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#ep: poisoning the well
sleepymrshmllow · 6 months
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okay I haven't seen ep 7 yet and I really liked a lot about ep 6 but eek the pacing was so off and im kinda sad about it :( like it was almost distracting compared to the previous episodes (the dialog was also kinda off to me in this episode?? did anyone else feel that way?)
I feel like the first 5 eps were paced so surprisingly well and I can't help feel a bit disappointed? this episode really could've used a longer run time (or yknow, having 10 eps probably would've helped a lot, but I understand why there's only 8).
I was so excited for this episode in particular and it really could've been so good if it had more time </3
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zorobff · 7 months
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how to disappear. (opla!zoro x fem!reader)
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synopsis: joining luffy’s crew made you believe that you’d finally escaped your former pirate crew and nightmare of a captain for good. that is, until a certain butler starts looking a little too familiar. good thing zoro’s keeping a close eye on you.
warnings: opla spoilers (ep 3), some direct dialogue from opla, mentions of verbal/physical abuse, kuro is just a weirdo tbh, reader is called a bitch, protective zoro, for the sake of the story sham and buchie joined the black cat pirates after reader left
word count: 4.7k
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“this guy is full of shit.”
you knock your shoulder into zoro’s wider one. “be nice. and so what if he is?” 
zoro gives you a pointed glare. “then we should turn around and look for someone who can actually help us find a ship.” 
“all business, as per usual,” you reply, with a purposefully dramatic sigh. “why can’t you have a little fun?” 
“what about this is supposed to be fun?” zoro spits out the word like it’s poisonous. “this is the blandest village i’ve ever seen.”
you scoff. “now you’re the one that’s full of shit. nothing’s ever bland with us and you know it.” 
the us in question was your newly formed pirate crew… if you and luffy could even be considered that. having left the ship you’d been on a few years ago, you were in search of a new crew. luffy was persistent and charming — when you’d crossed paths in shells town, it took little to no time for him to convince you to join his hunt for the one piece. zoro and nami, on the other hand, had yet to follow in your footsteps. 
“well, considering that we’ve only been traveling together for a day and a half and i’ve already escaped a marine base, defeated a marine captain, and fought a clown with devil fruit powers… i’d actually have to agree.” 
you can’t help but giggle at his sarcastic delivery. “be grateful, zoro. not many pirate crews are this fun to be on, trust me. oh wait, that’s right, you still haven’t officially joined—”
“tell me about your old pirate crew,” interjects zoro, your comment having piqued his interest. 
you notice that the playful atmosphere dissipates. “god, where do i even start?” 
zoro answers that for you. “why did you leave?”
“starting with the hard hitting questions, huh?” you joke, mostly to stall. you clear your throat before you answer. “well, it was different. nothing like what luffy has going on. he actually cares about his crew… and even those who aren’t technically on it.” 
at that, a smile tugs at the corner of zoro’s lips. even you crack a small grin. although as you continue speaking, it fades. 
“on my old crew, we were dispensable. anytime something went wrong, our own captain would threaten to kill us. it was… scary, to be completely honest. there were so many times when i thought i’d die with that filthy crew. and i never wanted that. so as soon as we docked at shells town, i left.”  
zoro’s jaw clenches as imagines the things you’d seen and been subjected to. “this old captain of yours sounds like a real—”
“he was a nightmare,” you tell him. “he didn’t care that i was the only woman on board, he treated me just as horribly, if not worse.” 
zoro stops so suddenly that it takes you a second to realize he’s not walking alongside you.
“what do you mean by that.” the way zoro phrases the inquiry doesn’t even make it sound like a question. more like a demand. his narrowed eyes are fixed solely on you. holding his gaze feels… intense. 
you can’t help but glance away as you answer him. “he was just a bit of a creep.”
before zoro has the chance to try and extract more information out of you, a familiar voice calls both your names. you’re not really sure when you and zoro had fallen behind but from where you currently stand, the rest of your group looks miniature. or perhaps it’s just the massive size of the mansion behind them that makes luffy, nami, and usopp look pocket-sized in comparison. 
“why’d you stop walking?!” your captain shouts, hands pressed on each side of his mouth to amplify his voice. “get over here, we’re about to go in through the top secret entrance!” 
you vaguely make out usopp gesturing for luffy to keep his voice down. you’re sure that would warrant another comment from zoro about his reliability but he’s too busy staring at you with that expectant look in his eyes. 
“we better catch up,” you tell him, heading in the direction of the deluxe home. 
he allows you to dodge the subject and sighs, walking in long strides to catch up to you.  
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“i’ve never seen a house this big before,” luffy admits, admiring the mansion along with the wellkept greenery surrounding it. 
“awesome, right?” usopp gloats, walking around like he owned the place. “kaya’s given me an open invitation to drop by anytime i want.” 
“wow.” you’re not sure if luffy was just going along with usopp’s act or if he really believed him. knowing the devil fruit user, it was more than likely the latter. “all this for just one person?”
“well, she lives here with her butler and a few other staff,” usopp replies, leaning against the stone well that sat in the middle of the lawn.
“money really shows you who people truly are,” nami mutters, eyes scanning the property. “most people only care about themselves and what’s theirs.”
zoro is quick to throw the insult back at her. “sounds like someone i know.”
you roll your eyes at his comment, though you make no effort to disagree with him. nami was a little on the materialistic side. 
“and a small staff makes for easy pickings,” she continues, proving your point.
“we just got here and you’re already planning on robbing the place blind?” you ask though you already know the answer.
“at least a little blurry,” she smirks, following behind luffy and usopp who walk toward the entrance. 
you and zoro share a look. one that says disappointed but not surprised. 
going under a shrub shaped as an arch, you’re met with a beautiful pond. you admire the pink lilies that float at the top and the bushes that were intricately trimmed into the shape of various animals. even if the people that lived here were filthy rich, at least they had good decorative taste. 
“so if you have an invitation, why are we going around the back way?” luffy ponders.
usopp’s answer is nonchalant. “oh, i never use the front entrance. like i said, this is the vip entrance reserved for special guests.”
zoro scoffs. “this guy’s definitely–”
“don’t start,” you groan, cutting him off. 
abruptly, usopp freezes and spins around, attempting to usher your crew back. “you know what, there’s actually a more exclusive entrance this way–”
the sharp swoosh of a knife cutting through the air and burying itself in the ground between usopp’s feet cuts him off. from the direction the kitchen utensil was thrown stands a heavyset gentleman with his face wrinkled in anger. his demanding voice booms through the garden, “the hell are you doing here, usopp?” 
the dark-skinned boy fumbles over his word. “buchi, buddy, uh, kaya’s expecting me.”
“another one of your lies,” the man – seemingly named buchi – seethes, grabbing him by the collar. “you ain’t welcome here and you know it.”
“i know nothing of the sort,” usopp retorts, keeping his cool even when he was practically being lifted off the ground by his shirt. “i’m here to give kaya an extra special gift.”
before buchi can get another word out, a feminine voice calls out for your companion. coming down the steps is a frail looking girl in a pink dress. on her arm is a man dressed in a crisp suit, presumably the butler usopp had mentioned earlier. though, from where you stand you can’t see either of their faces too clearly. 
“what a wonderful surprise,” she exclaims, breathlessly. 
“kaya!” usopp exclaims, returning her enthusiasm. buchi has no choice but to let him go, begrudgingly. usopp makes sure to shoot him a smug look before walking towards the young girl. “happy birthday.” 
the butler clears his throat, not afraid to intrude on their special moment. “usopp, we’ve discussed this before. you mustn’t show up unannounced.” 
“nonsense, klahadore.” kaya smiles warmly. “have you come to tell me another story? i do love hearing about your adventures.” 
“i’ll do you one better,” usopp smirks with such confidence that even you’re left wondering what kind of surprise he has up his sleeve. “i brought some of my crew!” he gestures back towards the four of you, proudly. 
your excitement vanishes. “oh. the surprise is… us.”
“well, that’s boring,” luffy agrees, just as disappointed as you are. 
kaya, on the other hand, is none the wiser. “it’s so nice to meet you. you must all stay for dinner.” 
klahadore lowers his voice. “miss kaya, it is a bit last minute. i’m afraid the kitchen hasn’t prepared for any extra guests.”
“please,” begs kaya, softly. “it’s my birthday. can’t be too much trouble can it?” 
giving in, klahadore purses his lips. “anything for you, miss kaya.” 
luffy claps his hands together. “alright! when do we eat?” 
“you don’t. not dressed like that, at least.” the butler directs himself to a staff member with teal colored hair. “sham, kindly show usopp and his friends to the guest suites. you will bathe and change before dinner.”
she follows his orders and leads the way. luffy, usopp, nami, and zoro trail behind her and you go to do the same. however, all it takes is a quick glance to stop you dead in your tracks. usually, you weren’t one to stare but klahadore’s face. that stare. so dark and depraved. 
“yes, miss?” he asks, holding your gaze. “can i help you?” 
“n-no, i…” your throat goes dry as you attempt to recover smoothly. “i just wanted to, um, thank you for being so hospitable.” 
his lips curve upwards into a sinister grin. “the pleasure’s all mine.” as if to confirm your worst fear, klahadore uses his palm to readjust his glasses. his beady eyes gauge your reaction closely.
the familiar gesture sends chills down your spine. appearance-wise, he had changed drastically but his aura was still just as menacing as you remember it. he was still the corrupt pirate captain you used to serve under. you feel like a weak and helpless subordinate all over again.
“klahadore!” giggles kaya. “you’re smiling! that’s certainly a rarity.”
he hums. “i’ve simply come to the realization that having guests once in a while can truly be a delight.”
his sickeningly sweet tone makes your stomach turn. just the fact that you were standing in front of him – captain kuro – again after all these years was nauseating in itself. last you’d heard he had died at the hands of captain morgan. how was this even possible? then again, he wasn’t dubbed kuro of a hundred plans for no reason. he always had a trick or two up his sleeve. you assumed this was no different. 
“hey, you comin’?”
you turn around to see zoro waiting for you. he meets your gaze for a moment. the softness of his eyes is a stark contrast to kuro’s. it’s a breath of fresh air. he then shifts his attention to your former captain and you swear his eyes darken. 
“yeah, sorry,” you mumble, trying not to look shaken as you walk up the steps. 
zoro follows behind you, this time closer than before.
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“why would anybody even need this many clothes?”
“it’s not about need with these people, luffy. it’s about want,” nami spits, thumbing through the various fabrics on the wall. 
“at least she’s rich and nice,” luffy replies, innocently.
nami rolls her eyes. “yeah, letting us stay for dinner must be her idea of charity work.” 
“what are we even supposed to wear?” luffy continues, uninterested in nami’s criticism of the rich. 
“anything you want. when are you ever going to get the opportunity to wear things this nice?” 
you step out from behind the changing board where you’d swapped out your old tee and cargo skirt for an elegant satin dress. it was a stunning shade of olive green and frilly lace decorated the edges. not to mention, it hugged your curves in all the right ways.
nami’s eyes widen. “see, she’s got the right idea. you look amazing.” 
you smile, bashfully. “honestly, i feel amazing.”
“you look the same to me,” your captain shrugs.
nami shoots him a death glare but you intervene before she can scold him.
“way to keep me humble, luffy.”
“no problem!” 
at that exact moment, a freshly showered zoro arrives donning a silk robe. he eyes the multitude of garments that cover every inch of the room, not particularly impressed. 
“there you are. don’t you think she looks nice?” nami asks him, gesturing towards you. she doesn’t notice how you shrink under zoro’s gaze. neither does he, as his eyes take their time raking over you, from top to bottom.
he hums. “suits you.” with that, he sets off towards a chair in the corner of the room.  
“seriously?” sighs nami, exasperated. “are you two physically unable to give compliments or something?” 
“hey, doesn’t that butler seem familiar to you guys?” zoro asks, promptly ignoring nami’s complaint. 
his question causes your breath to hitch. you’d pushed the kuro problem to the back of your mind while you were in search of a suitable dinner outfit. you figured that as long as your crew was by your side, he wouldn’t dare try anything. and even if he did… well, you’d seen what had happened to axe-hand morgan and buggy. 
“yeah, i think he was at the last dinner party i attended,” nami replies sarcastically, taking a handful of dresses behind the changing board. 
as he takes a seat, zoro grumbles, “i swear i’ve seen him before.” 
“where?” you can’t help but ask, fiddling with the lace on the neckline of your dress. 
“so far, i’ve got two suspicions. a wanted poster or funky bar on mirrorball island. you ever been?”
you know zoro’s teasing you, judging by the grin on his face. after all, funky bar was known to get insanely rowdy; never would he imagine finding someone as gentle as you there. but what he didn’t know is that it happened to be one of kuro’s favorite bars. per his request, you and the rest of the black cat pirates frequented it often, so he was more than likely right about having seen kuro there. he’d probably even seen you in passing, once or twice. thankfully, he doesn’t seem to have any recollection of that.
the thought of zoro knowing about your past forms a knot in the pit of your stomach. would he think less of you for having joined such a ruthless crew at one point in your life? what if it put a strain on the friendship you’d worked so hard to form? 
“i’ve, uh, heard of it,” you decide to reply, pushing down your worries for the time being. 
he tilts his head slightly, thinking out loud. “then again, i have seen a lot of wanted posters and bars in my time as a pirate hunter.”
you feel a grin creep onto your face. “probably more bars than posters, huh?”
zoro mirrors your smile. “shut up.”
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by the time dinner rolls around, the entire crew is doing what they do best. 
luffy is stuffing his face, nami is attempting to swindle one of the staff, zoro is hanging by the drinks, and you’re hanging by zoro. 
“hey zoro, you gotta try this!” luffy calls through a mouthful of food.
“i’ve got all i need right here,” he mutters, taking a swig out of his champagne flute. 
“you know, i don’t think i’ve ever seen you choke down something that isn’t alcohol,” you comment, watching the way he downs the glass in one go. 
dryly, he replies, “that’s because i haven’t.”
“very on brand.”
“ladies and gentlemen,” calls out that voice from the top of the stairs. “may i present… miss kaya.”
arm in arm, kuro and kaya walk down the steps, all eyes on the birthday girl and her stunning gown. well, except you. your eyes never leave the so-called butler by her side. your jaw clenches when he has the audacity to meet your gaze and hold it. shameless bastard. 
once they reach the bottom, merry leads kaya to the guests while kuro takes his post at the bottom of the stairs… right next to the drink table. before you can think about steering yourself and zoro away, kuro speaks.
“forgive me if i am speaking out of line, madam, but i must inform you. you look positively radiant,” he purrs, soaking in your appearance. he looks ready to pounce.
you can’t stop your eyes from rolling. good to know he’s the same pervert he used to be.
looking between you both and sensing your discomfort, zoro steps in. “and you look familiar.” 
kuro’s head stiffly turns to face him, eyes peeling away from you. “highly doubtful, sir.” 
“funky bar? mirror ball island?” 
“funky bar?” kuro repeats, disgusted. “well, i can assure you i’ve never patronized that type of establishment.” 
while it was amusing to see your highly esteemed former captain lie through his teeth, the tension between him and zoro was unbearable. 
