i present my stupidly long reactions/opinions post to all of natla. i wrote it all as i watched, and i got more and more words in my head as i went, so it gets long. no i will not be editing this. i am not a review blog, i just have opinions ajhgsfjkf

ep 1 good: -gyatso. i love him so much -overall this was a good enough intro, but not much really stood out to me as good?? it's. kind of a weak intro asjdhgsfh

bad: -fire nation helmets trying to look a little less dopey by adding angles to the eye sockets is stupid af. like i can understand why they might have thought the circle eyes looked dopey, but personally, it felt eery and othering to me, like there aren't people behind those masks. also it's closer to a skull motif than the weird angular half cirlce shape. -aang being able to basically superman fly?? and hover?? it looks really weird, and i also kinda breaks some potential future plots?? like, he can just. hover up into the air and fly away without his staff. and they seemed to have replaced aang's jumping with it. now he just starts hovering. -i dont like that katara doesn't bend aang out of the ice in rage. i dont really care about sokka dropping the blatant sexism, but i still think they should've been fighting about SOMETHING. even without the comparison of their jobs at home, they already had something to bicker about before losing the boat, they should've kept that up. katara's angry bending was such a good way to communicate her character as well as show viewers her raw power and that bending is effected by emotions, i really dont like that they dropped it. -there's a heavy lean into sokka's relationship with aang that's probaly a result of the writers knowing how much the fandom loves sokka lately, but also. it really feels like it's overshadowing katara's role in aang's new life. like, if i hadn't seen the original show, i would assume that the main relationship is aang and sokka from this episode.

overall a servicable intro i guess, but i was. boring. it was really boring asjhgsfh

ep 2 good: -zuko is an artist and they stole his fucking journal im screamin. this is so funny. he's so mad that he lost his fckin diary and aang is using it to figure out his next steps. im just. i love this -actually really liked that waterbending scroll as a gift from gran gran, it makes it a lot more personal and very smoothly sidesteps the original plot for the scroll, which you gotta admit is a lot of screentime that they dont have -sokka trying to impress and relate to suki and looking like a gotdamn fool while doing it. he's fucking smitten. i love this. AND SUKI STARING AT HIM WITH HIS SHIRT OFF LATER. yeah. yeah i like this better than the original episode actually -sokka's dialogue overall is amazing, mostly because he's funny. the funny dialogue is overall pretty good i my opinion. which leads into a bad point: most of the serious and heartfelt dialogue feels pretty unnatural. the actors are overall pretty inexperienced, but the script is doing them no favors

bad: -Lt. Jee has a topknot. how fukcing dare they -they just used "VIP" in a sentence. i dont like the acknowledgment of a latin alphabet. why do they have an acronym for an english phrase using the latin alphabet when we've seen no latin letters anywhere -aang meeting with kyoshi first was fun, but the weird filter they have over the spirit world (?)/the whole scene genuinely makes it hard to look at -NO UNAGI??????? NONE??? NOT A SINGLE GIANT EEL FISH???? -did momo just make a chimpanzee sound. im going. to lose it.

neutral: -zuko and iroh don't know zhao yet… that's fucking wack

a MUCH better episode than the first one, this actually got me excited for stuff

ep 3 good: -love this internal resistence. very cool aspect to explore that i think the main show was missing -CABBAGE MERCHANT -fire nation terrorists in omashu is kind of terrifying. i like it -ok the casting and costume design for the freedom fighters is actually spot on, i love it. also jet's weapon use is so faithful to the original, it's gorgeous -OOOOOOH, sokka's warrior vs engineer, hakoda vs machanist father figure is so good, i love this -THAT FUCKIN LADY WHO JUST STARTED SMACKING ZUKO. im fuckin choking -i did actually really like the fight scene between all the cloths and scaves and stuff, it was short but it was fun. honestly i love every zuko and aang in this episode, it's very good

bad: -did. did they say attitude control on the airship? …did they mean altitiude control…? is attitude a common problem with airships?? (maybe it is, idk shit about air travel terms. mybe attitiude means something else entirely. but i don't think so) -WHy. why are the fire nation spies wearing RED. wh

neutral: -putting teo and the mechanist ("sai" now) in omashu is a pretty decent way to combine plots, but im not sure if i like that it probably wont get aang's grief over his cultural home being changed and partially desstroyed. i always thought that was a super important to aang's character, but also the narrative does have other chances to lean into aang's cultural grief -putting JET in omashu. that's a choice. -Lt. Jee as an informant for zhao… that's wack

side note, this is the point where i really started to notice that the music is… boring. it's super boring. we go from what feels like basically background noise style western orchestral music which really isn't that notable to the credit role remaster, and it's jsut so jarring. have they not been using the og soundtrack?? i can remember hearing the fire nation motif, but like… not much else. might need to go back and listen. what's the point of remastering the soundtrack if you aren't gonna use it?

