult to shoehorn into his mnemonic schema (4535) could be read as a difficulty maintaining information that doesn’t fit into his personal mental models. The sylladex becomes a metaphor for the mind that requires interpretation.
Under this mode of thought, the moments when Jade’s pictionary modus fails to correctly interpret her drawing become akin to a mental slip-of-the-tongue. For the Tanglebuddies to be misread as enmeshed hands implies an association, in Jade’s mind, of horny Squiddles and clasped hands. John affirms the association much later by miming Tanglebuddies as he attempts to grapple with the question of whether Jade and Davesprite are sexually compatible (5294):
JOHN: how do things even work if you marry a sprite?
JADE: what do you mean 
JOHN: i mean... JOHN: ok, he has a ghost butt, for one thing. 
JADE: uh JADE: so 
JOHN: a GHOST BUTT, jade! 
JADE: SO WHAT IF HE HAS A GHOST BUTT!!!!! 
JOHN: i'm just saying... 
JADE: WHATEVER YOURE JUST SAYING, JUST STOP SAYING IT! JADE: and whatever youre trying to gesture with your hands there, stop doing that too!
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It should also be noted that before launching into her “daring dream”, waxing poetic on the miraculous union of the human and the animal with her hands clasped in wonder, Jade successfully captchalogued the Tanglebuddies (796). And more to the point, Jade’s pose in reproduced during discussions of cherub (5961) and leprechaun (6007) reproduction. Hand-holding becomes representative of an (oft-sexualized) union, underlining the euphemistic nature of Mom and Dad’s post-contact demise.
The next example of using montage to communicate thought requires a little more buildup.
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There’s a gag in Rose’s introduction where the reader tells Rose to play with her writing journals, and scoots the journals under the bed and retorts that she would only do that if no one were watching (220). At first glance, the moment scans as a minor meta joke in a story filled with meta jokes -- but the trick is that Rose does not /know/ herself to be a video game character, her every movement controlled and observed. Rather, she /believes/ this to be true -- the joke about being watched establishes that Rose is paranoid, as will become apparent in the hostility she assigns to Mom’s every action.
The command prompt and narration are themselves brain ghosts of a sort: the voice deployed in them is always linked to the present point-of-view character. The insults that precede character introductions ( “Zoosmell Pooplord”, etc) become marks of anxiety, an intrusive proclamation of what the kids at times think of themselves (and/or what they think others think of them). “Nice time management skills, sweetheart!” becomes a bit of self-deprecation Rose as she procrastinates, which Rose experiences as having been voiced by some objective observer who judges her deficiencies.
A blurred line divides characters from the voice at the back of their head, belonging to the (presumed) omniscient, omnipotent author-god. This is why avatar!Hussie is dressed as Calliope when he is killed by Lord English. Both Calliope and Hussie are a voice in Caliborn’s head, and thus both present apparent obstacles to an unmediated self.
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The left panel (3219) foreshadows the right (3358). Gamzee is not being declared the objectively most important character in Homestuck. Rather, Gamzee is declaring himself /to have been declared/ the most important character in the story. The line establishes that Gamzee believes himself to be in a story (with an author!) and that this author has declared him paramount. Furthermore, “fondly regarding creation” is an modus operandi of Problem Sleuth’s Godhead Pickle Inspector. Applying that turn of phrase to Gamzee’s actions further establishes that Gamzee believes himself to /be/ the god-author declaring his own importance. So it should come as no surprise that 137 pages later, Gamzee outright proclaims himself to be the god(s) he worships.
Going back to montage, it becomes interesting that this snapshot of Gamzee’s megalomania is inter-cut with the creation of Jadesprite -- the moment that dead!dream!Jade merges with Bec, forming a unity with a deity not unlike the unity Gamzee claims with his mirthful messiahs. The interweaving would suggest that Jade and/or Jadesprite experienced analogous thoughts of megalomania upon the moment of ascension.
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This would be a good point to mention that not only imps and ogres, but trolls also function as manifestations for the people they impose upon. Karkat is not only an interruption here, but also a continuation. He points out that Jade’s self-loathing, that she cannot safely distance herself from the qualities of Jadesprite she finds distasteful. This is precisely why Karkat ends the conversation by telling Jade to turn off the fourth wall (which divides the self!), as well as the reason he imagines Jade making out with herself: Karkat is on every front presenting the prospect of union with oneself.
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The notion of trolls as manifestations first emerges clearly when Rose and Dave receive their packages from John. As they finish reading John’s letter, each is suddenly contacted by a troll and greeted with the command “Answer.” Critically, by word alone it is ambiguous as to whether the command refers to answering the troll or the letter. And as it turns out, these answer occur simultaneously: Rose and Dave’s responses to the letters are embedded in the subsequent conversations. 
Rose receives a letter poking fun at her pretensions, claiming that her attempts to hide her affections for people are futile. In response we get Kanaya, who imperiously proclaims her disdain for Rose, only to suddenly change tact and explicitly seek Rose’s friendship, an entreaty which the oft paranoid Rose accepts. Dave receives a letter imploring him to let go of his insecurities and express himself. In response we get Tavros, the very picture of insecurity, who is fixated on the idea of making Dave shit himself (as part of an ‘emotional constipation’ motif that follows Dave). And Dave complies, in a sense, by way of the quasi-ironic gay treatise that compels Tavros to block him. Each conversation addresses the issues laid out in John’s letter.
Examples can be found throughout the comic. Equius remarking that he talks to Gamzee every day (2220) establishes that Gamzee is regularly haunted by the thoughts of domination that Equius voices -- both in the literal and metaphorical sense. Erisolsprite referring to Dirk as a rock 2oliid piiece of a22 and then calling himself 2ociiopathiic for even thinking something so callous (5516) expresses a conflict already present in Jake’s own mind, echoing the frustration with his own dirty thoughts expressed by the argument with brainghost!Dirk. Feferi’s pronounced enthusiasm for the imminent apocalypse should cause you to question Kanaya’s seemingly neutral resignation towards the end of the world, since Feferi manifests for Kanaya (2328). And so on.
The person being trolled is always being confronted with thoughts or feelings or memories already present within themself. Alien contact always doubles as a brain ghost haunting.
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Another example, with some buildup: Karkat invokes the phrase “PERFORATE MY BONE BULGE WITH A CULLING FORK” to express his contempt for Vriska, and on subsequent pages we see Feferi pointing her culling fork at a cuttlefish (2181), as if to suggest that the creature symbolizes the bone bulge. Fast forward to Kanaya, who has just gotten through a conversation with Vriska and finds herself haunted by Eridan, who keeps going on about his romantic desperations and insisting (correctly) that Kanaya’s crush on Vriska is itself romantic. That his notification erupts from an image of cuttlefish held at Kanaya’s waist adds to the air of yearning, as though her own bulge is rumbling. The scene is capped off with a double entendre: “its hard and nobody understands” is playfully poignant jab at an inability to understand one’s own desires (among other things). 
