Tumgik
#guy who would literally go through hell & back bc it’s for the greater good but would also if he had to do it for the people he loves
twinstxrs · 4 months
Text
there’s probably something deeply wrong with me because every time i see someone react to the pok gukgak interrogation scene it’s like “oh no oh my god is riz’s dad a bad guy?” when the first time i saw that scene my only thought was “oh my god is riz’s dad HOT??”
75 notes · View notes
fuckyesdobiegillis · 3 years
Text
hey dobie nation! it’s been a little bit and i just wanted to share my thoughts on the last few episodes i watched. consider this my april wrap-up. these eps really kick off the army arc and oh boy a lot of stuff happened... not all of it good... let’s get into it
1. the chicken corporal (april 4, 1961)
i can’t even sugarcoat it lmao. i did not like this episode. of all the season 2 eps ive watched so far, i think this takes the cake for the worst one. i think it also just really exemplifies what’s wrong with the army episodes. one of the strengths of season 2 is its pretty extensive supporting cast, and its awesome settings. the army episodes isolate dobie and maynard from these things, and the quality of the show really suffers for it. we see pretty often in the army episodes that they start finding ways to bring in these supporting characters, in order to liven up the show. in this ep, they don’t do that. im not saying that dobie and maynard can’t support a story on their own, but they need a good story. or even a middle of the road story. this story is just straight garbage lol, but i'll get into that in a bit.
the second issue is with dobie’s character in these army eps. it’s ALL OVER THE PLACE. im not usually one of those people who tracks continuity errors, bc honestly i think that’s one of the charms of these older tv shows and it’s kinda fun to see how the creators’ conceptions of characters evolve. BUT dobie’s characterization is absolutely wild. you’ll see over the 4 eps im talking about today. he’s like... a different dude in each episode. 
the story of this episode is that dobie wants to go out with this waitress betsy, but she can only go if he can find a date for her roommate suzy, who is apparently really ugly. maynard is the only guy willing to go out with suzy, but in order to get a pass to leave the base, he needs to do really well in a bunch of tests, like marksmanship and bunk inspection and like that. maynard and dobie plan on cheating so that maynard passes the tests, but dobie gets like brainwashed by propaganda and it all goes to hell. 
based on the description, yeah it sounds kinda lame lol. it just felt like... so outdated. just like any sort of humor that shits on someone’s appearance is just not my thing and it just kinda dates the whole episode. that + the beating us over the head with patriotism just feels very dated. 
the premise of maynard and dobie cheating to get something is a pretty common one in the show- we get it in caper at the bijou, and i believe it happens again earlier in the season in drag strip dobie. in caper at the bijou, dobie felt guilty and couldn’t go through with it, but this time, he goes wayyyy overboard. it was just hard to watch tbh. he was really beating down on poor maynard lmao. he kept going on and on about gettysburg, valley forge, and san juan hill... i never want to hear those damn words again.. and i live near valley forge so its kinda tough.
i guess one thing i struggled with in this episode is pinning down the tone. like no way we’re supposed to be on dobie’s side in this ep right? like he goes all gung ho on this military stuff, and he’s overall an awful friend to maynard. and he does get punished in the end, but i feel like it’s painted like he’s doing the right thing in the ep? idk im so confused. do y'all have thoughts on this?
anyways not an episode i would recommend. two positive things. dobie says something to maynard like “and you call yourself a soldier” and maynard replies “no i don’t. only my draft board does.” that’s a mash line lol hawkeye pierce literally said that. also, diane jergens was the girl in this episode! she’s the one who called dobie and maynard gay in “greater love hath no man” and is in the season 3 episode “the gigolo.” she’s one of my fave dobie girls so it was good to see her!
2. the solid gold dog tag (april 11, 1961)
steve franken and doris packer really own the army eps, huh? in this episode, chatsworth is back in the army, after a one episode break lol. dobie and maynard try to teach him how to fit in with everyone else, but mrs. osborne is not having it.
before i really get into this episode, i have to talk about dobie’s opening monologue.... im going to insert the gifs here:
Tumblr media Tumblr media Tumblr media
like.... he’s really gonna stand there and say that after kicking maynard to the CURB and throwing him under the BUS last week. fake as hell... that’s what i mean about dobie’s characterization being wonky as hell!!
this episode starts with chatsworth pulling into the park with his little blue sportscar. the girls flock to him, but then dobie shows up in his uniform, and the girls forget about chatsworth and are all over dobie and how brave he is for being in the army. so then chatsworth decides that he is going to join the army too. 
BUT this whole motivation of wanting to be attractive to girls totally disappears after this initial scene. when chatsworth is talking to his mom about joining the army, he’s talking about how he wants to be more responsible and become a man- girls are not in the equation. and then when he arrives on the base, it’s all about wanting to fit in with dobie and maynard and be “one of the guys.” again, not too concerned about girls. it’s very strange. so that’s why i said in an earlier post, it really is straight premise, gay execution lol. the scenes between chatsworth and mrs. osborne were great. this episode reminds me a lot of “happiness can’t buy money” in season 3, which, knowing max shulman, they’re probably the same lol. especially the final scene between mrs. osborne and chatsworth, where she acknowledges that he is growing up, and he says “mumsies are always the last to know.” 
also, the dobie & maynard & chatsworth friendship was sooo cute in this ep
3. the battle of maynard’s beard (april 18, 1961)
this episode is really notable because we see herbert again. honestly, when he came on screen, i started crying a bit. i really missed him!! 
in this episode, maynard literally gets thrown in jail for refusing to shave his beard... yeah idk. this ep also introduces that sergeant that kinda looks like Justin Timberlake?? do y'all see it or is it just me?
Tumblr media
probs just me lol. but once again in this episode dobie is a lil weird! he was all gung ho on the army but now he’s actively fighting against them BUT at the same time he’s also totally romanticizing American history and the army in the civil war?? watching dobie justify maynard keeping his beard because robert e. lee, ulysses grant, stonewall jackson, and william tecumseh sherman had beards shaved YEARS off my life. it’s a strange move. the legacy of the civil war in the 60s/70s is WEIRD.
overall tho i did think this was a cute ep. i was so happy to see herbert and dobie and maynard together again!! i love the found family content lol y'all know me. 
4. spaceville (april 25, 1961)
honestly I was not too hyped about rewatching this episode, but @violetsofdawn​‘s tags on this post got me kinda into it lol. overall, you know, i thought it was pretty cute. i feel like this is a dobie & maynard led story that works. it was pretty cute! once again dobie was kinda weird about patriotism but he did let maynard off the hook and leave the capsule lol. 
maynard has like a four minute monologue with the chimpanzee, which i kinda liked lol. im kinda running out of steam honestly. if you wanna know more about the ep read @violetsofdawn​‘s tags. they have more interesting things to say than i do lol.
so next week winnie and herbert are back, and this episode makes me really sad! so keep your eyes peeled!
2 notes · View notes
phoebehalliwell · 4 years
Note
The problem with Phoebe is she's inherently selfish. She works to overcome it, but it's still her biggest flaw. Getting arrested for theft well into her twenties, lying to her sisters about Cole, becoming the Queen of Hell, her entire baby arc, the list goes on. And I think a lot of fans assume that selfishness means she's at fault for Cole's behavior, when that's the fault of his own selfish tendencies.
honestly? i love selfish characters, or just like,,, characters who aren’t really like good people. like they’re not evil or anything, but like,, they’re not these beacons of piety and moral righteousness. they’ll be petty and hold grudges and put their own needs before the greater good because quite frankly? it’s a lot more relatable. and it makes the moment where they choose to do the right thing a lot more gratifying than if they are just morally upstanding people who you can always trust to do the right thing. i thought phoebe could have been a really great character to follow this arc, but it just never landed.
for starters, phoebe would never really screw over any random person, she would go out of her way to save innocents (for the most part). she never worshiped her own life over her duties as a witch, that was more piper’s deal, so that was never her burden to overcome. almost all of her poor decisions didn’t harm innocent bystanders, they only seemed to hurt those closest to her. the prime example of this is her relationship with cole and her lying about it. she very much left all of her sisters at risk for her own personal needs. her going to save cole in the underworld and prue dying while she’s down there, cole becoming the source and psychologically torturing paige, it’s all her putting her own comfort above the comfort of others. but like here’s the thing. she’s not being selfish, necessarily. she’s being stupid. she’s not choosing her happiness over the happiness of others, she’s choosing her happiness and oh my god why is everyone so upset what happened i certainly could not have done anything wrong why is everyone mad at me?
the reason i personally really like to see selfish characters is because they’ll know which choice is right and which is wrong, but the wrong choice is enticing because it’ll bring them more comfort. they know it’s wrong, but are they willing to be a bad person and sit comfortably with it? sometimes the answer is yeah. and that’s really interesting! you snitched on your friend for a reward, now you’re safe with a large amount of money rather than still in the weeds? are you a dick? yeah. but you’re safe. it’s nice because it really asks the audience would you do differently? if it came down to it, would you stay in danger / a lower standing / a difficult position and stand by your moral code? or would you put your own needs over what’s right? i like a little honesty. i wouldn’t always do the right thing. sometimes i know i would act selfishly. but i’d know i’d be a bad person doing it, and i’d be okay with that.
we don’t get that with phoebe. she never thinks she’s in the wrong. and maybe if this was only from her point of view, we could be manipulated into believing her. but it’s not. we’re in the attic with paige as cole drives her to madness. we see the pain paige is in, and then we get phoebe acting pissy towards paige for distrusting cole. phoebe didn’t see what happened. she doesn’t realize she’s choosing the “wrong” option. but we as the audience know, and we’re rightfully mad at phoebe for picking cole over her sister.
so by the point cole starts deteriorating, we’re already accustomed to phoebe as the dick, phoebe as the bad guy, but not even in a fun interesting maybe maybe not relatable way. she’s just a dick. and when cole comes back from the wasteland, stuffed full of hellish powers and clearly edging towards a breakdown, we’re ready to slap that label on her again. but the situation’s different here. in this case, she acknowledges cole, she acknowledges the situation, and she realizes what she’s doing is leaving him high and dry. and she does it anyway. this isn’t her dismissing paige and she had no idea what paige was going through. she knows what cole is going through. and she choose not to help him. and i don’t blame her.
cole took a lot from phoebe. he tried to kill her on multiple occasions (pre- confessing his love), he often became between her and her sisters (there was almost always a choice of standing by cole and protecting him or sticking with her sisters, and she almost always chose cole, which you could argue resulted in prue’s death), she turned her back on her family for him, she got infected by the source via her antichrist baby, everything, and when it came down to the final choice, stand by cole as her killed her sisters or stand by her sisters as they killed cole, she chose her sisters. and that fuckin takes a lot out of you. this was maybe all within what? a year? of just having the world you known taken from you, flipped upside down, torn apart, and the common thread throughout it all was cole. now, cole came back saying he wanted to be a good person. that’s great. it’s not phoebe’s responsibility to hold his hand and lead him to that. and it’s well within her right to be upset that his only intention is to get her back. that if he didn’t have to be a good person to win her back, he wouldn’t, because he expresses next to no remorse for the pain he’s caused people and he makes no moves to make ammends. what he does is performative, and she knows that, bc he plainly lays out his intentions. he hurt her, even if that was not his intention, throughout their relationship, and to know his sole purpose back on earth is to rekindle that relationship....... like,, it is completely understandable and reasonable for her to reject him. she does not owe it to him to rake herself across the coals so he can live some happy ending.
so if you want to argue that phoebe not wanting to put herself through another heartwrenching experience after all the trauma she went through broke cole, you can say that. but like. coles sole purpose in returning was to be with phoebe. he had the entirely selfish fantasy of getting the girl despite all the literal hell he put her through, and that he could live that way forever. i have seen people say that cole wanted to be good and phoebe drove him away from that, but that's never what cole wanted. cole wanted phoebe, she pushed him away from her. if he truly came back to be good, he would have cut his losses, left the city, dealt with heartbreak, and tried to start anew. im not saying being rejected by someone who you genuinely believe is your soulmate doesn't suck absolute ass. but like. you were married to her. it didn't work. it really hurt her. you can see that. she really doesn't want to be haunted by your ghost. and bro, she's kinda mean to you. stop pushing it. don't think you'll knock her past some breaking point her she stops hating you and suddenly wants to try again. phoebe did not push cole past his breaking point, cole tried to push phoebe past hers and lost himself in the process
17 notes · View notes
lesbianmarth · 4 years
Text
it’s been a while since i posted about aa but i just finished soj in its entirety tonight. here’s my new list so far
Tumblr media
i still have to give thoughts on cases 4 5 and dlc so that’ll be under a cut. spoilers!
6-4: this was such a filler case, almost shamefully so. i don’t know why they thought they could manage to do this in the 4th case when every game with 5 cases has been pretty consistent about making the 4th case plot relevant, sometimes literally just a preamble to case 5. so yeah i think this one was kinda ass
the two things it had going for it: one, athena. in 6-2 i actually got confused about why i ever liked her, because in that case she felt like she was just acting the part of the Peppy Teen Girl With a Rowdy Streak that makes up almost every assistant character. But then as SOON as she started bantering with Simon in 6-4 i was like “oh, THAT’S why i liked her!” was nice to take control of her again.
two, uendo toneido. while i don’t think you can say the DID was portrayed with quite the necessary respect or kindness, it was handled better than i’ve seen other media handle it-- at least it’s not completely demonized. other people have written more on that in better detail so i’m not really the judge, but the basic point is that this witness was mad fun to read, and even the dumb jokes like the changing number of floor cushions were entertaining. thus why this case is in the “hard carried by one side character” tier.
especially since there was like nothing else going on. no connection to the main plot, only two other characters besides uendo, and for some reason the clown tits girl was here instead of the magic show case (and to be honest, she wasn’t enjoyable for me even BEFORE she did the standard aa female villain thing and changed her speech pattern as soon as she fell under suspicion). just a weird, nothing case stuck right around the point aa games usually enter endgame. And especially weird because...
