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#i actually haven't read it in a while
goddamnshinyrock · 1 month
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...to be fair I do this while it's in sitting mode, too. Can't escape The Elbow Lean, RIP to my back.
ETA: before anyone says it, my vision is perfect, it's been checked, I'm just incapable of posture
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narusasuart · 1 year
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Headcanon that Sasuke regularly has the horrid realization that Naruto is a beautiful, dumb himbo.
Based on this really funny incorrect quote by @lostinwoods.
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So I went searching for special dialogue for a romanced Alistair, who stayed with the wardens, about a HoF who made the ultimate sacrifice. Specifically for what he says in DAI. For reasons.
I know what he says about her when she's alive in DAI, so I was curious if he'd saying anything about her if she's dead, like Leliana and Morrigan do. After reading through all sorts of forms and reddit posts where most of the answers were "huh I dunno what he says in DAI, I've never done that route," I eventually found out what he says.
Nothing.
Romanced Alistair says nothing about a dead HoF in DAI. At first I thought this was odd? Surely there's something referencing the fact that he and the warden were in love? even if just for fanservice like in DA2? Some of the comments on these posts blame it on Bioware doing bad writing again but it's hard to tell if they actually mean that, or if they're conflating "I don't like this" with bad writing because honestly? I disagree.
Intentionally or not, Alistair not saying anything about his dead lover is completely in character for him. He doesn't know the Inquisitor. Why should he tell them anything about the love of his life that he lost ten years ago? He's not as open about that stuff like Leliana or Morrigan.
You know what's actually out of character? Alistair giving a random stranger he met for two seconds an item that belonged to his dead lover because "she doesn't need it anymore."
Wasn't it enough to ruin his face, DA2? Did you really need to throw in some botched fanservice as well?
Wait a minute, Varric's telling this story...
Alright, new headcanon: Varric is, as per usual, full of shit. Alistair did give Hawke an item because he felt bad that he couldn't help them with the qunari except it wasn't anything special. But that's not interesting enough, so Varric lied and said Alistair gave Hawke an item that belongs to THE Hero of Fereldan for the sake of showing how super special Hawke is.
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accirax · 1 year
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Nene’s Role in Wonderlands x Showtime
The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.
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With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...
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...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.
Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.
I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”
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Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.
Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.
But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.
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Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.
Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.
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Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.
There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.
Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.
Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.
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So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.
There is one other thing I wanted to mention, though...
Tsukasa.
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As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.
And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...
And THAT’S why ColoPale gave them Childish War.
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Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.
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sundaynightlive · 10 months
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Not to get all gushy about a book for middle schoolers but my absolute favorite part of TSATS is that the entire fandom for how many years has been going "Will Sun Nico Moon goo goo ga ga color theory" and Rick was like, "You know what, nah."
Nico di Angelo is not good because he's a reflection of Will like how the moon reflects light off the sun.
He's light on his OWN.
He's not quite as bright, quite as vibrant, but he's still glowing of his own volition, which is such a nice sentiment from a man who usually feeds into our fandom delusion. He finally put his foot down about something and went--
"Hey guys. You know that character I've been building on and you've grown up with that started out eleven and angry and sad and now he's fifteen and in a loving relationship and has a certain amount of optimism despite all the shit he's gone through? Yeah, stop fucking comparing him to the moon. My boys are not an angsty pinterest board, eat my ass."
And I love him for that.
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prosebushpatch · 18 days
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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tmae3114 · 1 day
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So there's this theory I've had bouncing around in my head for *checks notes* about three years now and, well, it does not have nearly the level of evidence I tend to prefer before I make a theory post - it is, in fact, Predominantly Vibes Based - but it has, again, been bouncing around in my head for three years and I refuse to be alone with it any longer
(...also, if I'm right, I wanna be able to go "I KNEW IT" and have a timestamp to point to XD)
OKAY. So. Basically.
I think Alinua might be a twice-born.
