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#going back and editing it right now
drrretro · 27 days
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Have an apple
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Meowow aowaw! Purrrup! Merrup mew :3 Meoow mew memow mrp! (What a crazy random happenstance! Purrfect timing! This is just what I needed :3 I hope you aren’t trying to keep me away!)
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fiepige · 7 months
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Compilation of EVERY single time they changed Hobie's filter in the digital version:
Left: Theatrical release Right: Digital release
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You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')
#This took so long to make lol#cause I had to edit every scene with Hobie from both versions so I could watch them right after one another to compare them#I did this with ALL the scenes he's in also the ones where he's on screen as spider-punk#but they only changed his filters in these scenes so it was a waste of time :')#sidenote: no it wasn't it's never a waste of time to look at hobie I just couldn't use it for my GIFset lol#I also made a bouns one but I'm not allowed to post more than 30 GIFs in one post apparently so I guess I just won't add it then...#but Hobie was basically filterless during all these scenes in the theatrical version#I like that they gave him more different filters in the digital version#the only change I don't like is in the first GIFs#cause like that one post pointed out it looks like they removed his lipstick for some reason#also really wish I had a better video editor so we could get a closer look at Hobie but I did my best with what I had#also slowed some of them down to get a better look at them#been having this idea for a while and now I finally finished it!#which means I can go back to working on my fics now#hopefully lol#also lemme know if there are some other scens you guys want me to make comparisons of#cause I have both versions#the theatrical release isn't the highest quality though so if you know where I can get my hands on a better version lemme know ;)#hobie brown#spider punk#miles morales#spider man#peter b parker#jess drew#miguel o'hara#spider man across the spider verse#across the spider verse#across the spiderverse#atsv#theatrical version
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knightofleo · 10 months
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"This whole country mollycoddles Christians and I'm fucking tired of it" Trixie Mattel popping off about Republicans
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more scribbles to throw in the salad
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keekity · 10 months
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social media influencer and the "roomate" behind the camera
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valenfield-inspo · 2 months
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Chris Redfield & Jill Valentine - Resident Evil 1 Moodboard
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stillgotme · 11 months
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i don't want to mess this up could it be too much to say i'm in—
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chloecherrysip · 11 months
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Mario watching his and Luigi's commercial in Punch-Out Pizzeria
#mario movie#mario movie spoilers#mario and luigi#super mario bros#super mario bros movie#super mario bros movie spoilers#cherrysip edits#if you got notifications about gifs from this set yesterday shhhhhhh i was having PROBLEMS#anyway i'm currently working on a gifset for the whole scene of mario getting back up in the pizzeria but then I HAD THIS IDEA#and i was like 'wow that sounds like a comparison that's going to cause me emotional pain' and i was right it absolutely did :) :) :)#[gesturing wildly to gifs while tears stream down my face] U DON'T UNDERSTAND MARIO IS IN THE EXACT SAME PLACE BOTH TIMES#the first time he's nervous but also SO excited and happy about what the future is gonna bring and seeing this commercial is#the culmination of everything he and luigi have been striving for and they're holding each other tight and the world feels wide open#and the second time everything is different. mario has been beaten down. he is terrified and aching and exhausted and convinced#that everyone has been right about him. he's a joke. he's a failure. the only thing he's ever done for his brother is drag him down.#but then he sees the commercial and everything comes back. the joy and the excitement and him and luigi against the world#the only difference is that he doesn't have his brother next to him and that's everything. mario doesn't feel whole otherwise#mario always does his best but when he and luigi are together working in sync he truly feels like anything is possible#and now his brother is out there somewhere in the chaos and bowser isn't gonna stop. he's gotta get up again. he does get up again.#IT'S A LOT BASICALLY. IT'S A WHOLE LOT AND I LOVE THEM DEARLY
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bitternace · 2 months
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WHY ARE YOU SO EVIL!!! /POS. ATTACKING YOU.
Xemnas and Xigbar for 37 if that number hasn't been done? If it has, how about 74?
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no puedo pedirle lo eterno a un simple mortal // ay, todo lo que he hecho por ti.
[ID: a mostly black and white drawing with a purple overlay of xigbar and xemnas shown from the hip up on the left side of the image. the background is black and has some diagonal lines with a bit of transparency on the right side. the shadows are harsh, with only a bit of light falling on their faces.
they stand before each other turned to the audience. xigbar, holds the handle and the middle of No Name before him, head tilted down as he looks to the audience. xemnas stands a full head taller behind xigbar, his left hand held some distance below the bladed tip of No Name, his left eye is covered by his fringe.
xemnas visible eye is painted ochre with a white pupil, while xigbar's eye is white and gold. The eyes on no name's handle and the gazing eye on the blade are a vibrant cyan. the caption reads the spanish lyrics "i can't ask a simple mortal for a forever" and "oh, everything i've done for you." /End ID.]
close-up under keep reading.
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#capisnotonfire#PUTS MY HAND TO MY STERNUM AND FALLS TO THE FLOOR ON MY KNEES /affectionate#warning to whoever might open the link; there's a slightly suggestive several 'ay's at the beginning porque shakira it's also bass heavy#OBJECTIVELY THE FUNNIEST SONG THAT COULD'VE COME UP. it's the gift that keeps on giving!!#this specific remix's been on my top list... several years; top five for a couple. i've loved it forever. top radio edits ever.#it's basically about a guy that makes up excuses to hide he's cheating and a gal that's fed up with his bullshit and is like. okay. bye.#i briefly considered going with............ right now i know my heart is yours <- in regards to i'm already half-xehanort#as per usual not ship art but it would be HILARIOUS if it was. it would've been able to go so many incredibly funny tragic ways#nano does reqs#my doods#xigbar kh#xemnas kh#IT TOOK SO LONG. putting this out there because i WILL lose my marbles if i do anything more. it's not as polished as it could.#fret not if you've asked for a req i am still doing 'em this one just. kicked my ass (been busy). i tried a couple of things and failed#THEN the file corrupted like 9 hours in and i wanted to die a little (thank the heavens my drawing app has a#thing to get back corrupted files through their screen recording) but i GIVE UP (affectionate)#Does this make sense thematically? Fuck if i know. i forgot all lore (half serious). it looked cooler in my head (jesting)#anyways. mwah tysm for the ask<3#i love posting at mystifying times (i finish at terrible hours and get excited)#described
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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wildpiercy-art · 2 years
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Getting around to posting these in honor of Cyclonus reaching the finals
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mattodore · 2 months
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giving derek hale a run for his money
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findingcrow · 8 months
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I really really hope the rangers apprentice movie/show is a show. Don’t get me wrong, I’ll take literally whatever I can get!!! But knowing the way the series is written, how the characters develop, just the kinda vibes, it would make more sense for it to be a series yk? Number one, more content, number two, more opportunities to become even MORE attached to the characters, and each book could be a season. If you think about book 1, it wouldn’t make much sense for it to be a movie on its own, at least in my opinion. Like I said, I’ll literally settle for anything, these are just my thoughts
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