i feel the warmth in my chest (and the chill on my skin makes it that much clearer)
(1,964 words)
Evan and Gregory, while waiting those few agonizing hours before Halloween can truly begin, go outside into the chilly weather and play in the leaves.
🎃🍫👻
It's a crisp Autumn afternoon when Evan steps out onto Gregorys porch. The screen door slams behind him, and the air transitions from warm to chilly in only seconds. The breeze washes over his face like a wave, and Evan finds he dosnt mind the cold that much in this moment.
It makes his nose numb and his fingers freezing, but unlike how he usually feels about the cold, he welcomes it. He takes a deep breath, smelling the scent of fallen leaves and crisp air and the pumpkins Evan had carved with Gregory last week sitting by his feet next to the stairs. It fills his lungs, and alongside the aftertaste of Aunt Chicas cookies on his tongue, the chill is pleasant, unlike how its usually so unbearing and biting in his own home.
It doesnt take long for the temperature to wash over him fully. By the time hes stepping down the stairs, his thin,white overcoat flowing behind him, its left his shoulders shaking and his teeth chattering.
But so like he's not used to, the deep, bone chilling cold only adds onto his excitement. It's that type of chill you can only get during Halloween, with that specific vibe and feeling coming along with it. Evan has never liked that unmatched feeling. All it ever told him was that Halloween was on it's way, and along with it, Michael and his pushing and pulling and jabbing and messing with. With the addition of the neighborhood kids jumping in if they'd see him walking down the street on the one night of the year it would be acceptable to scare him with scary masks and bloody fingers and camouflaging cloaks, it made for a pretty dreadful day.
He takes another look at his costume, a ghost, with white flowy sheer fabric that makes him look like he floated right down from the clouds. Underneath is a white sweater and pants, and his makeup is done to make him appear ghastly and, well... dead. Eyes sunken in with deep shadows and complection pale.
Gregory is matching with him, kind of. Gregory's costume is of a murder victim. Hes wearing sort of varsity jacket with a plastic knife stabbed in his gut, and his face is painted with bloody makeup and a faux black eye. Gregory hadn't explained the specific costume he called a 'Zombie Murder Victim High School Football Star', just gotten excited over the fact that they matched with their undead themes.
Its Evans first year matching with someone. His first year having someone to go trick or treating with. Theres something about this year. It doesn't leave him guessing. It doesn't leave him on edge, wondering who will strike first, all while being so uncertain but sure at the same time that something will go wrong. This year, he has Gregory and his family. This year, he has people who actually care about how he feels, and understand how to have fun.
This year, he knows Michael will be across town with his friends, and that his father will lock himself in his workshop. He knows that the neighborhood kids wont dare mess with him now, because of how many times Gregory has shown them a thing or two over the better part of this year.
This year, Evan isnt dreading the coming hours. He isnt hiding in his room, celebration or joy for the Holiday nowhere to be found, because he has to watch his back and sides. This year, he isnt considering running away for the night, even though he had always known he would never be brave enough to do it.
Instead, he's going trick or treating with his best friend, and he only feels excitment and anticipation, compared to the stark contrast of last year where all he felt was on edge and trapped in his own house.
The sun is only just setting by the time he steps onto that little pathway leading to the backyard from the front porch. Waiting for it to get dark has been agonizing. It had only gotten too much when he and Gregory were sat in front of a movie they'd seen a thousand times, makeup and costumes done, and unable to sit without wiggling or fidgeting, and Gregory had jumped up and gone "That's it! I can't just sit here anymore!"
That's why Evan's followed him outside. For the better part of the day Gregory has been more restless than a bored puppy.
Evan thinks the description fits when he finally catches up to Gregory and finds him digging through the shed in his backyard. Evan doesn't really know why he came out here. Theres much less to do outside than there is inside, but his intentions become clear when he moves to stand by Gregory's shoulder, and he goes Aha! while retrieving something.
Evan stares blankly when Gregory pulls out a rake, turning to face him and grinning at him. "Want to build a leaf pile and do cannonballs in it?"
He doesn't even have to ask.
It's not long before they're trekking through backyard, browning leaves crunching under their sneakers as they head to that big tree in the middle of the yard. When they get there, they waste no time grabbing the big rake and making the inklings of a pile on the flattest bit of ground.
