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lemonhemlock · 1 year

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https://twitter.com/Targ_Nation/status/1611158240359759872?t=bfo77HLITj21KBLCUKx6fA&s=19

Seeing all those likes took years off my life

i don't even know where to begin............

"centrist bs" - the concept of left and right doesn't exist in a medieval setting ...................

where was this energy when cersei was committing abuses left and right and placing her bastard children on the throne? why didn't "the modern audience" "almost unanimously stand by the side of the woman being usurped of her throne" back then? 😵

but this isn't even about one side being more wrong than the other or both sides being awful or war being horrible as a rule or the smallfolk always paying with their lives and livelihoods when the high lords play their game of thrones

that entire tweet is predicated on not grasping the basic principles of the polity they are operating within 😫 you cannot define usurpation based on absolute primogeniture when that society relies on male primogeniture for inheritance, in that context it literally means the opposite

words don't somehow gain whatever meaning you want based on what you think is fair, same how laws don't materialize into existence just because you say so. any kind of law is a social construct, doesn't exist outside the confines of society and requires a certain kind of framework in order to be accepted & enforced. if proposed laws are not accepted by the majority and cannot be enforced, they only exist on the astral plane

there aren't even any proper institutions in westeros. literally the only ones i can identify are the crown and the small council, which serves as a kind of proto-government. there's no parliament, there's no proper justice system, no magna charta. the only courts that seem to operate are Faith-based courts and your liege lord's judgment. medieval-style legal systems and law enforcement are headache-inducing as a rule anyway, but feudal monarchies generally involve constant negotiations and power leverages between kings and their vassals

a more apt characterization of the Dance would be what exactly and how much can the targaryens get away with now that they've decided to impose themselves as rulers of a unified westeros. so far, they had to accept the religion of the land (aegon the conqueror was anointed by the high septon) and were forced to renounce polygamy. they got to keep practicing incest as a result of jaehaerys' successful doctrine of exceptionalism. see? negotiation. now the question remains - are they going to respect succession laws like a normal person (i.e. Andal Law) or are they going to resort to this ridiculous circus every time a targaryen monarch dies? because at the point of the dance, there had hardly been a straightforward transition of power since the conquest

for the internal coherence of this fictional world to be maintained, the nobles should be pushing Andal inheritance rights like crazy, because their own succession is decided on the basis of that and they would be directly interested in not fucking it up for themselves or their descendants by having weird precedents set by the royal family. a lot of these lords, if not most, have bastard siblings/children of their own, as well as elder sisters/daughters. it doesn't make sense for them to threaten their own stability for the sake of rhaenyra of all people, who isn't even good at her job and has done absolutely nothing to endear herself to them. what could they possibly gain by supporting her?

the question of the monarch imposing a law is much more believable in a centralized state, which westeros most definitely is not. imposing laws can also be done via force, of course, as long as """the state""" retains the monopoly on violence. the targaryens' v effective military superiority has so far been conferred by dragons. but rhaenyra's side isn't the only one that has dragons anymore. the opposing faction, i.e. the side who'd perpetuate Andal law, also has them now, as it happens. ergo war.

this situation is absolutely not similar in any way to today's democracies where laws are voted by parliament and the rest of the country have no choice but to abide by them or else the police come knocking on your door and hand you over to the our modern justice system, where your punishment is set by objective specialists & not decided by crazy stunts like trial by ordeal or the whims of your liege lord

tldr: there is no incentive for westerosi nobility to break andal succession law for rhaenyra, since it would be legal self-sabotage by setting a precedent that could come to bite those very same people in the a*se. rhaenyra is NOT an only child - by having trueborn brothers, the only way she can ascend is by breaking the laws & customs of the land. ergo disgruntled lords will inevitably flock to alicent's sons to form covert alliances & subversive power centres that, in time, will erupt in open rebellions. real-world historical examples attest to this happening with or without the consent of their respective figureheads (eg. lady jane grey) - i.e. it doesn't matter if aegon/aemond/daeron play happy families or not. in turn, the only way rhaenyra can prevent this is by executing her brothers/their male descendants. the greens don't want to die => the only way of achieving security for them is by claiming the throne.

alternatively, rhaenyra's life is not in danger as long as she bends the knee, as no-one in-universe would take her claim seriously with 3 living brothers. rhaenys also bent the knee to viserys after losing an election and is still alive. i'll say it again: it is not in the lords' best interest to support rhaenyra in the first place. if we are to go by any logic - what would they gain, should they flock to her? they would destabilize the line of succession for themselves for a (pretty terrible) queen, a reviled king consort and a bastard heir. but, as far as advantages and favours are concerned, what would they be, specifically? in order to outweigh the above-mentioned disadvantages?

you should all blame viserys for getting remarried and fathering sons, because had rhaenyra remained an only child or had only sisters, none of this would be happening & she would have become the first ruling queen of westeros

#this is what is meant by the short-hand argument of 'aegon represents stability'#even so this is a simplified view of feudalism & vassalage #but deer lord #the conflict isn't so simple as 'they want to sabotage women no matter what'#even though the very concept of male primogeniture has its roots in sexism no doubt #there's a reason change & improvement occur incrementally #ask #anon #succession for the iron throne #there are scholars who even dispute that 'feudalism' is a thing since different regions had such distinct ways of governing themselves #that there aren't many unifying threads #i am very much the last person who should attempt to explain that #but for the purpose of understanding westeros it is a useful concept #more so bc grrm obviously constructed this world within our basic conceptualization of the middle ages #as is the case with many high fantasy works #which is also why!!!! this world is very stagnant #both socially and technologically speaking there is little progress over thousands of years #obviously that does not happen in real-life scenarios #i also lack specific knowledge of medieval history methodology since my education has centered on IR #and within that field they mainly teach us from westphalia onwards

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fortes-fortuna-iogurtum · 9 months

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#I THINK THAT I FIGURED IT OUTTT #thanks to a Crossway article that showed up in my email last night and a Credo Magazine article from 2016 #that I read while eating lunch when I probably should've been studying for my earth science exam coming up!!!#'solA scriptura' does not necessarily equal 'solO scriptura'!!!#to quote the article #that's what's been bugging me!!!!!#I also read a couple articles on the need to read and study medieval and patristic theology as well as modern theology #and that made me realize that like. I thought everyone understood that.#a really big part of the last 5-8ish years for me as been digging around in church history poking at augustine and anselm #and all those guys #(though I haven't read any of them in-depth yet; was too busy killing myself in an attempt to save money for college)#so like. I kinda forgot that tons of prots/evangelicals DON'T see that as a given and actually kinda avoid it???#like apparently a lot of them don't read the church fathers at all and also they basically avoid the creeds #which is bizarre to me bc that's a big thing that grounds me when I feel like I can't see straight (faith-wise) anymore.#the historical context and nature of my faith.#so HM YEAH THINKING ABOUT THIS #also this kinda confirms for me something that I've been really thinking about a lot lately #which is that when we try to understand concepts that come from a historical context #we should like really really really put effort into understanding the historical context that they came out of #not just grabbing the concept and running with it. whether we agree or disagree with the concept itself.#we can learn a lot about studying the ideas within their historical context bc ideas don't just spring into being within a vacuum!!!#and this is important re: the Reformation and the solas especially because those beliefs were meant as a COUNTER to things happening #in the mainline/Catholic church *at the time*#sola scriptura was meant as a COUNTER to holding papal authority over or at least as high as scriptural authority #not to say like 'oh the bible is LITERALLY THE ONLY THING WE SHOULD EVER REFERENCE EVER NO EXCEPTIONS'#history and tradition is important and necessary in all religions! otherwise you just keep doing the same work over and over again #(obviously the fathers weren't right on everything but like. it's silly to avoid them. ya know.)#delete later #gurt complains at college #<< should make that an actual tag for my rants and rambles while i'm here lol :')

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upennmanuscripts · 2 years

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The manuscripts in our collection can be written on a variety of materials; most common are paper and parchment. But what is paper? In today's #ManuscriptBasics, curator Dot Porter @leoba will tell all about it! If you have a question, ask, and maybe we'll make a video to answer!

