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aloeverified · 6 months

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daring being the equivalent to a pg-13 fuckboy was really funny, but i think it would've been so sad and compelling if he geniuely was in love with apple.

they know they're destined to be together, they grew up together and have talked about their relationship many times. they agreed to not date until their destiny takes its course, as apple is paranoid about messing with their story and doing anything ahead of time.

daring sees how hard she works and how far she goes to strive for perfection; following ever task her mother gives her, always being ontop of her studies, never missing a chance to be kind and help others. she inspires him to do the same; topping his sword-fighting classes, using his strength and athletic skills to help others, always seizing the chance to save the day and protect others.

daring falls more and more in love with her each passing year, whereas apple just keeps waiting for the feeling to come to her. she reasons that she doesn't feel anything for daring because he hasn't awoken her from her coma and swallow her worries.

many people still fall for daring, but he tells them his heart is taken and his destiny is sealed: apple white is the only girl for him, and it's his duty to stay loyal to his future wife.

perhaps apple even visits the charming kingdom often, under the guise of spending time with her future in-laws to get away from the heavy pressure she faces at home. she grows closer with darling during these times, who admires apple and her ability to be satisfied with the royal life and expectations she has as a princess.

i think daring could still have a few small and tender moments with other girls, such as his admiration for cerise — but he does his best to push those feelings aside, maybe even feels guilty for them.

it's only after he fails to awaken apple in dragon games, where he is able to start his process on moving on. he agonizes over not being her prince, as it changes everything he knows: his destiny, his true love, and even the fact that he would participate in an out of destiny romance (something so taboo to a royal such as himself).

when finally given the chance to do so, daring asks apple if she loves him — if she ever had or ever could, in the same way he loves her. they have a long conversation, one that ends with both of them in tears. apple does daring, but she's not in love with him. she's always known there was something different about her when she didn't long for her prince charming like other princesses did, and now thanks to darling, she knows why.

daring learns how to move on. it's a tedious process, and one that hurts, but he moves on. and so does apple. he still loves her, and she still loves him. only now, they also love themselves.

#i hope this doesn't come across as me trying to make daring the victim in the situation where apple is a lesbian #i just think that with all the topics eah talks about it would also be really interesting to see how they handle moving on from #being in love with someone #and respecting their boundaries as well as understanding that no one owes you reciprocation #not only that but i feel like a lot of people overlook how daring essentially had the rug pulled out from under him #everything he thought he knew was wrong and he had his whole future taken away in the blink of an eye #bro is grieving #ever after high #dapple #dappling #daring charming #apple white #darling charming #eah headcanons #aloeverants

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turtleblogatlast · 20 days

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One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.

And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.

Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.

(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt leo #trans leonardo #rottmnt headcanons #rise leo #trans leo #it’s like 4 am and I’m having trans leo feelings again sorry guys #totally get if other people disagree with me on this! but it’s always gonna be my no.1 headcanon fr #his complexion the vibrancy of his colors staying even in adulthood his general demeanor and this? this hc is LOCKED in my brain #plus the times Leo’s depicted in pink white and blue throughout the series like I KNOW it wasn’t on purpose but damn if it doesn’t help #(his nails are also the exact same as his toe nails/claws but I don’t super count this one tbh)#(even though it is TECHNICALLY another point in favor of trans leo)#(mainly because all the boys’ nails are very much more humanoid than turtle)#(just like how their tails aren’t really a factor either since we see them only in their baby forms and never again)#I really like the idea that he was a female red eared slider pre mutation #and Lou Jitsu’s dna paved how his humanoid features came out (aka a more masculine build and voice)#but his turtle features are all very much more in like with a female res #love the thought of rise bros meeting og comic turtle boys and Leo being like wait you guys are res too?? but…you’re not colorful……#one headcanon I have is that - you know the cute chirping and stuff we have the boys do?#I like to think that Leo’s chirping actually sounds more feminine to himself and his bros (so he tends to not do it)#idk I love thinking about this hc a lot and there’s no time like four am to talk about it huh?#future scenario has future Donnie going up to future Leo all smug like ah Nardo how’s the weather down there #and Leo’s all like good *sits down* why don’t you join me :)#Donnie: …*sits and stretches his neck out to be taller still*#Leo calls him a cheater but Donnie calls it ‘making use of his species’s advantages’#but yeah basically for many turtles the case is - bigger carapace? female. smaller carapace? male.#so it’s very interesting to take that knowledge and apply it here #did you know one of the turtles that this rule of thumb DOESNT apply to is alligator snapping turtles? male ones are the bigger ones there!#by a big difference too so Raph’s size makes a LOT of sense

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joeswackyadventure · 6 months

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Better Call Saul Colour Wheel!!

