#he's been robbed of his agency and years of his life and those are literally the only things we have in our stupid short lives | Explore Tumblr Posts and Blogs

frost-felon · 4 months

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@ my anonymous asker: Your initial ask got eaten by Tumblr, so I'll be posting this as a separate post. You had two asks, so I'll address them both here, which works well, as I started ranting about the femme rep, lmao.

absolutely, like, 100% agree with you on everything you've said about the horrific lack of development with the interpersonal relationships between all the characters in jjk. the unexplained timeskip before the gojo vs sukuna fight made me SO MAD !!!!!!!! seeing it mentioned offhandedly. did such a massive disservice to gojo's character having his reactions to multiple deaths simply written out and missed so many opportunities for a more fulfilling narrative.

in general i feel that the relationships between characters in jjk are so... flimsily written. i have whole essays about how completely unexplored yuji and kenjaku are and how all the characters post-culling-game have suffered in favor of dishing out cool fights with fake-feeling emotional stakes. gege please start writing fights in a meaningful way... more than that please explore character dynamics outside of a purely tactical/background info way... is this the same man who wrote hidden inventory

Second ask:

my god don't even get me started on yorozu. atp the 'gege hates women' jokes can't even be dismissed that lightly I saw tsumiki's reawakening in the last jjk episode and literally said out loud don't piss me off again

Ah, thank you. I've been a bit worried about the in-universe time in JJK. If I'm not mistaken, the story starts at some point in June, and for the Juvenile Detention Center Arc/Super Happy Fun Killing Yuji Time, some point in July. Of course, Shibuya happens on the day/night of October 31st, and likely the wee hours of November 1st. The entirety of the Culling Games Arc takes place in about two weeks of November, as I recall; actually, maybe less, since the very start indicates that Yuji was on the run for a week. So many short timeskips happened early on, and had negative effects on developing characterization and worldbuilding, both of which I've thought were weak since the beginning. Worldbuilding moreso, but characterization issues were especially apparent with the second-years of Tokyo JJH and all of the Kyoto cast. This caused quite a crunch on Culling Games, since so much needed to happen over a short period of time, leading to a jumbled, molasses pace.

It's actually really interesting to me that Sukuna would agree to postpone the fight to nearly the end of December, and this would have given us more time to explore the newer characters and solidify the older ones; we really needed more interactions between Yuji and others that weren't full of misery. Or seeing Gojo adapting to life back outside the Prison Realm, especially given that so much has changed; for a character that values reforming society and raising a self-assured, powerful new generation, losing that society should lead to a re-evaluation of his priorities. Or like...develop Ieri! Hana! Miwa! And kill off Mei Mei or actually address her position within the cast.

Yeah, one of my biggest problems from the get-go was feeling that Megumi & Nobara was a dynamic that had been left to the wayside, even during early Kyoto Goodwill Arc. And those had been characters that were meant to interact regularly...literally what attachment did Higuruma have to anyone that wasn't Yuji?¹ I adore Yuji's relationships, but he's barely been allowed to have any after Shibuya. How is Choso doing, now that the only people (Yuki & Tengen) not related to him are dead or robbed of agency?

Speaking of...hoo boy, Tengen is a hell of a topic to untangle. And most femme characters really don't get to do anything. Nobara is fun, but suffered since day one with a lack of plot presence, and literally being removed from battlefields/character conflicts, lmao. Ieri straight-up doesn't matter, especially as the manga goes on--but even in Hidden Inventory, which I do think is likely the peak of JJK, she has no real impact. You could basically replace her with a medpack, and little would change. Mai gets a very good conflict with Maki, but just about nothing between then and her death. Maki has given up her niche and much of what made her engaging to become...a serial killer on the good side, suspiciously Toji-shaped. I really didn't like Perfect Preparation, and I dread re-reading it.

But "Gege hates women" was less of a joke to me, and more a hyperbolic version of a statement that I do believe in: "Gege shows a clear apathy and disregard for his femme characters." I noticed very early on in my initial read-through (to the end of 145) that many of the femme characters were simply treated differently than much of the male cast, and often given less to do. One time that I was truly disgusted, though, was how Remi (the lady with hair like a scorpion's tail, and a dependent personality) was handled, even before her ultimate fate in Culling Games. So much of that simply rubbed me the wrong way, and felt genuinely offensive, both in regards to women and to dependent personality-type individuals. And what happened to her later...man, those panels gross me the fuck out with how much they sexualize a woman who's about to get trafficked. I definitely have a lot to say on that, but I want to make sure I can actually post this before Tumblr fucks me over again.

As a note, I don't use materials outside of the story to gauge the effectiveness of the writing (and it's also because I'm a Naruto fan, so I know the Hell of databooks, nevermind some of the other art I enjoy), but I may be missing some things. Feel free to continue to make asks or to reach out to me via DMs. I do enjoy discussing JJK, whether it be for things it does well, things it does poorly, or for other reasons.

¹We did get some Higuruma & Kusakabe, but this came in late, and then Higuruma died, lmao.

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greensaplinggrace · 3 years

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alina was just fine without her powers. she was happy. she’s not the power-hungry person you people think she is.

“I want her back,” he said roughly.

“I can’t go back!” I screamed, not caring who heard me. “Even if you take away this collar and the sea whip’s scales, you can’t carve this power out of me.”

“And what if I could? Would you let it go? Would you give it up?”

“Never.” - SaS, pg. 366

“We need more light,” he said. A choked laugh escaped me. I held up my hands, pleading with the light and with any Saint who had ever lived. It was no good. The gesture felt false. It was a pantomime. There was nothing there. “I don’t understand,” I cried as I pressed my wet cheek to Mal’s. His skin was already cooling. - RaR, pg. 378

The boy and the girl had both known loss, and their grief did not leave them. Sometimes he would find her standing by a window, fingers playing in the beams of sunlight that streamed through the glass, or sitting on the front steps of the orphanage, staring at the stump of the oak next to the drive. - RaR, pg. 416

Look I literally can’t make this shit up. Alina literally wasn’t happy or fine without her powers. She was sad. She was grieving. Even years later she still felt the loss and mourned them. At best the ending is bittersweet and at worst it’s a tragedy.

And I’m going to be honest here, the fact that you read my post about how Alina’s powers are a valuable piece of both her identity and her body in that they make her Grisha and were a part of herself crucial to self acceptance and happiness and you somehow took ‘Alina wants her powers because she’s power hungry’ away from that is a little disconcerting. When Grisha powers are framed as the identifying and primary trait for a persecuted minority, implying at all that the only reason she could want them is because she desires power has some pretty troublesome implications. Especially when her denying those abilities for so long led to her miserable, constantly in ill-health, and ostracized from her peers.

Alina wanting the part of her body and identity that she grew to love and that helped her find who she was is in no way selfish or power hungry. It would be absolutely ridiculous to think so when the Grisha are a marginalized community and race of people with their own culture and practices, who have a history of persecution and who find safety with each other. Alina had every right to not only desire what was her rightful power, but also the ability that allowed her community and acceptance and fulfillment for the first time in her life, and an understanding of her true self that could not be found elsewhere.

Your little “you people” statement makes me think you don’t actually care about Alina at all. Because if you did, we wouldn’t be having this discussion in the first place. What you really are is a Darklina/Darkling anti who can’t handle any seeming criticism of the novels without thinking it’s some fucking defense of the Darkling or something anti Malina. Well news flash, I actually like Alina as a character for who she fucking is, outside of other characters and especially the Darkling, and LB made a massive mistake in robbing her of her powers when there were numerous alternative endings she could have written instead. Endings that would have not only made the messages she tried to convey more meaningful, but that would also have allowed her main female character the chance to retain both her agency and her happiness.

I have said this before and I will say it again: Alina could have just as easily ended up with Mal and kept her powers, and I would have been fine with that. The only problem with the ending in my opinion was Alina losing her powers, which was offensive, cruel, and regressive.

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chuckaf · 3 years

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Chuck Fic Rec List: Updated

So my fic rec post was in my notifs again the other day, and I noticed a while back that the formatting on the post has gotten all messed up and it’s also had like three reblog additions to it anyway meaning there are three versions out there lol. so, I wanted to do another list of chuck fic recs! I’ll keep the other one up still, so I’m not gonna repeat every fic here, just some I really recommend. I’m also adding the fic summaries, which I didn’t on the old post, and some more of my own opinions so, buckle up for a long post!

Chuck Versus the Steampunk Chronicles | Steampunk.Chuckster

1896. A world powered by steam, where humans and machines coexist, and airships are the fashionable mode of transport. The US Empire's deepest and darkest secrets arrive at Chuck Bartowski's doorstep. Have they fallen into the wrong hands? Or will the inventor prove his mettle, even while he's forced to hide from the very people he's protecting? AU, ongoing chronicle, Charah.

A genuinely incredible AU story, with an entire crafted world and universe, so detailed it frequently blows my mind. There is heart and family and infuriatingly brilliant slow-burn, plus a buttload of danger and super fun historical/steampunk action. Oh how I LOVE it.

Chuck vs the Charade | somedeepmystery

When computer nerd Chuck Bartowski returns home to an empty apartment and a dead girlfriend he finds himself embroiled in a deadly game of espionage and deceit. Everyone around him is playing a part to get what they want and when he starts falling for the new woman in his life, he can't help but wonder if he can trust her or if she's the one he should fear the most.

An action and twist-filled AU based on the movie Charade, which is just such a brilliant fic concept I absolutely adored it from the start.

Two Sides of the Same Coin | dettiot

When you're a spy, there's all kinds of occupational hazards when you work with another spy. For Sarah Walker, though, one mission becomes a life-changing experience. Because working with Charles Carmichael leads to protecting Chuck Bartowski.

The first time I read this fic my mind was just blown to its genius. Such a brilliant interpretation of what the Intersect and its concepts set up in the show could be, and ooooof the Chuck/Sarah interactions, my HEART. Related to it, its companion piece:

A Flip of the Coin | dettiot

What made Charles Carmichael agree to become Chuck Bartowski? Well, to start, it wasn't as much of a change as you'd think. A companion to the early chapters of Two Sides of the Same Coin from Carmichael's perspective.

Chuck vs The Butterfly Effect | n7agentbartowski

Chuck Bartowski is a normal guy who just hit rock bottom. No girlfriend, no career and no super computer stuck inside his head. It isn't until Chuck meets a gorgeous stranger on the beach that he begins to think his life is about to change for the better. An AU Chuck fic without the Intersect. "Change one thing and it changes everything."

I said it on the OG post, but this story has one of my top 5 Chuck/Sarah fic meetings. So funny, so... very Chuck. The story is a little angsty overall, but a great read.

Chuck vs the Rogue Spy | Crumby

When a rogue spy from Chuck Bartowski's past shows up to help him during his first solo mission, Chuck hopes that he'll finally find out what happened to Sarah Walker. Post-S2 AU.

There’s a lot of Season 3 fix-it fics out there, which I don’t usually read bc I actually love season 3 lol, but this one’s a good one! A twisty deviation from canon, but still feels really true to character.

Chuck Versus the Nerds Rewrite | Steampunk.Chuckster and David Carner

What happens when two nerds talk endless hours about their favorite TV show? A new take on the show you know, but with the flair, twists, and turns you've come to expect from Steampunk . Chuckster and david . carner. Somewhat canon. Charah.

As the summary says, a different take on the show, which honestly makes a couple changes I would too, but also adds a bunch of fun twists and plots that make it totally new and fresh. Seeing Chuck and Sarah’s thoughts in the more canon sections is just delicious, too.

The Trapped Assassin | SarahsSupplyCloset

After a mission goes awry, the CIA's most lethal assassin is ordered to take vacation while her superiors figure out what to do with her. But when she meets a disarming tourist, their immediate connection only adds to her disillusionment with the agency and her career. Will he be enough for her to finally take the plunge and leave the only life she's ever known? Charah AU

A warning for the very justified M rating if you don’t like that sort of thing, but this is definitely a plot-heavy fic, too. A really neat Sarah-heavy AU, with a whole lotta Chuck/Sarah fancy French vacationy goodness.

Chuck vs the Second Chance | malamoo

AU from mid-season 2 and onwards. Chuck and Sarah part ways only to be reunited years later. COMPLETE.

Literal, crying-at-my-screen angst. Not even a super happy ending. But a brilliantly written, part-reflective/flashback fic, exploring what would’ve happened if Chuck and Sarah’s relationship really was an assignment all along-- and the aftermath. It’s heartbreaking. But if you want a little heartbreak, this is your fic.

Ready at Your Hand | dettiot

In the reign of Queen Elizabeth I, a Catholic plot against the queen comes to the attention of spymaster Sir Francis Walsingham. To protect Elizabeth, he develops an unusual plan: hide the passing of intelligence between two agents by a false romance. When Lady Sarah Walker and Chuck Carmichael meet, though, their pretend flirtation becomes much more.

I love Chuck fic for the very reason that it’s inspired such adventurous and totally unique AUs. Here’s some Elizabethan fake-dating Chuck and Sarah! They have to be so Proper, it’s like that hand moment from Pride and Prejudice but Elizabethan and times a billion. The pining!!

Sarah Versus Getting Married | Steampunk.Chuckster

Sarah Walker is getting married. Canon. Charah.

I’d recommend all of SC’s fics if I had the room, and I’m already recommending a ton sksks but most of my fic recs are AUs, and this one isn’t! It’s canon, and covers some of in the gap in 4x24, with Sarah just before the wedding itself. Super sweet, heart-tugging, brilliant.

A Chuckmas Carol | Mikki13

A new twist to Dickens' beloved "A Christmas Carol". When Sarah begins to shut out the world around her, three spirits come to show her the error of her ways. Season 3 AU.

Another Season 3 AU, this one written pre-series so it definitely doesn’t fit to canon, but it’s still wonderfully rich in character depth and angst and it also made me cry. Plus, festive!

Chuck Versus Thin Ice | Steampunk.Chuckster

On the doorstep of the Olympics, top American curler Sarah Walker has lost her mixed doubles partner and her boyfriend in one fell swoop. Her coaches throw newbie Team U.S.A. curler Chuck Bartowski onto her team and thrust them into the Olympics, hanging America's curling hopes on two people who only have a short amount of time to learn to trust one another. Charah AU.

Do you like curling? Or the Winter Olympics? It doesn’t really matter because somehow this fic made me extremely invested in both of those things, as well as Chuck and Sarah and them being INSUFFERABLE. Catch me now knowing a ton about curling thanks to this fic.

Walker’s Eleven | Moonlight Pilot

Not the same plot as the movie. Sarah Walker never got out of the con game or became a spy, and now she's on her final con. What happens when true love and betrayal get added to the mix? Twists, turns, and Jeffster!

Con!Sarah always interests me, and this fic is full of her. Lotta con plot, lotta Chuck and Sarah.

The Detective and the Tech Guy | thecharleses

Sarah Walker is a Pinkerton detective. Chuck Bartowski is an electronics genius. They wouldn't have met except for a case of mistaken identity and murder. Will the detective and the tech guy solve the mystery, distracted by the riddle in their own hearts? An homage to The Thin Man film series. Formerly co-written by Steampunk . Chuckster and dettiot, now ONLY Steampunk . Chuckster.

Everyone in this fic is so damn cool. There are so many martinis. But also great heart and family and like, standing up for who you love, and later also Chuck with Baby Clara content which frankly the show robbed us of. Also, PI!Sarah!!!

Gravity | Poetic4U

AU. Sarah makes a decision that altered her life forever.

This is just a one-shot, which many of these stories are not, so a good one if you don’t fancy a big read! Just because it’s short, though, doesn’t mean it’s lacking; a really awesome what-if AU, and heavy on the Chuck and Sarah.

A Yuletie Tale | Steampunk.Chuckster

Sarah Walker was dumped the day before Christmas Eve, and her Plus One at her work’s annual Christmas Eve Soiree is now officially a Plus Zero. Her best friend Ellie Bartowski has a solution to her problem, and Sarah finds she isn’t quite as sure about it as Ellie is. AU Christmas Charah.

