Kinktober #17- Begging (or it was supposed to be).

I swear I just want to put him in my pocket and keep him for myself.

This is just a sketch so I’m kind of sorry about posting it looking unfinished. But I have my hands so full right now! I hope you can enjoy these little Sanji doodles.

In theory the reader just threw his head away from them and he’s looking all puppy-eyed and confused because he just wants to go down and keep on doing his thing 👀🥰

Remember: commissions are always open.

There’s more of these on my Patreon💕

There are times when Lucifer is acutely aware of how much he needs you. For so long, he survived without you. How many years had he spent working, fighting, protecting his family, all on his own? He hadn't needed you before. When had you walked so freely into his heart?

Lucifer couldn't be sure when it began. Perhaps it was the day you first made him hell coffee and the bitter flavor exploded on his tongue. The revelation of your feelings was enough for him to realize his own - the acknowledgment of a fondness that had been creeping in ever since he first saw you.

Now he felt it every time you sat beside him in his office, keeping him company late into the night as he tackled his mountains of paperwork. He would look up from his desk to see you there, content to simply be in his presence. He couldn't deny the way his chest became warm when you inevitably sensed his regard, looked up to meet his eyes, and smiled.

Lucifer felt it every time you accompanied him to the store, keeping track of all the things his brothers requested. Things he would have forgotten if not for your consideration. The way you so effortlessly moved with him, working in tandem as though you had but one mind.

He felt it whenever you brought him a glass of Demonus as he sat in the music room, listening to the latest cursed record he had obtained. How you would linger in the doorway with the glass in your hand, giving him the chance to turn off the record if it was one you couldn't listen to before you came in.

For so long, Lucifer had believed he didn't need anyone else. Until you came along and stood beside him as though that's where you had always belonged. And the longer you stayed there, the more difficult it became for him to pretend he didn't need you.

masterlist | Thank you for reading!

crowley saying "if any harm comes to aziraphale because of this i will–" to gabriel is SO fucking special to me bc he was so clearly afraid of gabriel after the trial like just look at his reaction when he first sees him and him saying he spent a WHOLE NIGHT worrying that gabriel's gonna smite him like he's actually terrified and still after ALL THAT he still threatens gabriel and i just think threatening someone like THAT is actually so vulnerable bc he's making it abundantly clear that he cares for aziraphale and wants him safe and that aziraphale is HIS to protect and he WILL protect him no matter fucking what and i just i can't deal with how outright and upfront crowley was this season not only with aziraphale but with other people ABOUT aziraphale too like he was really not fucking around this season and he needed everyone to know aziraphale is his and made gabriel almost JUMP OUT OF A WINDOW for wanting to hurt aziraphale and the vulnerability of it all is making me go NUTS

Artists drawing Vil in stunning evening gowns are the last people holding this burning planet together.

thinkin abt the spikemuth sibs

i kind of sat down and thought about steve and robin cooking together, and then i entered a fugue state and came out of it with a little over 1.7k words written about them being domestic besties (domesties?). so um. enjoy :)

-

Robin has destroyed one of her mom’s pans again, so she’s been banished to Steve’s house.

Well, okay, let’s back up.

Robin, waking up and feeling especially productive, had taken it upon herself to make some scrambled eggs. Nice and simple, right? So she had grabbed the first spatula and pan she could find, and… scrambled those eggs! She even remembered the salt and pepper! Unfortunately, as Robin had remembered after she oh-so-lovingly scraped off the nonstick coating, metal utensils and nonstick pans didn’t really get along. Oops. Panicking, she had scraped her mess into the trash and called Steve to pick her up. So, really, she had banished herself, preemptively.

“How the hell did you even do this much damage?” Steve asks, holding up the pan. The look of befuddlement on his face is picture perfect; you could teach children how to identify emotions with that face. Robin would pinch his cheek if she wasn’t so embarrassed.

“I don’t know! I just tried to make some eggs!”

“Rob, there’s like, a solid cube of—”

“A cube is a 3D object, dingus.”

“This is a 3D object!”

“Not in that way! It’s not a cube! You mean a square!”

Steve throws up his hands, one of them brandishing the pan and waving it around. “Fine! There’s a solid square…” Steve gives Robin a look. She nods her head at him in acquiescence. “... Of coating rubbed off of this thing. Why were you punishing your eggs like that?”

Robin leans back on the counter she’s been sitting on, legs swinging. Her heel hits the cabinet once, and Steve’s eye twitches, but he says nothing. Because he loves her. But she tries to avoid doing it again, for his sake. “I had to get that yolk distributed! I was working fast, Evie, the burner was on and I wanted it evenly mixed—!”

