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#going on tangents
themorningsunshine · 1 year
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A childhood-best friends to lovers story no one asked for
Okay, so nobody ever told me that writing AUs was going to be such a rabbithole. 
So, now, because none of you warned me and because I saw my prompt for a challenge (that I intended to only make moodboards for), I am writing a short (hopefully) Artist!Bucky childhood-friends-to-lovers one shot that noone asked for. 
With 3 series waiting to be updated and many WIPs sitting in my drafts for months, this is practically the last thing I needed. Why am I like this? 
But I am feeling so inspired right now, I might be able to get it out in less than 2 days. 
Hope you guys like it. 
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I've been writing this book for a long time now. many many years. and I only produced 2 pages maybe.... there are many reasons why. one is my English was horrible when I started and the language barrier made me stop (didn't want to write it in my own language because it's hard to translate from that and I don't want to basically write the whole shit twice). but the other reason is that I over worry myself. I worry the readers will be too critical and question things that should not be questioned or overlook things that should be discussed. but then I see elements of my story in tv shows and no one is having the "bad" reactions to those things. or at least I don't see anywhere the comments I was so scared of.
my point is... I should just fucking sit down and write. even if it's a very slow process. just finish that god damn book. it seems like stories like that are enjoyed by many. and my life goal is to make people happy. so I should just finish it already. and share it with the world
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lotus-pear · 4 months
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these losers again
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caramelldansenu · 1 month
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bonus sketches
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kittys first sneeze
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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canisalbus · 2 months
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You’ve most likely answered this before but what breed exactly is Machete? I’ve been trying to figure it out for a while I’ve thought maybe a saluki but the ears arnt right.
In theory his breed is fictional Podenco Siciliano, but he's not a purebred example. Out of existing dog breeds he looks closest to (and is related to) Ibizan Hound.
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But sometimes I see Silken Windhounds that also kind of remind me of him. They just don't have the characteristic bat ears.
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elitadream · 7 months
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As soon as I began receiving asks about Junior regarding my body swap concept a few days ago, I knew I wanted to add him in a short sequence. 💙
I've considered many different scenes in which he would be included, but there was one in particular that kept coming back to my mind, and it was the exact moment he would agree to safely lead Luigi to "Bowser" (aka Mario). In this specific scenario, he would be mostly oblivious to what's going on, and would thus show palpable mistrust towards Luigi at first, who he doesn't really know and hasn't yet opened up to. But upon seeing how distraught the poor man is, Junior would feel for him and let his guard down. 🤲
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itsjustevil · 26 days
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I love how the big bad is one of the most confused people in this whole ordeal is the big bad.
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Major villains who have complete control over everything and mastermind literally the whole plot are out, and major villains who are absolutely flabbergasted by the heroes and just out of the depths in how fucked everything is going for them are in.
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hypewinter · 2 months
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Diana is immediately on guard when Circe appears carrying a strange bundle. That is until the sorceress shoves said bundle into her arms and leaves as quickly as she appeared. All the while muttering about finally repaying her debt. Diana cautiously peers into the bundle, only to find a baby, giggling up at her.
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introspectivememories · 3 months
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street interviewer: what's your type?
tim who's just trying to get to work: i have a boyfriend
street interviewer: so what's your type then?
tim: my boyfriend
street interviewer: and what does he look like?
tim who will absolutely gatekeep bernard from the general public: he looks like my boyfriend
street interviewer: so what would you rate me out of 10?
tim: um i can't do that
street interviewer: can't rate me at all?
tim: i can't rate you at all
street interviewer finally realizing that this is going absolutely nowhere: what would you rate your boyfriend out of 10?
tim smiling stupidly: he broke my scale cause he's so beautiful
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gunstellations · 3 months
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gentle mornings
#alternatively titled - when your papas have the audacity to cuddle without you#kazurei#buddy daddies#i like to think they didnt really do cuddles much except when rei has a rough night and kazukis warmth and safety is the only thing that#can let him get rid of the anxiety and nightmares#he wouldnt ask for it#it would be kazuki dragging him to bed at first#rei reluctantly but in his weakened will the times hes slept together with miri and kazuki has been the times hes somehow always#managed to go out like a light as soon as his head hits the pillow#even he himself doesnt understand and he doesnt attempt to and he doesnt realise#that its safety and warmth and protection and peace#and thats the only reason he would let himself be dragged to bed#but#eventually when you have had the taste of something so good in the place of chilling nightmares and restless darkness that feels no less#safer than the light#your heart becomes indulgent#and rei will gently and wordlessly ask for an invite to the warmth again#its fulfilling and blissful when the three of them are together#but with just kazukis body enveloping him against the night its a different kind of comfort. even in his sleep he would clutch onto it#thats a tangent right there huh.....anyway. miri would be absolutely betrayed in the morning when she finds them snuggled up#she gets her cuddle time with her papas too then#one big pile of a warm and happy family#yes this is pre relationship yes they would do that yes it is possible#if you got this far thanks i guess jajdjfjs ill hopefully colour this soon but i dont know really so im putting it up here#my art
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ghostdrinkssoup · 1 year
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something I find really interesting about hannibal’s character is how he uses people’s expectations and ingrained assumptions to hide himself. no one suspects he’s a serial killer because he doesn’t present as one. he’s elegant and refined and isn’t cruel to animals. he’s highly sophisticated, a polyglot and has a deep admiration for beauty and life. he appreciates saving lives just as much as he appreciates ending them. in fact, this particular aspect of his character is partly why it takes will the entirety of s1 to accept hannibal’s true nature. will saw hannibal save abigail and accompany her to the hospital in apéritif and he also saw hannibal save a man’s life by performing emergency surgery and taking over the operation at the end of sorbet.