6-5 part 1: inexplicably there are two separate cases in the final chapter and each gets one day of investigation and trial. such a weird setup, and it really shouldn’t work... but i think it kinda barely does. barely. it would still have been better to split it into case 4 and case 5 though.
i have a hard time articulating much on the first case bc it sort of blends together for me. the main thing is that the concept of it being a civil case where apollo and phoenix face off is really good. it was a good change of pace, even though you knew it was gonna be a murder somehow anyway. sarge was reasonably nice, i guess, paul atishon had some good animations and quirks (my favorite being when he tries to just walk away from the stand to avoid answering a question), and the logic of the actual murder was good enough.
but i especially got those strong “oh this is a FINAL case!” vibes during the segment in the cave, and that added so much to it even if not much of it was relevant in the first half of the case. the adventure feel reminded me of some of the (out of context bc i still havent played it) scenes i know from 3-5, which is a good association to invoke imo. and it did a lot to give apollo and dhurke time to bond.
speaking of which, dhurke, holy shit. what a KING. i don’t think i’ve ever liked a dad character in ace attorney this much. he’s so genuine and like down to earth that it’s impossible not to start liking him and believe how much he cares for his sons. the bit where he rescued apollo from the cave flood... i felt it in my heart
6-5 part 2: let me just get this out of the way: ga’ran sucks. her design after she goes full evil is so bad, she’s so malicious that it’s immediately obvious she’s going to be the culprit, her breakdown is ridiculous and just embarrassing to watch, and inga had already established way more charisma as a villain when he did the “those were orders of execution actually” bit in 6-3. with that said,
i actually liked it for the most part. the spirit channeling stuff was excellent imo-- they probably use it to similar or greater effect in 3-5 but as someone who again has not played that, i was surprised and almost impressed by how well it was applied. maya was relevant for something! it feels like it’s been ages!
rayfa was a little underutilized, i think-- her moment of determination where she stops letting ga’ran have control over her was alright but it fell flat bc it didn’t have any weight during the moment. i kept hoping she would like, wordlessly take of her shawl and do the little verbal preamble to the divination seance while ga’ran kept yelling at her to stop, but no, the script can’t be good like that, i guess. and since she didn’t get to be the investigation assistant for long, none of her charm in that role carried through.
but DHURKE!! oh my god! in a game almost devoid of emotional impact, his involvement in this case really hit. the way they painstakingly animated his death, the scene where he makes a promise with maya, and then the weight of knowing in hindsight that everything he did in the first part of the case was after he’d already died and just wanted to see his son again before passing on for real....... it hurt. i felt something during that section. this case would also be hard carried by him if not for the fact that i really liked the murder bits.
amara was good too--liked how they made her suspiciously serene and accentuated it with the lightning strikes to make her look like a hidden murderer character about to reveal herself, only to walk it back and confirm she was being forced to act that way. i thought it worked. nahyuta was boring though, i’m sorry-- i get the motivation with having to be a bastard bc his sister and mom were basically held hostage, but the only time i found him compelling in that mess was the bit where he removed his one fingerless glove and revealed he still has the dragon tattoo. that was it. athena was also completely unused the whole case (not even a single mood matrix? really?) and trucy one again went without any role of importance.
the ending also... yknow, a friend said they had to end it this way bc they never figured out what they were going to do with apollo (since following up on what they started in aa4 clearly wasn’t an option???) and just threw him on a bus to get rid of him. i agree with that-- he really feels thrown to the side, and with that i think trucy’s officially stranded with no hope of any character advancement. and the way they ended the game with phoenix and lamiroir deciding “yeah, maybe NOW we should finally tell those two they’re related” honestly felt insulting lol
but maybe the dlc case will let things go out on a high note...?!
6-6: it was okay.
it would’ve worked pretty well as a filler case in an older aa-- honestly i think it’d be one of the better filler cases, certainly worth replacing the shitty ones like 2-3 or 3-3 or, hey, 6-4. but whether i’d say it was worth paying for... eh.
the time travel conceit was done well enough, i think. the way they tied it back to sorin and pierce’s backstories was nice, and the twist about having two receptions was good, although they needed to treat that as a real twist with much more gravity. when the truth comes out it just feels like “oh of course that’s what happened” rather than a big surprise worthy of the Confessing the Truth theme. it’s sort of important because the case becomes a lot less interesting when you take out the time travel element.
far as characters are concerned, i think they needed more side characters to sell the whole thing-- another sprocket family member or another servant of the household. it felt a little limited-- sorin and pierce are pretty good witnesses and i like their quirks and their secrets, but the only alive woman (ellen) has very few traits and no connection to the deeper story of the case, so she falls really flat. the old aa characters didn’t add much- maya and edgeworth were just there for fanservice, ema didn’t get to do much other than acknowledge for the first time in years that she’s a big edgeworth fan, and larry is annoying as hell like he always is.
and oh my god i actually forgot while i was writing that, how they put in athena and trucy but only used them for brief slapstick where trucy would try to set athena on fire and shit. again-- no mood matrix? couldn’t even try once to fit those two characters into something?
i did like pierce’s transformation into his surgeon form though-- that was really cool. loved him doing surgery on a robot, taking xrays of the lawyers, and his breakdown was fantastic-- he would make a really good culprit if they didn’t whiff the last bit of pathos at the end. i don’t think he should’ve been aiming for revenge on sorin; it would have hurt much more if he was still loyal to the guy and never intended for him to be in danger, but the final “why’d you do it?” talk in the trial just felt flat and one-note, much like the one in 6-4.
... so that’s spirit of justice! not a super positive experience but i’m happy to say it’s done. as much as i want to go and replay dgs, i think when i do go back to ace attorney i’ll be replaying the trilogy for the first time since high school
23 notes · View notes
lunchador · 3 years
Note
I am trying to be normal levels of excited right now bc I had no idea you were so far in DA:O (i forget tumblr exists oops) so now I'm just!!! 8)))))) so thrilled you liked it I wanna know everything & I'm definitely gonna finish scrolling through what you already posted but!!! i wanna ask about your ending i Do Not See It anywhere and I'm curious wrt loghain & hazel (please tell me she survived 😭😭)
Bro, some shit happened.
While I’m pretty sure no one is like “Wow Raspa really had  spiraled down into DA, I’m now interested in playing”, spoilers I guess??
SO MANY CHOICES AT THE END OF THE GAME
SO
Let me tell you, I had a plan.
The second I learned of Alistair being bastard son of a King and had the potential to be the next one, I knew in my heart, we had to break up for PLOT reasons. I knew he’d be a genuine one, and while my characters backstory was she was eager to be in a position of leadership back when she was daughter of an Arl, she realized she liked being a soldier on the road helping people so she definitely would not want to be Queen, she’s never been elegant and did not want the attention.
So we get to the awkward moment I knew was coming. I convinced Anora to enter a political marriage with my boyfriend. Awkward. I talk Alistair into it, he breaks up with me. Ouch.
LOGHAIN. Man, I said FUCK THAT GUY. He ain’t my homie. I’ve grown very proud to be a grey warden and fuck him for trying to taint them. So, I beheaded him. In retrospect, pretty shitty for your future husband/kings current girlfriend to kill your dad after she just asked you to go into this political tie to keep your royal status idk. Maybe it would have been more just to make Loghain be someone who serves for the greater good after everything he pulled.
Riordan drops the bomb that a grey warden has to kill the Archdemon and that grey warden has to die. GREAT. I decide, He offers himself to do it after I state i will sacrifice myself and I go ok I guess he has a point he’s much older and doesn’t have much longer.
Morrigan puts her offer on the table. She needs Alistair to dump a creampie in her. Awkward cuz I didn’t work on her relationship enough (idk she hated me) so I’m like, ah, you want me to ask my boyfriend who you hate and who hates you to fuck you? I tell myself I can’t do it, not because I’m jealous and the only girl for him, but because I just bullied him into a marriage and now I’m gonna push him to have sex with a woman he despises on my behalf? Literally what the fuck from his perspective. My friends chewed me out for this, said I should have let Alistair “give her that soup can dick”. Alistair’s soupcan dick is now a reoccuring joke.
Riordan dies. Just fuckin dropped by the Archdemon. Did I fuck up or does that happen regardless?
So there goes plan A. And I’m thinking, fuck it, I had a good run. We are going to pull some Fallout 3 ending bullshit. I will die to save everyone
E X C E P T
Alistair, who JUST dumped me  mind you, tells me he’s not going to let me sacrifice myself, not while he has the opportunity to stop it, cuz the stupid bitch loves me.
SO
I watch in fucking horror as my video game boyfriend, the only person Hazel has ever had feelings for, leaps up and sacrifices himself, mostly on my behalf, because this fucker who wanted nothing more in his life was to have a family who loves him, and he said he wasn’t ready to be king, so instead he’s throwing it all away to protect the one person he’s loved.
So, true to me as a person and my usual experience in video games, I royally fucked up.
So yeah, Hazel survives. But, it sucks.
The canon ending I got: Alistair died on my behalf, Hazel continues on with the grey wardens with Zevran and Oghren on her side. The canon ending I wanted: Alistair Marries Anora and every meeting between future King Alistair and little ol’ Hazel are painful as hell full of yearning and full of what ifs til the end of their days. The ending I heavily considered: Alistair becoming king and Hazel being his consensual side piece. But Anora mentioned yet another husband who had other women behind her back and i felt guilty.
The ways I fucked up: Didn’t ‘harden’ Alistair, whatever the fuck that means. I should have recruited Loghain and used him as the sacrifice. Got Riordan killed? Again, not sure if that’s automatic or me. I guess I could have let Alistair do cummies inside Morrigan but GOD would he be fine knowing he has a bastard son whos a fucking hellspawn, literally?????? oh my god.
I am very pleased with the overall lore and writing of this game and how decisions genuinely feel like they’ve got weight. I do wish I took more time with the game (i didn’t get to do several companion quests and i wanna know more lore).
Also I didn’t save I guess?? At the end of the game? Idk, it only showed me my save from before the archdemon battle and wouldn’t let me load my Origins file onto 2. So HAHA BITCH, ALISTAIR LIVES. My friends are ripping on me to go with Alistair being dead because the fun of all 3 games is having your decisions cross over but FUCK THAT.
5 notes · View notes
tonyglowheart · 3 years
Note
This entire thing is a rant, feel free to ignore it, but I saw your post about how destiel fans can’t win in this context, and yeah. So have some rambles.
I’ve been thinking about the fact we (current spn/destiel fans) can’t win all night... I’ve seen so many people talking about how homophobic it is - and while I would very much like to argue, as every point I’ve seen made by a non-spn fan has been wrong so far, if I did everyone inside the fandom would agree and everyone outside would either call me straight or pity me for believing it’s okay.
(Cas wasn’t even sent to hell lmao. He was sent to angel death (the empty), a place he has escaped in the past. Other points, like that meta about spn has been predicting exactly this for months, that Dean ended up sobbing on the floor because he was so upset, like that death means next to nothing on spn, like that there is two episodes left, etc etc. you feel me right? I just don’t want to post wank to other spn blogs atm, we’re getting enough frustration as it is, no need to add to it.
It’s also worth pointing out that the bar is very, very low. Spn is a prominent TV show - not a Netflix show, or indie, or whatever - and it just said “main character in gay love saved the world”. [insert gif of ghostfacers dude saying that gay love can pierce through the veil of death and save the day here]
I just saw someone saying that spn having Naomi try to brainwash Cas out of loving dean makes spn homophobic (it is a conversion therapy parallel). My first response to that is that Naomi was the villain lmao? I guess we can’t write villains doing anything homophobic because having villains do homophobic things makes, uh - checks notes - villains look homophobic, and clearly we can’t have that.
There certainly are legitimate things to criticise spn about, but this isn’t it lol.
Also now some people are unironically trying to cancel Jensen because “his acting was homophobic, and so he’s clearly homophobic”, nevermind that he’s an actor and his character struggles with understanding his emotions (which I think he played excellently, myself. That scene had a very Dean delayed emotional response), nevermind the support he’s given to us queers in the past. Like. Idek man.
We would have been laughed at if we got no destiel, too.
It would have been worse, had the writers pulled a dumbledore. At this point I also trust the writers not to pull a GoT - they have explicitly criticised that ending in spn’s canon.
Spn’s writers did that by making the main villain of this season, Chuck / God, say GoT had a good ending. To reiterate a previous point I had: villains do bad things because they’re bad. And the bad things they do make them bad. For the people out there not still following, if someone does something in a story and it makes them a villain, that is explicitly telling you the story (and probably the writers) thinks that thing is bad. In this case, Chuck likes to write things for him, and we the audience have been shown and told that is bad.
Apparently thinking a gay confession is good in 2020 makes me straight. Seems unlikely, but whatever. Sorry for the length, I guess I went overboard, I’ve been holding it in lol. Anyway, DESTIEL IS CANON 💚💙 hope you have a good night
Helloo supernatural anon I hope you are living your best life right now. Yeah I’m like..... skeptical and leery myself but having lived through some absolute garbage discourse that is general purity wank, as well as the C/QL greater fandom here and on Twitter I find myself... much more wanting to question the “general wisdom” of things esp in terms of negativity, bc a lot of the time I find.... it’s wrong? Like so wrong. Or at least presents such an incomplete picture of the whole situation and also presents it in such a removed context that words that have meaning and are operationalized in a certain way for a reason, no longer have meaningful usage.
Anyway I don’t... know too much about the specifics of Spn but someone I follow is into it and talks a lot about the Gnostic stuff and that all was very fascinating to me, and I also have been grappling a lot with cultural Christianity bc of cmedia and the way ppl just *clenches fist* unthinkingly or uncritically slap some Christian norms on it and call it a day 😩 help I’m Tired. My thing here being... I actually got tired of the uncritical “superhell”s at some pt bc I am, in fact, incredibly exhausted with cultural Christianity, and because it does seem like, even possibly(?) without the Gnostic stuff it’s different from a “hell” or other Protestant-derived afterlife concept, and also yeah that it wasn’t seeded out of nowhere, it was set up to happen, which then... lends credence to the idea that whatever the current era of Spn is doing, the current showrunners are doing it with purpose.
And idk I just... refuse to believe the concept that ALL of the fans of Spn - esp the ones who have been following it still, or got back into it and are following it currently, are acting under delusion or are fooling themselves into liking it or thinking it’s good or whatever. I personally find that kinda infantilizing and patronizing and playing into issues of dismissing things women and/or other marginalized identities like.
