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#he has no backstory you can do whatever you want
slexenskee · 3 days
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You might have already mentioned it, but what songs did Gojo sing as a kid with that band, the Band Aides? Cause I'm really curious what teen Gojo screamed into the microphone and what people thought of this crazy punk kid with super great music. Also, will the Scrub fans ever unearth a video someone probably took of little Gojo coasting around random alt-rock venues? Cause that would be hilarious.
We're actually going to get into it in future chapters!! 😁
He 100% plays Mr Brightside and basically he starts getting into the whole plagiarizing music thing by realizing that a lot of the bands he loved are either a) entirely missing from the timeline or b) missing some of his favorite songs from them and sets out to fix that.
The full backstory:
I don't really get into Band Aides much, but basically it was a garage band put together by Satoru, this high school first year, and his college freshman brother, and idk, maybe one other person haven't figured it out yet. But they play in the brothers' garage and their dad was in a band back in the states which is why he has all this random old equipment in his garage and also an undying love for classic rock music.
So they start out playing a lot of songs that Satoru does know - famous stuff from like before 1990 basically - and at first he's just jamming and having a good time actually realizing that he likes playing all the music he used to listen to in his last life, and just figuring out how music even works. The dad is super helpful in this since he was a musician in a band himself and can at least teach Satoru the basics of guitar, sound engineering, and all the technical stuff. They're still not great or anything, being a bunch of kids and all, and Satoru himself is still going from 0 to 100 learning about instruments and music theory.
Anyway, then he hears an 'album' from The Killers, realizes they only put out one album in this world and it was not Hot Fuss, and immediately sets out to try to re-create Mr Brightside for his band to play.
Because of the way this happens > him 'learning' about bands and music, then coming immediately after with songs resembling the bands he'd just listened to, it feels really organic to his band and the people who knew him at the time. Like yeah of course he made a song that sounds like The Killers after listening to their album, that's literally how all music is made. You get influenced and inspired by something and then create your own version. It's just in this instance, Satoru wasn't 'creating his own version' he was literally adding to their originally discography.
Eventually he stops playing songs that come from bands with missing discography and starts playing songs from ones that he realizes don't exist at all, but there's still enough of a trajectory that it still seems 'plausible'.
So, tbh, people who don't 'know' music think he's just a cool punk who makes epic songs. People who do know all those old genres and bands are like 'damn this kid has great taste' and also thinks he makes epic songs that really pay homage to that era.
I'm kinda torn on what The Band Aides would play on open mic nights actually.
Realistically they would mostly play cover songs bc even if Satoru wanted to be getting them to play 'his' songs, he wouldn't be at a point where he could properly articulate what he wanted it to even sound like. But I also want to sneak a bunch of Blink-182 songs into their tracks haha. And probably All Time Low too? All American Rejects??
Honestly they can play whatever you want them too, since I probably won't get into it beyond Mr Brightside! And yeah that would be so fun to have clips of lil' baby Satoru rocking out at like a talent show or something lmao
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thelyingjoke · 1 year
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i’ve seen people give kokichi big backstories. i’ve seen people say it’s not that deep and his backstory is completely normal. these are both very valid interpretations, HOWEVER. i think people often forget that this is danganronpa. not just that, it’s danganronpa V3. remember that it’s TSUMUGI writing these backstories and kokichi’s is probably way more batshit insane and crazy than most people imagine
like, this is the same game that has half its cast’s backstories chock-full of anime references, a ton of them half met actual anime characters. ryoma. rantaro. gonta was literally RAISED by those reptite fuckers from chrono trigger!!! not to mention the general insanity of the rest of the events that happened to those and the other characters. the closest we have to normal is himiko kaede shuichi (and tsumugi herself i guess?). and with a character like kokichi? there’s NO way his is normal
if anything i think everyone vastly underestimates what kind of past kokichi has and how crazy tsumugi can get with inserting her favorite things into them. especially considering the very vague hints we already have, the fact that DICE is literally a reference in and of itself, and how his lab is actually just a supervillain lair. he could have met goku and we’d never know but it’s incredibly plausible to be canon
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july-19th-club · 9 months
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how to make a character who sucks so bad and nobody likes him but he is genuinely a good protagonist (good as in interesting, maybe on a rare day good as in decent but also, just like, an incredible jackass) . i need to make him worse i need to make him MEANER!
#i think the key to getting this kind of character right is that he can't try to be anybody's boss#that's not the fun and engaging kind of jackass that's just reminding the reader of all the bosses they've hated in their time#the engaging and likeable Guy Who Sucks So Bad is a loner who might CLAIM that he will take over the group or whatever and lead#but never actually has any intentions of doing so because part of the things he sucks re: is responsibility of any kind#he does however know that leaders dont like other people horning in on their territory so he will say things like#i'm gonna wreck your shit and then all your lackeys will follow ME! ouahahahahaha . despite having zero plans to follow up with that#the ideal engaging asshole protagonist is a rebel without a good cause: maybe he has a sad backstory; maybe he's just a dick#but if there's one thing about him you can count on it's that he is Opposed To Shit. doesnt matter what it is his primary entertainment#is picking a fight with it for no reason and then saying what the fuck ever i didn't care about it anyway (he didn't)#ideally this is all done in such a way that he is SEXY . but you'd never want to hang with him because he is deeply obnoxious#he is not bossy. he is not controlling. he is maybe even a bit of a wife guy except he hates everyone else and wants to make their day wors#because making someone else's day worse makes HIS day better . the ideal wife for him is the one from ordinary day with peanuts#by shirley jackson#and i have GOT to figure out a way to engineer this guy without copying examples of my favorite versions of him wholesale#i have the scaffolding. but because of my own confrontation-averse tendencies#im terribly concerned that i will never be able to actually make him the asshole he was born to be#q
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youssefguedira · 1 year
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kinda sad the diabolik movies are ending after diabolik chi sei, both because i love them and also because that means no eva kant backstory in film canon unless they somehow work it into diabolik chi sei. therefore i propose, to solve this problem, eva kant spinoff movie for eva kant quando diabolik non c'era. thank you
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stinkrascal · 2 years
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hiiiiiii <3 how are we doing? how are the straud kids doing?
hiiiiiiiii im doin ok, how are you bby? <3 the straud kids are great!! idk when im gonna post the straud legacy again, i really really really want to post the vlad/brie backstory reprisal before i pick up the straud legacy so tbh i havent seen them in so long, i miss my pixel people :-( but in my head im certain theyre living their best lives!! i have so many story ideas that i wanna execute it's so crazy my mind is a jumbled mess of silly vampires lol
#jade answers#itsmariejanel#oh im about to ramble SO HARD in the tags you dont even know#lucien and bonnie are gonna have a baby very soon i decided because bonnie has been pregnant for TWO REAL LIFE YEARS#even though it's only been a few months for them in the story D: so straud grandbabies soon ahhhh im not ready!!#gen is still a misogynist who's terrified to come out to his parents but they'll come around#carlile is still sick with an Unknown Illness... but he'll feel better one day! he just has to feel worse first :'(#nikolai is studying hard at school! making friends! learning about literature and whatever!#klaus is still struggling to make new friends but he'll make them sooner than he thinks!! all the while developing his musical skills <3#anastasia is an indecisive queen who cannot decide what aesthetic she likes or who she's into. but that's ok! libra queen!#ilya will explore their identity has they get older! and also steal their mother's lighters and attempt to start fires. arsonist icon <3#maybe the strauds will have more babies idk i have to decide how bored vlad and brie are#brie wants to GO TO SCHOOL! and be EDUCATED! so idk if she'll wanna have more kids at the moment#maybe afterwards though. she can get her degree and then be like heyyyy vladdyyyyyyy ;))))#idk i have so many plans for the straud legacy i think it's going in a direction i'm really satisfied with!!#especially regarding anastasia/caspian/vaughn/wolfgang ugh it sounds like a love square but i promise it isn't lol#i'm really satisfied with their arcs. especially caspian and wolfgang. i think it's going to go in a good direction#i can't wait for u guys to see it in a thousand years when i finally start posting again <3#but first i feel like i need to establish things in the vlad/brie backstory reprisal#mainly having to do with vlad/brie's mental health. bc there are characters with the same diagnoses as them#and they help those characters come to terms with their diagnoses#there's also general worldbuilding stuff that i want to better establish in the reprisal that i feel would be beneficial for my legacy too#there's so many stuff and things to do!! and i only have two hands!!!!#but i promise i am constantly working on new story stuff ok? if you read this far i am very impressed lol ily <3
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writingwithfolklore · 2 months
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5 Tips for Creating Intimidating Antagonists
Antagonists, whether people, the world, an object, or something else are integral to giving your story stakes and enough conflict to challenge your character enough to change them. Today I’m just going to focus on people antagonists because they are the easiest to do this with!
1. Your antagonist is still a character
While sure, antagonists exist in the story to combat your MC and make their lives and quest difficult, they are still characters in the story—they are still people in the world.
Antagonists lacking in this humanity may land flat or uninteresting, and it’s more likely they’ll fall into trope territory.
You should treat your antagonists like any other character. They should have goals, objectives, flaws, backstories, etc. (check out my character creation stuff here). They may even go through their own character arc, even if that doesn’t necessarily lead them to the ‘good’ side.
Really effective antagonists are human enough for us to see ourselves in them—in another universe, we could even be them.
2. They’re… antagonistic
There’s two types of antagonist. Type A and Type B. Type A antagonist’s have a goal that is opposite the MC’s. Type B’s goal is the same as the MC’s, but their objectives contradict each other.
For example, in Type A, your MC wants to win the contest, your antagonist wants them to lose.
In Type B, your MC wants to win the contest, and your antagonist wants to win the same contest. They can’t both win, so the way they get to their goal goes against each other.
A is where you get your Draco Malfoy’s, other school bullies, or President Snow’s (they don’t necessarily want what the MC does, they just don’t want them to have it.)
B is where you get the other Hunger Games contestants, or any adventure movie where the villain wants the secret treasure that the MCs are also hunting down. They want the same thing.
3. They have well-formed motivations
While we as the writers know that your antagonist was conceptualized to get in the way of the MC, they don’t know that. To them, they exist separate from the MC, and have their own reasons for doing what they do.
In Type A antagonists, whatever the MC wants would be bad for them in some way—so they can’t let them have it. For example, your MC wants to destroy Amazon, Jeff Bezos wants them not to do that. Why not? He wants to continue making money. To him, the MC getting what they want would take away something he has.
Other motivations could be: MC’s success would take away an opportunity they want, lose them power or fame or money or love, it could reveal something harmful about them—harming their reputation. It could even, in some cases, cause them physical harm.
This doesn’t necessarily have to be true, but the antagonist has to believe it’s true. Such as, if MC wins the competition, my wife will leave me for them. Maybe she absolutely wouldn’t, but your antagonist isn’t going to take that chance anyway.
In Type B antagonists, they want the same thing as the MC. In this case, their motivations could be literally anything. They want to win the competition to have enough money to save their family farm, or to prove to their family that they can succeed at something, or to bring them fame so that they won’t die a ‘nobody’.
They have a motivation separate from the MC, but that pesky protagonist keeps getting in their way.
4. They have power over the MC
Antagonists that aren’t able to combat the MC very well aren’t very interesting. Their job is to set the MC back, so they should be able to impact their journey and lives. They need some sort of advantage, privilege, or power over the MC.
President Snow has armies and the force of his system to squash Katniss. She’s able to survive through political tension and her own army of rebels, but he looms an incredibly formidable foe.
Your antagonist may be more wealthy, powerful, influential, intelligent, or skilled. They may have more people on their side. They are superior in some way to the protagonist.
5. And sometimes they win
Leading from the last point, your antagonists need wins. They need to get their way sometimes, which means your protagonist has to lose. You can do a bit of a trade off that allows your protagonist to lose enough to make a formidable foe out of their antagonist, but still allows them some progress using Fortunately, Unfortunately.
It goes like… Fortunately, MC gets accepted into the competition. Unfortunately, the antagonist convinces the rest of the competitors to hate them. Fortunately, they make one friend. Unfortunately, their first entry into the competition gets sabotaged. Fortunately, they make it through the first round anyway, etc. etc.
An antagonist that doesn’t do any antagonizing isn’t very interesting, and is completely pointless in their purpose to heighten stakes and create conflict for your protagonist to overcome. We’ll probably be talking about antagonists more soon!
Anything I missed?
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3d-wifey · 10 months
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This is such a niche ask, but I saw that you do Mortal Kombat. Can I ask for some flirty intro dialogue? You know like the conversation the characters have b4 the fight? But like with a Goddess!reader who's basically Hecate? like a Nyx/Hecate fusion if that makes sense. Oh and can you do what some of her taunts would be? I feel like those and her fatalities would be illusion and tarot based :)))
Flirty Intro Dialogue
Pairings: Johnny Cage x Reader; Noob Saibot x Reader; Erron Black x Reader; Dark Raiden x Reader; Cassie Cage x Reader; Shang Tsung x Reader
A/N: (Back to using gifs for headcanons). This is just for the MK 11 timeline. Once MK 1 comes out, I'll do new ones. Had to do a little research fan fiction-wise for this one, but I got a good amount out (plus some taunts the reader would say during the fight). I put a lot of thought into the reader's backstory in the MK universe, even though it'll never be used lol. Please, feel free to request more of these characters or some intros for different characters. Maybe even request a one-shot? Who knows ;)
Behind the Scenes: You know how when Erron Black shows up in the intro, he's looking at a Wanted poster of his opponent? I feel like Goddess!reader has something like that where she's looking at a tarot card that's different for each character before it disappears into mist. Another opening is the reader strutting in shapeshifted into her opponent, before turning back. Her friendship fatality has her stirring a comically large witch's caldron and Noob Saibot pops out in a cloud of mist.
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You: Jonathan Carlton
Johnny Cage: Sexy witch goddess.
You: I…Hmm.
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You: I can feel the magic coursing through your veins. You are one of my Night children, Jonathan.
Johnny Cage: You don’t mean that literally, right? Because it would suck to have the hots for my mom.
You: (sighs)  And what a waste.
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Johnny Cage: Somebody pinch me, I must be dreaming.