Hear me out:
Firstly:
We know that Cloud Elves live pretty much exclusively on the Archipelago Nimbus and are isolationist (Extra Lore: The Three Elder Races - "The Islands have minimal contact or trade with the outside world, [...]" & "These Cloud Elves are unique in many ways, most notably their isolationism [...]" and Page 1.6.12 "I suppose a cloud elf outside of the Archipelago Nimbus is fairly unusual-") but Alinua has been down on the surface since before she can remember
That suggests unusual circumstances. Isolationist people who have minimal contact with the outside world don't just lose a baby in said outside world
Alinua's theory for this is that her birth parents "probably reasonably assumed [she] had the Chimeric Plague and dropped [her] over the edge" (Page 1.6.13) but, crucially, there is no actual evidence of this. It's what she assumes probably happened but she has no memory of the actual events (Page 1.6.23 "I don't even remember it. I've never met my birth parents […]")
Therefore, it is entirely possible that Alinua is wrong about how she ended up not on the Archipelago Nimbus. And I, personally, think it's pretty likely that she's wrong because we know that the Archipelago Nimbus can sometimes be even higher up than the peak of the Throne of the World (this post) and even with it usually being lower down than that, I find it... somewhat doubtful that an infant (toddler, at best) would survive that fall. Not impossible in a fantasy setting but... doubtful.
Secondly:
We know that the Chimeric Plague was Life attempting to connect with a vessel who could be her eyes and give her perspective (Pages 1.20.20 - 1.20.23)
Even before Life finally broke through, Alinua was incredibly unusual for a carrier of the Chimeric Plague. She didn't even find out she was one until she was about ten (Page 1.6.13 "I had a normal life and family for ten years- and then I learned I was a chimera bomb [...]") when most die before they turn five (Page 1.2.10 "I shouldn't have made it past five years old" and Extra Lore: The Chimeric Plague "[...] it is inevitable in every case that the child will lose total control of their magic within the first few years of their life [...]"). She was twice the expected age of a carrier when she found out.
We don't know why Alinua is the successful attempt that finally worked. Not only do we not know, Alinua herself brings it up while talking to Life (Page 1.20.23 "I… don't know if there's anything special about me that kept you from overwhelming me like the others, or if I'm just the lucky one you finally got right."). The question is open: is there something special/unique about Alinua that allowed her to survive where none of the other children did? And if so, what is it?
Thirdly:
So. Carrion crawlers.
We have not actually met any in the story itself yet, only heard Caliban bring them up in the context of an insult (Page 1.12.10 "Twice-born son of a carrion crawler! You had a plan this whole time?!") but fortunately! the Aurora tumblr exists! so we have additional information!
Carrion crawlers eat dead things and sometimes give birth to baby clones of one of their recent meals, which are called twice-born. A twice-born is a healthy infant, identical in every way to how the original would've been as an infant, and age normally for the species they were produced from. Additionally, they have no memories from their source material (so to speak) and develop their own, unique soul, though if they came from a mage, their soul will develop the same channels (this post and this post)
...now, I mentioned at the start that this theory does not have as much evidence as I would like and is mostly Vibes Based, and we have now hit the point where I run out of evidence and switch to vibes. I do not have any evidence which actually points to a connection between any of this.
However, I do still Have Thoughts
We know that Alinua was adopted had a happy (or, at least, "normal") childhood prior to figuring out she was a chimeric carrier (1.6.13, see above) and seemingly doesn't think about her birth family very often. It's entirely possible that she didn't ask questions about where she came from as a child. It's not been brought up yet how her adoptive family found her but, given that she assumes she was thrown off the edge of the Archipelago Nimbus, the possibility that they found a seemingly-abandoned baby just lying around doesn't seem too out there. And if Alinua is a twice-born, yet clearly doesn't know that herself, her family may also not have known that... or may have known and opted to keep it hidden, even from her, given that twice-born are generally considered "deeply unnerving and grotesque" (this post).
As for how Alinua came to be in this theorised scenario, there's two possibilities I've considered.
The first is that an adult life mage cloud elf was outside the Archipelago Nimbus for Some Reason, died somewhere where there are carrion crawlers, and things went from there.
The second, much sadder, possibility is that the "Chimeric Plague carrier baby thrown off the edge of the flying islands" possibility did happen... the baby in question just wasn't Alinua because the fall was, in fact, not a survivable one. And then, just as a twice-born will inherit being-a-mage, Alinua inherited having the Chimeric Plague.
And, in either of these cases, something about being twice-born subsequently protected Alinua from being overwhelmed by Life.
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luxlightly · 5 months
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Any time a doctor is like "I'm old fashioned. Just call me, don't send emails or messages through the portal" I start chewing on the drywall.