I’m particularly in love with this fic because, instead of beginning with a meet-cute, it involves Chuck and Sarah already two years into a friendship-- Sarah is Ellie’s best friend. And she’s been crushing harrrd on Ellie’s brother. Also Chuck is in a tux. It’s pretty.

Set, Spike, Dive! | Frea O’Scanlin

Chuck never expected to even make it to the Olympics. Everything is working against him: he's too tall for a diver, too inexperienced for a medal, too much of a wildcard to really make his mark. But an unexpected meeting at the airport, some intriguing new friends, and a whirlwind romance on the sand just might set up London 2012 as the time of Chuck Bartowski's life.

A London 2012 AU, because why not. This is just a fun Olympic-y ride!

OTP (One True Pairing) Prompts | David Carner

A series of Prompts I found online about different times and places in Chuck and Sarah's life. Mostly AU, mostly one-shots. I assume mostly fluff, but I might get deep. I doubt it, it's me. Charah...ALWAYS (It says complete, but if an idea strikes me...)

If you’re not so into long stories, this fic is perfect. Individual set-ups and stories, all Chuck and Sarah, and all super cute. You could dip in and out and just pick a scenario you enjoy.

Chuck vs The Frontier | ninjaVanish

AU: Chuck was enjoying a simple life as a 19th century watchmaker until an encounter with a beautiful Secret Service agent thrust him into a world of intrigue and adventure he never wanted. But then, with Agent Walker around, it can't be all bad, can it?

This fic gets props for being historically-set but still including the Intersect. Again, a historical AU, so the pining!! the need to be Proper!!! But besides all that, there’s a lot of action fun as well.

Chuck Versus The Crosswalk: Remastered | WvonB

Will a last minute mission help our two favorite characters finally get together? This is the remastered version of my first story.

The original version of this fic is on my first list; this is the updated version! It’s not a complete AU, instead a story that diverges from canon, so if you’re more into canon characters and setting than a new AU scenario, this is a great fic for that.

Little Girls, Paper Wreaths, and Choc Chip Cookies | DanaPAH

Very AU: Sarah Walker is a single mother whose Christmas spirit needs a boost after a tough divorce. She isn't quite ready to go looking for romance, but her little daughter's affection for their new neighbor may lure it right to her doorstep, anyway.

An incredibly sweet AU one-shot where Chuck and Sarah are new neighbours, and Sarah has a super cute little girl. So much sweetness and love and hope. I love this fic so much it literally led me to write my own neighbour-kid-AU, so, not to toot my own horn but I’ll link it here anyway.

May Your Walls Know Joy | halfachance

Looking for a fresh start after some tough times, Sarah and her three-year-old daughter move to LA. When they meet a sweet curly-haired nerd who lives next door, though, Sarah realizes they might just find more happiness than they'd ever imagined, if only her past doesn't catch up to her first. AU.

It’s what the summary says; if you wanna read, feel free!

Chuck vs the Sound of Music | quistie64

AU. Chuck, nerd extraordinaire, is a man with seven children and Sarah must protect them all from Fulcrum's evil designs. Warning: there will be singing.

I mean. Not much mystery as to the concept with that title and summary lol, but this is a super fun, soft ride with a lotta sweetness, and yes, singing.

Just Two People | David Carner

Meet Sarah Walker PhD, Psychologist, specializing in personality traits. Meet Chuck Bartowski, man who has left THE electronic company of 2020. When Burton Consultants tries to figure out what is wrong with the morale of Orion Industries, what happens when a guy named Chuck meets a woman named Sarah. I'll give you a hint, it's me writing.

David’s done something pretty special with this fic. It’s Chuck and Sarah centric, but very much an ensemble piece, too, with a lot of Team Bartowski and other familiar faces throughout.

Chuck Versus the Con Game | Steampunk.Chuckster

AU. Chuck and Sarah are partners in the con game. It's an existence wrought with danger and violence. Every day could be their last. Every mission could be the end of the line.

This is where I freak out SC and declare this fic the reason I ever got hooked on Chuck fic and then wrote Chuck fic, and the reason I still love it today but. that is true lol. Just so. so good. It’s also written with the chapters out of chronological order, which is super fun from a reading perspective. But con!Sarah AND con!Chuck?? Best. The kind of fic you will be thinking about for days (if not, y’know, years).

As you can tell by the repeats, I highly recommend just about anything by Steampunk.Chuckster, dettiot, or David Carner, but there are a TON of amazing Chuck fics and authors out there. I’ve never known a writing community so wildly creative-- there are so many unique AUs and canon explorations and story concepts that this show has manifested, and it’s all so much fun.

Most of the Chuck fic community is still over on FFN rather than AO3, so if any of these whet your appetite, feel free to have a browse there for more stories. I’m sure you’ll find something great. Personally, all the incredible writing there has also led me to write a buttload; I’m at halfachance on FFN, so if you see any of my stuff or wanna chat fic, feel free to message me there or here.

Happy reading, folks!

#chuck #fic rec #chuck fic #nbcchuck #praying if i edit this to add to it or i reblog it to add to it all the links stay and the line breaks don't disappear sksks #the old one still looks okay on desktop but it's messed up on the app and on mobile and it's just all generally messy #so i've been wanting to make this for aaages lol yay to finally doing something! woo!

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mrslackles · 3 years

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what do you think are gg's biggest flaws?

Ooh, Anon! It’s like you’re in my head.

I’m busy making a video (that will probably never see the light of day) about this -- my distance from the show has really helped with some super objective clarity -- so I’ll use my notes from that to help me answer.

I’ll preface this by saying what I was most shocked by after putting down all the points was that Rio isn’t even mentioned until really far down??

Anyway, let's get into it.

These are Good Girls' greatest flaws in my opinion (and relative to season 1 -- while I think it had its flaws too, the list is far smaller and I think that's a separate post)

1. It didn't stick to its guns

What set this show apart from others in the 'Everyday person does crime (poorly)' genre was its comedic lightness, strong friendship element, relatability and emphasis on girl power.

a) By season 2, the lightness was already slowly disappearing to make way for season 3's darkness. (Quite literally; this show said sunlight scenes for WHO.) It also stopped being as fun. Remember how it genuinely used to be fun? I mean let's not forget The Best Scene Ever where Ruby shoots Big Mike by accident and we all laughed our asses off. (Compare and contrast to a similar-in-tone-and-context scene -- or even the whole episode -- like Boomer popping up behind them as Rio's package in season 3.) I think season 3 had some great lines and laughs, but in general, the fun element was completely missing for me.

b) As was the friendship. We already know Annie and Ruby basically became Beth's backup dancers in season 2, but at least then they still seemed to have some type of agency. In season 3, they rarely question Beth's (truly questionable) decisions, don't talk to her about shit like why she's still with her horrible husband and have very few true friendship moments as they did in season 1.

c) Which made it less relatable, but what also contributed was the major plot holes (it's less easy to relate when you're constantly having to remind yourself to suspend your disbelief). And, to be honest, their stupid actions. Just the most common-sense things weren't followed, like not taking your children to a crack den or not putting a hit out on a gang leader. It's frustrating watching a TV show -- where characters are supposed to learn things, have arcs and improve over time -- and feeling like you have more logical sense than all the main characters in every scene. (WHO would think a hitman was going to use a sniper rifle on people in broad daylight on the side of the road???)

d) You don't have to look any further than the title or the stans who shout "THE SHOW IS ABOUT THE GIRLS" -- or, hell, the first 10 seconds of the show where Sara is literally talking about the glass ceiling -- to know that the main characters being women is very important to the show. If not formally feminist, it was at least supposed to be empowering or feel like "girl power" (a term I hate, but we won't get into that now).

And I think it did it pretty well in season 1 -- it actually played on my favourite theme of the show, which is the world's perception of these women being what ultimately allows them to get away with so much. (Rife with opportunities for commentary about white privilege, but also a genius way to upend patriarchal beliefs.) But more and more it seemed like the show was asking you to accept empowerment as simply "these things are being done by women, yay".

And, well.

2. Its marketing

I'll keep this one short because I think we all know how messed up this situation is. Basically they're selling a show (every week!) that they're not making while ignoring all feedback on every social media platform. Which brings us to...

3. The marriage of Death

If I've said it once, I've said it a thousand times -- Beth's character development starts with getting rid of Dean. Her growth is stunted by him on multiple fronts and it's frustrating to viewers since she's constantly put forth as the main character. Not to mention how the audience, separately from Beth, was originally conditioned to see Dean as the scum of the earth (think of scenes like him crashing his car because he was perving on a woman jogging) so keeping them together is really... a choice. To actively root for this marriage (which seems like what the show wants, at least for the protracted moment) means either thinking Dean is a great person (which, as I said, we've only seen the opposite of) or believing he's all Beth deserves. Which leads me to...

4. Beth's (socio)path(y)

Is sociopath a 'good' word? Probably not. Have I seen dozens upon dozens of posts talking about whether Beth is one? Yes. And I see it from a huge variety of people -- from viewers who just binged the show last weekend to those who've been watching for years, the question keeps coming up. And I entirely blame the writing of the show that, by the way, I don't believe is deliberately creating Beth to get this reaction. I think she's written (and, to an extent, acted) in a way that is much too aloof and I'm not convinced it's meant to come off as cold and unfeeling as it does. Everything else leads me to believe that the audience is supposed to root for Beth, but it's just so difficult.

Beth does a lot of messed up shit that requires dialogue to sympathise with her and the inner workings of her mind, but in the later seasons Beth rarely gets to express herself verbally. And every time she does get to speak about her emotions, the dialogue is a pick-your-own-adventure between "She's in so much denial", "This person feels no emotions" and "I'll go find an analysis/fic later to explain this" (scenes like "Nothing" or "I was just bored"). Compare and contrast with some of the great scenes in season 1 where she emotes, like her paralysing shock after they first rob the store or admitting she enjoys crime, or (one of my favourites!) the one in the park where she's mimicking the other mothers beside her.

5. Brio

I said in the beginning that I was shocked Rio doesn't get mentioned until this point and that's because I've always felt like he was an integral part of the show. When people say the show is about the girls, they're truncating -- the show is about the girls getting into crime. That crime is represented by Rio over and over again -- they never bring in another criminal at his level (which is another one of its flaws, but that's also a different post); Rio is it.

And though I stand by Rio's importance, the truth is that Brio isn't as essential to the show, by which I mean that if all of the above were done well, it wouldn't be as sorely missed. In lieu of riveting plot, a fun friendship, character development and empowerment, most viewers have glommed onto Brio like a lifeboat (or ship, heh).

Unfortunately it's also what the show has most stubbornly refused to develop significantly.

It's honestly a toss-up for why I feel Brio is a flaw: is the flaw that they got together? That they never got together well enough? That the writing keeps bringing in these 'chemistry-filled' scenes that are ultimately filled with air?

I don't know. Maybe all of them; maybe just one, depending on the day.

6. Its criticism falls flat without intersectionality

This is a big one because Good Girls is *trying* to do something very clever. As mentioned previously, my favourite theme of the show is how the women's apparent innocence/vulnerability in the eyes of society is their biggest strength. The show plays with this and other interesting themes with varying levels of success, but ultimately they all fall a little flat when they don't feel intersectional.

When Ruby gets sidelined. When Turner, who sees and all but calls out by name Beth's privilege, is portrayed as the villain. When Rio is told he's gonna "pop a cap" in his young child's "ass". When the racist grandma becomes a sympathetic character whom we must later grieve. (And she really didn't have to be racist, now that I think about it? It was just that one line for laughs and that was it.) When, despite the real-world implications, Dean can loudly announce in a store that he's buying a gun to kill someone with and the show just glides past it. When Ruby has to grovel for forgiveness from Beth for trying to protect her husband and family from the system, with no acknowledgement from Beth about how their realities are different. When Rhea gets booted off the show as soon as she's done serving Beth's plot. When Rio gets treated like a prostitute for absolutely no reason. (Oh, and is accused of raping Beth and is literally spoken of as an animal and starts only existing in zero dim lighting as a one-dimensional stereotype... the list goes on.)

7. PR/The actors

I'll risk my life here to sprinkle this in because I do think it's a massive problem. The Manny/Christina of it all is just the tip of the iceberg (although wtf Good Girls? There's nothing you could do to get these two into an interview together??). The main actors do the bare minimum to promote the show and it's weird. I also think it's the height of unprofessionalism to keep characters on the show against the wishes of the majority of the audience just because you enjoy their actors (Boomer confirmed; Dean highly suspected). While, on the flip side of the coin, limiting a character's screentime because you aren't best buddies with them. Having less and less Rio when he's such a fan favourite is dumb; as is not including him in any series marketing material. It feels personal and that isn't how a TV show should be run.

8. The entire hair and wardrobe department needs a stern talking-to

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rimurutempest · 3 years

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i just cannot get fucking past this...

how can you claim to like sesshoumaru, hell how can you claim to like rin, how can you say yashahime has gotten you back into inuyasha,

how? literally how is any of that true?

how can anyone claim to like sesshoumaru but want him to be a pedophile? no really, HOW CAN YOU WANT A CHARACTER YOU LOVE TO BE A PEDOPHILE?

how can anyone who likes rin want her to be taken advantage of like that? to be fucking groomed and be fucked, sorry no, raped, as a child, by a fully grown man? who, on top of everything?? was her caretaker???

how can anyone who likes those characters want them to be characterised so terribly???

how can you, as a fully grown person with a functioning adult brain, find an adult man who brought a prepubescent child back from the dead TWICE - a grown man to whom a prepubescent girl owed her very life TWICE, who was her guardian for over a year - maybe as much as 3 years - while she was a prepubescent child, who spent the next 2-4 years bringing her expensive, elaborate gifts, who you believe asked to marry her when she was about 11 years old, who he then married & apparently impregnated her when she was 13-15 if we are being generous, & then fucking took their infant children from while she was recovering from giving birth, & then fucking abandoned them & potentially knowingly allowed them to be almost burned alive without so much as attempting to protect them, & barely spent any time with that girl, his wife, the mother of his children, who has no personality or experiences of her own any more & is now held hostage with no agency, unconscious, serving only as a source of supposed man pain or some shit, FUCKING ROMANTIC???

rin isn't even a character any more, she's a fucking PROP.

sesshoumaru's ENTIRE original character development & his ENTIRE characterisation have been undone, ignored, & disrespected. his entire role in the original series has been scrubbed away and replaced with a lazily animated puppet.

even if this was all unreliable narrator BULLSHIT, how can you condone any of that?? HOW CAN SOME OF YOU FIND THAT ROMANTIC???

sango has been done dirty, kaede has been done dirty, where the fuck is shippo, koga is a secondhand backstory & nothing more,

even moroha is a fucking insult!! she has a cute design & could be a great character, but her very role robs inuyasha & kagome of their entire happy ending. she didn't get to know them, to be raised by them, to feel their love for her, or to feel their love for each other.

inuyasha & kagome didn't get to stay together AFTER ALL THAT SHIT THEY WENT THROUGH IN THE SERIES. they didn't get to feel their OWN love for each other either!!!!!

i don't even care that much about kagura but all of the hints that there's still some connection between her & sesshoumaru & maybe the twins?? to include those details for what may be nothing but random red herring nonsense?

to treat literally every female character like garbage???????

& this is all fucking targeted at young teen girls???

the whole goddamn thing is trash and i seriously fucking hate anyone still watching & supporting it.

even just praising the new characters & finding a couple of positive things to enjoy is an affront, and i hate you for it honestly.

i hate you.

#iy #yh #fuck you #every last one of you is a bitch & i hope you fucking choke #i hope youre never allowed near children & your genitals all dry up and crumble apart

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nomanwalksalone · 3 years

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STYLE AND THE DAMME

by Réginald-Jérôme de Mans

Late in his new series Jean-Claude Van Johnson, Jean-Claude Van Damme, in tailored suit and open-collared white shirt, gestures up from his Aston Martin to his secret hideout with the instantly classic setup line, “No one has looked for me here for 20 years.” It’s a Blockbuster Video. As always, Van Damme is “on the run from the law, military or mafia,” but just this once, perfectly on the nose with this quip. And with it, three wildly different cultural icons, Van Damme, the tailored suit and Aston Martin, come into a strange but telling momentary alignment from the vastly different places they were in those 20 years ago.