You: Do you dream of me often, Mortal?
Johnny Cage: Ohho, absolutely.
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Johnny Cage: Somebody pinch me, I must be dreaming.
You: (sighs) How many times must you make that joke?
Johnny Cage: You know you love it!
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Johnny Cage: So…what are my chances of getting you into my next movie?
You: I’ve told you. I have no desire to appear on your “big screen”.
Johnny Cage: I was thinking we’d make a different kind of movie.
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Johnny Cage: Goddess of dreams, huh? Can I call you Sandman?
You: You may call me whatever you please, dear mortal.
Johnny Cage: Oh, you do not wanna give me that kind of power.
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Johnny Cage: Heard you and Shinnok had a thing.
You: A…thing?
Johnny Cage: You two boned! Get it? Cuz he’s a skeleton.
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Johnny Cage: Tarot, huh? Card tricks are cool and all, but do you got any other witchy gimmicks?
You: I'm particularly fond of palm reading.
Johnny Cage: ...So what I'm hearing is, you're good with your hands?
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Johnny Cage: You, Fujin, and Raiden go way back, huh?
You: Since the dawn of time.
Johnny Cage: (grimace) Yeesh, they've been friend zoned that long?
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Johnny Cage: Not so fast, Hermonie.
You: Must you always spout such inane drivel?
Johnny Cage: Someone's been using their word-a-day calendar!
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Johnny Cage: I've never met a non-evil Eldar God.
You: Evil is quite subjective.
Johnny Cage: I'll remember that next time I'm kicking one's ass.
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Noob Saibot: My Goddess.
You: Bi-Han.
Noob Saibot: The shadows cling to your presence. 
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Noob Saibot: Many have wanted me to yield to their command.
You: Oh?
Noob Saibot: Only you have succeeded, My Goddess.
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You: You are not touched by the Night, dear Bi-Han. You are shrouded in it.
Noob Saibot: What better way to show that I belong to you?
You: It certainly seems that way, doesn’t it?
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Noob Saibot: The shadows whisper your name.
You: (smiles) What do they say about me?
Noob Saibot: That your beauty is combated by no other. They speak only the truth for their Goddess.
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You: You have been a steadfast worshiper, Bi-Han. How shall I reward your loyalty?
Noob Saibot: I only ask for one thing: to be your consort.
You: Hmm. That could be arranged.
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Noob Saibot: I do not want you to be upset with me, but I will not take back what I said.
You: Your brother cares for you, Bi-Han.
Noob Saibot: Yet, here we are.
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You: Why must we fight?
Noob Saibot: I wish to prove to you my might, My Goddess.
You: Oh, dear wraith. For you, my love is freely given. You have already earned it.
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Noob Saibot: You're different than the other Eldar Gods. You...care.
You: Do you think me weak?
Noob Saibot: Never.
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You: Care to spar?
Noob Saibot: I'd be honored.
You: Then don't take it personally when I beat you.
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Noob Saibot: The shadows crave your touch.
You: Only the shadows?
Noob Saibot: I'll always long for you, My Goddess.
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You: Do you fear me, dear Bi-Han?
Noob Saibot: I respect you.
You: (sigh) That wasn't a no.
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Erron Black: You've got quite the pretty penny on your head.
You: Are you here to kill me then, Erron Black?
Erron Black: With a face like that, I wouldn’t dream of it.
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Erron Black: You got any love spells up your sleeve, witchy? I swear ’m good for it.
You: Love is not something to take lightly. Who do you have in mind?
Erron Black: (smirks)  Look in a mirror, darlin’. 
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Erron Black: You the Goddess of lust, by any chance?
You: That is not a purpose I was created to serve.
Erron Black: Pity. You’d certainly suit it.
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Erron Black: You had something to ask me, beautiful?
You: Yes. What is “reverse cowgirl”?
Erron Black: (smirks) How ‘bout I show you the ins and outs after this?
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Erron Black: ’M not usually one for marriage, darlin’.
You: Neither am I.
Erron Black: I don’t have to be the only one, as long as I’m your favorite.
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Erron Black: You ever find out why Shinnok offed you?
You: I believe he wanted to turn me into his revenant bride. He became rather desperate after I declined his proposal.
Erron Black: (chuckle) Well, I guess I can’t blame the guy.
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Erron Black: Why don’t you take a peek into ol’ Erron’s dreams? Swear you won’t be disappointed.
You: I’ve seen your dreams. I must say, you give me very generous proportions.
Erron Black: Then you must know I’m a very generous lover.
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Erron Black: I've struck gold
You: How so?
Erron Black: Well, you're here, ain'tcha?
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Erron Black: You cast a spell on me, Goddess?
You: I have not, Erron Black.
Erron Black: Do you want to?
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Erron Black: How 'bout you and I see where the night takes us?
You: Do you think you can keep up?
Erron Black: Trust me. I may be fast on the quick draw, but I don't shoot quick.
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Erron Black: You've got the magic touch.
You: A good deal of my powers flow through my hands.
Erron Black: I want 'em on me.
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You: I’ve heard of how you…disposed of Shinnok.
Dark Raiden: After what he did to you, after how I mourned, I would behead him a hundred times over.
You: It isn’t judgment you sense in my voice. I would have killed him myself if you hadn’t beat me to it.
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You: Do you still desire me, even as you are now?
Dark Raiden: If you need to ask, then I have failed to show you my devotion.
You: Hmph.
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Dark Raiden: Will you abandon me too, my love?
You: It is not in my nature.
Dark Raiden: They do not deserve your blessings.
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Dark Raiden: How have you…How are you here?
You: I sensed my presence was needed and returned to my corporal form just in time to be put in Kronika's void.
Dark Raiden: You could not sense how much I needed you, how much I mourned?
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You: We are in such uncertain times, my vision is clouded.
Dark Raiden: I’m sorry for the part I play in your duress, my love.
You: You are only doing your duty. It’s how you’re going about it that leaves me weary.
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Dark Raiden: How can you find such beauty in their shortcomings?
You: The Night welcomes all into her shadowed embrace.
Dark Raiden: You are wasted on them!
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Dark Raiden: I was so lost without your guidance.
You: When I died?
Dark Raiden: When you were taken from me!
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Dark Radien: How did Shinnok do it?
You: He lied to me and attacked me when I let my guard down.
Dark Raiden: (growls) If I could, I would bring him back to enact justice upon him once more.
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You: I have but one wish.
Dark Raiden: Anything.
You: I wish for you to come back to me.
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You: Is it true? What you've done?
Dark Radien: It was the only way.
You: You have lost yourself.
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You: We've never fought before, have we?
Dark Radien: We never needed to for me to know you're the stronger between us.
You: Flattery will not save you.
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Cassie Cage: You know, I think I’m finally understanding why Raiden lost his marbles.
You: How so?
Cassie Cage: I think I’d lose my shit too if someone like you was taken from me.
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Cassie Cage: Are you a good witch or a bad witch?
You: I’m…afraid I do not understand.
Cassie Cage: Oh, you have got to let me take you on a movie date.
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Cassie Cage: Who’s your favorite: Fujin or Raiden? Come on. You can tell me.
You: I’m a Goddess. Why would I limit myself to one lover?
Cassie Cage: You dirty girl.
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Cassie Cage: What are you the Goddess of again?
You: (hesitates) …It would be easier to list what I am not the Goddess of.
Cassie Cage: (whistles) And I thought my parents expected a lot of me.
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Cassie Cage: Come on, just one kiss!
You: I am older than you could possibly imagine.
Cassie Cage: An older woman. What’s not to love?
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Cassie Cage: I heard you died. So, how are you standing here in all your godly beauty?
You: I have much power over death and the comings and goings of the Underworld. My soul simply dispersed there.
Cassie Cage: Yep. That’ll do it.
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Cassie Cage: So…You didn’t happen to see that one dream, did you?
You: I’ve seen all your dreams, Cassandra. And I’m flattered.
Cassie Cage: (clears throat) …Right.
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Cassie Cage: It’s a full moon
You: She calls to me and all who feel her light.
Cassie Cage:…You’re not gonna turn into a werewolf, are you?
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Cassie Cage: You gonna turn me into a frog, Goddess?
You: It’s a possibility.
Cassie Cage: (shrugs) As long as you change me back with a kiss.
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Cassie Cage: Heard you hung out with Jacqui.
You: Yes, though she didn’t mention you at all.
Cassie Cage: She is the worst wing woman.
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You: You’ve come to my crossroads. Do you need my guidance?
Cassie Cage: Just wondering if you could teach me a trick or two.
You: So it’s my protection you seek.
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Shang Tsung: Your beauty entices me
You: My power entices you.
Shang Tsung: Two things can be true at once.
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Shang Tsung: Soon, you shall be my bride.
You: You cannot tie down a Goddess; you cannot tie down the Night.
Shang Tsung: I can try.
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Shang Tsung: Do my powers impress you, Goddess of magic?
You: They certainly intrigue me, Sorcerer.
Shang Tsung: Allow me to give you a closer look.
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Shang Tsung: Every time I invoke my magic, I do so in your name.
You: Your loyalty changes with the moon’s phases.
Shang Tsung: I devote myself to you, my Goddess.
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Shang Tsung: I want something more valuable than your soul.
You: Such as?
Shang Tsung: Your love.
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Shang Tsung: You forgave Shinnok, but not I?
You: I did not forgive him. He killed me when I refused to be his bride.
Shang Tsung: I will succeed where he has failed.
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Shang Tsung: I kneel at your altar, my Goddess.
You: You needn’t prostrate yourself before me.
Shang Tsung: It is never a hardship to be on my knees for you.
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You: Do you fear me?
Shang Tsung: I’d be a fool not to.
You: Then why challenge me?
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Shang Tsung: You have the godly brothers on quite a tight leash.
You: I demand no loyalty from them.
Shang Tsung: It’s doubtful that they stray far from you.
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You: Kronika spared me in hopes of using my powers. When I refused, she cast me into the void.
Shang Tsung: We have been similarly wronged by her.
You: That is why we must aid Luai Kang in defeating her.
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Shang Tsung: You are the last Eldar God.
You: Yes. And I shall help Luai Kang in his creation of the new timeline.
Shang Tsung: Then this will be goodbye for now.
Taunts
You: The Wheel of Fortune comes for us all. You: Your future is uncertain. You: You cannot hide from the Night’s embrace. You: Knell in repentance. You: Your path ends here. You: You are lost. You: It is simply an illusion. You: You challenge an Eldar God? You: Will you make an offering? You: You are forgiven. You: I will lead your spirit through the gates of the Netherrealm. You: You shall not pass. You: Are you seeing double? You: Allow me to guide you.
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tropicalcryptid · 6 months
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Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it
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One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.
When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."
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But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.
On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.
But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--
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Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...
Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.
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It's not nice.
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It's really not nice.
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Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).
And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.
Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.
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Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!
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Very cool, ND.
There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!
Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.
But maybe Hordak can.
And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.
Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.
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This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.
Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.
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1K notes · View notes
fioiswriting · 7 months
Text
Reunion | oneshot
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Summary : After the Battle Above the Gods Eye, Daemon returned victorious. Aemond was presumed dead, though his body was never found. Three years later, you've mourned your former husband and are ready to move on. But it seems that some ghosts from your past have come back to haunt you, and that the dead aren't really dead after all...
[Part 2]
Rating : Explicit 18+, MDNI
Pairing : Aemond x Velaryon/Strong!niece!Reader, implied Cregan Stark x Reader (you can interpret them as lovers or not). Reader is Rhaenyra and Harwin’s daughter so I imagined her with dark hair like Jace, Luke and Joffrey but feel free to imagine her as you want of course &lt;3
TW : unprotected sex, breeding kink, mention of characters death, angst, possessiveness, p in v sex, oral m receiving, praising kink, dom/sub undertones, mention of war, AU where the Blacks won the war, Alys Rivers (but no cheating), Reader has a child, grief, light choking, not proofread.
Words count : 7600
Author's notes : Hi everyone !! Sooo I’m posting my first ever fanfic on here, my first x reader and my first fanfic for Aemond. I’m very anxious haha But well, this fanfic is heavily inspired by a RP that has been going on for months with my wonderful gf <3 She writes Aemond so well I swear and now she’s making me fall in love with Cregan too haha oops whatever. Some of Aemond’s lines in this fanfic are hers so of course the credits go to her 💕 Long story short the reader’s backstory is inspired by my OC! The plot doesn't make any sense but whatever
Also English is not my first language, so sorry for the grammar mistakes !!
Enjoy 🖤
I don't know what I'm supposed to do Haunted by the ghost of you Oh, take me back to the night we met The night we met - Lord Huron
The snow had covered the landscape of Winterfell in a thin white layer so similar to ash, and the image tugged at your heart for a moment. Ashes. Fire. War. It was strange, the stillness that had followed the fury of screams and blood, of fire and ash, the constant anguish and pain of loss. It was like a long howl and then sudden silence. Life had resumed its course, the earth and the grass nurtured in red, as if nothing had happened, and that still irritated you sometimes, three years later.
For this peacefulness was a constant reminder of your life before. Before the war, before your own family ripped itself apart from within, before you lost him. There was something bitter in the thought that, in an alternate reality, you would have been happy with him by your side. The night brought its share of sweet dreams, lulled by the embrace of his arms, and you closed your eyes with ease, hoping to see his face again, which was fading day by day, desperately clinging to the details that made him.
It had been the best solution, you knew. 
For there was no reality in which he could live as much as you wished for. And you had accepted your duty by straightening your shoulders, silencing your heart, digging your thumbnail into the inside of your wrist. Your stepfather had said he was dead; he had seen Vhaegar fall from the sky, wounded.  He had seen the huge dragon crash into the water with all its weight. He had waited, and no silver hair had returned to the surface. He had searched and no body had been found.
So, he had returned, triumphant, with the conclusion that Aemond Targaryen was dead.
The room had swayed around you, but your fingers on the hard, rough wood of the table had kept you grounded. You had nodded, unsure, your ears ringing, your teeth sinking into the flesh of your tongue to hold back the tears that were beading at the edges of your eyes.
You knew it was inevitable, perhaps even fair. But it still hurt.  It sill fucking hurt.
