Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
10K notes
·
View notes
sisko loving baseball is literally so weird. like imagine your boss was obsessed with like jousting or something. he talks about jousting all the time, when you go into his office he picks up his jousting stick and just kind of holds it while he talks to you, and then as you get to know him he starts inviting you and your coworkers to go watch simulated jousting videos with him. then one day his bitchy rival from college shows up and reveals that he not only learned jousting, but taught it to his employees. like he did this JUST to torment your boss, despite the fact they havent seen each other in YEARS. so your boss challenges the bitch to a jousting tournament and he just??? signs you up??? so you learn how to joust, you joust against the bitch rival and his employees, and then you lose
5K notes
·
View notes
We joke but the fact NO ONE bats an eye when Penelope and Colin are unchaperoned in broad daylight, or the way they keep to themselves in the corner of balls and other events, speaks a lot of how little the ton considers Penelope as a desirable debutante. Fife and co mock Colin for his friendship with her. Portia catches them alone in a room and somehow doesn't jump on the YOU MUST MARRY train. Even Anthony, albeit s1 Anthony so he's a bit dumb, comments that Colin has danced multiple times with Penelope yet it does not signify.
Side note but I would kill to see his reaction when he hears Colin interrupted Penelope's and Debling's dance lol.
Everyone sees Colin running after Penelope multiple times this season, and everyone assumes it's out of pity, rather than care. Like she's not even the one chasing him, he's the one doing it in all four episodes!
Never in their wildest fantasies could they imagine Colin Bridgerton being interested in Penelope Featherington indeed. And oh boy, are they in for a rude awakening! Because that boy is already loud with his actions when he wasn't even aware of his feelings, but he's gonna be even louder with his words to make sure everyone understands how much Penelope Featherington is beloved by him.
431 notes
·
View notes
never a lukabeth(?) shipper because gross and not why annabeth loves luke at all but the LACK of relationship exposition between the two of them in the show is PISSING me off genuinely. luke and annabeth's relationship is CRUCIAL to the conflict Luke has with the gods and his subsequent redemption, as well as the entire driving force for book 3,4, and 5. it was a relationship that percy was jealous of, not simply because he liked her romantically but because it was a side of Annabeth that he never got to see and a type of bond that he never had with her, despite going through so much together.
letting Luke say "oh Annabeth and I are like family" and then never even let them interact with each other makes absolutely NO SENSE. this lack of relationship exposition between the two of them completely takes away Annabeth's emotional investment when facing Hermes and explaining May's curse. its PAINFUL for her to talk about them because it PAINS Luke and she can TELL.
if you're not gonna build up their relationship, why do we waste precious screen time with Hermes and make the Lotus Casino Scene so... meh??? When it could have been fun and whimsy and silly and the kids can take a shower and hear some weirdo say groovy and realize gambling is a trap!!!??
It also robs Annabeth of such character depth in PAINS ME. shes just a girl. shes awkward and have crushes and is emotional and is scared of losing people she loves. shes not just "six step ahead of everyone child soldier prodigy" MY GOD.
and of course i love seeing percabeth on my tv but dear LORD having luke say "youre like an old married couple" is SO OUT OF CHARACTER and to have Annabeth not even respond flustered or embarrassed?????? ITS THE SLOW BURN OF THE CENTURY I DO NOT NEED YOU TO HAMMER IT INTO MY HEAD THAT THEYRE MARRIED AT 12. I FIGURED THAT OUT WHEN HE SACRIFICED HIMSELF TWICE FOR A GIRL HE JUST MET.
637 notes
·
View notes