“So why didn’t you mix it in a bowl before that?!” Steve looks so stressed. It's kind of funny, given how unimportant the subject matter is. Robin suppresses a grin.

“I forgot! I was groggy!”

Steve groans, setting the ruined pan down and rubbing a hand over his face. “... When we move in together,” he says, pointing an accusatory finger at Robin, “I am keeping my metal utensils in a locked safe.”

The warm, fuzzy feeling that always appears when Robin is reminded of their future together, their permanence in each other’s lives, it fizzes and pops in her chest like a sparkler. It’s still such a comforting feeling, even after all these months.

It doesn’t stop her from antagonizing him a little. “Like I don’t know what combination you’ll set it to,” she scoffs.  “I could just break in. To spite you.”

Steve sits with that for a moment. “You’re breaking my heart, Robbie, you know that? You break my heart.” Not a real comeback. She’s won their battle of the bits, this time around.

“Well, anyway,” Steve continues, “I am really hoping you didn’t eat those eggs after seasoning them with metal filings.”

“It wasn’t— I don’t think the coating is metal. I don’t know what it is, actually, but I don’t think it falls under metal filings.”

Steve hmms. “Well, it’s not, like, plastic, right? Or silicone? That would just melt.”

“Yeah, you’re right. Well, it can’t be metal, because it loses a fight with metal spatulas.”

Steve thinks for a second. “Is… God, I mean, I guess there are other, other uh… what’s the word? For, like, not from plants?” Robin scrunches her brow in thought. “Synthetic? Inorganic?”

Steve snaps his fingers. “Yeah, both of those work. There’s probably things that aren’t plastic or metal that can be used to cook with, but it feels weird. That there’s another category out there.”

Robin nods in agreement, and they sit in companionable silence for a moment, contemplating on the nature of cookware.

“Anyway, no, I still haven’t eaten.”

Steve curses, gets up from leaning on his kitchen island, and steps over to the cabinets where he keeps his pots and pans. “Yes, God, okay, let me feed you. Still want eggs?”

“You know it!” Robin says, and Steve gets to cooking, bustling around the kitchen with practiced motions. It’s nice to watch him cook. He gets very focused, in a way that doesn’t usually come naturally to him. Steve doesn’t usually like talking while he’s cooking, but he hums bits of songs, bobs his head to the beat.

In no time at all he has a plate of scrambled eggs and toast in front of Robin, and she hops off the counter to sit at a stool at the kitchen island. She grabs the plate from Steve and smacks a wet kiss on his cheek, making him roll his eyes with a smile and subtly wipe her spit off.

Steve takes a seat across from her, and she notices that he doesn’t have anything. Did he already eat? “Did you already eat?” Robin asks.

Steve blinks. “Oh. No, I forgot.” He has a tendency to do that; when he cooks for someone, he can get so caught up in it that he forgets to make some for himself, and is left to scramble afterwards. “I’ll make myself some eggs after you’re done.”

An idea comes to mind. An attempt at redemption, maybe. “Let me?” Robin asks.

“And let you ruin my pans? No thanks.”

A flash of genuine hurt passes through Robin, and she lets it show on her face in the form of a pout. The comment isn’t unfounded, but… “No, please! I know what I did wrong, I’ll do better this time. I’m not sleepy anymore, either.” She just wants to take care of Steve like he takes care of her. She wants to feed him eggs, goddamnit! When was the last time anyone fed him eggs? Actually, if she thinks about that one, she’ll get sad, so she stops thinking about it.

Steve can obviously see her earnestness, and he softens. And rolls his eyes. But that’s just him being Steve, so Robin loves it. “Whatever you want, Birdie. Just don’t burn them. Oh, and use garlic powder.”

So Robin practically inhales the rest of her eggs and toast (very tasty, as always) and gets to work. Steve sits at his stool at the island, trying and failing not to watch Robin like a hawk as she bumbles around his kitchen (“That’s not enough garlic powder, Rob, put some more in there, it won’t bite!”  and “Use the small pan on the top shelf— no, the other small pan. No, the other—”), but she does eventually get a plate of eggs and toast in front of him. Not as good looking as the one Steve presented her, but it smelled good, and didn’t have weird inorganic pan flecks in them. Steve gives her a sloppy kiss on her cheek this time, over-exaggerating and putting way too much saliva in it, seriously, was he a dog or something? Robin BLECH’d and rubbed at her cheek, but he looked happy at his plate of food, so. Overall success, even if sacrifices had to be made.