Daemon had reassured you by pointing out that you were now released from your marital obligation.  A marriage to him that you had hoped for, waited for, dreamed of in your younger years. A marriage you had despised, once forced into, once made captive, a prisoner to be used against your own mother. And then a marriage that you had loved, cherished even, when he had opened up to you, when he had changed, when he had revealed that soft side despite his rough edges.  And you loved him, truly. The childhood love, the shy love that had blossomed between laughter muffled behind the curtains, hand-in-hand runs through the Red Keep and reading session hidden under the library table, had been rekindled.  Raw, devouring, bruised by war, but more powerful than ever.
Out of the corner of your eye you had caught a glimpse of the comforting gaze of your mother, the Queen, her gentle eyes searching for clues that would betray what you were feeling. It was she who had stroked your hair that evening, her presence welcome and soothing.
During the war, events had made you more uncertain than ever; blood and cheese had broken something in you. Suddenly shaken by the horrific actions of someone you hardly recognised, by the actions of your own family and the father figure who had raised you as his own daughter. You questioned your loyalties more than ever. Of course, you'd been devastated by Luke's death, your beloved little brother, so innocent, so sweet, and the despair you'd felt, the sadness, had gradually turned to anger. 
Your desire for revenge had fed on your rage, on your anger.
And in your quest for revenge, you had grabbed the dagger hidden in your bodice when you had kissed him, when you had poisoned him with your lips and your body pressed against his. Perhaps it was cowardice to do it on your wedding night, right after the pitiful ceremony in which you had been forced to exchange your vows of fidelity, the humiliation of the white, blue, red and green cloak around your shoulders.  Perhaps it was cowardice to wait for him to surrender to your touch, hard with desire, before plunging the blade straight into his heart.
But you didn't do it, in the end, the humiliation of your failure burning in your cheeks, and you had seen the horrible reality in the icy eye fixed on you: he was expecting it.  He knew. He had anticipated you, as usual, one step ahead of you, ahead of your plans. And the humiliation was all the more bitter.
First he had defied you, knowing full well that you couldn't do it, despite your momentary hesitation. Then he had wiped away your tears, the sound of metal echoing off the floor as he captured your lips with his own. 
And both you and he had sought to release the accumulated tension in the comfort of your naked bodies, in the rough, demanding thrusts.
You weren't quite sure when your relationship had changed. When he had become more forgiving. When he had trusted you. When he had become gentle. When you had felt him slipping away, subtly, almost imperceptibly. When you had begun to seek comfort in his arms, to seek the warmth of his body, to seek his love on his lips.
You loved him.
So you spent the nights lying awake in fear. Fearing the moment when you would have to make a choice. Fearing the moment when you would have to betray.
Which side would you choose when both armies were coming towards you, carrying the same flags, the same weapons, both calling your name?
Anxiety had spread its roots in the pit of your stomach, crescent moons in the palms of your hands. You felt as if you were losing your mind.
But the choice had been forced upon you without you having to make it. You had accepted it, as your duty demanded, as your loyalty to your family demanded.
Life at Winterfell wasn't so bad, quite the opposite in fact, despite the cold and snow you weren't used to. Cregan Stark was a good man. He had given you time and space to grieve, and had opened the castle gates to you with kindness. You had decided that you could get used to the cold and the snow, to the stone and the rustic wood, so different from the refineries of the capital, but infinitely warmer.
It was your choice, your departure for Winterfell.  Dragonstone was still haunted by the ghost of Luke, by the ghosts of Joffrey and little Aegon and Viserys and Rhaenys and all the family members you had lost.  King's Landing was haunted, too. By your sweet aunt and her cries of despair, by Aegon's descent into madness, by the humiliations you had so gracefully endured, by the recurring announcements of deaths, by the smell of the innocents’ blood, by the pitiful looks of Alicent, who had seen in you the image of herself a few years earlier, powerless and manipulated.
But above all, it was haunted by him.
The weight of the memories had become unbearable and you needed to leave.
You chose Winterfell, hoping the cold would help you forget. And Jace had come with you, his thumb caressing the back of your hand with affection, always the protective, reassuring big brother he was to you.  Probably glad to see his friend again, too. Your friend, to both of you.
But forgetting was something you'd never really been able to do, even less with the last memory he'd left you.
Now, just over three years later, you felt ready to return to King's Landing to visit your parents, to face the demons of your past and to mourn once and for all. It was inexplicable, perhaps a little strange, but you felt the need to go back.
On his first dragon ride, Rhaegar clapped his hands along the way, nestled into your arms in front of you, closing his eyes as the wind ruffled his dark curls. Midnight, your dragon, as pleasant as ever, as easy and gentle as ever, took care to be careful with the two of you on his back.
When you arrived, Rhaenyra hugged you as tightly as she'd ever hugged you, her nose buried in your thick hair, before bending down to take her grandson in her arms.
"I've missed you, sweet girl." she said to you. You smiled and reached for her arm, glancing at your son who'd grabbed one of your mother's long silver curls: "Daemon has missed you too. You know he doesn't show his feelings, but... he missed you." 
You smile, your eyes dropping to the floor.  You missed them, too, terribly, despite the frequent letters.
"And of course... we’ve missed you too, little one!" Rhaenyra added, catching the child's nose with her thumb and forefinger, causing him to burst into laughter.
It felt good to be back.  It was good to have regained some sort of routine in your daily life with your family. It was good to see the walls of the Red Keep return to their original familiarity, chasing away the ghosts you feared you might see again.
*** *** *** *** *** *** *** ***
Perhaps you should have listened to your stepfather and not stray under any circumstances from the knight who has been following your every step with concern, afraid to lose sight of you. 
Five years earlier, it was Sir Erryk's vigilance that you had deceived when you had carelessly followed your eldest uncle into the dangerous streets of the capital.
The streets of King's Landing offered you a freedom you had missed. But now you almost regret sneaking through the crowds to escape the vigilance of the knight who had escorted you. You decide to take a shortcut, the hood of your cloak pulled down over your forehead.  It must have been your imagination.  You aren’t on the worst side of the city, not like five years ago, and the streets have become safe, much safer now that your parents are in power.
Your footsteps led you to some stone steps, which you climb at full speed, your heart pounding in your chest.  Glancing behind you, you disappear like a shadow around the corner of an alley, but the feeling is still there. You feel as if you are being followed.
At the Red Keep you already had the unpleasant feeling of being observed. In the gardens, with your son. Along the ramparts, enjoying the sea breeze on your face.
But you blamed it on your body's automatic response to the anxiety that had built up in all the years you'd spent within the walls of the Keep.
You slow your pace as you spot the dome and towers of the Great Sept at the end of the alley. From there you can easily find your way back to the Red Keep. All you had to do is keep moving, staring ahead, pressing your pace, wrapped in the thick wool of your cloak.
One step after the other. Breathing deeply. Half-moons in your palms.
The Great Sept growing closer give you a strange kind of reassurance.
And then suddenly, one hand closes over your mouth, the other around your waist. Your back bangs painfully against the cold stone wall of the winding alley into which you have been dragged. Fuck. Fuck.
You are too paralysed to struggle, too paralysed to bite the hand of the stranger holding you prisoner between the wall and his own body.
"You obviously learned nothing from my advice, Lady Strong," the icy voice whispers in the hollow of your ear. Your eyes widen. 
That voice. It couldn't be.
Lady Strong. Lady Strong. Lady Strong.
It can’t be.
That is your sick mind playing tricks on you again.
"As reckless as ever, hm, aren't you? You could easily get yourself killed."
The stranger releases you and you look up again, tears forming at the corners of your eyes, searching for that icy blue, tinged with lilac, that have read through you so many times before.
It is impossible.
He has died three years before, falling from Vhaegar's back into the deep waters of the lake at Harrenhal.
Is it a ghost? Is it a hallucination?
"You are dead. You were dead," you whisper, more to yourself than to him, still in shock from the feel of his body against yours. You feel the tears that have formed at the corners of your eyes roll down your cheek, and your little fists pound his chest.
You have so much to say to him. So many things to reproach him for.
His hand cups your cheek to turn your head and force you to look at him, his thumb wiping away your tears. 
The way he looks at you hasn’t changed; it still makes you shiver. You still feel that your uncle could read through you, that he could discover your deepest secrets.  And there is still that hint of desire, too, that gleam in his one seeing eye.
You want to kiss him. You want to slap him.
He clenches his jaw as he pulls you against him, burying your face in his chest, his arms around you. He rests his chin on your head. One of his hands strokes your dark hair as you stifle sobs into the wool of his cloak.
The situation takes you back to your wedding night, when he had comforted you in the same way after you had told him that you couldn't hate him, even if you had tried.
"I know," you hear him whisper, the vocal cords vibrating from his throat against the top of your head.
He is standing there, in front of you. You cling to the fabric of his clothes with all your might, as if you're afraid he'll slip away again.
"How?" you ask, eyes closed, head against him. If he is to be taken from you again, you intend to enjoy every moment in his company. 
He clenches again. You step back to look into his eyes, to search his enigmatic gaze for answers, for clues, for signs that would explain how. Why.
He doesn't answer you, but he is filled with desire as he grips your chin between his middle and index fingers, as he captures your lips with his own. You rediscover the possessiveness you've been missing. He pushes you a little harder against the wall behind you, as if to remind you who you belong to. Who you were married to.
A familiar warmth blossoms between your thighs, a warmth you haven't felt for too long. You're trapped, right there, your uncle towering over you, trapped between the wall and his body. His fingers close around your jaw and you kiss him back hungrily, wrapping your arms around his neck to pull him closer.
You're perfectly aware that the situation is surreal.  You're perfectly aware that you're making a mistake, that you shouldn't respond to the kiss of the man who used to be your husband, not when he's technically still your enemy, not when he's technically dead. 
But you shut out the voices in your head begging you to stop.
"I still want to hate you, you know," you breathe between his parted lips. He merely mutters hm in reply, trying to shut you up again, his hands wandering under your cape, tracing the ribs of the body he'd missed so much. He reaches for your waist, your hips, which he grabs meanly. 
There's no one in the alley around you, but the hood over his head hides his long silver hair anyway. 
"Three fucking years." Your lips leave his, a mixture of anger and desire bubbling up from your lower belly. Aemond stares at you, his jaw clenched. He knows you need to unleash your emotions when you don't read an ounce of regret in his gaze. "Three. Fucking. Years. And you've told me nothing. You never sought to -"
"I couldn't," he retorts harshly. He seems to be searching for words to explain something you could not possibly understand, but his gaze does not soften. You know he needs time, you've learned to know him.  You've waited three years, what's another moment? But you're tired, and your patience isn't as strong as it used to be.  You look away, a mocking laugh escaping your lips as you repeat his justification. "You couldn't." 
"And risk your mother executing me?" He forces you to look at him again, and you feel the lump form in your throat. You know you are perhaps being unfair, but you were alone for those three years while you mourned him, so alone, and in a way, you want to make him pay.
"You were dead to me, qybor." Uncle. You feel him twitch at the mention of your family tie, at the nickname he used to love to hear on your tongue. "I had to live with the idea that you would never come back."
The tears that had dried on your cheeks threaten to flow again, pooling at the corners of your eyes. Aemond sighs. 
"I thought I was dead too," he whispers. You can feel the tension in every one of his muscles. There's a moment of hesitation, a silence that hovers between you.  You have so many questions, but you don't know where to begin.  Not a sound leaves your lips.
"She tended to my wounds," he adds, and you frown in confusion. "Alys."
Alys. You try to wriggle out of his grip, but he keeps you pinned to the wall.  Alys, you remember the rumours whispered in your ear by that rat of Larys - those false rumours, you remind yourself -  but you can't help feeling your heart clench.  You don't trust your voice enough to speak, to say anything.
"There's no one left in Harrenhal but her," he adds, as if you need that clarification, as if you need to know where he's been all this time. 
You say nothing. Your throat is tight. If you speak, if you look at him, you'll cry again and betray your feelings all over again. You refuse to make a fool of yourself, not now.
"She's the one who saw you. In Winterfell." There's a hint of bitterness in his voice as he mentions the place where you've spent the last few years rebuilding yourself, trying to forget him.  A bit of anger, perhaps, too.
"Cregan Stark welcomed me indeed," you reply curtly.  Perhaps you want to hurt him as he hurt you, but you are deliberately vague in your answer. "I have mourned you, qybor."
Everything is so confused in your mind.  A paradoxical blend of desire, anger, sadness, jealousy.  Of love too.
You want to strangle him and melt on his lips at the same time, and you know that after all this time you should be used to feeling this paradox of emotions with Aemond. Your uncle was a set of contradictions all his own.
"I saw you. On Midnight. That's how I knew you were here."
You nod. Words don't work between you, you know that. It has always been like that; the habit of letting silence speak more than words. The habit of communicating through the carnal acts of your bodies against each other. *** *** *** *** *** *** *** ***
Aemond pushes you against the wooden door as soon as you enter the mediocre room of the inn. He is demanding, more than ever, as his hands run along your hips to your thighs to lift you up and press you against the door, your legs closing around him. He watches you with hungry eyes, like a predator ready to pounce on its prey. You can't stop a moan from escaping your lips. 
There's something feverish, passionate, urgent about the kiss. And when his tongue begs for an opening, your lips part to welcome him. There is only you in this room, an interlude where nothing else exists, where you don't have to worry about your duties and loyalties, where you are guided by nothing but passion.
His hand slams against the wall next to your head and with a movement of his hips he lifts you a little higher onto his waist, your legs locked tightly around him. He grunts into the crook of your neck at the friction of your crotch against his.
"Tell me to stop." His hand which isn't against the wall to support your weight slides up to your jaw. He lifts your chin, his gaze locked in yours, searching for clues, anything that would betray your desire to end whatever it is you're doing. "Tell me to stop now, or I won't be able to."
You don't want to stop. You should, you know you should, but you silence the little voice in your conscience that's begging you to pull yourself together, to end it all before you've even started, before you've even gone too far, and you kiss him with more vigour, with more fervour.
"I'm not going to tell you to stop, qybor," you whisper against his lips. "You know that."
His hardened member twitches beneath you at the mention of the High Valyrian, at the mention of that nickname he's so fond of. It's his weakness, you know, and despite the three years he's been away, he hasn't changed.