Plus I find the concept that (from what I think I’ve been seeing Spn fans say) that the current era of the show is quite actively grappling with itself, its past, its legacy. to be very interesting and compelling; it hearkens back to like an old lore kind of feeling, of a thing that has grown into a nigh undefeatable monster and realizing that, also realizing that the only way to defeat itself is through grappling with its own nature and transforming and transmuting itself into something else. I personally find that more plausible and compelling than “Supernatural has been actively and continuously queerbaiting for 15 homophobic homophobic years., so right now we’re all very sorry for you because this maybe is no longer queerbaiting but it’s still homophobic and it can never be anything different ever.” I’ve been sort of tangentially aware of Spn thru the years and didn’t we agree, around the time of that in-universe play about Spn and with the lil Destiel shoutout, that Spn has come a ways as far as coming to terms with its fandom and working to treat its fans better? Why the sudden regression into “oh no, Supernatural is and forever will be homophobic and a hate crime”? 🤔 
The rest under a cut bc the ask is already long and then my rambling will get longer-
But yeah I mean..... I get that the legacy of Supernatural has been certifiably Rough, but I think people also forget how different of a time 2005 was? Hell, how different of a time 2015 was, even, prior to, say, Obergefell v. Hodges. Now I’m not saying that to blanket-excuse Supernatural, but like, you look at mainstream shows from the era and... there’s a lot of shit lmao. The fact that Supernatural has existed this long seems to me like.... maybe we CAN look at how it’s developed through the years vs just insisting it is what it was 15, 10, hell, 5 years ago. Especially since, to my knowledge, there’s been showrunner changes? Which seems to me like it would... affect things? I mean honestly, I remember back when I got into Spn for a hot second because of Castiel, I remember watching panel, Q&A, etc vids thru the years, and like... I thought we agreed that... it was the fans who were going a bit far pushing the shipping question like literally ALL the time to the actors, who are not in control of the show and.... like at the time.... that could have had personal implications for them? And yes homophobia bad, and people can still be allies despite that, but again like.... I do feel like - from what I’ve seen - that these guys were NOT ready to deal with a lot of that but they’ve (okay Jensen I’m talking about Jensen here) genuinely grown and learned? Also how many years ago was the essay autograph thing that people keep trotting out, like what year was it in and what year of spn was it, and what were the prevailing opinions on LGBT issues and bisexuality then.
I’ve been seeing some murmurings of identity politicsing surrounding ppl who enjoy Supernatural, and I’m sorry that that’s happening to you, it really fucking sucks and it’s also the dumbest way to “make” or “win” an argument because it shouldn’t ever be a final determiner, just factors to consider when considering what life experiences might have informed someone else’s PoV and views as well as maybe how you can better communicate with them. Instead of it being a “weapon” or “tool” to either dismiss someone or de facto validate an argument.
Also yeah I get it that you don’t want to send discourse to spn blogs bc I imagine you guys ARE actively grappling with all the bs rn and it’s a lot. Even just from like, the stuff I see around, I’m like tired of it. I’m genuinely having more fun with ppl who are having a good time with Supernatural than the ppl who are hating on it, even in this sort of backhanded “oh we’re not clowning YOU we’re clowning the writers and showrunners who think you should be satisfied with this,” when... yeah? the people who HAVE been watching the show and therefore... know what’s up.. DO seem to be? And all this based on *fake gasp* context. And that’s where the backhandedness becomes kind of poisonous to me, because it implies that it IS bad, and that you SHOULDN’T be satisfied, but poor little you are but don’t worry, we’re not making fun of YOU for liking garbage, you’re just the hapless victim who is consuming the garbage bc... idk, whatever reasons ppl are coming up with ig.
idk man it’s 2020. Fandom isn’t activism, performative or otherwise, it’s okay to let people enjoy things even if you think they’re “objectively” bad, and like... I don’t know if people can call something bad when they’re not even working with the whole context and instead are dealing with rumor and reputation. 
5 notes · View notes
bigskydreaming · 5 years
Text
So this is...its a thing. Let’s go with that. I’ve been calling around LA for pretty much all of last week, going through every oral surgeon I can find to see if they do the surgery I need and what their schedules are like, how soon I could get into surgery, etc, and also I’ve been asking literally everyone I know if they know of anyone, have a referral, etc. Even reached out to this old client of mine from back when I was doing sex work, years and years ago, to see if he knew anyone in LA with connections at Cedars Sinai or another hospital, like, to see if they could even just check with their hospital to see what visiting doctors specialize in that kinda thing. Keeping in touch with people from my sex work days, lol, is not something I normally did, or do. He’s literally the only one, and that’s because it just....kinda happened? *Shrugs* He's not a regular presence in my life or anything like that, just the only one from those days that for various reasons, I kinda kept in casual contact with - which for me pretty much meant that I called him or he called me like, a couple times a year to just be like hey how you been. And it’d been a couple years to be honest, cuz like....*gestures at the last two years* 
LOLOL. I guess I just have very low standards for people keeping in contact with me. Who knows why. One of those inexplicable mysteries I guess.
But point is, he got back to me like, the same day, and acted as a go between for me with this old friend of his, who works at Cedars Sinai as a chaplain, their non-denominational one...last week, at the time, I was only focused on the advice part of the email he sent after he asked around the hospital for recommendations, and it kinda didn’t even register that this guy wasn’t just....had connections at Cedars Sinai, but was actually working there himself (for some reason, I thought he was in a different state when first put in contact with him, whatever). Let alone what his title there was. So he gave a recommendation that I’m following up on today, and I just called the old client of mine who put me in touch with him to clarify a few things he’d say, and it only then hit me where this friend of his worked, and so I asked how long he’d worked there and turns out it was two years.
Which was...when my aunt killed herself. And that was where she worked.
So. Like. This random guy who I’ve never met before, doing a favor for me as a favor for this guy who used to pay me for sex and kinda almost accidentally ended up as like...a casual but distant friend, is literally the guy who was hired to replace my aunt as the non-denominational chaplain at Cedars Sinai when she died two years ago.
And I don’t have the first fucking clue what to do with that?
Like....I’ve always considered myself ‘comfortably agnostic,’ like I’m more than willing to believe a higher power exists, I’m just not all that concerned with forming a definitive idea of what that might be or look like or want. I hate organized religion with a passion because lol, repressive Catholic upbringing, and I’ve just never felt a particular need to go out and look for faith in anything other than myself and like....the things in life I actually value, y’know? I’m of the mindset that like, I figure if I do things cuz they’re the right things to do and try and live a good life where I’m helpful to people and empathetic and compassionate, whatever that Higher Power’s specific deal is, they’re either gonna decide that’s good enough for them when I die, or if its not good enough on its own merits, like...idk why I would even want anything from them or anything to do with them anyway? Like sure God, send me to hell because the only thing that really matters in the end is I didn’t sign up for your official email mailing list or whatever the fuck. Nope. 
So religion and faith and spirituality have never been a big...thing for me, or part of my life, its not something I really feel like, a void for not having or whatever. I don’t have an issue with what anyone else believes or why, up until the point where their personal faith apparently requires them to like....impinge upon my actual life and ability to live it the way I choose to....but I’m not like that dude who goes around trying to poke holes in peoples’ faith, just like...respect that I’m not interested in a sales pitch and we’re cool, y’know? Like my aunt was a chaplain, literally the only person in my family who ever kept in regular contact and like, made a point to check on how I was doing and shit and like...idk, loved me, is I guess the word to use? LMFAO. But like....yeah, she was the only relative I actually felt valued by, and thus the only one I really had anything like a regular or ongoing relationship with....*shrugs* So like yeah, whatever. She believed things that I don’t necessarily NOT believe, but more just have never felt a need to explore or try and decide just WHAT exactly I believe or put a name or a description to it.
And I’ve never been someone who sees signs in stuff that happens, nooooooot a fan of fate or destiny as a general concept and like....I’ve got no problem believing that things like ghosts or demons or anything like that could exist, y’know, things that just can’t be explained by science or anything near to our current understanding of reality at least....I’ve just never had anything remotely close to something I would describe as an encounter with the supernatural, or demonic or divine or anything really...spiritual, I guess?
So.....I don’t know what to feel about this, lol. Like, I’m trying not to read anything into it, like y’know....a sign, haha, not because I wouldn’t like to think that my aunt is still looking out for me in some way, I guess, maybe? Like, of course I’d like to think that, I miss her. A lot. And actually have been randomly thinking about her a bunch lately, like at weird times like, I don’t know what it is that made me stop and think of her, my thoughts go there? So I mean....I’m just saying....it wouldn’t break my brain or upend my entire worldview to accept that could actually happen or be a thing, its more just that I’ve gotten my hopes up so many damn times this past year in specific, that I’m just like....I cant afford to pin my hopes on THIS, like that this is ‘a sign’ that this time, its going to work out? But at the same time, its SO FUCKING SPECIFIC a connection like, and in such a WEIRD fucking round about way, that its pretty much impossible NOT to try and read something into it? Like, the guy who replaced her never even MET her, she’s literally just the woman who had his office before him and well. Is probably just remembered as a depressing story around the hospital, to be totally honest, cuz like, there’s not a lot of follow up that tends to happen when you ask so what happened to her and the answer is well, she killed herself, y’know?
So its like, how do you not get your hopes up even just a little bit, from thinking about that......which I figure means, oops, further to fall and crash and burn if this lead fizzles out too and I got my hopes up for nothing, but if it does pan out, like....I guess that’s kinda the point of faith in a higher power in the first place, lol, to hope for better or believe that there’s a point to all this or a place this all is headed, idk.
But then also now I just fucking miss her too, like, even more than usual, and thinking the shit I’ve tried really really really goddamn hard not to think about for the past two years, like how I know she had her own mental health struggles and even physical health issues, and I know better than to fucking blame her and yet there’s that part of me that wants to fucking throw a tantrum about how i need her and how could she leave me alone with just the rest of my useless fucking joke of a family, but then there’s the other part of me that’s like well I obviously wasn’t the help she needed either, so its not like I’ve got any right to think I was owed her presence or help or anything like that, its just. Idk. I miss her. I need her. I love her, like there’s so many things I want to tell her that I never got the chance to because I didn’t just fucking take the chances I had when they were actually available and there are so many more things I wish she’d told me, and just. I knew she cared, at least. No matter how detached I felt from the rest of my family or just like...fuck family in general, lol, she was the one person there who I never doubted like...just cared. About me. Gave a shit, showed up, wanted me to actually be happy and wanted that to look like whatever I wanted it to look like, didn’t give a fuck what other people thought my happiness should look like or require.
And its just like, maybe this is just a really weird, strange, major coincidence or maybe its a sign of something or proof of something and maybe it doesn’t even matter, bc like...I was just gonna say that its not like I even NEED the answers or to know, but like lol, dumbass, the fact that I’m actually asking the questions or getting worked up over whether or not I actually believe this means something or I just WANT to believe it means something, like, would tend to suggest I’m shitting myself and I DO actually want the answers which suggests maybe I’m not actually as agnostic or at least not comfortable with being agnostic as I’ve told myself, which....oh fucking hell. Am I having an existential crisis? Is that what this is? Jfc I better not be having a fucking spiritual awakening or whatever the fuck, like that is not what I need, this is NOT the time for that, literally nobody asked and I should know, Ive been here the whole time and nope nope nope this guy is not your ‘but the real salvation came from finding strength and purpose in something greater than myself in my most dire time of need’ narrative or whatever like I FUCKING REFUSE, my belief system can go to the BACK OF THE LINE until I’m good and ready to deal with it on MY time, I didn’t sign on to do a rewrite of some modernized Book of Job shit, literally any other thought in my brain is invited to step the fuck right up because THANK YOU, NEXT, I just willingly made an Ariana Grande reference because I can think of nothing more suitably over the top dramatic short of tossing my hair which is much too short to toss but again I insist nooooooooooooooope.
Like, love you and miss you Aunt Diane, and if that is you looking out for me plz know I’m very grateful even tho it totally doesn’t sound like it, but like, you know me well enough to know that I like....object to this timing and context on principle, WHICH YES HELLO I AM AWARE SOUNDS FUCKING STUPID NOW THAT IM TYPING IT OUT YET IT PERSISTS SO LIKE WHATEVER AND STUFF....just. I am me, and thus I shall super gratefully take like....just a smidgen of hope and optimism or whatever from this offering so like, I don’t want to be RUDE, but then Im gonna put the rest of it back in its box and shove it alllll the way to the back of my Pressing Priorities and unpack all that at a very fucking much later date, thank you ever so much, because like....I gotta be me, and I have been partners in crime with my Cynicism for way too long to just bail on him now, like, what kind of person would I be if I just cut and run on the anthropomorphized negative outlook that has helped see me through life oh so jadedly until now? 
Ugh wtf, why am I like this, is it free will or is it God or is God even real or did Cthulu eat god or is God’s actual name Sonya and like I have no clue where I’m going with any of this, look the answer is obviously that a faithless blasphemous heretical fucker has phone calls to make today, and nobody’s finding the light here, nope, nope, NOOOOOPE, my motel’s one shitty lightbulb works GOOD ENOUGH FOR ME.
9 notes · View notes
In and out (Part 1.) (Nathan Drake x Male reader)
Description: There was a deal between Elena and Nathan to make her way to Yemen for managing to get them to the city. But plans don't go so easily as they should. Well, isn't that pretty common thing for Nathan & Co.™?
@bechobbi , let me know if I should tag you in this! :)
A/N: So okay. Let me establish some things before we even begin.
I hate changing the game's/movie's official canons, so you gave me a proper hard time, darling.
So this is a bit AU like they'll happen events from the original game, but most probably NOT in the original order/how did they really happened.
But yeah, I think that my Nate Mate might be bisexual. He's not strictly gay, bc of Elena and Chloe and you can't deny that.
I will also use my old oc pal Florence, who has some posts somewhere in the hellhole of my Tumblr, for my own satisfaction and someone to make the goofball of. A lot of you maybe will not like who she is in this, but guess what - I don't care baby.
This will be written in the third person because I think it suits the story better, just as Golden's book showed us.
And also my adoration of Victor Sullivan will probably show too much. I don't care. He's my man.
Ok. That's all.
Warnings: Just Nate and Sully being the comedic duo we know and love. Also, the first three to four chapters are an establishment for the whole story.
Word count: 2 691 (+/-)
Tumblr media
"Real “greatness” is what you do with the hand you're dealt." 
- Victor Sullivan, Drake's Deception
"Oh crap!" The man yelled as another shot was fired at him. He almost got shot, but he managed to hide quickly before that happened. No one knew how he was able to do so, but he guessed that he has an infinite amount of luck.
But even he got enough of everything at that point - he had to escape in front some black bullshit, which was actually afraid of fire, with a dying torch, almost died during that, the worst bad guy Talbot, who was working for their concurrent Katherine Marlowe, had stolen the amulet right from his hand and he was pinned down at gunpoint behind a stupid wall at some mansion in France. The only thing that kept his spirits up was that he managed to draw the amulet to his small notebook and that he wasn't completely clueless after all.
"Better watch your back before you get shot, kid!" A visibly older man shouted at him before he shot back from his revolver. Nathan owned his life to that man for an unfair amount of times, but he would be definitely dead if that man wasn't watching over him.