#medieval #manuscript #paper #paper making #about paper #book history #rare books #manuscript basics

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eroguru · 2 years

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i want to make history, not learn it

#agnus dei #i have a exam in a couple of hours #im studying painting so i understand i need to learn art history but one proffesor has a stick up his ass #i have list of 140 works of art i need to know the name #the author and date. also i have to know dates of some random historical events barely linked to the works #and then a list of men that are also apprently important and finally like 300+ art specific and religious terms like #basically almost had to learn latin just for this class #it's way too much #he needs to chill #i do not need to know the names of 50 random italian churches to make paintings #ALSO THE FOCUS ON ARCHITECTURE #we don't even have classes with the architecture course so why does the professor focus on ittt #i study paintings why is there only like 5 painting i need to know but i need to tell apart cathedrals just by looking at their plans #also by the profs face i can tell he's not able to satisfy anyone in bed. just has that vibe yknow #and the way he talks is sooo infuriating #his pronunciation is so deadpan and boring i slept through his classes #the prof who taught ancient art histort had so much more charisma #and one last thing i hate medieval history the most so the combination with the worst professor ever is deadly to me

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bmpmp3 · 3 months

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and it goes without saying that the state of art history/visual culture video essay youtube is a bit dire. in that it like, doesnt exist outside of a few one off videos by general youtubers, decade old recordings of lectures, and random short text to speech videos that are likely ai generated

#we know the wonderful jacob geller whos afraid of red yellow and blue essay #and drapetomania is really fantastic especiall on the visual culture side of things especially with race #(which is one of my biggest personal areas of interest so i might be biased LOL but someone has to be biased about this)#(unrelated but sometimes im in my art history classes which. while in recent years have become slightly more diverse)#(still lean quite white and like. they do their best. theyre willing to listen. but theres a lot of blindspots)#(so the least i can do is be really loud and mixed race in class HDJKFKDF)#but its rough if someone wants some to know more of the beginner stuff. like more accessible for some of the basics #like not just the basics of the theory aspects (although that is important) but also like the basics of the history aspects #hell i have a lot of blindspots with certain eras and movements. dont ask me about medieval art i dont know like anything 😔#i dunno i think theres a gap in educational focused youtube that could be filled? it could be fun #not by me though i cant read a script for shit LOL if u want the bmpmp3 art history video essay then find me irl in a museum and ask me a #question and i will give you my entire bachelors degree in the next hour or two. like nature intended for us art history majors

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maxellminidisc · 3 months

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Im too stupid to exactly pin point why my mutuals would like The Name of the Rose if they havent already read it or watched the '86 film adaption but its basically a murder mystery set in a monistary that centers theological schism within the church.

#theres gay monks too but frankly its not a very happy time for them #but i like how the author very clearly is obsessed with medieval history and literature #i watched the film yesterday and have not stopped thinking about it because it was so intriguing from a mystery perspective #like its just so fun and when you get the end and why youre like oh this man is wild slksdkfkffkfkd #i would read it but i hear its basically the moby dick of medieval monks LMAO #as in its so so dense with constant tangents on medieval history and what not for context

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cryptotheism · 7 months

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The "potion-crafter" archetype of alchemist used in fantasy is often, like, an independent chemist that works off commission or sales to create fireball elixirs or exorcism salves. Is there a grain of truth, there? Did alchemists in any period you studied make a living by synthesizing magical items (like panaceas or DIY-chrysopoeia-kits or somesuch) and selling them on to any willing customer, or was that not really in their domain?

Ha! You know sometimes it can be a bit annoying answering asks like this, because most fantasy media isn t terribly interested in authentically representing history, BUT THIS TIME I can give y'all a specific and direct answer!

The archetype of the potion-crafter you're talking about almost definitely has its roots in an actual pre-paracelcian european medical profession; the Apothecary.

There were three types of doctors in the 1500s. There were diagnosticians, the people who went to school to learn about anatomy, and were allowed to call themselves "doctor." There were surgeons, the low-skilled workers who were in charge of hacking off limbs and draining bedpans. And there were apothecaries, basically the medieval equivalent of a pharmacist.

If you were a wealthy merchant, and you went to a doctor for your runny nose, he would look you over, and give you a prescription that you were supposed to take down to your local apothecary, so you could buy a potion from them.

But these prescriptions weren't exactly strict. A doctor might prescribe you an exact list of ingredients with the amounts, or he might just prescribe you "a healing ungent of cooling and drying herbs." So the apothecaries occasionally had some wiggle room based on supplies and expertise.

The important thing to remember, is that apothecaries were NOT considered magicians or alchemists.

That is, until Paracelsus came along.

See, good ol' Paracelsus was a radical innovator. He was one of the first physicians in history to be all three types of doctor at once. He was a diagnostician, a surgeon, and an apothecary. He argued that all doctors should have knowledge of their entire profession, and that no doctor was above suturing their patients wounds, and mixing their patients medicines.

He was also, crucially, an alchemist and a magician.

Alchemy was the cutting edge of technology for the time, a practice regarded with equal parts awe and suspicion, but it was more the realm of glassblowers and metallurgists than doctors or botanists. Paracelsus disagreed. He argued that if it's part of God's creation, it should be used to heal the human body.

This extended to magic. Paracelsus figured that you had to factor in things like "the movement of the planets and their influence on the earth." And he was known for prescribing patients things like "astral talismans to be worn about the neck." A practice that, even for his time, was often seen as backwards and superstitious. (Although given how harmful medieval medicine was, the astral talismans might have been your best option sometimes.)

Paracelsus was a radical. People fucking hated him, especially when he was alive. But his ideas were extremely influential, and exploded in popularity after his death in 1541. I can confidently say that the fantasy archetype of the Potion Brewer is based on Paracelcian physicians, the doctor/alchemist/apothecary/magicians who followed his theories.

Here I'll link my Patreon if y'all wanna support my research! I have a whole section on Paracelsus.

#occult #alchemy #paracelsus

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milkweedman · 1 year

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fiber arts really is such an insane category of Things in how it can draw you in. like, 6 or 7 years ago i learnt to crochet and made a few terrible hats and scarves. then i learnt to knit because i wanted to knit a scarf for my friend (now fiance :D). then i realized it should be a woven scarf so i picked up weaving instead, but i still really liked knitting so now i was doing 3 crafts. somewhere along the way i started dyeing yarn as part of my kitchen experiments, and then i was like fuck it i wanna make my own yarn ! and that is where the problems happened. in the span of like 5 years ive acquired like $2000 of various tools (spinning wheel, combs, cards, blending board, several looms, etc), bought dozens of fleeces, and now my bedroom is basically a craft room with a bed, i have wool covering every flat surface in there as well as a huge dresser full of wool and several large drawers full of wool, i meticulously scrape every last bit of avocado out of the peel so i can use it to dye fleece, and i don’t go anywhere (including in my own house) without at least 2 knitting projects and a spindle.

im not complaining or anything, but the rapid shift from ‘guy who does stuff, idk’ to ‘guy who is worryingly obsessed with wool and will infodump at length about medieval sheep husbandry and the history of nettle as a textile if you give him half a chance’ is like. extremely funny to me.