It's so good to feel him against you again, to feel his lips against yours, along your jawline to the junction with your neck. In one sharp movement, he rolls his hips to meet yours, pressing you a little harder against the wooden wall, and he catches your moan between his lips.
You know that tonight there will be no shy touches between you, no awkward explorations like in the early days of your love, when it wasn't tainted by war, blood, and death yet. You and he will both be consumed by the burning fire of passion.   You both need to release that tension and frustration, to make up for lost time, to drown, drunk with desire, in the most carnal of acts. All that matters now are his hands on your body to ease the pain pulsing between your thighs, the desperate need to feel him inside you. 
The barrier of your clothes frustrates you. You need to feel his skin against yours, to feel all of him, and your hand runs down his body to pull at the cord holding his breeches together. Immediately his fingers close around your wrist to hold you back. He wants to be in control, you know. But it has been three years and something about you just isn't the same.
"Let me worship you like I used to, qybor," you whisper against his lips, your forehead pressed against his, and you feel his jaw tighten. There's a moment of hesitation in his eyes, clouded by desire.
His thumb caresses your lips, pressing against your lower lip. You part them, just enough for the tip of your tongue to wet the top of his thumb. There are no further words exchanged between you, just silence, punctuated by your gasping breaths. His hand closes around your throat, not pressing too hard, just enough so you can feel the weight of his palm against your windpipe, just to remind you that he's in complete control of the situation.
Fuck, you've missed it; the adrenaline of his hand around your throat, the adrenaline of knowing he could do anything to you and you'd be defenceless.
"On your knees then."
The command echoes through the room and you feel the wetness seeping between your thighs as you slide to your knees in front of him. Your eyes shine with envy and you look up at him as you did years ago. You know he can't resist the angelic look on your face when you're between his thighs. You know he can't resist the dichotomy between the innocent look on your face and the sinful act you're about to commit.  He revels in your submission, and that's something you've learned to use against him.
Your uncle releases his cock from his breeches, his hand wrapped around the base, and the desire you feel between your thighs becomes more and more unbearable. The head is already glistening with anticipation, white pearls beading at the slit, and it takes all of Aemond's self-control not to grab you by the hair and force himself into your mouth entirely. 
Closing the distance, he rubs his member against your lips to spread the wetness before pushing into your mouth. Your lips close around him. He's warm and heavy on your tongue and the hand holding the base of his manhood is replaced by yours to cover what you can't take. Your tongue curls around the tip first, absorbing his salty taste, and you look up at him through your long lashes. He doesn't look away from you.
His hand cups your cheek, his thumb caresses your cheekbone before sliding to the corner of your lips, just where his length disappears between them. It's as if he's hypnotised by the spectacle, by the bobbing of your head, by your hollowed cheeks, by your application and devotion. 
His hands leave your jaw and sink into your thick curls, urging you to take him a little deeper, and he thrusts between your lips with more vigour. You close your eyes, concentrating on not choking as his member touches the back of your throat. You take it as diligently and assiduously as ever, ignoring the tears gathering at the corners of your eyes.
"That's it, just like that. Such a good girl, mandianna [niece], such a good wife," you hear him grunt, his movements more erratic, more jerky, and you revel in his praise, sending a new wave of heat between your thighs. "Only for me."
You feel him throb on your tongue. You know it won't be long now, and you prepare yourself to welcome him, to let the salty taste of his seed flood your tongue, but your uncle pulls back reluctantly. 
"I would rather not waste." he whispers, his eyes riveted on the thread of saliva that connects your lips, glistening with saliva and precum, to the tip of his cock. You shudder. Aemond definitely hasn't changed much, you realise.
His hand finds your cheek again and he caresses your lips to spread the mess you've made by sucking him. You know he isn't finished. This is just the beginning and you're both driven by the consuming hunger of passion. You know what's coming now, your core clenching around nothing, and you rub your thighs together, in an attempt to soothe the impatience. 
He urges you to stand. He has that predatory look in his eyes as he closes the distance between you with his determined steps. 
" Undress," he orders, and you do not take your eyes off him as you untie the linen dress you had put on to disguise yourself as a common girl.
The garment falls heavily to the floor, forming a grey puddle at your feet, and you take a step forward.
"Do you not like seeing me dressed in rags, qybor?" you ask in a playful tone, teasing, referring to the time, years ago, when he had rescued you during your adventurous walk along the grim Silk Road where your uncle Aegon had accidentally led you. 
The memory was so close and yet so far away.
Aemond takes a step towards you, his hand brushing aside the long hair that hides your breasts to tuck it behind your shoulder.
"Not when you are meant to be my Queen." His eye glow with desire. He studies your body in detail as his fingers slide down your collarbone to your breasts. His thumb traces their underside before moving up to your nipples, hardened by the cool evening air and desire. He plays with them, eliciting a moan that satisfies him.  He looks at you like one looking at a prize, a long-awaited gift.
"Three years away from my beautiful wife," he whispers, his good eye gleaming as he looks at your breasts.
"You did have pleasant company in Harrenhal though, didn't you?" you hiss through your teeth and Aemond's hand suddenly closes around your throat to make you swallow your insolence.  You're not afraid, not anymore, for you know he won't hurt you. You have this power over him and it's delicious. 
His face is so close to yours that your noses are touching. 
He doesn't let go of you. 
"It wasn't like that." He whispers. "With her." You know he's sincere because he's almost awkward with his words, his explanation. You can see in his eye that there are so many other things he would like to tell you, but you have learned not to rush him.  It has always been difficult for him to open up, to be vulnerable.
His fingers release you. Aemond is a good head taller than you, and as he puts a hand on your shoulder, moving forward to force you back until your knees hit the mattress, your eyes remain fixed on his. 
Your uncle lays you down on the mattress. It's not the comfort of the bed you once shared, but you don't care, you just need him inside you. 
You need him to make you feel whole again. Aemond was fire, and you were willing to burn for him.  You had always burned for him.
In the candlelight of the small bedroom where you spend the night, you see his thumbs slip under the waistband of his breeches. His clothes quickly join yours on the floor.
There's something soothing about the weight of his naked body on top of yours. Once under him, you know you can surrender completely to him and stop thinking, just stop thinking.
His lips on yours, his hands on your body, his broad torso eclipsing your smaller figure.
He places kisses down your neck to your collarbone, sucking your skin between his teeth to leave purple marks that will blossom tomorrow. 
He kisses your breast, his lips closing around an erect nipple which he sucks gently, then around the other.  Your hands are buried in his long silver hair.  You can feel how wet you are between your thighs. You need him desperately, right there.
The confidence with which his fingers slide down your waist, from your hips to your inner thighs, only emphasises his ravenous expression. His touch on your folds sends a wave of heat through your body, causing your hips to move against his hand. Softly tracing the curves of your crotch, his index and middle fingers finally part your folds to collect the wetness that has formed there.
"Is it sucking your husband's cock that has got you so wet? 
Yes, you want to answer, seeking more contact, but the words are stuck in your throat.
"Stay still," he orders in a hoarse voice as you move your hips, his hands gripping your hips to pin you back against the mattress. 
You comply, for once, because you know he won't give you what you want otherwise. And you can't wait any longer, not today, not when you thought you'd never feel his warmth against your body again, his hands on your hips, his cock inside you.
"You see, you can be a good girl." His voice is softer when you obey. And to reward you, his fingers slide to your entrance, where he applies a little pressure with the tip of his middle finger without actually penetrating you. "Now beg your husband to fill you."
"Please, qybor," you murmur, your hand taking his cheek to bring his face to yours. You want him to look at you. "Please, I need you inside."
Oh, the slowness and precision with which his finger plunges into you makes you throw your head back. He begins to move back and forth, his index finger joining his middle one, caressing your spongy walls, his thumb tracing circles around your bud. Curling his fingers, he strokes that spot inside you that makes your legs tremble and you clutch the sheets beneath you.
You feel your centre tighten around his fingers, the release you've been looking for so close, so very close. You shut your eyes, ready for the familiar wave of warmth to wash over your entire body, but your uncle pulls his fingers away. You grunt in frustration.
You open your eyes only to see Aemond bring his fingers to his lips indecently, spreading your wetness over his own lips. "You still taste so good," he purrs, and you feel the blush rise to your cheeks.
He leans over to kiss you and you taste yourself on his lips. It's indecent.
He pulls back and you see him wrap his hand around his hardened cock, the head angrily red and already drooling in anticipation. He guides himself to your core, rubbing his length between your folds, coating it with your glistening juices. 
The round tip of his member enters you, slowly at first, stretching your narrow entrance as if to give you time to adjust. Aemond pushes and he sinks easily into you until he's fully seated, your warm, wet walls feeling heavenly around him, squeezing him just right.
" You are so tight," he growls against you as your arms close around him, your legs bent and pressed to either side of his body. 
He gives you a moment to get used to having him inside you again, to feeling him so deeply. It's exactly what you need; he stretches you deliciously, with a perfect touch of controlled pain.
You feel whole again and you want to cry.  You never want to lose that feeling. You want to keep him, against you, inside you.
You close your eyes and bury your head in the hollow above his shoulder, clinging to him as if to feel him more deeply, more intimately.
"You can move," you reply, rolling your hips to support your words. Aemond's hand immediately presses down on your stomach to hold you against the mattress and you bite your lower lip, almost guilty of forgetting his earlier command. He always has that need to control. He's the one who decides, you should know it after all these years, and you should stop being so demanding, so desperate.
"I said stay still," he scolds you, and the waiting is unbearable. 
You need him. 
When he finally pulls out and thrusts into you again, you let out a whimper. Your nails dig into the pale skin of his back, leaving crescent marks that will probably still be there the next day.
Once under him, Aemond has the ability to make you vulnerable, and part of you hate him for it.
"You take me so well," he growls after a particularly brutal thrust. "You're such a good girl."
The praise is sweet music to your ears.  You have always needed it, to be praised, complimented.
You feel him hitting that special spot deep inside you, you feel him pressing in so deeply and your grip tightens around him.
"Did you miss me?" you whisper in a voice made weak by pleasure, but all you get in return are the hoarse grunts of his voice.
Aemond lowers his eyes to look at where you are joined, hypnotised by the sight of his cock disappearing inside you. The rhythm he imposes is powerful, deep, and his fingers find their way between your bodies, reaching your little bud at the top of your folds to trace circles on it. You won't last long and he knows it as he feels your walls tighten desperately around him. Your moans grow louder.
"Look at me." His voice barely brings you back to reality, even though your mind is already far away, even though you know you can't last much longer. Painfully, you open your eyes to meet your uncle's icy gaze. " I am going to fill you up." His pacing becomes more erratic, more sloppy, and you know he won't last much longer either. Leaning on his forearm, he continues to stroke your pearl in small circles. "I am going to fill you up and you're going to take it all."
The image of you, belly round with his child, haunts him.  It never stopped haunting him, even on the brink of death, even when he thought he'd exhaled his last breath as he fell into the icy waters of the lake, his heart clenched with regret and remorse. It still is a wonder that he has survived. Perhaps, just perhaps, the Gods still had plans for him.
I'm going to fill you up. Words like that shouldn't bring you to ecstasy, and yet they do. Aemond reaches deeper, and as he feels your whole body convulse with the spasms of your orgasm, he joins you in your release. He spills his seed deep inside you before remaining still, buried against your womb, enjoying your warmth, making sure he's pouring every last drop into you. 
He doesn't want to pull out, not yet, and you close your arms around his neck, your breast pressed against his chest as he softens inside you.
The weight of his body on yours is comforting.  For the first time in years, you feel alive. For the first time in years, the open wound he left seems to be healing.
When he pulls out, you wince at the sensation of his cock slipping between your still too sensitive folds. You immediately miss the feeling of fullness. 
You barely move, your whole body still sore from your lovemaking, but you can feel his cum leaking from your entrance onto the mattress below.
Again, Aemond's fingers are between your thighs that are glistening with the intimate essence of both of you, collecting his own seed and pushing it back into you.  You whimper, still too sensitive, your lips brushing against his, and he remains inside you for a brief moment. He wants to make sure nothing is wasted.
And when he withdraws his fingers, he presses them against your lips for you to clean them.
You snuggle up against him, your head against his chest. Your hand caresses his chest, the fine line of his muscles, and he rests his chin on the top of your head, wrapping an arm around your waist to hold you close. You enjoy the warmth of his body while you still can. Between your thighs you feel the sticky sensation of his seed mixing with your wetness as it still flows out of you, but you don't want to leave the embrace of his arms.
"I saw you in the gardens. With the child."
When you feel his throat vibrate, you look up at him, your eyebrows furrowed. "It was you, then?" You swallow. "It was you watching me." It's more of an observation than a question, and you suddenly understand that constant, uncomfortable feeling of being watched. At least you weren't crazy. 
He lets out a hm and pauses.
"Is he yours?"
You know where this question is leading. You fear the moment of truth.  You'd deluded yourself into thinking you could avoid it, but you were naive; did you really think you could hide the truth from him for much longer, now that he was back?
"Yes." You answer, looking away. You're nervous, and he can feel it.
"He's Cregan Stark's son, isn't he?"
Your heart clenches. You hesitate for a moment. You should lie.  You know you should lie.  To protect your son and your family, as you've protected them for the past three years.  You only need one word.
You hear him sighing beneath you, taking your silence as confirmation.
"No, he's not." 
The words leave your lips before you can even stop them. You hold your breath. Beneath you, Aemond tenses. He straightens, puzzled, silent.
"A bastard, then?" His voice is dry, almost mocking, revealing a form of irritation. "I did not expect this from you, dear niece." Disappointment.
You feel anger boiling inside you at the thought of him insulting your son, your sweet boy you love so much. You swallow the lump that has formed in your throat and rise on your forearms, your eyebrows furrowed as you turn your hard gaze on him.
You don't know how to express the words that are desperately trying to escape your lips. 
" He has blue eyes," you add, and you can see the confusion on his face. A lock of hair slips from your shoulder and falls around your face. "Your blue eyes."