20 years ago Van Damme was just over the peak of his fame, a coked-up Belgian kickboxing force who was fresh off The Quest, a big-budget, less satisfying remake of Van Damme’s best film, Bloodsport. He was about to star in a film about exploding jeans with the SNL copier guy Rob Schneider. Even better than it sounds, Knock Off knocked Van Damme off his pedestal and into the direct-to-video purgatory in which he’s labored since then. And labor he has, dedicated to actually becoming an actor of range and depth despite none of his audience actually caring. Direct-to-video films generally get ignored. Popularly, we expect them mainly to be watched by fans of fading stars expecting the predictable. It’s poignant, then, that Van Damme turned in a convincing performance in a pastiche of Bad Lieutenant and showed he could telegraph real pathos in John Hyams’ unfathomably good DTV Universal Soldier sequels Universal Soldier: Regeneration and Universal Soldier: Day of Reckoning.

Van Damme didn’t have to expend that effort. Witness the trajectory of his erstwhile rival Steven Seagal, a trajectory of almost cosmological increasing expansion behind yellow-tinted shooting glasses and spray-on-hair, accommodated in dozens of unwatchable movies by screenplays and direction that allow Seagal literally not to move. Seagal’s kept his many-chinned profile up in recent years courting tinpot authoritarians in the United States and Eastern Europe. Unlike Seagal, in recent years Van Damme has gained attention and respect by embracing his own ridiculousness. He played up this self-awareness with surprising comedic and dramatic talent in 2009’s JCVD, a scathing satire of his own dead-end career and broken life. He brings this willingness to both mock and explore himself to Jean-Claude Van Johnson, where he plays a retired actor who is actually a retired spy. Shoots for cheesy movies in Eastern Europe, such as a chop-socky reboot of The Adventures of Huckleberry Finn (“It’s time to get Hucked”), are just covers to investigate and infiltrate drug gangs, diabolical masterminds, and eventually the rotten entertainment industry itself.

The key to that last mission, taking down the corrupt talent and espionage agency that had used him, is looking the part, 2017 edition. Looking a part means meeting all the clichés, the easy expectations of a role. For that of Erstwhile Movie Star, today it means pulling up to the agency in an Aston Martin in a tailored suit, no tie. It certainly didn’t always. 20 years ago, Aston Martin had nowhere to go but up, or into oblivion. Since then, oblivion has claimed most of the other romantically exotic British car brands like TVR and Bristol. Aston used to mean just Bond films, Bond satires, and bad Bond copies. By the early 1990s, its annual sales had slumped to fewer than 200 cars worldwide and its main model, the Virage, cost $250,000. I’ve only seen one of those ever, late at night in my college town decades ago, looking like something from another world.

Today, thanks to prudent investment and positioning by Ford and Tata, Astons are a shorthand for the showbizzy glitterati of our world, occasionally favoring us with an appearance in our grocery store parking lot or, with motor gunning, running the red light we’d prudently braked for. Hugh Grant bought one after filming About A Boy because his tween co-star thought it would be cool; Isla Fisher drove one playing Ron Howard’s vapid daughter in Arrested Development. Van Damme’s Aston is the same sort of shorthand: predictable, expensive flamboyance to be expected from a has-been with money.

What does this mean for the suit? 20 years ago it was in the wilderness, a wilderness grown out of the backlash to 1980s corporatism, a wilderness so wild that for a few seasons designers were trying to put men in waistcoats, frock coats or Nehru jackets instead of sport coats or suits. Those didn’t take, but for the rest of us casualwear replaced the suit with identikit billowing blue shirts and baggy khakis in business settings, and with jeans, sweats or anything else, really, in other settings. 20 years ago the suit had just barely begun to creep back in certain circles in the United Kingdom as a so-called smart formal outfit for social outings, with a nice shirt but never a tie. It was too soon for that reminder of 1980s correctness. Since that time, Hedi Slimane goosed the “tailored look” with his tight suits, while fashion seized on the financial crises of 2001 and 2008 to push a return to supposedly more serious dressing. In the fashion idiom, the opposite of frivolity is expensive conservatism, ergo the suit. The tie, too, fought its way back up for a couple of years of air, but not in the world of cliché and shorthand, where smart actor of a certain age means nice suit, white shirt (anything else would be too busy) and no tie – no ties to the normal working world.

Today, Van Damme, Aston Martin and the smart suit are in alignment, all in fashion again… for the moment. Whether Aston Martin stays in fashion will depend on its owners and backers keeping technologically modern cars in production and promoting them. As to Van Damme and the suit? It’s just as ironically sad as Van Damme becoming a good actor that the suit, formerly the inescapable classic clothing item, returned only as a fashion item. This means that it can and will be replaced by something else in fashion, like yoga pants for men. Maybe Van Damme, too, is only having a moment as a whimsical nostalgia item like the suit.

But Jean-Claude Van Johnson has a real lesson for us beyond this sentimentality. Although it is about an actor who is actually an international spy, its reality is an actor playing his persona and pretending to find himself. His choices are to hide from the world behind cabinets of Pop Tarts and made-up memories, or to engage with the uncanny and unfair demands of an unfamiliar age. He chooses to engage, despite his heyday being long behind him and the things that he had fought for illusory. Remember that in fact there was no more genteel age of yore, only pasts of different levels of exploitation and oligarchy. The classy actors we now associate with elegance were actors playing parts, both on screen and in public life. No halcyon days await our return. However we adapt to changing times and changing understandings of what is right, ultimately we can best face down challenging times by being ourselves in the moment. Or as Van Damme-from-the-future reminds us, “TimeCops don’t exist.” We cannot change the timestream to fit our illusions. We can only do with what we have: our personality, not our persona, and from time to time, still, a nice suit as both armor and disguise.

Quality content, like quality clothing, ages well. This article first appeared on the No Man blog in 2018.

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whitleyschn33 · 4 years

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Hey, I don't mean to bother you again, but if you're still feeling up to it, I'd still like to see your opinions on each member of the Schnee family. No pressure if you don't want to do it though; I still appreciate seeing whatever you do post.

Hey!

You’re not bothering me, trust me. My motivation for... well, everything, but this blog in particular fluctuates pretty wildly, and that means that asks can sit in my inbox for months. The world going to hell hasn’t helped much. Also, every single time I’ve tried to write this, I’ve ended losing chunks of it cause I was too dumb to just type this in a word doc and copy-paste, so that’s been frustrating, to say the least.

Now that I’ve gotten smarter, though, let’s get into the Schnees!

Jacques

I have mixed feelings about how he was (potentially) written out of the show (and I have a feeling I’m going to be saying that a lot in this reply). I said in this post awhile back that I didn’t want Jacques to become an agent of Salem because something like that would most likely become the focal point of his asshole-ness and shove everything else to the side. That feeling holds true, but not really in the way I had been expecting.

How he ended up benefiting Salem, I’m perfectly good with. Him not knowing about Salem or Watts’ motives for making the deal with him, making the deal because it of how it would benefit him and not to serve Salem/kill people - that I’m good with. He was an unknowing pawn Watts/Salem manipulated around the board, but not a mustache-twirling villain all on board with working with the genocidal maniac/serving on her council of villains, and that’s all I really wanted - for him to not be a knowing member of Salem’s board of evil. Being part of a group that desires global destruction just doesn’t fit his motives – can’t make money off people if they’re all dead.

However, the fact that that’s why he was arrested - that his downfall was due to and focused solely on being involved in a Salem plot that just popped up this volume rather than anything to do with his treatment of the Schnees or the Faunus - that kinda rankles. This goes back to the ask I answered a while back - the focus on all the new plots and characters that meant a lot of the old stuff that’s been built up was shoved aside. Jacques being taken down feels like it should have been this huge emotional climax, tensions running high with all of the Schnees there and a huge release of all of those tensions as Jacques gets taken down for the crimes that we as the audiences most revile him for – his treatment of the Schnees. Instead it was… none of that. Jacques is arrested by Weiss for his aid to Watts… and she promptly cracks a joke about it to kill the tension. Winter is able to get in a decent snap at him, but that’s it from her. The entirety of Jacques’ arrest is focused on the heating crisis. He’s dragged off, and only Willow and Whitley get to witness and react to it, and even that’s just a look from Willow and Whitley running off looking completely done with everything – they don’t even react with each other. There’s nothing in Jacques’ downfall about his abuse to his wife and children or even the Faunus, it’s all the election and Watts – plot points that don’t hold nearly as much weight to the audience as ones that have been set up for years.

So, TLDR for Jacques: I actually hope this isn’t the last we see of him, because that would be a disappointing way to end the Schnee’s arc as a family. At the very least, I hope we get to see him talked about between Winter, Willow, and Whitley if/when they actually get to talk to each other.

Willow

Mixed Feelings: Round Two.

Her design? Love it. Her conversation with Weiss? Gold. Willow as a character? A bit more involved than I would’ve thought from how very non-existent she’s been up until now and implied to have been in Weiss’s life, but I can roll with her being a bit more aware than I would’ve gone with. Willow’s role in this volume? Ehhhhhhhh….

I hate that she literally just has a camera hidden in Jacques’ office and recorded the entire thing. It seems like such a cheap way of Weiss getting the information she needed, and comes out of nowhere after there was already a way for her to get the information set up in Whitley. Seriously – we already had Whitley established as having seen Watts, seen Jacques’ reaction to him, look suspicious at Watts, and hear at least the man’s first name. Whitley absolutely had the information Weiss needed – so why the hell pull “Willow actually has cameras set up everywhere” out of thin air? And actually – wouldn’t Jacques have his office swept for cameras and bugs on the regular? You know, like the head of an extremely powerful organization and high-profile target of at least one major terrorist group probably would? To prevent something like this exact situation from happening? I just find it hard to believe that she could’ve set them up for long without being found, and setting them up just before something important to the plot happened in that room is just very convenient.

And like, there’s actually no reason that it needed to be that way. Willow and Weiss could have had the same conversation, just swap out the lines about the cameras with “I don’t know, but I know who would – your brother”, and you can even have Weiss still say that he wants nothing to do with her and Willow agree with her “you left him here with us” line, prompting Weiss to seek him out to get the information she needs and maybe even have a heart-to-heart with him. Whitley wouldn’t even have to give up the information in that conversation – he could be incredibly stubborn about it and unwilling to help until Weiss is called into a meeting about the heating crisis, which Whitley would absolutely follow into to listen whether he’s invited or not, and hearing what’s going done, decide to step up and come clean, realizing if he doesn’t, thousands of people will die. I can actually picture it in my head, and it would be so much better than just “Oh, yeah, I got cameras that recorded the entire nefarious conversation.”

And I’ve spent this entire section not really talking about Willow. Uhh… again, I really like her design. I like that she’s wearing purple, a color no other Schnee wears (except… Whitley with that wine… hmmm) – a mixture of red and blue, her freedom being drowned in something else until it’s completely tainted. Her voice is good, and for the most part, I really do like her conversation with Weiss. I also love that she finally points out what me and other Whitley fans have been screaming for ages – that you can’t expect someone that you basically abandoned (in his eyes) to look favorably on you, and I like that she acknowledges her own role in that, that she’s been a poor parent as well, and actively a detriment to Whitley.

TLDR, I like Willow, I just hate the damn cameras that seem to only exist for this plot point (since if they existed before, shouldn’t Weiss being hit be what they were meant to capture?).

Winter

Best girl, hands down. Not kidding, Winter basically carried this volume for me – rational, yet having very human reactions to things while recognizing that the emotional response isn’t necessarily the right one, the star of a badass fight with Cinder in which her Aura breaks but she still goes on fighting and holding her own against a damn Maiden, an awesome new outfit, wonderful conversations with Penny and just a very interesting relationship with her overall, actually gets to fight back against Jacques to his face – is there any point where this woman doesn’t exceed all my expectations?

I wasn’t a huge Winter fan before this volume, but I’ve successfully been converted. Second favorite Schnee for sure.

Weiss

On thin ice. Still my favorite of the RWBY crew, but considering how much of a nose dive the other three (in particular Ruby) took in this volume, that’s not saying a lot. A lot of what irks me with Weiss are… little moments. Implying that Winter shouldn’t trust Ironwood because he “could” be keeping secrets when she’s the one lying while Ironwood has been nothing but honest, the implication that Winter isn’t capable of making her own choices in regards to the military and the Maiden and that Ironwood must have been grooming her (I really hate this implication, both for trying to tear Ironwood down and for trying to rob Winter of her own agency – like, joining the military was her choice, her escape from Jacques, and you want to turn that into some kind of long game manipulation on Ironwood’s part? You want to prove Jacques of all people right in that he “stole” Winter, rather than Winter making her own choices and Ironwood recognizing her abilities and offering her the Maiden’s powers? Really?), trying to brush aside Ironwood’s concerns about just how much RWBY has done behind his back, calling Mantle “her home” when it’s never been that in front of Marrow who is almost certainly from Mantle – just, a lot of little things that I really dislike, not to mention that this is probably the worst design she’s had. But there hasn’t been anything that’s just blatantly ruined her for me, and she remains the most interesting and well executed character of RWBY for me.

TLDR, a lot of bratty moments that push me away from her, but still holds promise.

Whitley

My poor boy! He finally got more screentime and some of our headcanons comfirmed, but made the butt of a joke that could’ve easily been replaced with character development and underutilized so much. I’d say mixed feelings, but no – love his character, hate how he was used would probably be the best summary. Of course, I’m very much biased, but let’s not let something like that stop me.

More screentime! And letting him talk to someone other than Weiss! His banter with Ironwood was good, seeing his reactions to Jacques, how afraid and timid he was, was heartbreaking, and even if it didn’t go anywhere, his suspicion of Watts was nice to see. It’s always sweet to see headcanons confirmed too – the painting of him playing the piano was nice, and even if I’d have rather had it come out of his own mouth, Willow’s confirmation of him feeling abandoned by Weiss was such a satisfying thing to hear.

On the other hand, I absolutely hate the wine prank. It was way too drawn out and petty – seeing so much joy on JNR’s face while setting it up over the course of a whole minute and using an stack of food half his size to toss onto him – it was way too over the top. If they had to go for the food thing, having Oscar (or someone else, but Oscar is the one without a huntsman license, so he’s more believably clumsy) just pretend to trip with a regular plate and get it on his shirt would’ve been just fine, and we could’ve gotten a nice interaction between Whitley and someone new and get some character development. But nope. We got to have RBYJNR take way too much glee in dumping a mountain of food on a boy they’ve never met before for… talking to his sister and unwittingly getting in their way. It just puts a bad taste in my mouth.

And of course, what I talked about in Willow’s section, the set up of him seeing Watts going absolutely nowhere. Seriously – you set up the perfect opportunity, and then took an out-of-nowhere cop out. It feels like such a squandered set-up, and really disappoints me.

At least we actually got him reacting to Jacques, and it was given an appropriate emotion and fitting cinematography. I love the shot of Whitley sitting all alone on the stairs, watching the only person that actually gives him attention being dragged away without explanation, and seeing the weariness and sadness in his expression as he looks up – I love it, I love it so much. The last bit of hope that they may actually treat my boy right in the end…

TLDR: My boy!

And there you have it! Months late, my thoughts on the Schnee after the most recent volume! How will these change after volume 8? Hopefully for the better, but we’ll have to wait and see!

Thank you for the ask, and once again, sorry for the wait. I may try and take a few more hits at my inbox, but that’ll have to wait for tomorrow, since I’ve got work in the morning.

Have a good night, and stay safe!

#rwby #weiss schnee #winter schnee #whitley schnee #willow schnee #jacques schnee #rwby7 #ask reply

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ieatmypizzawithaforkandknife · 3 years

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MAG 020 - Desecrated Host (part 2)

Summary: Jonathan reads the second half of the statement of Father Edwin Burroughs, regarding “his claimed demonic possession.”