#this is what happens if you mix adhd autism and wool i think #its got the Textures. its got the stimmy movements. its got the Things To Do Idly With My Hands So I Don't Start Dislocating My Thumbs #like. its crazy #sorry the edible hit like halfway thru writing this #idk where i was going with it xD #spinning #and yes ives youre to blame for 90% of this i think #<3

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headspace-hotel · 7 months

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Many people, especially USAmericans, are very resistant to knowing the plants and living according to the ways of the plants. They lash out with a mix of arrogance and fear: "Don't you know what bad things would happen if we lived a different way? There is a REASON for living this way. Would you have us go Back—backward to the time without vaccines or antibiotics????"

Ah, yes, the two immutable categories that all proposals for change fit into: Backward Change and Forward Change! Either we must invent a a futuristic, entirely new solution with SCIENCE and TECHNOLOGY that further industrializes and increases the productivity of our world, or we must give up vaccines and antibiotics and become starving illiterate medieval peasants.

Every human practice anywhere on Earth that has declined, stopped, or become displaced by another practice, was clearly objectively worse than whatever replaced it. You see, the only possible reason a way of life could decline or disappear is that it sucked and had it coming anyway!!! Pre-industrial human history is worthless except as a cautionary tale about how miserable we would all be without *checks notes* factories, fossil fuels and colonialism. Obviously!

Anyway, who do you think benefits from the idea that pesticide-dependent, corporate-controlled industrialized monoculture farming liberates us all from spending our short, painful lives as filthy, miserable peasants toiling in the fields?

First of all, I think it's silly to act like farming is a uniquely awful way to live. I can't believe I have to say this, but the awful part of being a medieval peasant was the oppression and poverty, not the fact that harvesting wheat is a lot of work and cows are stinky. Same goes for farm labor in the modern USA: the bad part is that most people working farms are undocumented migrant workers that are getting treated like garbage and who can't complain about it because their boss will rat them out to ICE.

Work is just work. Any work has dignity when the people doing it are paid properly and not being abused. Abuse and human trafficking is rampant in agriculture, but industrialization and consolidation of small farms into gigantic corporate owned farms sure as hell isn't making it better.

Is working on a farm somehow more miserable than working in a factory, a fast food restaurant, or a retail store? Give me a break. "At least I'm not doing physical labor in the sun," you say, at your job where you're forced to stand on concrete for 8 hours and develop chronic pain by age 24.

When you read about small farmers going out of business because of huge corporations, none of them are going "Yay! Now that Giant Corporation has swallowed up all the farms in the area, we can all enjoy the luxurious privileges of the industrial era, like working RETAIL!" What you do see a lot of is farmers bitterly grieving the loss of their way of life.

And also, the fact is, sustainable forms of polyculture farming that create a functional ecosystem made up of many different useful and edible plants are actually way MORE efficient at producing food than a monoculture. The reason we don't do it as much, is that it can't be industrialized where everything is harvested with machines.

Some places folks are starting to get the idea and planting two crops together in alternating rows, letting the mutualistic relationship between plants boost the yields of both, but indigenous people in many parts of the world have been doing this stuff basically forever. I read about a style of agroforestry from Central America that has TWENTY crops all together on the same field.

Our modern system of farming is necessary for feeding the world? Bullshit! Our technology is very powerful and useful, but our harmful monocultures, dangerous pesticides, and wasteful usage of land and resources are making the system very inefficient and severely degrading nature's ability to provide for us.

What is needed, is a SYNTHESIS of the power and insights of technology and science, with the ancient wisdom and knowledge gained by closely and carefully observing Nature. We do not need to reject one, to embrace the other! They should be friends!

Our system thinks land is only used for one thing at a time. Even our science often thinks this way. A corn field has the purpose of producing corn, and no other purpose, so all other plants in the corn must be killed, and it must be a monoculture of only corn.

But this means that the symbiosis between different plants that help each other is destroyed, so we must pollute the earth with fertilizers that wash into bodies of water and cause eutrophication, where algae explode in number and turn the water to green goo. Nature always has variety and diversity with many plants sharing the same space. It supports much more animal life (we are animals!) this way. The Three Sisters" are the perfect example of mutualism between plants being used in an agricultural environment. The planting of corn, beans, and squash together has been traditionally used clear across the North American continent.

And in North America, the weeds we have here are mostly edible plants too. Some of them were even domesticated themselves! Imagine a garden where every weed that pops up is also an edible or otherwise useful crop, and therefore a welcomed friend! So when weeds like Amaranth and Sunflower pop up in your field, that should not be a cause for alarm, but rather the system of symbiosis working as it should.

A field of one single crop is limited in how much it can produce, because one crop fits into a single niche in what should be a whole ecosystem, and worse, it requires artificial inputs to make up for what the rest of the plant community would normally provide. The field with twenty crops does not produce the same amount as the monoculture field divided in twenty ways, but instead produces much more while being a habitat for wild animals, because each plant has its own niche.

#plants #plantarchy #the ways of the plants

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saturnsbabyboii · 1 year

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🫧My experience being friends with the Moon signs 🫧

-Please remember that this is not a reflection of everyone with said placement. The behaviors of a single asshole aren't that of the many (sometimes). Also, I don't/didn't have friends with all Moons. Some would have one person or no specific person, and rather so, I'll be giving general observations.

🫧Taurus Moon🫧

Friend #1: Kind, loving, generous, thoughtful, quiet, slow, and internalizes everything. She is one of my closest friends ever. She is practically the father figure of the group, helping everyone out, protecting them, advocating, giving advice, and making sure that they're set and good. Picky with her friends, many of them are people she has known since childhood, and most are her cousins with very few that aren't related to her. Tech and cyber expert. A big animal and nature lover. She loves her space and peace, she is slow to return texts, hates calls, and has the social battery of a sloth. Good singing voice. Loves video games, and is OBSESSED with whatever she has an interest in. Overall, her emotions are well-regulated, however, as an Earth Moon she rationalizes herself and stays pretty chill, even when she needs to pipe up.

Friend #2: Obsessive, jealous, sensual, persistent, indulgent yet very frugal, and stubborn af. A big-time foodie, he does have quite the appetite. Good singing voice too. Always at the clearance section of 'Bath and Body Works'. Thrifty. Got to have three of the same body spray. Candle queen. Trust issues with a very paranoid outlook on things. A bit greedy. Always asking people to buy them things. Very sexual. Cares for his younger sisters and loves his family and friends.

Friend #3: Big-time nerd. Memes are his only talking reference. Great singing voice and can imitate voices very well. Shy extrovert. Loves animations and even studied to be an animator and designer. Hugger. Big animal lover (he legit has what seems like a zoo of pets at home).

Friend #4: Obsessed with history (especially medieval history). All about death and our relationship with mortality. A literal cat. Isn't afraid to get her hands dirty. Goes all in on a subject of interest. Has the same appearance and sense of style as always.

I find Taurus Moons to be very comforting and a joy to be around. They defiantly bring a sense of stability to the relationship, mainly because they're predictable. Not in the "boring" sense but rather that they're people of clear and simple emotions no matter how grand they're in expression, it's pretty clear what they feel, how they feel, and why; Basically, there's no catch or an underbelly to their emotions. Other qualities I have found was that they're pretty aloof, they hate to be intimate with people they barely know, and they actually like fast-paced relationships (only if they really like you), they love to dress simply but chic, and they do have a well known "thing". They always got that "thing" you associate with them and they have it for comfort, like a kid with a blanket or a toy. They also love animals, pastels, the color brown, and karaoke. Hates confrontation and always second guesses their gut feeling. They're also very stubborn and in general, find it much harder to break out of habitual cycles of disconnecting and detachment when shit gets real.