You feel him tense up. He says nothing, just stares at you with his one seeing eye.  It's rare to see Aemond Targaryen so unsure of himself, so full of doubt. He stares at you as if he's afraid he's heard you wrong, as if he's afraid he's invented the words that have come out of your mouth.
"What did you say?"
You look away. You bite your lower lip, regretting your words.  You want to bury your face in his chest. You breath. 
"He is your son, Aemond." You finally admit it.
It's true that Rhaegar's brown curls could easily make him look like a Stark. Cregan had offered to raise him as his own, and you had smiled at his kindness.
Rhaegar is so much like you. Like you, and like Luke, and especially like Jace as a child, of whom he is the spitting image. He has the soft features of your face, but his eyes make him undeniably Aemond's son.
Your uncle holds you close, his arm wrapped around your waist, his long nose buried in the hollow of your neck, breathing in the scent of your hair.
"My son," he repeats in awe.  It's rare to see Aemond smile with sincerity.  Especially after the war has worn him down, made him more ruthless than ever.
"His name is Rhaegar," you say. "Just as we discussed." There's shyness in your voice.
He straightens, you on top, straddling him, and he seeks your lips to kiss you fiercely. His desire awakens beneath you; you feel him harden against your core again.
And this time, he makes love to you.
*** *** *** *** *** *** *** *** 
"I missed the best part." He purrs against you, his hand absently caressing your breast before sliding down your body to rest on your flat stomach, just above where your womb lies. He clenches his hand possessively over your flesh. His voice is almost tinged with regret. Your hand rests on his.
"You shouldn't have left me," you reply, bitter. Deep down, you're still angry with him. Your gaze falls on your stomach, where both your hands lie, yours on top of his, clasped together. "You shouldn't have let your anger dictate your actions," you add, looking away. "But you were blinded by your desire for revenge, by your desire to prove that you could be better than him.” You swallow.
It is his fault, after all, that he missed your son's birth, that he didn't see him grow through the tender years of his infancy.
Rhaegar needed a father, and it was Cregan who raised him.
"Does he even know who I am? Who his father is?"
The guilty look on your face betrays you, and you know immediately that you've hurt his feelings. It may be selfish of you, but he needs to understand.
"You were supposed to be dead. There's still a lot he doesn't know." 
He doesn't say anything. You don't have the courage to meet his hard, stern gaze, you don't have the courage to see the disappointment and pain on his face, because if you do, your heart will tighten and you will fall apart.
"He's still so young. Give him time." You add, your fingers tracing small circles on the back of his hand, in an attempt to soothe him. 
You know how much Aemond wanted a son, and you know it's cruel to take that from him.  You know he would have made a good father. You can picture him with Rhaegar on his knee, reading him stories, telling him about the adventures of Vhagar and Visenya, and you love the image that forms in your mind.
You told Rhaegar about Aemond, though he was still too young to understand. You told him that his father had once owned the greatest dragon in the world, that his father was a fearless man for it was true, and you saw his big eyes light up. 
Aemond pulls you closer to him. "I want to be there for him, you know."  Unlike Viserys, but he doesn't have to say it, you understand what he means in the undertone he leaves at the end of his sentence.  He has always suffered from his father's indifference.
You cuddle up to him and he runs his fingers through your long curls. For a moment, you imagine that everything is fine and you search for his touch. He plants a kiss on the top of your head.
"I've missed you," he admits, the words landing on the tips of his lips in the silence of the bedroom, but you're already dozing off.
You know that tomorrow will be made up of choices and decisions. 
But for now, you fall asleep in the embrace of his very real arms, for once, enjoying the illusion of the life you both could have had.
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prismatoxic · 6 days
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you know... this is framed as such a silly moment that i didn't really consider it before but...
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...laios was the only one who respected chilchuck in this scene.
and of course we know why senshi and marcille didn't. senshi still thinks that's child age, as dwarves' age of maturity is 40, a good 20 years older than chilchuck is. and senshi doesn't have the kind of worldly socialization marcille does that lets her understand in any way that chilchuck is an adult (and even then, she sees him as more of a child than she should, because elven age of maturity is 80 and, well. her relationship with time and aging is weird, let's put it that way). she treats him more like a grown man than senshi does, but it's not saying much. (this isn't a diss against either of them, their backstories more than explain why they're like this, and chilchuck doesn't seem to generally hold it against them except when senshi very openly treats him like a kid.)
laios, though. laios is a tall-man. his age of maturity (16) is only 2 years higher than a half-foot's (14). when chilchuck said "this year i turn 29," laios realized chilchuck was his senior and tried to adapt to treating him that way. (in the context of this series being written by a japanese person, this concept holds a lot of extra weight.)
of course, that wasn't actually what chilchuck wanted, and laios resumed treating chilchuck like a peer instead. (remember, chilchuck clearly defines his boundaries, and laios will happily abide by a clearly drawn boundary. a distressed and angry "quit" is taken 100% at face value.) and what's notable about that is that "laios treating chilchuck like a peer" was already valuing him as an adult. even if he didn't know the exact number, laios knew chilchuck was at least around his own age.
i imagine traveling with dandan helped him understand half-foots enough that his blunders when he and chilchuck started working together weren't generally disrespectful in nature. laios would have been able to wrap his mind around "half-foots aren't kids unless they actually say they are" because laios likes clearly defined rules. chilchuck is an adult? okay, he gets treated like one.
and i think it's just as much them both being short-lived races; if he can wrap his head around "height ≠ age" then he also understands whatever age chilchuck is has to be roughly comparable to his own.
and i just think that's neat! i think it's cool how much laios respects chilchuck and there's a sort of irony to the fact that moments like this are, in chilchuck's eyes, more of a nuisance than a sign of respect. but i mean... laios already treats him right. he doesn't need to do anything different.
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kamiversee · 2 months
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➶-͙˚ ༘✶ 𝙏𝙃𝙀 𝙁*𝘾𝙆 𝙇𝙄𝙎𝙏
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✧.* CHAPTER 50 || The Sad Backstory
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[ { SYPNOSIS } ] ➤ A tale in which Gojo Satoru blackmails you into seducing a list of people to clear his debt. Sounds easy enough, right?
[ { CHAPTER CONTENT } ] ➤ language, heavy angst, childhood trauma, heavy mentions of violence/abuse, & death mentioning.
[ { A/N } ] ➤ The family dynamic isn’t canon to the anime/manga at all, in case that wasn’t obvious before now. So, the relations depicted here are simply made up for fanfic purposes. (Just wanted to put this disclaimer out there just in case)
[ { WORD COUNT } ] ➤ 4.2k
[ { PAIRINGS } ] ➤ jjk men x f!reader. gojo x f!reader. geto x f!reader. toji x f!reader. choso x f!reader. sukuna x f!reader. nanami x f!reader.
[ [ chapters mlist } ]
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——IT WAS SILENT for the first few minutes. Aside from the heat blowing onto the two of you, there was this sense of distance and coldness in the air.
Was that due to the rain? Was it the weather that’d brought such a despairing feel to the two of you? Or, was it truly that distance and coldness were approaching?
You didn’t know what to say just yet and neither did Choso. The thoughts in his brain had slowed and he was organizing how he should go about this while wondering if you’d just come out and explain yourself.
Who should start this tough conversation, he or you? Does it matter? If you don’t start, does that silently say something about you and what's been done? If he doesn’t start, does that make him seem upset with you? The two of you collectively felt the same thing and you both didn’t know what to do.
You weren’t used to getting to this point in a conversation. What you’d grown accustomed to was nothing but confusion on top of vague explanations that further clouded your blurred assumptions of the truth. Gojo had done that to you far too many times for you to know what to do now.
How… What’s the right way to tell Choso everything? Are you going to tell him everything? Is it best that you do? What if he hates you like how you hated Gojo? It wouldn’t be weird after all, you hated Gojo and loved him at the same time— whether or not you’d like to admit it.
What about Gojo-, wait what? What about Gojo? Why are you considering him right now? Are you worried that if you explain the story of the list, it’ll put this negative stigma on Gojo? Who cares?
You do.
You hate that you do but it’s true.
You’ve seen too many sides of Gojo for you not to care about painting him as some big villain when, at the end of the day, even villains have tragic stories that molded them into the person they are now. That doesn’t excuse the man but since you know nothing of the truth about Gojo, you can’t see yourself making him seem like a bad guy anymore.
He has his issues, sure. But, you don’t know why. That’s what makes this all so damn difficult.
How can you tell Choso that the other person you fell in love with is the reason you slept with Sukuna? What would Choso think of that? Would he pity you or would he blame you for not coming to him sooner?
How the hell are you going to-
“Baby,” Choso calls out, ripping you from your thoughts completely. You’d zoned out and didn’t even realize you had tears in your eyes until you blinked them away and turned your head to Choso.
His hand reaches over to you and he places it atop your thigh. You look down and notice your leg has been bobbing up and down excessively. Were you that anxious?
This won’t go badly, right? Why are you panicking? Are you-
“Relax,” Choso whispers, and his thumb swirls over your thigh, trying to soothe you. “Whatever you’re thinking, ignore it.”
You swallow and stare at the man with widened eyes, “But-“
“It’s just you and me right now,” He says, forcing a soft smile on his face, “Get outta’ your head.”
You take a deep breath and sniffle, batting your eyelashes as you try to rid your eyes of the tears. Choso lifts his hand from your thigh and in a way that seems to be second nature to him, he wipes away the tears from your face.
“It’s just me ‘nd you, baby,” He murmurs, “Stop being so nervous, okay?”
“Choso,” You hum, watching the way his gaze softens.
“Yes princess?” He replies. His voice is so gentle now that it’s making you feel guilty for some reason.
You exhale carefully, “What if… W-What if I tell you everything a-and you…” Your eyes water all over again, “What if you hate me-“
He cuts you off with the sound of your first name leaving his lips. His tone is still light but there’s this sternness to it, almost as if he didn’t like what you just said, “There’s no truth you can give me that’d make me hate you.” Choso reassures you, leaning closer just a bit, “I love you. Everything that’s you, I love.”
Your nerves are still unsettled, “E-Even if-“
“The worst thing you could say to be is that you’re in love with Sukuna,” He tells you, scoffing a little.
You shake your head no and your face twists up, “I’m not.”
“Alright then.” Choso shrugs, “I told you, I’ll love you no matter what. In a dark room, you’re my light, no matter how dim that light may be.”
You frown, “Cho, you really did lie, you’re just fine with words.”
“Only at times like this,” He murmurs, “When uh, when it’s you I guess…”
You lift a hand up to your face, pulling his hand away and turning to it. Choso watches you as you shyly kiss his palm and he swallows down the tsunami of loving feelings that threatened to drown him. Such a simple action and yet it made his mind blank for a second.
Then you move away from his hand, “Okay,” You utter, “Where uhm…” Your eyes trail back over to him, “Where should I start?”
You release his hand and he retracts it from you simply. Thinking for a minute, Choso does that thing where he studies your eyes, losing himself in them. Then, he lets out a sigh when he comes up with something.
“What if we uh,” He moves to adjust himself in his seat, “What if I ask you questions and you just answer?” Choso suggests.
You blink, “You… You don’t want me to just tell you everything?”
“No,” He sighs, “There are certain things I don’t think I’d want to know.”
By that, it’s meant that you may give him details that he just doesn’t want in his brain. Choso wants the truth, yes, but only parts of the truth that won’t make him feel sick. Knowing that you had sex with Sukuna is already enough, he doesn’t need more details surrounding that. Hence the offering of asking questions. 
“Okay,” You murmur.
“But,” Choso’s brows knit together and he faces forward in deep thought, “Well, I don’t know if maybe I should just tell you everything first.”
You turn to face forward as well, your eyes dropping down to your lap as you toy with your fingers, “Well, that’s up to you I guess. Is it better for you to tell me everything so that I have it in mind or is it better to know all I’ve done as you tell me everything?”
He swallows, “The first, I think.”
“Did that even make sense?” You breathe out to yourself, worrying that you may have confused him-
“Yeah,” Choso says, “Yeah it did. T-That’s uh, that’s actually better than what I suggested.”
“Is it?” You ask, glancing at him.
He nods, “Mhm, I think if I tell you everything, you may understand the reactions I’ll have to certain answers you give me.”
A sigh slips past you, “Okay, tell me everything then.”
There’s a hint of a smile there on his face but it lingers for only less than a second before that, and every ounce of emotion is drained from his face. Choso’s face goes completely expressionless.
“Where do I even start…” He mutters.
Your voice is soft with him, “Wherever feels most comfortable.”
“Everything about what I’ve experienced with Sukuna is uncomfortable.” He huffs out, “And… I’ve never told anyone about it.”
“Not even…” You bite your lower lip for a second but then you ask anyway, “Not even Yuki?”
“She learned more about Sukuna in that cafe than she has during her relationship with me so, no.” Choso explains, “I don’t like talking about him.”
“I understand.” You say, nodding, “And that’s alright, I’m not going anywhere so, take your time.”
“Alright,” Choso sighs heavily, “Well…”
He starts slow, careful even. It was clear by the way he shifted in his seat and put his words together in a well throughout manner.
Choso began by explaining when he met Sukuna. Because they’re step-siblings, they only share one parent and in this case, it was their father. Choso explained how his dad was a complicated man who found himself having two different women in which he went back and forth between.
Choso met Sukuna when he was five years old, Sukuna being eight at the time. From first impressions, Choso tells you that he thought it was cool to have an older sibling and that he looked up to Sukuna. At five, only Eso was born and not yet Kechizu.
Given that, Choso knew what it was like to play the role of an older brother and he loved it so he thought it’d be amazing to have that experience for himself. Only, Sukuna was the worst thing to ever happen to him. Choso describes in vivid detail how eight-year-old Sukuna looked. For one, the resemblance to the later-born Yuji is uncanny, one would mistake them for twins if they were the same age.
Even so, Sukuna’s appearance was odd. He was only eight and yet he had a bruised lip and a look of pure hate in his eyes. At the time, Choso thought it was cool that Sukuna was hurt but seemed unfazed by the pain and even wanted to be like him.
But, the second five-year-old Choso found himself alone with the older boy and made the mistake of commenting on his bruised lip, praising it in an attempt to connect with him, Sukuna punched him.