And Homestuck devotes a lot of attention to desire.
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It’s long been acknowledged by the fandom at large that Kanaya’s attraction to Light players functions as a joke on the proverbial moth-to-the-flame. As reconciliation with the fire destroys the moth, there’s a morbid tinge to the attraction, as though it doubles as a death wish. And the wish is granted -- when Kanaya dies in Homestuck, she dies to light, either from Eridan’s wand or the laser blasts unleashed by HIC. Even the death of Kanaya’s lusus pertains to light -- the matriorb ripped from her innards is shaped like a miniature sun, as if to establish some loose link between the notion of motherhood and the incandescence Kanaya eventually achieves.
This can be generalized into a principle wherein lusii (and the circumstances of their deaths!) can functions as analogies for the desire of the wards.
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Vriska, for example, desires execution. When offering Terezi a flimsy apology for crippling Tavros and proxy-murdering Aradia, Vriska offers to slam her head against her desk in penitence. This moment should be read against Vriska’s addiction to breaking 8 balls, and leaving the broken shards lying around as though she’s inviting the “bad luck” of stepping on them. It /is/ an invitation. Vriska seeks love via violent retribution against herself. This is why in the right panel, Vriska’s blood-spattered head is juxtaposed with a broken 8 ball: the blood came from Spidermom’s execution (which characterizes Vriska’s desire), and motif of 8R8K H34DS connects the moment to Vriska’s idea of apology.
Like Kanaya, Vriska (to a degree) seems to structure her love life along these lines. In the words of @azdoine:
like ppl are actually out here writing Vriska as the top as if her entire Act 5 character arc isn’t about bratting out until Terezi has no choice but to punish her
“oh noo, I, the thief of light, stole all of your luck, and made the coin land on the scratched side! now you have to kill me! but I’m probably going to get away with everything, because you don’t have the guts to stab me with that sword of yours!!!!!!!! if only there was somebody, like you, who could prove me wrong!”
EXTREMELY SUBTLE THERE, VRISKA
Vriska’s approach to wooing Tavros also revolves around baiting execution:
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The scene: Tavros leads a horde of imps and ogres into a mystery cave, the top of which is adorned with kissing lizards and an alchemical symbol. Tavros is putting a puzzle of a frog together, but Vriska has already pieced together the puzzle: making a frog universe is, in part, a cipher for personal reproduction. The Ultimate Alchemy is making a baby! And as Vriska says, “real gamers cut to the chase. They power through all the nonsense and go for the gold.” So she brings Tavros to LOMAT and makes the moves on him.
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Tavros is equated to a treasure chest by the repeated use of framing and Vriska is GOING FOR THE GOLD, like a WINNER. Tavros later reaches into the same chest for his lance before heading off to attempt to kill Vriska -- affirming that the treasure Vriska seeks here is Tavros’s “lance”.
This setup was suggested by the conversation accompanying the kissing salamanders: Vriska gives Tavros a map with a big red X, saying he should take his legion of imps through the gate and go defeat his denizen. The gate actually leads to Vriska, but she isn’t lying. She is positioning herself to be Tavros’s final boss. The imps are manifestations of Tavros’s pent up rage (much of which was generated by Vriska’s harassment), and Vriska wants Tavros to take that anger out on her. Hence the later panel which uses Vriska’s boots to place a big red X directly over her groin, making explicit the implicit goal of Tavros’s trip to the windmill X-gate.
This pursuit of love through violent comeuppance may have something to do with Vriska’s bitter disappointment that ghost!Aradia did not seem to hate her.
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An intermission/introduction of sorts, as we bridge from one discussion of desire to another: did you know that Michael Bay’s Armageddon (1998) structures itself in part around Freud’s Oedipus complex? I say this in total sincerity.
The plot: a meteor the size of Texas bears down upon the Earth, threatening armageddon. Luckily, a crew of rough-and-tumble oil drillers are ready to fly into space and split that mother in two. Oh HELL yeah.
Except, wait, the movie’s actually about family drama: Bruce Willis finds Ben Affleck sleeping with his daughter Liv Tyler; Willis proceeds to chase Affleck around the oil rig with a shotgun, bang bang bang. Not Allowed. The Protective-Father-Hates-Your-Boyfriend dynamic is presented as an Oedipal triad of sorts: although Tyler is not literally Affleck’s mother, she performs the mom-function of “forbidden object of desire” -- and Willis opening fire is equivalent to the castration said to await trespassers onto maternal soil.
The above reading is buttressed by jokes: Armageddon appears to function within an implicit dream machine, such that the characters’ thoughts and fears can become manifest in their environment. So when it comes to pass that whenever  Affleck climbs into a hole (heehee), a pipe breaks (hoohoo), and suddenly everything goes boom, I read that as Affleck reliving the consequences of boning Tyler, packaged in such a way that the Freudian fear of castration is more explicit. (The relevance of Oedipus to the proceedings adds some humor to Steve Buscemi declaring the entire disastrous situation a “Greek tragedy”)
At any rate, after some shenanigans, Willis comes to accept Affleck’s claim to his daughter and confers the deed, as it were. Willis gives the young couple his blessing and they get married. Hooray!
Except, wait, the movie’s actually about the perpetuation of the oil industry: the dream machine was declared at the beginning of the movie when a petty street-side argument triggered the first barrage of meteors. The meteor the size of Texas (aka Dotty) is triggered by conflicts that haunt the central cast -- namely Willis, who enters the film hitting golf balls at a Green Peace boat. On a metaphorical level, Dotty is a golf ball the size of Texas, striking directly at the Earth instead its self-declared representatives. There’s a certain irony here: the film lampshades that the men who are destroying the world have been tasked with saving it.
The family drama folds into the environmentalist angle: Liv Tyler is a symbol of the earth (which gets drilled). This is the joke when Affleck is bouncing animal crackers around on her belly like she’s host to the Savannah: she kind of is! It’s no coincidence that Willis confers ownership of the oil rig at the same moment that he offers his daughter’s hand in marriage: the motifs are being discussed simultaneously.
But enough of all of that: back to Homestuck.
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Armageddon’s simultaneous casting of Liv Tyler into the roles of earth and mother offers a glimpse at the interpretive possibilities made available by Hussie’s statement that Homestuck is in a way a synonym for Earthbound (an RPG in which “homesickness” is a status ailment which can be cured by calling your mom). Stuckness or boundness can be deployed to communicate a sense of longing for “home”.
A good chunk of Homestuck is built upon feelings of nostalgia, taken to mean a sort of intense separation anxiety with the past. John speaks about this when he watches Con Air with Jade – John wants the movie to feel like it did when he watched it with his Dad long ago, but the feeling from when he was a kid is gone. This upsets him. Moreover, John’s freakout starts at the moment Cyrus puts a gun to the bunny’s head (5286): Con Air itself is partly about Nic Cage trying to return to the life he lost when he went to jail, and ‘putting the bunny back in the box’ is a metaphor for the attempt. Cyrus, in threatening the bunny, is highlighting his role as a force preventing things from going back to how they were. Thus, if we are to believe that John is responding to the movie thematically, Cyrus confronts John with his own inability to go back to a happier past – his inability to go home -- and this recognition is met with anger.