🫧Gemini Moon🫧

Friend #1: Very smart. Great writer and lyricist. Talented musician and singer. Loves people. A bit timid about being in the spotlight. Loves to connect with others over interests, especially art and social issues. Great dresser. Romantic. Bends too fast. Dislikes confrontation but would stand up for a loved one. Bad judge of character (always attracts cheaters and assholes).

Friend #2: Certified L.A.B (lying ass bitch). Says shit for the sake of saying shit. Fake trauma bonding. Leeches off of people. Toxic. Abusive. Always with abusers. Manipulative and hateful. Been around the block. Would do anything for validation. Makes up stories about others to play the role of the victim. (Very likely she has a cluster B personality disorder and no Gemini Moon would claim her.)

I think I have experienced two extremes of this moon, with one being highly and continuously evolving and the other being consistently trash. I am fond of the energy that Gemini has on the moon. There's this innocence that they possess at the core, and it could be the purest and most genuine thing or the biggest fabrication in history. Nonetheless, I do love to be around them and the energy they bring to a relationship. It is always lively, fresh, and new, they'll always come up with something to do with you, and always find a way to spend time and be close to you. They definitely give mixed signals since they tend to be a bit playful, especially in their platonic relationships, and they are very touchy. They're bold and outspoken generally about how they feel. They're less guarded and more likely to share and talk about their problems and their opinions. In contrast, they would rather die than open up about their deep true emotions.

🫧Cancer Moon🫧

Talking about their ex was their favorite pastime. Never misses an important function. Celebrations and social events were considered important. The person that would want to go somewhere but then gets upset because things did not go how they imagined they would. Ruminates on past events and feelings. Vents a lot but also gives you the space to do so. Strong stan on temporary emotions and circumstances. Feels how she feels and doesn't care how others perceive her for it, or what they think about it. Low key ferocious (I live for it though). The only person I know that isn't afraid to publicly voice their boundaries when crossed.

I don't think I met another Cancer Moon besides this person, and we became friends only because we were together in similar classes at uni. Overall, I would say from what I have observed, her relationships with her friends were always great and seemed pretty solid. Romantically though, sis was very challenged, and I don't think it was totally her date's fault. She is an acquired taste and she knows what she wants. Seems very hung up on the idea of meeting expectations and fighting an imaginary clock to get THE perfect life. Good luck with that.

🫧Leo Moon🫧

Creative. Self-motivated. A visionary. The definition of an untamable person. Careful of who they keep company. Lives for an adventure. All about self-expressing, being authentic, and breaking the system. Great philosophical talker. Has true parental instincts. Very comfortable with themselves. Sexual. Great body-mind attunement. Good at mirroring others.

I have heard/read a lot of shit spewing about this placement, but I have to say that I do love to meet them. They're a breath of fresh air. Although I get how they can give an impression of a know it all "I am better than you" life dula, I never detect malice in their approach and usually they're more than respectful if you talk to them about it. They carry the weight of life with such ease, and I envy their perseverance. They definitely love to live life to the fullest. They have their select few friends that they have for a lifetime and like to keep it that way.

🫧Virgo Moon🫧

Never been friends with a Virgo Moon, although not for lack of trying but they themselves are quite apprehensive of bonds with people. They're close to their family and the friends they have they got to know them through school, work, or because they had no other option than to be around you. A molded chaos, and an organized mess. Life runs much faster for them and there's never enough time to finish anything. Despite their tendency to give everything a sense of debilitating urgency, they aren't hypochondriacs. Being strong and well functioning is important to them, as such they take good care of their bodies and surroundings. Oddly spiritual with a devolution to routine rituals. Their emotions are well hidden, they have the hardest exterior to crack. However, they're avid about mental health and wellness. I have also noticed that they tend to lash out, uncharacteristic of them, when they're overwhelmed or feel cornered.

🫧Libra Moon🫧

Friend #1: Very sweet. Bad Bitch™. Always looks good. Best dancer I know. Craves love and relationships. Attracts drama. They are very close to their family. Heavily underestimated. "Legally Blond" but Elle is a Latina that studies medicine. Loves astrology. Takes care of their friendships. Always on the go. Meeting new people all the time.

Friend #2: Pushover. Non-confrontational yet very aggressive. Easily frustrated. Closed minded to different interests. A bit extreme and abrasive. HATES astrology. LOVES the show 'Friends'. Self-critical. Insecure.

A placement that perfectly embodies Libra. Heavenly body and presence. Indecisive as hell. Always stuck in bad relationships. Head is always in the clouds. Romanticizing everything. Walking like they're being filmed. I would say there is an emphasis on companionship and finding "the one" throughout their lives, plus drama is second nature. They might be used to drama so much so that they lose sense of their boundaries and self, in turn making them vulnerable to manipulation and abuse. Their "all about me" era is like no other and is a true turning point in their lives. They seem to thrive when are surrounded by masculinity and masculine people, or overall very competitive and cut-throat environment. They use being underestimated to their advantage.

🫧Scorpio Moon🫧

"Me, myself and I". Paranoid as hell. Big spender. Artistic. Good at portrait sketching. Dresses well. Loves drama. Is the drama. Tone deaf. Low-key ungrateful. An immense sense of self-importance. Passive aggressive. PETTY. Mature exterior with very childish interests. Hypercritical of everything, including themselves.

"Jesus take the wheel" was made as a phrase for dealing with a Scorpio Moon. I get the fragility and being highly emotional and sensitive, that I read about. However, I mostly find them to be disagreeable and pensive. You never know what is the truth, so I assume everything is a lie, and if it's the truth then there must be a catch. They would wake up and the day already sucks. They love to surround themselves with expensive things. It's uncomfortable to be around a placement that seems to believe their own projections and preconceived notions of others rather than getting to know people, or maybe just mind their own business. I would say though that having a Scorpio Moon is probably unpleasant, but I have seen worse happen to other placements with "favorable" moons. And of course, I am talking about the ones that I have met and not every single Scorpio Moon out there.

🫧Sagittarius Moon🫧

Friend #1: Life of the party (actually the life of life). Loves to laugh. Comfortable with everyone. Always hype. Smokes like a chimney. Either brave or stupid. Hype. Frequent dealings with older guys. No chills. Loves to play with friends. Car hangouts over going into places. Funny on the outside, sad on the inside.

Friend #2: Very smart. Tarot mogul. Always a good time. Great convorsaitonlist. A softie. Very sensitive. Expressive.

Friend #3: Would cut a bitch. A true ride or die. A person you want to be on her good side. An unofficial dominatrix. Sweet but feisty. Loves her cat. Always lit. Would do anything for her friends. A good bullshit detector.

A favorite of mine, it is very hard not to like a Sag moon. They're so caring of others and are always making sure that you're good and having a good time. They're the type of person to trust if you're in a bar or a club. I would say that there is a very sad side to them under all that happiness. They're always anxious, which is probably why they don't sleep or eat very well. They also get a lot of migraines. If they open up then they really really really trust you (which is important to them since they can vibe and hang out with anyone but barely trust). They usually have a much calmer Earth sun best friend. I would say that they act much older than their when young but then seem to stay stuck on childish cycles of defensiveness and escapism as they get older.