The old man's name was Victor Sullivan, whom everyone called Sully, and he had some serious amount of kicking ass behind him. He was notoriously known treasure hunter and an ex-marine who dedicated his talent for shady businesses to make a serious life-lasting job out of it. He became a treasure hunter in his late twenties and he was one of the most dedicated people to this kind of life you could ever meet.
He could sometimes seem like a cold blood jerk and Nathan sometimes thought that his decisions are not logical - and usually later showed that those decisions were very clever in fact. Sullivan, even in his sixties didn't show any sign of aging except few deep wrinkles and white hair. The only other fact you could consider was his Cuban shirts, but that man wore them for years, so you couldn't really count them in.
His partner, a lot of younger man in his best years, has been doing this job alongside Sully for almost twenty years. They became a truly coordinated team during that time, more like father and son than friends.
That man's name was Nathan Drake. He was a self-declared ascendant of the famous pirate Sir Francis Drake, whom he dedicated his whole. He was considerably pretty handsome with his wild, dark brown hair and eyes which sometimes seem to be blue and sometimes they looked almost green - so he usually tried to charm off the situations. And oh boy, wasn't he the goofiest man you'll ever meet?
Right now, they both went on a search for something great and most probably greater than great. Their adventure lures them into London and France to get the clues they needed and it almost cost their life a few times. And as it usually went, they weren't the only one who was after the treasure. And the outcome usually looked like this - a big loud shootout between Nathan, Sully and "the bad guys", as he called them.
Being a bad guy also truly depended on a point of view in Nathan's world, none of them was only white or only black, everyone had some motivations and some vision because of what they actually did that thing. Some of them wanted glory, some of them wanted money and there were even some of them that went into the fight just because they actually liked to fight. Nathan didn't judge, he didn't care in fact. Everyone in these shady businesses was partly black and partly white, so everyone was grey in the end.
Even Sully and Nathan were pretty grey. Nathan was in the business because of discovering the truth about the past, and yeah, he did that for the glory. And Sully? He went in for the money. There was actually a lot of money in that shady business, more than you would expect.
This world was just too big, it had many sides and nothing was only good or only bad, partially fucked up was maybe the best possible definition when everything went well. And now it didn't go well, oh boy, something went terribly wrong and Sully with Nathan was actually pinned at a gunpoint. They couldn't even move without increasing the chance of being shot right in the ass.
"It looks like they aren't exactly pleased to see us, Sully." Nathan looked at his older friend and throw a grenade in the direction of bad guys. "Haven't you done anything to them?"
"I'm only an old man Nathan. They are more afraid of you than they are afraid of me." Sully laughed with his raspy voice and shot again. And even though he was so much older, he didn't miss his target.
"It's getting ridiculous!" Nathan yelled to the bad guys with his teeth clenched together in almost hurting way. He slowly managed to sneak out of his hideout near Sullivan. Nathan has got enough, he just wanted to cut the chase and get directly to the climax. "Why don't you let us just pass without this theatrics?!" Nathan stuck out his wooden pillar which was getting a ridiculous amount of shots at that point. Big pieces of walls were flying around his head, there were, in fact, huge piles of it everywhere and that place was actually going to fall down in any minute. "You're ruining an archeological goldmine here and you don't even mind it, assholes!"
"Way to go, kiddo, they'll definitely listen to that!" Sully walked forward too and pointed his gun on another of those asshats. Drake had to stay low if he didn't want to die there. He went through serious loads of punches to the face kicks to the stomach, so handling a few of jerks wasn't really a problem for him. So he ran straight to the action, jumping at one man’s back, using him as a shield. But it didn't go as well as Drake planned. Another man hit him with his gun to the temple of his head and Nathan fell down to the dust as another ten men circled around them. He was trapped. 
If anything, Drake served as a great sidetrack of attention for Sully, who started to quietly put man after man down, getting to Nathan the fastest way he could, using literally anything. Even a pile of dust was great to blind the enemy. And as a bonus, he was tall and pretty heavy, so he was great at hand to hand combat.
But there was something, that didn't add up there. There was so a little of the men when they were in such a big mansion. But Nathan didn't exactly think of that that intensely when he had a gun pointed directly into his face.
Sullivan almost didn’t make it so save Nathan’s ass that time. They almost shot Nate to the head when Sully finally managed to get to him and Nate had to give him a grateful look with a small smile.
“You’re alright?” Sully helped Nathan to get on his feet and patted on his shoulder with the intention to clean him from the dust.
"Maybe shocked, but all right." Nate agreed and looked at Sullivan, making his way to touch his bum. The notebook was still there and he longly exhaled. That was the only reason why they got into the fight, after all. And when it was safe in his arms, he just felt relieved.
"You did pretty well, I would say." Sully looked around on that completely destroyed place. That mansion was completely ruined, it was a disaster.
So they slowly and quietly walked out of the room, slow and carefully and not to be seen or heard. It was a long walk through an abandoned sample of mankind's crafting talent standing up in the middle of nowhere in France.
Both of them stopped at a sort of balcony which was created from molded wood that was just corrupted by the time. When they heard voices and steps, both of them shut up and crouched behind semi-broken brick walls. Nathan stuck out his head and tried to find out what's even happening.
"Empty those cans!" They heard a husky voice with a slight feel of the British accent. "Every last drop." The voice said again and Nathan with Sully just looked at each other.
"What the hell are they doing?" Nathan asked. Confusion and a sort of fear could be heard in his voice. Sully had a suspicion, but he didn't say anything out loud because of the fear it could be the truth.
"Hey Sully," Nate smelled the air and frowned. He looked around them and he just figured out that there is something that doesn't add up. There was so little of Marlowe's men, they were just trying to leave that place as soon as possible when Nathan, who had Drake's map in his notebook, was still inside of that building. Normally they would try to chase out the soul out of Nate and Sully. "Can you smell that too?"
Sully breathed the air deeply, looking into Nate's frowned face. He knew that smell very well. "Of course I do know that smell. It smells like,"
"FIRE!" Nathan shouted at the sudden realization, hearing another of the men shout Torch the place down!
"Sully we gotta get out of here," Nathan stated, extending for his gun. At the moment, some of the men noticed them and they started to shoot at them, mostly at Nathan. Drake and Sully didn't have a hard time shooting back, because Sully showed off his shooting skills again.
There wasn't even place for jokes at that time - Nathan felt his heart pounding hard in his chest. He didn't want to burn alive. He kinda liked himself too much for just burning alive. And Sully had someone who would kill Drake once more if he was hurt by his side, that was another reason he had to get sure that both of them manage to escape from that building.
"Ok Nate, go first, I'll cover your back." Sully patted Nathan's shoulder and loaded the revolver up again. Nathan wasn't completely sure about Sully's judgment, but he nodded and started to find a way out, or more like climbing out of the situation.
"Sully shoot 'em down!" Nate shouted over his shoulder with a furious look. Then he jumped over the beam he was hanging on and started finding some soft spots to climb. Sully followed him carefully and even managed to shoot someone down.
Everything went as usual - they almost died like twenty times, punched and shot on some bad guys and Sully had some seriously interesting curse words on his lips. What house was falling down at the speed of the light, which was caused by the old wood which caught on fire easier than normal wood.
They entered some halls which were completely red because of the consuming it without any problem, almost killing them by the pieces of beams falling down. But the worst ones were the staircases which didn't even hold together, there was no chance that they could climb them and yet they had to.
Sully saved Nathan a couple of times just as Nathan did saving him from falling down to the hell made of fire. They actually somehow, don't ask Nathan how because he doesn't know, managed to get to the rooftop and get out of that collapsing building.
Sully practically collapsed on a log there, fighting for every gasp of air he could get. Nathan did too, but he managed to pull back together faster than Sully.
"Here Sully," he offered him help with standing up, but Sully shooked his head and a disapproval gesture.
"Just gimme a sec. You always seem to forget that I have twenty-five years up on ya." Sullivan looked at Nate with frown and Nathan suspect which turn is this conversation about to turn. And oh boy, he wasn't fond of it.
"Oh come on Sully, you're strong as an ox." Nate put his hands on his sides and laughed uneasily at Sully's direction.
"Anyway, what's the hurry? They think we're in that." Sully pointed at the burning mansion and looked at Nate with a serious look. And they were on the path of that speech again.
"We almost were," Nate whispered, looking at the collapsing building again.
"I gotta say I'm losing the point here," Sully admitted with his look directed to Nathan's back. "Remind me again, why are we doing this?"
"No, no, no, no, no. If you're gearing up for one of those "I'm too old for this" speeches, spare me." Nathan turned around and looked Sullivan directly to the face. Sully had his age, he truly did, but that doesn't mean that he'll stop, at least for him.
Victor loved and lived for this kind of life without the option of woking up the next day safe and sound. He loved having adrenaline in his veins, that satisfaction when he shot one of those asshats down. He lived for this and Nathan knew that. And giving Nate speeches about how old he is and feels was his favorite way of torturing Nate.
"Nate these guys are playing for keeps."
"Yeah, so? What? You're just goin' to roll over for 'em now?" Nathan almost shouted with an unbelieving look on his face. If Sully thought about chickening out of this gig, it was already too late.
"Nobody's talking about rolling over," Sully answered in a calming voice. But Nathan was already too angry to calm down instantly.
"Then quit acting like you're ready to lie down and die, all right?" Nathan asked Sully with a frown on his face. He wasn't enjoying that conversation at all.
"Listen, kid. I've your back for twenty years. I'm not going anywhere, obviously. I just wanna make sure we're doing this for the right reasons. You've got your pride all tangled up in this thing. It's making you reckless." Sully stated and Nathan had to turn around to not giving Sullivan other shots.
Victor was right in everything he said and Nathan knew that. But he also knew that it was his life and his pride to discover the legacy of his ancestor. It wasn't the right of some blonde lady who looked like she's about to turn into dust in any minute. And Nate wasn't planning to give up any minute.
"I taught you better than that. Gonna get yourself killed." Sully finally got up and slowly went to Nate. "Damn. Hell, probably get us all killed." Sully slowly cleaned himself from the dust and stood up, putting his hands on his sides and shook his head.
"Oh, no..." Nate whispered and his eyes widened in the realization.
"What?" Sully asked while Nathan turned at him.
"Cutter and Chloe." Nathan reminded him and Sully's heart almost stopped too.
"Sully if we were followed, chances are they were too."
"Oh shit," Sully whispered and knew what is Nate trying to say. "We gotta warm them."
"Yeah, and get to Syria fast." Nate agreed and the moments Sully looked like he just saw a ghost. He could see the fear in his eyes and him gasping for air.
"And what about her?" Sully realized slowly that she was in danger too. Nathan took Sully's shoulder to his hand and shook him in a calming way.
"Sully, she would definitely kick those assholes into one small ball if they tried to hurt her in any way. Don't worry." Nathan promised him in low voice and Sully looked little relieved. Nathan was sure that she would be ok.
That person was Sully's soft spot and his only other two soft spots were his ailments (like his cigars and airplanes or money) and Nathan's life.
"Sure hope you remember where we left the car, 'cause I've completely turned around," Sully exclaimed as they walked from the mansion at a fast pace.
48 notes · View notes
zivitz · 5 years
Text
I can’t reblog this post so I’m just gonna copy and paste my reply. And then I have better things to do with my brain space than respond to people who are  attempting to browbeat me into submission while simultaneously refusing to allow me to participate, explain, or elaborate on my POV. So I might be talking to myself here, but it makes me feel better. To my followers, I’m sorry for the novel.
@trashpandabarnes ( @trashpanda-barnes) wrote:
yeah, abusing and gaslighting your “daughter” whose family who burnt to the ground, whom you tried to manipulate and sacrificed AGAINST HER WILL, as she ACTIVELY EXPRESSED HER DESIRE TO FREE HERSELF FROM YOU but you threw her off the cliff’s edge because u want power, because you don’t actually care about your “daughter” but are ALL about making her tragedy of negligence and abuse ALL YOUR OWN self-vicimized manpain is totally the characteristics of a fantastique dad™, ooof i could go on and on on the Gamora thing alone but then there’s Nebula who you mistreated her whole life and constantly pit her against the only person who she felt like she could have a connection to, and never passed up a chance to insult her, saying killing her would be a “waste of parts”. Boi oh boi @zivitz never fucking have kids dude if you think saying/doing this kind of shit to your kids is still gonna get u the award of father of the year bc no matter how much u claim u love ur kids, it doesn’t fucking excuse the abuse and also never have a girlfriend if this is how you think women are to be treated in fiction/otherwise —its 2018, women deserve  better than to  be treated as plot device for a self-importance asshole’s cringey angst. Get tf outta here with your apologist attitude, dufe. Thanos shows no remorse or no acknowledgement of faults and therefore, no character growth. He is stubborn and self-absorbed and a deadass weak villian. Marvel went about wrong with constantly trying to sympathize him, he’s a purple egoistic maniac and that is not an appealing character trait and should NOT have been glamorized by marvel for edgy fanboys like you with barely one working braincell, end of.
First of all, and this must be embarrassing for you- I’m not a guy. At least, I hope it’s embarrassing, because you’re making a fuck of a lot of assumptions based on this belief and they’re all wrong.
There seems to be a lot of thought going around that I am, and I quote, “pro-Thanos”. That I defend his actions or justify them in any way. That I think he’s a swell guy who’s just a misunderstood woobie. Or something. I think you’re confusing me with the Loki fangirls, but whatever.
Thanos being both capable of love and actually loving Gamora doesn’t make him a good person. It’s pretty clear throughout the movie that Gamora is literally the only person he loves. At all. In the universe. Except for himself, that is. Just because he’s capable of loving Gamora doesn’t mean he loves Nebula- I mean, clearly he fucking hates her. He doesn’t love the Black Order. I have a hunch that they started out as his ‘children’ in terms of being under his protection, guidance, and doing his bidding, but he was taken by Gamora and she became his daughter in thought and deed as well as word.
I have never ever said he was a good father, either. He clearly was not; no good parent puts their child through that kind of pain. No good parent rips a child away from their family, kills them, forces them into a life they neither are ready for nor would have chosen. A good parent (even most bad parents) doesn’t pit children against each other. Gamora had an abusive childhood, flat out. No one’s arguing that. Thanos is a big fat child abuser. He abused her (and Nebula, and probably the Black Order) to suit his own purpose. It was bad and wrong and fucked them all up royally and none of them deserved that.
Now take a step back and get the fuck of your high horse for a minute, and look at it from Thanos’s perspective. He is the hero of his own story. That’s what we were meant to see in Infinity War. A peek at the story from his point of view. Not that we were supposed to believe he was right, not that they were saying he had a point, or that we should sympathize with him. We’re not supposed to see character growth because he’s not the hero and there is no redemption. We’re just seeing how things look from his vantage point.