One hit was all Choso needed to realize, even at the age of five, growing up with Sukuna wasn’t going to be as pleasant as he thought. And it sure as hell wasn’t, there was nothing pleasant about growing up with Sukuna, especially when Choso’s mother later passed away during the birth of Kechizo.
She was a soft-spoken woman who hardly spoke up for herself in regard to her husband who had an entirely different family so, when she passed, Choso remembers being sad but the emotion didn’t remain long. Anger clouded Choso more than anything at the time and to make matters worse, he and his two younger siblings moved in with his step-family.
It was torture. The process of raising his two younger brothers while being beaten up and ridiculed by an older brother simply made Choso’s life hell. Violence seemed to follow him everywhere. From Sukuna hitting him whenever he felt like it to watching Sukuna’s mother beat up on his father, Choso became very well acquainted with abuse and violence.
Because he knew no better, he never really stood up for himself either. In the slim chance he did, Sukuna would proceed to simply bully him— locking him in a dark room for hours knowing it scared Choso, beating him with items, some sharp, some dull, he doesn’t remember, it all hurt the same.
This hate that burns in Choso’s heart for Sukuna just built up over the years more and more until Yuji was born.
Choso tells you he never knew why but when the kid was born, Sukuna softened up on him for a while. Choso was nine when Yuji was born so for four years before that, he’d been bullied, outcast, and abused by his family, safe from his younger siblings of course.
Maybe it was the way Sukuna softened up after his youngest brother was born that Choso found himself catering to Yuji more than anything. Perhaps it was an act of thanks as Yuji felt like his savior when all he did was be born.
Even so, as much as Choso denies it, Yuji was his favorite. Not at first though, when he initially saw the bright pink-haired baby, he was repulsed, thinking this would be Sukuna in smaller form. Said repulsion remained until the first time Yuji smiled at him.
It was different. Sukuna never smiled so, Choso knew then that Yuji would be nothing like his older identical sibling.
Even so, years passed and Choso continued to endure abuse for his now three younger brothers. Sukuna never laid a hand on any of them since he had Choso to beat up on and for a while, Choso was okay with that.
But of course, that only lasted until their parents passed. A car accident was all it took to strip all five children of their parents. But, by that time, Sukuna was eighteen and immediately put in charge of his four other siblings. It was unjust, of course, as no eighteen-year-old should have to raise four siblings by himself.
Choso tells you how he doesn’t remember how it all worked exactly but, Sukuna managed to convince those of the law to have him become their parental guardian. The man got a well-paying job, god knows what it was too because he had so much money, he made sure that all four boys were able to continue to attend school, etc.
Basically, of all this care and parenting, what Choso couldn’t understand is why Sukuna did that. He didn’t know why Sukuna didn’t simply allow the four to go to some orphanage and part ways, it’s not like he ever showed love to them anyway.
But, Choso eventually learned the answer as Sukuna treated all four of his younger siblings as his servants— forcing them to do whatever he needed, regardless of the wrong behind it or the difficulty. Choso lived with Sukuna as his parental figure in that big house he now throws parties at for years.
And for some time, he really believed Sukuna couldn't get any worse. That was, until at age seventeen Choso witnessed with his own eyes Sukuna knocking a woman out.
“He what?” You scoff.
You couldn’t believe what you were hearing. It was already a lot to take in but the most unbelievable part of it was Sukuna’s treatment of women, especially after you think back to how he treated you.
“You heard me,” Choso hums, shrugging, “He knocked her out cold. Hell, I thought she was dead.”
Your lashes are batting in disbelief, “He just… He just punched this random chick?”
“W-Well, no, of course not,” Choso goes to explain further, “From what I remember, that was his girlfriend…”
You scoff, “You’re joking.”
“I’m not, she used to come over all the time before that,” He tells you.
Then, Choso explains the entire day to you.
How that day Sukuna came home late in the afternoon covered in bruises, cuts, and blood. Choso tells you he tried to ask Sukuna what happened but, naturally, all he got was a simple fuck off from his older brother. Of course, Choso didn’t need to be told twice and he did that.
Barely twenty minutes had gone by and the doorbell rang. Choso was in another room but he heard Sukuna go to answer it, followed by the sound of his girlfriend’s voice. Choso tells you it sounded like they were arguing and it was so loud and heated up until the sound of a slap echoed throughout the house.
Choso had gotten up from where he was and went to go see what happened and just as he neared the corner, he heard the sound of a punch, followed by a slight crack, and then a thump. When he rounded the corner, he saw Sukuna standing over his girlfriend who was out cold on the ground with what seemed to be a broken jaw.
You’re told that this was the only time he’d ever seen Sukuna act so oddly because although he couldn’t see his face, Sukuna’s fingers were trembling and he was breathing heavily. Then, Choso thinks he imagined it but he swears he saw something wet fall from Sukuna’s face.
“I think it was blood though,” Choso says, “I can’t imagine that man crying but, he did stand there for a while.”
“So, he knocked his girlfriend out and just stood there?”
“Yeah, for at least five minutes just staring down at her, almost like he was waiting for her to get back up,” Choso proceeds, “And when he did move, it was to look back at me. I was scared he’d take his anger out on me like always but, he didn’t.”
“What did he do?”
“He told me that if there’s anything he wants me to learn from him,” Choso slowly looks at you, “It’s that I should ‘never let a woman destroy what makes me a man’.”
“I see.”
“Either way, Sukuna changed again after that.” He goes on with his story, having grown more comfortable with opening up to you, “He went back to hitting me, threatening to hurt Eso and Kechizu, never Yuji though…”
You listened again, nodding and taking in everything given to you.
Choso explains that this continued until he turned eighteen and Sukuna was twenty-one. Choso didn’t hesitate to move out and in doing so, he was soon able to gain custody of his brothers, just not Yuji.
He hated that he couldn’t take Yuji with him as he moved out but, he thought maybe it’d be okay since Sukuna never touched Yuji. Choso hates thinking back on it now because he wishes he fought harder.
Even so, Sukuna just had his way over those in law, or maybe connections, Choso wasn’t sure but he somehow managed to keep Yuji under his guidance. That’s when Choso requested one thing from Sukuna, that request being that Yuji is actually taken care of and never touched.
Less than a month after Sukuna agreed to this promise, Choso came over to check on his youngest sibling, and lo and behold, the kid had a black eye. Choso had never felt such a murderous intent rile up in him the way it had that day.
He and Sukuna fought later that day, Choso not only lost said fight but also knew that because of it, he’d never be able to win custody over Yuji since Sukuna pulled the self-defense card.
Either way, to wrap things up, Choso tells you that since then he’s been back and forth between school and court trying to win custody over Yuji. He’s still struggling with it but he’s trying his hardest. Choso tells you he’s lucky enough to have his other two brothers, who reside in a distant relative’s place now.
Even with the tiring processes of legal proceedings and court battles, Choso explains he’ll keep trying until he physically can’t anymore because he refuses to allow Sukuna to harm Yuji forever. Plus, that bright smile of Yuji’s is what keeps Choso motivated.
It was like Yuji knew his big dark-haired brother would help him out eventually. And even if he didn’t, Choso points out to you how Yuji talks like he didn’t mind fighting with Sukuna and that he’s managed to sneak a few hits on the guy before.
In the midst of all that, there was that day Choso ran into you.
“Like I said, violence follows me everywhere so it’s kinda funny how we literally ran into each other,” Choso exclaims, his face brightening back up for the first time since this convo started. “I was… I dunno, enamored by you? I mean, I’ve had crushes and girlfriends before but just that small first convo with you was everything to me.”
“I’m glad I was feeling talkative that day,” You joke, “Normally I would’ve picked my stuff up and ran off, especially since you’re hot.”
Choso can’t help the grin that spreads across his face, “Mhm, same here. Those shoes you were wearing really caught my eye though.”
“Yeah and your face tatt’ caught mine,” You explain, smiling to yourself as you both recall it, “It’s kinda sad to find out you only got it to cover a scar. I’m sorry you had to go through all that.”
Choso shrugs, “It’s fine now. I uh, I actually feel better now that I’ve said it all out loud.”
“Really?” You ask, tilting your head a bit.
“Mhm.” He hums, “I mean, it wasn’t easy to explain, sorry for stuttering so much by the way, but I’m still glad it’s all out now.”
A wider smile spread across your face and despite the tragic story just heard you’re thankful, “Thank you for opening up to me.”
“Thank you for letting me,” Choso replies.
The two of you look at one another. It’s a long gaze, a connecting gaze, a telling one. Sounds of rain hitting the car are heard but it’s all a blur as you both simply take in one another.
That was until you utter his name, “Choso.”
“Yes?” He whispers, his voice slipping out so small as if the next thing you say could make or break him.
Your hand reaches over and his eyes drop to it for a moment as it goes to his face and you shift in your seat so that both of your hands can cup his cheeks in your palms. Choso blinks, wondering what exactly you are doing until you pull him close and lean in.
When close enough, you stare right into his eyes and carefully speak, “In case you haven’t been told enough,” You start, “And, in case you don’t know, you didn’t deserve any of that.”
He nods, “I know-“
“You deserve love, Choso.” You claim.
He swallows hard, worried about where this is going.
A sigh slips past your lips, “And I’m not a perfect person but…”
Choso’s brows raise, “But…?”
“Uh, I don’t know if I can give that to you.” You warn.
He couldn’t believe what you just said, “What?”
“In the way you deserve.” You quickly clarify, “I can love you Choso b-but I’m no better than-“
“You’re the best thing to ever happen to me.” Choso cuts off, “Whatever love you want to give me I’ll take it happily.”
Now you’re nervous and almost insecure given what you know and have done, “What if it’s not enough?”
“We’ll make it enough.” He argues.
You frown, “Choso…”
“I’m serious. I’ve explained myself to you already, I hope it’s understandable that any love you give me I’ll take and cherish for as long as you’ll let me.”
“But you could find so much better-, so much more.”
“I don’t wanna search anymore,” He hums, “And what better is there for me to find? What’s more than you?” 
Your brows pinch together, “Someone who can love you better than me-“
“That person doesn’t exist.”
“Yes they do-“
“Well, I don’t want them.” Choso cuts off. Nothing you say will change his mind.
You roll your eyes, “You need to raise your standards.”
“Why?” He almost smiles, “My standard is you.”
You scoff, “My point exactly-“
Just as quickly as he nearly smiled, he got serious again, “You make me happy and feel like I’m wanted. What more could I ask for?”
“Certainty.” You tell him.
“We’re certain now, aren’t we?”
“I-I don’t know.”
Choso tilts his head at you, “You said earlier that you thought about changing what we are…”
“I know but then everything came out and-“
“And nothing changed.” He interprets, “My feelings for you didn’t change.”
The way he won’t hear your warnings makes you nervous all over again, “Well let me get the rest of the truth out and see if it does.”
“It won’t.”
Sighing, “You don’t know that.” You say.
“I’m telling you, it won’t.” Choso refutes.
“Choso-“
“Baby you could kill someone and I’d still love you.” He claims dramatically.
You blink repetitively, “I-“
His eyes close for a moment as he takes in what he just said, “I know that sounds crazy but, I’m serious.”
It’s hard to wrap your head around but you try, “Why?”
“Because I can’t get rid of it,” Choso explains vaguely.
“Rid of what?”
“These feelings I hold for you.” The way he clarifies everything after a simple question is so refreshing for you, “They don’t go away. No matter how angry or unsure I am, it’s always there. Even when I left you, I wanted to come back because I still loved you.”
“Choso, this is-“
“I told you I’m good at waiting. If the truth from you is poison then let me intoxicate myself. Let me feel the pain that is loving you if that’s what it is.”
“Y-You really need someone better-“
“Why?” Choso isn’t getting it in the slightest and he does not plan to, “Are you not perfect for me?”
“No, I’m not.” You explain.
“I think you are.” He shrugs.
“You’re delusional.”
“Very.”
Yeah, there’s no getting through to this man. He’s in love with you and hopelessly blinded by it too. Thank god you’re not some manipulative bitch because it’d be disastrous for this man if you were.
Choso then moves to comfort himself in his seat again and you do too. “Anyway,” Choso says, “Now that I’ve explained myself…”
You swallow this thick lump of nerves in your throat.
“Can I ask you the first question I have?” He requests.
“Of course.”
“How many?” Choso questions vaguely.
“How many, what…?”
“Guys,” He glances at you, “How many guys have you slept with since knowing me?”
Yep.
You’re fucked.
It was only the first question and you already didn’t want to answer.
But, he deserves to know right? 
Choso deserves to know…
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GOJO SATORU ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙖𝙨𝙮
GETO SUGURU ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙖𝙨𝙮
TOJI FUSHIGURO ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙈𝙚𝙙𝙞𝙪𝙢
KAMO CHOSO ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙎𝙚𝙢𝙞-𝙈𝙚𝙙𝙞𝙪𝙢 / 𝙀𝙖𝙨𝙮
ZEN'IN NAOYA ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙭𝙩𝙧𝙚𝙢𝙚𝙡𝙮 𝙀𝙖𝙨𝙮
ITADORI SUKUNA ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙎𝙚𝙢𝙞-𝙀𝙖𝙨𝙮???