“well then.” zoro continues with his little interrogation. “ever been on a wanted poster?”
you cringe at his bluntness. sometimes it seemed like he had less of a filter than luffy.
kuro puts on a scandalized face at the question. “sir! such an accusation is highly offensive.” tugging on his collar, he goes to remove himself from zoro’s probing. “now, if you’ll excuse me, i’m going to help prepare the dinner table.” 
he leaves, en route to the dining room. zoro’s eyes follow his figure until he disappears, squinting as he racks his brain for any further recollection of this suspicious butler. 
you sigh. if zoro was going to continue being so relentless, you were sure the night would end in bloodshed and uncovered secrets. 
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“keep this coming,” zoro demands, handing the empty wine bottle to sham. she takes it with a glare. 
“would it kill you to say please?” you ask, slicing the slab of fish on your plate into smaller pieces.
“the service here is shitty. why should i have to be polite?” 
you scowl. “remind me to never have dinner with you again.”
zoro turns to you with that cocky grin of his. “what if i asked nicely?” 
his quip makes your heart flutter but you manage to keep your composure. “you can try your luck.” 
before he can respond, usopp speaks up. “luffy, isn’t there something that you wanted to talk to kaya about?” 
luffy gesticulates enthusiastically with his fork. “oh, yes! usopp told me that you own the whole shipyard.” 
“well, actually, my parents founded the shipyard and merry’s been running the business since they… passed. but all that’s about to change. tonight, at midnight, i will become the sole owner.” she smiles somberly. 
“well, that’s great,” luffy says, raising his drink at her. “because we want to buy a ship from you.” 
“ah, i see. usopp mentioned that you’re sailors.” 
“nope, not sailors. we’re pirates!”
you’re certain at least three people at the table choke on their food, yourself included. 
“this ought to be good,” zoro mumbles behind his glass.
you’re too busy coughing into your napkin to chastise him for finding this entertaining.
“pirates?” kaya repeats, unsure of how to react. 
“yup! we haven’t sailed together for very long but we’ve already defeated an evil clown, raided a marine base, and taken down a captain with an axe! for a hand!” luffy holds up a fist, presumably to impersonate axe-hand morgan.
“sounds a lot like your adventures, usopp,” kaya says, turning to the brunette.
all he can do is laugh dryly. “yeah, that’s… that’s crazy.” 
“and we’re just getting started!” luffy continues, climbing up onto the table.
“someone put me out of my misery,” you mumble, looking down at your plate to ignore the secondhand embarrassment.
a tap on your shoulder answers your plea.
turning around, you find yourself face to face with kuro once again. “madam, a word please?”
“might i ask what for?” zoro cuts in before you can so much as think of a response.
kuro offers him the most forced grin you’ve ever had the displeasure of seeing. “i’m afraid that is between the lady and i.”
the swordsman turns to you, scanning your face for any ounce of discomfort. “you okay with that?”
you inhale, figuring it was finally time for you to confront the darkest part of your past. it was silly to assume you would be able to ignore him throughout your entire stay here. besides, you were sure zoro, just like the rest of your crew, would be on standby if kuro got brave enough to try anything. “sure. just… keep an eye out.”
zoro understands completely. truthfully, you didn’t even need to ask – he always looked after you. “got it.”
you push yourself out of your seat and smooth out your dress. you allow kuro to lead you to the doorway – he was smart enough to know that was the farthest you’d let him take you. 
“what do you want, klahadore?” you seethe, folding your arms.
he arches a brow. “why must you call me that? it’s ridiculous.” 
you tilt your head with faux innocence. “oh? is that not your name? must have misheard.”
he gives you an irritated look, dark eyes drilling into you.
“i remember that look,” you mutter, your memory serving you well. “it’s the same one you’d give me before you’d threaten to slice me to bits with your claws.”
kuro has the audacity to chuckle dryly. “but i never did, did i? although there were certainly times times where i should’ve.”
“what you should be is dead,” you hiss bitterly. “when i heard the news, i knew it was too good to be true.”
“you wound me, kitten,” he drawls, reaching up to fix his glasses. 
the condescending nickname makes your skin crawl. it carried so many awful memories of your time spent with the black cat pirates. it reminded you of just how weak kuro viewed you — nothing but a helpless, pitiful kitten in his eyes. typical of the man that abused his authority and treated you with not a single ounce of respect. 
he continues, putting on a sweet tone. “after all these years, stuck waiting hand and foot on that spoiled brat, there’s nothing i’d love more than to hear my favorite crew mate say my real name.”
you snap at him. “i’m no crew mate of yours.”
he sighs, dramatically. “sadly, you’re correct. after all, you did slip off the ship the moment we docked in shells town. locating you on an island crawling with marines proved to be nearly impossible. we had no choice but to leave without you.”
“that’s exactly why i chose to escape there.” 
“and to this day i can’t for the life of me figure out why you would ever do that. why would you want to leave us? leave me?”
you actually laugh right in his face. “is it really that hard to figure out? you were evil. you threatened and harassed me on a daily basis.”
“so your solution was to join that ragtag crew?” he glances at the table. “it’s pathetic, even for you.”
you lean into his face, lowering your voice down. “i’m happier than i ever was on your shitty crew. every day i wake up grateful that i managed to escape you.”
you see that vein on his forehead bulge before he’s gripping you by the chin. “listen here, you little bitch–”
the shiny silver of a sword slides between you and kuro, coming to rest against his neck. his adam’s apple bobs as he gulps anxiously, releasing you. thanks to zoro’s sword, it seemed as if he finally remembered where he was. you were no longer on his ship, he was no longer allowed to treat you like the dirt he walked on. not without someone noticing, that is. 
“why don’t you step away?” zoro offers simply.
that much was a kindness. usually those who found themselves on the end of zoro’s blade(s) weren’t lucky enough to receive a warning. however, the swordsman didn’t wish to cause a scene. at least not when you were right there and everyone was watching with shock from the dinner table.
kuro obliges, stumbling back. he meets kaya’s horrified eyes, feeling ashamed that he allowed his act to slip. surely this would cause some setbacks in his plan. with no excuse for his uncharacteristic behavior, the raven haired man scurries away and up the stairs.
zoro turns and locks eyes with luffy, giving him one singular nod. luffy returns it, jumping out of his seat and going after the butler. quiet murmuring breaks out at the dinner table, everyone surely confused. 
sheathing his sword, zoro directs his attention to you once more. “are you alright?” a calloused hand comes up to grip your chin, much like kuro had. however, this time, the touch is gentle. loving, almost. you welcome it.
“yeah, i’m… fine.” your heart is beating out of your chest and it has everything to do with your close proximity to zoro.
he tilts your face around, inspecting every inch of it. once he finishes, he pulls back. his demeanor goes serious once more. “we need to have a talk.”
you nod. “i know. i’ve been keeping some things from you guys and–”
“just tell me what’s been going on,” he demands. “and don’t overcomplicate it. you can be straightforward with me.”
his sincerity makes you start over, this time far more candidly. “klahadore used to be a pirate. i was part of his crew. he was my… captain.”
the shame in your voice pulls at zoro’s heartstrings. didn’t you know there was no reason to feel guilty with him? “is that it?” 
you open your mouth to speak but come up empty. all you can do is furrow your eyebrows at his unexpectedly dismissive reaction.
“i knew it,” zoro continues, annoyed. “i knew i’d seen him on a wanted poster before. just didn’t have any proof.”
“wait, so you don’t– you really don’t care?” you ask, still avoiding eye contact. “me being a former black cat pirate doesn’t bother you?”
he shrugs. “you said it yourself. ‘former.’ all that matters is that you got the hell out of there. and away from that creep. would he always put his hands on you like that?”
you blink a couple times, sighing. “his temper was really bad so–”
that seemed to be enough for zoro. “i’ll kill the bastard,” he hisses. “wanted to slice him to bits the moment i saw him grab you.” 
though it’s a violent threat, you can’t help but smile. the idea of zoro being so protective that he’d kill a man just for touching you made you blush. pirate love language, you suppose.
“well, i wouldn’t have stopped you,” you tell him, more than ready to see your former captain go.
zoro clicks his tongue. “nah. could’ve stained your new dress with his blood. i never would have been able to forgive myself.”
“so you do have a soft spot,” you tease.
“only for pretty things.”
“do you mean me or the dress?” 
now it’s zoro’s turn to become bashful. though, his lack of response is an answer in itself. you can’t help but giggle. 
a loud bang from upstairs interrupts your moment with the green-haired man. you assume luffy had gotten his hands on kuro… or vice versa. zoro must be thinking the same thing judging by the way he instinctively rests a hand on the handle of his blade.
“you should go up there,” you tell him. “i’ll stay with kaya.”  
he gives you a nod, though he doesn’t make any effort to leave. he stands there like he wants to say something… or do something. before you can think about it too much, you pull him in by the collar and crash your lips onto his. they’re slightly chapped and taste like the wine that’d come from the cellar – it’s pleasant. his large palms come to rest on your lower back; his hold feels tight and secure. 
when you finally allow yourself to pull away, you’re biting back a smile. “kick his ass for me.” 
“will i get more of that if i do?” asks zoro, wetting his lips. they now taste like the cherry lip gloss you’d borrowed from kaya. he takes a step forward, attempting to close the gap between you two once more.
you shrug, pushing him away by the chest. “go help luffy and we’ll see.”
you both know that means yes.
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sarah-yyy · 9 months
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what: period cdrama // 40 eps, roughly 45 mins each (we’re on ep 29 atm, paid subscription required for vip eps) where: iqiyi (you can also dl the app) // youtube // (ps - usual disclaimer that i do not use eng subs so i don’t speak to the quality of subs) why: do you enjoy jianghu mysteries?? double/hidden-identities??? the shifu-complex trope??? enemies to friends (with a v Divorced-Exes vibe)?? this is the show for you. would enjoy if you enjoyed the blood of youth.
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meet Li Lianhua, a somewhat famous jianghu doctor who is rumoured to be able to bring back the dead. this chill but odd man lives in a super cool caravan he built himself! spends his free time gardening and learning how to cook! he's got a cute pet dog as a companion! he is in his Zen Era, everything is going great for him*.
but i promised y'all hidden identities so, surprise surprise!! Li Lianhua is also known as Li Xiangyi, presumed dead master of the Top Jianghu Sect who has been MIA for the past decade
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Li Xiangyi was poisoned + seriously injured in battle ten years ago, and for a variety of reasons, decided to retreat from jianghu to live his life in relative peace (while also searching for the remains of his shixiong). the poison he suffers from is fatal, it is emphasised he doesn't have long to live. (*except for the dying bit)
ANYWAY. while going about his day to day, Li Lianhua meets:
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Fang Duobing, wannabe jianghu detective. this boy has a++ martial arts skills!! he's (relatively) smart!! he would make a good detective!! but his attempts to do so have been foiled by his Super Influential™ parents who do not want him in harm's way. all my boy wants to do is to successfully enrol in jianghu detective academy and travel the lands!! solve crimes!! he eventually weasels his way into a probationary position by telling the masters of the academy that his shifu is Li Xiangyi
cue extremely fun exchanges like:
FBD: if my shifu li xiangyi could see me now- LLH: your who???????????
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these two have a funny strangers to jokingly enemies (LLH made a fool out of FBD and like drugged him the first time they met) to begrudging partners solving crimes to friends dynamic going on, absolutely a+++. FBD goes from 😤 at LLH to must protect this weak man i have decided is my best friend really quickly. i love one (1) boy.
there is also another key character in this, which really just. is the cherry on top of everything that the show has given us so far.
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meet Di Feisheng. "villain" extraordinaire. has one (1) goal in life - beat LXY. "killed" LXY in battle ten years ago, but suffered severe injuries himself, so he's been recuperating for the past ten years.
imagine his goddamn surprise when he fucking meets LLH who he thought he defeated ten years ago. (side note: LLH is supposed to look nothing like LXY, but DFS recognised him p much instantly!!) he also learns that LXY was poisoned all those years ago, and was not in his best condition during their battle.
cue DFS going absolutely obsessed with curing LLH of his fatal poisoning so that they can go at it again, this time without any handicaps :)
SO ANYWAY these three go around solving cases together, while LLH/DFS also look into the inconsistencies of certain things that happened ten years ago. all the while the three of them are bickering the entire time.
tl;dr - this is the dynamic we've got going on:
FDB: this is LLH my boyfriend (but he doesn't know it yet) who is also my shifu (but i don't know it yet), and this is his extremely annoying ex-husband DFS who hangs around us and i absolutely HATE (and low-key want to throw in jianghu prison) because they are obviously hiding something from me, but also i would probably die for these two
if you need more convincing:
the cases have all been fun so far - the pacing of the show is quite good, and the cases don't really tend to drag on
the fight scenes are really cool - again, if you liked what they did in the blood of youth, you'll probably like this as well
frail and sickly Cheng Yi, always a bonus
i am going to, at some point, write fic about dfs railing fbd quiet while llh watches, someone hold me to this
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raya-rhaenyra-ahsoka · 4 months
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My thoughts on Ep. 4 - I Plunge to My Death, A rant
First off, Sally and baby Percy scene was so cute. I swear to god, no one will ever top Sally Jackson for being the best mortal parent in the series.
That Percabeth bonding scene in the train. Bruh, I cannot wait for the Kindness International truck and Waterland scenes.
Annabeth opening up about her Dad and Percy utterly shocked that not all mortal parents are like his Mom.
Frederick’s college ring on Annabeth’s necklace. To non book-readers, yes, that's her Dad's name.
Annabeth having to earn Thalia’s respect.
Luke caring for Annabeth right away just makes it more gut-wrenching and heart-breaking with what he’s about to do. (SPOILER ALERT) “Family, Luke. You promised.”
Grover being super grouchy when he doesn’t get enough sleep. And as someone in their twenties, I totally could relate to him.
This convo:
Percy : Can I ask a dumb question?
Annabeth: It's like you need me to make fun of you.
That's it, that's their relationship.
Mentioning the god of the wild, Pan, and that there are searchers for him.
How that convo basically went:
Train Cop: I don’t think you wanna take that tone with me, little girl.
Annabeth: EXFUCKINGCUSE ME?
Grover: Annabeth, no-!
Echidna calling the cops on 3 minors, just screams typical Karen behavior.
The St. Louis Arch being an actual temple of Athena is a nice change from Annabeth just wanting to go sightseeing.
This convo:
Percy: You've done more for me in the past few days than my father has done in my entire life. If I had to stick with someone, I-
Annabeth: Careful, I think you were about to call me a friend.
Percy: *stumbles because of the poison from the stinger*
Annabeth: *catches him*
Again, that’s their relationship.
Annabeth and Grover splashing water at Percy at a fountain when there’s a big-ass river nearby. Idk, but I find that funny.
Athena letting Echidna and the Chimera into the Arch because it wounded her pride? OH, HELL NO!
Athena’s Logic: Punish her devotee because someone close to them did something that wounded her pride. Medusa=Poseidon; Annabeth=Percy. She didn’t even gave a f*ck that the devotee in question is her own daughter. WTF, ATHENA!