Robin leaned on the island on her elbows, face a foot away from Steve’s as he picked up a forkful of egg. He side-eyed her.

“Do you… want some…?”

Robin waved a hand at him. “No, dingus. Eat it! Do you like it?”

“Okay, okay!” Steve rolled his eyes and ate his forkful. Robin stared at him as he chewed, looking out for emotions such as delight and wonder, but also disgust and revulsion.

She found nothing. Steve looked normal. He ate another forkful, eyeing her.

“So?” Robin prods.

“They’re eggs?” Steve says, mouth still half full.

“Swallow!” Steve rolls his eyes and does as she asks. “Nothing else? They’re just eggs?”

Steve nods, shrugging a little. Robin feels a little let-down. The first time Steve had made her eggs, it was life-changing. He put heavy cream in them. Robin doesn’t think her parents had ever bought heavy cream in their lives.

Robin guesses that it makes sense, though. This is just how he makes eggs, duh. Still, it makes her feel kind of bad, that she couldn’t give Steve the same feeling he gave her.

Steve seems to sense her inner turmoil. “They’re— it’s good, though! You did a good job. I do like it.” He seems kind of… embarrassed, but grateful. “You didn’t have to make them for me. Thanks.”

Robin bumps his shoulder with her own, and then retreats to her seat, allowing him a bit more personal space. But not too much! She kicks at his shins, and he kicks back, a smile on his face.

Cleanup is easy as Steve washes the dishes and Robin dries. It’s the small, domestic things, like this, that make her so excited to eventually live together. It’s so easy and companionable, full of chatter about band practice and Dustin’s latest science experiment. She can’t wait to graduate.

After the dishes, though, they’re both at the kitchen island again, silently staring at the pan Robin had ruined at her house earlier.

“... It seems like a waste to throw away,” Robin complains.

“I know, right? But it’s, like, useless now.”

Robin hums. “I mean, no, it’s still like… metal. I feel like we should be melting it down.”

Steve stares at her. “In what world would it be more useful melted down?”

Robin squawks, indignant at her idea being challenged. “You know what I mean!”

“No I don’t! Do you just want a, a… what’s the word? A bar of metal.”

“Ingot.”

“Do you just want an ingot hanging out on our mantelpiece?!”

“Well, I didn’t before, but now I do!”

They look at each other for only a moment before dissolving into simultaneous giggles, shared joy crackling and leaping between them.

Steve settles down first. Still grinning, he turns to put the pan at the very top of a relatively bare cupboard. “Fine, we’ll just… keep this to be melted down later.”

Robin can’t do anything to stop the twin grin on her face, not that she would ever want to. “I love you, Evie.” The words come easy, and the delight and surprise on Steve’s face is as wonderful as always. He pulls her into a hug.

“I love you too, Rob.”

GRAHAM PAYSER IS INSECURE AS HELL

So ive been thinking abt this for some time and i decided i needed to make a post about it bc people were SHOCKED when i pointed it out and like. Is this new???? I thought it was obvious . But if its not, thats what this post is for <3

heres why grahams super insecure actually

Need for Validation

So graham needs attention and validation from other people NONSTOP.

from asking flint to validate everything he just said

to waking up cathal so they'll agree with him

to just seeking people's attention in general.

He cannot just be content with himself on his own, he needs other people to constantly reassure him that he’s right. He claims to be confident but isn’t satisfied with just himself, he needs other people to fill that void

Projecting

The ending cutscene is the biggest case of Graham projecting onto other people AND one of the biggest points where his insecurity shows.

He is EXHAUSTED from his own fight but he can't handle the failure, so he flips everything he's feeling onto the toons instead.

He spends this whole cutscene realizing he's lost and DESPERATELY trying to cover it up because he can't admit defeat, which reeks of insecurity by itself.

It opens with him realizing he's lost and immediately trying to cover up the fact he's upset about it.

He tries to flip the situation and make it seem like the toons lost the fight and puts them down for it because he doesn't want to put HIMSELF down. He doesn't even allow himself to fail, he has to be perfect.

He also straight up lies here. Graham was putting his ALL into this fight, proven by how he collapses from exhaustion at the end. There are no other forms, he wasn't getting started. He was trying his very best and still failed and that destroys him. Again, he can't handle the failure so he just. Lies at this part.

More projecting and trying to make it out as if the toons lost . He himself desperately needs a breather because he burned himself out, but again, he can't handle that fact because he's desperate to be perfect.