ep 4 good: -FLOPSY STATUES -im lovin zuko's infiltration thing, it's amusing to watch. but also, maybe a bad point, cuz he's not… very good at it. blue spirit who?? i suppose needinng to talk to people lowers his stealth exponentionally. there's a reason the blue spriit doesn't talk. im leaving this point here cuz im having fun, but it's still got problems -OOOOH they're using this as the iroh captured and zuko choosing to sasve him or find aang, that's clever. the whole "make a choice" thing from that guard was a bit on the nose though. -sokka and katara bonding and chatting about expectations is great. i really like them bonding a lot. HOWEVEER. there is a LOT of focus on sokka's burdens, we haven't once touched on what katara's been doing. this is. an unforseen consequence of removing sokka's (blatant) sexism, isn't it. they cant figure out how to give katara's role the same amount of value without someone to act like it isn't important.

bad: -the implication that sokka is scared of haunted tunnels. why would he be scared, this bitch does not believe in spirit nonsense. unless he does now. natla sokka is supersticious. -i really dont like the mad hatter's tea party vibe from bumi. like, bumi was always off his rocker, but this brand of kooky feels off. -while i like the conversation of soka not trusting katara, i really dont like the seeming personality reversal in the tunnel. it's minor, but it's just so weird to see sokka sasy stuff like "woo love leads the way" without mocking it, and katara beig the one who says that's stupid. -how did they manange to make zuko look older for his flashback. good lord. oh no. -bumi: "you vs me, to the death." im fucking. im so done. i hate this bumi i hate him. i understand him being upset that aang vanished, but he is so fucking mean in this. -ok i. do not like them giving the zhao v zuko agni kai ending to iroh. i really dont like that at all. we lose the point of zhao being a fuckin bastard, about zuko being the type to give mercy (which the show has already thrown out twice now from zuko almost blaasting fire in someone's face after they we on the ground and basically defeated. dont really like that change in character. they added all this awkwardness and these comments about what an honorable soldier shouldn't do, and yet they do this?? dumb), and having iroh defend him with ease. innstead it's replaced with "dont show mercy to earthbenders." ok. -the badgeermoles. sense feelings. and react to them. FEELINGS. im.

neutral: -THE SINGING NOMADS??? i thought this tunnel plto sounded like it could be similar to the cave of two lovers, but i really did not expect to see the singing nomads here. i do love them though -look, i dont care about shipping, but OOF. the poor kataang shippers. they're just throwing out all the kataang scenes but not building up an actual friendship in its place. i'm not a fan

bad episode. did not like this one. there were some goo parts, but overall it was just so disappointing compared to the original. on its own, i supposes it's a servicable episode, but so far, none of the others have really let me down this much in terms of expectations.

ep 5 good -ooooohh. i know this one is going to be controvertial, but i actually love the part where ozai corrects azula in the fact that zuko found the avatar, not zhao, and that he's displaying desireable traits in an heir that she seems to be lacking. like, i wish this came AFTER we had some blatant examples of ozai's favortism towards azula, but i do love the idea that ozai is driving their competition between each other. also that ozai is actually able to be proud of zuko IF he achieves those impossible goals he sets. but we still need more azula favoritism set up. -DID JUNE. FUCK ME, there was so much in two seconds hold on. the western whistle thing. june saying "your dad's kinda cute." she thinks iroh is cute, and she thinks iroh is zuko's dad. im. im fine. -WAN SHI TONG????? WHAT IS HE DOING HERE. my child. i did not expect to see my child in s1. overall, i'm relatively happy with him? wish his face was smaller or the resof him was bigger - he had a lot more poof to his head in the original, in imo a smaller face on the head would help make him look larger in solo shots. he looks pretty scrawny. also the voice is a bit too much old man for my tastes? but i'm picky about this bird. now im just super curious if there will be a library episode if s2 comes, and what that'll look like.