I always thought Zeus has the crown for being the deadbeat absent godly parent, but Athena is slowly giving him a run for his money.
Annabeth deciding to sacrifice herself so Percy and Grover can continue the quest. WTF!
Percy tricking Annabeth into taking the final stand himself. Dude, your fatal flaw is showing.
Annabeth having to deal with a forbidden child sacrificing themselves for her safety AGAIN (With Thalia, and now Percy). Girl must be traumatized.
Grover having to go through it again as well.
The Chimera being terrifying than how non clear-sighted mortals see it.
Poseidon “always been here/so hard for me to stand back” Daddy to the rescue.
This:
Percy: *gets stuck underwater*
Nereid: It’s okay. You father sent me-
Percy: Oh, hell no! *tries to swim harder*
Percy only now realizing he can breath underwater. Like, of course, he can. He's Poseidon's kid.
We're only in Episode 4 and it's already so good. Can't wait for the episode 5.
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bu-blegh-ost · 7 months
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What Chip's current condition may possibly mean for both him and the crew (a theory of sorts)
Spoilers for ep. 109 and 110. Heed the warning.
Okay, so ever since ep. 109 came out I've been frantically reading about undead and what does it mean for your pc to be undead. I stayed silent about it, cause I wasn't sure if Nik could fix this, but now that ep. 110 is out I'd like to share some of the things I found, for folks like me, who do not know much abt DnD yet.
So, in a long list of features the undead have, most prominent problem is how hard it is to heal them. None of Jay's or Gillion's spells can heal Chip now, we'd need a spell that normally damages people, like necromancy spells, since they have a reverse efffect on the undead, and none of them has access to that currently. Not only that, once Chip's health reaches zero at this state, that's it. No death saves, no going unconscious or going down. That's it, which is why the moment he turned undead, Jay started spamming the temporary HP canon. So Chip doesn't lose any of his core health pool. If he did die in this state, from then on, only a spell called Wish (if I'm not mistaken a lvl 9 Sorcerer wish, so Gillion could do that if he cranked up three more levels in sorcery real quick) or True Ressurection could save him. But these two spells would also bring Chip back to life as a regular person, not the undead, so it would be cool to seek out someone who could do that for them at the most convenient time.
To balance it out, Chip is resistant to a shit ton of attack types, including poison, physical, necrotic and many other. To top it off with Chip's evasion skills, I'm giving him good chances to either minimalize or negate most damage in this form. And well, considering everything, he'd be wise to take every opportunity to do so, joke damage taking is no longer an option, I think. Also Gillion needs to be very careful with radiant damage around Chip, cause it's very effective on the undead. Chip getting hit by Gillion's strike may damage him greatly, and the two need to be very careful around each other from now on :(((
And the most interesting thing I found is the Undead Hunger variant. Some undead can just live on for centuries and be fine without a need to feed on something. But some, even the intelligent ones like Chip, may need a bit more than that, and given that very ominous intelligence check Grizzly made him roll at the end of the day, I'm thinking he's implementing the hunger rule on Chip. Lemme tell you a bit about it.
So Undead Hunger is a Variant Rule that DMs use on player characters that are undead sometimes. And that means that once in a while Chip would have to feed on some sort of specific type of morsel to satisfy his craving, or suffer the cosequences. There are two variants of undead that can make roll for this: Inescapable Craving or Diet Dependent. The player in that case rolls for willpower, which DMs usually make a wisdom or intelligence check. In our case Grizzly chose intelligence, and Chip passed with a 19. The DC for Inescapably Craving Undead is 25, but the DC for Diet Dependent Undead is 15. So from that I deduced that Chip would be a Diet Dependent Undead, since he passed the roll.
Hunger for the Undead is like addiction to the living. This means that unless Chip can resist it with a succesful roll, he may become more agressive, anxious, violent or even self-destructive the longer he is denied a preferred meal. If he can't eat, he'll have to roll for keeping himself at bay every three days. He doesn't have to roll if he eats.
So you may ask now: what happens if he fails one to many times? This is the interesting part. So if Chip fails his once per three days intelligence check, the DM will make him take ability damage. That means that one of his stats (wisdom, strength, dexterity etc.) will reduce by a whatever number Grizzly sees fit (Chip can get all the lost points back the moment he eats). In the guide I've read it says that wisdom is the most crucial ability score to lose, tho I'm unsure if the DM takes away only from wisdom or if he can take any of the stats, I may need to read more on that. But the thing is, the more rolls Chip fails, the more wisdom he may loose, and please note, Chip does not have much wisdom to begin with (but he does have high intelligence so thank the gods for that at least).
The less wisdom Chip has, the more desperate he gets when it comes to eating. He may start seeking out more risky ways to get fed or do things he normally wouldn't to get it. Hunger can't kill him though, it may just make him lose himself (hence that comment of Grizzly's about him needing to hold onto his sense of self, at least that's what I think that is). Once Chip reaches wisdom score 0, Bizzly actually loses control over him, and Grizzly takes over Chip and he plays Chip as he was a wild enemy beast. In that state Chip can throw himself on anyone or anything that can provide him food, his mind completely lost. He can hurt others, attack his crew. He can do anything the DM determines a starved mindless beast would do.
He can come back to his senses once more, when he does feed on whatever is decided his preferred meal is, all his wisdom regained and all, but the consequences of his actions, when he was not himself, the dreadful realisation that he is now a monster, who needs to be kept in check so he doesn't hurt the people he loves...This may be a lot for Chip to take. If this were to happen, he'll need a lot of his crewmates' support and reassurance, and a lot of honesty will be demanded from Chip. He'd have to warn people around him and make sure everyone knows how he's feeling, if he needs help in finding food. Casue hiding this hunger may result in tragedy.
And of course, it doesn't help that they are where they are now. In any case, if Grizz decides that Chip's favourite meal is humanoid flesh (beyond cruel is what that would be), they are fucked, basically. If it is the flesh of any other creature or animal, well they are also fucked, because they are in a motherfucking Black Sea, so good luck finding anything consumable like this either way.
But hey, of course do remeber that in the end these are just my conclusions based on what I read. Grizzly might not be even using any of these rules, cause he's the DM and he can do whatever he wants. I just thought that based on what we saw, this is very likely to happen (consider it a theory of mine for the time being). If you would like to read more about it, I'll leave you the link to this one really good website that I found most of the information on. I can't confirm its relaibility, but it looks very informative, comprehensive and thought out, and thus far was the most thorough source I found, so I'm personally willing to trust it. But please do find out for yourself. That'll be it, see you and I hope you had fun reading!
Link to the website: https://www.realmshelps.net/monsters/aboutundead.shtml#undeadhunger
UPDATE!!!!!!!!!!!
Tags written out by the wonderful @dinzeeyz !!! They explained here what is ACTUALLY happening to Chip, not a theory, facts from the boys themselves! Please make sure to read them!!!
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Well, there it is folks! Of course, I do not mind that I was wrong! The fun part in theorizing is not being right or wrong, but the journey one takes to find out the truth! And the truth is SO much more horrifying than I could ever think! You see, I was kinda thinking abt ways for Chip to still function while undead, but there is NO FUNCTIONING WHATSOEVER APPARENTLY. Grizzly's not playing, and the prospect of losing Chip forever is real oh dear OMG, that's absolutely insane!!! Please feel welcome to discuss this, I'll be definitely making more posts about this once I have a little more time but holy shit guys. We need to fix that boy up F A S T. If we lose Chip, I'm not recovering-
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arataka-reigen · 6 months
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Fall Anime Lineup Review by yours truly 🙋‍♀️🍄🌻
This season, I decided to watch as many anime as I could just for funsies :^) in total, I have started 19 shows, and I will be reviewing most of them here to help you decide whether to give any of them a go or not.
(This review will include exclusively animes that debuted this fall, so no second seasons or continuing shows from the summer season)
I will be classifying these anime in three categories: "definitely worth the watch," "anime i've dropped," and "not a masterpiece, but check it out if you like the premise"
Reminder that this is my personal list, and as such it 100% reflects my personal tastes (like my preference for female main characters and yuri shows)
So I might give 5 stars to shows other people would find bad, and that's okay! I invite others to make their own lists as well <3 (insert lets take ibuprofen together meme here)
(Last thing: i've added cw for only a few shows, and this is by no means an extensive list of all possible triggers for any of these shows, so watch at your own risk and if you want more info you can always ask or dm me)
Without further ado, let's get on to it (under read more because im not a jerk to make you scroll past All That)
Definitely worth the watch / Top 5 Shows of the Season
The Apothecary Diaries
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Summary: Drama, Historical, Medical, Mystery. An apothecary gets kidnapped and forced to work in the emperor's palace as a low-level servant. She is determined to quietly work until her years of servitude are over, but when the emperor's infants fall ill, Maomao uses her medical abilities to solve the mystery of their illnesses and accidentally attracts attention to herself, being brought to work in the inner palace instead.
Rating: ★★★★★
Review: This show is incredibly well animated and voice acted. The characters are brilliant and the stories are beautifully touching. It appears to be slightly episodic so far, with Maomao having to solve a new mystery or save someone's life every episode, but there is still a sense of a continuous story being told and I can't wait to see where it goes.
The strongest part of this show is definitely the MC. Maomao is incredibly competent, self-assured, and a no-nonsense person, but she is also completely obsessed with drugs and poisons, going so far as to test them out on her own skin and become completely giddy when she is presented with the opportunity to work with drugs in the inner palace.
Another great quality is the sorority between women, Maomao was raised in the red light district, and the courtesans there taught her a lot about life, which Maomao applies to her everyday life.
If you only have time to watch one anime this season, this is the one I'd tell you to watch.
CW: self-harm, child death, kidnapping, classism.
Edit to add one more cw: pedophilia (it is treated as a bad thing and not endorsed, but it caught me by surprise while i read the manga so i thought to warn this is an upcoming topic that will probably appear on ep 6)
Sousou no Frieren
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Summary: Adventure, Drama, Fantasy. What happens when you are a 1000 year old elf who has to live on after your friends' death? For 10 years, Frieren and her companions fought against the demon king, disbanding after he was defeated. The story accompanies Frieren after Himmel, the Hero, dies, and she has to come to terms with the fact that the short 10 years she spent with him have made a big change in her life.
Rating: ★★★★★
Review: Much like The Apothecary Diaries, Frieren's tale is not full of battles and fast paced episodes, actually it is slightly episodic, accompanying Frieren as she goes around collecting spells (that's her hobby) and traveling around the land through all the places she went with her party back in the day, seeing their statues and getting to experience new things while trying to figure out what those 10 years of adventuring meant to her.
This is MadHouse we are talking about, so of course, the animation is one of the strongest attributes. Sound design is also very good, you get to feel the quiet moments and appreciate them. The ending song is so good.
Also like Apothecary, Frieren's greatest qualities are the characters, especially the MC and the feelings they have to face.
Tumblr loves characters haunting the narrative right?? You guys are gonna love Himmel, the Hero istg
CW: death, grief, mild violence.
My New Boss is Goofy
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Summary: Iyashikei, Workplace, Comedy. Momose used to be harrassed by his last boss so he decided to quit his job and joing a different company. Momose's new boss, Shirosaki, is an airhead and being in his presence is a fun and healing time for Momose
Rating: ★★★★★
Review: SALARYMEN YAOI. This show will heal your soul. The animation is simple but pretty, the cute effects like the ones on the gif above really help set the mood of a cute show. You've heard of cute girls doing cute things on anime, now get ready for cute salarymen doing cute things such as adopting a cat and naming it their shipname, riding the merry go round together, etc.
Also, may I offer you a canon bi/pan male character who is not embarrassed to come out?
Btw this is iyashikei, so nothing really happens, that's the whole premise of this genre. No drama, only healing. Idek if there is anything i could put as content warning. CW: cuteness overload.
I'm in Love with the Villainess
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Summary: Isekai, Fantasy, Comedy, Girls Love. Rei wakes up in the body of the hero of her favorite otome game. Her favorite character in that game happened to be the villain, though, so now she is determined to dedicate herself to pursuing the villainess.
Rating: ★★★★★
Review: I debated a lot whether or not to include this on my top 5, but the incredibly deep and honest discussion about sexuality on ep 4 definitely swayed my decision in its favor. The animation is nothing special tbh and at times can feel very static, but the character design is good enough for me.
This anime is like if Maria from Hamefura was the one who got isekaid and then fell in love with OG Katarina, so... yeah, of course I love it.
It seems that this anime will go in some interesting and unexpected directions as well in the future so I consider this is a must watch of the season.
CW: classism, discussions of homophobia, mc can come off as a bit of a stalker,
To complete my top 5:
I'm Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness
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Summary: Romance, Comedy, Fantasy. Despite being innocent, Charlotte is accused of evil deeds, has her engagement annulled, and is forced to flee her country. While crossing the forest, running away from royal guards, she collapses near the residence of one man known as "The Demon Lord"
When he hears her story, said Demon Lord decides to let her live with him and teach her all about the naughty things in life (such as splurging on clothes, eating dessert instead of dinner, and playing games all night long).
Rating: ★★★★★
Review: EXTREMELY WHOLESOME. You'll be cheering for these two to get together in no time at all.
It's kinda like My Happy Marriage, but with less drama lol the female lead was raised as a servant in her own home, much like Miyo, and then gets rescued by a male lead who wants her to learn how to assert herself and live for herself, pursuing her dreams and valuing her own life.
Not a single moment with the male lead so far has been anything but incredibly wholesome and funny, Allen is genuinely a good person who wants Charlotte to heal for her own sake. He gets incredibly happy when she hides a secret from him because it means she is becoming her own person.
So far, this anime hasn't had a single problematic trope this type of romance anime usually has, and i don't think it will. What it does have are fun tropes like: "and there was only one bed", side characters hardcore shipping the MCs, male lead who is genuinely a good person but laughs and talks like a villain, etc.
ALSO, this series has not one but TWO catgirls <3
I could genuinely talk about all five of these animes for hours, but I still have lots of others to review. Hit me up if you want to talk abt any of them, though, i'm gonna be super happy.
Honorable Mention:
Spy X Family Season 2
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Rating: ★★★★★
Anime I've dropped or will probably drop soon
The Vexations of a Shut-in Vampire Princess
Summary: Comedy, Fantasy, Vampire. Komari is a shut-in vampire who is weaker than most vampires because she refuses to drink blood. One day, she wakes up to the news that she was appointed as commander of a unit of the imperial army and must now do her best to win wars and survive while all the vampires under her command fight for her position
Rating: ★½ (a full star is too much, so I'll give it half a star)
Review: This one is bad, fam. The reason I found why it is so bad can be summarized in a 3 words: the male gaze.
Komari is filled to the brim with yuri bait, with every female character being into the MC, but all of it is 100% targeted to male audiences. This show is NOT classified as shoujo ai, so i wouldn't get my hopes up and ultimately dropped it after only the first episode.
If you need one more reason to Not watch this, I'll let you know that in less than 10 minutes of the first episode the MC almost pisses herself because that's a thing they decided to include for no reason at all.
My Daughter Left the Nest and Returned an S-rank Adventurer
Summary: Adventure, Fantasy. After losing his leg as a newbie adventurer, he retires and returns to his hometown, becoming a handyman for the village. One day, while searching the mountains for herbs, he finds a child and raises her.