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In making the leap to the psychoanalytic motifs, it helps to recall the part where baby!Dirk responds to being born by cracking open his ectotube and crawling back inside. Dirk, who aspires towards his “ultimate self”, illustrates here that he envisions his ascension as a return to the ‘essence’ of Dirk from which he (and all other iterations of himself) arose, as represented by the ectoslime. Baby!Dirk gestures at unity with his ectoslime/essence by crawling back into the place from which he was born, which I’m basically claiming is a “return to the womb” on a symbolic level, or at least that this is a useful parallel to draw. (A related motif to think about: Dirk decapitates himself by sticking his head inside a box, which as per Con Air symbolizes the place you wish to return to)
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[Hella Jeff sez: “i took (my pants) off because i was banging your mom for a minute there..... AND NOW YOU ARE BANGING HER”]
Castration becomes unavoidable as you try to relate all of this to Dave, whose occasional references to banging hot moms are part of an ongoing reference to the Oedipus Complex. Critically, the complex is not /just/ about wanting to bone your mom, but also fear that your dad will chop your junk off if you do. The breaking of Dave’s sword on the rooftop is a realization of this fear (yes, we’re doing the “swords are phallic” thing). But Dave has no mom that he knows of, so what gives? 
The answer is in the way Bro inexplicably breaks the record emblem on Dave’s t-shirt, as though he has introduced a fissure into Dave’s very identity. Life with Bro has made it very difficult for Dave to be honest with himself, which is to say, Dave pictures Bro’s abuse as having divided him from an ideal “true self”, which can feel emotions without all the anxious ironic detachment. I mentioned before that seeking unity with that from which you came is a “return to the womb”. This is the sense in which the Oedipal mom attraction becomes relevant: the return to the past is sexualized. The ‘home’ Dave wishes to return to is /himself/, and in this sense Dave is his own hot mom (which is related to how often Dave compliments his own looks, as well as the above gif suggesting Dave’s boner – he is literally/metaphorically “attracted” to himself).
(Incidentally: this model of desire, in which a broken subject attempt to become whole again by seeking out its lost half, is basically the concept of the soulmate, as laid out by Plato. Cherub reproduction turns the metaphysical pursuit of one’s lost half into a plot-level objective)
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John’s entry item (apple) was linked to fear embodied in a childhood trauma (the Fall), and the same can be said of Dave. Hatching from the shell that contained your primordial goop (Dirk) is analogous to being violently separated from yourself (Dave), which is why Dave’s entry item (an egg) hatching coincided with Bro slicing the meteor in half: the abuse that divided Dave from himself, his “castration” by Bro, is simultaneously the “birth” that separated Dave from his “mother” (which is also Dave).
The general idea is that birth = self-alienation = castration, insofar as all are depicted as modes of being separated from oneself.
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The broad motif of ‘being separated from oneself’ can be very useful for identifying brain ghosts in unexpected places. Take for example, Roxy’s fenestrated planes: when they are introduced the narrative is quick to tell us that if someone were caught half in/out of one of the windows when the power cuts out, they would be sliced in half. By the rule of Chekhov’s gun, this introduction should mean we should eventually see someone get gorily bisected by the window, but alas we never do. 
Instead, when Gcat warped the panel away, trapping Roxy between the windows, we were shown the image of a bisected horse puppet in Dirk’s apartment, This signals that Chekhov’s gun has indeed gone off. But rather than splitting a body, it split a soul: Meenah’s introduction follows the sequence because Roxy has generated a shadow of herself, a doppelganger. This is not without precedent: an earlier portion of this post was devoted to exploring the fourth wall as a mode of self-alienation. Roxy’s panel mishap can be considered part of that pattern.
If Meenah functions as an extension of Roxy, all of her actions can be read as bearing some relations to Roxy’s own latent thoughts and desires. Prior to the epilogues, for example, Meenah imploring John not to give her the ring seemed to be yet another Fuck You to the late Chekov: the issue never comes up again. But a psychic link between Meenah and Roxy would suggest that John broke his promise to Meenah by giving the ring to Roxy, and that whatever motivations compelled Meenah to make her request in the first place would also apply to Roxy.
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Decapitation is yet another mode of self-alienation, and thus can be construed as a mode of birth. Hence the image of Lil Sebastian hatching from his shell of taxidermied man meat. That’s a motif unto itself, but what I wish to call attention to is the match-cut from John’s broke body to Jake’s broken tower. The juxtaposition collapses the images into metaphor, such that Jake’s loose dome in the woods becomes a decapitated head -- an appropriate addition to the pumpkin patch it rests in, given all the Headless Horseman jokes. We can look to Dirk for for another example of a headless horse-man of the house echoing the head: for a guy who idealizes decapitation to such a degree, it is striking that Sburb aims to provoke him by reattaching his beheaded apartment to its underlying units.
Houses act as metaphors for heads, then “Homestuck” could also interpreted as “head trapped” -- like the title emphasizes confinement within one’s own mind. Such a reading offers up Failure to Launch and Arrested Development (posters on John and Jane’s walls) as alternate synonyms for Homestuck, as each satirizes (or outright mocks) potential failure states in the process of inter-personal and mental development (ie “growing up”). Like Earthbound, both lean on a sense of homesickness in characterizing despondency, as though characters are haunted by the needs that defined their childhood -- or else find themselves needing that childhood itself.
But collapsing nostalgia into infantile regression is far from the only way to approach the house/heads equation. One might read the transformation and growth of houses with Sburb as metaphors for expanding the mind. One might infer that the choreography of events within houses can map out thoughts like dancing bees. One might take the metaphor as a foothold for interpreting the significance of the Sburb logo being at once a house and a window. \I have my own thoughts about Homestuck’s brain-ghost haunted house-minds, but for now, I only hope that this document has raised some interesting questions -- and ideally, that the interpretive approaches I’ve described might be useful in seeking answers.
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ardenttheories · 5 years
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The Importance of Narrative Persona in the Homestuck Epilogues
As with everything else in Homestuck, the narrative persona is a key cog in the overarching mechanism that creates the story in the specific way that it’s read. It isn’t something that’s left up to chance or personal reference; every instance of narrative persona change and use is intentional, and this isn’t more obvious than in the Epilogues - wherein it aligns even more with the fuctionality of Heart as an aspect. 
In simplistic terms, there are three narrative personae; 1st (I do this, I do that), 2nd (You do this, you do that) and 3rd (He does/did this, he does/did that). Each has a very specific function and changes how we read a text. 
Now, admittedly, Homestuck completely fucks with these known conventions. 
The 1st person typically represents a narrator - think of literally any book. Most young adult literature does this, and so does a lot of the young teens stuff (think Percy Jackson, Skullduggery Pleasant, Twilight). You read the text as if it’s a story, as if you’re in the reader’s head as they experience everything - or as if they’re writing this down some years later from memory, and you’ve happened to stumble upon their memoirs. 