The rake is heavy, and Evan can barely control it, if how it swings around and almost hits Gregory in the face is any indication. The handle is ice cold on his fingers, but it only makes Evan that much more aware of the excitment thrumming through his veins.
With Evan using the rake, Gregory takes to getting on his knees and shepherding the leaves to the pile with his hands. Gregory laughs over the dirt under his fingernails and how the still-damp leaves from the light shower earlier are chilly on his hands, and it makes Evan abandon the rake and get on the ground with him.
It takes longer than it should to finish the pile. They keep getting caught up in throwing the leaves at eachother like snowballs and using their hands to push waves at eachother like they're in a pool. The leaves end up more scattered than the were originally, and Evan has to get the rake again.
By the time they finish and theres a huge pile of damp leaves sitting in front of them, the sky is a dark, deep blue with the horizon a yellow. The sun is only barely peeking through the trees, and it's enough for the automatic porch lights to come on.
With the lack of sunlight, it's gotten that much colder. Evan's shivering enough that it makes his laughs warble, but he doesnt care. He doesnt care about the cold.
They only take a short break before they jump in. Evan lays flat on the ground, damp excess leaves and ice cold dirt underneath him. His throat is dry from the chill and how much he talked, and laughed, and his cheeks are sore from smiling too much. His nose is numb, and the thin, cheap Spirit Halloween costume does nothing for keeping him warm, but he doesn't need it.
Through the cold, it makes the warmth blooming in his stomach that much clearer. It makes the laughter bubbling in his chest and the excitement that the fun isnt even over, yet, he still gets to go trick or treating with Gregory after this, that much more apparent.
He has the warmth that spawned inside of him from spending time with his best friend and having fun with him to keep him toasty. So unlike his own home, where the chill is all there is. No warmth or comfort to adhere for that fact.
It's only now that Evan thinks that maybe, he doesn't really dislike the cold. Just how the cold is what comes with his unfeeling house and unpleasant family members and uncomfortable atmosphere.
Because here, right now, as he lays on the freezing ground, sky darkening above them and the last bit of leaves on the big tree in Gregory's backyard fluttering in the chilly breeze, he realizes he likes what comes with the cold, and not what the cold comes from.
With the cold comes the awareness of the warmth unfurling in his stomach. With the cold comes drinking the delicious, steaming hot chocolate Aunt Chica made. With the cold comes bundling up with his favorite sweaters, cuddling up under a fuzzy blanket, and watching a movie with Gregory.
With the cold comes those agonizing few hours before Halloween truly begins, and making a leaf pile with your best friend.
Evan knows his all-white costume is dirtier by the time he finally gets up, the knees of his white jeans brown and dirtied, but he doesnt have time to dwell on it when all he hears is a breathy laugh before hes shoved face first into the leaf pile.
Even through the leaves submerging his head, he can hear Gregory cackling. He sputters when leaves get in his mouth, and while regaining his footing after rolling around a few times, he wastes no time shooting up and grabbing Gregory by the shoulders.
Gregory yelps when hes yanked down with Evan, and all Evan is aware of when his eyes shut in glee from how hard hes laughing is the soft, scratchy, earthy leaves beneath him, the breeze in the air that just screams Halloween, and Gregory's body fallen on top of him.
Gregory grabs some leaves and smushes them into his hair. All Evan can do is screech at the wet chill before grabbing his own fistful and doing the same. Leaves fall over them like a wave when they roll around, wrestling in the yard.
They only stop when they get too tired to keep going. His costume is definitely dirty by now, damp like the leaves and dirt. The scent of wet earth and the cold and Halloween washes over him, and all he can find in himself to do is grin, and giggle breathlessly and chatter with Gregory as he lies on the ground, shoulder to shoulder with him.
Its almost pitch black by the time Freddy opens the door leading to the backyard, stepping outside, Frankenstiens monster costume and all. "Kids? Are you two ready to go? Its almost time for trick or treating!"
Evan only shares a fleeting look with Gregory before they both shoot up, previous exhaustion from their little fight completely gone. Evan runs side by side with Gregory to the door, his costume with the mud stained hem flowing behind him, and all Evan can feel in this moment is warmth, despite how his nose is numb and his shoulders are shaking and theres this chilly, floaty feeling in his chest.