He saw his world die and couldn’t stop it because no one was strong enough to do the terrible, awful thing that would have saved it.  And he saw the same things happening all over, so he decided he was the only one strong enough to do what needed to be done. And he worked hard at it. He collected his ‘children’, those he could raise and train to be strong like him and carry out his work. Carry on his work, if it lasted beyond his lifetime.
Gamora came along and was Different. In that deleted scene, he said himself he saw himself as alone and he was okay with that (he says in a voice that very much says he was Not Okay With That) because he had ‘a new vocation’. Until Gamora. He loved her. Took her under his wing, trained her, challenged her to be the best she could be. Gave her a family. Thought she, his favourite daughter, would be his heir. Wanted her to choose it, choose him, and let her leave when she didn’t instead of dragging her back and punishing her. He doesn’t really care that she’s rejecting him because he loves her regardless, but is hurt by the betrayal of her lies because she was the one person he trusted completely. He hurts her, but only as much as he has to to get what he needs. If he didn’t need to, he wouldn’t hurt her (we see this again and again- he could have killed Bruce, Groot, Cap, Wanda- and he didn’t. He just wanted them out of his way). His Vocation is more important at this point. And even then, he struggles with the decision that he must sacrifice the one person he loves and again be utterly alone- and live with the knowledge that he’s killed his child, his ‘everything’- for the sake of the Greater Good.
That’s how Thanos views himself. Is that how I view him? Not really. I mean, objectively speaking he did pretty fucking unspeakable things for what he thinks in his own incredibly misguided way is the right thing to do. Did Gamora deserve all that? Fuck, no. No one does. Did he love her during all of that, think he was doing what was best for her? Yup. Was it actually what was best for her? Fucking hell. No.
I love Gamora. I feel a great affinity for her because I grew up in an abusive household, where I was groomed and manipulated to be what my mother wanted and needed me to be. I was made in her image, to be useful to her and do what she needed and prop her up. I was her enabler for a long time. I didn’t break away from her until I was long into adulthood. And yet, I was loved. My mother thought she was doing the right thing by me. She thought she was making me into a strong person. She was doing her best to make me the best I could be by her vision. Because she loved me. She was wrong about what she was doing. She fucked me up in ways I’m still learning about.  I can see both worlds: the one my mother inhabits, and the real world.
I feel Gamora. I really, truly do. But liking Thanos, being able to see how he sees himself and yes, even feel bad for someone who’s suffering even if they’re a crazy abusive monster, doesn’t mean I have to agree with him. Doesn’t mean I think he’s justified, doesn’t make me an apologist. Doesn’t mean I love Gamora any less.
And it doesn’t mean I’m a bad person. That I support abuse, abusers, or would abuse anyone in any way. I work with very young children precisely because I was abused and no one helped me. And I want to keep that from happening to other children, to keep them from growing up like I did. It’s my own version of “There are little girls like you across the universe who are in danger. You can stay with us and help them.” You make a lot of assumptions about me, and we all know what they say about that. This is fandom, but we’re all people here. Maybe check yourself before you go shooting your mouth off about shit you know nothing about.
13 notes · View notes
roominthecastle · 6 years
Text
Okay but Sting’s Desert Rosé... I am officially fixated on this one
bc Cheers!!!!
bc I’m almost sure it’s Michael’s handiwork. He has the ability to construct such things + a history of hiding puns in them, e.g. “Strangers Under the Train” & “Bend It Like Bentham” can be spotted in the background in his trolley problem simulation (TPS)) + Janet doesn’t leave the tape room
bc it specifies that the bar serving as a framework for this (forbidden) meeting w/ Eleanor is named after Sting’s Desert Rose which Sting described as a song of romantic-sexual longing placed within a larger philosophical context - “romantic love as an analog for the greater love of God” [x] and thus redemption (see the “Redeem Yourself” poster on the wall by the door).
Now overthinking/reading into things is my forte, and that’s exactly what’s happening behind the cut, so beware:
The puns in Michael’s TPS have direct relevance not only to the “practical nature” of the simulation at hand (strangers are literally under the trolley as they keep mowing them down amidst spurting blood and flying body chunks that “curiously” only hit poor Chidi despite Eleanor’s close proximity), but also cleverly hint at Michael’s own feelings on the issue that won’t get revealed until later. Bentham’s famous “greatest-happiness principle” governs his actions when he chooses to sacrifice himself to give Eleanor & the others a chance to secure passage to the real Good Place where eternal happiness awaits. He “bends it like Bentham”.
IF we can take TPS as precedent (and that’s a big if, I know, but it’s fun), then Sting’s Desert Rosé is also likely to be more than just a simple pun. Then it is both relevant to the practicalities of the situation at hand (it is a bar that serves wine) and to feelings which have not been articulated yet and will come into play later. Michael’s solution to the trolley problem (self-sacrifice) develops silently and remains in the background until a situation demands its disclosure. The implication of Sting’s Desert Rosé is a feeling of deep longing for the love of a woman and even that of a higher being (God) - a painful desire to return to the “good place” (or the “pre-fall” condition).
Michael is already invested in how Eleanor sees him and he also wished to follow them to the real Good Place, but since he is still a demon, gaining both her & (the show’s version of) God’s love (=entry) must feel like a long shot at best. I think he became painfully aware of this as a result of those ethics lessons and his billion failed attempts to sneak into the Good Place. All this likely informed his trolley problem solution, too. Being made aware of how fundamentally disqualified he is hasn’t enabled him to change it, it just made him feel miserable since the longing is still there, a longing no other “sane” demon has. Yet it doesn’t stop him from trying to help the others, which makes me wanna wrap him in an eternal hug.
If we look at the lyrics and compare/contrast them w/ the show, several thematic similarities emerge. (ofc these could be entirely accidental and/or irrelevant, but they are still there, imo)
“I am looking for myself and my loved one”
The Algerian Arabic intro (which sounds almost like a prayer) sums up Michael’s journey of discovering what it means/feels to be human. Such a journey inevitably involves the pains & pleasures of choice, of identity forging, and the experience of love (returned or otherwise). Janet started out as an anthropomorphized mainframe and now, after a social “evolution” induced by environment interacting w/ some unique “susceptibility”, she is questioning what/who she is. Michael is in the same boat: he started out as an office drone demon but that’s not quite what/who he is anymore. Both were obedient workers “pre-programmed” to serve but now they make their own paths separate from their kind. They threw out the rulebook and are actively choosing the recipients of their devotion, even when those recipients can no longer remember them.
“I dream of love as time runs through my hand those dreams are tied to a horse that will never tire My life is for you”
Janet gravitates toward Jason and Michael toward Eleanor in particular. They have to let them go at the end of S2 as another round of experiment kicks off, but one connection, in form of ticker tapes, remains and we can see them holding and reading these w/ unwavering commitment. It’s likely just a coincidence but a very nice one still, so I am going there: the word “ticker” can refer to a watch (and thus time), the heart, and the machine connecting Michael and Janet to Eleanor and Jason respectively.
The titular desert rose is not without concrete relevance, either. All her life Eleanor lived in Arizona which is home to several deserts (Sonoran, Mojave, Chihuahuan). This is at the core of one of my favorite gags where Michael keeps asking the freshly rebooted Janet for Eleanor’s file, and she keeps handing him cacti instead. Then, when she finally produces the file, it still has a bunch of cactus pictures in them. If we roll w/ this desert connection, then Eleanor = desert rose def works too (+ she is wearing red in the bar scene)
“This memory of Eden haunts us all This desert flower This rare perfume, is the sweet intoxication of the fall”
The fall and Eden are key elements in Genesis. Eve shares the fruit of the tree of knowledge of good and evil w/ Adam and they get booted from paradise. Something similar happens in the show, too, albeit w/ some neat twists. Eleanor insists that Michael attend Chidi’s ethics lessons (=“tree”) where they acquire knowledge (=“fruit”) of, yes, good and evil. She shares it w/ him and it changes Michael, which leads to his disobedience or “fall” and ultimate banishment as their “good place” gets completely disassembled.
Michael has a spark of deviance in him from the get-go, an innate urge to color outside the lines, but he starts to cross them in earnest only after Eleanor enters the picture. First, it’s in the form of 802 reboots, which is 800 more than he is authorized for, but he gets fixated on besting her. The 2nd big moment is when he takes his senior staff pin (the very symbol of everything he ever wanted) and pins it on her, irrevocably betraying everything he previously stood for. He pulls a sort of “reverse Lucifer” (his “rebellion” takes place in the show’s approximation of hell and is driven not by pride but by humbling himself) but it’s patterned on the fall of man. This mix of demonic and human heritage would be very in-keeping w/ his character: a demon longing to experience what it’s like to be human.
“No sweet perfume ever tortured me more than this.”
It is one of the greatest sources of irony in the show how the torture master ends up tormenting himself with and within the very framework he constructed for others. At the end of those 802 reboots, nobody is suffering more than Michael. His subordinates may be frustrated but they eagerly turn his failures to their advantage while the ultimate responsibility still rests w/ Michael who, already after the 2nd failed reboot, runs the very real risk of dying the only death his kind is able: the eternal shriek. The four humans endure a measure of psychological-emotional torture, but they forget all but the last week of their afterlife due to rebooting, whereas Michael remembers everything. He has to endure failure over and over again bc Eleanor keeps figuring him out, upping the pressure w/ each reboot, and, finally, exposing him to blackmail by his own underlings. This is when he reaches complete isolation which is a special kind of hell even within hell.
This 1st type of torture Eleanor (unwittingly) puts him through is mental in nature. She repeatedly hits him where it hurts the most at that time - his sense of intellectual superiority -, gradually evicting him from a life he’s known since forever. The direct continuation of this process is when she makes attendance of Chidi’s lessons compulsory, which again forces him to fully confront the fact that he’s not always the smartest guy in the room, not always in control, and - most importantly - that it’s okay bc the others are there to help and guide him when he’s in need.
This breakthrough gives way to the 2nd, more complex phase that involves (social) emotions that tend to develop as a result of cooperation (esp the kind Team Cockroach engaged in). We can already see their effect creep in when e.g. Michael is plagued by fear at the possibility of losing his friends or when he experiences the first sharp pangs of remorse. He is no longer immune to the full palette of “human suffering” bc he cares and even loves now, and it all stems from and loops back to Eleanor. She is the one he desperately clutches after the dangers pass, it’s her disappointment that slices through him even though he let the rest of them down too, and it’s her “progress reports” that fill his life after they have to part ways.
In this new phase he is forbidden to help or have any kind of contact, but when he can no longer stand doing nothing, he has to risk everything again in exchange for a few minutes w/ her. He could have easily nudged her in the right direction w/o revealing himself - the way he did when he saved her life. But no, this time he shows himself, prompts her to just ramble on about Kangaroo Jack, which, objectively speaking, is an insane risk to take when you can get caught every second, so you know Michael only took his feelings w/ him and left objectivity behind, and, at the end of it all, she still looks at him and sees a total stranger bc this is the only way for her to gain entry to paradise.
Now that’s some exquisite torture in a bar named after a song of romantic-sexual longing placed within a larger philosophical context.
62 notes · View notes
dwaynepride · 6 years
Text
Why Prisler Makes More Sense
i said i was doing this. I promised I would do this. I need to do this.
Pride and Rita have been set up as this “star-crossed lovers”, the couple that didn’t happen but they’re getting a second chance. And that’s cool. That’s something I can get behind.
But the way they’re going about it is,,,,,weird. I’ll get to my Rita theory later on, but for now, I’m gonna rant about why Prisler would make a better ship than Prita.
This is (mosty) based on actual canon events, and none of my (valid) headcanons.
CONTEXT/HISTORY
When Rita was first introduced, i didn’t really mind her?? like at this point in the series, i was used to the fact that Pride has all these old friends bc he’s literally a Golden Retriever who has a friend around every corner. so that little exposition of “they used to play together and maybe more???” was tolerable
But if there was a choice between building a genuine and respected relationship and just cheaply “picking up where they left off”, i would pick building a relationship every time.
With Isler, a real relationship has been built. They’ve gone from reluctantly working together for the greater good, to helping each other out “not because i like him or anything”, to being actual friends who will help drag each other out of the abyss.
This relationship hasn’t been shown with Rita. We’ve been told that they’re old friends and they really really care about each other, guys, trust us. We don’t get to see their relationship grow. We don’t get to see them go from old friends to lovers. I mean, we only see Pride give Rita a quick kiss on the cheek bc he was grateful before we see them on an ACTUAL DATE.
This ship is just kinda shoved into our laps with no real build-up or emotional connection and we’re supposed to accept it.
SUPPORT
In the season three finale “Poetic Justice”, Isler saved Pride’s entire ass. Seriously. Things would NOT have ended up in a pretty little bow if Isler hadn’t called in a 100 different favours and faked a fucking undercover mission so that Pride wouldn’t be gunned down by cops. I’m pretty sure that’s, like, against a lot of rules and Isler was chewed out for it.
And “The Last Mile” showed us that Pride is definitely willing to go out on a limb for Isler, as well. Yeah ok Pride will go out on a limb for anybody with big puppy dog eyes and an honest agenda, but that doesn’t change the fact that Pride did skirt around some rules so that Isler can bring down that drug ring. And this was while he was supposed to be on the straight and narrow.
And the end of the episode was beautiful. Pride addressing Isler’s habit. Knowing without being told that he can’t drink. And supporting him so solidly. Calling him a friend. Telling him to come around more often. They have supported each other up two separate times in huge ways.
On Rita’s end of the spectrum, what support does she offer? well, she talked to Pride that one time in “Mirror, Mirror” when Hamilton was trying to get out of prison. Packed him a bag of guns. And she uhhhhh magically brings info from DC that Pride needs.
Other than that scene where Pride comes and brings her to the office after the car flipped and shit, Pride has never really been shown to support Rita either. Not that she needs it bc I guess Rita doesnt need no man and Pride is the only one with giant baggage.
APPEARANCES
Rita has been in five episodes. Just five. And in that time, they have gone from old friends right into a relationship. No build up. I’m pretty sure they kissed in Rita’s second episode???
Isler has been in THIRTEEN. And in that time, they have managed to build a very real bond. Both mutually respectful of the other. They obviously enjoy the others company because of everything they’ve been through.
A canon ship in five episodes, a kiss after ONE, is just insane, previous relationship or not.