🫧Capricorn Moon🫧

Friend #1: Artistic and crafty. Resilient. Capable of being very sweet and stern. Good with money, planning, and organizing. Maticolus. Conscious and realistic about their growth and development. Loves animals. Loves to be active in nature. A strong believer in karma.

Friend #2: A true powerhouse. Wonderwoman. My mentor and only real-life role model. An established businesswoman. Rags to riches. Despite having a physical disability she can drive, open pickle jars, do lifts and push up, plus she is a fashion designer that can sew. All of that with one arm. A fighter through and through.

Never had the privilege of being friends with many Capricorn Moons but I have known quite a few and some are very close friends of my family. A rough start in life. They really do take time to peak, however, the glow-up is real. Least spiritual Moon sign. Not egotistical or cold as I read so often. Quite warm and welcoming actually. They might be borderline Darwinists when it comes to the importance of human life and mortality. Believers of hard work and initiative. Lovers and fighters. Silent passion. When young, their relationship with their mother can be described as codependent, and their relationship with their father is strained with a sense of animosity. However, with time the roles seem to slowly reverse. Regardless, their family defenatliy takes precedence throughout their lives. They value respect more than anything else.

🫧Aquarius Moon🫧

Friend #1: Devoted to volunteer work and other people. The "fixer" type. Wants to be needed. Self-help books are all they read. Their interests and style are influenced by the people they're hanging out with. Accidentally (or maybe not) trauma bond with others. Desires to be a leader. Emotions focused. Worries about their reputation a lot. No luck with love. And also in friendship. Many friends, very few that are close, and only one has been consistent so far. Loves to have hangouts with large groups.

Friend #2: Music is their soul. Hippie. Loves acting. "center of attention". Dress based on aesthetics. TikTok addict. Interested in astrology and spirituality. Cold. Performative.

Friend #3: Know-it-all. Bad at expressing themself. No filter. Self-centered. Radical thinking. "Everyone is stupid". Loves to stand out. Learned how to finish a Rubix cube just to show it off. Having low grades is a "red flag" to him. Has a strong desire to be loved, yet none to give it back.

Friend #4: All about the drama and lights. Emotionally explosive at times. Hiding behind a facade. Loves to meet different people. Business savvy. Guarded but would give you their heart once they let it down. Displays emotions as anger when in reality they're scared. Superficial connections to others are more prevalent.

Generally, these people are dynamic and quite sociable. They're people focused in the best and worst ways possible. There is a constant desire to change surroundings (and at times help others change and grow) but they themselves tend to be relatively rigid at the core. Impressionistic (even though they would probably deny it). Self-image is usually not the reality (this could manifest in being overconfident or self-critical). They love to work with their hands a lot and do much better when working with others in comparison to working alone. They are altruistic but aren't attentive to others' desires; as a result, they believe they know better about everything and "what is best" depending on the situation. Imitates emotions rather than naturally expressing them.

🫧Pisces Moon🫧

Another very close friend of mine. Hard to read. Intelligent. People smart. Their friends are family. Uncomfortable with expressing their emotions, yet a good listener. Extroverted introvert. Loves to go out and meet people. Likes to club, going to parties, playing video games, and trying out new things. Loyal. Tough shell, soft heart. Doesn't give a flying fuck about what strangers think of them. Trophy hunter. A very realistic and pragmatic view of the world. Melancholic. They are perceived as troubled when they're just quiet. Low-key altruistic.

This Moon sign is not as bubbly as I have heard about it. They're hard to pinpoint as they usually come off as either Aquarius or Scorpio Moons. They tend to go through much more emotional turmoil, especially as children. They have a floaty feel to them. They feel a lot but nothing at once. They are usually witnesses to harm done to others and suffer losses related to other people rather be it themselves directly, which contributes to a sense of isolation from their peers. They do definitely grow into brave people that face life despite all the baggage they seem to drag around. By far the moon sign that takes the longest to open up honestly and completely, although they do experience spats of anxiety from time to time. Also FOOOOODDDD. They love food and everything that brings them comfort. Vices.

🫧Aries Moon🫧

Very emotional yet not expressive. Dedicated and strong-willed (she is a pediatrician). Hung up on "the one that got away". A true badass. So pretty yet so sad. Her dogs are her babies. Always choosing violence. Femme fatal that drives a Jeep Wrangler.

Emotions that cut deeper than a sword. They seem to compensate for emotional and inner needs with material things and career achievements. Very intimidating when you meet them at first, as they appear put together and quite the expert in their field. They spiral downwards if life doesn't go their way. Personally, I think this moon sign is the most emotionally rigid. Not for their lack of desire to change but rather that they get stuck on what their heart desire and can't seem to see or want anything other than that thing or person that they can't get. They also seem hellbent on trying to control what we can't control, such as the past, other people, and unforeseen misfortune. Highly upkeep on their exterior. Needs some form of vice to process emotions, usually it's smoking and drinking. They tend to be their parents favorite.

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kiradrinkalot · 2 years

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Long haired guys in chainmail are my weaknes

#just saw a medieval group perform #there's this small thing near my place #some medival music and fencing #and cold beer #there used to be this 3 day thing in my home town #called the mirror of history #I basically lived there for the weekend #...I should buy a real sword

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chocolatepot · 12 days

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Hi! Can you elaborate on "Fuck GRRM's committment to 'historical realism' without knowing anything about medieval social history"? I would love to know about what GRRM gets wrong about medieval gender roles, specifically.

So Cersei learns at an early age that she has no agency, her only value is producing heirs and is barred from traditional routes of power so she has to use underhanded methods such as influencing men with sex or using underhanded magical means. I would love an explanation on why this doesn't reflect medieval queen consorts and noble women irl.

Sure! The basic summary is: GRRM "knows" the things that everyone "knows" about the middle ages, which are broad stereotypes often reflective of a) primary sources that deserve a critical reading rather than being taken at face value and b) the judgements of later periods making themselves look better at the medieval period's expense.

As Shiloh Carroll argues, building on the work of Helen Young, “readers are caught in a ‘feedback loop’ in which Martin’s work helps to create a neomedieval idea of the Middle Ages, which then becomes their idea of what the Middle Ages ‘really’ looked like, which is then used to defend Martin’s work as ‘realistic’ because it matches their idea of the real Middle Ages.”

Since you're mainly interested in Cersei here, I'd strongly recommend a book: Queenship and the Women of Westeros: Female Agency and Advice in Game of Thrones and A Song of Ice and Fire, edited by Zita Eva Rohr and Lisa Benz. It's an excellent read and speaks to exactly what you're asking about. The tone of the book is very positive and non-judgemental when it comes to GRRM and his depictions of women on the whole, but I think some of this is rhetorical positioning to not seem like "mean angry academics jumping on fiction for not being accurate," as the actual content turns the reader to thinking about how much agency and power medieval queens had in different European societies and how little of that worked its way into GRRM's worldbuilding.

It's true that women typically didn't inherit titles and thrones in their own right, and that they were usually given in marriage for political/dynastic reasons. However, they weren't seen as brood mares whose only duty was to pop out sons: both queens and noblewomen had roles to play as household managers, counselors, and lieutenants, actively participating in the ruling of their domains and in local and international diplomacy (women in political alliances were not just pawns sent to a powerful man's bed, but were to act as ambassadors for their families and to pass information back and forth), and they had to be raised with an understanding of this so that they could learn to do it. Motherhood was very important, don't get me wrong, but it's a mistake to assume as pop culture does that a wife's foremost duty being to provide heirs for her family meant that she was ONLY seen as a mother/potential mother.