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andoutofharm · 1 year

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Racism in bandom and the entire music scene is an enormous problem, one that a lot of white people would like to ignore. Let me make it clear: we cannot ignore this. In the last few days I’ve seen some truly horrifying things said to and about people of color who are taking on the emotional labor and the pain and stress of confronting this racism. This cannot be excused or brushed under the rug.

If you’re a white person here on tumblr and you’ve seen some of these posts where people of color talk about the hardships and racism they’ve faced as nonwhite fans of bands and ignored it, you’re complicit in this. [edit: that is to say - if you’re ONLY reblogging posts about it but not taking the time to change your actions and learning then you’re complicit, not that by not reblogging them you’re complicit.] I’m not saying you have to reblog every post like this you see - blindly reblogging to “prove” you’re not racist does nothing. I’m saying that when you see these posts and hear about these experiences you need to THINK about how you engage with people of color AND with racist people in the spaces you’re in. You need to LISTEN to the non white people making these posts and believe their experiences and adjust your own behavior accordingly.

Back when MCR was actively touring there were lots of conversations about the racism directed at Ray Toro in fandom spaces, and now with FOB returning we’re going to see a lot of that racism return and be directed at Pete Wentz. This is important not to ignore, and it’s important to think about how you talk about these individuals and how this contrasts with how you talk about their white bandmates. Even more importantly though is how you engage with the non white people HERE, on tumblr, in bandom spaces, and at shows. It’s great you think Ray or Pete are attractive or appreciate their music and their talent, but how are you treating the people of color around you? Are you listening to them when they talk about their experiences and racism and try to adjust your behavior? Or do you pat yourself on the back for reblogging a call out post and move on with your day?

These conversations are going to continue throughout the next year as FOB begins their tour and this racism start to pop up more and more, and you need to be prepared to think critically about your own biases and where you need to change and be actively anti-racist in your spaces.

#to be clear: i’m white. i have my own biases to continue to overcome and i need to be more actively anti racist #but i want to learn and i want to make this a safer space for non white people both online and offline #and if you dont want to do the same you need to have a serious talk with yourself about why that is #or why you might get defensive when these conversations come up.#and if I’ve said anything here (or in the future) that’s inaccurate or wrong or otherwise should be changed PLEASE tell me #fandom racism

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sonknuxadow · 7 months

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sorry i dont really like the shadow is silvers dad theory/headcanon/whatever and part of the reason for it is that people keep presenting it as an actual thing that could be possible even though it makes no sense and all "evidence" people use to back it up is easily disputed

#''they both have white chest fur'' okay ? there are so many other characters who have small physical traits in common #doesnt mean they have to be related #''shadow and silver are lancelot and galahad in sonic and the black knight'' okay and .#im sure there might be SOME meaning to the character choices in the storybook games but i highly doubt their lives are 1 to 1 parallels #or that the character choices are meant to imply anything about the characters that we dont already know #plus amy was nimue and nobody tries to argue that shadow and amy are related because of that?#also im aware that a lot of dad shadow stuff takes place in the future when silver is a baby and shadow has still been alive for a long tim #(which. how would that even work wasnt shadow in stasis again in the future)#but sometimes i see people do it with like present day shadow being a father figure to the silver who time traveled there ?#thats like the horrible combination of people infantilizing silver in a way they dont do with other characters his age or younger #and people pretending shadow is an adult when he isnt . what #also i dont get why people insist that if shadow is silver's dad then the other parent MUST be someone from the existing cast #like . silver is not from a few decades into the future hes from 200 years into the future #none of the characters youre saying shadow is gonna get with are gonna be living that long im sorry to say #and why does silver HAVE to be the child of a couple in the existing cast why cant he just be some random guy #and im not saying every au idea has to perfectly align with canon #but a lot of the people who think shadow is silvers dad arent presenting it as a fun little baseless headcanon #theyre presenting it as an actual plausible theory . when it really isnt .#also ive noticed one of the most common pairings for silvers parents is sonic and shadow .#sorry but that is just not happening i feel so strongly about sonic never wanting to get married or have kids #i think shadow being an older brother figure to silver could be cute .#and the idea of a timeline where shadow doesnt die or get put into stasis or whatever the hell and is still around in silvers time #could be interesting . but im not really on board with the dad thing