bad: -nothing has exemplified my problems with the changes in this show more than katara not throwing the acorn at aang's head. it's just. her attitude is gone, any whimsy that isn't sokka is gone, and they struggle to meld serious topics with humor. -actual gyatso in the spirit world?? maybe?? first of all, if it is actually gyatso, i dont think they did a good job of prooving that. second, why??? i'm really not a fan of aang actually getting that relief from grief and guilt. guilt is such a huge part of aang's character, i just.. idk, it feels less impactful when he gets actual gyatso telling him its ok instead of learning to manage his guilt on his own, nevere knowing really what gyatso would think og him now, like very other person who loses a loved one. it's just. it feels cheap

neutral -im not sure if i like koh as an actually malicious force in this story. like, it works fine for the narrative presented, but i really liked how koh was in the original, threatening and scary and trying to trick aang into making an expression for snack time, but not actually doing anything but helping aang when asked.

not the best episode, but not the worst. we just did that. it's kind of an in between, so idk if there's much to comment on. overall, im not a huge fan of the plot choices here, but i don't think they're actually bad choices, just not my style.

ep 6 good: -roku: im here to help you with anything you need aang: it has to do with koh roku: …anything but that roku has so much fuckin attitude, i kind of love it -zhao ignoring aang to correct the notetaker guys notes and make he gets his facts straight is both funny and an effective way to show off zhao's ego. also "what are you doing, dont write that down" is makin me think of that one kig who fell of his horse while hunting and said "dont let the historians write about this" and guess what fucking happened -the convo right after was really good imo. aang basically doing a lil test to prove that he and zuko could be friends with their boring old conversation was great. zuko getting mad about compassion is heartbreaking, woohoo. pretty much all around a fun scene, except that last line from aang was a little too on the nose. but at this point, im used to it in this show. -also the journal thing is still great. and i could be totally wrong, but i feel like zuko being super kowledgable about avatar stuff is a fanon thing?? well supported, but i'm pretty sure it doesn't actually come up often how much zuko knows about the past avatars, and fandom kind of took the idea that he MUST know a bunch given his search, and has freuently applied that to aus that turn zuko into this avatar specialist that actuallyhas a lot of info that aang needs. i swear that's a fanon concept, and i kind of love that it's happening here. -Ooohh. omg. the 41st as zuko's crew is DEFINITELY something i've only seen in fanon. the crew NOT KNOWING they were the 41st is completely new, and i honestly adore it.

bad: -not the fuckin mother of faces statue spinning around in his hand like a fuckin loading screen object -zhao yelling "cel - la - brate" like a fuckin party rock song, im. i cant. -blue spirit mask looks plastic. also why'd they make it angrier. i mean, i gujess it doesn't matter, but i dont think it adds anything either. that's a design you shouldn't touch in my opinion, it's too iconic. -the fucking music. the music is so fucking boring. you can't give me one fucking blue spirit motif?? wh. please. i need it -why. why did it take so long to do the whole "i need the avatar alive" and then swords to aang's throat. like. i could deal with that short moment of realization leadinng to a pause, but the actual action of zuko putting his swords to aang's throat feels like it takes forever. the whole shock from the animation was how fuckin immediate zuko's reaction was, how there seemed to be no hesitation from allies with the avatar to betting his life on escape. dont care if they have to speed up the footage, that whole sequence shouldn't have given us time to think. it was too slow from the second zhao told his soldiers to stop. -the agni kai. hm… ok. there's a lot here. at its most basic, i absolutely hate that zuko fought back here, because it feels so incredibly counter to the message of the animated show. like, there's a lot of fuckin weight to zuko's line of "i won't fight you." basically any fanfic can tell you a bunch of different ways this is important. it struck a chord for a reason. zuko fighting back just feels wrong. that said, i don't think it's a god awful scene. it's disappointing and abandons half of the origial meaning, but on its own in the context of the show as we've seen it, it works. we still get the trauma, zuko learns the idea that compassion is weakness, and it's still horrifying in the end. but compared to the original, it does feel like the writers here missed the point of zuko refusing to fight in the original, and that's the most frustrating part.