Catelyn is a great example of what was expected of women in these positions. But in the books, Catelyn is basically the only woman who inhabits this role, and the impression given is that she's exceptional, that she's just in charge of the household because she's so great at it that Ned allows her to be his partner, and that he listens to her advice because she happens to be a wise person in his orbit - and also that Ned is exceptional for giving so much power to a woman, because in the world of ASOIAF, it takes an especially good man to do this. In GRRM's view of the medieval world, realpolitik and the accumulation of power are the most important things, so men in Westeros are extremely unlikely to give up any authority to their wives, even though this is historically inaccurate.

Cersei, on the other hand, is supposed to be a more realistic depiction of what would happen to an ambitious medieval woman. There's a chapter titled "Queen of Sad Mischance: Medievalism, “Realism,” and the Case of Cersei Lannister" in the book I've rec'd, and it deals with why this is problematic extremely well. (This is the source of the quote at the top of this post.) In it, Kavita Mudan Finn argues that Cersei embodies pretty much every medieval trope for the illegitimate wielding of power by a woman. She underhandedly gets people killed for opposing her, she seduces men into doing her bidding, she advances her family's interests and her own at the expense of the realm. She's made sympathetic through fannish interpretation and Lena Headey's performance, but in the text she's an evil woman doing evil things. Even when she gets to be regent for her son - a completely legitimate historical position that allowed women to handle the levers of power almost exactly like a king - she continues to do shitty things and not be taken seriously because she's just not good at ruling.

But even before then, from a medieval perspective she had access to completely legitimate power that she didn't use: she'd have had estates giving her a large personal income, religious establishments to patronize (giving her a good reputation as a pious woman and people she'd put in high positions being personally loyal to her), artists and writers to patronize as well, power over her household, men around her listening to her counsel. That she doesn't have that is a reflection of GRRM either deciding these things don't really exist in Westeros in order to make it a worse world than medieval Europe and justify Cersei feeling she had to use underhanded means of power, or not knowing that they were ordinary and unexceptional because he has a good working knowledge of the politics of the Wars of the Roses but little to no knowledge of social history beyond pop culture osmosis, and, imo, little to no interest in actual power dynamics.

There are a lot of books I'd recommend on this subject. There's a series from Palgrave Macmillan called "Queenship and Power" and nearly all the books in it are THE BEST. Theresa Earenfight's Queenship in Medieval Europe is a very readable introduction to the situations of queens in European societies across the continent. She also has a book, Women and Wealth in Late Medieval Europe, that also addresses non-royal women's power. I'm also a huge fan of English Aristocratic Women, 1450-1550: Marriage and Family, Property and Careers, by Barbara Harris, which really emphasizes the "career" aspect of women's lives as administrators and diplomats.

#medieval #asoiaf #queens #queenship #history #middle ages

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easy-there-leftovers · 8 months

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I See You, Darling (2)

[Astarion x reader] Due to surprisingly overwhelming demand, the previous fic, along with this one and many more to follow, will now be part of a series!! It was honestly very difficult trying to come up with what happens next, but here we are. The idea came to me during a fever!! |Word count: 2.5k.| Based off of this post I made.

Part 1 here!!

Next part here!!

The reader believes they are in a dream. It wouldn’t be the first time their fantasies conjured up such an obscure, yet somehow realistic scene. And so they’ve elected to treat the experience with as much realism as one would observe in a dream; little to none.

Alternatively;An ex-art-student-now-traveler accustoms themselves to the party.

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“Shadowheart. Shadow…heart. Hm.” His gaze bounced between you and her.

“I’m sure her parents meant well, but the name is rather ominous, isn’t it?” He leaned over to your side, not bothering to hide his blatant distrust. Lowering his voice dramatically, if anything.

“Unless she chose it herself. Which is even more worrying, honestly.” He chuckled out.

It had been no more than two bells after mornbright when you met Astarion. Since then, you’ve come to realize how…different your presence has changed the course of the story. Though more subtle than you expected.

It would seem as if you had met the elven vampire before the party was formed, which was strange as your last save point was far later than that and the forest had been quite a long way from the beach.

When you finally stumbled upon Shadowheart, he was quick to share his inner thoughts that you haven’t heard from the game before.

As they continued with their quest to find a cure for the Illithid problem, expanding their party as they did so, you had tried to make yourself useful by doing the dirty work for them. Looting and opening crates filled with camp supplies, armor, and potentially useful weapons and artifacts could always come in handy for trade or for “artifact consumption,” as per Gale’s need. Sorting them for your group’s convenience.

And while you did not have more direct and immediate practical use for your course of study in the modern world, the research you’ve created and reviewed for character creation and world building was doing wonders for your survival.

Or as much as it can for a magicless, not so athletic human.

The “runes” of the medieval ages that have been carved into stone, along with the basic history and background of the common races and deities of the fantastical world that tabletop RPG has offered puts you at quite an advantage.

Not to mention your experience with the areas of the game giving you the same effect.

But this library of information had also aroused something akin to suspicion and concern. It would be understandable if you were a simple traveler just like them, or perhaps even an artisan from the guild, but you were not as astute as either background.

So how could you have access to this much knowledge yet be unaware of more practical matters? It’s as if you had simply read about it from somewhere.

Astarion had been quick to give an explanation before you could form one of your own that could poorly convince your companions. Although, perhaps his suggestion was more outlandish than anything you could have come up with.

“They came with me. Property and all the formality that comes with it. A family pet, if you will.” A perfect excuse to justify your constant proximity to him, and a likely explanation to being well read, but not well experienced.

You thought nothing of the title, your apathy to the non-hazardous labels of this world apparent.

The same couldn’t have been said about your associates who had a few comments about this disclosure.

“I am unfamiliar with the–well, I shall not say ‘culture.’ ‘Customs’, perhaps. I did not think your kind to house such breed of cattle. Perhaps they could be useful.” Was Lae’zel’s.

“I assure you, they typically don’t. Humans aren’t naturally subservient to Elves, at least in this manner. This setup sounds more akin to slavery. Blink twice if you need help.” Was Gale’s response.

“It seems like Astarion's from the upper city, given the embroidery on his armor. I wouldn’t put it past them to have servants that follow them around.” Shadowheart’s nose crinkled at the thought.

The party already had such an interesting rapport. Not entirely comfortable with one another to divulge everything, but loose enough to have semi-pleasant conversation with.

You thought this as you sorted out the fruits of your collective labor into neat pouches and bags, keeping items similar to one another factioned into their respective holding space. The chest being closer to Withers more than you’d like, but it was nice to hear the ramblings of an…undead person? Hearing someone continuously talking allows you to be more productive.

You’ll admit, handling enchanted armor and crystals does make you a tad nervous but you’re comforted by the thought that it will not be you who wields it in battle.

Out of the corner of your eye, you see Gale approaching your direction. Possibly to ask for his share of the camp supplies just a little earlier to sate himself as you had an abundance of it for now. You regard him with your back turned and he stops for a bit.

“I will say that I don’t have the lightest of feet, but I figured myself better at sneaking around.” It’s not his fault that he got caught, but the bright purple robe and the smell of the oils you’ve been crafting for them are particularly noticeable.

“You are, but I’ll assume you're not exactly in the best shape after dealing with a few goblins.” You hold up a bottle of a healing potion, swinging it a bit with your fingers to indicate that the smell had warned you of his arrival.

“You’ve got a keen nose on you. Must be from all of Astarion’s training but, speaking of which,” He nears himself to your crouched form, going in to lean against a very old and empty crate.