CHEMISTRY
I’m very aware that Scott and Chelsea are married in real life. And it’s that reason that their chemistry is admittedly comfortable. More familiar than how Pride and Linda was. I will admit that Pride and Rita are pretty cute when they interact. I can buy a puppy-love vibe.
But that doesn’t erase Pride and Isler’s chemistry. Because I LOVE watching them interact with each other. They both have a great presence, and when they talk and work together, I always find myself smiling. They have such different ways of doing things and always find a way to work together.
And in the later episodes, especially in season four, you could tell they’ve grown to like each other. Joking and making the other smile with little inside jokes and references. It’s really nice to see after Pride’s first words to Isler were “who the hell are you”
EVIL RITA THEORY
I was debating actually putting this because it might not relate to the ship but it’s probably an important thing that should be said, even if future episodes might disprove it. because I think it relates to how badly set up this ship is.
I posted that huge rant about Rita being a double agent against Pride, working for the mysterious DC person to get close to him. so I’ll just paste it below:
i’ve kinda been wanting to talk about this for a little while but
I really hope Rita turns out to be like, a double agent or secretly working with this mysterious DC person who wants to fuck Dwayne up
bc like, this mysterious DC person who wants Pride gone is obviously going through great lengths to get it done. in the Assassination episode, they send some journalist or whatever idk, it’s unclear
but with Rita, i can definitely see her being sent to NOLA to get close with Pride and get into his inner circle. maybe DC person caught on that they have a history and did a Villain Laugh and got Rita to be evil
AND LIKE Rita works in DC so it’s not outlandish to believe she could be corrupt. she seems to have a lot of answers and connections and finds shit out eye emoji
plus like,,,,,,,,,the relationship between Pride and Rita is honestly so weak and contrived and convenient. Rita has been in literally 4 episodes since like the middle-ish of season 3 and they’re relationship is built on the 2 sentences of exposition of “they used to perform together”
and this whole situation is super weak for any type of relationship, i have NO idea how they want to further it. Rita keeps popping back and forth between DC and NOLA. it’s a mess
Pride didn’t need a girlfriend. if he did, it should have been one that LIVED IN THE STATE. there’s a reason why his convenient girlfriend lives and works in DC. there’s a reason why she showed up just as the Hamilton situation was getting hot
it’ll be so much more interesting if Rita has something to do with this whole situation PLS make her semi-useful to the plot
i wanted to like her but if she just continues to be a weird plot device or whatever then idk thank you for listening to my rita TED talk
IN CONCLUSION
In terms of set up, context, relationship growth, and chemistry, Prisler just makes a lot more sense than Prita.
you obviously have a right to disagree with everything I’ve said but these are just the things I’ve noticed about both ships. And it’s my personal opinion.
18 notes · View notes
imtheperfectvoid · 6 years
Text
So I’ve been REALLY fixated on Danganronpa the last few weeks (replayed the last two games and recently finished DRV3 as well) and I realized I have many many thoughts about certain characters and their respective arcs/stories/behaviors/etc. and bc I enjoy shouting my thoughts into The Void That Is The Internet I’m just gonna mash em into one post and send it out to sea. Spoilers for DR1, SDR2, and DRV3 under the cut (and sorry, it gets looooooong)
DR1:
My biggest thought I’ve had is that, over time, I’ve slowly begun to realize that I just... don’t like Kyoko as much as I thought I did. Like, when I first played the game back a couple years ago, I thought she was pretty alright. Not a favorite, but perfectly fine. However, after replaying recently, I kinda realized she just... rubs me the wrong way? I guess? Like, I understand why she is the way she is, but she just constantly comes across as being so abrasive and distant and mildly unwelcoming. Byakuya is the same way, though - hell, he’s even more abrasive and unwelcoming - but I enjoy his character more. I couldn’t figure out why until it hit me about nearish the last chapter; it’s because Kyoko switched gears and started opening up to Makoto in a way that just didn’t feel natural or earned, y’know? Byakuya was an absolute shitheel, through and through, but his character shift (as small and hardly noticeable as it was) still made sense because he came to realize that him neglecting the feelings and thought processes of others can really bite him in the ass (a la Sakura’s trial) and he starts to cooperate a bit more with everyone. Kyoko, on the other hand, just kinda... decided to open up to Makoto a bit too fast for not really any clear, distinctive reason. Maybe I glossed over it? Maybe I just didn’t read deep enough into her lines or take enough interest in her Free Time events? I don’t know. All I know is this: Kyoko’s character development in terms of her connection with Makoto and the others felt too forced and disingenuous overall, like it lacked sincerity.
I enjoy Hagakure. Like, people seem to generally find him irritatingly dumb, which I get, but honestly? Sometimes his shit is just so wild that I can’t help but enjoy it.
Same with why I like Byakuya so much. He’s a dick, but he’s pretty entertaining to watch and listen to, especially when he’s thrown off guard. That shit’s the best.
I have no idea why but... I also would’ve liked to learn more about Ishimaru? He just seemed fascinating to me, especially in his Free Time events when you learn about his family and his history of harassment and whatnot
Junko being the mastermind was really unexpected and I enjoyed that twist a lot. I did not see it coming when I first played, and the small clues they left throughout the game pointing to her were very clever!
This first game will forever be iconic in many ways, but it is sadly my least favorite of the trilogy only because they just kept getting better
SDR2
*slams fists on table* I! WANT! MORE! GUNDAM! TANAKA! (I am fully aware that he was given quite a decent amount of development, both throughout the story as well as in Free Time events, but god, I don’t know what it is but I just fucking love this guy)
People seem surprisingly divided on Kazuichi??? Which is understandable but I liked him plenty. Sure, his thing with Sonia was a bit... much... but aside from that, he’s pretty enjoyable and funny. Like Hagakure, but less dumb, I suppose.
Honestly??? I wish the blackened in chapter 4 had been Sonia- please hear me out on this one. By no means do I dislike Sonia - she’s great, I love her! - HOWEVER, I think this could’ve led to a lot more interesting development for everyone. Imagine the insanity of realizing Nekomaru, a giant, strong, agile, keen robot who couldn’t even be killed by a bazooka to the chest being killed by Sonia goddamn Nevermind. That would be a mindfuck and a half (granted, they’d have to do some serious explaining on how she’d have done it. I don’t doubt she’d take on the Final Dead Room, though - she seems plenty capable of challenging that tbh). Not only that, giving her the same motive Gundam had is just as fitting and sad enough to boot - she’s the Ultimate Princess, of course she’d want to motivate everyone and use her influence to keep their morale up in such a seemingly hopeless situation, right? Hearing her post-vote explanation for why she did it would be heartbreaking. And possibly my biggest reason for wanting Sonia to be the blackened? Imagine Gundam and Souda after her execution. Now wouldn’t that just be a moment of despair? Gundam, likely, would be very steely and unflinching on the outside, probably saying something about how “the Dark Queen no doubt knew this was her moment to take flight from this world and prevent you mortals from abandoning the lives you’ve been so fortuitously bestowed” or whatever, but god, I genuinely feel like he’d be torn up about it inside (I should add: I’m not a sondam shipper, by any means - I don’t ship Gundam with anyone - I just like the idea that Gundam is so unaccustomed to kind gestures and compliments that he just gets nervous about them coming from literally anyone (like with Hajime in Free Time events)). And Souda???? He would either try to play it tough or he would be a fucking wreck. And as much as I like Souda, I’d love to see how he carries through the rest of the game after Sonia’s execution.
Komaeda is vastly overrated. Like, don’t get me wrong, I do enjoy his character - I think he’s complex and interesting and his batshit insanity is goddamn hilarious at points, but he’s waaaaay too overhyped. Bouncing off this thought, I also feel like his character went through a lot of ups and downs in terms of enjoyability. Like, first trial? Very enjoyable - we learn he’s fuckin cuckoo for Hope Puffs and it’s great but also awful but also great. Fifth trial? We see how far he’s truly willing to go to fuck with others and bring despair so that hope can shine through, and it’s fascinating. There are other times, though, where he’s just... annoying. Not really adding anything new and just babbling about hope and despair and saying the same tired shit again and again. But what makes him a neat character is that he’s at least fun to hate. Granted, not all the time, but most of the time, yeah, it’s fun to hate this guy. Getting frustrated at how he holds back information crucial to a case or how he turns his nose up at those he thinks are below him - it’s done in a way that I at least don’t get annoyed by hating him, and I have a good time doing so.
Y’know who’s not fun to hate, though? Saionji. I fuckin hate Saionji. I honestly do. Nothing fun about hating her. Nothing fun about her at all.
I am fascinated by Twogami/Imposter’s story and character as a whole. I would love to know even more about them.
Junko being brought back again was a bit... much, yeah, I’ll agree - I as a bit disappointed that they just made her the Big Bad again, but honestly? The whole Izuru Kamukura twist made up for it. Same goes for the simulation twist; yeah, had it just been “it was all a game!! nothing really happened!! your friends are fine and monokuma ain’t real lmao”, that would’ve been real shitty, BUT by making them all Remnants of Despair, leaving the dead people most likely dead (though it’s implied that they can actually wake up, it’s just unlikely), and making Hajime technically the mastermind behind this killing game, it became a really good twist ending.
This game had some bomb-ass music, especially with the 8-bit mixes and stuff. V v good
FUCK (IMPROVED) HANGMAN’S GAMBIT. “””IMPROVED””” MY ASS. YOU RUINED A PERFECTLY GOOD GAME MECHANIC IS WHAT YOU DID. LOOK AT IT - IT’S GOT UNFAIR PLAYABILITY
This game used to be my favorite of the installments, but then... but then...
DRV3
Yup. This game’s my favorite. It’s got the best overall cast (but I’ll give SDR2 credit for having my favorite character of the whole series - my sweet boy Gundam), best music, best debate game mechanics, AND best post-game content.
GONTA GOKUHARA IS A BIG FRIEND WHOMST I LOVE VERY MUCH
A lot of people seem to be divided on how the protag switch from Kaede to Shuichi was either good or bad. Personally? I liked it. Yeah, it would’ve been really cool to have a female protag for a change, but Kaede felt too... complete, I guess? She felt like a very self-realized, confident character. While yeah, that would also be cool to see, having a very confident, strong character as the protag from the get-go, I like seeing a protag go through something like this starting out weak or unrealized and coming out on top with more of a complete character than they started with. I love Kaede, and I love Shuichi. I thought the protag switch was acceptable.
People also seem to be divided on how they feel about Ouma. And by “divided” I mean a lot of people love him a lot and some people hate him a lot. I really liked Ouma’s character a lot. I don’t like Ouma as a person - God, Christ, I do not like Ouma as a person - but his character was absolutely fascinating to me. Having a character being the total embodiment of a lie was so interesting, especially in a situation where truths and lies can gravely affect the outcome of a vote. And much like Komaeda, he was enjoyable to hate, but to an even greater extent. So many moments with Ouma were fucking hysterical. He’s got some of the best lines (”Stop making such dumbass comments and keep your smelly breath in your dirty mouth” still cracks me up with the delivery he gives for it. Also any time he yells and his voice does the screechy thing is fuckin great) and his sprites are a goddamn trip (his creepy smile sprite that just keeps getting creepier over time???). There’s a lot I can say about Ouma but I’ll just keep it at that. I don’t love him by any means, but I greatly enjoy watching him throughout the game.
People are also very divided on the ending. I loved it. I love when shit gets so meta that it blows me outta the water. And it’s really easy to fuck up a metagame ending like that, but I don’t think DRV3 did (well, I’m a bit let down by the post-credits bit - kinda would’ve preferred for it to just cut off where it did before the credits - but even that wasn’t enough to really detract me) I even liked the twist of the mastermind (even though I definitely had my suspicions solely bc Tsumugi was just too boring, and Danganronpa wouldn’t make such a nothing character for no reason, even if being plain and boring was literally her character trait, y’know what I mean?)
I’m gonna be real upfront about this - I really liked Korekiyo at first and am subsequently really disappointed with how they chose to develop his character. Granted, the whole “I’ve killed nearly 100 women in order to appease my dead sister whom I was supposedly in an incestuous relationship with and is also a tulpa in my own mind who speaks through me sometimes” was definitely something that threw me for a loop and a half and was a surprising twist, but “surprising” doesn’t equate to “good”, not in this case. See, I loved the mysterious and creepy vibes Korekiyo gave off - doing his Free Time events, I saw how intelligent and composed and fascinating he was to interact with. His views on humanity, his views on a lot of things, were just so interesting. I wanted to see more into him, see what more he had to offer, and I thought we’d get something like that in chapter 3 when we unlocked his research lab, and I was really looking forward to it. When they threw that twist out there, I was... really let down. Making him something that was just so objectively vile and inhumane seemed unfair and not as interesting as it could’ve been. I was expecting him to be more Gundam-like (looks like they’d kill you but is actually pretty nice and likely would not kill you) or maybe even slightly Komaeda-like (his obsession with the beauty of humanity drives him to say and do some weird shit, which ended up being kind of true, but not to the extent I was expecting) Kiyo’s development felt too over-the-top, too, in that sense; like, it wasn’t enough that he’d killed nearly 100 women - he also had to have a tulpa who was his sister that encouraged him to do these things, and he also had to be in an incestuous relationship with said sister when she was still living. That’s just... a lot. Like, waaay too much. Had they thrown that out, kept his weird shtick about how “humanity is beautiful, even when ugly” and all his other overall strangeness, I think he could’ve had a far more compelling backstory and character arc. Honestly, maybe get rid of the serial killer bit, get rid of the incest, and he becomes more interesting while still being a character who eventually kills someone for the wrong reasons (i.e. maybe to see “the beauty of a life leaving its physical body” or something, not for his own survival or escape). Hell, maybe even keep the tulpa to give a twist on his story that focuses on how he’s unhealthily coped with his sister’s death. Maybe his sister tells him to do these things but he doesn’t listen to her and tries to avoid causing harm to others and block her out. Or maybe she’s more rational. Or maybe it’s not a tulpa and Korekiyo knows she’s not really with him but he pretends to help himself cope. Any of these would’ve been interesting to delve into (albeit assuming they’re done properly, as well). I didn’t anticipate to linger on this for so long but goddammit, I really wanted a cool character out of Korekiyo and was cheated out of it and it really disappointed me.
