I am going to keep slutting Ghost out, he deserves it. Respectfully. But also the man cannot dress himself, he has no drip. He's got 20 black t-shirts, he's got jeans and fatigues and that's it. He thinks skull and skeleton motifs are cool. Soap and Gaz get him a skeleton sweatshirt/sweatpants fit as a gag gift and laugh themselves hoarse when he wears them around the base.
I'm not saying he doesn't look so fucking good in a black tee and fatigues, but the man does not have style. Not on purpose. He wears his usual black tee and maybe some black cargo pants, wanders around town in his big army boots and gets stopped by goth kids and tech/streetwear folks. He doesn't know what the fuck they're complimenting him for. He doesn't know why they're talking to him. He tells Gaz about it and Gaz almost chokes on his drink, has to call Soap over to hear this. Ghost doesn't know fashion trends, he doesn't care, he's going to keep doing what he's doing.
412 notes
·
View notes
i'm still hung up on oliver's "and i believed him" on felix's "if you get sick of us, you can leave. i promise". it's one of the rare cases when present-day oliver interjects and adds something to the past-oliver story, reflective, analyzing. it is sort of shift of responsibility post factum. felix promised; oliver believed; oliver didn't leave; felix was to blame. an act of revisionism, one attempt to absolve himself of many.
but if read in a sympathetic way, it is so painful to me. read in a way oliver was approached by barry keoghan, as a boy who was lost and confused and pulled apart by too much desire to know what to do with, it is probably the most tragic line in saltburn. refusal to go was impossible for oliver. all he needed was reassurance, knowledge that something would be there to understand, recognize, pull back, control. in the sea of confusing desires, tricks of the house, as oliver probably saw it, he needed something he could believe. and he was tethered to the world by felix, in every way; but felix was not insightful enough to realize it. not because felix is a horrible person, necessarily, but because oliver put so much trust in him it was quite unlikely that felix could ever answer in kind. it's a tragedy in so many ways and it is all contained in this one short exchange, through time. "and i believed him" is so, so vulnerable, and so, so betrayed.
287 notes
·
View notes
♡ handwriting analysis: alex turner and miles kane ♡
as promised, here is the analysis my wonderful friend (who used to work as a professional handwriting analyst) did of miles and alex's handwriting! a couple of important points to read before you dive in:
my friend analysed these blind - to avoid bias, she always makes a point of never knowing whose handwriting it is she's looking at, so she had no idea that these samples were from alex and miles while analysing them (not that it'd have made much difference if she had, she can't even name one am song lol)
she stressed that her analysis should NOT be taken as fact - it's just one person's interpretation of the material, and handwriting analysis is ultimately always subjective
the two analyses below are based on notes i took while she was talking and is pretty much verbatim - none of the wording is my own and i have changed as little as possible in typing it up
she noted that it was harder to provide a full and accurate analysis just working with photos of handwriting, as you can't see things like pressure on the page etc. she also stressed that context is significant when it comes to interpreting someone's writing, and it's important to bear in mind that how someone writes in one context, e.g. signing autographs or writing something for the general public could show quite different characteristics to how someone writes in another context, e.g. personal letters to someone they're close to. in an ideal world she'd have access to samples from a different range of contexts to provide the most detailed and accurate analysis. in other words, this analysis is quite rough
alex's handwriting:
(samples taken from roughly 2011 - 2018)
block capitals suggest this is someone who don't want to show themselves, makes it hard for people to reach them
someone interested in thoughts and ideas, would engage with these in a way that's intelligent and very original
a lot of emotional and social inconsistency, suggests someone pulled in different directions. they might show very different sides of themselves with different people and probably have complex and/or conflicted feelings about identity
very creative, someone who'd make interesting and unusual connections about the world around them
highly intuitive but also lacking harmony from an emotional perspective. lots of internal emotional conflict and changeability
someone who fluctuates a lot socially as well as emotionally - might go from being quite sociable to withdrawing completely. ultimately struggles to reach out socially and holds back a lot, but there might be certain situations or people they feel particularly at ease with where this is different
really hard to read, don't give much of themselves away
thoughtful and enquiring, interested in ideas
someone who feels things very strongly
signature:
implies someone hiding themselves or presenting as someone they're not. they want to look confident and exciting, but they're actually much less confident that they'd like to appear. lets their creative and artistic tendencies hide them and take centre stage.
miles's handwriting:
(samples taken from roughly 2022 - 2023)
a little sharp, could suggest humorous wit and/or being critical (either of self or of others)
ambitious and incisive, intelligent and enquiring mind
fearful or wary about opening up and reaching out to people, emotional inconsistency. potentially quite restrained - looks like someone used to hiding a lot of hiding of emotions
has an enquiring mind but isn't particularly interested in abstract thought, more grounded in reality and social/emotional things
someone with strong feelings, they get held in and confused. could be warm and open on a surface level, but looks like they'd be reserved about their innermost feelings
could be sharp tongued to avoid dealing with their own feelings
lower zone suggests someone who might not be completely comfortable in their own body and/or sexuality, or have a complex relationship with these things
someone with a tendency towards strong feelings and devotion/worship (could be religious, or could just be to do with the way they relate to people or ideas)
signature:
someone who wants to look more confident they feel. sense of changeability and flashes of insecurity, but ultimately suggests strength of character, not someone who's a pushover. they know what they want and what matters to them.
interesting extra notes:
the wonderful @ballad-of-what-could-have-been managed to find this sample of alex's handwriting not in capitals from when he was much younger (from what i can see, it looks like it was early fwn era):
so i showed this to my friend too (after her analysis of alex's usual writing) and noted that it was probably done when he was a lot younger. she said that all her points from the original analysis still stood, and that despite the fact this writing isn't capitalised it was actually still very hard to read and definitely someone not comfortable with showing themselves. she also said that it was more emotionally conflicted and uncertain than the later sample of their handwriting. the phrase "emotionally all over the place" was used, and she noted a greater sense of inconsistency with identity. overall though she said the earlier sample confirms that this is someone with a high level of intuition and originality, and she said they're someone she'd be fascinated to have a conversation with!
thank you for reading! if you have any questions, please feel free to comment/drop me an ask and i can always pick my friend's brain again the next time i see her!
205 notes
·
View notes