His grown-up daughter leaves to become an adventurer herself, and after years, she hasn't returned home not even once...
Rating: ★½
Review: Oh, I wanted this one to be good so badly 😭 it was one of the animes I was most looking forward to after reading the premise. Actual dilf character who is in his 40s and not in his 20s? I wanted it to be good. But, alas, it is bad. There is nothing problematic with it at all, the anime is straight up just bad. Bad animation, horrible pacing, terrible exposition, abhorrent setup of the story, not enough moments dedicated to setting up the story and making the characters interesting at all.
I Shall Suvive Using Potions!
Summary: Isekai, Fantasy. The God of Earth accidentally kills Kaoru and, as compensation, offers to lead her to a new life in another world with any power buff she wishes for. She chooses to be able to make potions with any effect of her choice, infinite storage space, and other stuff
Rating: ★
Review: ngl the first half of the first episode was pretty interesting, with Kaoru dying and then bargaining for compensations, but after this it just gets very very very boring. Nothing too bad about this one, it's just not worth anyone's time.
Tearmoon Empire
Summary: Fantasy, Time Travel, Comedy. Following her execution at the guillotine by the hands of the revolutionary army, Mia Luna Tearmoon wakes up to learn she has returned to when she was 12 years old, before the downward spiral and decline of the empire that led to her death. She finds her bloodied future diary, and decides to use it to change events to ensure she doesn't end up at the guillotine once again.
Rating: ★
Review: i honestly still don't know where i stand with this anime. It's got an interesting premise, but the development of the story is not at all interesting. This and the S-rank Daughter anime are under a category of "animes i wish had better writers."
CW: death, torture
The Family Circumstances of the Irregular Witch
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Summary: Fantasy, Comedy, Gag Humor. Alyssa, a witch who lives alone in the forest, picks up an abandoned human baby one day. 16 years later, Viola had not only grown into a daughter who adores Alyssa, but also into a woman of exceptional proportions, and the people around them mistook Viola for Alyssa's mother
Rating: ★★
Review: it pains me to drop this one ngl, as it is a very sweet mother & daughter story and I feel like we don't get enough of those. The story can be very wholesome at times, and i've had more than a few good laughs with it. But it's just not interesting enough to keep you watching, and most of the jokes get old pretty fast. I'd recommend watching just the first episode because it is cute and funny enough by itself
Not a masterpiece, but check it out if you like the premise
Hoshizuku Telepath
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Summary: Comedy, Girls Love, Supernatural. Fifteen-year-old Umika Konohoshi, with a love for aliens and space, is having a hard time socializing at school, but she hopes her words will someday reach other people. When self-proclaimed alien Yuu Akeuchi enters her life, Umika will learn more about being open.
Rating: ★★★★
Review: Just cute girls doing cute things + this one is actually classified as Shoujo Ai, so i have high hopes for a bit of romance. So far, it's just been very, very cute, wonderful animation, cute characters, cute interactions, cute everything
None of these characters are neurotypical btw.
I highly recommend this one, it almost made my top 5.
16bit Sensation: Another Layer
Summary: Time Travel, Workplace, Comedy, Otaku Culture. Konoha is an illustrator who loves beautiful girls and bishoujo games. She works at a video game studio and dreams of making bishoujo games. However, in the present, where mobile games are all the rage, Konoha spends her days as a sub-illustrator just coloring the back of background characters.
One day, after some happenings, Konoha got her hand on a masterpiece of a bishoujo game, and upon opening the package, she is suddenly taken back in time to the golden age of bishoujo games (the 90s). She joins a company named "Alcoholsoft" in pursuit of her dream of making games.
Rating: ★★★★
Review: Main character loves infodumping about her special interest so much she manages to get herself a time travel deal after infodumping on a random old lady.
This is another anime that almost made my top 5. It has a slow start and the continuity sometimes makes no sense ngl, but the premise is still very interesting. I was used to stories where characters get isekaid into a completely different time and space, but this girl is just sent back 30 years in time so she can witness the boom of her beloved bishoujo games.
The MC can get kind of annoying sometimes, but it isnt too unbearable, I still highly rec it.
Shy
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Summary: Action, Super Powers, Drama. As the planet approached its third World War, individuals with superpowers appeared from around the globe to maintain peace. They became the symbols of their respective nations, striving to limit crime and bring evildoers to justice. Teenage heroine Teru "Shy" Momijiyama is Japan's representative in the world of heroes. When a mysterious threat called Amalareiks emerges, Shy must work together with her fellow heroes to stop them at all costs, all while dealing with her own feelings of inadequacy and shyness.
Rating: ★★★★
Review: a lot better than I expected, the myanimelist score does not do it justice istg. This season is full of shy and reserved main characters, but I feel like they get to be a lot more interesting than your usual shy characters. Both Hoshizuku Telepath and Shy deal with their shy characters in interesting ways and I rec both.
I also absolutely adore Iko, who is one of the first people saved by Shy in the anime, but she ends up badly hurt, which sends Shy into a spiral of doubt and fears.
CW: mild violence, death, grief, self hatred and suicidal thoughts
Migi and Dali
Summary: Comedy, Mystery, Suspense. Osamu and Youko want to adopt a child, due to their increasingly old age, they decide they can only take one kid. They decide to adopt Hitori, a gentle and beautiful boy.
However, Hitori's humble and overly polite exterior is merely a facade. In reality, Hitori is a carefully crafted character played by identical twins Migi and Dali. They did all that to be able to infiltrate their childhood town and uncover the mystery of their mother's death.
Rating: ★★★★
Review: This show is batshit insane and absolutely hilarious. These twins mistrust everyone around them and are constantly on edge to maintain the facade of being only one person, the extents they go to keep this up make for hysterical situations and I just couldn't stop laughing while being absolutely horrified by everything that goes on in this. This is a very disturbing anime, though, and the cw for this is gonna make you question whether or not you can trust my opinion, and you know what? I don't know if you should trust me either. But like,,, it really is that fucking funny. It is also just incredibly disturbing and fucked up as well, so watch at your own risk.
CW (this one is very problematic, don't say i didn't warn you): non sexual forced infantilization, non sexual forced pet play, non sexual groping, forced partial nudity, forced eating, minor incest vibes, implied murder, invasion of privacy, surveillance, classism, fursona, bullying, kidnapping and imprisonment. Most of these things happen to a minor, so.. yeah... not great...
If you would like more info on these cws before starting this anime, feel free to send an ask or dm me.
Ron Kamonohashi's Forbidden Deductions
Summary: Mystery, Detective, Comedy. Totomaru wants to solve murders and help people, but lacks the skills for it. Following the advice of one of his seniors, he ventures out to enlist the aid of the reclusive Ron Kamonohashi. Five years ago, Ron was the most promising detective from the illustrious Detective Training Academy Blue; yet for reasons unknown to the public, he sank into obscurity.
The true reason Ron withdrew from the detective world was not from lack of desire, but rather from something out of his control—and Totomaru might just be the key for his return to his former calling.
Rating: ★★★
Review: This is the classic sherlock ripoff that comes around all the time. Not saying it is bad tho, it is quite fun and the dynamic between Toto and Ron is very good. The animation is pretty decent as well. I have only seen one episode so far, but I already like it.
Our Dating Story: The Experienced You and The Inexperienced Me
Summary: Romance, School. As part of a punishment game, Ryuuto is forced to confess to the girl he likes, Runa Shirakawa, a very popular student.
Runa doesn't have a boyfriend at the moment, so she simply agrees to date him.
They have different friends and ways to have fun, and they are different in almost every way. Nonetheless, they begin to relate with each other.
Rating: ★★★
Review: this romance is quite fun and cute, Runa is very carefree about her relationships and isnt embarrassed by things like sex or whatever, she is quite experienced (as the title says), but she has never experienced real love so she just goes around dating in search for it. Ryuuto is very different and gets embarrassed just thinking about holding her hand. He also wants to make her feel appreciated and figure out what her interests are, so he is one of the first dudes to actually treat her like a human being, which, god, it is so real how men take women for granted and this anime shows that by the juxtaposition of Ryuuto being an actual decent person.
Anyways, it doesn't get a higher recommendation from me because the main source of conflict so far in this anime is another female character, who hates the female lead. And that. Uhh. I don't like stories like this. Im a women loving eomen. Im a yuri enjoyer. Im a girl's girl. So, i'd enjoy it more if the antagonist wasnt a girl who hates the female lead. But it is good enough so far to give me hope that this will change in the future.
The Yuzuki Family's Four Sons
Summary: Slice of Life, School. The Yuzuki family, which consists of four brothers, lost their parents two years ago. Hayato, the eldest son, is a hard worker and the pillar of the family. Mikoto, the second son, is calm and collected, but he has a soft spot for his younger brother Minato, the third son, who is energetic and lovable, but clumsy and awkward. Gakuto, the fourth son, is a studious and mature first-grader who is often referred to as a "wise man." The story follows their daily lives.
Rating: ★★★
Review: this is the only actual shoujo of this list. The rest is either shounen or not classified as either. I have only watched one episode so far, so I can't say a lot about it, the first ep was cute and wholesome, as most slice of life is. I say go for it if you want some wholesome family.
Undead Unluck
Summary: Action, Comedy, Super Powers. For the past 10 years, Fuuko has been afflicted by a condition that brings extreme misfortune to anyone who touches her. This has resulted in the deaths of her parents.
As she stands on a bridge above train tracks, Fuuko is touched by a strange man, causing the footing underneath him to break and dropping him in front of an oncoming train. However, when Fuuko finds the man's corpse, she discovers that his body is regenerating and that he is coming back to life.
The man is immortal and wishes for death. Together, the two will look for the best death possible.
Rating: ★★
Review: god, this one is absolutely insane and so full of blood and death, help. But it is good, I had A Lot of fun with the first ep and I'll give it a chance because I can see myself getting really into the main couple. This is a hardcore shounen tho, so it does include some classically annoying tropes, especially since the dude has to touch her to be hit by her unlucky powers.
This season only had 2 shoujos, and one of them had a classic shoujo problem (problematic age gaps), so i didn't watch it. Here is to hoping next season has more shoujosei.
Thank you for reading until the end (wtf, are you crazy) and happy watching <3
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indieyuugure · 9 months
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God I love Mutation situation version of Mikey. I do think he’d be pretty well off to help with some kind of cure though, because of the season 1 episode with the mind control larvae that takes out the other boys. He memorized the formula, and was able to make the antidote all by himself, WHILE slowly succumbing to the poison (?)
Also them just going around barefoot with WEAPONS in an American high school is sending me lol
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Lol, shoes are overrated.
Hm, you are not the first to point this out to me.
I think it is definitely a valid argument for Mikey. Remembering back to that episode (“Parasitica” ep 23, s1, if I remember correctly), Mikey did do a pretty good job. Considering TMS is meant to take place in later season 2, I think that I might rewrite it slightly to include that.
I believe it was @thejavavoid who first pointed this out, thank you both! I’m very glad to have people who are also super fans of the show who can nit pick my work to make it perfect!
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Calming Waves
Hunter x Reader
Summary- After finding out Omega has been taken for the third time, you and Hunter must comfort each other. Set at the end of s.3 ep.11
A/N- I AM FERAL FOR THIS MAN!!!!! It didn't turn out exactly how I wanted. The idea wasn't as fresh in my head as I would have liked. Nevertheless, enjoy!
Word Count- 1,439
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Your chest heaved, desperate for air as you ran. Your feet hurt from how hard they were hitting the pavement. The Empire ships were leaving, that meant either two things.
Omega was dead, or Omega was taken.
Tears burned your eyes as you still raced for the top of Pabu where Shep's home was. That was the designated hideout.
You were close to hyperventilating, but seeing the humble cottage in the distance gave you the last boost you needed. You had to know what happened.
With a fury you didn't know you had, you slammed the door open.
"Where is she!" You yelled out when you saw only Hunter, Wrecker, and Crosshair.
Hunter was the first to face you, his own eyes glossy. He said nothing, just pulled you into a tight hug.
With realization you sobbed. If it wasn't for Hunter holding you up, you would have fallen.
You cried and cried, Crosshair could only look down in shame.
"Shhh, Shhh, we will find her..." You managed to catch your breath at his reassuring words. Hunter rubbed your back soothingly, even though he was barely hanging on himself.
"What... What happened?" You stood by yourself again, tears still silently falling. You wiped them away violently.
All eyes turned to Crosshair at your question. You noticed and followed their gazes. "What did you do?" You asked, words laced with poison.
"She, Omega, she gave herself up." He revealed, your heart sank again. She was so brave...
With a single stride forward- SLAP!
Your hand stung, bad. You just hoped Crosshairs cheek hurt worse. Your stare sent daggers to him.
He saw the hit coming, he really did. He just agreed that he deserved it, letting you deliver the blow.
"And you let her? You were supposed to protect her!" You pressed, unable to grasp how he could do such a thing.
"She.... She felt guilty, all of the lives that were going to be lost-"
"Do you think I give hell about anyone else?" You argued. "If we start to think about strangers, then we'd all be dead."
He looked remorseful, but not apologetic. "Omega saw the bigger picture."
This set you off, grabbing your blaster from its holster. "She is a child," a sob threatened, "She is too busy seeing the good in people to know how much bad there truly is."
Wrecker sat silent, watching. He was still injured from the bomb.
You weren't actually going to shoot him, in your fury you just acted irrationally. Hunter knew this as well, but still came to your side.
His hand wrapped around yours, gently lowering your weapon and hand.
"I can't even look at you right now..." At that, you turned on your heel. You didn't exactly know where you were going, just that you needed some air.
Hunter was at your side, a hand trying to wrap around your hip. "No, just leave me alone. I cannot believe this!" You pushed his hand away, admittedly harsh.
"I won't let you run off. We need to stick together right now." He managed to grip your wrist, you let him.
You sighed deeply, "Then come with me."
"Always..." He moved his hand down to grasp yours lovingly.
While the thought of marching back in and demanding a plan crossed your mind- Wrecker was hurt and you had no ship. The best you could do was wait for Echo or Phee to return your messages. Your mind still wandered at ways to find her.
You found yourself at the shoreline, right by Omegas hideaway cave. You didn't mean to stop there, but you guessed your subconscious wanted to be closer to her.
With a puff you sat down in the sand, hands mindlessly feeling the grain beneath you.
Hunter stood by your side, still on guard. You, however, were too worn out to care anymore.
"Three times..." You stated, not looking up. The wind blew your hair back. It could have been a scene from a holo-movie. The light breeze only made your heart ache more. The countless times you'd spent in this every spot with Omega grieved you.
"I know." You could hear him shuffle. You only responded by bringing your knees to your chest, wrapping your arms around them.
With a sniffle, you'd decided to speak again. "I hope she's not too scared. Even if it was her choice to hand herself over, she must still be scared." Tears welled at the thought of her.
Hunter moved forward, squatting down to rest a hand on your shoulder. "She's a tough girl." Silence again.
You knew she was tough, but the 'biggest' and 'strongest' of men wavered at The Empire. What could a single girl do against a whole Imperial army?