It's just a classic thing of "person whose company uses a system does not know anything about the system or how it's used"
Because every doctor's office is set up to all but force you to use the online portal. You'll get stuck in automation and answering machine purgatory forever if you call directly but that's also 100% more effective than the portal.
The portal and the 2 minute long message that plays every on repeat while you're on hold on the phone to the doctor: "do not call your doctor. If you are trying to call your doctor I'll kill you myself. We worked so hard on this portal I swear to God if you even think about calling when you could be using the portal I'll come to your house and gut you like a fish"
The doctor: "oh I don't read those portal emails. Just call."
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kori-senpai · 3 months
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Day 1 of putting characters in my clothes because I really suck at drawing cool clothing and want to be better at it
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warabola · 3 months
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I was ready to disagree, but honestly, no, I get it. The Piebald Dreamer is my best friend.
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feuqueerfire · 2 months
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The Categories of Final Hallucinations
I noticed 2 types of visions that the characters had in the last episode, specifically in regards to Non
Non was front and center and the visions are about him
Phee: He kept continually seeing Non die in different ways, including some which were new and unseen ways. He's grieving Non's death and also feels guilty for what he's said (the "Get lost and die"). Phee was also the only person who understood that these were visions and Non wasn't real. Even in the 2 years later part (which may or may not be real - tbh I'm thinking of it as a continuation of the hallucinations in the courtyard), Phee sees Non walking into the water.
Tee: Non asks Tee to kill him with a knife on the rooftop because he’s so trapped while working for Tee’s uncle. Tee has been feeling guilty about his actions bringing Non into this world and ultimately being unable to get him out of the mess, so this manifests as a horrific way to help Non, though of course he ends up stabbing White in reality :’(
Tan: Non thanks him, then hangs himself, then thanks him again. Tan just wanted to be a good brother and in these hallucinations, after he has avenged Non, he finally is. His last vision is Non thanking him and walking into the light.
Non may or may not be there but it's mostly about their own situations/consequences/fears rather than Non
Fluke: Non is hardly there except at the end, Fluke's mostly being chased by a cop because he's deathly afraid of ruining his reputation and not getting to become a doctor. Aside: I loved that Fluke gouged his own eyes out, the eyes with which he was constantly witnessing the misbehavior against Non (Top breaking the camera, Jin taking the video) but keeping silent about
Top: He was just being chased by Non through the woods, very little depth because we hardly knew anything about him
White: he never knew Non and so his visions are about his relationship with Tee instead
Jin: I don't think Non even appeared in this but I'd have to double check. It was mostly about what if what Jin did to Non happened to Jin himself with him seeing people taking videos of him in compromising situations, including with Keng
For me, Tee's was the most shocking and horrifying because I was expecting death for Tee (especially after episode 11) but there was the vibe that maybe White is the final girl who will survive. Instead, my mouth fell open as soon as I realized what they were hinting at and I lost my mind as the sequence went on. One of the most unpredictable aspects of this whole show for me and it really is tearing me up, esp after ep 11.
Tan's and Phee's are the most tragic. I didn't cry at all during this show but for a second there, during Tan's visions, I became misty-eyed. (also I've been typing Tan as Non and having to correct... I think NewTan would like that tbh)
I think Jin's was the most disappointing to me because although he knows his actions to release that video were wrong and likely feels guilty, I was hoping Non would at least make an appearance? When Jin apologized to Non the day Non disappeared, Non didn't know what he was apologizing for and said Jin didn't have to apologize. I wanted Jin to apologize to Non while admitting to his wrongdoings, even if it's in hallucinations. Instead, it's Jin being paranoid about what he did to Non being done to him.