He knows that there are definitely leaves in his hair when he steps inside after Gregory, and when the heat of the home blasts him in his face, making his freezing face tingle, the warmth prickling and sharp, Evan finds that with the cold can come the warmth, and maybe it isnt so weird that Evan feels nothing of the sort when it comes to his own house, and his own family.
It was never about the cold.
Just like how the warmth with Gregory and his family has never been about the temperature.
He only has time to grab his candy bucket (shaped like a mummified teddy bear) before he and Gregory are shooting through the front door, racing to Freddys car. He smiles even wider when the cold air rushes across his face again, and he can hear Gregory's footsteps next to him and Freddy and the others' voices behind them.
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i think one of my biggest gripes with TSATS is the sentence structure and the way that things are phrased.
Sentence structure: the book is CONSTANTLY using ", and", or "then", or "but" instead of splitting up a phrase into two separate sentences. Once I noticed it, I couldn't stop noticing it. In some places it works fine, but right out the gate, as the first line of chapter one, it 1) caught my attention in a negative way and 2) felt immediately clunky and awkward.
The way that the book demonstrates action also feels unnatural and doesn't flow as well as it could. Things are described as happening "now", such as when Kayla takes her lolipop out of her mouth and holds it at her side, the book narrates it as "now holding the lolipop at her side". We didn't SEE that action occur, we're just being described the RESULT of the action, does that make sense? As a reader, you want to SEE the action, you want to SEE her tug the lolipop out of her mouth, see her hand hang by her side as her expression pinches with anxiety over the discussion. We don't want to just be told that "now" her lolipop is out of her mouth, y'know?
There are also sentences that just feel flat out unedited, phrases that have too many words for what they want to accomplish, or with a structure that doesn't make sense - like on page 56, the sentence "They raced up the steps to the platform, Nico easily outrunning his boyfriend, though that was mostly due to Will having to get his land legs again."
First of all - why are they running up the platform? In the previous line, where we're told their cab driver got them to the station with 6 minutes to spare, the specific choice of saying "to spare" makes it sound like there is plenty of time to make it to their train. In the sentences after, we even learn that Nico and Will wound up waiting for their train anyway, so, the fact that they're running when Will feels sick reads...weird, to me. If I was car sick, and then somebody forced me to run for no reason, I would not be a happy camper.
Second of all - The addition of the final third of the sentence, after the second comma, should be it's own phrase. It should be given it's own space, like "(though that was mostly because Will didn't have his land legs back yet)." because it's not important information, just an offhanded comment Nico is making.
Third of all - "though that was mostly due to" and "having to get his" are clunky and wordy. It could've just been "Nico easily outrunning his boyfriend, who didn't have his land legs back yet." It's a smoother sentence that doesn't get bogged down by the extra words.
And that's just one instance. This book is LOADED with moments like this, where action will get lost in a sentence's wordiness. The book tries to be quick and snappy, in Riordan's style, but it fails because it can't quite nail down the phrasing.
There are also moments where the only thing the characters are interacting with is each other, only grinning, grimacing, sighing, glancing at one another, etc etc, instead of doing actions while they speak. Fidgeting with their hands, shifting from side to side, looking away at their surroundings, that kind of stuff is how you convey a MOOD. Body language is important when writing character conversations!! Is somebody relaxed, or are their shoulders tensed up, arms folded across their chest with their muscles flexed, leaning back on one leg with their body halfway tilted away, as if they were ready to flee at a moment's notice? These are the kind of details that I'm missing in TSATS, the kind of things that feel like they're missing.
I also have a lot of gripes with the dialogue itself.
People don't talk like they do in TSATS. The content of what they're saying is realistic enough, sure, yeah, but the specific way that a lot of the dialogue is phrased? It doesn't feel natural. Try reading some of the sentences out loud without editing any of the words. It doesn't sound the way a human being SPEAKS.
THAT'S what I mean when I say these characters are OOC. The way that they're speaking is uncomfortable and feels as if they're being used as a puppet, or a mouthpiece for what somebody ELSE wants them to say.
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