In Homestuck, it’s used by omniscient narrators to talk directly to the audience. It’s pretty much only used whenever Doc Scratch and Hussie himself - or, in one case, Caliborn - wants to include us within the narrative. It transitions a distanced audience into a character itself, which later comes to be represented by the MSPA Reader. 
The 2nd person typically represents an imagined reader; the person the book is trying to reach out to. Think about self help books for this. When they’re written, they’re made with the intention to directly connect with the person reading it, to offer them advice and solutions. It wouldn’t make sense to write in the other personae, unless the author decides to speak directly to you. 
Again, Homestuck subverts this. Instead of speaking directly to us, the narrative is used to draw is into the character. Every time the text says “you do this”, what it truly means is “you, the character, do this action” - but the internal nature of the “you” pronoun means that, inevitably, it also comes to mean “you, the audience, do this, because you are now this character”. We exist through every character in Homestuck, become part of their world and the reason their world continues. We are John as much as John is - which is why it’s so important that a lot of the later acts of Act 6 are written in pesterlog chats. They become people because there is no “you” pronoun to blur the concept of “them” and “us”. 
And, finally, the 3rd person narrative. This is used for distance. This is the most open of the personae; the most transparent. There is no hiding unless the author specifically chooses to hide, trapping us within the narrative framework of a very specific character. It’s typically used to give the reader the most omniscience; here we read the things that characters think, do, and feel that even they may not be privy to. An involuntary reaction, the racing of their heart - things they would ignore, or think of as unimportant, we see with eagle eyes and latch onto desperately. We can also see the thoughts of other characters within the same framework; we know that the man loves the woman, but the woman finds him dull, and boring, well before the revelation is brought to light before the man. 
Homestuck doesn’t actually use this much - and if it does, it doesn’t leave much impression. The sole case I can think of is during Sollux’s introduction - and even then it’s to inflect the narrative with Sollux’s voice, exiling us from the internal structure of the 2nd person narrative because he doesn’t want us to be him. 
This is what makes Meat and Candy so wildly interesting from a narrative standpoint. 
The 2nd person narrative, as explained above, is very personal and very internal. We, by the point of the Epilogues, are used to reading it. It’s easy to lull us - as well as every other character - into a state of security because it’s how we’ve always read the text. It’s natural. It’s soothing. It’s how we are, how the characters are, how both have always existed.
It represents us, them, the combination of both; it gives us insight to the deepest depths of the characters; it gives us the right to exist within the universe on a very personal level. It isn’t just John going away on a trip through the narrative; he takes us with him, drawing us into his thoughts and feelings, his biased narrative, his single point of view. 
You can most likely already see the parallels. Bias. Internal. One sole point of view. 
But here’s another thing about the “you” narrative; it’s commanding, and it doesn’t distinguish or define boundaries. 
The same way that “character” and “audience” blur, so too does “John” to “Jake” unless we’re made actively aware of the transition. You could say “you feel the wind flying through your hair, cool and soothing. You wonder to yourself if you’ll ever feel this free again”, and unless we’re told that the first “you” is John experiencing and the second is Jake feeling, we’d never be any the wiser. 
This also means that things can be hidden in “you”. Reread the above sentence. 
“You feel the wind flying through your hair, cool and soothing. You wonder to yourself if you’ll ever feel this free again.”
An influence is there, firm and captivating. We’re being told that we feel a fleeting freedom. We’re being influenced into a thought process, an action, and it isn’t immediately noticable because we’re always told how we feel. We’re told a thousand different ways through a thousand different people that we feel, we think, we see - but how do we know that this is reality? 
How do we know that we, us, them, feels truly sad? What if, in truth, they’re having the time of their life? What if they don’t question their freedom at all? 
The 2nd person narrative, as introduced in Homestuck, is the perfect conduit for the Heart aspect, and this is why it’s so vital that it’s used by Dirk in Meat. 
Dirk’s able to enter the narrative not because he’s some incredibly meta persona with big brain powers - like, admittedly, he seems to think - but because the personae he uses forces him into an internal role within every single character he comes into contact with. 
Heart is the individual. It’s the bias, the feeling, the stubbornness of only seeing your side. The 2nd person narrative encapsulates all of this - but it also facilitates the destruction of the individual by forcing us to see only the narrow spectrum of internal influence. 
We’re told what we do. What we see. We’re told that we’re doing an action, and we’re told that we feel this specific way about doing it. We’re told that we are now this character, even though there’s nothing to distinguish one “you” from another beyond minor ticks and thoughts and the individual pieces that make up the whole person - and even then we ruin that, invading who they are so that we can become them, too. 
This is the perfect vessel through which a Prince of Heart - a Destroyer of the Self - can cause his chaos. What easier way to destroy the self than to pose himself as the self? To become the thoughts, feelings, and actions of every character on an internal level? To become that voice inside them that guides them - to become who they are completely, to fill them up on the inside and erase every aspect of them with the overarching “you” until “you” stops being “character” and “audience” and becomes “Dirk” instead.
Dirk steals this narrative from us. Once he’s in control, he switches to the 1st person because he is us. He is everyone; he’s everything they ever were, and everything they will be. He no longer has to hide within the 2nd person narrative because there is no individual left but himself. Finally, the only self that remains in tact is his own, and he can lock us into a position of complete isolation from the characters we once were, lived through, connected with, by speaking to us directly - by asserting himself as the only self, the only character, through which we can interact. 
So, if this is the importance of the 1st and 2nd personae, what about that ellusive 3rd?
The 3rd person narrative is distanced. Out of all of the narratives, it’s typically considered the most unbiased. It’s one of the easiest and only ways for the author to show us every single aspect of every single character, laying them out bare before us. We are not the characters, the way we are when it comes to the 2nd person narrative; nor are we completely locked out from them, the way we are when it comes to the 1st person narrative. 
We are somewhere in the middle, caught in a void of seeing but not acting, and feeling but not influencing. 
The characters are free to be themselves within the framework of the 3rd person narrative. All we see is what we’re allowed to see - in this instance, what Calliope wants us to focus on - but in no way can we directly influence, for instance, what Jake feels or does in any capacity. 
Every action becomes their own. We, divorced from the individual, are permittedly only to view through a glass what happens. This is why the Candy timeline also feels so awful; it’s hopeless, in the sense that we cannot act, cannot reach out, cannot suffer with them. We can suffer in isolation to them, yes; but their feelings are theirs, and we can never be privy to them the way we should be. 
Think of it as the difference between community-run Nuzlock Streams and Nuzlock playthroughts. You’ve likely seen them before.
In streams where the viewers press buttons to decide where the character goes, everything that happens feels like a direct consequence. If a Pokemon is accidentally released, the pain is felt by the viewers for having caused the action; if a Pokemon gains a name, the pride is felt by the viewers for having completed the naming screen. Every action is influenced by us, contains our mark, and as such the emotion runs so much deeper. 