(also some people like korekiyo way too much and it frightens me)
(same with ouma like guys c’mon)
But on the bright side, I do love me some good “seesaw” memes
I’m also amazed at how there wasn’t a single character in this game that I didn’t enjoy to some degree. DR1 had Kyoko, Hifumi, and Celeste whom I never ended up feeling very strongly for one way or the other (though Celeste freaking tf out in the 3rd trial is always enjoyable to watch), SDR2 had Saionji and also had Mahiru and Akane who were kinda “meh” for me. But DRV3? Yeah, Angie got pretty annoying in chapter 3, and yeah, I can see in what ways people would get annoyed by Tenko or Himiko or Ouma or Miu or... most of them, really, but everyone in this cast was interesting and enjoyable for extended periods of time. Some, all the way through the game! (Looking at you, Gonta, Miu, and K1-B0)
THE DEBATE SCRUM SONG IS A FUCKIN BANGER
AND THE DEBATE SCRUM IN GENERAL IS AWESOME
Thank God they fixed Hangman’s Gambit
A lot of the music in this one was really really good!! I have the soundtrack CD in my car and I very much enjoy it and will probably blast it during my drive back to campus on Monday
Thanks for coming to my TedTalk
10 notes · View notes
starboyholland · 7 years
Note
can you do a blurb about literally anything involving domestic!peter? like doing chores together, dancing around the house to top 40 music, watching sports on tv, literally anything
uMMMM YES!! I love domestic!Peter!!!!
Alright so peter would have a table by the door where he had to put everything once he came home at night(so he didn’t lose his keys every single day) Peter would come home at different times every night because sometimes he’d come straight home from his job at Stark Industries, but often he’d take the time for a walk through your neighborhood to be the friendly neighborhood Spider-Man, who had grown so much in maturity since high school.
Peter would always breathe a sigh of relief upon entering the door, and sometimes he’d see you sitting on the couch with a book, or watching tv, or typing away at your computer, other times, he’d know to be extra quiet, because you were most likely asleep.
You didn’t like sleeping without Peter, but with his schedule it was a necessary skill and the two of you knew that it was for the greater good. You worried, but Peter always came home without fail.
So Peter would take off the suit and put it away, and would pull on some boxers and climb into bed with you, which was always his favorite part of the day.
Don’t think about the cute pictures in frames all around the house of you two, and all of your family and friends smiling, or the DIY spider-man tie-blanket you made him for Christmas the Christmas after he told you his secret that he keeps on the bed year after year.
You and Peter would have a routine of waking up every morning, and talking for as long as possible before you had to leave the bed for one reason of another. If he got home late the night before, you’d catch up on how each other’s days.
Peter would probably be the type to run out for breakfast on Saturdays even if it was just from a drive through, or rolls from the corner shop or take-out. And the two of you would sit around in your pajamas and talk, and don’t tell me your apartment wouldn’t have a balcony with a little table with two chairs where you guys would sit when the weather was nice, with a radio always turned to the pop-music station, and you two may or may not have to turn it up, and go back inside, leaving the screen door open so you can hear the music to dance. And when a slow song comes on the radio, do not think about how quickly peter would grab your hand and probably press a kiss to your knuckles and say: “can I have this dance?”
Having a chore chart that never gets followed on the side of the fridge surrounded by magnets with cheesy jokes on them.
Peter is now a full time superhero technically, so he’s on call, which sucks. But he’s around so often and it means you really don’t have to work much unless you want to because being on Mr. “dad” Stark’s payroll is not a bad place to be.
Peter would like being the little spoon don’t @ me please!!!
He would want a pet so bad but you both knew that you were going to be able to adequately care for a pet with your chaotic schedules, so you settles for a fish. The fish may or not be named Einstein.
Movie nights with Ned, MJ and Flash (sometimes) as often as possible now that you guys are all in college and doing your own things.
Peter always pointing at ugly decorations while the Twix of you are shopping together and just say “we need that. Einstein would love that,”
“Peter, that will not be entering my house”
“Oh, so it’s your house now? I think Einstein would object-“
“Why do I like you, Peter, please tell me where I went so, so wrong,”
“Because I’m charming, funny, sweet, and cute, and fit,”
“Wow, all that and humble too” “You can’t tell me I’m not fit,”
And you couldn’t bc ever since senior year, Peter has been training hard and it looks hot as hell 24/7 and he is aware of that fact.
Don’t think about how peter probably would set you in the counter in the kitchen or bathroom when you made out.
Doing dishes and having fights with the soap bubbles or making food and tossing around ingredients a little too much (which lets be real you guys just order take out).
Peter loves 0 things more than coming home to you every day wow I love this when do I get boyfriend! or even better husband!peter!?!?
WRAPPING UP BLURB NIGHT! :)
10 notes · View notes
pls expand on your ridiculous experiences during one semester at a fake college
okay I got a few asks about this so let me see what I can remember right now. These might not all be in chronological order
- At orientation, they were talking about the reservation near campus and all these pretty sites and this kid in the back of the auditorium goes “So uhh…heard this place might be built over a Native American burial ground?”
- The speaker: “…Let’s not think about that, okay?”
- The freshman were on campus alone for like a week and a half (other than the RA’s) before the other students and I just. The parties. Were out of control. An ambulance was called basically every night.
- I walked into the bathroom the first night there to find a girl literally dying because someone slipped something in her drink and she was having a Very Bad Reaction
- Sting- you know, the singer- ‘s son lived in my residence hall. This boy almost accidentally killed me on three separate occasions (while I was just trying to do my laundry)
- I told my family about this at Thanksgiving. Everyone in the room advised me to seduce him
- I ate breakfast in the dining hall exactly once. I got scrambled eggs. I noticed no one had brought out ketchup with the condiments and politely asked about it. I received glares from at least ten different people. Apparently people there don’t believe in ketchup on eggs.
- There were these two boys in my English class known as “The Lumbard Guys”. They didn’t live in my residence hall, but they would come over almost every night, start a party, and destroy part of the basement.
- At orientation this one kid got mad and set his shoe on fire to prove a point
- Also at orientation like??? My roommate disappeared???? And I never saw her again???
- Listen like…this campus just looked like the perfect setting for a horror film, but none of the people from the area got that. They all thought I was crazy until some comic from Comedy Central did a stand up act and said “Why the hell is this campus so creepy? I feel like I’m gonna leave here with someone else wearing my face!”. I felt way too validated.
- ALL OF MY CLASSES WERE SO FAKE
- My “math” class was actually a disguised home ec. course???? All we had were word problems that were incredibly detailed recipes or instructions on how to fix things. The teacher, who I swear to GOD was actually my Mr-Rogers-Wannabe guidance counselor from high school in disguise, spent more time trying to come up with names and backstories for the models in the text book than actually trying to teach
- I had to take a class called “first year seminar” because neither of my parents went to college. It was supposed to be teaching you about how the school works and stuff but SUPRISE BITCH WE’RE JUST GONNA YELL ABOUT RACISM AND PRIVELGE FOR AN HOUR.
- Literally that’s all we did. Just the whole class bonding over all these struggles we had gone through and getting fired up. Like, it was great, but I also ended up knowing very little about campus and school stuff bc that was the class that was supposed to be teaching me lmao
- My Psych teacher was fucking hysterical for the first few classes but then he just. Vanished. I had to drop the class
- My Fine Arts teacher just. Couldn’t stick to a teaching plan. Her entire wardrobe was scarves. She was very passionate about African masks. She had a flapper haircut. She spoke quietly, but with a marvelously forced tone of voice that I’m certain was her trying to sound impressive and hide a Boston accent. She didn’t seem to understand the year was 2014. She took us into the city to go to the Art Museum and we lost her in there, never to be seen again
- I’m not even kidding
- My “writing” teacher was my absolute fav omfg. She was this long grey haired hippie lady who worked as a nurse for the Grateful Dead and was still stuck there. She may or may not have hooked up with my uncle. I was her favorite student because one day I came in wearing a “HAIR” shirt. She wanted to take the class to England for the sole purpose of going on a Beatles tour
- But like…she did not teach a writing class omfg. She taught a social justice class. All we did was have informed debates about The Issues and listen to music and occasionally watch the Breakfast Club. Every time there was a big paper due on the syllabus, she’d just sit on her desk and go “I mean, I don’t have to cover anything, right? You guys know how to write!” Like I genuinely don’t think she knew what class she was teaching
- There was a boy who sat next to me in that class. He was deaf in one ear and used that as an excuse when he got caught blatantly not paying attention. It worked every time. But I was right next to him. I saw him playing Yu-Gi-Oh on some website on his phone under the table. One time we started talking about model cars and he pre-cummed.
- There was a boy who roamed the campus in a long black trench coat and a weird hat. I never saw his body and started to suspect he might not have one, just the theory of one. He took interest in me because I was the only person in class who ever got his Doctor Who jokes. He’d come up to me at dinner and blast quiz me on various nerd culture before running off and disappearing into the shadows. Just as I was starting to grudgingly accept I was probably going to have to eventually hook up with him for the greater good, I apparently offended him by saying I like Picard more than Kirk. He didn’t stick around to listen to my reasoning. Whenever I saw him after that he would loudly start talking about how great his girlfriend was. Everyone knew he was lying. I wonder if Kirk ever sucked his theoretical dick as well as I would have.
- I gave a football player a shout out on Yik Yak. He really appreciated it, and gave me some fries laced with weed as a thanks. That was such A Night ™ , I watched the Lorax and left the dimension.
- Every time we had dances, this creepy guy named Horace would find me and use my obvious discomfort to make me dance with him. He’d hold my wrists and shove his crotch on mine while vaguely swaying to the beat. I had to escape to the bathroom every few minutes. Finally the security just banned him from the events altogether. I can still see his face clearly in my mind.
- One night, I walked into the bathroom to find a perfect, untouched pizza laying on the floor…but not in a box. Someone literally just took it out of the box and laid it down. I’m still fuming.
- One time I was in the mostly empty library when I smelled something. I walked down the rows of shelves before rounding the corner, and found the President of the college hidden there, sitting on the floor, smoking, a bottle of vodka in his hands. We held eye contact for a solid minute. He slowly shook his head at me. I said “Sir, your house is like…literally across the street.” He shook his head more vigorously. I left the library.
- One night, I heard screaming. I looked out the window to find a girl in a giraffe costume scaling my building. People were throwing water bottles at her. I was concerned. I didn’t know who to talk to for answers.
- I was in line trying to pay for dinner. One of the lunch ladies climbed on top of the ice cream machine and refused to come down. Her friend came over and they started recreating the balcony scene from Romeo and Juliet. Very few people acknowledged it.
- Someone jacked up the soda dispenser so it was only dispensing beer. None of the staff cared enough to fix it.
- I caught my RA in the middle of a drug deal so she gave me a coupon for free ice cream
- Also side note: The soft served ice cream machine on campus was actually a frozen yogurt machine. I had no problem with that, but like, advertise correctly, you know? Nobody else seemed to understand my confusion. Nobody else seemed to understand that froyo and ice cream are two different things. What the hell.
- There were just…so many moths all over the campus. A terrifying amount. When it started getting colder I was like, finally, I won’t be attacked by moths anymore! Only for even more moths to appear. I asked a local about it. “Oh, those are the winter moths!” What the fuck are winter moths? What the fuck, Massachusetts? My friend back home grew convinced that Mothman was in the area. I was inclined to believe her. Sometimes I close my eyes and all I can see are moths everywhere, waiting for the moment to strike.
-  I’ve encountered deer many times in my life. I know how they act around people. But the deer on this campus were just weird. They’d run out at people all the time. One almost shoved me into traffic.
- My roommate gave my phone number out to literally anyone she found who mentioned they liked to read or liked Doctor Who. She was concerned I had no friends. No one ever called.
- I met a small Greek girl in my Fine Arts class. Our first day of talking, she made me climb a mountain with her so she could get to tutoring, even though I had no reason to be in that building. Her roommates kept mysteriously disappearing. She was late to everything. She’d call me randomly to get food at 1 in the morning. She kept somehow breaking phones and tvs and other electronics. When I asked her how they kept breaking, she waved it off with “Oh, I have OCD. You wouldn’t understand”. I have OCD, and I still don’t understand. One time she invited me out with her friends from high school. I waited outside her building for two hours, while the other friends waited in the parking lot for two hours, because we didn’t know how to find each other. She eventually came outside at 10:30 pm. We went to Friendly’s. She made us stop at her house so she could grab something. We pulled up a long, winding driveway and stopped in a parking lot. At the end of the parking lot were stone stairs that lead up to a mansion on a hill. She ran inside and the rest of us stayed in the car, listening to High School Musical and talking about Supernatural. When she came out 40 minutes later we decided to try and prank her. It went wrong. We almost ran over her friend’s sister with the car. They invited me to a pumpkin patch. When I started complaining about my roommate, she asked me to move in with her. I thought about the other three girls who had seemingly gone missing. I politely declined. Six months after I left the school, I received a text from her asking for notes for an exam, and radio silence after that. I can’t find her on facebook. I fear she might have gone missing too.
- One night, as I was standing outside huddled in the cold, a boy came up and offered me a cigarette to help me stay warm. I turned it down, but he stood around talking to me for a few minutes afterwards. I felt absolutely no awkwardness at all. He was a musician from Colorado. He sang a bit of one of his songs. He was dropping out of school to go to California the next week. He told me I had beautiful eyes, but his were the most alive eyes I’ve ever seen so I couldn’t believe the compliment. We talked for about ten minutes and I fell a little bit in love. He had to rush off to a club meeting, but he told me he’d rather keep talking. He gave me the sweetest smile before he left. I didn’t get his last name or number and I never saw him again.
- There was a dance on Halloween. I couldn’t think of a sufficiently slutty yet classy costume, so I just went as Osgood from Doctor Who. When I got there there was a huge crowd, but people quickly grew bored and started leaving. There ended up being six people left (myself included). We stayed because we could see the upset faces of everyone who had planned the event, but actually had one of the most fun nights of my life. We- myself, the girl from across the hall, Trench Coat Boy, his tiny friend who never spoke, and a boy and girl I didn’t know who seemed to be professional dancers- danced nonstop for almost three hours. The strobe lights and poppy music solidified an unspoken bond. I had never and to this day haven’t felt as free as I did that night. The tiny quiet boy’s smile could have lit up a city. It’s etched into my mind. We all left the dance talking about the surreal feeling in the air, as if something had shifted. None of us ever mentioned the dance again. It’s still one of my fondest memories.
- For a solid month, there was someone in a gorilla costume running around campus.
- There was a rash of sexual assaults on campus. A gang of boys kept jumping girls in the woods. The only thing the school board did was give out free rape whistles at lunch one day. I missed that day, making me one of the only students on campus without a whistle. Later that night when I ordered pizza, the delivery guy tried to start up a conversation with me about all the assaults. He blamed the girls. I took back my tip.
- Sometimes the showers just…filled up with black sludge. No one knew why.