Not the ending cutscene but another point worth mentioning in terms of projecting. He brags about burning out the toons yet has a habit of burning HIMSELF out.

The fact he collapses at the end of his fight means he overworks himself to the absolute limits in desperation to be the best. If he's really so great, he shouldn't have to try so hard to prove it. Which brings me to the next point

Trying Too Hard

Someone who is genuinely content with themselves shouldn’t feel like they have to PROVE they are content, yet that’s what Graham constantly does. He is always trying so hard and putting on a show for the people around him to PROVE that he’s confident.

Someone who feels good about themselves shouldn’t have to shove that fact down everyone’s throats. This drives back to the validation point in which he needs people to pay attention to and validate him.

Fantasizing About Success

Graham obsesses over a better version of himself despite claiming to be so confident with who he is currently.

He's not satisfied with where he currently stands. He craves more power, attention and success because he is insecure with where he is now. There's no reason for someone so supposedly confident and perfect to be chasing after a better version of themselves.

Can't Admit Failures

Touched on this earlier with the projecting. Graham insists he's perfect and anytime he fails it immediately makes him panic. Someone who's happy and content with themselves should also be able to accept their flaws, but that's not what Graham does.

When his position for the job is threatened, he immediately loses it.

When he loses his fight, he immediately scrambles for excuses and some way to put himself back on top.

Graham may have a huge ego, but it's a fragile one at that.

Graham’s confidence is a facade. This isn't to say he's doing it intentionally; I honestly think he isn't even aware of his insecurity and genuinely believes he is confident and above others. But people like Graham will often obsess over the IDEA of being confident and above others because they lack it in reality. It’s not just a facade to convince others he’s on top, it’s also to convince HIMSELF he’s on top.

TLDR; oh hes a little fucked up actually.

To finish this off u can have this image i made the other day featuring one of my fav Grahams ive ever drawn LMAO

It pretty much repeats what’s already been said

Jitterbug

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

Kenny letting Kyle ugly cry on him.....

Strictly professional showering (Patreon)

Hiiiiiiiii how are you? Id like to request a farah with a extremely hyper energetic and bubbly reader🫶🏻🫶🏻

Hello! I'm doing fine! I went to my country house for the first time this year and grilled some sausages and meat with my parents, so I had a pretty good day today!

Farah with an Energetic and Bubbly Reader

It would most definitely be different from what she’s used to, being surrounded by serious, and mostly grumpy people at all times. But it’s not like you could blame them either, they’re at war and need to be alert, not having the time to be cheerful. SO having you along is definitely a breath of fresh air. Someone, who doesn’t think of all the bad things that could happen at any point in time. You’re always up for an adventure, even if Farah doesn’t always have the time for them. Don’t get me wrong, she’d love nothing more than to explore the world with you, go inside every forest and every cave just to see some cute animals and maybe pet them, but she can’t unfortunately. Even so, she can appreciate you being this bubbly, it’s nice. You may talk a lot, but that’s alright, sometimes she’s too tired to talk anyway and lets you take the lead. Not having to think about all the godawful things war brings with it for a few moments is nice, especially if it’s because of a loved one. Besides, you’re always in a good mood, and it rubs off on her as well, leaving her smiling and thinking about the time you pet a cat and ushered her to do the same as you held the mammal out towards her. You having a lot of energy can be a bit exhausting to her at times, though. Sometimes, when she’s tired, she just wants to rest a bit, but you always wanna do big things with her. She’d love to, again, but she can’t always. But once all of this is over, she’s gonna take you to an amusement park. Not because she’s never been to one, definitely not because of that, but because they seem like something you would enjoy. However, on those days where she has a bit more energy as well, you’re more than welcome to dance with her, or maybe even race each other to the top of one of the hills nearby. Farah wants nothing more than to share her country with you, especially the good things such as the culture and the landscape, so she would never say no to the both of you going outside when you can, provided the times are a bit more peaceful. If she’s feeling especially playful, or if you’re being too energetic, Farah will tire you out a bit by play fighting with you. Good luck trying to beat her. She may play fair with you, but that doesn’t mean she won’t go all out trying to get you to calm down a bit. However, she will apologize if she accidentally hurts you, such a thing was never her intention.

What if Chay moves on from Kim and starts bringing over people from clubs and college parties to the minor family house ? He picks them carefully , he now knows how to , they're usually vaguely aware of who he is. They also know enough to not question the security surrounding him and his "house". He's learnt to protect himself from people who get close only with their selfish ulterior motives.