Hunter tried to ease your nerves, "We've done it twice before, we will save her again. Her and the other captured clones." This only fueled your anger.
"And then what?" You snapped, jerking your head up at him. "The Empire will never stop looking for her! They will just come again and again."
He looked down, avoiding your gaze.
"Hunter, I just want to be normal." You rested your face in your hands, still leaning on your knees. "Is that bad? To not have anyone after us. Just you, me, Omega...I mean, of course the guys too..."
"No. No, not at all." He said.
Your shoulders shook with your crying. "I'm sorry, i'm trying to keep it all together." You said messily, wiping your eyes.
At this, he finally embraced you. Pulling you completely into his arms. You were practically in his lap. He tucked your head into his shoulder.
"I just want our daughter back." You sobbed out, holding onto Hunter hopelessly.
"Even if it is the last thing I do, I will bring Omega home. We will bring her home." He pet your head gently, his calm and serious voice started to soothe you.
Your voice was muffled by his skin, but you spoke on. "I am so tired of running."
"I know, me too."
You both just held each other for awhile, the sound of the waves helped you steady your breathing.
Hunter broke the silence. "After this, after we save her... I think we should all disappear."
"Disappear?" You questioned, even though you were sure what he meant.
"Wouldn't be too hard to fake our deaths." He said stoically, staring across the water.
You leaned up at this, shuffling so you could look at him. "What about all of your connections? Phee, Shep, I mean-" You sighed, "...We can't tell them can we?"
"It's like you said, when we start to think about strangers we risk ourselves." He was turning cold.
You eventually agreed, resting your head back on his collarbone.
"We've got an incoming message from Phee." You both heard over Hunter's comms.
"Headed your way." Hunter replied.
He squeezed you a last time, hands still on you gently. "Let's go, talking to Phee will bring us a step closer to Omega."
You nodded, heart swelling when Hunter reached down to swipe the last of your tears away.
You pulled back, touching the sand with your hand a last time. Your tears were dried, all that was left was fury. A fury that could rival The Empire.
After talking with Phee, she agreed that she would head your way. You hoped she wouldn't mind helping you four, just until Echo could fetch a ship.
Tension was high, you all waited for her to arrive. Crosshair kept looking your way, but you didn't return it.
You had thought about your exchange, and was feeling pretty guilty. You knew Crosshair wanted Omega safe, that he was only doing what he thought was right.
"Crosshair?" You called out to him, he stood at his name.
"Can we talk outside?" He nodded and followed you.
The two of you leaned over the railing outside of Shep's house. Both looking over to the water. "I'm sorry-" He started, but you interrupted.
"No, I'm sorry. I know it was Omegas idea. Her heart is too big to watch the people of Pabu get taken. I.. I wasn't actually going to shoot you.." You fiddled with your fingers, ashamed.
"I know. I'd have done the same. She, she just wants to make everyone happy." You smiled at his words, the description of her bringing you comfort.
You leaned closer to him, nudging his shoulder. "I might have a way to find the Tantiss coordinates."
You ushered him back inside, perfect timing to see Phee approaching. A plan was soon demised. You'd find a way back to Omega, no matter what.
A/N- Okay, let's be real. Hunter was not as mad as he should have been about losing Omega FOR THE THIRD TIME! That is my excuse for writing this! Thank you so much for reading!
Tags- (lmk if you want to be tagged as well!) @thethreeeyed-raven @dangraccoon @knight-of-flowerss
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our hearts.
matty healy x female reader
a/n: here’s a small something i wrote as a little part 2 to at your back door as a thank you for giving it so much love!
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You were hesitant at first. You were scared. Scared to lend him your heart again, not realising it was already permanently etched into his hands.
You and Matty soundtrack your seasons to the EP he wrote for you. He strums his guitar and hums softly, competing with the singing birds in the Spring and the icy rain spitting on the windows in the Winter. He’s told you now, of course. He's famous. He's an international rockstar who gets on stage in front of thousands of screaming fans desperately reaching out for him. But he’s also yours. Your sweet little Matty. Always there to kiss your heart so gently and hold you tenderly. You miss him while he’s gone. But you miss him even when he’s right next to you. Love simply isn’t enough for you and him.
When he’s gone, he still sends you postcards. ‘To My Darling’.
He still calls you. “Hello my beautiful Darling.”
That's your name.
You sit on your back steps waiting for him to come home from tour. Sometimes a thought poisons your mind and tells you he’s not coming home. Sometimes he doesn’t, and you fall asleep curled in the armchair by the door still waiting for him. You don’t worry though. You always wake to the smell of fresh coffee and cigarettes and you feel a warmth radiating from your heart. He’s home. He’s picked you up and carried you to bed. And you’re lying there in his arms, letting the sun soak into you and your soul.
“Darling, hurry up and come here, I already miss you,” Matty whines for you from the living room. You roll your eyes with affection, knowing you’ve only been apart for less than 10 minutes. Your feet pad down the hallway, hair still wet from your bath, leaving a trail of droplets on the hardwood floors. The day has slipped away into the evening and the sun has said it’s goodbyes. He came home a few hours ago, from New Zealand. Whenever he comes home to you it’s like you’re seeing him for the first time again. His gorgeous curls and his golden honey eyes and the stubbly jaw that’s etched into the softest parts of your body. There was exhaustion eating away at his cheeks as he smiled at you fondly, standing at your doorway with open arms. He’d come home at the perfect time for you to lounge together under the setting sun. He slept softly against your chest and you ran your fingers through his hair. Scraping over his scalp in circles and swirling patterns, reminding yourself he’s home and he’s here and he’s yours.
His curls are now damp too. He'd climbed out of your shared bath a few minutes before you, claiming the water was getting too cold for him and urged you to take your time, leaving with a kiss on your forehead. He’s standing there in the middle of your living room, cotton t-shirt on his fresh skin and vintage sweatpants hanging off his hips. He stands there with a smile glowing over his face, illuminated by the lamp in the corner and the small candles lit across the room. He belongs here. Just like the couch and the small television and the persian rug at his feet, like the pot plants that spread their vines and roots across the entire house. This is his home.
He pulls you into his arms, and you dig your face into the front of his chest. He smells like lemons and spring and nag champa.
“Mmm you already smell like me,” you muffle. He holds you so closely, chin resting on top of your damp hair.
“I missed you so much, so so much” he says, voice slightly shaking.
“Hey,” you look up at him. His eyes are welling but he’s smiling. He’s got that look of hope and unconditional love.
You’re worried he doesn’t know how much you miss him when he’s gone. How you always choose his mug from the cabinet on the days that are especially cold. The way you put off washing your sheets for weeks when he leaves, never washing his pillow until the day before he returns, making sure you can always smell his cigarettes and sandalwood cologne. The way you lay awake at night, panicking when you realise you’ve forgotten the lyrics for the second verse of the ‘Autumn’ song he wrote for you, desperately raking through your collection of memories with him to remember. The way you kiss and hold every postcard he sends, swearing you can still feel his electric touch through the thin cardboard. The way you stare at the ceiling and whisper to him goodnight every night before you fall asleep, wishing he was there next to you, wishing he could hear you, wishing that he’d appear in your dreams that night. The way you crawl up into a ball on the couch and sob until your eyes are raw once he’s hung up, clutching your phone to your chest and exhausted from trying to hide your anguished yearning for the past hour.
You don’t know that he goes almost mad without you too. The way he snaps at George on the tour bus in the mornings because you’re not there in the cramped kitchen to sweetly pass him his favourite mug and because the coffee tastes like shit. The way he doesn’t wash one of his shirts for the entire time he’s gone, keeping it safely in his suitcase and preserving the smell of your lavender body wash that seeped into the cotton as you wore it religiously to bed every night. The way he spends most of his nights writing song after song in his moleskin, so he has a miriad to sing to you once he returns home. The way he presses a soft kiss to each postcard he sends home to you, hoping his love will still reach you over the vast seas that keep you apart. The way he dreams of you in his sleep, of your giggles and naked skin in the glowing sun and groaning with frustration when he awakens in the morning to realise that you’re nowhere near the blinding sun that blares through the curtains of his tour bus bunk. The way he loses track of time after he forcefully hangs up on the phone to you, staring at his lockscreen of your smiling face, tears wetting his pillow as the thought of you being right there in the pixels of his phone comforts his racing mind.
“There’s not a minute that passes where I don’t think about you, probably not even a single second,” you reassure him, pressing kisses to his beautiful nose and cupid's bow.
“Me too darling, me too.”
You both stand there in silence, breathing each other in and absentmindedly nipping at each other’s faces. After the silence has sunken into you comfortably, he pulls away from you and asks if you’d press play on the record player while he grabs the bottle of wine he brought back for you from New Zealand.
He doesn’t even get to reach the cabinet for the wine glasses when he hears you gasp.
“Matty, what is this?” Tears sting your eyes.
It’s a physical record of his songs for you. You no longer have to wring your brain out of it’s every drop to remember exactly how he sings them for you. The cover is a picture of you both laying on your favourite sunlounger, your head in Matty’s lap and his hand pressed to your chest, right onto your heart. You gather Hann must’ve snapped it with his film camera the day after Matty officially moved in and you threw a party in the garden to celebrate. ‘For My Darling’s Lonely Heart’ is written in his handwriting across the bottom. He’s standing by your side now, hands holding your waist and he leans to kiss away the tears that roll down your cheeks. You flip the record and the back cover is a quadrant of pictures. One from each season, a simple picture of your willow tree. From the deep green flourishes of leaves in the Summer to the piles of orange leaves in the Autumn, its freezing branches covered in snow in the Winter and the wildflowers that welcome the newborn green in the Spring.
“It’s perfect.” You whisper, choking on tears. “I love it.”
The day after Matty comes home from tour is always your favourite. Time stretches out in front of you endlessly, you find comfort and security knowing there’s weeks if not months until he has to leave again. You slip back into your shared life. Two pairs of mugs in the dishwasher and two pairs of boots by the backdoor. Two toothbrushes lining the bathroom sink and two towels dripping, hanging up to dry. Walks down to the park, hand in hand and stolen kisses. Trips to the grocery store, arms overflowing with groceries and each other. Laughter and whispers and moans.
But there’s yelling too. Matty’s only been home for three weeks when he steps out into the garden to answer a phone call, Jamie Oborne’s name glowing urgently. You were both curled on the couch all afternoon watching a movie he had suggested you’d love. It had been paused for 20 minutes as you shredded apart the loose threads of the crochet blanket wrapped around you, watching anxiously as Matty grew more and more frustrated and was pacing aggressively on the patio. Until he hung up with anger and huffed back inside, head falling into his hands as he slumped back onto the couch. Your hand fell to his back and drew circles soothingly, lips kissing at his ear, the blood in his veins immediately cooling down.
“I have to leave for London tomorrow morning, some legal bullshit to do with the label,” he murmurs hesitantly, almost scared for what your reaction could bring.
“Okay,” you whisper into his neck.
He pulls away roughly, standing up to face you. “Okay???”
You stare at him dumbfounded. “Okay.” You repeat again, more emphasis on the casualty of your tone, like he’s just told you he needs to head down to the shops for some more milk. His face is contorted with pain and betrayal.
“What do you mean okay? Do you want me to go or something? Want me to leave you?” His voice is raising, yelling and tears are pooling in his eyes.
“Oh so you want to get rid of me now? I thought you needed me? Won’t you miss me?” He blabbers on.
“Matty, baby stop,” you grab his hands and pull him back down to you.
“I meant okay as in I’m okay. We’re okay.” He grows silent.
“I’m okay with you gone because I’m used to it. My heart is used to waiting for you. And that’s okay and you’re okay and we’re always going to be okay.” You smile at him, continuing, voice shaking. “It’s okay because I love you.”
A tear rolls down his face, his lungs finally expand again.
“Oh Darling, I’m in love with you too.”
It’s the next morning. You’re leaning against the doorway, watching the curls on his head bounce as he walks down the path and to the car on the street waiting to take him to the airport. He stops halfway and abruptly drops his bags, running up the stairs and you giggle as he lifts you up to spin you around in his arms. Your chest is pressed into his face as he muffles, “I love you, I love you, I love you.” Spilling every word from his heart directly into yours and repeating it until your heartbeat starts to mimic the pace of his words. He kisses you sweetly and you both know it’s always going to be okay. He quickly races back down to his bags as the car beeps its horn impatiently. He takes one look back at you and he waves. You blow him a kiss, watching the car peel away and fade over the horizon. You stand there at the doorway so dazed, you think the car is probably halfway to the airport by the time you step back inside.
Your heart is full and as it overflows, Matty is always right there to catch every drop in his open arms. You’re carrying his heart in your arms too.
You walk over to the record player and grab Matty’s record, your record. With a pen and a shaking hand you neatly press it to the glossed cover.
‘For My Darling’s Lonely Heart’
You press play and his angelic voice floods the room.
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solsnicks · 5 months
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Fun Licorice Info!
Licorice Cookie is a super interesting character that I hold dear to my heart! Because of that, I collect lots of lore tidbits about him! So I’m sharing my findings in case any of these facts interests yall too! :D
[NOTE: These are all taken from in-game information, promotional art, social media posts, and Devsis’ own words]
Things Licorice enjoys
- Playing Jenga with his licorice minions (Source: Concept art)
- Reading (Source: Concept art)
- Collecting wizard staffs (Source: Concept art)
- Skulls (Source: character model, in-game CRK and CROB info, and concept art)
- Making voodoo dolls (Source: Concept art and CRK “Celebration in the Dark” cutscene from “Warmer Together”)
- Rollercoasters (Source: https://www.instagram.com/p/CcCAz2bLJpz/?igshid=NTYzOWQzNmJjMA==)
- Puns, but pretends not to in order to keep up his “tough” persona. (Source: https://youtu.be/v_krUSVWmHY?si=zIb6qLU1grslJL9y)
- Writing out his thoughts in his diary (Source: in-game CRK and CROB info, as well as promotional art)
- Silver ink and silver paper [so one one can read what he writes] (Source: Ovenbreak)
- Dancing when alone! https://www.tiktok.com/t/ZT8fwMYS8/ )
- Slipknot (Source: A comment from the CR account on this promotional video https://www.tiktok.com/t/ZT8fTxrRD/)
- 😏 is his favorite emoji (Source: https://www.tiktok.com/t/ZT8PdpDwC/)
- Food/drinks he likes: Boba milk tea, taro balls, mango sticky rice, strawberry juice, pineapple(?) juice, cake, popsicles, ratatouille with rice, pizza, and hot pots (Source: Too many posts to link here… But they come from BAD4 promotional art, regular promotional art, the CRK bakery event, the CROB “Bistrot Des Fleurs!” event, and the Parfait Summer Soda Rock Fest music video)
- Receiving letters (Source: https://x.com/gingerbrave_dev/status/1489226937428230145?s=46&t=397Cw8wwfHGjgUtBqyZEiA)
Things Licorice Dislikes
- Kids (Source: CROB relationship chart)
- LOATHES Pomegranate (Source: CROB relationship chart)
- Practically everyone except Dark Enchantress and Poison Mushroom (Source: CROB relationship chart)
- Hammers in a close proximity to his servants (Source: Ovenbreak Aberrant Conjurer line)
- Taking Red Velvet’s hounds on walks (Source: Gnomed Season 1 ep.1)
Skills
- An incredible tailor! (Source: https://x.com/gingerbrave_dev/status/1436253120456101889?s=46&t=397Cw8wwfHGjgUtBqyZEiA)
- He has very good handwriting (Source: His ZZ Skull signature)
- A good singer and songwriter (Source: BAD 4 event)
- Good ice sculptor (Source: https://x.com/gingerbrave_jp/status/1487259206184943618?s=46&t=397Cw8wwfHGjgUtBqyZEiA)
Miscellaneous Info
- Born a Gemini in 2002 (Source for birth year: Licorice’s CRK April Fools Skin, Source for sign: https://www.instagram.com/p/CODmsT3BQXz/?igshid=NTYzOWQzNmJjMA==)
- High school dropout (Source: A Live stream on the Cookie Run Kingdom YouTube channel. Unfortunately I cannot remember which one or the timestamp. If someone has this, please let me know!)