“Gale, wait–” Right as your warning leaves you, they seem to evade him as falls right through the wood. A comical layer of dust and lichen pluming out from the force. He tries to quickly recover from both the physical and emotional damage as he brushes himself off to make himself presentable once more.

“Ahem, as I was saying,” He again makes his way over to you, settling for just standing close as his attempts to look unbothered temporarily cost him his ego.

“I was serious about what I said before. While I don’t know what to make of our pallid friend just yet, as enigmatic as he is, what he said before is quite confusing. Best make haste away from here if you want your freedom while we’re distracted with this worm problem.” His tone suggests a genuine concern which confuses you.

You’d be lying to yourself if the label of the set up didn’t sound odd, but you’ve never expressed discomfort as there was nothing all too worrying about it on your end. It was mostly for show, and you had as much independence as Tav would have in your game.

You endeavor to quickly dispel his worries.

“You don’t have to worry, I’m very satisfied with my servitude under Astarion. He’s very lenient and reliable, and I’m better off with him than on my own." You return to your task of sifting through your materials but pause and look back up at him to continue.

"I do thank you for turning my way though. Your concern is much appreciated but unnecessary.” You lowered your head a bit to show your thanks.

“Well if someone as generous as yourself says to trust you on this, then I have no choice but to concede! I’ll keep a watchful eye and offer guidance, should you need it. Also, do we happen to have something for—” As he asks you for some sort of salve, just a few ways off, your eccentric “handler,” of sorts, watches the two of you interact.

Don’t get him wrong, such matters don’t really catch his attention, but being an elf does curse him with the ability to have extensive hearing. Something that he thinks Gale knew, and something you forgot. That would explain the lack of distance between you two.

He thinks it’s amusing how the wizard is trying to make conversation with you as if you were some foreign creature. His usual eloquence nowhere to be seen, and you seemed as unbothered as ever. Like how he usually saw you when you conversed with someone through a crystal.

It was a phone, not that he knew that though.

“They’re a real nice one, aren’t they?” Karlach says from her side of the camp which was nearer towards his tent and yours.

“Hm, yes. While that may be an admirable trait, it’s hardly going to get them anywhere if they keep this up.” Astarion huffed out, not very keen on your altruistic playstyle so far.

He doesn’t know much about what you do and don’t know, all he knows is that you do know of the events to unfold and could be the key to defeating his master.

All he needs is to keep you at his side. So he’ll allow you this much freedom.

“Oh come on, you. You can’t seriously think that after everything. Our camp’s pretty well maintained because of ‘em, not to mention the connections we’ve been able to get!” She fortifies her statement by knocking on her chest, the engine humming within feels lighter and newer since you’ve informed her of the tiefling blacksmith at the grove.

He hums in response, returning to reading his book as he thinks about his growing hunger. He’ll have to hunt soon enough. While your positive reputation occasionally reflects on him by proxy, it can also reflect negatively due to the alleged nature of your relationship. If he wants the journey to a way of understanding the tadpoles to be a more comfortable one, he has to at least prevent their trust in him from diminishing.

Night falls later than he’d have liked, having waited for everyone to be asleep so that he may prowl the forest for sustenance.

The rest were sound asleep in their bedroll as the skirmish from earlier on in the day had proven to be sufficiently tiring. The crackling fire surely brings a lulling warmth that he supposes he’ll have to miss out on for a while.

As he begins to slink off into the darkness, he looks back to gauge his surroundings and catches your form from across the settlement. It seems you were tallying away the items in the shared chest and double-checking to see that everything is checked and balanced with your records.

Your shoulders jump at his suddenly standing form, but try to understand his intentions. You mouth, “where?” with a very confused face, to which he responds with a simple shushing motion and waits for your acknowledgement.

You nod slowly, and he holds your gaze before sneaking off once again.

‘He’s coming back, right?’ You wondered. The progression of your experience now in comparison to the game was vastly different, and you didn’t know if all scenes, or only some, would present themselves in this world. You assume he planned to hunt, and while you trust his abilities, you want to make sure he’s attended to properly should he be harmed in any way.

So after retrieving a few potions, a journal, and a pencil, you stashed them in a satchel and positioned yourself at the base of the tree in the direction he left in. You weren’t particularly sleepy tonight, and planned to pass the time in wait of your companion.

There wasn’t much to do in this century to keep yourself entertained. The only things you’ve found so far were a few instruments and all manners of journals and inks.

The inkpot that you picked up appeared to be red this time. The game of, “which ink dye will I get this time?” will have to be the most of your entertainment for now. Not all too different from home, you suppose. And while writing keeps your mind at bay, illustrating all manners of wildlife have proven to be quite the fun exercise.

You’ve made a few notes on creatures that you and your company have encountered. The visual elements of a drawing allowed you and the others to keep track of materials that could be salvaged from them, and their resistances to certain attacks.

Though as much as you liked depicting such lifeforms in paper, you’ve come to be very interested in portraying your vampire friend.

Evidence of your interest present in the pages filled with his likeness as you search for an unmarked page. You’ve made a few of the others, yes, but anyone who would gain access to your journal would surely see which member of the group you favor more.

You continued to draw, and occasionally write, on the parchment as you waited for Astarion to come back. All sense of time evading you as you focus on the task at hand.

A perfect opportunity for a tired rogue to surprise an unsuspecting human.

“And what are you still doing up, little one?” He appears from behind the very tree you rested against, causing you to spill a bit of ink on your thumb.

You clicked your tongue, not at all annoyed by the character but by your absentmindedness and now stained appendage.

“Sorry, I was just waiting for you.” You sealed the inkpot, and gathered your materials. Effectively, but unknowingly, hiding your work from peering eyes that were the same deep red as your finger.

“I’m very flattered, darling. But couldn’t you wait until morning? I'm sure this couldn’t have been all too important, yes?” He gestures to your satchel, referring to your journal, but you misinterpreted it as him asking for your medical supplies.

“Oh, that depends. Are you hurt, by any chance? I stayed awake in case you might've needed help tending to yourself.” You opened the pouch to reveal its contents to him, your stained thumb in full view.

The sight makes him sigh out, but is thankful for your offered service.

“I’m alright, nothing of interest happened while I was away.” He considers telling you about the nature of his little…'escapade.' He's unaware if you are of his condition, and he doesn’t wish to out himself if not necessary to avoid possible conflict. So he settles for advising you to rest.

“We need you well rested, my dear. You sleep. I’ll keep watch.” The dialogue is familiar, and you can’t stop yourself from letting a small laugh out as you responded with an equally familiar line

“Thank you. I’ll sleep better for that.” You lower your head as you usually do in gratitude.

“The pleasure is all mine.” He mirrors your gesture, albeit in a way that is most appropriate for someone of his character. “Sweet dreams.”

You walked back to the chest. Returning the potions and ink you’ve plucked from the supply, but keeping the rest of the pouch’s materials with you as you turn in for the night. Awaiting the promise of further study that a new day typically makes.

As Astarion is left with his own thoughts, a sour taste still in his mouth from his earlier meal, he thinks about the man in the journal you kept. He did not see much, only a vague outline of the figure. He thinks about who, or what, it could have been but dismisses the thought rather quickly.

He has no time for a mysterious person with hair less perfect than his own, touching his untainted locks as he does.

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Thank you everyone for your interest in the series!! As per the request of some, I'll now be adding a taglist!

Thank you to @rey26, @shyminnie07, @lynnloveshobi, @iggee-rose, @automnepoet, and @tiannamortis for asking to be tagged!!