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meraki-yao · 7 months

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RWRB Movie: Sequel Series?

Hear me out.

A while back I mentioned that although I desperately want more Firstprince and more of the RWRB universe, I don’t really straight up want a sequel movie because of how complete the movie’s “fairy-tale” ending is and because I can’t think of, and don’t really want a full-on dramatic plot for their future. I kind of just wanna see them live their lives. I said I didn’t really know what’s the compromise between my two thoughts.

It hit me recently:

a series/ mini-series

The thing is, a series doesn’t need to be a continuous storyline. It can and most of the time it is, but it doesn’t need to be. May not be the best comparison but the Disney Junior shows I watched as a kid, while having some sort of overall continuity, aren’t always continuous. Each episode can serve as an independent story: sometimes it’s a flashback episode, sometimes it’s an alternate universe episode etc.

So when it comes to RWRB sequel, the benefit of doing a series instead of a movie is that it doesn’t need to be strictly set in the future, and it doesn’t have to have a dramatic over-arching plot, which leads to two big things we can work with.

One, we can jump around with the timeline, and give enough time to explore events that could only be mentioned in passing in the movie due to time constraints and pacing

@pippin-katz wrote a post about seeing a flashback to their first meeting in the sequel, and yes, absolutely, but with a series, a whole episode can be dedicated to their first meeting, which would be enough time to explore the whole event (i.e. Alex’s nervousness and Henry’s discomfort being at the conference, what happened after) and both Henry and Alex’s perspective. We can see everything from that day.

We could also fill in the gaps, moments that occurred during the movie but wasn’t fully presented. I don’t know if Wimbleton still works with the difference in dynamic and character on Henry’s part, but if it does it would be fun to see. One of the things that was in the book that I wish could have been in the movie was a moment of Alex’s showing his vulnerability and Henry understanding him immediately when they were just friends, so the Christmas phone call in Chapter 3, that can be in the series. Maybe the thing with kid Alex and the magazine photo of 12-year-old Henry. Things like Henry’s meeting with the King during his 18th birthday. Henry’s perspective of the Alex POV events and vice versa.

And of course we could have moments of their future, living together or working out a long-distance relationship, celebrating anniversaries, going on dates, doing public events as a couple, maybe even proposal, engagements, wedding, adoption, all the good stuff.

Two, we can focus on characters and relationships that aren’t Firstprince

Now don’t get me wrong, I love my boys and could never get enough of them

But one critic I’ve heard and sort of agree with is that a lot of supporting characters, and subsequently their actors, were underused. While I completely understand that again, it’s due to the limitations of movie storytelling, it’s still a pity.

With a series though? We can have episodes focusing on certain relationships, past, present and future.

We can have Henry’s relationship with his father, how the whole family fell apart for a few years because of losing Arthur and how much Henry’s grief affected him. (I think Nick would absolutely kill it)

We can have Alex learning more about Henry from Bea and Percy, and forming some sort of unspoken “Henry protection squad” bond.

We can have Henry reconciling with his grandfather and mother, and him introducing Alex to his mother.

And while we’ve seen Henry bond with Oscar, it’d be nice to see more of that, as well as see Henry bond with Ellen.

Firstprince will always be present, but with a series, it doesn’t always need to be the focus, and we can explore other relationships as well! And it’d give the other character a bigger chance to shine

And it can even be independent character studies: we can get a closer look into Henry’s depression and Alex’s ADHD/imposter syndrome (I’m not sure if movie Alex still reads ADHD, someone help me out here please, but if he does it’d be nice to see)

I love the movie so much and I understand that not everything can be translated on screen for it, but if the next related project is something more like “fill in the gaps” instead of “start a new thing” we can adapt certain things in the book that couldn’t be in the movie. Like colouring and adding things in the blank space of a painting instead of starting a new painting. Think about it, even Henry’s bonus chapter is a collection of miscellaneous moments that happen after the events of the book: it doesn’t have a plot.