In streams where the viewers watch someone else play the game, the joy is felt as a consequence of the player’s own joy. We feel their pain because we see them hang their heads and cry. We have no actual influence in their actions, and we can’t help avoid it, but nor are we to blame for it. The emotion is there, but it’s muffled. 
This is why Calliope is so reliant on the 3rd person narrative. It’s one Dirk can’t access; it’s impersonal in a way that Heart can’t enter, but it’s not the destruction of self he needs to exist. If anything, it facilitates the individuality of self moreso than any other narrative does. It rids us of narrators and influence, and provides us only with what is actually happening, felt, seen, rather than what someone wants us to have happen, feel, see. 
Of course, this isn’t perfect. Even Calliope can influence the narrative; she makes Jane go back and put the Lolipop JuJu back down gently, with reverence, even within the 3rd person narrative. But this is a timeline wherein Dirk has already destroyed the sense of individuality. It’s easier for her to influence where individuality is lost than where individuality is fostered to such a degree that they lose their plot relevance. 
Therefore, the Candy timeline is the only timeline where we can see the characters for who they are; the people they’d always have been were it not for an influenced narrative driven along by an author with a purpose, a plan, and a plot to follow. 
Unless, of course, we’re being lied to. 
I said at the beginning that the 3rd person isn’t used much in Homestuck, and when it is, it’s to give Sollux a voice without letting us be him. 
It’s entirely possible that Calliope is doing this. That she’s influencing the Candy narrative without exposing herself, without allowing us to be the characters. 
She’s divorcing us from them while directing and guiding them the way she desires, letting us watch but not letting us be. She could very much be taking something impersonal to ensure that Dirk, as a Heart player, can’t influence the timeline she so desperately needs to keep as hers; if it’s divorced, external, and wholly isolated, there’s no way for Dirk to be privy to the narrative, to exert himself over the existing characters. 
In either case, the 3rd person narrative is deeply important for the Candy timeline; it’s the only narrative that Dirk can’t access, and therefore the only one that’s safe from his influence and interference. This is why it’s Calliope’s haven. This is why it’s important for her to foster her plan within such a broken timeline - and why it’s so important for Dirk to foster his plan in the Meat timeline. 
So, for the TL:DR
The narratives within the Epilogues are intentionally chosen as a direct consequence of Dirk’s Classpect. 
As a Prince of Heart, he needs a more internal narrative - the 2nd person - in order to influence and overwrite the characters with his own personality, especially one that destroys the boundaries between characters and audience and makes them more open to his commands. If we can’t tell the difference between us, them, and each other, then there’s no way we can tell when he arrives to destroy the sense of self all of us own. The 2nd person narrative is everything Heart stands for, and is likely the only reason Dirk is able to control the narrative at all. 
Likewise, this means that a 3rd person narrative - one that’s external and closed off - can’t be used by him and becomes ultimately meaningless, and perfectly fits the requirements for Calliope’s own timeline; one where Dirk simply can’t access the narrative at all because it goes actively against everything his aspect stands for. 
Of course, it then becomes questionable as to whether or not Calliope has actual influence over the 3rd person narrative - because Homestuck is all about the subversion of expectation, and this seemingly uninfluenced narrative would be the perfect place to show how much a narrator can actually influence characters without us wholly knowing. 
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abundantchewtoys · 4 years
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Homestuck^2 Bonus re: Catnapped, part 1
I wonder what Cat is being napped here. It seems as if it's got to be one of the sprites, whose fate has been left unclear throughout the Epilogues. So, what, do GCATavrosprite and Jasprosesprite^2 move to the forefront to publicly oppose Jane, to fill the gap left by Karkat, Dave, Kanaya and Jade leaving Earth?
And how is Jake going to behave I wonder? Meat Dirk did a number on his head AND he's still slated to be Jane's first mantoy, whether he likes it or not.
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Page 1
Ah, winter. And the Human kingdom has its own version of the White House - it isn't the original one from B2, as we saw on Candy Earth C it was overgrown. Unless in the 16 years since her election, Jane moved the capital elsewhere. But I don't think that's likely.
... Yup, Jake's definitely not all there any more. It definitely begs explaining though: why did he choose to stay behind with Jane? Maybe he only realized nothing on Earth C would seem fulfilling without his friends, until it was too late.
And a fair point is made here - Jake and Jane are the only remaining Creators left on Earth C. Neither Sprites nor Dad Crocker can lay claim on that title. The populace is in the dark about this though, potentially being kept there on purpose by the Crocker administration.
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Page 2
... The Compact? What the heck is that. Leave it to Jake to mumble through such a solemn and official speech.
...
Dirk.
Dirk what?
... Oh god, Brain Ghost Dirk, here, too?
... Pfffffffff. That's 16 years before his appearance on Candy Earth C, hahah. This opens the door for Jake to be informed of "circumstantially simultaneous" goings-on in both the timelines!!
... But, uh, so, is BG Dirk going to rile Jake up into becoming a spy in this timeline, too?
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Page 3
Pffff, a troll businessman in the audience? That's an opportunist piece of work, since he should know Jane doesn't mean too well for his kind.
That flag in the background is interesting, does the Human Kingdom have Stars 'n Stripes? With only 4 stripes and 4 stars, perhaps?
And yeah, Jake asks "Are you real?" Not really.
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Brain ghost daughter. Maybe BG Dirk should meet Callie Ohpeee? :P
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Page 5
Pffff, valid point. If you want to get people riled up about the neoliberal austerity measures Jane is going to take, they first have to understand what that even means. Someone REALLY should have put it in layman's terms to Jake.
Hah, that BG Dirk would have set off on a Strider-esque siloloquy. Jake's brain is quite thorough with some details.
It's strange that it would take this long for BG Dirk to coalesce on Candy Earth C though. Maybe we'll get to learn why it's not taken so long on Meat Earth C. ... Maybe it's because on Meat Earth C, Jake got uprooted a lot sooner.
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Yes, that is it. Jake's already starting to doubt backing Jane, so that's why BG Dirk has reared his head now.
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Pffffffffff. Jasprosesprite^2 interrupts her speech, just as Jane was going to go on another painful tangent. Hahahah, that visual though. Now only Jade hasn't had a case of the old eye-glasses. Jane also has a case of the 8^y SBaHJ mouth.
... Actually, now that I think about it. Does the catnap maybe mean that Jane is put to sleep???
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Page 8
Pffffffffff.
So, that troll was actually her vice-president? Can't believe she'd have him as a running mate, so he feels to me to be a stick figure propped up to show how "tolerant" Jane is.
It appears her administration has, in her absence, made the disappearance of the other Creators public and framed her disappearance to be related. Politics. So the Mayor negotiated a pact between the Four Kingdoms at their inception. Mas-ter-fff- -ffuuuuuuuck. I just realized. This draws a parallel between WV and PS, who had to cheat to negotiate a pact between the four kingdoms of the imaginary realm! Hahahah. No-one out-democracies the Mayor, though!