neutral: -torn on how i feel about zhao tagging along with zuko instead of them being phsycially separate. like, i guess it works, but zhao feels more slimey and less powerful this way. like, i'm not constantly reminded that zhao has more influence and more resources through this partnership. but then again, this episode also kind of solves that issue? i guess it doesn't matter, i just didn't like it. -zuko is a very vocal fighter, and he also makes a good amount of noise during his blue spirit fighting. i guess it doesn't really matter, especially cuz we dont have dante basco's crazy recognizable voice to deal with, but it still feels a bit disappointing for the blue spirit to make noise when we're used to dead silence

i might be going crazy, but i swear i heard some of the original guard grunts from the show when zuko's beating up the guards in front of his cell. i might be crazy, but fuck. ANYWAY. overall i did like this episode. going off the last episode, it still had a lot of plot bits i didn't care for, but overall it's good. yes there are issues, but im honestly more impressed by the things they introduced than i am annoyed with the things they changed. im still thinking about the 41st, like fuck

ep 7

good: -zuko's "ship" blew up!! that's an intersting change, but i think it's a clever one! though i do wonder what will become of zuko's actual ship considering it's fine. my favorite character, alive and well. have fun drowning, zuko. but also, this seems much more brutal to me?? cuz like. jee and iroh were trying to save zuko, and they ended up putting himself in danger in doing so. that's worse than just not being around when danger happened like in the animation, imo. -YUE HAS A FURSONA????????????? -i do love that whole scene of azula putting her foot down and refusing to do more of ozai's dumb little tests of strength. like, maybe not true to her animation arc, but i do like it -honestly the change where katara "wins" the fight with pakku not cuz pakku has a crush on her grandma but because everyone else who watched her figt thought she was badass was really nice. crowd vote says fuck pakku

bad: -OOF THAT FIRST SHOUT OF THE NORTHERN WATER TRIBE. oh that is not good. i haven't mentioned the cgi yet, but this is. oh dear. technically it's eas to miss, but still. -im so sorry, im sure she's lovely, but the first short of yue is so bad, she looks like she does not want to be here at all. i actually startedlaughing out loud wtf -oh i forgot momo existed. but now thtat he's here, he's ugly. i dont like him. -sokka and katara look so fucking pale next to hahn and arnook. i hate it

neutral: -im still neutral about azula and ozai's whole tough love thing. azula's lack of confdence and anger at not feeling good enough really feels like a zuko thing instead of an azula thing. she really doesn't come across in the original as worried at all about how she holds up next to zuko. in a vacuum, i don't think it's a bad choice, but compared to the original it is a jarring shift

overall pretty good. i dont like aang's protective behavior, but i do like that it's showing off some of aang's more negative qualities. we didn't get a bato episode or a intro to the storm episode here, so we haven't really encountered that yet. also im happy katara got to be sort of mad. a little.

ep 8 good: -i do like the early war balloons i think, it feels more reasonable that zhao snuck into the city vs got all the way back to the spirit oasis on komodo rhinnos withou being stopped or followed like they did in the original. -katara mastering waterbending literally without instruction is kind of badass. that whole exchange of "you've found a master haven't you" "yes, it's me" was pretty fun. idk how realistic it is, but like. in the original, she also masteredd waterbending in a matter of days, so. niether are that realistic -i kind of like how fuckin visceral the moon spirit getting stabbed is. like, minor change, doesn't matter, but still. that one shot of the bloody bag with a knife sticking out of it was lovely -ok that's spooky as fuck, the "there is no aang" thing with koizilla. like, the idea that this isn't just aang being possessed or lending his aide, this is him straight up giving up his life to la in that moment -that whole thing about zuko just beig a tool ozai uses to motivate azula was really well done actually. great acting, basically all that fanfic worthy revelation emotion, it was super good. like i was kinda thrown by ozai giving all control around hunter the avatar to zhao after seeming so impressed that zuko found the avatar in the first place, but really, i been played a fool. he doesn't care, he's manipulating azula. this is what the favoritism looks like. yikes. -also obsessed with the visual they talked about with aang/la wandering the world forever in search of a partner they wont find. this new context that koizilla really wasn't just a fuck you to the fire nation, it was meant to be permanent. like, fuck, i love that

bad: -OH THEY GOT RID OF ZHAO GOING TO THE SPIRIT LIBRARY i hate everything. what's the point. they're just gonna nix the library all together. wan shi tong is never coming back. sokka v wan shi tong will never happen. my entire career is over. -kuruk just appearing in a random doorway is wack -koizilla looks bad. baaaaaaaaaaad. where's the glowly lines -ok great yay we got zuko turning his back on zhao and getting attacked, but first of all that meant nothing cuz zuko DID ttry to kill him, zhao just dodge, and second, la should've taken zhao. i just. it's a more satisfying death for him, and also zuko's whole take my hand thing is super fuckin important too. but zuko in this show as a traumatic aversion to compassion, so whatever i guess.