NANAMI KENTO ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙃𝙖𝙧𝙙
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@blognicole @suguruologist @luqueam @ivoryviness @sinaxalui @rxnnie18 @carlacujo @gods-landing @bitchysouljellyfish @miles4hour @sinaxalui @annananamin @heart-snow @kiyomizzx @hanuh @acehyacinth @mccookiemonster @tojis-ball-sack @cartwheel6869 @mariluvsusstuff @addie1010 @slammynics @actualz0mbie @hisbitchhh @kay-xle @cunttee3 @voids-universe @raininglovelyfire @itsbokutosjuicyass @peaceoutbritta @barbielani @gennaray @r3inae @kfmcykdy @camiihutt @tokina @curtin81937 @hopefullydecent @nameless-shade @ureuphoriasworld @forgetfulmachine @legbouk @lilliaannn @clementineee0-0 @divinelseraph @didibxx
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AITA for letting a friend think my husband is cheating on me? A few months ago, my husband (30s) told me (also 30s) he has an adultery kink, but has no interest in actually cheating on me. His proposed compromise was that I could dress up a little different than usual, put on a wig, whatever, and then we could roleplay. A little weird, but I MUCH prefer him communicating stuff like this and working with me rather than the alternative. plus, i get to invent a character and give this fictitious homewrecker a tragic backstory; always fun. I'm thinking about giving her an epic revenge quest to explain her daddy issues. Anyway, I genuinely do like dressing up and I bought the wig anyway, so sometimes I go out in public dressed up as my Homewreckersona, and the long and short of it is a friend saw me with my husband, did not recognize me, and assumed the worst. The next day she called me up like "honey have you considered killing him" and I didn't know what to say. I can't just say "oh, I'm indulging my husband's kink in public." I cannot explain how much I do not want to talk about our sex life with anyone who actually knows me irl. I have to look these people in the eye. Also, she's the type who would tell me his kink is inherently abusive or something and I think it's ultimately harmless if this is how he's playing it. My married life, my choice, right? But anyway, I lied and tried to be like "oh her? yeah I know her. they've been friends for years and there's nothing weird going on. they're like siblings so don't even worry about it because he's not cheating I promise" and for sure she didn't believe me. So in effect, by lying, I have accidentally convinced a gossipy member of my friend group that my husband is cheating on me and I'm clueless about it. If five more people haven't been served the nonexistent tea by Friday, I'll eat my hat. AITA for letting him take the fall on this one just so I can avoid the excruciating embarrassment of admitting to kink stuff? PS: for anyone convinced he really does want to cheat, I tested him a little when he first brought it up and asked if there was any particular look he wanted me to go for (just to see if there might be a specific person he wanted to cheat with who I was intended to emulate) and he said no, whatever I picked would be great, because for all that he had the kink conceptually, he'd never actually wanted anyone but me. I know I'm biased but that's the cutest shit
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wileycap · 3 months
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The Stupidest Things In Netflix's Avatar The Last Airbender: A List
a.k.a.
a whiny rant from someone who has dedicated far too many of their already limited number of braincells to atla i know it's just a tv show but come on this is what tumblr is for let me whine
For your consideration, with many spoilers:
5. Katara Being Smug After Kicking Jet's Ass
In the original, Katara is betrayed by Jet. You can feel the raw emotion in the words "I trusted you! You're sick, and I trusted you!" immediately followed by her concern for the innocent people Jet has seemingly murdered. It's not a triumph, it's a wound, and the next time she sees Jet, her first reaction is "kill on sight".
This is great. It's heartwrenching, it's humanizing, and Katara using violence against Jet isn't a victory for her. It's just pain.
In the live action, Katara very mildly chastises Jet for trying to kill innocent people, which is... an interesting characterization for her, to say the least. Jet then tries to grab her, immediately followed by Katara throwing him and freezing him. She then just tells him goodbye. Her tone is placid, almost unaffected.
And then Jet says "Look at the power you have. That's because of me!"
Katara: "That wasn't you. That was me."
And then she strides off with a small smile, and that's the end of that. Sokka and Aang are not present. It's an incredibly hokey moment that's meant to emulate the style of feminine empowerment, but it has none of the substance. It glosses over any human feelings of hurt and betrayal. All that the it ends up doing is removing a story beat for Katara.
4. The Badgermoles
"They're blind! They sense feelings and react to them! Anger, fear... but mostly love."
Katara and Sokka hold hands in a cave and it makes the badgermole stop attacking them.
The blind badgermoles. Navigate by... love.
Yeah.
Do I need to say anything? Can we all see (pun intended) how stupid that is?
3. Bumi Makes Aang Choose Between Killing Him Or Letting Himself Die To Make The Dumbest Point Imaginable
Remember Bumi? Aang's old friend, a fun, kooky king? Well, here he's an actual fucking psychopath.
He collapses part of the roof onto Aang, and Aang holds it up with airbending. Another part of the roof collapses on Bumi, and Bumi just... shrugs his shoulders, fully intending to die. Aang holds that one up as well, and Bumi, instead of helping, makes the dumbest fucking point I've ever heard about "making tough choices", and urges Aang to let the boulder crush him.
Again. Bumi, the fun, wise king, wants Aang to kill him.
The situation is defused by Katara freezing a little strip on the floor so that Sokka can very slowly slide on it and tackle Bumi to safety. I can not emphasize how slow his slide is. Running would have been faster. Bumi has time to look at him and say "Huh?" as Sokka slowly slides across the floor. Oh, yeah, they were led onto the scene by the love-sensing badgermoles.
Then it's Aang's turn to be dumb. He says "you CAN rely on your friends" and hands Bumi a friendship rock. Bumi is pacified for now, but there is no telling when his next Saw trap will activate.
This made me actually feel bad. I just. I kept expecting for it to turn into a secret lesson, like Bumi in the original show, but it never did. Bumi's just a spiteful psychopath who is easily swayed by the gifting of rocks.
2. Koh The Face-Stealer Has A Backstory Now
Why? Mother of Faces? What? No.
No.
Iroh Is Intimidated By Zhao, And Then He Kills Zhao
Ah, Live Action Iroh. The most ineffectual man on the planet.
So, Zhao has the Moon Koi in a bag, and is ready to stab it with his special stabbing implement. Iroh is standing right behind him. RIGHT BEHIND HIM. Iroh has been there the whole time. Iroh does not want Zhao to kill the fish.
Iroh says: "Whatever you do to that spirit, I'll unleash on you tenfold!"
Remember how in the original, where that was like a big, shocking moment that he got angry? And how Zhao immediately let go of the fish, only to then have his anger get the best of him? How Zhao attacked the spirit by surprise?
Well, here it's a little different. For one, like I already said, Iroh doesn't come in suddenly, he sort of gets bullied into looking for the spirit by Zhao. Then he looks for the spirit, and after Zhao finds it, then he decides that he really has a problem with killing the spirit. He did protest before, but then he kind of just caved and helped anyways.
He threatens Zhao, and Zhao just... brushes him off. "Spare me your empty threats." Then the firebenders next to Iroh sort of... glower at him menacingly, and Iroh looks worried.
Zhao offers Iroh a place at his side once he becomes Fire Lord, which, uh? Okay. Fine. I actually don't have a problem with Zhao wanting to be Fire Lord, that seems to be entirely on brand for him, but everything he does to get to that goal is just stupid.
Aang arrives, they talk, Aang says "I don't matter", and then Iroh, who has sidled past the Glowering Firebenders Who Do Nothing Else, shoots the fish out of Zhao's hands. And then, as Zhao is on the ground, reaching for the fish with his special stabbing implement, Iroh forgets that he can shoot fire out of his hands, and lets Zhao stab the fish.
AND THEN Iroh, who literally stood by two different times and let Zhao kill the fish, decides to kick everyone's ass. And the Glowering Firebenders do nothing. One of them just stands in the background. Iroh doesn't even attack that guy.
In the original, Iroh immediately leaps into action after Zhao kills the spirit by means of surprise attack, takes out Zhao's guards in about a second, and Zhao escapes.
Here, he doesn't do anything at first except help Zhao find the spirit he doesn't want to see killed, then back down, then do something, then back down again, then do something again, then forget that he can do anything, and then he does something again.
It's just... so dumb. (So dumb it's brilliant!) No! It's just dumb!
And then, fifteen minutes later, after Zuko has dueled Zhao, Iroh kills him. Iroh just barbecues him by striking him from behind. Gee, Iroh, if you were willing to do that, why not just do it when Zhao was holding the fish?
Dishonorable mentions:
The fact that all of the actors fit their characters so well and have some great moments, but the show just doesn't support their performances at all. I feel so bad for all of them, being robbed of a chance to shine by some truly awful writing, editing and direction
The Ocean Spirit making Godzilla noises
June flirting with Iroh (didn't they say that they wanted to remove iffy stuff from the original? Well, that whole thing was iffy in the original. Why didn't you cut it entirely?)
Zuko doing the jazz hands to charge an attack
All the clunky and unnecessary exposition (for example: after Aang turns into the Ocean Spirit, Yue immediately turns to Sokka and narrates that Aang has turned into the Ocean Spirit, for almost 30 seconds)
The fact that Aang can only communicate with each Avatar at their shrines
The Ice Moon
The Cabbage Man literally turning to shout his line to the heavens while fire rages around him
The Secret Tunnel song being shoehorned in for no reason
Iroh's entire backstory being shoehorned in for no reason
Ozai being a caring dad actually
Zuko being shocked that Ozai prefers Azula
Gran Gran's speech
The fact that they showed Gyatso being killed by Sozin (literally nobody needed a big action scene, because that's what it was, predicated entirely on the genocide of the Air Nomads)
And finally, the fact that Sokka and Yue's reason for going to the Spirit Oasis is that Momo was fatally injured.
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steddielations · 9 months
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Steve walks into utter chaos.
He was stopping by just to see Max, but all the increasingly concerning noise coming from the Munson’s trailer drew him over there instead. Worried that all the cursing and clattering would drown out any chance of a knock being heard, Steve lets himself in. 
Eddie doesn’t even notice him come inside, too busy scrambling around the complete wreck of a kitchen.
“Dude, are you cooking or just banging pots and pans together? I thought you were dying in here.”
Eddie squawks and jumps about a foot in the air. His hair is even more disheveled than usual, barely tied down with a bandana. He’s got flour splotches on his face and all over the frilly grandma apron he’s wearing (which Steve is definitely getting a photo of and showing Dustin later) along with a suspiciously sticky goo on his fingers.
“Stop laughing at me,” Eddie groans. 
“I’m not laughing,” Steve laughs, going to join him in the kitchen, “What are you doing, man?” 
“Well, I’m trying to bake Wayne a cake, but at this point, I might as well give him a frosting covered rock for his birthday,” Eddie sighs, frustrated hands scrubbing the flour off his apron, “I don’t know, man, usually I just get him another mug and a pack of smokes, and he’s never asked me for anything, but I’ve put him through hell this year I just wanted— I don’t know like, to do something special but I can’t even—”
“Alright, take it off.”
Steve folds his arms and waits while Eddie just gawks at him for a moment, cheeks reddening under the patches of flour.
“What?”
“You heard me. Take. It. Off.”
Eddie scoffs, starts muttering like he does when he’s nervous and Steve cracks a smile when he realizes why.
“The apron, Eddie,” he gestures, “Hand it over.” 
Another moment of confused staring and Eddie slowly gives it to him.
Steve wastes no time shaking out the flour and tying it around himself. He moves past Eddie, gets right to work clearing the mess and salvaging what ingredients he can.
“You…” Eddie peeks over Steve’s shoulder, “You know how to bake?”
“I can make a cake,” Steve shrugs, “Robin obsesses over shit sometimes, calls them her “little brain worms” or whatever. She couldn’t stop thinking about this cake she swore she had for her 5th birthday but couldn’t remember the flavor. So we made every cake recipe in her mom’s cookbook until we found the right one.”
“So Harrington’s got a secret Betty Crocker power-up, impressive.”
“Nah, just small stuff. I help Claudia with Dustin’s birthday cakes. Little shit is very particular about his red velvet.” 
Eddie snorts and Steve waves him over to start washing the dishes. He does so with a small salute that smears more flour on his forehead. The word cute comes to Steve’s mind but he just rolls his eyes. 
“So you dusted off your oven mitts for little old me, hm? I’m flattered.”
“Only because I like Wayne and I’d prefer if you didn’t give him food poisoning,” Steve teases, dumping out Eddie’s abomination of batter into the trash. Though he softens when he sees the way Eddie winces at it. “And I think it’s nice, you know, you doing this for him. I wanna help.”
Eddie clearly holds back a smile, looking down at the bubbles in the sink, and the cute word comes back to Steve’s mind.
“Okay well, take it easy on me. Not everyone has a bunch of mom friends teaching them to bake.” 
“Oh yeah, then where’d you get this grandma apron? You just had this little number in the closet with your leather and chains?”
“No, it’s Mrs. Bennet’s and she’s not my friend,” Eddie bristles and Steve senses a hell of a backstory there, “I stole it off her clothesline.” 
Steve laughs and makes Eddie tell him the whole story, all the inner workings of Forest Hills feuds. It’s nice, Steve’s been spending more time here since everything, listening to Eddie’s stories and sharing his own. It’s easy to be around Eddie, even though that pesky word won’t get out of Steve’s head.
Once the batter is finished, Steve dips a finger in to test.
“How does it taste?” Eddie asks, “Better than mine I hope.”
Steve hums around his finger, “So good, here taste,” he meant to slide Eddie the bowl, but the wires must’ve gotten crossed somewhere, because now he’s holding out a dollop of cake batter on the tip of his finger to Eddie’s mouth. 
They both look down at it, then at each other again. Steve knows he should apologize, drop his hand and say it was a mistake but there’s something about the way Eddie’s looking at him, the way he subtly licks his lips is almost like— He wants this. 
So Steve lets him have it.
Eddie leans in, keeps his hands at his sides and slowly guides himself down on Steve’s finger. His eyes fall shut as his mouth closes around it, like it’s too much, watching Steve watching him. It’s a lot for Steve too, the wet warmth of Eddie’s mouth, one swirl of his tongue almost makes Steve’s knees buckle. 
Something comes over him, he presses his finger down just slightly, feeling Eddie’s tongue curl around the tip. It elicits a soft noise from Eddie that sends heat thrumming all through Steve. Eddie’s eyes flutter open, brows turned upwards and mouth in a plush little O around Steve’s finger, looking up at him through dark lashes, a dot of flour on his nose. The sight makes Steve’s breath catch in his throat. It’s fucking cute and hot.
Steve has to swallow his own noise when Eddie pulls off. 
“Yeah,” he breathes out, a slight grin on his lips, “Really good.” 
Steve’s about to do something crazy, put his finger back in Eddie’s mouth, maybe more than one this time, or just his lips on Eddie's, maybe even slip his tongue inside instead of his fingers, lick all that sweetness away until he just tastes Eddie, something— but a sudden loud knock on the door has him dropping his hand like it’s made of cement.
It’s Max, wanting to know why Steve ditched her for Eddie. She comes inside to ‘help’ which means she leans against the counter, talks about her day, complains, teases Steve and makes fun of Eddie for being demoted to dish duty. 