Now that Jane is gone though, I wonder what the VP is going to end up doing. And I wonder what plans her kidnappers have with Jane. I mean, I can't see her being willing to listen to anyone... Except, just maybe, the Nannasprites??? Dear god, what if the rebellion on Meat Earth C is led entirely by all the sprites, and Nannasprite is/are actually the leader(s)? This way, all that research Nanna Egbert did about the batterwitch on B1 could actually lead to something.
"No Creators were available for comment" Aka Jake was still busy sleeping off his hangover. Funnily enough, it's called a "tomcat" in Dutch, hahah.
So, for some reason, it appears that Earth C has followed the same calendar as the old B universe. This so that events align I guess, and everyone's birthdays still fall on the same dates and their ages are more easy to track.
But that begs the question, what happened 2021 years ago on Earth C that everyone counts from there? Or have they just switched to the Creator Calendar when everyone arrived? Also possible. As for the office of president on Earth C, it seems that for a long while, there was no office of president. But since then, 20 different presidents have come and gone. And since it's a life term... maybe something over 800 years ago, the office was created?
So the ceremony actually took place at a memorial White House. It's named in honour of Barack Obama, hahah. That must be due to Dave. But it's probably a prop, since the OG White House should by all accounts still be buried in the jungle somewhere, like on Candy Earth C.
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fdragon-art · 4 years
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Day 57 (DirkJake Week Day 2 - Literature)  - Some quiet downtime
I figured I’d try my hand at writing a piece of fiction for this prompt in the spirit of it all, but I wanted to definitely draw something for it too, so I did both. I wrote the ficlet and drew a scene from it. I haven’t really shared much in the way of writing, so it’s a bit of a first for me (on here at least heheh)
(Fanfiction below)
"Hey Dirk?"
Dirk swings his arms around, bringing his blade down on a hapless skeleton and shattering it's femur, causing it to topple into a pile of bones. Jake brings his pistol up quickly and, ensuring his silencers are on properly, shoots two shots into the skull, splintering the dome and causing the pile of bones to explode into grist.
Dirk collects the various coloured jewels before "sheathing" his katana into his strife specibus and turning to Jake.
"What's up?"
Jake looks around the green hills, scanning the environment before taking a pair of devices from his sylladex, slotting straight into his ears and around. 
"How'd that noggin of yours figure out my hearing was a few cogs short off a watch? I lived on that island for yonks and it never came to my attention!" 
It's hard to reach Dirk's expression behind his shades - and don't even try to when his full mask is equipped - but Jake's learnt to read some of the stronger ones over the month or two they've been together in the game.
His face tells him that the question was almost too stupid to ask.
"You remember when I first suggested you might need your hearing tested?" Jake pulls at his invisible moustache as he looks up at the black skies.
"I do recollect a smidgen of that event. Boy, I was stubborn as a mule on a hot summer's day!"
Dirk turns his eyes to the landscape and, after searching thoroughly for any activity, sets up a small camp site from his sylladex - one of the niftier things from Jake's aesthetics - and sits himself down on one of the newly-placed logs.
"Do you remember how many times you answered a question with a nonsensical answer?"
Jake sits himself opposite of Dirk, the logs close enough to make conversation easy.
"But it's perfectly normal to clarify through fanciful answers! The heroes do it all the time!"
"And the loud headphones?"
"I like to experience the full purview of the cinematic experience!"
"And the love of having subtitles on...?"
"Doesn't everyone find it easier to watch with them on?"
Dirk slaps his barely-exposed forehead with his palm, Jake tilting his head in confusion.
"You have no idea what it's like to not have trouble with listening to talking, do you?"
Dirk's lips appear straight as ever, but an air of concern and curiosity seems to emanate from him.
"I mean, I have my way of enjoying how I listen to things, but none of that explains how you figured it out!"
A 'hmm' comes out of Dirk's mouth, and Jake silences himself, sure he misheard Dirk's last question.
"You didn't actually hear my last question, did you?"
Jake is taken aback; how does he know these things?
"How did you know? I thought my answer was perfectly adequate!"
Dirk stands up from where he was sitting, Jake following his movements as he sits himself right next to him.
"I've studied a ton of media, both fictional and non-fiction, and I've explored the long-dead internet of the past...well, my past...and--"
Jake interrupts. "Your what? Sorry, I missed that word..."
Dirk shakes his head and waves him off before thinking twice and repeating himself.
"I explored the long-dead internet of my past, and--" Jake nods and continues staring at him, "--people don't have trouble listening to others unless they're super quiet or everything's super loud."
Jake twists his face in disagreement. "But it takes (nary a noise) before it's hard to understand what people are saying!"
Dirk nods his head, wrapping his hands around each other. "Exactly. It doesn't take that much for you to have trouble, and I figured this out just from talking to you."
Jake's eyes widen, surprise evident in his gaping maw. "You figured all that out just from talking to me?"
In a rare show of awkwardness, Dirk takes his eyes off of Jake for a moment before flicking them back. "I...did get some help from AR.--"
"--Eiyar?...oh right, AR!"
"Yeah.
"When he first mentioned the idea, I thought it was pretty stupid. I mean, "How would you know something like that when you're literally a pair of shades powered by a supercomputer, 411 years apart from him?". He kept rubbing his "hyper-intelligence" in my face, so I disregarded him for the most part. The thought gnawed at me, though, so I wanted to test out his theory and rule it out for good by setting up that video call."
Jake tilts his head - an expression Dirk never gets tired of, no matter how often he does it - and asks. "That was all because you wanted to prove him wrong?"
Dirk shakes his head. "Th-that wasn't the only reason, but it was an excuse to explore it. Sure enough, his idea was right and I saw the telltale signs of someone struggling with hearing."
"He's really a piece of work, that dadblasted AR! But I guess I owe it to him this time?"
Jake hears Dirk chuckle at the thought. "Yeah, I guess you do. Really, the only thing I never figured out was how it could have happened, but sometimes people are born with these things."
Jake chuckles nervously. "Heheh, yeah. I can't entertain a single thought as to the possibility of how my hearing took such a hit."
Jake thinks back to before he got the hearing aids from Dirk (thank goodness for the transportalizer) and never used a silencer on his pistols during his frequent practice sessions.
Dirk's lips subtly shift, but Jake misses the cue and is left unaware that he already suspects.
"Either way, there was no way I was going to let you live on that island without something to make up for it. Way too dangerous to go raiding tombs and hunting monsters if you can't hear them quick enough."
Jake lets out a warm chuckle. "They really have been worth their weight in gold. I still can't thank you enough for them."
Too quick to catch, Dirk's cheeks shift a shade before he pushes himself against the log and stand. Can't be showing any cracks in the porcelain.
"Well, we should get moving. These skeletons won't kill themselves, you know."
Jake, the theatric that he is, launches himself off the log and attempts to pull off a cool pose, tripping over the grass and face-planting, captchaloguing his glasses just in time before they hit the ground. "Ugh...that could've gone better..."