pretty good finale, entertaining and got some good emotion stuff. better than most of the episode's emotions honestly

overall good: -before i speak i need you to look at my icon. scroll down the blog a bit. just take that in. ok? ok. i think zuko kind of carried the story here. overall i was very impressed by his acting, and yes, it was much more awkward and tear-ready than animated zuko, but also that's my fuckin jam. he's out of character in a lot of ways, but all the characters are, and like. lets be fucking real, this is fanon zuko. this is how the majority of fandom characterizes him. -set design was very nice in my opnion. casting choices (minus the water tribe sibs) were amaing visually, maybe no so much in terms of talent but we deal. while the costumes look too new and fee fake, it's not the worst. if you go into this expecting camp and trashy fun, you'll enjoy it. you can't set your standards high -once again, take a scroll through my blog. ok. i love how often aang is just like. clearly dissappointed with zuko's lack of desire to change, how much he wants to connect to zuko but zuko wont stop fuckin hissing and spitting. if aang got to have personality in this script, he'd basically be pointing at zuko like "that's my emotional support enemy," i swear to fuck. i might be pushing it on how much they were really like this in the narrative, but i dont care, im having fun asgjhdfh

bad: -momo and appa both look creepy. they give me realistic pokeon vibes, and not in the detective pikachu type of way. like, detective pikachu is what i was hoping for, something that preserved the cute and still felt semi real. this didn't do that. momo is weirdly top heavy and his eyes scare me, and appa has weird, ever present droopy lips, especially at the corners. it's just uncanny -i dont like how bending looks. it's okay i guess, but it's got so many extra busy particle effects that it feels uncontrolled. i always pictured masterful bending as being really smooth and pretty unnatural looking- smooth water bubbles, fire with weirdly contained flickers and not much smoke, earth without a bunch of crumbling pebblees, air without dust everywhere you dont want it. the wobbly water and earth bending with so many fuckin shards of debris and the firebening with so many sparks is disappointing cuz i would've worldbuilt that to be a lack of mastery thing. anyway. it's fine. -aang is not happy and excitable, and katara isn't angry or sassy. they have the personalities of cardboard boxes. rip.

i actually liked that a lot. lots of good and lots of bad, but overall i had fun and that's what matters. maybe not something i'd rewatch if i didn't have atla brainrot, but not fuckin god awful. the characters were pretty different from their animated counterparts, and that's very frustrating in its own way, and the script was full of poorly written dialogue, and the acting kinda of sucked in a lot of places, but. but. i had fun, and im probably gonna rewatch it, and im gonna enjoy applying these ideas to fanfic and fanart. overall, im glad it exists. it's not going to replace the original, it's not meant to, but it's just trashy fun. i love trashy fun.

is this anything

Happy to report I have finally started listening to Malevolent and to no one's surprise I am already obsessed (I'm almost done with s2 atm please don't send me spoilers yet sdlkfj)

I'll skip over my usual formality of having one normal art post before diving into shitposts let's not waste anyone's time here

WARRIOR NUN | 1.08-all of S2 | Camila, captain of the ship.

In that moment, as the sun was rising and the snow was melting, he looked like the curious child he always was. ❄️

so many people have brilliant things to say about little details in shows, the meaning behind an artistic decision, the symbolism of flowers, hard-to-translate language concepts, things that really add to your understanding of a work

I can't do any of that

all I can offer you is that this skeleton doesn't have enough ribs

but they did get the handedness of their DNA correct (sooo much art has it twisting the wrong direction)

this means nothing, enjoy ❤️

You know what the OFMD fandom experience reminds me of?

My Hannibal fandom experience.

A show I really, deeply love, but reading other fans meta takes on it made me want to fucking throw things.

Hannibal fandom was the reason I joined tumblr in 2013, and I left six months later in a fit of rage when tumblr decided the show was homophobic for having a queer woman (not lesbian, unspecifically queer) sleep with a man once in order to get pregnant. Also when they pretended to kill a female character and people were ranting about the show's misogyny and I was like you idiots she's gonna be alive next week and then she was, cause that happens like 20 times in that show.