I’d like to propose an alternate title for this one: “Bartleby”. I couldn’t help but see the parallel between Bartleby the Scrivener’s “I would prefer not to” and Father Burroughs saying, “seeing those bound corpses before me, I made the decision to take no action ever again.” Ah, Burroughs! Ah, humanity!

I mentioned in my last post that this episode was very heavy in the “altered reality” theme. I’d like to amend that: this entire episode was one long, terrifying fever dream. I’ve never been high but I think this might be what a bad trip feels like.

Jonny Sims et al. really outdid themselves on this one though, in both the writing and the performance. So many episodes really suck you in (not literally, fortunately - we’re luckier than some of the characters that way) and grip you ’til the very end. But this was one of the best so far for that. We get more than standard descriptions of things - we get things like that small, whispered “it was bright...so bright” in Father Burroughs’ description of the “church” and the resounding, gonging bell sound accompanying the bell-speech Father Burroughs hears. You can almost feel his throbbing head and blurring vision, and at times it just feels so real.

But it wasn’t. At least, not in the way that we like to think of reality. Whatever an outside observer might have seen that night, this statement was Father Burroughs’ reality. We do know that at least some of this episode was real in the normal sense of the word though. There are snippets, like Father Singh’s reaction to seeing Father Burroughs in the small chapel, and Father Burroughs later seeing Father Singh in the hallway, that seem like they were part of objective reality. Was this slip between reality and the illusion just so that we, the audience, knew that it wasn’t real? Or was it because whatever was affecting him couldn’t keep an airtight grip on his senses? I’d like for it to be the latter, but I’m worried that’s not the case. I do not like how powerful this thing seems to be.

During the “confession”, “Father Singh” recounted all of Father Burroughs’ past sins...so this thing either actually knew about all of those events, or it made Father Burroughs imagine that “Father Singh” was naming all of his sins (a la the psychic paper in Doctor Who). Also disturbing was the detail about its accent during the “confession” - it had “a crisp and clipped RP accent”, as opposed to Father Singh’s Indian one. The change in accent made it obvious for us that it was not Father Singh speaking, but otherwise it just makes no sense to me. Was it unable to imitate Father Singh’s accent for some reason? That might fit if it’s the same thing that spoke in a “low, grating voice” to Laura Popham in episode 15. But those are the only two times (that I recall) that the person making the statement has noted a change in the person’s voice when that static appears.

There are two possibilities I’m seeing for how this thing operates. Either it’s little more than an illusionist, or it can actually alter reality itself. The first would certainly be easier to deal with, but I’m leaning towards the latter. My main reason for thinking that is not strictly things seen in this episode, but more how things in this episode seem to relate to things in the rest of the season so far. We hear that recurring creepy static/interference twice in this episode, once when Father Burroughs reads Genesis 4:14 (after opening his Bible to Luke, no less) and once when “Father Singh” says, “Spiritual pride that has led to quite a fall.” And of course we have another appearance of creepy eyes: “the church’s large round window shifted as I watched, as though it were a tremendous eye that were turning to focus upon me.” The eye and the staticky voice tie these events to many others from the first half of this season, including a few times when reality itself seems to have been affected, rather than just people’s perception of it.

There were two Bible passages referenced in this episode. The second was Mark 9:14-19, which appears to be a pretty straightforward reference to Father Burroughs’ situation, as that passage tells the story of a boy “who is possessed by a spirit that has robbed him of speech” (NIV). But the first, as mentioned in the paragraph above, was Genesis 4:14: “Behold, thou hast driven me out this day from the face of the Earth, and from they face shall I be hid. And I shall be a fugitive and a vagabond in the Earth, and it shall come to pass that everyone that findeth me shall slay me.” And the writing around it seemed to swirl and was “obscured by dark stains”. This is obviously significant, given the static and the unexplained stains and the fact that this verse is actually quoted in the text (unlike the passage from Mark also in this episode, which was referenced but not quoted). But I can’t figure out the significance of this verse. Cain says the text of this verse to God after God banishes him for killing Abel. Cain is more or less saying that his punishment is too much to bear and that he fears for his life, presumably from others who will surely be angry about him killing Abel. The only possible parallel I can see between Cain and Father Burroughs is that they’re both cut off from God. If there’s anything more to this verse, I’m not getting it.

I’ve also been wondering about the various figures Father Burroughs sees throughout this hallucination. He sees shadowy figures along the street that “were always gone when I approached” - and then there were the parishioners in the pews at the “service”. Were the shadow figures the parishioners? Or were the shadow figures actual, real people, and his inability to reach them just a reflection of how trapped in this hallucination he was? And why did the parishioners come and go like that? Why were they leaving before the “service” was over? If they were real people then I think they had to have been members of the People’s Church of the Divine Host (episode 9). I just feel like there was something else going on at the “service” that Father Burroughs wasn’t privy to.

At the end of the episode, Jonathan calls attention to the man who met Father Burroughs at the Oratory door: “the altar server he described seems out of place with most of his other delusions, in that he appeared to have active agency.” We aren’t given much of a description of the “altar server” - he is tall, pale, and has thin, bony arms. None of that rings any particular bells (haha) to me, but I guess I’ll be on the lookout for a tall, pale guy with thin, bony arms. *shrugs*

“Cause of death was listed as blood loss from multiple lacerations all over their legs and torso, as well as removal of both their faces with a sharp blade, possibly a scalpel.” However, no tools or weapons were found at the scene, and “at no point did he perform any actions that might be analogous with the binding and actual murder of the students,” leading Jonathan to believe a second person was there. HMMM. I WONDER WHO THAT COULD HAVE BEEN.

The cause of death is very unusual, though, when you consider it from a real-world standpoint. It’s pretty easy to die of blood loss if, say, your carotid or jugular is cut. But lacerations on the legs and torso? Those lacerations would have to be extensive to cause fatal blood loss. It just doesn’t sit right with me - and it reminds me of another death we heard about previously. In episode 8, Ivo Lensik says his father was found dead in his study “with deep gouges along his wrists and arms”, and the coroner couldn’t identify the tool used on his arms. Robert Montauk (episode 9) also bled out, but that was after being stabbed 47 times, so it’s similar but not quite the same. The common threads I’m seeing in all three deaths are (a) cause of death being blood loss and (b) the idea that someone committed the murder who was not known to be there at the time.

Coincidentally, Father Burroughs was imprisoned at Wakefield Prison, the same place where Robert Montauk died a few years prior. I thought something might be up with that prison, so I did a quick search and apparently it’s a high-security prison for those who’ve committed crimes such as murder, rape, armed robbery, and kidnapping (Wikipedia). So there may not be any kind of supernatural connection there, but now I’m wondering if we’re going to get statements from or about anyone else in that prison.

One last observation. The sickly yellow color seen so many times in episode 18 made two appearances in this episode. Father Burroughs describes the parishioners at the “service” as having “fevered, jaundiced yellow” skin, and the stole that Mystery Altar Server gave Father Burroughs was “a pale, sickly yellow.” Oh, and that stole from Father Burroughs’ fever dream? An identical real one was delivered to the Oratory a few days prior to these events by Breekon and Hope Deliveries. And it must have been one of their last deliveries, since they liquidated some time in 2009, the year these events occurred.

Curiouser and curiouser...

This post is part of a series where I write my thoughts about each episode and obsessively connect dots in an effort to figure out The Big Mysteries of the series. All posts in this series are tagged “is this liveblogging?” Comments and messages are welcome but I have only listened to season 1, so I ask that you not spoil me for anything beyond episode 40. In the words of Jonny Sims…thanks for listening!

#personal #liveblogging #is this liveblogging?#The Magnus Archives #Bartleby the Scrivener #I'm tagging that in the hopes that some poor soul looking for help or commiseration on their high school English reading assignment #sees this post and is like 'what. pray tell. the fuck'

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bigskydreaming · 4 years

Note

Have you read Nightwing 71 yet? Sorry if I spoiler anything, but Ric was "groomed" "manipulated" and "brainwashed" by owls and, he IS now. I mean, AGAIN. Wow. Does DC ever know that Dick(or Ric) has his own character and personality and he is human, not tool ready to be used whenever or whoever needs? I am getting sick of this Ric grayson the free real estate BS.

I just read it now and its what I was expecting to happen but somehow it played out even worse than I was prepared for. There’s one line in particular that I don’t want to spoil in case any followers still care about that book being spoiled in terms of specific/detailed spoilers at this point, but something the Joker says to Dick near the end of the issue just makes this soooooooo much worse IMO than just another brainwashing for him.

But I mean, lbr here. This isn’t the Church of Blood or even the Court of Owls messing with Dick’s mind this time. Literally playing God with his entire sense of self and view of reality. Its the Joker.

The. JOKER.

This has officially pushed this story arc over even my disdain for the Forever Evil mess, and as far as I’m concerned, the rest of the Batfam should be BEGGING for his forgiveness after all this is said and done, no matter what he ends up doing while under the Joker’s control. I’m honestly going to just skip any fic that attempts to conclude or follow-up from this arc with anything other than the Batfam ALL busting their fucking asses off to do the work this time and put TIME and EFFORT into getting him to trust them or even want them around again at this point, because anything less than that will just leave me steaming at this point.

Literally the ONLY thing I want to read right now is a fic where someone in his family figures out ON THEIR OWN, LIKE ACTUAL DETECTIVES that no one who has had his mind and agency violated and disregarded as often as he has - just that they even KNOW of - could possibly be alright, and so based off of even just plain simple logic he can not possibly be alright, and so could one of them just fucking SHOW UP for him, and not to try to fix him according to what THEY think he needs but just to be there and ask what HE needs?

Where they make themselves a resource rather than them the knight in shining armor to his damsel in distress? Where they let it be about HIM instead of it being about them avenging him or them putting him back together or them protecting him or them somehow ending up more front and center and making more of the choices in-story than he gets to even though its supposed to be about him?

Like....just a story where the Batfam doesn’t have to wait until he has a literal breakdown before realizing he’s not okay and hasn’t been for a long time. Where they look at the LONG string of times none of them have been there when he needed someone, and ask themselves WHY it is that they all expect him to be present and accounted for whenever they need him but none of them ever seem to be around when he could use a hand - even though they all always pretty much know exactly where to find him.....like, he’s the only hero in Bludhaven. They know this. Everyone knows this.

Like, its not that hard to google “is shit going down in Bludhaven this week y/n” and drive half an hour when they hear his circus just got burned to the ground AGAIN or his apartment building was just blown up or there are four randos running around in his old costumes or the local crime lord just hired a dozen major assassins to all try and bring him Nightwing’s head.

Or his evil dead grandpa who last we saw was being handed over to Bruce’s custody BY Dick himself is somehow out on the loose again, why aren’t his family putting bets on where Rob Zombie’s bound to end up at some point - oh yeah, watching him through his window all creeperlike - I mean, I know their dad’s a billionaire but that’s just easy money. When a dude whose obsession is as hard to kill off as he is and with the backing and resources of a whole secret society of rich fucks who all think Dick’s destiny is to dance on the end of their strings, like when they all show a tendency to keep coming back like cockroaches no matter how many times they get stomped, what’s the best proactive approach to being prepared for the next time?

Oh right, leave the sole focus of their constant attempts at abduction/manipulation/brainwashing completely isolated, alone and defenseless without even the memory of why he shouldn’t trust someone who shows up claiming to be his great-grandfather even when he actually turns out to be the real deal.....’see, its not that he’s lying about who he is, its that who he is happens to be evil.”

Seriously. HOW is this a family of geniuses??

HOW is fandom so often convinced its DICK who’s the dumbass out of all of them, when this is their brains on “oh no, Dick’s not here to tell us what to do while we bitch at him for it.’

Imagine fics where someone in Dick’s family looks at the HUGE number of holes in their knowledge of his life.....the periods of long stretches of time where NONE of them were in contact with him and thus have ANY idea what might have happened to their infamously-tightlipped-about-when-bad-things-happen-to-him brother/son without them knowing about it.....and wonder...hey, what DID happen to him during those times and isn’t it weird and WORRISOME that he’s never volunteered any info about those periods and we’ve never ASKED?

Aka the years he was estranged from Bruce because Bruce couldn’t pull his head out of his ass long enough to apologize to Dick for firing him and then turning around and hiring a new kid who gets the Wayne adoption AND the Grayson family name that were BOTH kept or taken from Dick when he was still pretty much just a kid himself.

Or the long months Dick spent infiltrating the mobs and then the Society of Supervillains when he was Coping Badly after everything that happened to him in Bludhaven, both what they know of and whatever else they don’t know of that could’ve been driving him back then....driving him straight into the company of VILLAINS rather than them.

Or literally anything that happened to him while he was working undercover by himself for the highly dangerous and infamous spy agency that also tried to take over his brain (PS - how many people don’t know that the ultimate resolution of the Grayson series, the endgame, was Dick battling the main villain for control over his own mind, because guess the villain’s plans for him were? Oh yeah, to be his new host body when he downloaded his consciousness into Dick’s body and kicked Dick’s consciousness to the curb. LOLOL. Ah yes. Everybody wants Dick Grayson - just without the parts that actually MAKE him Dick Grayson.)

Etc, etc, ad nauseam.

Everybody talks endlessly about how Dick Grayson is a people person and the heart of the family and his teams and nobody thinks twice about the fact that this is the same person who is so infamously often left on his own to his own devices battling the worst of the worst and everybody thinks oh he’s fiiiiiiiiiine. Like, I’m not actually sold on the idea that Dick is an extrovert rather than an introvert vs he just fakes being an extrovert very well....but what does it say that everybody ASSUMES Dick is this huge extrovert and yet.....it never occurs to them to seek HIM out and surround HIM with the people that supposedly an extrovert like him should need to recharge and recover after enduring shit like he does?

How about instead of a million fics where Dick’s agency is ignored yet again so the Batfam can dramatically find out about his rapes whether he likes it or not, and insert THEIR idea of what should happen next/how he should deal.....how about fics where he TELLS one of them or all of them about these or other events that have happened to him, on HIS timetable, of his OWN volition....because he WANTS to? Because he’s READY? Because he honestly believes it’ll help him to tell them, that they’ll be there for him, he TRUSTS this....because they’ve already done the work of proving to him they will or giving him reason to believe they will....rather than just leaving him with no other choice?

Just....

Think about how often Dick’s casually referred to as the glue that holds the family together or the emotional heart or center of it.....

And then wonder if maybe the reason the Batfam as a whole is so fucked up....

Is because what everyone calls the HEART of it is constantly left neglected, alone, and fucked up and not taken care of, not looked after....

Like....

What tends to happen when you don’t take care of your heart? Protect it? Keep it healthy, keep it safe?

Y’die.

Your body goes stone cold. You keel over. DOA.

Hmmm.

Don’t want the Batfamily to be cold...distant....a family in name only....

MAYBE YOU SHOULD PAY MORE ATTENTION TO ITS SO-CALLED HEART THEN.

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quicksilverlightning · 4 years

Text

The All Might Fan Forum Discussion Board, Part Two

ALL MIGHT FAN FORUM General Discussion All Might Battles Meeting All Might Rescued by All Might All Might Encounters >Small Might Encounters (New!) Fanart and Fanfiction

Gone4-a-Jog

Small Might Sensei

I like to go jogging. I started recently and I’m not very good at it – I can’t run very fast or very long. But I like taking different routes and discovering new places when I stop to catch my breath. It was during one of my longer runs that I bumped into All Might.

I’d heard someone behind me a few minutes before I stopped to put my hands on my knees and try to gulp down as much air as possible, but didn’t hear that he stopped when I did so I jumped and nearly fell on my ass when I got upright, then nearly fell again when I saw who it was and this long sentence doesn’t begin to cover the comedy of errors that was my life in these few moments.

He stopped cause I was running wrong. Sidenote: there’s a such thing as running wrong. Apparently, you want to land in the middle of your foot and try not to land on your heel at all cause that can cause problems. He also taught me a few breathing rhythms for different intensities of runs.