Dirk reaches his spare hand out and Jake holds it, pulling himself up off of the ground and re-equipping his glasses.
"Well what are we waiting for? Adventuring awaits us!" Jake starts to charge ahead, leaving Dirk to grab the logs -- no wait. The "campsite", right next to "can of white" -- and rush to catch up.
"Don't get too far away! You might miss what I have to say."
"Well if that ain't the darnedest sweetest thing you've said!"
Dirk facepalms, his lips quivering ever-so-slightly before straightening out. "You know what I mean."
The two of then look around for more skeletons to bonk and, upon finding one, they run towards it together it, side-by-side.
( @dirkjakeweekly )
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siobhom · 5 years
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Fic: Something more than a catalog of non-definitive acts
Summary:  Jake and Amy go undercover as a couple. Written for the @b99fandomevents Brooklyn 99 Summer 2019 fic exchange for @professionalpenthief (writer0895). Thank you for the prompt! Hope you enjoy. And thank you to my beta reader storyinmyeyes.
On AO3 here
“There’s going to be an undercover operation infiltrating a smuggling ring,” Holt says.
“Ooh, me! Mine! I want the case!” Jake says.
Amy looks at Holt eagerly, “I majored in Art history, they’re stealing antiquities, and I have expertise that will be vital to this case.”
“Well I have experience being under cover in crime families!” Jake argues.
“As I was saying, we need two detectives posing as a couple, the two of you will be sufficient.”
“Yes!” Amy exclaims as Jake fist pumps.  
And Holt swiftly moves on to the next order of business, only later pausing momentarily as he steps out the door to say,
“Peralta, Santiago, I’ll brief you in my office.”
*
The two of them have only just sat down opposite Holt before Jake begins animatedly creating their cover stories,
“Okay, I’m Dirk Striker, I’ve been driving trucks of every black market good you can imagine since I could see above the steering wheel, I once successfully drove over an opening bridge (jumping over twenty feet of open air) to make a clean getaway and Amy is Leah Cortez a master lock picker who steals to pay for her addiction to cosmopolitans.”
“In actuality this assignment requires a certain specific dynamic…”
“Oh no, that’s the raised eye-brow of ‘I have to say something I’m not happy with,’” Amy says.
“These smugglers are very much a men’s club, previous undercover operatives have failed due to refusing to take part in their games involving predatory behaviour or had their covers blown by prostitutes they were expected to sleep with. We think the solution to this will be two detectives posing as a couple, but the idea of having to work with a woman will also turn them off.”  
Jake’s mouth falls open. “Oh.”
Amy says, “So I’m supposed to be the mindless arm candy?”
Jake winces.
“Yes,” Holt says, “It’s not ideal, but it will put you in a position where they will dismiss you as a threat and won’t pay attention to your movements. It will allow you to gather evidence in a quick and effective manner.”
Amy nods. “Okay.”
“There’s more. These men are very boisterous with women; to fit in the two of you will be required to be very physically close. Of course, we wouldn’t expect either of you to do anything you’re uncomfortable with.”
“It will be fine,” Amy says, before turning to Jake, who once confessed having feelings for her, “Unless, will that put you in an awkward place?”
“You’re an awkward place,” Jake responds, “No discomfort here, none whatsoever.”  
*
Jake is Matt, a fence, and Amy is his girlfriend Lana. They’re meeting in a cordoned-off section of a club. They’re sitting next to each other, their legs touching. He tries not to think about how nice it feels. He puts his arm around her, carefully, “Is this okay?”
Amy smiles. “Of course, let’s do this!”
*
Amy’s undecided on exactly how dumb she’s going to act. She’s of course got several personas prepared, of differing intellect level, but she also knows the importance of playing it by ear and is waiting to see. Within ten minutes she realises, it doesn’t matter how dumb she acts. They won’t catch on. It’s all perfectly believable to them.
She affects a semi-blank expression, and makes a point to giggle randomly and throw out random comments, that heavily imply she’s completely misunderstanding the covert conversation taking place. Jake’s voice is a low murmur, she pays some attention to it, but she’s confident Jake knows what needs doing, and thus she’s more focused on their surroundings, on picking up any clues. Some of the girlfriends hang out in a corner and she thinks she’ll have a better chance of slipping away if she’s over there. She won’t suggest it herself though; she’ll get Jake to send her over there during the next meeting.
She can see Jake holding back from clenching his jaw against the sexist comments at times, but only because she knows him so well. But from the others body language, she can tell that he’s not committing to the act as well as he needs to.
She tells him so on the way to their room (after ensuring no one is around of course).
“I’ve watched the footage. Have you seen the way these guys treat their girl-friends. You have to be ruder and more grabby.”
“I don’t want to though.”
“Matt thinks Lana’s a thing, his possession.”
“Matt is gross.”
“True. But Matt is going to bring down this smuggling ring.”
*
Jake freezes as he enters the room. “There’s only one bed.”
“That’s because I asked for a room with only one bed,” Amy states, “We need to maintain our covers, and these guys are careful, we don’t want anything to tip them off.”
“Cool, cool, cool, cool. We can just sleep in shifts, a few hours at a time.”
“Don’t be ridiculous, come on,” Amy says, gesturing at the bed.
Jake clutches his hand to his chest faux dramatically. “Are you trying to take advantage of me?”
“Definitely, now get in.”
*
As much as it makes him feel sick, Jake knows Amy’s right about his behaviour around the smugglers. Matt makes a point the next day to be more possessive and verbally abusive towards Lana. He hates himself for enjoying the feel of Amy under his hands, against his body. What if she finds out, she’ll think he’s disgusting, just like Matt.
Correction: he is disgusting. Amy’s just doing her job, she trusts him, and he feels like he’s betraying her.
*
He stands in the shower that night, scrubbing roughly, thoughts spiralling, he feels unclean. He hates having to treat Amy that way. And he hates that having her pressed against him makes him feel warm and happy and like he’s found home. It’s wrong. It’s all so wrong. It’s painful.
*
Amy can’t help but feel a little guilty, sure she was pushing Jake to be extra touchy to make their cover more believable and productive, and it’s genuinely needed to get the job done, but she’d be lying if she said it wasn’t also part of her wanting him touching her.
It’s wrong, she knows. But she wonders, if maybe, there’s something still there, something that could still happen between them. But now, Jake’s been in the shower for twice as long as usual, and she knows he’s freaking out, and she’s certain this was the wrong way to go about it. (Even if she had only been thinking about the case when she agreed to this).
*
Jake put on a wide smile before stepping out of the bathroom. But Amy, because she’s Amy, still says, “We should talk about what’s wrong.”
Jake sighs, running a hand through his hair. “I can’t…I don’t think I can do this anymore.”
Amy gestures for him to sit. “Tell me.”
And he wants to, he really, really, wants to. But making this whole thing about him feels unbelievably selfish. Sure, he feels sick and dirty, and like he’s coming undone. But at least he doesn’t have to actually go through it like Amy does. It must be worse for her. He shouldn’t make this about him.