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this moment in particular is interesting because of how it’s framed to make hannibal look almost godly from will’s point of view:
1) hannibal is positioned immediately higher than will due to being in the ambulance, meaning will is looking up at hannibal, while hannibal is looking down on him
2) hannibal is standing under a bright light as he works to save this guy’s life, while will is standing in almost complete darkness
3) the usual orchestral, classical music is playing in the background, emphasising the apparent “holiness” of the act and framing hannibal as some sort of saviour
the impact of this scene is even more potent when considering the context of the rest of the episode, since will has already stated that the ripper is not the type to save people or enact mercy on anyone. his style of murders doesn’t suggest this characteristic whatsoever, and although will’s assessment is correct, hannibal’s personality and overall demeanour doesn’t match what we’d imagine a person like that might look like. I think will is confronted by this as well, because even if hannibal’s surgical skill means he matches the ripper’s profile (which makes him a valid suspect) his actions contradict will’s image of the ripper, while simultaneously affirming it:
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it’s difficult to reconcile these facets of hannibal’s character. it’s inherently contradictory and defies our cultural expectations. nonetheless, hannibal’s inclination to save people is sometimes more insidious than his murders. he doesn’t save people out of altruism, he does it because he thinks he’s superior and enjoys deciding outcomes. he doesn’t view himself as insane, he views himself as god. this is most aptly explored in takiawase, through the acupuncturist/beekeeper killer. here we see a murderer who confesses that she killed a man to quiet his mind, and tells jack that it’s beautiful that she managed to protect him and her other patients. this is one side of hannibal’s character, the one who’s a doctor and therapist and sees death as a cure from disease, even if the ‘disease’ itself is literally just discourtesy. it’s ultimately an act of power.
and yet in this same episode he flips a coin and saves bella on a whim. this of course is framed to others as an act of mercy, however the reality is he took bella’s power away in an act disguised as kindness. once again, he hides in plain sight. this is the other side of his character, and it’s just as deadly.
it’s still about power.
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but we don’t associate acts of mercy with monstrosity. when hannibal comforts abigail in trou normand we question whether he’s as bad as we think, because what negative connotations are tied to paternal tenderness? we miss that hannibal is fostering dependency, that he literally looks dead in the eyes as he holds her, and that he blatantly just told us that he’s using abigail to manipulate will:
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hannibal often does this actually. he either directly says what he’s doing or suggests that he’s the culprit (often through cannibal puns, as we know) but no one ever interprets him correctly because doing so would contradict the image he’s carefully constructed for himself. it would cause too much dissonance.
and what’s fascinating is that on a subtextual level this is largely what the show is about. the story is an exploration of societal roles and the struggle to fit into stiff categorisation and expectations. will parallels hannibal in this regard because he’s desperately trying to repress his identity by taking on certain roles. and the audience is lured by this persona the same way the characters are lured by hannibal because will defies our understanding of certain tropes. on a genre level, will assumes the detective archetype, meaning we are primed to think he’s inherently good. when we see him say he wants to save people we believe him, even though he often only does so to prove to himself that he’s a good person. will is indeed righteous, a characteristic we often view positively, however he’s violent, wrathful and actively enjoys murder due to how powerful it makes him feel. he’s not dissimilar to hannibal, we just don’t see this straight away because doing so would disrupt our understanding of good and evil.
will hides the same way hannibal does, except will hides from us as well
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stardustdiiving · 4 months
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The concept of people being transphobic to Wanderer Genshin Impact is really funny to me because I think he generally considers himself a man but if ppl are being weird and prying about his gender he just says he’s a puppet and this always pisses them off bc they’re like “what the hell does that mean you’re either a man or a woman and that’s that” So then Wanderer without a word casually grabs his head and abruptly twists it 180 degrees with a very deliberately uncomfortable inhuman metallic cracking noise that prompts everyone to start screaming at the top of their lungs
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andy-clutterbuck · 2 months
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Years - The Ones Who Live - 1x01
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ruporas · 1 year
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hello there, angel
[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. Vash is sitting facing the viewer and holds a rose between his clasped together hands, but he’s looking to the left, upwards, at Wolfwood, with an awed expression. Wolfwood hovers over him with wings sprouting from his back. He has a cigarette lit between his lips, his arms and legs are crossed, and he looks back at Vash with a neutral expression. The both of them are covered in a blue shadow, casted by Wolfwood and his hovering form, while warm light hits the back of his wings and over Vash’s legs. Small feathers sits next to Vash. End ID]
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xx-just-a-demon-xx · 18 days
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we just know that stone would be losing his shit at the chance to cut robotnik's hair for him and give him a supervillain makeover
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