“the runaway” where everything is the same except when sokka says he can’t even remember what his mother looks like, katara angrily stomps all the way into town to make a purchase, then stomps all the way back up the cliffside, and just indignantly holds up a hand mirror to sokka’s face.
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Worlds Beyond Number is wild because Brennan Lee Mulligan uses every ounce of his philosophic and empathetic learnings to create the most heartrending situations and scenes
Then, like an emotional devastation katamari, this fucker picks up THREE whole ass other people like him. Lou Wilson, who will make you cry while you’re in the middle of laughing. Aabria Iyengar, who is a fucking genius and dives full ass into her character’s flaws because your heart will die of a thousand cuts when it all hits. And Erika Ishii. At first blush, a bit of a clown, albeit a sultry one when they want to be. More than happy to play the fool. Lets you underestimate them, so you let them get close, and when you realize how deep you’re in it’s too late
So these FOUR chucklefucks, these four geniuses of humor and tragedy, hire a fucking Maestro of Sound Design in Taylor Moore to produce their home game. And everything is tighter. And even more immersive. And heartwrenching and hilarious and cozy and creepy.
Anyway, this team of FIVE people decide that they’re going to make one of the best podcasts currently airing and it’s only nine episodes in.
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god i know i said i was tired of making eveerything sad but just imagine timber those first few months of reconnecting and they're both drunk on tim's boat, laying on the deck staring up at the stars and bear turns over to look at tim, his eyes are sad and wet, and he reaches out to touch tim's face as if to make sure tim is really there and not an illusion and tim whispers, "bear?" and bernard smiles a little brokenly and goes, "so how long do i have you for this time?"
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aang and sokka have by far the most underrated dynamic in atla. they’re very cute and silly together, but they’re also insane. like, aang’s central tension concerns refusing to let his values be shaped by war and the imperialist logic of his oppressors, whereas sokka’s entire value system has been defined by war, by his experience as a colonized subject. in many ways, the ultimate tragedy of aang’s character, that he may become too cynical to appreciate his cultural values of joy, friendship, freedom, harmony, and peace, is the tragedy that he might someday become what sokka already is.
if aang is a force for good in sokka’s life, showing him how to play, to appreciate living in the moment and connecting with others, then sokka is quite literally a corrupting influence. “there, that’s how it’s done,” he says, and you know he’s not just posturing, because you’ve already seen him kill people before without remorse. sokka is aang’s big brother, his friend, his protector. he plays his games, makes him laugh, shows him kindness and undying loyalty. but he is also everything that aang must constantly strive to never become. he is a ruthless tactician, a hyperlogical cynic, a killer.
sokka would do anything to survive and protect his loved ones against the cruelty of the world. so he chastises aang for refusing to kill, for being soft and idealistic. he in fact almost kills aang after he accidentally hurts katara. while aang can never let himself sink into despair, to adopt the colonial mindset of his oppressors, to close off his heart to hope and feeling, sokka already has. yes, aang shows him joy and friendship and the potential for freedom, but in truth, it’s too late for him. and perhaps if katara cannot retrieve her brother’s humanity, his very soul, from the hollow shell of who he has since become, she has a second chance now, with aang.
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You cannot save people, you can only love them.
Language of flowers and Alternate Universe (Day 2 and 5)
{I chose yellow chrysanthemums because it symbolises strong bonds, and also neglected love ^^✨}
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