He ran with me for about twenty minutes, correcting my bad posture and seriously I know every post on this forum says it, but All Might is super, super nice. Like, you’d think he’d have at least a little ego or something, but he doesn’t. He just wants to help everyone. He said hello to everyone we passed and doubled back to throw away a bottle someone dropped. He’d so nice you guys.

I’ve been using what he taught me for a few days now, and haven’t gotten a stitch in my side once. It’s so much easier to run now. Thanks Sensei!

Pepper-oni

Seatmates!

Small Might sat next to me on the bus. Pretty sure he could have had any seat he wanted no matter how crowded it was, but he was really polite and kinda awkward about asking if he could sit with me. Meanwhile, I’m internally screaming while trying to keep it cool on the outside.

He was texting someone on his phone – I tried not to stare, but it’s All Might, you know? I didn’t catch much, just that he was proud of someone, which, hello, is so frickking cute. He looked happy.

m0toroildrmz

A brief conversation with my mother:

“Mom, do you know who that was?”

“No?”

“That was All Might! All Might, mom!”

I leave my mom alone for five seconds to use the bathroom, and I come back to ALL MIGHT helping her with her English crossword puzzles. She didn’t even get an autograph for me.

oba-san581

the beach

I don’t know why it took so very long for it to click – after his last battle, I couldn't shake the feeling that I’d seen that tall, skinny man somewhere before. And he is such a distinctive gentleman; I was sure I knew him, somehow. It wasn’t until I met him on the beach that it finally fell into place.

I’m retired these days, so I have a lot of time on my hands. Every day, I take a walk from my home to the library and back. Sometimes I stay a few minutes, sometimes the entire day gets away from me. For months, almost every day without fail, there was a man and a boy cleaning the shoreline near my home. They would be there when I left for the day, and were still there when I came back. The boy was a scrappy, freckled little thing, cute as a button. The man was slender, but undeniably strong – he would step in to help with some of the bigger appliances, but mostly directed the boy and cheered him on.

I stopped to speak to them a few times; the boy was such a polite young man, and All Might was genial and humble. I never would have known. I could never have guessed had I not met him again, returning from the library with a book to enjoy near the waves.

It’s strange; heroes are so flashy these days, hustle and bustle and fight and move. And we appreciate them, need them. But there’s something so very special about the little things. All Might personally spent almost a year helping clean up a beach. Would anyone else in the top ten have done that?

He was every bit as kind as I remembered. He doesn’t accept praise very well, insisted the beach was all the boy’s doing. Which is fair enough I suppose – he did most of the heavy lifting. Even so, that man was out there almost every single day, with lunch and water and cheer and kind words. It warmed my heart, watching the two of them progress across the sand. I’m so glad All Might is a teacher now; those kids are in good hands.

spite-and-aesthetic

again with the cats

small might plucked my cat out of a tree AGAIN – same cat same tree he even fucking remembered me is this guy for real?

MKPlusUltra

All Might does not skip Leg Day

So I’m minding my own business, checking messages on my phone, waiting on my drink order, when there’s some commotion across the street – lotta loud noise, people screaming and running, standard-issue villain-tries-to-rob-the-till-at-the-combini sort of afternoon. It’s a tall guy with, like, I guess it’s a stretch Quirk off some kind? He looks like he walked out of some old-timey cartoon, all wiggly limbs bouncing everywhere, running from what looks like some rookie Pro – I don’t even think they were a rookie yet; maybe an intern? Anyway, Noodle Arms is booking it, Intern is after him as fast as his short legs can manage. Leggy clears the street in one jump and starts twisting his head around like he can’t decide where to go next.

It’s at that moment when All Might himself exits the building next to mine, one hand leaving his pocket to check his watch and Noodle makes a decision.

Now look, I’m gonna break this down into slo-mo for ya, cause seriously, it was a thing of beauty. It was one, smooth, impossibly cool-looking move, and every piece of it needs to be appreciated. This DUMBASS, who clearly had no plan whatsoever beyond “grab a hostage,” honestly thinks he can take on ALL MIGHT, I guess cause he’s skinny now or something. He wraps his stupid noodle limbs around him and All Might doesn’t even twitch when Dumbass constricts his arms and waves a gun around. Dumbass is yelling something, I don’t know what, who tf cares. All Might kinda tilts his head, wriggles his shoulders a bit, then lifts his arms up and slides out of the jacket so fast the fabric doesn’t even lose its shape. I’m not even kidding, it looked like it was on an invisible mannequin, this move came straight from the Acme school of How To Defy Physics. Dumbass has just enough time to look shocked before he’s eating a size 13 leather shoe – All Might dropped to his haunches, made a quarter-turn, and kicked his leg up and back, straight into the jaw of Dumbass. He kicks him so hard his feet actually lift off the ground and he flies backwards into a streetlamp.

All Might doesn’t even look angry; he just looks Annoyed, like someone forgot to put sugar in his coffee. He picks up his jacket and slings it over a shoulder and waits around a few minutes for the police to catch up and haul Noodle McDumbass into custody while Short Intern babbles away with stars in his eyes. It was the coolest thing I’ve ever seen in my life.

AM_FAN0112

HE’S BACK

HE HASN’T BEEN TO THE SHOP IN THREE MONTHS TOSHINORI YOU USELESS SUNFLOWER I WAS WORRIED ABOUT YOU. I LEFT SO MANY TEARS ON HIS JACKET

YOU FUCKING SWEETHEART. YOU ABSOLUTE RAY OF LITERAL SUNSHINE. I WILL SAVE EVERY COPY OF SUGAR SUGAR CAT CAFE FOR YOU I WILL READ EVERY SINGLE DUMBASS ROMANCE MANGA I CAN FIND I WILL WORK IN THIS TINY BOOKSHOP FOR THE REST OF MY STUPID LIFE JUST NEVER SCARE ME LIKE THAT AGAIN YOU AWKWARD JACKRABBIT DON’T EVER LEAVE ME HANGING LIKE THAT AGAIN

I’M SORRY FOR SCREAMING I JUST MISSED HIM SO MUCH HE’S MY FAVORITE CUSTOMER EVEN BEFORE I KNEW HE WAS ALL MIGHT. HE’S AN ADORABLE OLD MAN

RedRibbon

A good man

Perhaps it’s a little unfair for me to comment since I work in the Tower. Still, there are some things I wanted to share with the world and this is a good place to do it.

I’ve been at the agency for three years now, mainly doing secretarial work. My direct superior is a man named Yagi-san. Yagi-san acted as All Might’s personal assistant, right hand man, concierge, whatever you want to call it. Telling something to Yagi-san was as good as telling it to All Might directly. I, along with everyone else in the Tower, learned why that night in Kamino.

I’ve read many, many posts on these discussion boards and if I were to identify a unifying theme that everyone seems to mention, it’s that All Might is a nice guy. That he really, honestly cares. That he worries about the little things just as much as the big things. I’ve worked with Yagi-san for three years and can confirm that none of it is a show for the adoring public – it’s all 100% true.

Let me tell you something, I worked with Miruko’s agency before All Might’s, and Wash before that, but unless the two of them also have secret identities, neither one of them was on the ground floor pushing pencils with the rest of us like All Might was. I’ve seen Yagi-san escorting new hires around the building when they get lost. I’ve seen him roll up his sleeves and change a busted printer cartridge, ink all over his shirt. He knows everyone’s birthday. He’ll do coffee runs, answer the phones, make deliveries, grab lunch, whatever you need. I’ve seen him as All Might, shutting the press down when they start getting pushy with the employees, or dropping by the daycare and making the kids light up.

I’ve never seen him complain. I’ve never seen him brush anyone off. I’ve never seen him be rude, or arrogant, or insulting, or aloof. I’ve never seen him treat anyone as lesser, as if they weren’t worth his time. Yagi-san lifted morale just by being in the building, the way All Might cut crime rates just by existing. Everyone in the agency loved Yagi-san just as much as they loved the hero; everyone had a story about All Might, and another one about Yagi-san. I’ve seen a few of those stories on this very board.

But this one is mine:

Ever since high school, I’ve used a ribbon to keep the hair out of my face. I love my curls, but they can be a nuisance waving around at the edge of my vision, so I keep them pulled back. I like using ribbons because scrunchies often get caught in my un-tameable mess of hair.

My ribbon snapped one day at work. It wasn’t a big deal – just a minor annoyance to have to keep pushing my hair back. But Yagi-san noticed. He noticed without anyone saying anything, and came back from lunch thirty minutes later with a beautiful red ribbon that he tied into my hair.

It really is the little things that matter the most. This tiny little gesture made me feel seen, acknowledged, valued. Not just as an employee, but as a person. All Might cares about those kinds of things – his employees aren’t subordinates, they’re people. He doesn’t rescue victims, he recuses people. He doesn’t pull you up to his level; he gets on yours and puts you on his shoulders.

I’ve worn that ribbon nearly every day for two years. It’s gotten thin in places, kinda frayed at the edges, but still doing its job faithfully. A bit little like the man who gave it to me.

#yagi toshinori #All Might #my hero academia #boku no hero academia #mha #bnha #fanfic #bnha fanfiction #small might #social media fic #pov outsider #I love writing fics like this #number one in our hearts #loosely connected to An Unofficial Statement from Might Tower #AM_FAN0112 is me

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s-j-ace · 4 years

Text

The Same Question

Chapter Three

Characters: Shuichi Saihara, Ouma Kokichi

Words: 3360

Summary:

After Detective Shuichi Saihara encounters mysterious thief Kokichi Ouma for the first time, a game of cat and mouse ensues as both men ask themselves the same question. Why exactly does the elusive phantom thief do what he does?

This is Chapter Three, Here are Chapters One and Two

Read on AO3

[Log of Text Messages from Kaede Akamatsu’s Cellular Device]

From: Me

Hey Shuichi! How's it going? I haven't heard from you in a while. I keep forgetting I'm a human person and not a piano machine while I'm on this tour lol.

From: Shuichi! :D

Hi Kaede! I'm sorry! I forgot to check in on how your tour is going, probably because I've been kind of busy myself. How are you?

From: Me

No need to apologize silly

I'm doing ok

Just craving human interaction that isn't a graceful hand shake or an approving nod rn

Hey if you've been busy that means you're working another case, right?

From: Shuichi! :D

Haha yeah I guess.

Or at least I'm trying.

From: Me

👀

You wanna talk about it or is this one still top secret?

From: Shuichi! :D

Well

I guess there's no client or victim to protect with this one

And there's nothing really stopping me from talking about it

But it's not that interesting to be honest.

From: Me

You're talking to a girl who is on her phone rn to avoid playing hoity toity with a bunch of rich people who like dressing up fancy more than they actually appreciate music :///

Anything is an improvement tbh

From: Shuichi! :D

Haha ok

Well

So like I've been tracking some thieves for a while now.

From: Me

Oooh is this like the Novoselic case?

From: Shuichi! :D

No it's more like a series of robberies than one big robbery.

From: Me

The intrigue,,, 😲😲🤔🤔

From: Shuichi! :D

Anyway it's just a group of thieves

They just robbed this casino and it's a little frustrating

Because I looked at the security tapes and they just kind of…

Walked in…

And the thing about these guys is that they all dress up like clowns

So like it’s literally just eight clowns on the security tape coming in and picking things up and leaving and there’s other people in these videos but no one even looks at them twice????

From: Me

Ffff that’s pretty funny…

From: Shuichi! :D

Hmm.. I’d probably have found it more funny if the owner of the casino hadn’t been crying and shaking me while I watched it. They dropped one of the chandeliers on his car or something.

From: Me

What??? Chandeliers????

From: Shuichi! :D

Yeah, the boss clown dangled these chandeliers off the side of the roof to distract me while these rare videogames were being stolen. Then he broke them when he thought his crew could get away.

From: Me

How is that not interesting??? That’s super intense Shuichi!! It makes me want to play movement three of Moonlight Sonata...

From: Shuichi! :D

Is that the really fast one

From: Me

Yes!!! :DDD

I’ll make a melomaniac of you yet!

From: Shuichi! :D

Does this mean you’ll stop making fun of me for getting a C in music appreciation senior year

From: Me

Oh yeah the real reason we broke up lol

From Shuichi! :D

Haha yeah.

Uh, anyway. With the thieves.

I know they're going to land in Cairo in a few days but I don't know what they're stealing.

From: Me

Hey! Rantarou's going to Cairo tomorrow!

You want me to see if I can get you a ride on his jet?

From: Shuichi! :D

Oh no you don't have to do that

From: Me

Yeah, but I'm going to

Unless you really don't want me to but I think that you do so...

From: Shuichi! :D

I dunno

That would be very nice

I'm a little low on a travel budget and I'm in Reno Nevada right now

From: Me

Oh huh where's that

From: Shuichi! :D

In America, like eleven hours away from where you are

From: Me

So? Rantarou's a trust fund baby he could afford the detour

From: Shuichi! :D

Yeah but also like

I'm pretty sure he hates me?

From: Me

Whaaaaat

Rantarou doesn't hate you

Last time you saw him you literally helped him track down all twelve of his missing sisters

From: Shuichi! :D

Yeah but I just get the vibe that he doesn't like me

From: Me

Shuichi you have social anxiety

---

From: Me

Hey you don't hate my friend Shuichi do you

From: Avocado Hair

Hmmm…

I don’t want to be mean

From: Me

Yeah you don’t >:/

From: Avocado Hair

But I thought he was a little suspicious when I first met him…

Don’t get me wrong, Shuichi’s nice and seems reliable enough

But also he’s your ex and I don’t trust exes of my friends just on principle

From: Me

...

From: Avocado Hair

Listen obviously I think Shuichi is cool now

But also it was kind of sus when he was just creeping around your shows without introducing himself…

From: Me

I invited him to those! >>:0000

From: Avocado Hair

Yeah, I know that now

He’s a nice guy alright? Really, I do owe him one

Or twelve hah

From: Me

Great! You’re picking him up from Nevada tomorrow

From: Avocado Hair

I'm doing what now

From: Me

From: Avocado Hair

So Nevada, huh?

---

From: Shuichi! :D

Yeah but also sometimes I'm right when I think people hate me

Having social anxiety does not make that not true

From: Me

I set everything up :)) he says you're a cool guy and he'll call you when he lands in Reno

From: Shuichi! :D

That's very nice of him

From: Me

Shuichi Rantarou owes you like 12 life debts

From: Shuichi

Finding missing persons is my job, it’s hardly something to owe a life over

From: Me

Shuichi it was 12 missing persons

My mans Avocado lost track of twelve whole sisters and you found all of them and now you think he's capable of hate??? smh 😔

From: Shuichi! :D

I'm sorry okay?

From: Me

You don’t need to be!!!

---

Shuichi Saihara found himself, one week after the heist in Reno, on practically the other side of the world. He was blending in with the scattered crowd of tourists circling around the new exhibit at The Museum of Egyptian Antiquities in Cairo, Egypt. As he looked into the wide-eyed, gilden face of a newly dug up sarcophagus, Shuichi struggled to convince himself that this wasn’t a complete waste of time. Interpol and the Boulaq Police Department certainly seemed to think it was...

Back in Paris, Interpol hadn’t ended up giving Shuichi access to DICE’s next encrypted letter of intent. Instead, after Shuichi gave his testimony to the Paris Police and the investigation was essentially wrapped up, it seemed like Agent Kiyotaka Ishimaru decided to make an appearance just to have the pleasure of yelling at Shuichi about how many protocols he would've just broken if he were actually beholden to the employment of any law enforcement agency.

… okay that wasn't a fair characterization of Agent Ishimaru. He was a nice enough guy. He just wasn't as disillusioned with the authoritarian reality of national militias given power by systems of government forged when people still thought eating your own vomit cured smallpox. One time he gave Shuichi a juice box, and some cookies his husband made, before chewing him out, so that was pretty nice. Although maybe that was only because Shuichi had just gotten lightly stabbed by an internationally wanted drug dealer…

Regardless, Agent Ishimaru was far from pleased that Shuichi was “performing acts of covert vigilantism again,” despite the fact that Shuichi had absolutely no idea DICE was even on the flight and therefore his reactionary investigation didn’t include anything illegal, such as stalking, that would be classified as unlawful vigilantism without the backing of the appropriate law enforcement agencies.