- The girls in the room next to me were very bizarre. They always shot me odd looks and whispered to each other constantly. I couldn’t figure out if they were sleeping together or not. They never washed their hands when we were in the bathroom.
- The doors to each dorm were thick and heavy and required effort to push them open. My roommate and I made sure to lock ours every night, and would triple check it. It swung open by itself almost every night. The channels on the tv would change with the remote equidistance away from us. Sometimes I heard humming in the showers when I was the only one in there.
- My roommate…deserves a whole separate post dedicated to her, honestly.
- She would call her mother and have her do her homework for her. She blasted music constantly, and it was either country or hard rap, nothing in between. She sexiled me constantly. I once walked in on anal. She’d meet guys on Tinder, fall in love with them after a couple of days, and then bring them into the school and into our room like it was no big deal. One of them made it clear he was a budding serial killer. She was in a new drama every week. One time someone called her a dilf on Yik Yak. She was firmly convinced her cousin was blonde because her aunt dyed her hair when she was pregnant. She tried her hardest to get me laid by a football player. She was the loudest drunk I’ve ever encountered. Honestly there’s just too much about her for this omfg
- John Zaffis, the famous paranormal researcher, came to the school on my birthday. I went because I’m a loser who’s been watching shows with him since I was a kid, and I was having a bad day so I decided it could be a treat. I sat in the front row. He held an uncomfortable amount of eye contact with me the entire presentation. He was impressed with my questions. He lamented about the fact he’s always cut out of movies or replaced by priests that look like him. He apparently came to the school every year around Halloween to do a ghost tour around the campus for the students. A girl allegedly killed herself in my floor’s bathroom. He apparently always got a lot of activity around the campus. Everyone in the freshman class started wondering if the rumors about the Native American burial ground were true.
- One time in “writing” class the teacher gave us a number and then whatever song came up as that when we put our music on shuffle we had to play for the class. I ended up with “Touch Me” from Spring Awakening. Midway through the song, the teacher from another class came to complain that they could hear everything. My teacher tried to defend that all music has an important message. “Molly, dear, tell her the message in this song!” I looked around the room and at the other teacher. “It’s about sex,” I said quietly. She stormed out of the room while the class started laughing.
- There was this girl that just had the natural ability to make anything boring. I feel bad saying that, because she’s such a sweet girl, and she’s smart, and she’s gorgeous, and she’s talented, but just…every time she says anything, it’s boring. I’m still friends with her on facebook, the talent transcends to writing as well. You could be having a fun, lively conversation and she could say something completely relevant to the point and yet it would still just be boring. It’s a baffling talent, I still don’t understand how she does it.
- There was a boy who’d come into my room. He lusted over my s’mores poptarts. He kept trying to hit the high notes in Broadway songs. He didn’t understand my sense of humor at all, so we both were constantly worried we were offending each other. He cried about Selena Gomez a lot.
- The dining hall only offered horrendous food. I had pasta almost every night because it was the only thing remotely edible. If you wanted good food, you had to go to Late Night, which was between like 10:30 and 1 I think??? They set it up specifically for stoners and people leaving parties. I was frequently the only sober person there. Except for the moths.
- The chief at the pasta place found out I like theater and got like…weirdly passionate about it. He kept telling me about different theater groups in the area and wanted to know if I was in the school musical. He asked me every time I went up for food.
- There was a disproportionate amount of large black birds to trees. It wasn’t hard to figure out why we so rarely saw smaller animals
- When I told my advisor I was thinking about leaving (mostly for financial reasons but also the fake classes were preventing me from getting an education I wanted, you know?), this little old man looked around his office as if checking for people listening in, then put his hand on top of mine, leaned in close, and whispered “Oh, you sweet little girl. Run as fast as you can.”
There’s definitely more but listen. This school was weird and fake and vaguely surreal and off-kilter. I am fully afraid that one day, years from now, I’m going to be driving through the back roads and pass the place where the campus should be, only I won’t find anything there at all, and won’t be able to find any trace of it ever existing. I won’t be able to find any record of it. I won’t be able to find a record of any of the people. Every time I think about this place I just get a weird feeling, like I somehow managed to escape the Twilight Zone but left a part of me behind in the process. Be careful when applying to college, kids.
27K notes · View notes
cosmicdusttrails · 7 years
Note
answer the questions corresponding to books you've read!!
niCE YES
(putting this under the cut bc I’ve read a lot)
the adventures of huckleberry finn: do you think kids or their parents are responsible for their beliefs?
Kids younger than eight are not responsible. After eight, they are responsible for their actions. As for beliefs…they are responsible when they know what is wrong
and then there were none: do you think murderers deserve to die?
I don’t believe I should pass judgment. I don’t know enough about politics and safety to be able to decide…plus each case is really specific so it’s hard to have one answer that fits all
artemis fowl: how much do you depend on technology?
sO MUCH
beowulf: is it always worthwhile to hear both sides of an argument?
yes. but that’s an easy answer. I also believe that if you hear one side and learn you’re wrong, you need to make amends
the canterbury tales: if someone is hypocritical, do you point it out?
not usually because I generally avoid conflict. But I certainly notice it and it grates on my nerves.
harry potter: if you could bring someone back from the dead, would you? if so, who would it be?
I have never experienced the death of someone I care about, so maybe my opinion is naive, but I believe the dead should be left alone and I’d feel bad dragging them back to life.
the hobbit: do you think the average person has the potential to be a hero?
Yes! They just have to have the drive to achieve and grow
the hunger games: would you kill someone if they planned to kill you?
no. but I don’t think this necessarily gives me the moral high ground. I just know I would never recover from killing someone else and I don’t want to live that life.
the importance of being earnest: are you flattered or annoyed by gentlemanly behavior?
Flattered! Unless I’m in the car and he wants to walk around and open my door. That one I don’t like. But everything else is good!
inferno: do you think you belong in hell? why or why not?
psh naw I’m flawed but I’m trying lol
les misérables: do you think people should revolt if the government is corrupt?
Governments should be built for the people and if the people are not satisfied, then yes. The government is failing its intended purpose.
the lightning thief: what would you be the god/goddess of?
I’d be the patron goddess of emotional coping, for people that don’t know how to handle/understand emotions or people that have been through upsetting experiences bc if my life hasn’t been centered around getting my INTJ self to figure out emotions then idk what it’s been centered around. It’s literally my biggest character arc. 
lord of the rings: is it important to work for the greater good of the world?
yes. 
pride and prejudice: are you romantic?
I would like to say no, and that’s probably mostly true, but I met a guy the other day that said he likes going to the campus observatory and looking at the stars and I about died also this question should really be about satire or sarcasm or society bc that’s what I liked from P&P
romeo and juliet: have you ever done anything ridiculous for love? what?
nope
the tell-tale heart: is there anything you feel guilty about right now? what?
I feel guilty about writing things I actually enjoy writing. It’s not even what you could call a guilty pleasure though bc none of it’s dirty. I just like writing soft things and it’s not exactly what’s in contemporary lit rn
to kill a mockingbird: do you believe something has value simply because it’s beautiful?
I think beauty comes from value
2 notes · View notes
sureuncertainty · 7 years
Text
Sure Uncertainty: A Reference Post
So it has come to my attention that I don’t have a good reference post for my book, Sure Uncertainty, for those who don’t know what it is or what it’s about, and figured it was high time to fix that! Especially since I’ve gotten quite a few new followers lately. So here’s a bit more about my book/play, aka my big project and the main reason I created this blog in the first place. Warning this is long. 
Sure Uncertainty is a modern day retelling of the Shakespeare play, The Comedy of Errors. Plot-wise, it’s essentially the parent trap on steroids. Two sets of identical twins (with the same names!) separated at birth end up in the same high school and due to misunderstandings and mistaken identity, a heck of a lot of confusion ensues. The plot is somewhat convoluted, and while a lot of it I lifted directly from the Shakespeare play, I created my own versions of the characters (did a lot of genderbending and such) and adjusted the plot accordingly to fit it into a high school setting. A lot of it was inspired by She’s the Man, a retelling of Twelfth Night in much the same manner. 
Tumblr media
I am also currently in the process of adapting my book back into a play (I know, a play based on a book based on a play) to hopefully direct for my senior project as a theatre major. I’m trying to get as much feedback as possible right now, so message me if you want to read it, and I might send you the link! 
As for the characters... If you want to draw them, aside from gaining my undying love, gratitude, and infinite levels of happiness, check out this reference post here for physical descriptions and color reference drawings. 
The Twins
Antony Abidelli (Antipholus of Syracuse): Transfer student from Syracuse, kind of a nerd. Loves music and spending lots of time alone. Introverted af. Very confused half the time, very rarely understands anything that’s going on. Just wants to be left alone most of the time. Loves his sister more than anything and would literally die for her in a heartbeat. Awkward af, shy af, terrible at flirting
Antony Durham (Previously Antony Duke, but I changed their name... Antipholus of Ephesus): One of the most popular guys in school, confident, charming (sorta), a total jock. On the football and basketball teams. Thinks he’s a lot greater than he is. Embarrassed of his family. Here’s a picture of him: 
Tumblr media
Roma Abidelli: AKA Roma A. (Dromio of Syracuse, genderbent) Rebellious, or tries to be. Sarcastic af, clumsy. Was held back a grade, so she’s old for her year. She and Antony A are super close because they felt like they only really had each other since their dad is really distant. Likes rock music, tries to be punk rock, and would do anything to be cool and popular, even though she pretends she doesn’t care. Also aro/ace and very much not interested in relationships. she and Antony D get close after the events of my book, so here’s a picture of them together: 
Tumblr media
Roma Durham (Dromio of Ephesus): Twin sister of Roma A. Goes to Ephesus, and wants to be close with her brother, but he pushes her aside a lot. Struggles with social anxiety. Very quiet and studious, takes her studies and grades Very Seriously. Gets lowkey teased a lot but no one would ever try too hard to mess with her bc they’re afraid of her brother. Kind of a teacher’s pet, terrified of many things, including heights, spiders, small spaces, airplanes, and getting in trouble of any kind. Doesn’t deserve any of the hell I put her through. Here’s an angsty picture of her: 
Tumblr media
Other Important Characters
Gene and Emma are the twins parents, also separated in the plane crash (which is my story’s version of the shipwreck from the play) who get reunited at the end of the story. The only thing they love more than each other is their children. Gene is a very go-with-the-flow kinda guy, quiet, nerdy, also writes poetry, Emma is his entire world, he spirals into depression after the plane crash, and thus was never really around for his kids. He’s also like... literally the sweetest, purest guy you’ll ever meet. Had a very rough childhood though, and was bullied a lot in his youth so Emma is immensely protective of him. As for Emma, she’s no-nonsense, the librarian of Ephesus high school, very strict and an enforcer of the rules all the time. Kind of uptight, fiercely loyal, will actually murder anyone who lays a hand on her family. Her way of dealing with grief is just getting really really angry at everything. Has a hard time keeping her cool sometimes, and can be irrational and blunt a lot of the time. Unable to physically fight but she will destroy you with her words. Literally just don’t mess with her (or Gene, which by extension is her). Have I mentioned they’re in love???? Anyway, here’s them: 
Tumblr media
And then there’s the love interests. Addie and Lucy Johnston (Adriana and Luciana) are sisters, and the love interests of the two Antonys, D, and A respectively. Antony D is Addie’s boyfriend. Addie’s on the cheerleading team, she’s popular, pretty, and very very dramatic. Yells a lot, can get unhinged pretty easily. Takes everything to the extreme. Lucy’s quiet and introverted, but not shy, loves to read and takes school v seriously. Has a secret badass side that rarely comes out. Both of them are super protective of each other. Lucy ends up falling for Antony A, thinking he’s Antony D, and that’s kind of one of the central conflicts of the book. They’re both like literal goddesses, like I’m in love with both of them and they’re my own ocs. Lucy’s nerdy but she never gets teased. She’s had lots of guys try and ask her out but always turns them down bc she’s looking for the right one. Here’s a pic of her and Antony A being adorable together, and then a pic of Addie below that. 
Tumblr media Tumblr media
Minor Characters
Angel Brooke who you see me talk about a heck of a lot, is def one of my faves (so much so I wrote a spin-off novel about her, but that’s a story for another time). Goth, lesbian, sells handmade jewelry at unreasonable prices. Artsy and creative, and very very good at getting her way. Clever. Quiet, doesn’t talk a lot, keeps people at a distance, kind of cold. Had a traumatic childhood. Apathetic towards basically everyone.  She’s tiny but she will destroy you. After the story, she and Roma A become best friends, and she ends up with a HUGE not-so-secret crush on her... Oh and she’s based on Angelo from the play. Here she is: 
Tumblr media
Leigh is Angel’s ex, one of those people that’s super cheerful and nice on the outside, but is pretty manipulative and not a very good person. Bisexual, never stops making puns about it (or puns at all). She’s also on the cheerleading team, and is pretty good too. The type of person to say, ‘move, I’m gay’. Here’s a pic of her: 
Tumblr media
Randy: Roma D’s boyfriend, super shy and awkward guy that Roma A detests (which makes things difficult for him). Marie is Roma D’s other best friend, an artsy girl who’s very cheerful and optimistic. 
As for adults, there’s Principal Duke, the principal of the school. Has a not-so-secret crush on Emma the librarian, who continually rebuffs his lame attempts at flirting. Doesn’t know that she lost her husband, he thinks she’s just single. He’s way too jovial all the time, has a habit of repeating himself. Kind of an idiot. Gail is his office secretary, does all the real work around the school, knows a lot more than she lets on, and is probably the most likely of all my ocs to take over the world. 
SO TO SUM UP: 
Emma and Gene are the parents of the four twins. Antony and Roma Durham are with Emma, Antony and Roma Abidelli are with Gene. (they all meet at the end). Addie is Antony D’s girlfriend, Lucy is Antony A’s love interest. Hopefully the family dynamic makes sense. If you read or know the play it’ll probably make more sense....
So there ya go, that’s basically it!!! Sorry this post ended up so long but I figured it’d be good to have a reference all in one place. Not gonna put it under the cut bc I do want people to read it. Please please please feel free to send me lots of asks or talk to me about my characters or this project and I will literally love you forever (or better yet, DRAW my children!!!) If you like my book/ocs or whatever, please reblog so I can get more exposure. Hopefully you’ll see my book on a shelf someday and if not, you’ll see a performance of the play adaption I’m working on. And if you read all this, I literally love you already. If anything doesn’t make sense or you’re confused, send in an ask or message me and I can try and update the post for ya! THANK YOUUU!
28 notes · View notes