#astarion ancunin #astarion x reader #astarion x you #astarion ancunin x reader #astarion x mc #baldur's gate 3 x reader #bg3 x reader isekai(?)#aware!astarion #though I guess not so aware--#lol

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tobiasdrake · 1 month

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Incidentally, we can't really talk about pragmatism without talking about Future Trunks.

Krillin is a devious and underhanded martial artist, but still a martial artist. Trunks is an assassin. He goes straight for the throat at every opportunity. He's not here to fight; He's here to kill.

Much like his father, Trunks is not a martial artist. Every bit Vegeta's son, he's naturally gifted and has already become a Super Saiyan by both of his first appearances - in the story, when he fights Frieza on Earth, and also chronologically in Trunks the Story: A Lone Warrior.

I can't really say he's untrained. He was trained in the basics by Gohan. But Gohan is also not a martial artist; He's had one year and six months of proper martial arts training. One year from Piccolo and six months from Krillin.

Gohan's a fighter, guided by emotion moreso than technique. So there's a limit to how much Trunks can learn from him. Even Gohan admits that he's a poor substitute for his dad.

This, I should note, is a meaningful admission from Gohan because this chapter was published at the very beginning of the Cell Games. Gohan outright saying "I wanted to follow in my dad's footsteps but the clothes aren't enough" sets up an important contrast to the Gohan of the present time who has had that time with Goku and is ready to take his place.

But his concession of inadequacy is important for how we interpret Trunks as well. Trunks knows the stuff. He can perform Bukujutsu. Throw ki blasts. Power up into a Super Saiyan. But he's not Goku or Krillin or Yamcha or Tenshinhan; Like Gohan and Vegeta, he is a fighter, not a martial artist.

His heart is in the right place, but he's reckless and foolhardy. Chomping at the bit for a piece of vengeance.

This recklessness carries into his journey to the past. He never quite learns from his brief offscreen shitstomp by the Twins. He returns to a point in history just after Goku's return from space. Historically, this was a key moment in history where Goku showed up in the nick of time to save Earth from Frieza and his father King Cold. Which should technically be Great King Cold as it's Cold-Daio but he's far from the first king to have his Greatness dropped in translation, eh Piccolo?

But when Goku's late to the party, Trunks starts to worry and decides to step in himself.

Look at him. The spitting image of his father, full of piss and vinegar.

It's here that we get to see Trunks as a fighter for the very first time. Even chronologically; In Trunks the Story, they skip most of the action; It's very brief.

I mean. It's an absolutely hilarious joke that we see Trunks flying off half-cocked to go get revenge and then he's waking up from a coma on the very next page. Amazing cutaway gag.

But we're here to talk about Trunks's DNA as a fighter, so Frieza offers us the first material we have to work with. And Trunks? He does not fuck around.

Your soldiers are dead. Who's next?

You're dead. Who's next?

Your father's dead. We done here?

Trunks gives zero shits. In the span of two chapters, he massacres Frieza, Cold, and all of their soldiers without an ounce of hesitation. He is not playing.

He was even paying attention to the part where Frieza can survive grievous amounts of harm and come back. He takes great care to thoroughly and utterly annihilate every last bit of Frieza. Taking no chances.

Trunks isn't here to fight. He's here to kill. He is not interested in a protracted martial arts bout.

This fight, incidentally, also gives us a moment to talk about Trunks's sword. Cold-Dumbass thinks Trunks's sword is the key to his power.

He's an idiot. There's a reason he only exists for like three chapters and one page of a fourth. This man doesn't even understand how weapons work in anime.

Japan and the West have very different relationships with weapons. When Westerners think of weapons, we think of guns. Even when we write medieval weapons, we treat them like guns. Guns are disposable tools that bestow killing power upon their wielder. Any average Joe with a gun suddenly becomes a lethal warrior.

But Japan has a rich history and philosophy baked into their culture surrounding weapons and their role in martial arts. In anime, a weapon does not grant power; It manifests power. The weapon is an extension of its wielder. It's a means by which the wielder expresses their own strength.

In Trunks's hands, that sword can cut through Frieza. Because Trunks is powerful, and his might outshines Frieza's.

In Cold's hands, however, that sword is harmless. Because Cold is weak and cowardly. (Uh, relative to Trunks.) He has no power to express.

But Goku is strong. Goku knows power intimately, far beyond Trunks's understanding. And so Trunk's sword, his expression of power, is useless against Goku.

This is what Trunks's sword means, to him and to the story. It's an extension of his character and his strength; The means by which he delivers his killing force. Which is precisely what makes this moment so devastating.

When 18 breaks Trunks's sword, she breaks Trunks. The damage to his blade is honestly not that severe. It could probably be reforged. But the damage to Trunks's self-image, to his psyche, is unshakable.

Trunks never uses his sword again. He leaves it on the plane here.

And then we never see it again. Instead, Trunks decides to pursue greater martial arts training alongside his father, following in Vegeta's footsteps.

But he never quite loses his assassin streak. Though he begins to develop his abilities as a fighter from this point forward, Trunks is goal-oriented. He wants to kill the Twins. He doesn't care how that happens.

In the original version of these events, before Cell further altered the timeline, those blueprints were the key to Trunks's victory against the Twins of his timeline.

Though Cell has no idea how Trunks pulled off this victory despite being too weak to defend himself from Cell himself, the discovery of Gero's lab offers us a possible explanation.

The Twins have shutdown switches built into their systems. Though 17 destroyed the remote Gero built, Bulma is able to use these blueprints to build a new one.

So there's a solid implication that the weaker Trunks of Cell's timeline took Bulma's remote home with him and disabled the Twins that way. Again: He's not here to fight. He's here to kill. It doesn't matter how he does it.

...well, I guess it does matter 'cause that Trunks got wasted by Cell five minutes later.

Point is, Trunks wears his goal-oriented ruthlessness on his sleeve. He's not driven by pride of by love of the art. He has a job he's here to do.

However that single-minded focus, that determination to get it done, also holds him back. Trunks has never had proper martial training. He's been taught by Future Gohan, who is not a martial artist. And he's... taught himself near Vegeta. His developed his abilities and increased his strength, but he doesn't know fighting the way Goku or Krillin or Yamcha or Ten do. Nor does he have Vegeta's natural brilliance and general understanding.

Trunks, for all his strength and all his determination and all his killing instinct, is an amateur. We all know what happened to him in the last fight he ever fought here in the present.

Vegeta breaks the limits of the Super Saiyan and realizes that this power is good but comes at a cost, so he should only do it sparingly.

Goku breaks the limits of the Super Saiyan and realizes this form sucks and is stupid, and decides to go a different route entirely.

But Trunks breaks the limits of the Super Saiyan and goes "AWWW YEAH THIS IS THE SHIT GIMME THAT POWER" because he doesn't know. He has a killer's instinct, not a martial artist's. He's never been trained in technique.

We see, over the course of this series, both Trunks's strengths and his weaknesses as a fighter. In every altercation, he goes straight for the throat. Which is brutally effective when he has the power to back it up but Trunks, more than anyone, is vulnerable to a crushing defeat if he doesn't have the Power Level to back it up. He has nothing else.

Still, he gets to go out on a high note. His final chapter sees him return to the future, not with the remote but with the great strength he gained in the Room of Spirit and Time. And he gets to clean house his way - slaughtering the Twins efficiently and thoroughly, in true Trunks fashion.

And also getting Cell for good measure.

Godspeed, killer. You were the best your world had left to offer but you rose to the occasion, and that's the most that could be asked of anyone.

#dragon ball #dragon ball z #future trunks

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