I spent the rest of the show's run on twitter, following only cast and crew accounts and like 2 RL friends and only using twitter to liveblog the show.

The way it shook out was all the inane discourse topics of Hannibal fandom were forgotten after the show was finished mostly because people didn't need to make up things to be angry about for a week between episodes and could just focus on fic and stuff. And the angry people moved on to some other show, probably.

And that's what ofmd fandom feels like for me. Do you know how tired I am reading about who is really to blame for Izzy's toe being cut off: him or the man who did it? How tired I am of arguments about morality that totally ignore that the characters under discussion are pirates who have killed like, a lot of people? The arguments with clear ax grinding agendas?

I'm dreading the discussions that are coming and to some extent already happening. I feel like we need a trigger warning for arguing about who is Evil Actually In This Situation. #toegate?

But I'm far too invested in tumblr to ragequit again. And fuck twitter. It's not better there, even if I don't follow anyone.

But yeah, morally complicated shows have shitty meta discussion. And that's too bad because that's what I ENJOY. I desperately wanted people to analyze Hannibal with because god there was so much to talk about, but then people would just pull out some shit like "that queer female character is homophobic because she's too pretty." Yes this is a take I read.

Hannibal is also the fandom where I learned about the curse of S2 in fandom, where fandom declares a new show PERFECTION based on S1 and then S2 comes along and doesn't live up the the perfection they've built up in their mind and then they get mad and tear it apart for everything they can possibly twist into a flaw.

If anything I have a little hope that that won't exactly happen with ofmd because of how toxic the fandom has already been in variously attacking most main characters for their Low Moral Fiber or whatever. Just gotta hope no one's unproblematic faves get complicated, though, or the hell to pay will be epic.

The show’s over 🌹

hi!! I was wondering if you could explain how people break up the seasons of hannibal? I understand 3a/3b but is there a 2a and 2b??? (also I love your blog and analysis’ if you see someone spam liking it’s me sorry😭😭)

aww thank you so much, I’m so glad you like my blog :”)) and no worries, I’d be happy to explain! fair warning though, I’m gonna give you a very detailed answer because I love talking about the nuances of plot and hannibal is so neatly structured it makes me want to devour it <3

so throughout the show the story follows several plot arcs at once (which all constitute the main plot) and because s2 and 3 roughly follow two at a time they’re categorised as either ‘plot arc a’ or ‘plot arc b.’ it’s pretty easy to identify the a/b plots in s3 because they’re so distinct (the florence arc vs the red dragon arc, as you know), plus there’s a big time jump and setting shift.

in s2 it’s a little less clear but still identifiable. s2a follows will’s imprisonment arc which roughly makes up the first half of s2 (I’d say from kaiseki until halfway through yakimono since there’s an odd number of episodes per season) while s2b follows his seduction arc. short-term character goals also change between arcs. for example, in s2a will’s main goal is to prove his innocence, hurt hannibal and escape incarceration, which is resolved once will proves the copycat killer and chesapeake ripper are the same and jack finds miriam alive. however, by resolving the central conflict of s2a will is suddenly faced with new problems/circumstances. thus, in s2b he has a new goal, which is to lure hannibal and assist jack with his capture. this plot thread is resolved in mizumono after hannibal escapes, ending s2b and setting up the central conflict and stakes that underpin s3a (and so on until the main conflict is resolved and the show finishes).

s1 is a little trickier to break up since it doesn’t follow the same structural pattern as s2 and 3. there’s no clear shift mid-season and will’s goal throughout stays the same, which is to find the copycat killer/chesapeake ripper while simultaneously trying to find himself during his sessions with hannibal. i.e no one really says ‘s1a’ and ‘s1b’, it’s all just s1. that being said, I personally have a system of breaking down s1 because I think there are small shifts present throughout the season regardless, even if they’re more minor. this is how I do it:

episodes 1-4 (initial set-up): sets up main themes/concepts the show explores + sets up will’s character by mirroring his psychology with each of the killers (and his foil dynamic with hannibal).

episode 5: transition between initial set up and friendship arc. out of all the killers so far (excluding hobbs) the angel maker reveals the most about will directly.

