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nikolais-eyepatch · 2 days

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i need to be in u tonite ☆

☆☆ all i want is to feel warmth. not even funny, im always cold. I want a boyfriend who'd come back behind me so warm and cozy as he plants his head on the crook of my beck from behind. I want his hands to trail upwards into my shirt- it dosent even have to be sexually! I want to feel the content sigh that comes from his lips that makes my neck tickilish as his warm hands contrast with my cold body. I want to be able to use the 'im cold' excuse so i can hold his hand whenever. I want to lay with him with me laying over his front as i smoosh my cheek onto his chest as i nuzzle impossibly closer and i wrap my arms around him as i feel the occasional scratches on my head. I want to feel his body warmth along with a few other blankets on top of me. I want to hear his 'why are you always so cold?' And him just handing me his hand as i use it to cup my cheek. I want him to be as warm as his body- an absolute sweetheart to me. 'Good job, your so smart!' 'No no...just a bit of....yes there we go, love!' 'You need help?' 'So cute....im going to eat you'. I want to feel his hands all over me in any position. From the front, to the back, to the bed, then couch and you get it. I want to feel his warm hands over my naked body as he continues fullfilling our desires together. I wanna take a warm bath with him and wash his fluffy hair :( then afterwords when were done we'll go to bed and he'll pull me in closer as he mumbles about something like how he almost tripped or something random about his day as he entangles a leg over my torso to make sure i dont escape. Im having brainrot u guyssss im tired of reader fanfiction and the reader always being warm >:( what ab us cold girlies??? I want a silly warm bf like you guys i wanna marry him hes my pookie n soulmate!! ☆☆

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zzthekaiju · 3 days

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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)

I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.

Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.

So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.

This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.

My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.

The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.

Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.

But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.

That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.

Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.

Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).

But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.

First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."

Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.

Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.

Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.

This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.

And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.

But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?

That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the more sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...

...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.

I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.

Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".

Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.

But thankfully, our prayers might be answered:

With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.

Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.

Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.

#best of the reptiles in media #ramblings #godzilla #gojira #monsterverse #godzilla 2014 #g14 #godzilla king of the monsters #godzilla vs kong #godzilla x kong: the new empire

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catnippackets · 8 hours

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I have a warm comforter that I sleep under in the cold months and when it's summer I sleep under a thin bedsheet (when it's not too hot to forgo the sheet entirely) but I actually do not have a blanket that's like. in between that. during spring and autumn I usually just try to arrange a couple of throw blankets on top of a sheet which is not really that great bc they all end up sliding off during the night. I want to be reasonable here and buy myself ONE nice twin-sized blanket that I can use in the months that are too cold for a sheet but too warm for a comforter but all the cute patterns that appeal to me are on throw blankets and like...cuddle-on-the-couch blankets that are too small to sleep under. all the sleeping blankets that will actually cover me in my slumber are just flat patterns!! can people start making cute patterned blankets in 65" x 90" dimensions please I want to sleep under something cute

#ramblings

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purplepenguintime · 3 days

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estrogen could of saved her

#dungeon meshi #dunmeshi #delicious in dungeon #laois touden #ramblings

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reejindeed · 2 days

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It seems like a lot of us One Piece fans started to leave the fandom for other things. You have your folk lore, I really got into pokemon. I wish you luck on your new art adventure.

I was pretty much only reading One Piece whenever the Kid Pirates were involved tbh

After a lot of the Yamato drama and general transphobic/homophobic/racist bullshit that kept getting regurgitated with the same three points of discourse I just got… tired. I’ve been tired for a long time. I wanted it to be better and I can absolutely see and acknowledge One Piece and Oda for where it is and for where he is, but like… man. It just wasn’t making me happy. Keeping up started feeling like a chore and an expectation. I was actually almost happy when the Kid Pirates were written out because I had this moment of like… finally I can be free of this shit.

Unfortunately the majority of my audience is One Piece-based so I don’t think I’ll ever fully be able to leave leave, (especially because something like Irish paganism and mythology isn’t exactly enough to go off of to keep a steady flow of money and I would have COMPLICATED FEELINGS about that anyway since I’m still very much a novice here), even if I am able to allow myself space to breathe and pursue other interests outside of this big huge modern epoch. This is still my livelihood, which is another part of the reason I didn’t want my entire career to be centered around making fanart of an anime I didn’t feel great about. I wanted to be thinking more about what I want to be doing, and the type of work I want to have representing myself as well as what is marketable and will make money. Fanart for large fandoms builds more interest for commissions because it has a wider reach than original work. It does serve a function. It’s just not where my heart’s at, and given the state of everything I’d rather be putting my energy towards something that makes me want to draw again.

I still have a lot of love for the little corner I built for myself within the One Piece universe. I still really respect One Piece for what it is: an INCREDIBLY vast sandbox that allows for the immense creativity of the fandom to build upon this empire that Oda has created. That’s no small feat, and I have an IMMENSE amount of respect for Oda as a writer, world-builder, and artist. I’ll still probably be drawing the Kid Pirates for a long time.

Just not as much as I used to.

I really hope I can also continue to build an audience of people who have similar interests as me in all regards, not just one specific fandom for one specific anime.

#ramblings #ask #text post

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