- Dogs don’t like him, which seems to make him somewhat upset. (Source: https://www.instagram.com/p/CYqa_Drv8Dv/?igshid=NTYzOWQzNmJjMA==)
- He does prefer cats, however! (Source: CROB “Cookie Debate” event)
- Doesn’t have a ton of upper body strength. (Source: CROB Aberrant Conjurer Desc.)
And for anyone who likes Lico romantically (don’t worry I’m guilty as well) here’s how I interpreted his info from the CR Banggooso love quiz results! (Actual results linked for anyone who wants the original Korean writing) https://www.banggooso.com/gl/63/result?score=IBDY
- If he’s upset with something in the relationship, he’ll keep it to himself and in his diary.
- If his partner messages him, he stops everything to read and reply.
- He doesn’t express it, but he cares VERY MUCH about the other person’s past.
- The most important thing in a relationship for him is how he currently feels, not thinking rationally.
- Even if there’s arguments, Lico is happier in a relationship.
- Lico puts his heart and soul into a relationship. So much that it could take away from his daily activities.
- Holding all his emotions in is tiring to him.
- Lico seems to be worried that his partner would not share what’s upsetting them, like he does himself.
- If there ever was a breakup, Lico would regret bottling his thoughts and try to make up.
- To have a nice relationship with Lico, there needs to be honest communication on both sides. This includes being open about thoughts and also being able to express love!
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poisonousquinzel · 8 months
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Batman: The Animated Series Harley Quinn being the Blueprint for Modern Harley Quinn
my actual version of this post
Working On The Side Of / With The Batfam
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Harlequinade (EP) • "Batman and Robin have no time to spare in stopping the Joker from detonating an atomic bomb, so they enlist the help of Harley Quinn to hunt the Joker down."
Batgirl Adventures • "When Poison Ivy is captured by mobsters, Harley Quinn must act quickly to save her, so she turns to the only hero she can find: Batgirl!"
Batman: Gotham Adventures #43 • "Who's out to get Harley Quinn? Batman has to take her on as a sidekick to find out. The answer awaits deep in Harley's history...that is, if she and the Dark Knight survive the traps set for them all over Gotham!"
Batman: The Adventures Continue Season 1 (2020) #12 | Season 3 #2, #5, #7
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Also before anyone comes @ me all "oh but what about her participating in the Death in the Family storyline", I've made a post here talking about the exacts of Harley's involvement in Jason's death.
Trying To Have A Better, Reformed Life / Redemption Arc
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Batman: The Animated Series "Harley's Holiday"
Batman: Gotham Adventures #10
Batman: The Adventures Continue Season 3 (2023) #2
Ending Scene In Batman Beyond: Return Of The Joker
Being A Little Goofy Gal
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Batman: The Adventures Continue Season 2 (2020) #7
Batman: The Animated Series • "Holiday Knights", "Harlequinade", "The Man Who Killed Batman"
Dressing Revealingly / Being Sexual
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Batman: The Animated Series • "Harley & Ivy", "Harley's Holiday", "Holiday Knights", "Beware The Creeper"
The Batman Adventures: Mad Love
Being Bisexual (cry about it♡)
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Paul Dini: When Bruce and I did the Harley and Ivy miniseries, it was certainly implied that [Ivy and Harley] had a relationship with each other—they shared hugs and kisses. I didn’t want that to overpower what the story was, but the relationship between them is so natural.
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Paul Dini: The more I worked with [Harley Quinn and Poison Ivy], the more I could see [a romantic relationship] happening. Unfortunately, at the time, in an animated kids cartoon, you really couldn’t get into the complexity of that or honor what a relationship like that could really be. We just showed them together as friends and on fairly intimate terms when they were out of the costume, but nothing was implicit because if we couldn’t do that relationship properly then we didn’t want to do it at all.
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Batman: The Animated Series • "Holiday Knights"
Batgirl Adventures (1997)
Love Is Love (2016)
Batman: The Adventures Continue Season 3 #2-7
Breaking The Fourth Wall
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Batman: The Animated Series • "Harley's Holiday"
HQ, turning her head towards the camera: "Talk about grasping at straws. Oh, well, at least I'm going out on a joke."
Being A Domestic Violence Victim (And That Being A Prevalent Aspect Of Her Story)
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"Everyone else sees the Joker laugh, only Harley has ever seen him cry. It's the only reason she stays with him.
Harleen, having once been a therapist, has touched onto his vulnerability. She knows who he is underneath. That’s what keeps her there."
- Arleen Sorkin [Batman: Animated | Interview Add-On Comment]
Batman: The Animated Series • "The Laughing Fish", "Harley & Ivy", "Mad Love"
Justice League • "Wild Cards"
The Batman Adventures: Mad Love (comic)
Harley Quinn: Mad Love (Novel)
Batman: The Animated Series | The New Batman Adventures Episodes
Harlequinade Aired: May 23, 1994 Writer: Paul Dini Director: Kevin Altieri
Harley's Holiday Aired: October 15, 1994 Writer: Paul Dini Director: Kevin Altieri
Holiday Knights Aired: September 13, 1997 Writer: Paul Dini Director: Dan Riba
The Man Who Killed Batman Aired: February 1, 1993 Writer: Paul Dini Director: Bruce Timm
Harley & Ivy Aired: January 18, 1993 Writer: Paul Dini Director: Boyd Kirkland
Beware The Creeper Aired: November 7, 1998 Writer: Rich Fogel Story by: Steve Gerber Director: Dan Riba
The Laughing Fish Aired: January 10, 1993 Writer: Paul Dini Director: Bruce Timm
Mad Love Aired: January 16, 1999 Writer: Paul Dini Story by: Bruce Timm & Paul Dini Director: Butch Lukic
Justice League Wild Cards Aired: December 6, 2003 Writer: Stan Berkowitz and Dwayne McDuffie Director: Butch Lukic
Ending Scene In Batman Beyond: Return Of The Joker Story: Paul Dini, Glen Murakami, Bruce Timm Screenplay: Paul Dini Director: Curt Geda
The Batman Adventures: Mad Love Writers: Paul Dini, Bruce Timm Pencilers: Bruce Timm Inkers: Bruce Timm Colorists: Bruce Timm, Rick Taylor Letterers: Tim Harkins Editors: Scott Peterson, Darren Vincenzo
Batman: Gotham Adventures #43 Writers: Scott Peterson Pencilers: Tim Levins Inkers: Terry Beatty Colorists: Lee Loughridge Letterers: Albert DeGuzman Editors: Joan Hilty, Harvey Richards
Batman: Gotham Adventures #10 Writers: Ty Templeton Pencilers: Rick Burchett Inkers: Terry Beatty Colorists: Lee Loughridge Letterers: Tim Harkins Editors: Darren Vincenzo
Batman: The Adventures Continue Season 1 #12 Writers: Alan Burnett, Paul Dini Pencilers: Ty Templeton Inkers: Ty Templeton Colorists: Monica Kubina Letterers: Josh Reed Editors: Andrew Marino
Batman: The Adventures Continue Season 2 #7 Writers: Alan Burnett, Paul Dini Pencilers: Rick Burchett Inkers: Rick Burchett Colorists: Monica Kubina Letterers: Josh Reed Editors: Andrew Marino
Batman: The Adventures Continue Season 3 #2 Writers: Alan Burnett, Paul Dini Pencilers: Kevin Altieri Inkers: Kevin Altieri Colorists: Monica Kubina Letterers: Josh Reed Editors: Andrew Marino, Ben Meares, Katie Kubert
Batman: The Adventures Continue Season 3 #5 Writers: Alan Burnett, Paul Dini Pencilers: Ty Templeton Inkers: Ty Templeton Colorists: Monica Kubina Letterers: Josh Reed Editors: Ben Meares, Andrew Marino, Katie Kubert
Batman: The Adventures Continue Season 3 #7 Writers: Alan Burnett, Paul Dini Pencilers: Ty Templeton Inkers: Ty Templeton Colorists: Monica Kubina Letterers: Josh Reed Editors: Ben Meares, Andrew Marino, Katie Kubert
Batgirl Adventures (1997) Writers: Paul Dini Pencilers: Rick Burchett Inkers: Rick Burchett Colourists: Rick Taylor Letterers: Albert DeGuzman Editors: Scott Peterson, Darren Vincenzo
Love is Love (2016) Writer: Paul Dini Illustrator: Bill Morrison Colourist: Robert Stanley Letterer: Sal Cipriano
Harley Quinn: Mad Love (Novel) Written By: Pat Cadigan and Paul Dini
I am aware this last one isn't technically in the BTAS universe, but later on in the novel, it blends into the Mad Love comic/episode and then goes past it. I only used scenes that were originally featured in the comic/episode as they are just those scenes in a purely written form.
Harley Quinn: Mad Love (Novel) Pg. 261 He lowered his head and slumped, the very picture of dejection. Harley couldn’t stand to see him that way. She cuddled up next to him and took him in her arms. “I know how to make some smiles, puddin’,” she said in a playful, sultry voice. His whole body stiffened under her touch. “Puddin’?” But she knew it was hopeless; she’d done the wrong thing again. A moment later, he was leading her down the stairs by her nose, pinching it so hard between his thumb and forefinger that she cried out on every step. “Ow-ow-ow-ow-ow! That hurts! It really, really hurts! Please, puddin’—” He pinched even harder as he led her to the door, opened it, then turned her around. “How many times do I have to tell you?” he roared, applying his foot to her backside. “Don’t call me puddin’!” Harley scrambled to her feet just as he slammed the door in her face. She started to beg him to let her in but suddenly all the fight went out of her and she sank down to sit cross-legged in front of the door. Thrown out again; how many times was this? She’d lost count. No, she hadn’t. This was the twenty-fifth time. That averaged out at roughly three times a week for the past two months. - Harley Quinn: Mad Love (Novel) Pg. 255 “Hey, that’s a real gasser, ain’t it, Mistah J?” she said between giggles. In the next moment, Gordon thought the nitrous was making him hallucinate as events took a sharp turn into the surreal. The Joker grabbed the floppy points on Harley’s hat, pulling her to him so they were nose to nose. “I deliver the punchlines around here!” he bellowed into her face. “Got that?” “Yessir,” Harley Quinn said, her voice tiny and fearful. The Joker shoved her aside and the jolly Clown Prince of Crime persona was back.
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itshermocrates · 28 days
Text
POISON- Ep. 4 Analysis
I have no idea if someone has already done something like this but these two unfortunate souls have been in my mind since I watched the show TWO WEEKS AGO. So I'm gonna share with you this personal analysis of what we saw during the Poison scene in Ep. 4 of Hazbin Hotel.
Again, I don’t know if anyone has already talked about this (I’m not very active on tumblr), but I think that what we see as Angel sings Poison is made not only to tell us how the relationship Angel has with Valentino is but ALSO how it came to be thanks to everything that's happening on screen while he's singing.
Of course the lyrics are also important so I’ll make some reference to those as well, but I’ll focus mainly on what we see. Since I can only add 30 pics in this post this will be a bit difficult but I will try my best.
SOME CONTENT WARNINGS! I'm not sure if this is even necessary but anyways,,, Pychological abuse, abuse, violence, domestic violence, drugs, addiction, sex work, dubius consent, sexual violence, abusive relationship, unhealthy power dynamics, angst, suicidal ideas (hinted), etc.
Now, without further ado, let's begin!
Before the song, Valentino and Angel have a fight in his dressing room. I want to start here because during that fight Angel gets a black eye and we get to see how the walls of his room are filled, not only by security cameras, but also by a lot of eyes that follow Angel wherever he goes inside the room. We will see more of these eyes soon enough.
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After that fight Angel sends Charlie back home and we see a bit more of what we could expect from Valentino with his manipulation tactics. The sweet tone and the praise as he embraces Angel from behind, too close and too intimate considering he will be soon forcing him to go back to work.
These are the tricks every abuser uses to manipulate and control the people around them, and it’s what Valentino uses all the time with Angel.
This is the behavior of an abusive boyfriend, a dynamic they have in the present, but once Poison starts, we are presented with their backstory. Now we will get to see how that dynamic is even possible, how these two ended up together and how their relationship started and evolved.
Valentino sits next to the movie director and everyone starts moving to prepare the scene they are about to film. He is the one in control here, the one calling for action again and deciding who does what and when. And just like that we see how Angel's black eye is concealed by makeup, erasing the marks of what had just happened and metaphorically erasing the violence of the relationship he is in now.
Angel closes his eyes in displeasure, focusing on what Valentino wants from him. When he opens his eyes again, his expression is completely different, this Angel without bruises, is not only a version of him from minutes ago, before the fight with Val, or even prior to the abuse… This is the Angel before Valentino.
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He walks backwards, as if he was going back in time, moving easily with the playful shamelessness that characterized him back then. When he sings “I’m not above a love to cash in” he was most likely referring to his past as a sex worker or at least, as someone who didn’t mind to sell his affections to get what he needed/wanted. During this time, he would most likely go clubbing every night, since it offered a good way to earn easy money while he had a great time, partying, drinking, consuming…
Angel probably was the type of person who used those who desired him to get whatever he wanted, a game he knew how to play. Even if it could get risky or inconvenient, he was a free soul, he was still in control of what he did or didn't do with all those people, so at the end of the day, he always won. That’s what he believes as he playfully lays back on the setting’s bed again.
That had always been true after all, or at least it was until he came across someone that beated him at his own game. Someone who would take that freedom and control over his own body away from him.
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His expression changes again to one of terror when a shadow looms over his body from outside the frame. That’s the silhouette of the men he was previously filming with, but we can also imagine that this figure suddenly changing the way he moves, reacts and feels, was meant to represent Valentino.
After the other actors surround him, and the scene fades to black, we are shown what could have been Angel's previous workplace. A stripclub where he danced for money and probably engaged in sex work in a somewhat safe and controlled environment. Back then he had become popular enough to be "the star" of his own show, and a performer good enough to get a reputation that would eventually reach the ears of one of the most powerful overlords in that district.