[Edited because the Tee/White scene did a whole number on me so I got a bit confused about their visions when I first posted this right after watching the ep]
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peridots-pixiwolf · 2 months
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[Start ID. A dark, warm-toned drawing of Tundra, a robot with bladed legs and mechanical hands both lightened by frost, and a face like that of a fencing mask. She wears a blue jacket with a fluffy white ruff and pockets on the shoulders and chest, a long green skirt with tassels and pale wavy lines at the border, and a brown belt with a pouch at the side. She's shown from the right, leaning back on a stack of pillows and a wooden wall as she looks out to the left, disregarding the open book in her hand, her legs bent in front of her. Under her is a yellow and red rug which pads gritty flooring, over her are series of low, round string lights, providing soft lighting in a room that's partially open to the night sky.]
it's a friend's birthday today yet again... in honor of the occasion here's a Tundra for @automatonknight :]
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Just me that feels like when Alex and Henry get married, they would have hyphenated names but Alex would only take the last name Fox. Mainly because Henry Fox was the true Henry that he knows and loves, the one who can be himself and love Alex. Whereas Prince Henry (insert all names) is the serious royal. I know that after the emails are leaked he gives up his title as prince and can love Alex and all that but that wouldn't be the case if they weren't forced out, and Alex's speech explains just how messed up that is.
"Henry Fox has to belong to himself"
"Can he ever belong to someone else?"
"Only momentarily"
wouldn't it just be so nice if Henry Fox could actually belong to Alex without all the other nonsense.
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paperlovesadness · 6 months
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No, because I'm not over processing "Now & Then" and freaking out about what a perfect epilogue it is for the Beatles, but also what a perfect homage it is to John & Paul's friendship. And how much it feels like destiny.
The words "Now & Then" have so many strange ties to these boys. Because:
-> John's last words to Paul (during a meeting that no one could expect was their last) were: "think about me every now & then old friend".
-> John was murdered in December 1980. In February of 1981 a friend of Paul's - fellow musician Carl Perkins spent a week with him, participating in a recording of a song for his album. To thank him and Linda for their hospitality during the time, the night before he was meant to leave, Carl sat down and spontaneously wrote them a song titled "My Old Friend". He played it to them the next morning and Paul started crying and had to leave to gather himself. Linda McCartney then assured Carl it was okay and thanked him for helping Paul, because he had problems facing his emotions about the attack before that. And then she stopped and asked him "but how did you know?" and Carl had no idea what she meant. She explained that the only people who knew what John's last words to Paul were was her and Paul himself. And then she revealed what those words were. Carl had no idea, but he ended up accidentally including them in that song.
The chorus of that song went as follows:
My old friend, Thanks for inviting me in My old friend, May this goodbye never mean the end And if we never meet again this side of life In a little while, over yonder, Where it’s peace and quiet My old friend, Won’t you think about me every now and then
Paul then insisted on recording that song with Carl Perkins, which they did - and recalling that story later Carl said that Paul felt like that song was sent to him by John through Carl.
-> By now we all know the story of how this "new" Beatles song came to be - After John's death, Yoko found a demo tape of songs he never completed, that she then handed over to Paul so that him, George & Ringo could record the last new Beatles songs in 1995 as part of an anthology that was being released. (they wanted to record new material, but had promised never to do so without all the members included. So using these demos was the only way).
There's lots of places that claim the tape with the demos had "For Paul" written on it by John - but admittedly, I haven't actually seen a source quoted. Still - the fact that one of the songs on that last demo of new material they ever got from John was titled with some of the last words he ever said to his best friend? The lyrics of that song being what they are? Come on.
(It very much also just felt like a song for Paul to me. With how complex that relationship was - how intense all the emotions were - through love and diss tracks to still calling each other best friends while they weren't on good terms. Missing each other).
Then - destiny working the way it did, not allowing them to record that one track in 1995 because of the awful quality. Making it so that it was their actual last song in 2023. Because only now did the technology allow for seperating those vocals and fixing them up so that they can actually be used.
Like are you kidding me??? It was that one. The one that felt most special.
-> Bonus fact. The back of the record sleeve has a photo of a special art piece on it - from George Harrison's collection. One that provides another serendipitous moment in connection to these words:
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Image source: [x]
And I'm just supposed to be alright with all of this?????????
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so i'm having my students do a mini unit on japanese authors and they have to read one of their stories. they had a list of authors and stories to choose from (with a group) and one group picked "lemon" by kajii and the bsd character kept coming up and my one student was like "this is sad. imagine you're an author and more pictures of your anime guy come up than of you" and then she started hyperfixating on kajii and insulted his attire and then she was like "miss h... what's... what's his power??? lemonade???" and i had to explain "he can't get hurt from lemon bomb explosions" and the kid and her group just Stared at me and went "... what?" and i repeated it and it was SO FUNNY
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anglerflsh · 10 months
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summer is a city is so terrible to me specifically
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