I literally don’t know if this is a practical idea, and I’m aware this literally sounds like a collection of cannon compilate one-shot fanfics but on screen, but this is the best way to extend the RWRB universe I can think of

It’s more domestic fun and maybe fan service than making a statement/sending a message like the movie did, but the movie already did that, and it would just be nice to watch smaller moments of their lives

(and well, I got myself excited writing this, so please please please please please)

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svampira · 1 year

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Elias ref for artfight ^^

#might add more objects in the future but for now is done #artfight #vtm #vampire the masquerade #face changed slightly > more feminine and rounder because i want him to look like he uses 🥺🥺 and doesnt kill people #no fun background because i painted over his hair with white...... i keep doing it every time i paint something ill never stop #scarabocchi #/elias #toreador

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crawley-fell · 4 months

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its honestly so wild what you can do with 10mb gifs these days, i remember when all we had was 500kb and a dream

#okay grandma time for bed #but seriously gifs could only have like 10 frames #i remember freezing backgrounds and everything was black and white #and now people are practically posting feature length films #we're in the future kids

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ladyrijus · 1 year

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I'm not sure if the creators realize, but based on its title alone, Tears of the Kingdom has the potential to turn around the entire Legend of Zelda franchise in terms of its storyline.

Let me explain.

I think we can all agree that in most of the games, there is a core narrative of light versus evil that outlines the game. Link and Zelda are the benevolent heroes of the story and Ganondorf / Ganon is the irredeemable villain. Storywriters for the franchise like to use this formula for the franchise because hey, it's worked so many times, and gained lots of reception, so why not?

But just because it has worked doesn't mean it's right or suitable.

Firstly, given the history of our world, it is problematic that the face of evil for this game series is a dark skinned man from a tribe of women who are based of the caricatures and sexualization of women raised in the MENASA regions (MENASA stands for the Islamic countries in Middle East, North Africa, South Asia) and the face of good is always two white characters who are held in the highest regard. Not to mention, Ganondorf and his foster mothers Koume and Kotake had their character designs in Ocarina of Time based on anti-semetic caricatures. This overall set-up speaks volumes already, but it doesn't stop there. The franchise decided to expand upon the lore of the Gerudo in Ocarina of Time, Wind Waker, and Twilight Princess, explicitly and implicitly establishing that the tribe was, in fact, oppressed, ostracized, and underwent genocide. Some people may argue that this information is up for debate, given that a lot of it comes from Ganondorf who is an unreliable narrator; however, this argument fails to consider that even then, it never proves that Zelda and Link are any more trustworthy. After all, the victors write history. With these complexities added in, it becomes hard to discern who exactly is in the right or wrong. In reality, the matters were never black and white to begin with.

This segues to my next point: the light versus darkness trope is not suitable this time around. It's a very two dimensional, inaccurate representation of the world of Hyrule that conflicts with the goals the creators are trying to achieve in Tears of The Kingdom. If they truly wanted to concentrate on the duality between light and darkness, they've already done it with Breath of the Wild. We had Calamity Ganon, a sub-sentient manifestation of hatred that sought nothing but death and destruction, and it was up to Link and Zelda, who strove for the preservation of life and progress, to seal it. So why continue to expand on that? Why bring back Ganondorf? Personally, I see no point in his return.

Unless… the "Tears" of the Kingdom refer to the Sheikah.

"But, wait!" you ask, "All this talk about the Gerudo and for what? What does the Sheikah have to do with this?"

To explain this we'll have to start at the beginning. No, not Skyward Sword, though it shares striking similarities with Tears of the Kingdom, such as the return of the magatama relics, a character with a likeness to Demise, and the juxtaposition between land and sky. No, we have to go before even then. We have to go to the Era of Hylia.