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Valentino discovered him maybe by chance, or maybe not. Maybe he had heard of Angel Dust and wanted to see for himself if this dancer was as good and pretty as all those people said. And after watching him perform Valentino was the furthest from disappointed, he had enjoyed the show so much that he decided to take a closer look at this Angel Dust’s skills.
He approaches him, maybe as a client, or maybe just as a guy interested in what he had to offer, and although Angel doesn't trust him at first, he ends up entering his game.
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He was just another man who wanted to fuck him, one that had enough money to spoil him all he had ever wanted and more. It was quite the opportunity for someone as low in the food chain as him, and Angel had already played with rich men like Valentino before, he knew what he was doing.
So Angel took the bait, and had sex with Valentino. Probably a blowjob in that same club he danced at that served as a test for Valentino.
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Now we have a scene with two Valentinos, one that is about to get head from Angel with a video camera on his hand, and another Val standing behind the cameras and lights of what we now know to be another movie set. The first Val we saw, extending his hand before Angel when he finished his performance, was the Val of his past, the one he sucked off the night they met. That was someone Angel thought to be somewhat honest, or, at the very least a man he heavily underestimated.
It's the playful man that winks seductively at him in the set from afar with those red hot eyes he fell for, the same that quickly turns into a different guy with similar clothes (red jacket and white fur) now recording him on set. Someone who quickly became a stranger to Angel, just as he is for us, since we can’t even see his face.
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The second Val it's the real one, the one standing next to the movie director watching everything with calculating eyes and a dangerous smile. That's the man who told Angel all those red hot lies he believed to be true, and the one judging with this first meeting if the spider was a worthy investment or not.
Angel proves to be good enough. Valentino likes him, and after that night he starts to actively pursue Angel but he didn’t do that as a simple client. He can tell Angel isn't a common whore, he has talent, charisma and he's been playing this game for long enough to know all the tricks. One can only become so successful in this world knowing how to play their cards well.
It’s obvious then what he has to do to turn Angel into his next movie star. Valentino needs to make him fall in love with him and make him believe that Valentino can love him just as much. This is exactly what he is going to do.
On screen we see how Valentino's sex pollen (he's a moth guys, it has to be sex pollen) starts to fill the scene, and as it expands it engulfs Angel, making us know just how captivated, how absorbed he will end up being.
Note: I know there’s a theory that says that Valentino’s power comes from his saliva or something like that and I haven’t read it or anything, but I do believe the smoke/fog that surrounds him has the same effect as the “sex pollen” trope. Or at least it’s similar.
The red fog expands all over the frame, emphasizing Valentino’s overpowering skills and charisma. When it clears, we see Angel in a different place while he sings the second line of the lyrics “What’s the worst part of this hell, I can only blame myself”.
His expression is one of pure anguish and regret, and he’s saying this while standing in front of Valentino in his apartment. He's talking about how naive he was for believing all of Valentino's lies, to truly believe that what he felt for Angel was love. He blames himself for buying this love story and falling for him so hard it made him very easy to manipulate. He regrets not having seen it before it was too late.
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Because when Valentino’s back appears at the left corner of the frame, with an extended hand and smoke-made chains, it’s Angel the one who finally cuts the distance and accepts the chains Val is offering him.
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Angel was too blinded by Valentino’s courting, by his sweet words and lovely gestures, but also by the constant push and pull of their dynamic, the flirting, the teases, the seduction. He loved the attention and he loved the sense of control, of power, he could feel when he was with Valentino, an overlord no less, a demon so rich and powerful he could have anyone he could have ever wanted. But Val had chosen him, him of all people.
This brief initial moment represents the regret he feels when he remembers how it all started, when Angel thinks about the beginning of their relationship, a time when everything seemed fine and their sexual chemistry made him lose all sense of reason. Because with Val everything ended up leading him to his bed.
After this short display of regret, we are presented a sequence made to represent the fantasy Angel indulged himself in, an illusion tinted in pink colors and fun costumes. This is the story Valentino had carefully created for him to make him fall in love with him, a story that made the spider feel so good when he was by his side, he could easily excuse any warning sign in his sight.
Because Angel would obviously want to be with Valentino when all he knew about him was his lover persona, a facade that portrayed him as a passionate lover and playful partner, his (soon to be) poison.
They had fun and even when Valentino showed little fragments of his true intentions and personality, Angel was too blinded to notice that he was starting to lose the very game he had considered himself a master of. Valentino and the relationship Angel had with him was addictive, so it didn't matter what happened, Angel always came back. You can think of this as the result of Valentino’s sex pollen, his charisma or a combination of both, depending on what flavor of angst is your favorite.
What we can know for sure, is that they were both performers in their own ways, both players in the game of love, so Angel could have excused and normalized a lot of things he shouldn't have. Knowing their line of work, of course that they could get a bit too intense every now and then, of course things could get a bit out of hand between them, they were just sooo dramatic.
It was that rollercoaster of emotions, the raw intensity of it all what ended up hooking Angel so much. The playfulness that could get a bit dangerous really fast, even if the Valentino he thought he knew would never really hurt him. Right?
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A few little details I like about this sequence are the way we get to see Valentino’s home in the background and how the colors of his clothes and body are darker than usual but still lighter in comparison to what we will see in the following scenes, indicating how this was still the “nice” version of Valentino.
In the same way, Angel is playing with the chains bounding his wrists together, not his neck (yet), telling us that he’s playing with fire, quite literally dancing with the idea of being owned by Val, but he is still a free soul. In this moment he was falling hard and quick for Valentino’s lies, but he wasn’t his captive yet.
He’s having fun while being manhandled by Valentino, both physically and emotionally, but he still thinks of it as a game, another part of their sex life and how they naturally work as a couple. It’s exciting, it’s new and Angel loves it.
Not knowing that the longer he stays the more power is giving Val over him. Valentino is starting to show his true colors, in these last frames we can see that his figure is getting darker as Angel is slowly discovering the manipulative side of Val, the controlling and abusive nature he had been hiding from the spider since the beginning.
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The push and pull continues as we see their silhouettes dancing, even if in reality this is Valentino pulling from his side of the chain to keep Angel close, to keep him with him.
After the shadows sequence, we get back to the playfulness Angel had shown when he took the chains for himself and started to tease Valentino. Only that this time, Val’s colors are darker and his touch more possessive, more aggressive. He’s groping him and even choking him while Angel sings “I made my choice and every night I’m living like there’s no tomorrow” with a grin, showing us how this was still a game for him.
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He made his choice staying with Val because he loved him and he thought he was loved in return, when the moth had been only toying with him from the moment they first saw each other. This is Angel’s greatest regret, the fact that he truly believed Val’s lies, that despite all the warning signs he kept choosing him over and over again.
Choosing to stay, to kneel before Val, to obey him with the promise of a new wave of pleasure, a new high. Just as Valentino wanted him to do as we can see the vicious smile he wears during this entire sequence.
I think the next couple of seconds tells us how, for a while, they were together and Angel was still able to keep his job at the club. He was still allowed to see his friends (his coworkers most likely) and spend time with them, while Valentino made sure to feed all his previous bad habits and addictions, giving him gifts (we know Fat Nuggets was a gift from Val), a lot of money he could spend on a whim and eventually, probably the substances to use as well.
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The smile on his face, the smugness of it, makes me think he’s telling his friends about this rich guy that pampers him in every way and treats him like a prince. He has found the ultimate Sugar Daddy, a man that has changed his life forever in the best way possible. Now he can have whatever he wants, party for days without having to worry about not having enough money to eat at the end of the month or a place to stay.
Angel would have used drugs before, maybe occasionally, maybe only at parties, maybe to get the worst bits of his job done, maybe he was already a bit of an addict, but it’s now, when he has the means to consume every night that he definitely becomes one.
Valentino made sure of it.
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During this time, Valentino would secure the control he had over Angel, weakening his mind and will by worsening his addiction problem while continuing convincing him of how much he loved him. The parties were incredible, the sex was amazing, and Angel felt on top of the world at every moment. He was “living like there’s no tomorrow” without realizing the higher he raised above the ground, the hardest would be his fall.
And maybe this is just me over analyzing a kinky moment, but after this, after Valentino bites Angel causing him a wince of pain and maybe even making him bleed, everything changes.
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They are having sex, far from the flashing lights, they are together as Anthony and Val, as the real person who oftenly hides behind his stage persona. The person who is deeply in love with Valentino, who is vulnerable and allows his lover to hurt him however he wants because he trusts that the pleasure that follows will be worth it.
But after that bite, he’s no longer in bed with Val, he's in the same bed from the very beginning of this music video, surrounded by lights, disoriented and confused… As if he was expecting Valentino to be between his legs and not this stranger.
When he finally comes to his senses and sits, we hear for the first time the line “My story’s gonna end with me dead from your poison”. This was the beginning of the end of their honeymoon phase and the point of no return. Valentino had considered Angel weakened enough to take a step further, and a new part of him is finally uncovered when he carefully introduces Angel to the porn industry. He would do so (probably) while Angel was too intoxicated and definitely too blindly in love to know what he was doing.
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Valentino becomes this overwhelming shadow that covers Angel’s body, a silhouette he can’t escape from, and when we are shown what Angel sees, we can no longer see the color of Valentino’s clothes. His colorful persona, his facade of playful lover it’s no longer in place, he has stopped pretending and acting as the good boyfriend the spider had always wanted. Now before Angel there’s only the demon that owns thousands of souls, a vicious drooling smile and sharp red eyes. An overlord to fear and be intimidated by.
The background is filled with filming equipment, and even if Valentino’s body language is meant to appear welcoming, Angel feels terrified. This is not the Valentino he knew, and now he is completely trapped. He can’t refuse now, this is a choice he is being forced to make even if his soul still technically belongs to him.
After being pressured, Angel becomes part of this industry, and although he doesn’t really like it, he still trusts Valentino enough to not run away. The overlord can be scary, but he still believes that he’s safe with him, that if Val is by his side nothing wrong could ever happen to him. And after all, he had done sex work before, right? What difference did it make to fuck strangers for money in front of a camera now?
He’s not comfortable, and every day that intimidating side of Valentino that wasn’t really there before grows darker, fiercer and scarier. Angel had seen the ugliness of Valentino before, as a man, as a possessive boyfriend, as a controlling partner, but never as the powerful demon he truly was. So he still obeys Val and features in a few movies of his choice.
We can see these doubts, Angel’s discomfort and even a bit of his trust in Valentino at the beginning of the next sequence, when they appear on the set of a different movie.
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Angel was a performer, he had faked his own pleasure before, he could do it again now, and he could do it while earning way more money. He could do so, because he knew Valentino was there, guiding him, helping him, making sure his lover was safe. He always thought that Val was looking out for him, making sure he was getting the right roles in the right movies, the right contracts, and when he was nervous, Valentino was right by his side to comfort him.
But Valentino had never cared about Angel’s safety. And once Angel started to voice his doubts or show his discomfort, he made sure he couldn’t do it for much longer. The comfort Angel sought for was quickly replaced by something chemical, something that eased his nerves but also left him dazed and disoriented.
It was then that Valentino drugged him, tricked him and made him sign the contract that would leave him with only half a soul inside his chest.
Valentino had fed Angel’s addiction for a long time, adding to the mix not only the illusion of a love story, but also his own drug, his sex pollen, something that numbed the spider’s mind enough to go through all the things Valentino wanted him to do in front of the camera. Oftenly Angel was left too intoxicated to respond, too vulnerable and weak. In his last moments of lucidity he always could see Valentino, his lover, the man he thought would always take care of him, turning his back to him and leave him.
Valentino is the last thing he sees before everything fades to black around him, before he disappears. He’s no longer Anthony or Angel Dust, the stage persona, now the lines between those two different identities blurry beyond repair, and the person he becomes is a little more Angel Dust and a lot less Anthony.
I don’t think that it was just a coincidence that they used a BDSM scene to represent the moment Angel definitely lost control of his actions, his body and most likely also his soul. BDSM is all about power dynamics and the control that’s exchanged between consenting partners, only that, in this case, Angel didn’t really have a choice and there was no consent. This lack of control and safety is emphasized precisely by the type of session Angel is forced into.
He’s restrained in every way possible, he’s tied up, a blindfold covers his eyes and a gag is forced onto his mouth, one that would prevent him from closing it no matter how much he tried. He has no way to end the scene, no way to say a safeword, to complain or to stop what other people do with him or to him.
This is meant to represent the moment he signed the contract, and how he felt every time he entered the set of a new movie after he signed it. He stopped being his own person, he had disappeared, and what had been left of him was nothing but a sex toy for Valentino to control in each of his productions.
Now we see the Angel Dust that survived this state of numbness and dissociation, the one that has consumed Anthony just so he could keep himself alive.
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While Angel Dust dances, seemingly enjoying the show, performing as he has always done, in the background screens we see what’s left of Anthony, of the boy feeling trapped and used with no single way out of it. This is accompanied by more fragments of that BDSM scene that changed it all, since that was a traumatic event that repeats itself in Angel’s mind every time Valentino forces him into a new role, a new movie, a new lie.
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These frames show us not only the stress Angel is feeling, but also how Valentino is always there to exploit his body in the way he deems more profitable. We know this because he appears in between Angel’s anguish, but also because the same eyes that covered his dressing room walls are in the background while someone fucks Angel from behind.
While this happens we hear again “I made my choice”, a reminder of Angel’s regrets, shame and guilt. In addition the line “Every night I’m living like there’s no tomorrow” now has slightly changed, indicating the shift in Angel’s life and condition as no longer a free soul. What we hear now is  “Every night I’m wasted like there’s no tomorrow”.
Where once he was happy, he’s now desperate, begging to get a way out.
We see a bit more of the playful performer, Angel Dust, and the pain of Anthony in the background before Valentino approaches him again like a great imposing figure, putting an end to his show.
The second Angel notices Valentino, distress becomes clear all over his face. He points to the left, outside of what we can see, and when he tries to escape, Valentino grabs him and pulls him closer.
He has finally come face to face with the real Valentino in all his twisted glory and he wants to run away. He knows now that what they had wasn’t love, it had never been, and it’s painful. But he’s afraid of Valentino, he can’t do anything to escape his contract and he now belongs to him (at least while they’re on set).
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That last frame with Valentino embracing him, a vicious smile on his face in contrast with Angel’s terrified expression puts an end to their story, to the narration of how they came to be what they are now. After that, we are presented to the aftermath, the Angel that’s no longer intoxicated by his poison and can only dread the many past choices he would like to change.
He is now fully aware that there’s no way out of his hell, that for as long as he is alive he will be Valentino’s toy. He’s destroyed in every way, his mind is a mess too dependent on the drugs Valentino has been feeding him to properly think, and his body has stopped to feel as his own a long time ago.
How could he consider that pile of bones, fur and chemically loosen up muscles as his own? He’s disgusted, drowning in this feeling of helplessness.
And he’s even more grossed out when he notices the remains of Valentino’s poison, his drug, still lingering on his tongue. He’s so lost, he doesn’t even recognize himself. This is not where he was supposed to be, he shouldn’t be in Valentino’s apartment, he doesn’t want to be there anymore.