When Agent Ishimaru was done giving a speech about Shuichi’s naivete, he ordered him to get off the case. Luckily for Shuichi the Paris Police thought he was with interpol because of this exchange, and they let him look at security tapes and flight records from the two closest airports. He’d been able to deduce their arrival at Reno, but wasn’t able to figure out what DICE’s mark would be until the heist was already under way. He’d just barely been able to stop them from stealing every single vintage game console from the Silver Legacy Resort.

After looking at tapes from the Reno-Tahoe International airport too, Shuichi had been able to deduce DICE’s next destination was Egypt, but Egypt was a country and had a lot more national landmarks than Nevada did and honestly Shuichi didn’t even know where to start looking for possible burgleables. Rantarou, a friend of Kaede's who was nice enough to give Shuichi a ride to Cairo, had asked him to check out the Museum of Egyptian Antiquities first.

Apparently Rantarou's family could trace parts of their bloodline back to old money European families which had partaken in the awful rich people trend of the 16th century where they would just rob graves in Egypt and eat parts of mummies. As a result, they had a bunch of artifacts that didn't belong to them, so Rantarou often made trips to Egypt to return as many as he could. Right now a lot of those artifacts were getting packaged to be shipped to the Grand Egyptian Museum in Giza, because the Museum of Egyptian Antiquities was due to be superseded by it next year. He was off somewhere mixing with Museum staff while Shuichi took stock of all the possible entrances around the exhibit.

The museum was rather crowded, and as a couple walked up behind him, Shuichi suddenly felt that he was very obviously blocking the view of the sarcophagus display he was in front of. He muttered an apology and moved away, turning around to look at a vase closer to the corner rather than the center of the room. Like most of the artifacts on display it was in a glass case, which Shuichi had noticed seemed to be of the make and model of the kind rigged up to a silent alarm system of some sort. If the cases were opened, the guards in the security booth near the front of the museum would most likely be notified. Although, the exhibit pieces in the cases themselves didn’t seem of much note to Shuichi. There were, of course, priceless artifacts held up on stands or splayed out on ornately embroidered mini-rugs inside the cases, but none of it quite seemed to fit DICE’s MO. Maybe he could look into the other exhi...bits….

Shuichi’s train of thought trailed off as he noticed that on the other side of the vase he was looking at stood a young woman in a headscarf who he could tell was giving him a weird look.

Shuichi’s inner voice made a noise that would have sounded like, “Hghhhhhh” if he were speaking out loud.

Was he in front of something again? Did he have something on his face?

Okay maybe she wasn’t looking at him and he was just being weird.

His gaze flitted up to momentarily take in the heavily makeuped face and he instantly found himself locking eyes with the very familiar dark purple irises of a complete stranger.

Shuichi did a double take as he realized that this was not, in fact, a young woman.

Wait, did he really know that? Maybe he had just assumed the thief was a guy. Shuichi squinted. How do you ask an internationally wanted thief their pronouns?

“What pronouns do you use?” Ah okay, like that. Thanks for nothing internal filter.

“His majesty/His imperial highness,” The thief replied automatically as if he already knew what Shuichi was going to ask them and had remarks prepared. “Rat/rat bastard are also acceptable.”

Shuichi took that to mean that the thief wouldn’t be offended if he referred to him with masculine terms. Ugh, wait what where was his head at right now?

Shuichi began to maneuver around the vase to apprehend him, but as he moved the thief moved at the same time, so it ended up looking like they were playing ring around the rosey with the vase display.

Shuichi stopped. The thief stopped too.

He started going around the other direction. So did he.

They stopped again.

While maintaining eye contact, Shuichi attempted to discreetly move his hand into his pocket so that he could text Rantarou that a robbery was definitely happening right now. He had gotten pretty good at typing on his phone without looking, but as he slipped his hands in his pocket the thief’s eyes followed.

If he considered that Shuichi might have been reaching for a weapon, he sure didn’t look it. The man’s posture was relaxed and as he watched the grin on his face widened impossibly.

“Is that a phone in your pocket that you’re using to discreetly notify the authorities of my presence, or are you just happy to see me?”

Uh.

Shuichi sent the text -- he had managed to type out a simple “HELP” to his most recent contact, which was probably Rantarou -- and quickly pulled his hands out of his pocket. He maneuvered them instead into a placating gesture, glancing around at the trickle of visitors wandering through the exhibits around them.

“I… Don’t want to cause any unnecessary alarm…” Shuichi started to say as he tried to think of any way to de-escalate this conversation.

“Oh, trust me,” The thief began in an earnest tone that Shuichi definitely knew not to trust. “Neither do I.”

Suddenly, the glass case lifted up and Shuichi realized the thief had somehow managed to pick the display case lock during their impromptu round of ring around the rosey. Which hopefully set off an alarm of some sort?

Yet as Shuichi glanced around he couldn’t spot any form of security in between tourists, none of whom seemed to see what was happening. Or maybe it didn’t register as suspicious to them?

It certainly registered suspicious to Shuichi, who was now looking directly at the thief’s heavily makeuped face. He didn’t look anything like the first time Shuichi saw him, except for the facial expression that seemed to indicate he could just decide to pull out a knife or jump off an airplane at any moment. Shuichi had only a moment to connect this expression to that of the black and white cat that kept knocking over the potted plants on Kaito and Maki’s balcony before the thief’s hand was raised and already coming down on the ancient vase. The priceless artifact took a nosedive off its display pedestal, and Shuichi dove to catch it.

Thankfully, Shuichi managed to grab the vase out of the air in the nick of time, just careful enough to prevent it from shattering into a million pieces on the floor. Not so thankfully, Shuichi was the one who fell on the floor instead. He hit the ground, but hey! At least the vase was fine! Then again the natural oils on his hands probably weren’t especially helpful in the grand scheme of the artifact’s preservation…

Shuichi moved to stand up, but froze as he realized that every eye on the room was on him.

Uh. Okay. Time to. Not. Freak out about that. Yep.

Oh shit oh shit oh shit they were all looking at him what if they thought he was-

Wait. Where did DICE go?

Shuichi heard a loud, sharp sound, and turned instinctively. He found that the thief had stepped behind him at some point, and had backed up to blend in with the rest of the crowd. As the sharp sound repeated, Shuichi came to the realization that the thief masquerading as a young girl had clapped. And now the man behind him was clapping to, and the woman behind him, and the lady behind her and almost instantaneously Shuichi came to the realization that the whole room was clapping, and that it was a distraction. As the clapping continued, the thief stood still as curious museumgoers pushed forward in the crowd to figure out what was going on in this corner of the display.

The thief was disappearing from view. Now was his chance.

In the brief instant Shuichi and the thief locked eyes, the detective saw his challenge. That it was not only a challenge, but a question.

Will you drop everything to chase after me?

He had to make the decision now.

Shuichi chose to stand up to his full height and turned to place the vase safely back into the display case, closing it back up.

He wouldn’t make the same mistake he made in Reno, chasing after the man whose face he knew rather than keeping in mind the nine other just as capable operatives. He was starting to learn that DICE always seemed to take two steps ahead, and that if Shuichi wanted to do something it was most likely something that would benefit their plans. So he resisted the single-minded urge to chase the thief in to instead take the preventative measure of scanning the nearby displays for anyone trying to take advantage of the distracted crowd.

He didn’t even watch as the thief disappeared into the crowd, and instead pulled out his phone.

Rantarou had replied very helpfully to his “HELP” text with a carefully chosen one word reply.

---

[Log of Text Messages from Shuichi Saihara’s Cellular Device]

From: Rantarou Amami

What

From: Me

Sorry

Don’t panic

But I am fairly certain that this museum has just been robbed

From: Rantarou Amami

...

what

From: Me

It’s a lot to explain

From: Rantarou Amami

Just call me

You were in a call with Rantarou Amami that lasted 38:56.04

From: Rantarou Amami

Hey is that interpol guy done yelling at you yet

From: Me

Oh geez

Did you hear all that?

From: Rantarou Amami

I mean like

I got the gist of it

And the gist of it seemed to be

“Shuichi! Stop being such a good detective! You’re making me look bad!”

From: Me

Oh haha

I guess that was something along the general theme

I’m not really a better detective than him though

He’s just the kind of guy whose like

RULES NEED TO BE FOLLOWED BECAUSE I DO NOT QUESTION AUTHORITY

But also I think his husband is like in a biker gang or something

From: Rantarou Amami

Come on Shuichi give yourself some more credit there

If you’re not a good detective that means that at best I’m an awful one

You found twelve missing people in one week who I had been searching for for five years

Also you literally just stopped a museum robbery

From: Me

Oh, sorry I don’t mean to be like weirdly self deprecating

But also I would contest the fact that I stopped a museum robbery with the evidence of the fact that the museum definitely still got robbed

From: Rantarou Amami

Yeah but like

The only part of the museum that didn’t get the carpets stolen from it was the room you were in

Which literally had the most valuable rug in the whole building in it

Like seriously even the carpet built into the floor of the gift shop was stolen

Also you saved that vase

One of the anthropologists here almost cried when he saw that girl push it over in the tape

From: Me

That is weird isn’t it

I think the rug being an actual exhibit might’ve been why DICE didn’t go for it

That’s not their typical MO

From: Rantarou Amami

Wow… that compliment dodge tho…

From: Me

Sorry

From: Rantarou Amami

You’re good man

Hey do you need a ride back to the hotel

Shuichi?

Hello?

…

From: Me

Oh sorry, I was doing some research

I can get back to the hotel on my own

From: Rantarou Amami

Ok, cool

From: Rantarou Amami

Hey just checking in again, did you get back to your room okay?

From: Me

Oh, yes I’m here

Actually I was just about to text you too

I’m sorry to ask so much of you Amami

But could you possibly drop me off in Taipei on your way home tomorrow?

#shuichi x kokichi #shuichi saihara #shuichi danganronpa #kokichi ouma #kokichi danganronpa #oumasai #saiouma #fanfiction #Phantom Thief AU #danganronpa v3 #drv3 #danganronpa #writing #This is later than I said I would post it but I know most people read these at 2 am anyway

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danwhobrowses · 4 years

Text

Main Takes from My Hero Academia Season 4

So now that episode 25 had aired, Season 4 of My Hero Academia has come to an end. Which means a long wait till the next one. Personally I binged most of it (having started binge watching a few months ago and stopping at Season 3 since Season 4 was still near midway), I got my dates muddled due to Self-Isolation and thought we were on Ep 24 instead of 23, so I’ve had to wait for the last 2, but it was fine since the final 2 are more backdoor mini-arcs to the next season.

Initially when S4 ended I wanted to do a full review, but I found myself writing tldr levels of stuff while still in the first arc, so I’m just doing quick bullet takes

Sadly, some spoilers are unavoidable, and even I was unable to be spoiled from S4 and manga stuff thanks to recommendation algorithms and haphazard/not-so-cryptic comments in threads. However, I don’t wanna spread that so if you’re not caught up on Season 4 watch it, Spoilers are below.

So Season 4 was wild, and exciting and did a mighty job swelling my stone of a heart XD But the main things I took from S4 was as follows

Obviously, Protect Eri at Every Cost in Every Currency

The Fast Tracking of All Might’s time coming to a close feels intentional as if to constantly put us on edge with the fact that Deku will be without his father figure

Never let a subordinate attack the main villain

Buff Tintin Mirio and Deku are the perfect buddy system

Team Fatgum is a wholesome well-rounded unit

We should’ve seen at least some of Tokoyami’s work study if you were gonna hype up Hawks 20 episodes prior

People think Chisaki was old enough to have a 6 year old kid, though age does seem to be deceptive as Gentle and La Brava show

Ryukyu, Nejire, Uraraka, Bubble Girl and Tsu could’ve had more active screentime, and Deku’s mother should’ve gotten a smidge given how Deku was in a literal Yakuza raid

Tamaki’s Quirk is awesome but poses a lot of morally questionable hypotheses on how far it can go, also Suneater is a badass nickname

Mina can involve breakdancing into any situation

Kirishima is a strong and brave man who deserves all the praise he got

It was also great to see that not everyone has the ‘Legs moved before thinking’ moment and it doesn’t diminish a person if they don’t have it, it’s also nice to see someone look up to someone else other than All Might, being number 1 doesn’t mean you’re everyone’s favourite.

No homo but Fitgum got them features

Toga is much stronger than I gave her credit for, I mean I knew she was strong but she stabbed Aizawa without her quirk while wrapped in his scarf threads!

Mirio proves that you don’t need a quirk to be a hero, it just helps a bit, that boy didn’t give up

Chisaki’s plan was...odd actually, Eri can rewind sure but he can literally break down and reshape people, couldn’t he just mess up someone’s physiology and de-quirk them?

100% Deku is a force (though I reserve the disdain that Chisaki went for the cliché ‘big monster but my main body hangs out of it’ route)

Never sleep on the League of Villains

Uraraka and maybe Tsu were probably more traumatized than they let on, it’s not easy to get over holding a dying man in your arms

How do you hide a motherfucker as big as Gigantomachia in a forest!? He has a literal radio around his neck. Also I feel like Kurogiri could’ve escaped if he wanted to...

How did no-one think that Camie was compromised she acts completely different to Toga and she showed her quirk, wouldn’t they know what her quirk was from her file anyway?

That teacher needs therapy, and a long holiday

Seiji and Present Mic should do all the commentary

Bakugo has good leadership skills, but the license course didn’t really resolve his public abrasiveness

I do wanna see more of cross-school activities, more Inasa but also more Ms Joke and her lot

Aoyama was never gonna be the traitor, the dude is far too Cheesy

I was actually glad to see the Pussycats, and that Ragdoll is well now even if quirkless, for a while I thought she would be a vegetable or worse a Nomu

Sato’s image of Bakugo and Todoroki in a 70s Disco movie is hilarious and I will fight those who disagree

Be still my Kamijirou heart, the boy gave up a Maid Café to encourage her love for music, also her voice is beautiful

I still can’t stand Monoma...

Hatsume should just mark herself down as Deku’s official support mechanic, like his Lucius Fox because she just comes in clutch with what he needs

Deku should’ve really thought about using 20% in small bursts on his own, it’s okay he didn’t but let’s not forget that the boy has a brain on him

Gentle is the complete opposite of Chisaki; while Chisaki had the intimidation and evil plan he lacked a lot of personality outside of ‘Don’t Touch Me’ and ‘Yakuza Rights’, Gentle has more a nuisance who wants to be famous, but he has personality oozing out of every pore

Gentle is also proof that ‘legs moving without thinking’ doesn’t always work, had he saved that person his life would be much different just like how Deku’s life would’ve been different if All Might didn’t step in. But sadly he was subjected to a vicious environment where everyone rejected him. Hopefully he can get a second chance to be good, because even some of his criminal activities had good intentions in them

The school festival episode was just euphoric fun, also Bakugo’s ‘we won’ face was great

The new top 10 is interesting, but Ryukyu was robbed. She fought a monster of the Hassakai and lost placement!? I’m also surprised Nighteye wasn’t in the Top 10 given how powerful his quirk is and how he was able to bring heroes of multiple agencies together. Glad Jeanist is alive I do worry a little about Kamui though, he keeps getting mentioned for his ascent as a ‘promising young hero’, also people really thirst for the tan bunny

I cannot get a read on Hawks, his quirk is cool though

This Liberation front seems key for next season

Todoroki’s hot sister is still hot...what do you mean that’s not relevant!?