He's only young and in college once. He's gonna enjoy it goddamnit.

Except once when Kim comes over to the minor fam house at Kinn's request for "personally verifying the money leaks Porsche found out and see if he could update the security in any way possible while he's at it " , and he runs a *bit* late . Kim gracefully accepts Porsche's invitation to "crash opposite to Chay's room , that's where his friends stay over sometimes . Chay's my brother by the way, have you guys met?😄".

And Kim has to listen to Porchay and some ba**ard loudly make their way to Porchay's suite in what was so late at night that it was early in the morning , even by Kim's standards.

Pants , purrs . *Moans.* F#cking moans.

And thuds of flesh on the wall when they got too excited and tripped on the carpet. Laughs and giggles. Not a care as to who might hear.

Kim thought it would end once they got in the suite . Well he was wrong. He had to listen to every single whimper, shout and cry ; and finally understood why the maid explained how Khun Porchay prefers the entire floor to himself for his music usually .

He couldn't sleep even after it got fully quiet . He couldn't sleep for a long time after .

@for-got

This is the gist of my Quaritch theory as well, mostly because it's pretty realistic, but also because, I don't know, it's soft and mushy and will make me cry.

I imagine him going insubordinate for Spider, refusing too many orders, going behind the General's back one too many times; he loses their trust, does it knowingly, all for his kid.

Because he's tired. Tired of playing the role of a dead man, tired of reliving memories that don't feel like his, tired of sticking to the same path that got him killed. He's tired of hearing screams, he's tired of smelling ash and char, he's tired of scrubbing his hands of the blood that will forever coat them.

Most of all, he's tired of seeing his son's disappointed son's face staring back at him with contempt and disgust. He's tired of having to pick between his living, breathing son, and a cold, violent mission.

The second he leaves (with Cupcake, of course, he ain't leaving his girl behind to those sky people), he looks for his son. He doesn't really have a plan, Spider may run from him again (and he wouldn't chase him. He respects his son too much to force himself on the poor thing), Neytiri and Jake may try and kill him (and this time he might just let it happen), and even if by some grace of God (Eywa?) none of that happens, where does that leave him.

he's a colonizer, a genocider, he is drowning in innocent blood, even if it was his original self that did most of the damage, he still followed his path. he can't fix that, can't change what happened, he couldn't dare expect any Na'vi to put up with him, to pretend like his face doesn't haunt their nightmares.

in all honesty, he'd just be happy to see his boy one more time, to hold him and see him smile one last time, to know that he is safe and loved. he could give up then. spiders the only thing he has, and if the boys safe, then that's ok.

I imagine him becoming sort of a recluse, living alone with Cupcake somewhere in the woods, somewhere spider can come visit him. I feel like Jake would have some (small) sympathy, and Neytiri (who can be reasonable, I hate that people fail to see that. emotion and logic are two different things, she struggles with the later, and I hate to even call it a struggle) understands the pain of his current existence, stuck between, living a lie, playing a role; she can forgive him and not want him around all the same.

I think Quaritch will become a fragile ally in a later movie, but I know for a fact he's gonna fight to have week ends with his boy. he did all this for spider, and he'll be damned if he doesn't get a little time with him.

and spider feels so conflicted. he saved him because he saw the good in him, he stuck with him and loved him because Quaritch loved him back, because he didn't treat him like a pet. but he knows his family aches at the mere thought of Quaritch, that he is once again torn between 2 lives, even if one (Quaritch) is significantly better (spiders place in the family runs deep; he's not only adopted, but adopted out of pity and burden, he's different and can barely function in their world, and he's human. no matter what changes happen to the sully family, he will never fit in, he will never be an equal to them) he's still so loyal, especially to the one he's been with longer. He clings to his father, he still loves him, but he fears that he'll trade 1 person for his whole family. he's scared he'll lose everything.

he's like the ultimate child of divorce. it's like an eternal case of 'who do you wanna satay with for the holidays' except the holidays is just life, but it's the dread of picking one over the other, knowing it's a trick question. pick one and your shamed for ditching, pick the other and your guilted for leaving the other out and missing time with them. this is all happening when spider and Quaritch just want time to nap in the son and bind like father and son, while the Sully's make spiders life hell (they don't mean it, but spider dynamic with them is not, and most likely, will never be healthy).

they're gonna need a family therapist next movie, they already did, but I have a feeling it's gonna be a lot worse come the inevitable Quaritch redemption.

silly thing i made last night XP

vargas by @zarla-s

good morning yeehan community