Steve puts the cake in the oven and focuses on cleaning and composing himself. He can feel Eddie trying to meet his gaze, trying to see if Steve's going to freak out on him after that. Once Steve can look at him without feeling like he’s going to burst into flames, he gives Eddie a small reassuring smile, even throws him a wink when Max isn’t looking. Eddie gives him a smile back.
And later, after Wayne comes home and they sing happy birthday and eat the cake that Steve insists Eddie helped him with— Just the tasting part, Steve says and revels in how Eddie covers a blush with his hair— and after they walk Max home, Steve pulls Eddie behind the trailer and kisses him until he doesn’t taste like cake anymore.
for the prompts "You heard me. Take. It. Off." and "Stop laughing at me" for @highkingpenny and anon, thank you and I hope you enjoy this!!
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suuuupernovaaa · 10 months
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Clean | Hobie Brown x f!Reader
You got yourself into a little bit of a fight, and Hobie has to patch you up.
Mature. 18+. Mention of blood.
The cloth meets your tender skin, and you hiss and try to pull your hand away.
"Hobie, that hurts," you say through gritted teeth. "What is on that?"
Holding your hand tightly to your chest, as if to protect it from him, you look up to see an exasperated expression on his face.
"Stuff to clean it. Give me that back." He grabs your hand a little gruffly, and puts the cloth back on. When the sting subsides, it does feel nice and cool.
"Someone out to teach you how to throw a proper punch," Hobie says, dabbing the cloth gently, moving it up your arm to where your other scrapes are. None of them are terribly deep, except a slight gash on your thigh from, you think, falling onto some broken glass.
"I know how," you reply quietly. He moves to your other arm, and you feel the stinging again. "It wasn't much punching, anyway. It was like... clawing and shoving. It was chaotic."
He gives you your hands back, and looks down at your legs, noticing the cut on your thigh. He lets a whistle out from between his teeth, and stands up. He rinses out the cloth he's been using, and grabs a new one from his kitchen drawer. He puts more 'stuff' on it, and returns to you, sitting down.
"This is gonna hurt." He scoots close, so that your legs are between his, and without another warning, presses the cloth to your cut.
"Oh crap!" you shout, and you're annoyed when Hobie starts chuckling.
"Oh crap!" he mimics in a high-pitched voice, meant to resemble yours. He places a large bandage on your leg, and a couple others on cuts that look a little nastier on your arms, and then sits back. "Think you'll survive," he comments. "Now, you need to tell me why you were in a fight. Looked like a couple of cats in a bag when I arrived."
You turn away, looking from where you sit at his kitchen table over to the TV, which is showing the news. Hobie always has the news on, even though he hates it and everything they ever talk about.
"It just, escalated. She was a fan, I guess, of the band. And she asked if I knew you, and I said yes. And she said... some not nice things. She was just drunk."
You're his whore, then? Do you think I could get in on some of that? I'm sure he's not very picky. I mean, look at you.
You can feel the way she grabbed at your stomach, pinching it. It felt like something scripted out of a bad teen movie, except it was really happening, and she just wouldn't stop.
"What did she say?" Hobie asks. When you look back at him, he's leaned forward, eyes narrowed, lips pursed.
"It doesn't really matter. It's over."
"It matters to me."
You shake your head and wave your hand in the air, as if to dismiss the conversation. "Really, Hobie. It was just, I don't want to relive it."
He reaches out and places a warm hand on your bruised knee. "Tell me."
You roll your eyes and sigh. "She said like, I must be, uh, sleeping with you and your standards must be low because... I'm like, fat, or whatever."
Hobie sits up, his back straight as a board, his eyebrows raised and his jaw a little slack. "And you beat the shit out of her?"
You draw your line into a straight mouth and nod. "Sort of. I mean, I can't fight but, she was bleeding and crying at the end of it. I was bleeding too but, I wasn't crying."
He nods, as if in approval. "Why does she think we're sleeping together?" he asked. "She's seen you, at a show or something?"
"I didn't get a whole backstory, Hobie. I guess so."
"Hm." He leans back, crossing his arms over his chest. "Must've noticed how I look at you. Everyone has. 'Cept you."
How Hobie looks at you? You try to think of what he could be referring to. Sometimes when he's on stage, he finds you in the crowd and smiles. But, you're good friends, so that doesn't seem all that exciting to you - does it seem that way to everyone else?
"How do you look at me?"
"Like I'd like to fuck you, Y/N. Like the shape of your body is all I can think about, and it really doesn't fucking matter what anyone else thinks about it. It fucking keeps me up at night."
It feels like you've been slapped in the chest, and all the air has left your lungs. Your mouth is instantly dry, and your legs feel weak.
Hobie is so dry, so even-toned, it's hard to tell if he's joking or not - but would that be a funny joke right now? Hobie is a lot of things, but he's not insensitive, and he certainly wouldn't try to hurt you on purpose.
"It does?" you ask finally.
He leans forward again, bringing his face just a few inches from yours. "I want you, Y/N. I thought I'd made it obvious, but now I see, I didn't."
You lick your bottom lip, and Hobie glances down at your mouth.
"Can I kiss you?" you ask, and a soft moan escapes his mouth, as if asking for permission turns him on. You feel his fingertips on your cheek, running upwards, until he cups your face in his hand.
You should close your eyes, you think, but the sight of him coming towards you is the most beautiful thing you've ever seen. His soft brown eyes, his full lips, his sharp cheek bones, his glistening piercings; you want to remember every sharp edge and round corner.
He pauses, just before your lips meet and whispers, "Anything you want to do to me, you can."
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sweet-as-an-angel · 10 months
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Professor Miguel O’Hara x Reader Headcanons
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Warnings: University Professor Miguel, Implications of Smut, Age Gap, Secret Relationship, Teacher’s Pet Reader, Academic Manipulation, Coercion, Abuse of Power, Miguel Abusing his Spider Abilities for Nefarious Purposes, Slight Yandere Miguel, Implied Obsession, Minor Spoilers for Miguel’s Backstory, Extra Yandere Headcanons, Forced Kissing, No Pronouns Used for Reader Except ‘You’.
Miguel knows it’s wrong to want you in the way he does. You’re his best and brightest student, after all — his magnum opus: his academic pride and joy.
Problem is, that appreciation for your work ethic and your eagerness to take heavy loads of work (and eventually heavy loads of other things) charmed him. Sure, he could label you asa kiss-ass, a teacher’s pet, a sycophant, but ever since the first day he met you, he can’t help but feel your concern for him is genuine.
You always ask him how he’s doing. Every class, without fail, you stop off at his desk on your way to your seat and ask: “How are you doing today, Mr. O’Hara?” Followed by questioning some inane, specific detail he told you off-handedly a day or week prior.
You always remembered the little details. Something even Miguel finds trouble with doing; what, with his extracurricular activities as Nueva York’s one and only Spiderman.
The fact that you’re kind to him, a luxury Miguel had long since lost along with his family, strikes a chord with him.
He’s not sure when his platonic appreciation of such a hard-working student turned to something more — a rogue daydream into the lewd — but once he started, he couldn’t get enough.
Something about your unspoken submission to him – your, dare he say, desire to perform just for him, led his mind and his morals astray, left much room for interpretation and experimentation.
Choosing to believe you liked him — like-liked him — made a brand of pride bubble in his chest that he couldn’t abandon, couldn’t find a potent enough alternative to.
He starts shamelessly, yet restrainedly, flirting with you. In his own way, of course.
“I loved your paper on the configuration of water molecules and their behaviour when observed; very enlightening stuff.”
The way your face would light up, your eyes crinkling while a small, almost relieved laugh escaped you, made his chest flutter.
He thought it was pride. How little he knows for a science professor.
Eventually, this escalated into him asking you to do things for him he “Wouldn’t ordinarily ask a student to do.”
He smiles at you, eyes deceptively kind behind his slender glasses, as he watches you so intently listen, hear, for his commands.
He wonders what other things you’d do — how far you’d really go, stretch yourself (as he hopes you’d let him) — for a good grade and a positive impression.
He has a secret weapon that he knows will work on you, regardless of how momentous the task.
“I’m trusting you because you’re my favourite student.”
There it is. The activation phrase. Your heart rate quickens, your pupils blow wide and he can feel, hear, the blood rush to your cheeks as his confession settles in.
He can expect whatever it is he’s asked you to do to be complete before the time he’s set for you to do it. And all because of your eagerness to prove that you’re worthy of such a title as ‘favourite’. His favourite.
Truly, though, you are his favourite.
He feels his heart prick and his eyes search for you whenever the door to the lecture hall opens.
Only once were you unable to come to class, rendered bed-ridden by the flu, and Miguel’s heart sank.
He thought at first it was because he didn’t have your adoring eyes following him, trailing his every movement, stroking off his ego with how furiously you’d type on your laptop, take everything he said and burn it into your memory with laser-life efficiency.
But, as the lecture drew to a close, Miguel felt…concerned about you. Your well-being.
A dangerous emotion.
He cared about you. More than just an academic plaything, a task donkey; he wanted to visit you, to care for you. In ways he knew only he was capable of.
During his surveillance of the city that night, he paid you a visit as Spiderman.
Nothing so overt as to make himself known to you; rather a sideline visit as he watched you through your bedroom window.
Truly, your physical state reflected how monumental your illness was; you lay in bed, unaware of the world around you as you slept, nose tip red and eyes ringed.
He wanted to come in, to tuck you back under the blankets you’d thrashed yourself free from, to check your temperature, to be with you.
He leaves, hand coming up to the glass, wishing to breach it — and all the rules — to see you.
But alas, the next time he sees you is in class a few days later when you’re fully recovered.
As you sidle into your seat, lecture hall (uncharacteristically) devoid of Miguel, your friends lean in to tell you all that you missed.
Though, to your surprise, it’s not academic material they’re covering.
“He kept looking over here while you were gone,” came one friend, smiling. Knowing.
“Yeah,” chimes another, leaning in even closer. “And he didn’t sound like he usually does — he sounded…” They look for the right word, term, eyes sliding upwards as if the answer lay heavenward.
The cogs click, they look at you, pointing.
“Disheartened!”
Of course, your friends knew of your admiration for Miguel, often construing it as romantic attraction, but their jibes never went past a joke – purely satirical. After all, practically every student fancied Miguel.
But, that was the first indication you’d seen that Miguel didn’t just view you as another of his students. Though, you hadn’t seen the other warning signs.
Not that youd knwo this prior to dating him, but Miguel gets unbelievably hard when you call him ‘Mr. O’Hara’. Or, even better, ‘Sir’.
Something about the way you look up at him beneath your lashes, eyes filled with the desire to please him, to get on his good side and undertake any task he set for you, was akin to him having full control over you — academic and otherwise.
It just reminds him of how much power he has over you; for the first time, he feels that he has control over the elements and objects around him — an agent of fate rather than being a subject of it. 
That, coupled with his secret identity as Spider Man, sends him on a power trip that often leads him to relieving himself of his growing burden in the privacy of his own four walls, your name laced between the groaning, the panting, the moaning; the only comprehensible instrument in his orchestra.
And, when you eventually start dating, he takes his frustrations out on you.
He makes low, raspy threats when he wants something.
“I’ll lower your grade,” he says, sliding his belt from the loops of his trousers.
The blood draining from your face, your widened stare, your mouth dropping open, make his pants feel tight. Tighter. Goosebumps erupt across his skin.
“Or,” he offers, folding the belt and holding it by the ends. He slaps the belt’s body against itself, sending a crack through the room. You flinch.
“You can be a good little student and earn your grade.”
‘Earning’ often ends with you panting and red and wet, while Miguel watches you between half-lidded, reddened eyes, contact lenses long abandoned, his true nature no longer an enigma to you.
Unfortunately for you.
Extra Yandere Headcanons:
Once you discover Miguel’s true identity, both as Spiderman and a monster, you can never leave.
And not just because you’d be endangering both yourself and him if you ever told anyone.
Miguel, quite simply, cannot live without you. And the thought that you would try to escape him is, despite his intelligence, baffling.
His delusion has blinded him, made him privy only to any positive opinion of him you may have, ignoring your reservations. Invalidating them.
If you ever do make the mistake of trying to leave, Miguel knows he cannot let you have the chance of making it again.
“Can’t risk you getting out, Darling,” he says, placing the finishing knots on the threads of his neon web, keeping your arms constricted behind your back. It’s nigh-impossible to breathe; the likelihood of you breaking your ribs against the pull of the web a certainty rather than you managing to burst it open with any manoeuvre.
He kneels before you, taking your cheek in his hand.
With fleeting defiance, you pull yourself from his grasp, only to see him bear his teeth, fangs and all, and growl. His hands snake about your cheek, your throat, and pull you to him.
“No-one will ever love you like I do,” he rasps. Before you can anticipate, his lips are on yours, parted, tongue lapping at the inside of your mouth. You squeeze your eyes shut, knowing better than to bite him.
His iron grip on your wrists from last time still haven’t healed.
You daren’t close your eyes for fear that doing so will leave you any more vulnerable than you already are.
Only when he’s breathless does he pull back, eyes half-lidded and gleaming. You can tell he’s angling for something more in the way his hand drops to your shoulder, his eyes sweeping across your collarbones.
But, luckily for you, the two of you know he can’t indulge in you just yet. Not while he has you bound in his basement and a class of students awaiting his arrival.
“I’ll be back for you later,” he says, still panting, forehead pressed to yours. His smile, once pointed and serpentine, is incongruously soft compared to the current circumstances. His lips gentle as he presses a kiss to your forehead. His eyes shimmer with a tenderness that often overtook him in moments of great need – of great “love”, as he’d characterise it.
With a tight, embrace, he parts from you. His shirt is an almost blinding white against the light pouring in from the hallway, the basement door now wide open. He retrieves his glasses from his breast pocket, slips them on. His eyes are unreadable, coloured brown with contact lenses which seemed to conceal his inhumanity from all except you.
“Sit tight, Sweetie,” he tells you. And you are plunged once again into darkness with only the dim glow of his web to accompany you.
And, just like the good, obedient student you are, you obey. For you have no other choice.
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Yandere Masterlist Juicy Original Content <3
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