episodes 6-8 (friendship arc): sets up hannibal and will’s relationship more closely, with specific focus on hannibal’s masks (the psychiatrist vs the chesapeake ripper) and person suit. he destroys the two extremes of his personality (represented by franklyn and tobias) and chooses will despite himself. the rest of the show follows the consequences of this choice.

episode 9: transition between friendship arc and encephalitis arc. after the angel maker, the totem maker (interesting that they’re both “makers”) reveals the most about will directly.

episodes 10-13 (encephalitis arc): end result of everything that’s been built so far, concerning both will and hannibal (as observed through the first two mini arcs, the first focusing on will and the second focusing on hannibal). we look into will’s neuroses and understand his nature, separating him from hobbs, gideon, and georgia (note that the latter two are explored through the water/fire symbols, tying them together). hannibal also becomes semi-aware of the conflict between his need for love and want for control. this could also be described as their mutual “coming to awareness” arcs. by the end, both their s1 person suits (the most “human” aka morally acceptable/meek personas) are destroyed, and we’re left to explore their “monster” sides in s2.

I hope this helps and thanks again for the ask !!

Meow meow meow meow meow meow meow meow

Rewatching Lizzie’s empires season 2 !! it’s so good I love her.

The Stanplers really are the three kinds of stepdad

Thinking about how Hanzee’s kills are always very final and impersonal, done with a knife or gun, apart from the rabbit and the woman who Peggy worked with. He treats them exactly the same way, like an innocent creature he only kills out of necessity and survival. I think that woman was the kill that made him fully decide he was tired of that life. The fact that he stroked her hair like the rabbit’s fur as an effort to calm her and then strangled her, a more difficult and ineffective way of killing, almost like a small part of him wanted her to fight back and get away. The fact that they make a conscious effort not to show her death scene. Like it’s too cruel and he’s ashamed of it. Thinking…

actually sam’s the one that sunk his claws in dean. but y’all aren’t ready for that conversation.

Okay so idk if anyone's broken this down before or not but I'm gonna anyway

When you search up the coordinates on @javiddenkins​ profile photo you get directed to google maps where there’s a co-ordinate under the name Queen Anne’s Revenge

Then when you click on the link you get directed to a place in the United States called Onslow Bay

(This co-ordinate also has a photo of a lighthouse but idk if that’s something to read into because it was taken by a seemingly random person.) 

THEN if you google it and open Wikipedia Onslow Bay is said to be between Cape Fear in the South and Cape Lookout in the North

AND THE PLOT THICKENS cuz when you search cape fear with either stede bonnet or blackbeard (which I remembered to do becuase of Kaz Rowes awsome video about the real lives of stede bonnet and blackbeard which everyone should watch regardless) you get to a Wikipedia article about the battle of cape fear

a.k.a the battle which led to real life Stede’s death

so idk what all this means, and i’m probably reading too much into this, and someone has most likely already said all this but just wanted to shout into the void as I lose any semblance of sanity that I still had 

describing various character arcs in the silt verses to rafi just to watch them go DDDDD:!!!

Keep thinking about TJ purposefully acting like Beary/Barry in order to calmly interact with the teens while they played verbal among us...

Consider TJ, Grant, and Nicky discussing some plans and come to the conclusion that they need Terry to use some disguise and a dash of appearance magic to pretend to be Barry. Its to get some information/infiltrate on another plane.

But they haven't told Lark or Sparrow yet! Frankly, they've been avoiding bringing it up, thinking maybe they could try and do this thing without them knowing. No need to start a fight, right? Especially from Lark. They assumed he'd have the strongest reaction. So, they keep procrastinating--TJ most of all. The day of the 'show' arrives. Nicky and Grant have gone on ahead of him as he finishes preparing. He's taking awhile with the prep due to anxiousness--performance jitters maybe or could be that sinking feeling in his stomach? Either way, he's finally adding the gilded head piece--a sleek crown of shimmering gold. And that's when the twins walk in to the storage room. They immediately spot someone dressed a lot like a certain cult leader. Lark stops at the entrance and glares over to who he assumes must be Terry--sure there's all the shitty fabrics that evil geezer used to wear on him. But he can still see the familiar brown watch Terry likes to wear on the person's left wrist. That one that TJ had the rest of them carve their names into (on the inside of the watch band). He's about to bark out a question (mostly like a 'what the fuck are you doing' sorta question)-- Except, his sibling casts something first: "Poison Spray"