The Legacy of Hylia

Not much is known about Hylia beyond the fact she was meant to protect the Triforce as supposedly ordained by the Golden Goddesses and the people worshipped her for it. But, notice how we learn this story through Fi, a creation of Hylia, with few additions from Impa, from the Sheikah tribe that Hylia established herself. The Triforce is seen as something to protect in this story they share, though interestingly, the relic itself is designed to be as unbiased and uncaring of the individual that seeks it out. It is, without a doubt, divine (as it quite literally is a means to warp reality), but there is also no tangible morality associated with it.

So why did the Golden Goddesses think it had to be protected? Why is Hylia chosen to do it?

…Why did Demise go for it?

If it wasn't clear enough, Hylia is much more flawed than the creators let on. She feels entitled to the Triforce, though there is no reference but the Golden Goddesses (whom no one has ever witnessed) that says she should. It's selfish, almost childish even, that she gatekeeps it away from any user. It's human. Perhaps her traits are a reflection of the time she had spent with the civilization that worshipped her. Because of this, I consider her to be a demigod rather than god. Not so distant and otherworldly like the Golden Goddesses, but a force of nature that can't be subdued but still respected. Time is ruthless, it flies and it trudges. But I digress. In short, for all that is said about Hylia and her divinity, she was certainly stubborn in her efforts to prevent anyone from wielding the Triforce so that her world could remain the way it is, perfect and idyllic.

But that's the thing, life was not idyllic like she wanted the Sheikah and the rest of the world to remember; no, it was terrible enough to spur Demise and his "demon" forces to seek out the Triforce as a means to wrest control from her. Again, I want to make it clear that Hylia and Demise go beyond the bounds of good and bad. A lot of lives were lost to Demise, to the point the humans nearly went extinct. There's little to redeem on that end. But we're never told the stories from the other side of the battle, so who's to say they hadn't suffered as much extreme casualties? Either way, there had to be something Hylia had done (or even not done) for Demise to take severe measures. The hatred he feels is all consuming, but there is something to be said about how hate does not bloom spontaneously — it is cultivated and grown. Keeping all of this in mind, I sometimes wonder if Demise's name was in relation to Hylia, as in he was her Demise, and that those demon forces of his were actually the demonized. We'll never know. But what we do know, is that the Triforce was the Golden Goddesses' way of giving hope to the mortals, to be able to use divine power to shape the world as they see fit (at least, according to the first Zelda, which is a fantastic moment of irony if you ask me) and Demise had every intention of seeing his future through.

The Sheikah's Story

Now, let's fast forward a few eons and come back to the tears. Many people have associated the tears from the title to be the magatama relics seen with Zelda, Sidon, Riju, Tulin, and Ganondorf. But the tear's symbolism in the franchise has been around for much, much longer, thanks to the existence of the Sheikah. The tear is a part of the eye symbol for the Sheikah, and according to the The Legend of Zelda Encyclopedia, it represents their willingness to go any lengths so as to support their divine mission of protecting the Royal Family that possesses the blood of the goddess Hylia. Given that information alone, wouldn't it make sense that the title "Tears of the Kingdom" refers to the Sheikah?

"Okay sure, but what role would they play in the game?" That's not the point. It's not the role they play now. It's the role they played in the past. Something of particular interest to me when it comes to the Sheikah is how differently the Sheikah are characterized between the games of Skyward Sword, Ocarina of Time, and Breath of the Wild. In Skyward Sword, they were a tribe who patiently for the day to protect the goddess's reincarnation and went so far as to transport her through time repeatedly. In OOT, they were agents who went so far as to secretly carry out the Royal Family's dirty work. In BOTW, they were inventors and sorcerers who went so far as to recreate divine power to protect the land.

But guess what never changes? The fact that they write history.

Above everything else, they are the storytellers, and they have seen everything. The good, the bad, and the ugly. But with the role of storytelling, they have the ability to alter it, embellish it. And in the Sheikah's case, they have a tendency to omit the negative, so as to promote support for the goddess and her Royal Family. Think about it: Impa never explains why Demise wanted to take control of the world in Skyward Sword and she's the first to jump to fix issues at the Shadow Temple in Ocarina of Time so no one has to bear witness to what the temple had actually turned into. If she did, Hyrule would surely fall into chaos. To Hyrule, the governing powers like the goddess Hylia and the Royal Family are the pinnacle of morality. That image can't be compromised.