“No, it’s okay, I probably just need to spend a few hours watching property brothers repeats and then I’ll be fine.”
“Jake, Holt said we shouldn’t do anything we’re uncomfortable with: you know he didn’t just mean me right? If we need to we can find another way to catch these guys.”
“It’s not that I’m uncomfortable. It’s just that…” Jake covers his face with his hand so he can’t see her reaction, “I really like how it feels when we’re touching.”
Amy says nothing, waiting for him to continue.
Jake stares at her, “Aren’t you mad?”  
“Why would I be mad? You’re doing your job. You can’t help how you feel. I’m actually glad. I like how it feels when we’re touching too.”
Jake’s gaze is awe-filled, “You do?”
“Yes. Now tell the truth: do we need to find another way to catch these guys?”  
Jake chuckles. “No, I’m good.”
*
The same as the night before, they lay on opposite sides of the bed, this time the strip between them feels like a chasm. Amy reaches out, fingers too bold, before she draws them back.
“Jake, would you like me to hold you?”
“What?!”
“You like being the little spoon right?”
Jake shrugs. “It makes me feel safe.”
Amy nods. “And secure and I know you said you’re good with all this, but I know the whole Matt act is hard on you. And sometimes touch can be grounding when you’re feeling outside of yourself.”
She knows Jake wants to say yes, it’s written all over his face. She also knows he’s going to say no.
“I’m fine. I don’t need you to…”
“I would like it too. We both just admitted we liked touching each other, so what’s the harm in a couple of friends taking some platonic comfort in each other.” They’re the opposite of the words she wants to say, but she knows now isn’t the time to push for more, being undercover like this makes it too complicated.
“Okay.”
*
The feel of being held in Amy’s arms is amazing, the best thing ever; even better because it isn’t part of an act. It’s a choice, both of their choices.  
*
Amy gets closer to the band of girlfriends, gaining vital pieces of info, fitting them together with what Jake has gathered begins to give them a solid frame of the network. They spend their nights platonically cuddling. And Amy wonders how things ended up like this, whether she missed her moment, whether she should just slide her hand lower.
She mentally lists the reasons she shouldn’t: 1) at this point that almost feels like it would be a betrayal. 2) Jake needs a friend now more than he needs a fledgling relationship. 3) It would hurt Jake even more to pull off the act if they were actually together. 4) Starting a relationship whilst undercover pretending to be in a highly unhealthy relationship is a terrible idea.  5) Despite, or perhaps because of, their conversation about liking the touching, and then the actual touching Amy’s beginning to doubt whether Jake still even wants a relationship. He hasn’t made a single move, despite them spending their nights curled up together- which was her move she would like to point out.
*
The gathering of evidence of the various members of the network is a slow trudge, until it isn’t.
(They pin down the head using a stray pharmaceutical receipt of all things).
They celebrate the case hard-won.
And go back to their separate lives, without nights spent together, and it feels like they’ve lost something they never had.
Now is the time, Amy thinks. But it feels like the spell has been broken. They’re back in the real world now. The days slip by grey-tinted.
They are stilted, coming back to themselves.
*
It’s been a month since the smuggling case ended. It all seems like a dream now, some distant surreal memory. Their moment has well and truly passed. They are friends, and it’s good.
And then Jake asks, “Can I have a cuddle?”
And she wordlessly takes him into her arms, and for once ignores her lists and rules and endless cautionary self-chastisements, and kisses him.
*
Jake wakes to early morning light streaming through the window and pulls Amy’s arm around so she’s holding him. And it’s more amazing than ever, because she shuffles closer, hand against his chest, and her lips press kisses to his shoulder.
He is home.
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lunarssong · 5 years
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my homestuck gender and sexuality headcanons
i was originally going to make flag edits for icons, but i decided that might take too long, and i really want to post this before the end of pride month, so! homestuck gender and sexuality headcanons! and before anyone gets mad, i honestly don’t care about whether or not these reflect canon, so. don’t bother telling me that they don’t. but with that said!
aradia: biromantic, maybe ace!
tavros: trans guy! i can see him being either bi or pan, and i definitely like the idea of him being demiromantic or demisexual
sollux: definitely polyamorous, definitely trans! bisexual. and it’s not exactly how i see him, but i do think bigender would be fitting for him
karkat: trans, demisexual and alloromantic, and. not to be controversial, but gay. most of his attraction to women seems to me like compulsory (because trolls) bisexuality
nepeta: trans girl, pansexual, and polyamorous!
kanaya: trans girl, lesbian, demiromantic and demisexual
terezi: once again, not to be controversial, but bi or pan (i honestly can’t decide) with a very strong preference for women. i also really like demigirl terezi!
vriska: trans girl, lesbian, asexual.
equius: trans guy, bi, and polyamorous! also not at all related to sexuality headcanons, but i like to think that he’s a twink physically, and the strength comes from some highblood bullshit
gamzee: clown. in all seriousness, panromantic asexual. either trans guy or nonbinary
eridan: trans guy, bisexual, ace. i can also see him as polyamorous?
feferi: i hate her too much for personal reasons to have an opinion.
it somehow got cut out of the post, but no dancestors because i don’t know enough about them to have any real opinions.
john: not gay, but not attracted to women, so mlm and mlnb. so queer, maybe? also definitely asexual! i can also see him as a trans guy, but i’m not 100% attached to the concept. also, unrelated to this, but for fuck’s sake. stop drawing him as a skinny white twink without any body hair
rose: lesbian, and i can definitely see her being polyamorous. i also have no idea where this is coming from, but demiromantic and allosexual rose sounds right to me
jade: trans girl, and. again. not to be controversial. but aroace! i had the hc pre-epilogues, and now, after the epilogues, i like it even more
dave: trans guy, bi, demiromantic. i could also see him as asexual, demisexual, or allosexual
jane: i also dislike her a little too much to have an opinion! but because i don’t hate her, i’ll just throw down ‘ace lesbian’ out of spite towards the epilogues and move on
roxy: depending on how much i feel like ignoring the epilogues, either a trans girl (maybe not a binary girl?) or genderfluid! definitely pansexual, with the specific definition of attraction being unrelated to gender, and definitely polyamorous.
jake: gay. definitely gay. i have a VERY strong opinion on that. don’t know why, but seeing jake with women makes me Uncomfortable. other headcanons are valid though! trans guy. maybe demisexual and/or demiromantic, but definitely not ace or aro. also? not very related, but. emotionally, he’s a twink. physically? not at all.
dirk: gay! attracted to men only! but i could maybe see some versions of dirk also being attracted to masculine nonbinary people (like demiboys). trans guy.
calliope: trans feminine nonbinary lesbian! i’m also not 100% sure on the definition (sorry!) but i think i do also like the idea of her being gray aromantic and/or gray asexual
caliborn: i don’t know enough about canon him to say whether or not i hate him. so i’m going to just leave him out, too, sorry!
happy pride!
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