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The substance that once had brought him so much joy, such a delicious bliss, now slips past his lips burning his skin like acid. The itch reminds him of the reason why he’s there, and he can only feel pain. The only cause for most of his problems had always been his addiction. To Val, the sex they had, his poison, the drugs he bought for him…
No matter how hard he tries to get used to this life he has with Val now, he simply can’t do it. It doesn’t matter how many movies he appears in, they are never enough, they will never be enough for the overlord. Because he’s nothing but a tool to make Valentino and the other Vs even richer and more powerful.
That’s Valentino’s business and what initially made him get close to Vox. They complimented each other and together they felt capable of ruling Hell like that was their birthright. A power Angel would never get to know firsthand, because for Valentino he was nothing but another whore to use, exploit and eventually discard.
Angel is sick of it, is tired of living a life he hates, a lonely life full of pain and abuse, all caused by the person he loved the most.
He has spent years trapped in the V Tower, watched by the countless cameras placed in every wall and every corner of his prison. Even when he’s not on set, controlled by Valentino and his team, he feels Vox lenses following all of his movements, and despite the luxury he lives in, every day he goes to sleep wishing to never wake up.
That's all, folks. I hope you liked it, or at least got as sad as I felt while analyzing this. Again this is all what I could understand from that segment of the episode I don't know if y'all already knew this but I did wanted to share it. If you liked this check my bird app account bc there is where I spend most of my online time or my Ao3 profile, although I post mostly Skfs content now <3
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ladyluscinia · 6 months
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I think they were so worried about not getting a season 3 they ruined both the viewers expecting one and the viewers who would've liked it to end there. they've created an easily destroyable status quo because of course something needs to happen to get everyone back together for season 3. so it's not even a happy ending; it's so fragile, it's designed to fall apart the second that anyone learns that the show is back on. i get not wanting to bank on having a third season and wrapping it up but like. Galavant did that and did it better. WITH THE HEROES RETIRING AND THE TWO MINUTE MARRIAGE CEREMONY TO BOOT. But it gave an outline of where the plot might go from there and how the adventure will continue if it gets to. And it never got to, and season 2's ending is good because it's not /fragile/--it's not a cliffhanger, but you get the idea that they could keep going from there still. whereas this one didn't want to be a cliffhanger so much that they created the most breakable new status quo in history and if there is a season 3 it'll immediately be undone and I'll probably still watch it but like I'll /know/, y'know? They could fix everything in the first episode of season 3 and I'd still have to know that at one point, this was considered an acceptable outcome.
The thing that is driving me absolutely insane is they DID NOT HAVE TO DO THIS!
There's so many people looking at it like "well it's a shame that 2x08 clearly had to cram several episodes into one for budget reasons and it made the development weaker but that's the situation MAX put them in" and I cannot emphasize enough how much that is not true.
MAX did not break it to them after episodes 2x01 - 2x07 were written and half filmed that they would have to wrap up the whole plot in 30 minutes. Like absolute worst case scenario they had 10 eps mostly written and budget came back 20% over and they had to reduce to 8 total. More likely they knew they were getting 8 from the start.
It is absolutely nobody's fuck up except David Jenkins and his writers' room if they were unrealistic about what character beats were needed and would fit in the timeframe to reach a satisfying wrap up.
Worries about no S3 were on the table the moment it took until JUNE to get confirmation of S2. This wasn't sprung on them. If they wanted their story to have a "just in case" happy ending and then a "fully realized arc" happy ending, they should have fucking acted like it???
I was shocked when the first three episodes that dropped were so hardcore on destroying Edward's relationships and laying bare exactly how deep his issues went. It only made sense to me if they were going all in on getting a S3 and prepared to spend all of S2 focused on the implications of all that, and then the not-even two week in-universe timeline of the season reinforced my understanding that was happening.
"Shame we don't have time for our main couple to even start addressing their relationship or having moments of self-realization and sharing their issues," says guy who decided to make the first half of S2 about adding more problems on top of well established ones from S1 and the second half of S2 about throwing in a second breakup cycle instead of dealing with the fallout from the first.
Want Edward to end on a beat of feeling part of the found family? Well maybe adding a timeskip after 2x05 and then a crew chat in 2x06 where you make it clear he did an apology tour offscreen could help, but you also could have just not focused hard on him poisoning his relationship with every single one of them in the first place???
There's multiple different ways you can do Act 2 of a three act structure, and they did not have to choose one that ends on another dark cliffhanger beat or right at the open ended turning point toward growth? Like they didn't even do the one they picked in a way they could fit in their season. I feel like by the end of a struggles Act 2 both your protagonists need to have self-realized their issues and maybe had one conversation about it? Edward still wasn't talking about his guilt, and Stede wasn't talking about anything.
They aren't even at the turning point of growth and out of the backsliding / lessons learned era yet, that's why potential S3 will start on another backslide when status quo breaks and Stede starts "that's nice, dear"-ing Edward during the day and slipping out at night to vicariously listen to pirate stories or whatever (and they frame it like he's cheating).
We have two out of three seasons in a show that might only get two, and I feel like the characters have barely moved from their starting position.
Like idk maybe they are really good at coming up with character flaws - ex: Stede is repressed and bottles up his traumas until he mentally checks out / runs away - and just drawing blanks on how to believably "fix" them, but just going "well what if we just used this flaw to throw another miscommunication roadblock in their relationship?" is not getting them where they want to be.
The season was fundamentally designed against their stated goal and did not make what seem to be necessary writing concessions to the reduced screentime if they wanted their finale to land as an even plausibly happy ending. It's hollow.
And possibly not even salvageable in S3 since they aren't demonstrating the skills to salvage it.
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chaifootsteps · 3 months
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so if Viv is liking those tweets, isn't it basically an admission that her critics have a point?
like without skipping a beat the argument has gone from
"SA survivors have found the Poison sequence empowering/honest/etc and anyone criticizing me who is also an SA survivor doesn't count / is just wrong" (implying the depiction is not fetishizing SA)
to
liking tweets about how trauma is irrelevant in what preferences people have and "no one should have to disclose trauma to be valid" (implying the depiction not only totally is fetishizing SA, but that there's nothing wrong with that)
this is a pretty classic Motte-and-Bailey style argument
the controversial position is that using SA as a means to titillate the audience is acceptable (or having someone working on a scene about SA who treats it that way is acceptable)
the non-controversial position is that no one should have to disclose whether they've been SA'd or not to work on storylines about it
People have criticized Viv & Raph for doing the former - treating SA like something edgy and sexy - but Viv knows it's not acceptable to defend that position, so she either uses SA survivors who thought the sequence was OK as a shield to say "no it doesn't sexualize SA" or she retreats back to the non controversial position that's much easier to defend to try and force her detractors to argue on her terms.
it's why her defense is so all over the place - it's simultaneously trying to avoid engaging with the actual problems people are having & putting words in people's mouths that she can rebut more easily.
it's fair that people get emotional when they're defensive & some can't argue their case well - but it's why stepping back to make one simple, thoughtful statement that actually engages with the criticism (where a creator feels a response is warranted, saying nothing is an option if she really thinks this is bad faith) would be a wiser move, instead of engaging several different people in debate while trying to move the conversation past what they're actually saying. (look at how LD handled the refund and Zebirdbrain situation - one simple statement, then they moved on. they didn't have multiple staffers getting into three day twitter fights)
the issue is not "people expect staffers to disclose sexual traumas to be allowed to work on scenes involving sexual trauma"
the issue is "if your storyboard artist has a history of treating SA as sexy and treating Angel in particular as an object to be used and abused, then either they shouldn't storyboard sequences like this or extra oversight is needed to depict the topic with care. And if you're going to blatantly rip off both an animatic and a fancomic they made, don't be surprised when people connect the dots and get annoyed about it or think it's disgusting when you use other SA survivors as a means to tell them to shut up about it & then lie that the storyboard artist in question is a victim of SA after they contradict you twice (or out them as a survivor, if that's the case)"
(side note, didn't Viv say she would welcome criticism after the ep was realized? that attitude seems to have vanished)
Thank you for laying it out and putting it into words. She's zig-zagging all over the place...don't let her.
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swin--dler · 3 months
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I took so long writing this may as well post it here after like a year of inactivity
Hazbin Hotel Voxval analysis (I am probably mischaracterizing and misinterpreting some stuff but, oh well) :
Listen I think Vox is a toxic and manipulative asshole as well, but the fact of the matter is that as far as we've seen, he's just your typical megalomanic ultra rich ceo who embodies capitalism almost to perfection. He's seen using some psychological manipulation techniques over on Val in episode 2, but those techniques seemed like a way for him to keep Val relatively calm, to avoid him doing shit and getting hurt or worse, and it seems like the main reason why he came up to Val was because Velvette told him to because Val was disturbing her. He wanted to avoid Velvette getting more annoyed and Val getting hurt, he manipulated Val to keep them and Velvette safe.
It's seen that Val, on the other hand, seems to be both physically, psychologically and emotionally abusive, as seen in episode 4 with angel, but also in that little scene in episode 2 where he throws a whole glass at Vox, which he does totally purposefully since he asked for another drink specifically to throw it at the TV man, a bit later into the scene he also grabs Vox's phone from his hand, slaps him, seemingly pretty hard, and smashes his phone against one of the pillars. And while Vox tried to calm him down and get him to not fuck up, Valentino is actively enabling and encouraging Vox's anger and annoyance.
Also include the Angel and Vox's poison dripping mouth in Poison
Also the noncanon Instagram accounts showed than on two different occasions, Valentino had purposefully broken Vox's screen by hitting him because he wasn't satisfied with what Vox did for/to him. Those accounts have been archived since and count as non canon, but have shown a lot of truth in the way they portrayed the characters, so one could keep that in mind
Vox is also shown to get jealous, especially about Angel, notably in the scene in episode 2 in which he enthusiastically asks if Angel quit, then being disappointed when Val responds he didn't. And also during Poison, where he seems disgruntled to see Angel looking at them
Considering all of those, it seems that Val and Vox are a toxic couple to it's peak, in which each of them think they're in control, people from the outside think they're destroying each other while really only one person (Val) seems to be absolutely ruining the other mentally. Vox is probably unhealthily in love and obsessed with Valentino, to the point where he keeps his cameras on him anytime he can. But Valentino only cares about Vox a fraction of how much cares about him, because he knows he's got him wrapped around his finger when he makes him believe he's in control of their relationship. Vox would probably crawl back to Valentino anytime they have an argument, even if Vox is the one being mistreated in that argument. What Valentino seems to care about is the power and money he can get from Vox, while also considering him a sort of entertainment when he gets mad.
Sure they maybe have their lighthearted and lovey dovey moments, because Valentino is *vaguely* in love with Vox, like in the last ep, but to me and from what I've observed, Vox is not innocent, but he is still one of the victims of Valentino
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episims · 2 years
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Improved Biotech Station
This project started as an edit of simler90's Biotech Station mod but I ended up changing, fixing, and adding so much stuff that I feel comfortable calling this its own thing completely.
This mod improves the existing Biotech Station mechanisms, adds some interactions it lacked, makes medicine more useful, polishes virus crafting, and replaces medicine and virus vials with pill bottles that are sensible to sell at owned businesses.
Plenty of details and the download link under the cut.
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Make medicine. Worry not, it can't cause catching the mysterious disease anymore. Medicine can be made by teens or older sims with at least 3 logic. Children and sims with less than 3 logic can make it if someone who meets the requirements is teaching them.
Medicine can be taken by sick sims teen or older, given to a sick sim (children included) by another sim, sold instantly, or sold at an owned business. It comes in two types:
Moderate medicine (light blue bottle) sells for §100. It instantly cures food poisoning and a cold, and is a pretty efficient treatment for the flu as well, although some additional rest might still be needed. Several bottles of it are needed to cure pneumonia.
Strong medicine (dark blue bottle) sells for §300. It instantly cures any disease except the mysterious one and is usually pretty efficient against that too.
Which medicine you get from crafting depends on your sim's logic skill, mood, hygiene level, and pure luck. Getting the strong version is rare even with high logic. I also added the possibility to make medicine in bulk. When made so, the bottles go directly into the sim's (or the business lot owner's) inventory. Failed attempts add there an empty bottle worth §0.
The relationship between sims is checked when giving medicine to someone. Basically sims won't accept medicine from total strangers or someone they don't like. If the sim refuses the offered medicine, it will cause a hit on their relationship, while accepting boosts it.
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Make virus. Teens or older sims with at least 8 logic can also make virus, but they'll risk catching the mysterious disease by doing so. Virus doesn't require the sim taking it to be sick and can be otherwise utilized in the same ways as medicine but can't be sold at an owned business. There are two types:
Moderate virus (light green bottle) sells for §200. It randomly infects either food poisoning, a cold, or the flu.
Strong virus (dark green bottle) sells for §400. It infects the mysterious disease.
Which one you'll get follows the same logic as with medicine. You can make virus in bulk as well. The virus made with Biotech Station uses its own code for infecting sims so even those usually immune to diseases will get ill from directly consuming it.
When giving virus to someone, it requires a good relationship with the giver for the sim to accept. The interaction will cause a hit on their relationship no matter what the outcome is.
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Practice. Children or older sims can use Biotech Station for building logic without crafting anything. Since the unmodded skilling with it was super cheaty, I toned it down so that it's now only slightly faster than with non-reward objects. The object still also grants science enthusiasm (these apply to making medicide/virus as well).
If you read all the way to here, congrats! *passes out from explaining*
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Download (SFS) (alternate)
The file is compressed. OFB is definitely required but the mod has only been tested with all the EPs. If you experience any problems with the mod, please let me know! It's pretty complex so it's very possible that we missed something.
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Additional recommended mods: The buyable career rewards can be found here.
Simler90's grandma's comfort soup mod stops the soup from insta-curing and makes getting medicine instead a lot more alluring.
I also recommend using either my edit of simler90's disease mod or their version of it (from the link above) for sims to be able to get pneumonia. Kestrellyn's pneumonia fix is an alternative, too.
If you want to use this mod together with LimeYoshi's antibodies after sickness, check the updates below for the details.
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Updates:
6.3.2024 added Portuguese translation.
3.1.2024 updated the antibodies version to work with LimeyYoshi's update to that mod.
19.6.2023 now there's a version that makes the medicine made with this biotech station work correctly with LimeyYoshi's antibodies after sickness mod. If you pick that version make sure to get LimeyYoshi's mod too, it's required for the compatible version to work! If you use my edit of simler90's disease mod, LimeyYoshi's compatible version with simler90's mod works with my edit as well.
3.3.2023 fixed an error that occurred when giving medicine to a child. Changed it so that virus can't be given to children anymore. Fixed an issue with the pop-up messages, now they show correctly if the sim is healthy or not even when the sim has multiple diseases before taking medicine.
6.8.2022 added Brazilian Portuguese and Hungarian translations.
3.8.2022 added Polish, Spanish, and Finnish translations and ensured that UK English always uses the correct text strings. Toned down the skilling speed some more.
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Full credit to simler90 for their Biotech Station mod that I used as a base. Additional credit to Nixy for the pill bottle.
Special thanks to @jellymeduza for sending me the earlier version of simler90's mod and to @deedee-sims for all the cheering and help with the testing!
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