And for a time, it wasn't, until we reach Breath of the Wild. That's when things get interesting.

In the tapestry, as shown above, a majority of it is occupied by the tale of the warrior with the spirit of a hero, a princess with divine power, and a technological army pioneered by Sheikah. That's what the game's creators want you to see. But do you see that little strip at the bottom?

Yeah, that. It's a tiny piece of the story but it's a big one. By now, most game fans know that is the history of how the Yiga Clan came to be. Cado, one of the Sheikah that stands guard in front of Impa's home, elaborates on this imagery, remarking that once upon a time, the Royal Family (more specifically the King of Hyrule) did turn on the tribe that swore nothing but utmost loyalty to them.

Of course, this seems counterintuitive. Why punish the people who protected you? What was their sin? As far as we're told by Cado, Sheikah technology had once been praised as "the power of the Gods". Now, I won't get into too much detail about this, but the Triforce, which you might have noticed isn't really mentioned by word of mouth in Breath of the Wild, is now a power of the Royal Family that is passed down. All parts of it. It's a lot to take in, given my lack of elaboration, but I recommend watching THIS video by Monster Maze who does a fantastic job exploring the nature of the whole Triforce being hosted in an individual body.

But what I want you to take out of this information is how there is, essentially, a rivalry between the Sheikah and the Royal Family, a sudden leveling of the playing field that the latter party does not want. It's eerie how similar they act as their ancestor god. The entitlement is present yet again: you cannot change the world like I can, you cannot be as powerful as I am. I have the final say. This certainly paints a more explicitly, vicious picture of the Royal Family, but it's nothing really new. After all, the Sheikah remember everything cruel that had been done to others by this family, by them, but hid it for the purpose of the "greater good". But once they become the target, everything changes. The Sheikah don't remove it from history. They remember it. Some more passionately than others.

Ties between the Gerudo, the Sheikah, and the Yiga.

Something else on the Sheikah tapestry that seemed out of place for me is the depiction of the hero.

He is clad in green, which one would imagine, is a reference to Link's green motif throughout the games. However, I fully believe that detail is a red herring — that is to say, it's meant to throw us off. And from what I have seen, most fans of the game agree. Why? Because that same individual has red hair and a sword that looks more like a golden claymore than the sword that seals the darkness. And well, given that the Gerudo are the ones who use golden claymores, plus the way the figure is drawn to have a knee bent, there can only be one person this image is referring to:

Ganondorf.

Keep in mind how the Sheikah have erased his name, but did not erase him, and that the Yiga swear their allegiance to Calamity Ganon. To be completely honest, I think the Calamity did not have the name Ganon to it 10,100 years prior to the events of Breath of the Wild. But, to explain why it suddenly does in Breath of the Wild, I do believe Ganondorf had a calling to malice, whether the kind left behind by the Calamity or the kind that was already existing throughout the land. Read THIS post by @golvio to get an idea of what I mean. The only change I would make regarding this theory is that the people did not originally see the malice as inherently evil. A little rot was needed to clear the space for new growth. But with great power comes great responsibility, and I think Ganondorf might have utilized the malice in a manner the King of Hyrule was not pleased with.

How so, and why? Well there can be different reasons to choose from for the creators, but I have a personal favorite theory that explains why the Sheikah and Yiga remember Ganondorf more acutely than even the Royal Family and why there's ruins in the Gerudo Desert: As a last resort, to protect the Sheikah who helped him defeat the Calamity, and to reclaim the technology they lost, Ganondorf used the malice to take over the guardians and to get rid of the soldiers wiping out the civilians. In response, Zelda from that time was tasked with defeating him with the help of the other "Sages" (those who possess the magatama relics/tears) and one of those sages sealed him away with the Zonai hand. Zelda's betrayal breeds the hatred that Demise foretold would reincarnate, time and time again, leading to Ganondorf internally accepting that a peaceful world is a world without the Kingdom of Hyrule, without the Royal Family, completing the cycle once more.