High End is pretty dangerous, but heroes should really aim for the head with these things (I do like the little touch that Nomu abilities differ by their colour)

Endeavor’s redemption arc is earned, it’s still not there yet but it’s important not to fast track it, he’s owning up to his mistreatment rather than expecting forgiveness and that is a good way to build to it, he had his United States of Smash moment and it was a gloriously animated fight

This spells bad things for the hierarchy though that the Number 1 and 2 had to work together to stop a monster sent by other villains, it diminishes the chart structure and Dabi knows that...plus he probably wanted to stick it to his old man because he’s obviously a Todoroki

Did not expect to see other One for All holders! What does it mean!? And why is Deku just a hand and half a head? Is it just a show that he’s only 20% at his power? Season 5 is gonna be crazy

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uzuuzuking · 4 years

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so this started out as just a general post about why i like cinderella adaptations, but slowly spiraled into a ranking/review of all the cinderella adaptations i’ve seen in my short, young life. so strap in for possibly the longest post i’ve ever made on this blog. (look, i never know how much i have to say about something until i really get going lmao)

idk why i like cinderella adaptations/remakes/spinoffs so much? most of them are garbage (especially the ones within the last 10 years don’t @ me) but fuck it i like this brand of garbage. it’s fun to watch these movies and rework the bad plotlines and dialogue in my head as i go along.

i guess i like the source material and some of the aspects of all the different adaptations, but honestly i just like re-imagining them because there’s only so much cringey script-written-for-teens-but-clearly-written-by-40-year-old-adults-who-have-no-idea-how-teens-or-even-people-for-that-matter-actually-talk-and-interact i can take in one excruciating sitting.

anyway here’s my personal ranking of all the cinderella adaptations i’ve seen that no one asked for. (not including stage productions because i haven’t seen any and have no opinion of them. also not including into the woods because that’s not just cinderella, but a spectacular amalgamation of fairytale mishap and shenanigan.) and reviews because apparently i had more to say than i originally thought when i first started constructing this list:

cinderella (1997) - the absolute best cinderella adaptation of all time, hands down, this is non-negotiable. this movie has it all: an excellent and diverse cast, gorgeous costume design, beautiful sets, some of the most dazzling dance numbers i ever witnessed when i first watched it at the wee age of 4, and a positive, progressive message that was accurate for its time yet also so ahead of its time. i cannot praise this version of cinderella enough, it is my all time favorite and one of my top 3 feel-good movies. if you watched it today, the effects might not be as magical compared to what we have now, but keep in mind it was released in 1997. anyway, the cast is truly amazing and so effortlessly inclusive (and honestly the fact that the prince was asian with a black mother and white father and they literally never addressed it was such a power move). i could go on about this movie forever (i’ll probably make a whole post dedicated to it in the future) and what it meant to me and many others as young, impressionable poc. in conclusion, this movie set an exceedingly high standard for me and destroyed the chances of any other cinderella adaptation even hoping to live up to that. i love it! so! much!

ever after: a cinderella story (1998) - tbh i never saw this until i was in college but i immediately fell in love. i love the flow of the story as a whole - i never felt like anything was missing. i love the costumes and i especially love how danielle and henry’s relationship progressed throughout the film. slow-burn comes to mind when i watch their interactions and we all love a sweet, sweet slow-burn. it’s romance babes! it’s Dramatic in a few scenes and all i can say is that it really works because drew barrymore’s performance is exceptional, fantastic, engaging, more adjectives to describe how enthralled by her i was. above all, her character is compassionate - she uses her voice to speak in support for those who are suppressed by the flawed government systems and law enforcers, and influences the prince to use his status and power to better his people who lack the privileges of the nobility. she’s such a strong female lead (emotionally and physically - she literally fireman carries her love interest, who is taller than her and definitely exceeds her own bodyweight) and truly the mvp of this adaptation. watch it. watch it for Her.

enchanted (2007) - amy adams and idina menzel - ‘nuff said. okay but for real this one is so unique with its transition from classic d*sney 2D animation style to the real three-dimensional world and i adore it to the ends of the earth. the music? slaps! the story? slaps! the development of the main character? slaps!! she’s so princess-y and d*sney cartoon-y and struggles in the real world, but she adapts at a good pace and i love that she learns to be realistic while also keeping hope and love close to her heart. also her mother figure / daughter figure bond with morgan is so so precious. the only constructive criticism i have for this movie is the fact that we were robbed of idina menzel singing!!! did they know all along she was destined to play the frozen queen years in the future and decided against her singing in this one?? is that it? ridiculous. it’s been over a decade and i’m still seething over this. other than that this movie is *chef’s kiss*

ella enchanted (2004) - anne hathaway’s back must still be hurting from carrying this film. (no shade to the other cast members, they’re good, but anne is a queen and i forever love her.) this is another childhood favorite of mine. the story itself is a refreshing take - hats off to gail carson levine for the source material! i’ve talked about the differences between the movie and book before in the midst of my reread of the book a few months ago, but i don’t remember how much i focused on the movie. it’s so different from the book that it might as well be its own thing. on its own, the movie is pretty decent! again, mostly because of anne. it’s funny, it’s sad (especially that scene towards the beginning between ella and areida, i’m in stupid tears every time), and it gets weird but it’s a fun time. the chemistry between char and ella is so zesty i can feel it through the screen, i swoon over both of them. tbh i probably wouldn’t like this movie so much if not for the fact that anne hathaway is truly talented and i spend most of my time watching it just looking at her.

cinderella 3: a twist in time (2007) - i genuinely enjoyed and appreciated how the characters were written in this one. they all had clear motives and became much more dynamic through their lines and actions (drizella is arguably the most static character here but she still amuses me so it’s fine i guess). cinderella has more agency since the stakes are higher. prince charming actually has a gotdamn personality and has some of the funniest scenes and dialogue. good for him. i was kind of sad that anastasia’s story with the sweet baker boy was thanos snapped by the stepmother, but she and baker boy get a cute credits illustration together so it’s still canon! maybe i’m more biased on this one because i grew up rewatching it A Lot, but i definitely prefer it to the first and second movies.

cinderella (2000) - this one is kind of weird but i like it? the film has a really interesting vibe that i’m still trying to figure out how to describe even after seeing it like 5 times. wikipedia refers to the aesthetic style as “the glamour of the 1950s” which just might be as close as we can get. it follows the general guidelines of the cinderella plot, but the main differences were: zezolla (cinderella) was already helping with the chores before her father remarried, claudette (stepmother) was actively trying to murder zezolla’s father during their marriage, the stepsisters were much more violent and crass (they hunted zezolla’s beloved farm animals for sport and talked about getting “a man in [their] bed”), zezolla’s father was manipulated by everything claudette did and said and treated his own daughter poorly as a result, and prince valiant is honestly kind of a douchebag but seems willing to improve himself after meeting zezolla (basically his vibes are iffy but he’s willing to learn). this whole movie is pretty niche and i have yet to interact with someone who’s also seen it. and the only reason i’ve seen it so many times is because i just like listening to how the dialogue is delivered. (except for prince valiant’s random song at the ball, i kind of hated that and i skip through it every time lol).

a cinderella story (2004) - the classic hilary duff version. very cliche early 2000s high school romance, but it works for the cinderella narrative. not particularly diverse. a classic nonetheless. in my mind this is the pinnacle of the “modern cinderella movie” type. this is one of the most iconic movies for us zillennials and i’d like to think it’s known well enough for me to not go into a lot of detail about it. basically it was fresh and new for its time, had plenty of memorable scenes, and did i mention hilary duff? the film kind of plays into the “not like other girls” trope - as do a couple of the movies i listed above - but i’m just going to acknowledge that the early 2000s were Wack and simply move on. all in all, i like this movie for the nostalgia, iconic scenes, and hilary duff. also jennifer coolidge is pretty funny as the stepmother.

another cinderella story (2008) - again, an early 2000s classic, but this time with selena gomez. i liked the dancing in this one. i like selena’s quiet, somewhat timid characterization of her character, mary. and jane lynch in the stepmother role is perfection. she’s so fun to watch and is always hilarious. the story is nothing remarkable, but it’s okay and i liked it as a kid. after the hilary duff version, this one still managed to feel fresh because, though it was similar in its modern era approach, it focused more on the performing arts and dance. “cinderella” is an aspiring dancer, rather than the 2004 aspiring scholar. the “prince” is a famous popstar, not a football player. the stepmother is an outdated popstar desperate to stay Hip and Relevant with the kids, not a cranky botox lady. honestly i just love watching this one for the dancing, mary’s genuine and innocent love for the “prince”, and literally everything that comes out of jane lynch’s mouth. that woman is a dialogue gold mine.

a cinderella story: once upon a song (2011) - lucy hale is good. missi pyle is good. they play their roles and lines that they’re given fairly well. over all, it’s entertaining. lucy, of course, has them Pipes and i do like the songs in this movie. the only major downside for me was the “token best friend of color” trope. lucy’s best friend is an asian girl who’s good at sports and is there for one liners and support. the prince charming character’s best friend is a black guy who he only knew for probably a month at the most. he can beatbox, sing, and dj. basically he’s also just there as support. they really don’t do much for the plot but they’re there for diversity and whatnot. this movie is.. fine.

cinderella (1950) - the only reason this ranks so low for me is because i watched it a lot as a child when it was on vhs and it always felt like a fever dream to me. i was just really young and didn’t feel invested in any of the characters. it is a classic, though, and i would watch it again and be able to enjoy it.

cinderella 2: dreams come true (2002) - i liked cinderella’s and anastasia’s stories from this one. jaq’s was meh. it was fine.

dj cinderella or cinderella pop (2019) - netflix knows i like cinderella adaptations so, naturally, they shoved this into my recommended and, naturally, i watched it. twice. which is more than i can say for the following review... so this movie is brazillian and is pretty much the cut & mold of modern cinderella movies. but she wants to be a dj. she stars out living a perfect life as a wealthy girl with a loving family, but turns out her dad is cheating on her mom with his secretary. that’s when she “stops believing in love”. which is actually valid bc if i saw one of my parental figures cheating on the other, i honestly wouldn’t know what to believe in anymore. anyway, cíntia dorella (yes. that’s her full name.) and her mom move into her aunt’s place. a year or so passes. stepmother/secretary/cheating lady is throwing an extravagant birthday party for her daughters and hires freddy prince, a popular musician who cíntia doesn’t really like. meanwhile, cíntia gets a dj gig she’s excited for until she finds out she’s the opener for freddy prince at her stepsisters’ party. she ends up disguising herself as “dj cinderella” and freddy is super into her. it’s pretty generic from there but i was entertained enough to watch it twice. take from that what you will.

cinderella (2015) - ok so we been knew that d*sney’s live action remakes ain’t shit, and this one is no exception. d*sney within the last few years has been like 99% aesthetics and marketing. this movie was visually stunning, especially with the settings and costumes. those were the only 2 things i truly liked. everything else was forgettable. in its defense, i did read a post about the “have courage and be kind” message which is something wonderful to hold onto, especially for anyone in an abusive situation like ella. that’s valid and i respect that. i still lowkey hate this movie tho. i started getting a headache about 4 reviews ago, but remembering how much praise this movie got has reignited my fighting spirit. honestly if you like it, that’s good, you like what you like and that’s that. but this is my review and i hated how proper ella’s posture was (she’s been doing physical labor hunched on the floor for years now, how does she not slump around in exhaustion at the end of the day??), i hated how perfectly curated the whole thing was (again, that’s mostly because of d*sney and their aesthetics), and i hated how hollow everything felt. i can’t perfectly describe it, but i never felt emotionally invested in any of the characters. something about their performance was lacking and yet again i blame d*sney. i actually really like lily james, but something about the way she was directed left me devoid of emotional attachment to ella. i remember nothing about ella’s step family or the prince. that’s how much of an impact this adaptation had on me. also i just remembered the fairy godmother as i type this. i ADORE helena bonham carter, but this movie does a horrible disservice to her. if she liked working on this movie, then i’m happy for her, but even she wasn’t strong enough to sell this to me. i saw this movie in theaters and came out of it lamenting my waste of money that i could have spent on something i would have actually enjoyed. but the thing that enraged me the most, the thing i despised, i detested, the thing i seethed over and rant about to this day was the ONE (1) token black character. i don’t even know if he had a name but he was captain of the guard or some shit. if i remember correctly (but probably not tbh this movie was so forgettable), he was the one who heard ella singing and was the whole reason the prince was able to have her try on the glass slipper. this man, who had zero character development, zero relevance to the plot, an insignificant amount of screen time, is suddenly the reason the main character is able to finally connect with her love interest. um. What. i hate how the writers treated him and i will forever be filled with every last grain of salt over this. anyway he’s my favorite character and everyone else is just eh. to conclude this ungodly long review, i don’t like this movie. i tried to watch it again once but got so bored i quit 10 minutes in. do yourself a favor and watch cinderella (1997) instead. (the only reason this movie is ranked above the remaining 5 is the production quality. but i guess that’s unfair bc d*sney has the big bucks. and maybe i wouldn’t be so harsh if i weren’t sleep deprived and grumpy from a sugar-induced headache, but these feelings still come from my Chest so idk.)

a cinderella story: a christmas wish (2019) - i think we all secretly enjoy christmas-themed movies and this has got to be someone’s guilty pleasure. i was mildly entertained (but again with the cringey dialogue written by people clearly not in high school...) and i do like laura marano. but they autotuned her to hell and back - which i loathed - because the woman can actually sing and she has a lovely voice. she got to sing candidly one (1) time and i relished the experience. my ears thank her beautiful, un-autotuned voice. other than that it was.. fine. i didn’t hate it but i didn’t like it either. laura marano deserves better than this. (can’t say the same for the other actors tho because their roles were unmemorable.) also laura marano was super cute in her elf costume!

not cinderella’s type (2018) - i legit forgot about this one until after i compiled the entire list lol. i saw it on youtube and it was decent as far as i remember. it’s another modern day cinderella. i think the “prince” runs over “cinderella’s” cat or something?? i’m pretty sure it was her mom’s cat so now she has nothing left to remember her mom by. prince boy feels awful and tries to befriend her or do something to make it up to her, but she just doesn’t really like him. i think her aunt and uncle are emotionally abusive to her and prince boy does his best to be there for her without making things worse. if i remember correctly, i liked that aspect of the movie because it’s hard to be there for a victim of any kind of abuse if trying to help them could potentially hurt them more, especially minors still under the care of abusive guardians. anyway i think cinderella girl’s best friend is in love with her or something but she ends up not being into him and slowly gets together with prince boy. she eventually moves out of her guardians’ house and into the spare house at prince boy’s home (he’s rich or something). i need to rewatch this movie tbh i could be wrong about everything here lol.

rags (2012) - not amazing, definitely not memorable because i have nothing to say about its plot or writing, but it has keke palmer which is its one redeeming quality. also it’s the only one on this list where the male protagonist is the cinderella. so that’s solid i guess.

a cinderella story: if the shoe fits (2016) - this was a movie. it happened. i vaguely remember how ridiculous it was and sometimes i felt secondhand embarrassment. i don’t remember what about specifically, but i remember the emotion. sofia carson is a talented singer. i think she’s a decent actor but this script was Bad.

elle: a modern cinderella tale (2010) - i only watched this one because i was bored out of my damn mind and saw it on youtube. i felt bad for all the actors because this script was terrible. i don’t recommend this unless you’re about to sit down with your squad and make fun of it.

apparently descendants is on the “cinderella adaptations and references” list on imdb but i refuse to put it on my list because it’s not a cinderella-specific adaptation and i don’t like the descendants franchise. now, if we’re going to discuss a quality series about the children of fairytale characters, that would hands down be ever after high. but that’s a different topic for a different day.

thus concludes the ranking no one asked for but i felt compelled to make. thank you and goodnight

#summer.txt #cinderella #longpost #if anyone reads through this whole thing congrats!#i'll get u a gold star from the esteemed dollar store and bequeath it to you via uploaded photo #i didn't think i'd be typing for 4 hours straight but apparently i have a lot to say #i started falling apart at the end there lol #and around the middle bc i forgot to add cinderella 1 and 2 #god my head fucking hurts #i had a craving for sugar today but i went overboard and now i'm paying the price

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bestofallhans · 4 years

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Normal problems?