And so here it comes, the big storyline change that Nintendo stands on the precipice of:

To break the cycle, Ganondorf is not the one that needs to necessarily be redeemed. It's Zelda. That isn't to say that Ganondorf isn't flawed and should not repent; there are a million things he could have done better or have not done, whatever it is that lead him to be sealed. And what I mean by Zelda having to be redeemed is that even though she technically has done nothing personally to Ganondorf, it is her blood that binds her to the ancestors who spurred the very hatred that fueled the Calamity and left behind a legacy built on the maintained misfortune of others. If anything is to change, she must be the first to cast aside her fear so that the cycle cannot repeat again, and instead work on understanding her family's past and building her faith. And no, I don't mean her faith in the goddess (she has lost too much trying to), but faith in the goodness of a man who was unfairly pushed to become the worst version of himself to protect the helpless.

#i would love a change like this so that the franchise can start steering away from its racist past of “white ppl good poc ppl bad” yknow #the way i see it botw is where the royal family essentially atones for the heinous crimes they committed over eons #sort of karmic in a way #having lost most of its people history and culture just like the gerudo had in twilight princess and wind waker for example #and then botw zelda takes responsibility and lays the blueprint for a more prosperous future that includes EVERYONE to the best of her abil #now how she would convince ganondorf that she's being genuine is beyond me but someone else can take care of the details #and well. ganondorf doesn't HAVE to forgive her he just got out of being dead so #what matters is that zelda tries and no matter the push back she's not going to make the same mistake as her ancestors #loz #tloz #the legend of zelda #legend of zelda #botw #breath of the wild #totk #tears of the kingdom #ganondorf #zelda #impa #hylia #demise

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your-subby-creature · 9 months

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hello im a decently new sub how can i make sure my dom partner is enjoying our time together too?

First of all: I'm not the font of all knowledge and I can really only give my perspective based on what I personally do. Every Dom, sub, and dynamic is unique and everyone needs different things to feel fulfilled.

In my opinion, it really all comes down to communication and understanding the dynamic you're engaging in. You NEED to communicate with your Dom, this is utterly non-negotiable. Check in with them during and after scenes, ask them what they enjoy, talk about what makes a scene good for them and how they like to feel. Your Dom is a PERSON FIRST, not a character, not a role, a complex human person who doesn't inherently want all the same things you do. If you want to engage in a given kink and think that just because someone is a Dom that they inherently want to take that control? You're just as bad as Doms that presume subs want to give everything that they want. Full stop. If you can't have these kinds of conversations, you're not ready to be responsible and accountable for your own wants, desires, and actions, and thus aren't ready to be participating in kink dynamics.

This gets me to my second point: you HAVE to understand what a kink relationship really is. In a very real sense, kink is a game of pretend that has real-world emotional and physical consequences. There is NEVER a point in a scene, no matter what kind, where it stops being an interaction between consenting human adults with personhood and power. Let me repeat that more specifically: subs, there is never a time where you are not responsible for yourself and your actions. Your Dom is ALWAYS just another person, and any power they have over you is negotiated and consented to by BOTH parties, and can be changed at any time. You do not get to make another person entirely responsible for you; that is not how life works. In the D/s relationships we negotiate and consent to, we need to understand the realities that underlie our fictions and fantasies, otherwise we risk believing in them.

Believing in these fantasies without the backing of reality is what leads to many of the harmful situations we discuss in our community. It leads to us forgetting that both Doms and subs are people, and not kink dispensers to fulfill our fantasies. It leads to us treating each other poorly and shallowly, without regard for the human life on the other side. It leads to us making assumptions about what people "should" like or do, rather than what our partner(s) actually enjoy. It leads to a severe lack of critical thought about the dynamics, kinks, and roles we engage in, letting broader issues (like this one) fester and harm people.

I've been on my soapbox for a while, so I'll chill. TLDR: Your Dom is a person, and you must communicate and think through your interactions.

-your Creature

#Creature responds #anons #(future tags not abt this anon specifically im just ranting dont mind me)#gods could you imagine if people were willing to think critically abt kink #itd be utopian i tell you #but bc of white supremacy culture people think having any critique of a thing means you hate it and think its entirely bad #but istg we can be complex human beings and enjoy things we have critiques of #gods forbid there be nuance EVER

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