I liked the BBC’s adaptation of Normal People. I watched it fast, and felt nostalgic for those years of my own life in equal measure to realising how universal the feelings of self-doubt, discovery and searching are amongst the age group it depicts. But the more I think about it, the more I have issues with the story as a representation of sexuality, awakening, and the transition from childhood to adulthood. What initially feels like a very 2020 treatment of teenaged sex - lots of double checking on consent and mutual pleasure - is actually not all that egalitarian or progressive on second glance. Here’s how I saw it…

Her narrative arc isn’t clear

Initially, Normal People is the story of Marianne. She’s obnoxious to her teachers, arrogant to her peers and like many of us in that last year before university; she can’t hide her disdain for her small-pond hometown a second longer. So far, so relatable.

***SPOILERS FROM HERE ON!***

What troubled me though was not how far she came, but the opposite. In the last episode, she asks Connell’s mum what people think of her own mother. The answer is “she’s a bit odd”, and most certainly, we are directed to feel Marianne’s realisation of how similar they are rather than how different. Most of us over 30 might say we’ve had this moment. “There but for the grace of God….” mixed with the revelation that our parents are both human thus flawed, and that they were trying their best to give us more than they had - even if it really didn’t feel like it at the time.

But the problem is - I didn’t feel she had come very far. Only a few minutes before (admittedly 4 months in plot time), she was telling Connell he could do whatever he wanted to her. If there was something I wanted from Marianne at the end, it was the idea that despite appearances, she would put herself first. But she never does. Even in the final scene, she’s telling Connell that he should go do his thing, and she’ll stay put. She says they don’t know if they’ll wait for each other, but she doesn’t seem to offer much that she’ll be doing in the meantime, other than perhaps finding another poor substitute for Connell, who’ll either turn out to be abusive or a damp squib.

Her fierce intellect got her a scholarship, but we have no idea what she’s doing with it. Whilst Connell finds himself in multiple golden opportunity situations, the assurance Marianne had of her place in the world has disappeared and we haven’t even noticed.

My point is that the girls who get ‘A’s across the board at school are erased from professional success in the real world, and if this was supposed to be anything other than a mirror of that, it fails. Marianne’s intellect is erased before she’s even graduated. Now everyone recognises Connell’s brain, and she’s literally standing on the sidelines (when his triumphant literary journal is published).

Bechdale test: does not pass

In fact, we spend a lot of time listening to men speak and women allow them to. The only person who carries on referencing Marianne’s brain is ace friend Joanna. But this is poised with its own problems too. Joanna is bypassed for a sexual storyline, talked over by Jamie (albeit with a nonplussed side-eye), and even vocalises her own fate: “did we get married and become 50 without noticing?”

Which brings me on to the most disappointing element of the adaptation. I realise this is a romance, and thus our main concern is going to be, well, the lovers, but good lord do people think of nothing else? Even at 20, I was very aware that I wanted to have friends whose pants-contents I was not interested in.

The frisson of meeting new people as an adult is definitely intoxicating, and for many people I realise that this is the first time they’ve been doing this stuff (I wasn’t far ahead) but the whole plot centred on who was in whom.

Wait, it’s more nuanced than that - no female character was allowed an identity that did not reference her sexual choices: Marianne, Lorraine (“you were my teenaged mistake, son”), Peggy (“you could have a threesome with me”, “everyone’s saying she’s into S&M, was that your influence?”), Denise (defined by her violent ex and equally shitty son) etc, etc.

Connell and several other male characters, some of who we know very little else about, have career prospects (Alan is doing well at work over family dinner), interests (debating, photography, writing) and friendships that don’t revolve around outing each other’s sexual proclivities (even poor Rob). This is based on a novel written by a woman. I’m disappointed her female characters can’t have an identity beyond their sex lives.

Her sexuality is up for judgement, his is not

Then there’s this undercurrent of ‘why’ both Marianne and Connell are drawn back to each other. From about halfway through, I thought we were going to get a revelation about Marianne’s childhood; either her dad or brother or maybe both, had abused her. I thought I saw a few hints of this, but nothing transpired.

The reason I am disappointed by this is nothing to do with ‘wanting’ there to be that storyline present. I felt that ‘the way’ Marianne ‘is’ was being judged. It’s easy to see a short jump from Jamie’s insecurity to him wanting to act out porn style sex to make himself feel powerful. But as she spirals into increasingly more detached relationships, I felt the judgement amp up. The sadder she is, the heavier the masochism gets.

But, and I’m no expert, that isn’t how it works. If Marianne is expressing her preferences, they are not altered by her sadness. They do not represent her ‘broken-ness’ and will not go away when she’s ‘fixed’ or happy. Here, I found a deep misrepresentation of ‘normal sex’, that is both damaging to the viewer’s understanding of the breadth of sexual preferences and the plot. So, if she was asking for things she didn’t want - why no address that? We’re left believing that she only wanted to be hurt because she thought that was the only way she was attractive to whichever man. Neither is gives Marianne much agency.

Connell on the other hand is a nice, normal boy who wants to have nice, normal sex. In fact, so little of his characterisation is about his sexuality, we only ever see him have sex with one other person - Helen. And it could be Marianne if you squint a bit. We aren’t asked to align Connell’s enjoyment of sex with his state of mind or his success as an adult. In fact, it’s a mistake that everyone forgives him for as a schoolboy - he was obsessed with people finding out he was with Marianne, and as Eric points out, “everyone knew” and no one even mentioned it. Whilst Marianne only experiences everyone’s judgement more as she gets older.

Where does it leave us?

I haven’t read the book. I don’t think anyone who made the series sat down and thought ‘let’s make this show shame female sexuality and erase female intelligence’. But this is the feeling I was left with. A beautifully shot, cast and acted piece of TV that doesn’t quite hit the mark on progressive attitudes to female agency isn’t a crime; but it’s a missed opportunity.

#Normal people #tv #feminist critique

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flopgoblins · 5 years

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Ocelot Emperor

We emerge from the mists of Ireland - where we’re on retreat with next to no internet - to lay this offering at the feet of one of our favorite people and wish her a very happy birthday! @brazenbells we love you, thank you for two consecutive years of helping us write our boys, and for letting us throw them at your own.

Without further ado, the crossover smash the fans (us, mostly) have been clamoring for! Thanks, Ted.

King Abran's throne was as vast and glorious as his kingdom. Made of teak, varnished until the wood seemed to glow with an inner fire, inlaid with gold and etched with scenes from myth and legend and the founding of his dynasty.

And upon it, his wrists heavy with bangles, his fingers dripping rings, his eyes dark with kohl, lounged the crown prince, golden and glorious as a lion at rest. His eyes were lion-tawny too, and his neck was straight and proud, easily bearing the weight of the shining crown that rested upon his brow.

“See,” said Matt, angling his phone so Nico could get a better look at himself. “You look way better in all this sparkly shit than I do.”

Nico slid off the throne with a gentle chinking and untangled the gold-ish polymer crown from his hair. Beneath the gilt, it was dark brown, but for the stark white streak Makeup had sprayed there two hours ago. “Yeah, the casting choices feel a little strange. I can see why everyone on Twitter was pulling up those fanart comps to complain about it. Still not as bad as the, uh - ”

“I know,” Matt said morosely, taking the crown back and putting it on wonky. “I don’t even tan.” They’d dyed his hair again but thankfully drawn the line at trying to make him any less pasty. Manufacturing sexual tension with someone who looks like a stretched out Oompa Loompa might be beyond even Nico’s prodigious talents.

“I’m billed above you though. That’s progress.” Nico tried to get the crown to sit right but succeeded in tilting it drunkenly to the other side. “And, hey, it’s not every day you get a big-budget fantasy epic with a queer romance.”

“They cut out the incest. And most of the sex.” Around them, the studio walls yawned tall and green; the only solid things onset were them and the throne, and the throne was mostly resin.

“There wasn’t that much sex in the book,” said Nico, who’d picked up the novel as soon as the casting call went out and gone through making characterization notes on every page.

Matt, who’d read the first draft as it was posted on AO3, complete with thirteen chapters of kink that hadn’t made it into the published version, sniffed and forbore from commenting. Some hauteur was probably in keeping with playing Gael anyway. More in keeping with Tigris, though, which was further evidence Ted Nord couldn’t cast to save his life.

“I mean, I love it, it’s a really interesting role, but I’m finding it hard to get to grips with,” Nico had said, on the first day of shooting. “Spending your whole life pretending to be being vain and shallow, because it’s not safe to be anything else. Wearing a mask so long you must start to wonder whether you’ve become it. What does that do to a person?”

“Dunno,” Matt had said. “Did you see Ray Lelacheur’s Vogue cover yet? Terrible shoes.”

Now that Nico had abandoned the regal warmth that had settled on him as if it was second nature while draped over the throne, he was stirring the pages of the script again, frowning at his lines. Tigris had been the most he’d had to stretch for a character to date, he’d told Matt, though he’d earnestly added he liked the character’s ‘chewiness.’

Matt, who’d struggled equally hard to locate the generosity of spirit and ease of power that was Gael, continued to think that Ted was just as bad at casting to type as he was to aesthetic.

Nico tossed his white-streaked hair back from his forehead and dragged on his black velvet cloak. “Will you run this scene again with me? I keep not getting the timbre of his ambition right.” He mouthed a few lines, twisted a green gemstone on his finger, and cast an agonized, kohl-rimmed look at Matt. “How do I channel the appropriate volume of petulance, the feeling of a man deprived what by all rights should be his?”

Matt draped himself over his rightful throne, trying to arrange his limbs with the same boneless grace Nico had achieved so easily. “Remember when we were at that falafel truck last week and it took twenty minutes for your order to come and you started cursing god?”

“Suck my dick, Rose,” said Nico reflexively, but looked thoughtful.

“Later,” murmured Matt, and closed his eyes to wait.

“Spy,” snarled the prince, rounding on his cousin. Tigris stood his ground, jaw set against the taller man’s fury, lip curling with defiant derision. “You intrude here, in my father’s house, not content to be left to your life of indulgent luxury, so desperate for attention -”

Tigris’s eyes flashed, enraged despite himself. “Attention? You think that is what I crave? Heavens forbid I seek a world beyond the gilded cage my uncle keeps me in, indulging me like a spoilt puppy and giving me just as much freedom. Attention? I would give my eyeteeth for less! If one could trade condescending oversight for actual knowledge of how our kingdom is run-”

“Our kingdom,” repeated Gael. He cocked his head to the side, curiosity warring with the outrage in his noble features. “You truly think it so, do you? But our father-”

“Uncle,” said Tigris, under his breath.

“Our uncle -”

“My uncle,” said Tigris helpfully. “Your father.”

“My - okay, your -” Matt stopped. “Gawd. This doesn’t work at all.”

“See? It doesn’t work half as well without the incest.” Nico flicked a gem-encrusted finger at Matt’s nose.

Matt wrinkled it and adjusted the hang of gold chains over his collarbones. “You say this like I’m the one who made the script changes. And for the record, Cindy was as cut up about it as you are.” Cindy, script doctor extraordinaire, had also lurked the story on AO3 as it sailed up the ‘Original Fiction�� rankings, and was as distressed as he was about the loss of the throne sex scene. “It’s not my fault transgressive familial kink hasn’t crossed over from the hets yet.”

“Kink shmink, it totally shifts the dynamic.” Nico flapped his cloak emphatically. “Adopted cousins isn’t close to the same sort of layers of resentment and entitlement being a bastard half-brother would be.”

“Right,” said Matt, who’d definitely only re-read chapter 12 seven times for the entitlement, and not the way Tigris hissed ‘brother’ while bound to a bedpost. “The morality groups would lose their shit, though. Probably it was the right call.” It was impressive enough his agency had let him sign the role at all; he’d already rocked the boat enough asking if his casting was whitewashing.

“The morality groups are gonna lose their shit over the gay factor anyway,” said Nico stubbornly. “In for a penny...”

“What about the negative associations of homosexuality with sexual taboos?”

“What about double standards?”

“Sure, it’s a double standard and it sucks, but you gotta start somewhere. It’s a story about being an outcast and fighting for scraps of dignity, fighting to be seen as human by people who want you to be less than that, and that’s gonna resonate with a lot of kids. You gotta lay the groundwork then fuck your brother.”

Nico raised an eyebrow and Matt shut up quickly; he, or rather his agency, had made a point of never letting him be drawn into these kinds of debates. “And I think compromise robs art of its power. What does the author think?” They both glanced across the set to where a woman in a peacock-print dress watched as Ted struggled to coral the child actors for the carnival scene. Her expression, behind her glasses, was unreadable.

“Dunno.” Matt ran his hand through his hair. The dye had dried it out and he winced at the brittle, dead-grass feel of it. “Only time we spoke, we both tried to get each other’s autographs and it was really awkward. Bet she’d have some notes for you, though.”

“D’you know, Rose, that’s not a bad idea.” Once resolved, Nico was all action and he stood, script pages fluttering to the floor, velvet cloak swirling around his ankles. The jut of his jaw said that nothing short of poor falafel truck service would defeat him.

“Ask her to show you the predicament bondage scene,” Matt told him helpfully. “There were some really important character beats in that, I thought.”

“You think you’re too good for me, don’t you?”

“What?” Matt looked up, taken completely off guard. He was stretched out in Nico’s window seat, deeply absorbed in a thinkpiece on why Kai Bourke would have been a better casting choice for Gael, and thoroughly agreeing with it. Seeing his boyfriend prowling towards him with a look of cold fury and a bare chest was enough to stop him mid-anonymous comment.

Nico stalked across the room towards him, the taut anger etched in every muscle creating a frayed grace that was almost violence. “That’s the worst of you, your highness. It’s not that you hate me. It’s not that you think less of me. It’s that you think nothing of me at all!”

Finally cottoning on, Matt swung his legs around and tried to remember his lines; it was hard, he truly couldn’t remember what part of the script this was. That in itself was unusual. Matt would hardly claim himself a natural thespian or even a diligent professional, but memorizing lines had been a skill drilled into him since he was eight years old and it was a tough habit to shake. Still, while Nico’s words - Tigris’s words - sounded vaguely familiar, he couldn’t for the life of him place them in Ted and Cindy’s script.

“But I’m going to make certain you don’t forget me, brother,” whispered Nico, and that was just it, Matt realized. It wasn’t the script at all. It wasn’t even the book. It was the original.

“You read it?” he mouthed, as Nico’s hand wrapped around his wrist.

“Shocked to learn I’m literate?” spat Nico, but favored him with the shadow of a wink. No shadow around his eyes this time, no gold woven into his hair, but he was more Tigris than he’d been on the soundstage.

It was, simultaneously, extremely Nico.

Matt tried, experimentally, to free his wrist and found he couldn’t. He shivered, feeling his pulse jump, knowing Nico could feel it too. “Was that an attempt to dig deeper into the artistic truth of the work, or to mine it for weird, kinky shit?”

“Yes,” said Nico, bearing him down onto the cushions, beautiful and vengeful and careful not to knock Matt’s laptop off the seat.

One of the advantages of shooting a gay film with your boyfriend - one Arose had certainly never intended - was that when Nico turned, grabbed Matt by the lapels, and kissed him on the red carpet, everyone laughed and smiled and Matt knew the gossip mag headlines would be jokes about dedication to the craft and not shock sexuality scandals. His father probably wouldn’t- okay he’d definitely mind but it’d probably be a side note in a meeting about how to capitalize on the film’s success.

And it was a success; some desperately hot sex aside, reading the story - the real story - had apparently been what Nico had needed to pull it together. All the pride and fear and desperate clawing longing of a tiger caged that had risen like a heat haze from Tigris’s story, and Nico had captured it, had reveled in it, and put it on the screen for all to see.

Matt straightened his tie and winked to the paps - just a joke between bros, nothing queer here - and resolved to fuck Nico senseless in the restrooms after the premier. Nico laughed and stuck his tongue out. He’d left the white streak in his hair for the red carpet, as stark as the collar of his suit, and Matt had to say, it was growing on him.

#tiger prince #brazenbells #star boys #incest mention #HAPPY BIRTHDAY KELSI WE LOVE YOU

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